Quarry Work Quotes

Eleven thousand five hundred and fifty-one years old, and yes, I feel every day of it. (Acheron) Wow, I had no idea. Hell, I didn’t even know we had people back then. (Nick) Yeah, I was part of the original Bedrock crew who worked in the quarry on the back of dinosaurs and ran with the Flintstones. Barney Rubble was short, but he played a good game of stone-knuckle. (Acheron)

On the way out, a man loading up a wagon exchanged a wave with them. “You boys looking for work?” he asked skeptically. “Neither of you looks up to a full day in the field.” “You’d be surprised,” said Jesper. “We signed on to do some work out near Saint Hilde.” Wylan waited, nervous, but the man just nodded. “You doing repairs at the hospital?” “Yup,” Jesper said easily. “Your friend there don’t talk much.” “Shu,” said Jesper with a shrug. The older man gave some kind of grunt in agreement and said, “Hop on in. I’m going out to the quarry. I can take you to the gates. What are the flowers for?” “He has a sweetheart out near Saint Hilde.” “Some sweetheart.” “I’ll say. He has terrible taste in women.” Wylan considered shoving Jesper off the wagon.

In a sense, New World conquest was about men seeking a way around one of life's basic rules - that human beings have to work for a living, just like the rest of the animal world. In Peru, as elsewhere in the Americas, Spaniards were not looking for fertile land that they could farm, they were looking for the cessation of their own need to perform manual labor. To do so, they needed to find large enough groups of people they could force to carry out all the laborious tasks necessary to provide them with the essentials of life: food, shelter, clothing, and, ideally, liquid wealth. Conquest, then, had little to do with adventure, but rather had everything to do with groups of men willing to do just about anything in order to avoid working for a living. Stripped down to its barest bones, the conquest of Peru was all about finding a comfortable retirement.

Their family and friends are the only ones who can understand the depths of their grief, the life’s work of creating meaning in loss, of having their world shaped by violence they couldn’t see coming and did not deserve.

Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!

Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There's something magical about that place. There are a lot of people innovating, and that's not the main distinction of my career. The reason Apple resonates with people is that there's a deep current of humanity in our innovation. I think great artists and great engineers are similar in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great art science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor.

A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.

In the age of instant information man ends his job of fragmented specializing and assumes the role of information-gathering. Today information-gathering resumes the inclusive concept of “culture” exactly as the primitive food-gatherer worked in complete equilibrium with his entire environment. Our quarry now, in this new nomadic and “workless” world, is knowledge and insight into the creative processes of life and society.

Her raw fear, and even more so how desperately she was working to hide it, made me want to weep.

while the men worked in the slate quarries,” Bruhn said. “It was magical.

sent a pack of hounds and huntsmen on ahead to find the quarry, mounted his chestnut Donets, and whistling to his own leash of borzois,

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

Life lies behind us as the quarry from whence we get tiles and copestones for the masonry of to-day. This is the way to learn grammar. Colleges and books only copy the language which the field and the work-yard made.

I hadn’t meant to tell her the last bit. Sometimes Mom was fine taking in that much information. But then there were the other times. I could see her tumblers working. Her face had gone slack. The back of my neck grew cold waiting to see which version was going to erupt. But finally, happily, the correct words dropped into place, and out rolled a perfectly normal sentence. “Wonderful! Your dad and I will come see you girls play.” Did she know she was lying?

For centuries, the paesani of Roseto worked in the marble quarries in the surrounding hills, or cultivated the fields in the terraced valley below, walking four and five miles down the mountain in the morning and then making the long journey

Bitterness will make you sick. During [Madiba's] imprisonment they were forced to work in the limestone quarry. Chipping away for no reason. Bitterness is the same. You reduce your own character with such a mindless exercise of cultivating bitterness.

In the Eastern story, the heavy slab that was to fall on the bed of state in the flush of conquest was slowly wrought out of the quarry, the tunnel of the rope to hold it in its place was slowly carried through the leagues of rock, the slab was slowly raised and fitted in the roof, the rope to the great iron ring. All being made ready with much labour, and the hour come, the sultan was aroused in the dead of the night, and the sharpened axe that was to sever the rope from the great iron ring was put into his hand, and he struck with it, and the rope parted and rushed away, and the ceiling fell. So, in my case; all the work, near and afar, that tended to the end had been accomplished, and in an instant the blow was struck, and the roof of my stronghold dropped upon me.

Then there was Mr Mandela. Everybody knew about Mr Mandela and how he had forgiven those who had imprisoned him. They had taken away years and years of his life simply because he wanted justice. They had set him to work in a quarry and his eyes had been permanently damaged by the rock dust. But at last, when he had walked out of the prison on that breathless, luminous day, he had said nothing about revenge or even retribution. He had said that there were more important things to do than to complain about the past, and in time he had shown that he meant this by hundreds of acts of kindness towards those who had treated him so badly. That was the real African way, the tradition that was closest to the heart of Africa. We are all children of Africa, and none of us is better or more important than the other. This is what Africa could say to the world: it could remind it what it is to be human.

For centuries, the paesani of Roseto worked in the marble quarries in the surrounding hills, or cultivated the fields in the terraced valley below, walking four and five miles down the mountain in the morning and then making the long journey back up the hill at night. Life was hard. The townsfolk were barely literate and desperately poor

[The Chinese here is tricky and a certain key word in the context it is used defies the best efforts of the translator. Tu Mu defines this word as “the measurement or estimation of distance.” But this meaning does not quite fit the illustrative simile in ss. 15. Applying this definition to the falcon, it seems to me to denote that instinct of SELF RESTRAINT which keeps the bird from swooping on its quarry until the right moment, together with the power of judging when the right moment has arrived. The analogous quality in soldiers is the highly important one of being able to reserve their fire until the very instant at which it will be most effective. When the “Victory” went into action at Trafalgar at hardly more than drifting pace, she was for several minutes exposed to a storm of shot and shell before replying with a single gun. Nelson coolly waited until he was within close range, when the broadside he brought to bear worked fearful havoc on the enemy’s nearest ships.] 14.  Therefore the good fighter will be terrible in his onset, and prompt in his decision. [The word “decision” would have reference to the measurement of distance mentioned above, letting the enemy get near before striking. But I cannot help thinking that Sun Tzu meant to use the word in a figurative sense comparable to our own idiom “short and sharp.” Cf. Wang Hsi’s note, which after describing the falcon’s mode of attack, proceeds: “This is just how the ‘psychological moment’ should be seized in war.”]

One morning, I overslept. After the war, if you were late to work…even ten minutes late, they could send you to prison. The foreman saved me: “Tell them I sent you down to the quarry…” If someone had informed on me, he would have been charged as well. After ’53, they stopped punishing lateness like that. After Stalin died, people started smiling again; before that, they lived carefully. Without smiles.

And, looking out of the sculptor’s great window, upon the marble mountains, all red and glowing in the decline of day, but stern and solemn to the last, I thought, my God! how many quarries of human hearts and souls, capable of far more beautiful results, are left shut up and mouldering away: while pleasure-travellers through life, avert their faces, as they pass, and shudder at the gloom and ruggedness that conceal them!

My dearest papa left us this morning to go for a few days into Cornwall for the purpose of examining a quarry in which he has bought or is about to buy shares, and he means to strike on for the Land’s End and to see Falmouth before he returns. It depresses me to think of his being away; his presence or the sense of his nearness having so much cheering and soothing influence with me; but it will be an excellent change for him, even if he does not, as he expects, dig an immense fortune out of the quarries....

Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothetical perfect human being. Impersonal emotion! And what - I thought - do I mean by that? Surely I mean: That is not Art, which, while I am contemplating it, inspires me with any active or direct impulse; that is Art, when, for however brief a moment, it replaces within me interest in myself by interest in itself. For, let me suppose myself in the presence of a carved marble bath. If my thoughts be: 'What could I buy that for?' Impulse of acquisition; or: 'From what quarry did it come?' Impulse of inquiry; or: 'Which would be the right end for my head?' Mixed impulse of inquiry and acquisition - I am at that moment insensible to it as a work of Art. But, if I stand before it vibrating at sight of its colour and forms, if ever so little and for ever so short a time, unhaunted by any definite practical thought or impulse - to that extent and for that moment it has stolen me away out of myself and put itself there instead; has linked me to the universal by making me forget the individual in me. And for that moment, and only while that moment lasts, it is to me a work of Art. The word 'impersonal,' then, is but used in this my definition to signify momentary forgetfulness of one's own personality and its active wants.

Said Jesus, with a sigh: 'This is the greatest misery that man can suffer, O Barnabas. For man cannot here upon earth have God his creator always in memory; saving them that are holy, for they always have God in memory, because they have in them the light of the grace of God, so that they cannot forget God. But tell me, have ye seen them that work quarried stones, how by their constant practice they have so learned to strike that they speak with others and all the time are striking the iron tool that worketh the stone without looking at the iron, and yet they do not strike their hands? Now do ye likewise. Desire to be holy if ye wish to overcome entirely this misery of forgetfulness. Sure it is that water cleaveth the hardest rocks with a single drop striking there for a long period.

On the first day I walked into Simon’s bustling headquarters, just across from City Hall, I encountered an intense young fund-raiser sitting in an open cubicle, working his quarry over the phone. Curious, I stopped to watch the spectacle. “Five hundred bucks? Five hundred bucks! You know what you’re telling me? You don’t give a shit about Israel,” the intense, wiry young man shouted at God knows which mover and shaker on the other end of the line. “I’d be embarrassed for you to take your five hundred bucks.” The kid hung up and stared at the phone, which rang an instant later. “Yeah, that’s better,” he said, in a markedly calmer tone. “Thanks.” Even at twenty-four, Rahm Emanuel had a gift for getting his point across, a quality I would see on display many times as we teamed up in the decades to come.

Papa, explique-moi donc à quoi sert l'histoire?' These are the opening words of Marc Bloch's moving Apologie pour l'histoire, which was cut short when its author was killed by the Nazis. [...]Apparently it has not yet struck anyone that where the myth originated it might also be rendered innocuous through more accurate work in the quarry of books. [...] It would be easy to show that one element of the nazi myth sprang up in the harmless field of comparative philology. The great Max Müller once ventured the guess that all peoples speaking the so-called Indo-Germanic languages might derive from the tribe of Aryans. He soon changed his mind, but the mischief was done, and the ghastly tragedy of those who were idiotically labelled non-Aryans should now suffice to answer the question of Marc Bloch's son.

For the great eras in the history of the development of all the arts have been eras not of increased feeling or enthusiasm in feeling for art, but of new technical improvements primarily and specially. The discovery of marble quarries in the purple ravines of Pentelicus and on the little low-lying hills of the island of Paros gave to the Greeks the opportunity for that intensified vitality of action, that more sensuous and simple humanism, to which the Egyptian sculptor working laboriously in the hard porphyry and rose-coloured granite of the desert could not attain. The splendour of the Venetian school began with the introduction of the new oil medium for painting. The progress in modern music has been due to the invention of new instruments entirely, and in no way to an increased consciousness on the part of the musician of any wider social aim.

Why the two [gigantic obelisks left unfinished at the Aswan quarry] were never finished is unknown. It appears that the workers simply stopped and never came back. The same possibly was the case at the Serapeum at Saqqara, where most of the 100 ton boxes were never finished. If these are pre-dynastic works as expected, then the great cataclysm of 12,000 years ago could have been the culprit - massive earthquakes and possibly solar blasts devastating all life in these and other areas. There is a massive horizontal crack in the bottom of the right channel of the great obelisk that also may have been the reason [...]. On another note, the left and right channels of the great obelisk would have been too narrow for workers to be shaping them with dolerite stone pounders. A lot of force would be required to remove any material at all, and having a foot or two of clearance would result in very little if any stone removal.

is to read things that are not yet on the page. Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There’s something magical about that place. There are a lot of people innovating, and that’s not the main distinction of my career. The reason Apple resonates with people is that there’s a deep current of humanity in our innovation. I think great artists and great engineers are similar, in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great at science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor. People pay us to integrate things for them, because they don’t have the time to think about this stuff 24/7. If you have an extreme passion for producing

The sheer size of some of the limestome foundation blocks [at Baalbek] are the largest ever quarried on the planet, conservatively estimated at 800 to 1200 tons, and the common belief that the Romans chose to do this work on such a massive scale to 'impress the locals' is absolutely ludicrous. Nowhere else in the Roman world is there any evidence of the quarrying of blocks of this size, so we can clearly presume that they were there when the Romans first appeared, and were used as foundational material. A group of three horizontally lying giant stones which form part of the podium of the Roman Jupiter Temple of Baalbek, Lebanon, go by the name 'trilithon.' Each one of these stones is 70 feet long, 14 feet high, 10 feet thick, and weighs around 800 tons. These three stone blocks are the largest building blocks ever used by any human beings anywhere in the world. The supporting stone layer beneath features a number of stones that are still in the order of 350 tons and 35 feet wide. No one knows how these blocks were moved, cut, placed, and fit perfectly together.

Martin Street is the archaeologist who has done most work in recent years on the dog from Bonn-Oberkassel. His theory is that what is known as ‘putting the game at bay’ was one of the first important tasks performed by dogs. This is a method of hunting still used today in many places, including the forests of Sweden. The dog runs around in the woods on its own to track game, while the hunter tries to stay near it. Once the dog locates its quarry, it starts to bark, forcing the animal to stop moving and focus on the dog’s irritating barking. The dog has put its quarry at bay. In the meantime, the hunter creeps nearer and shoots the animal. This type of hunting emerged when woods started to grow on the tundra, blocking the view. Before that time it was easier for hunters to scan the landscape for their prey from an elevated point. This is what makes it so interesting that the first dog universally recognised as such, the one from Bonn-Oberkassel, lived 14,500 years ago, at precisely the time when the tundra of the Ice Age was beginning to give way to woodland. That circumstance, in my view, is rather too striking to be a mere coincidence. If

After several long, tense minutes, one of the hounds began to bark excitedly somewhere in the trees upstream. The other dogs rushed in that direction and resumed the deep-chested baying that meant they were in close pursuit of their quarry. When the clamor had receded, Roran slowly rose to his full height and swept his gaze over the trees and bushes. “All clear,” he said, keeping his voice subdued. As the others stood, Hamund--who was tall and shaggy-haired and had deep lines next to his mouth, although he was only a year older than Roran--turned on Carn, scowling, and said, “Why couldn’t you have done that before, instead of letting us go riding willy-nilly over the countryside and almost breaking our necks coming down that hill?” He motioned back toward the stream. Carn responded with an equally angry tone: “Because I hadn’t thought of it yet, that’s why. Given that I just saved you the inconvenience of having a host of small holes poked in your hide, I would think you might show a bit of gratitude.” “Is that so? Well, I think that you ought to spend more time working on your spells before we’re chased halfway to who-knows-where and--” Fearing that their argument could turn dangerous, Roran stepped between them. “Enough,” he said. Then he asked Carn, “Will your spell hide us from the guards?” Carn shook his head. “Men are harder to fool than dogs.” He cast a disparaging look at Hamund. “Most of them, at least.

that was the case until 1871, when an Irish-American captain by the name of David O'Keefe was shipwrecked on the shores of Yap and revived by the locals.1 O'Keefe saw a profit opportunity in taking coconuts from the island and selling them to producers of coconut oil, but he had no means to entice the locals to work for him, because they were very content with their lives as they were, in their tropical paradise, and had no use for whatever foreign forms of money he could offer them. But O'Keefe wouldn't take no for an answer; he sailed to Hong Kong, procured a large boat and explosives, took them to Palau, where he used the explosives and modern tools to quarry several large Rai stones, and set sail to Yap to present the stones to the locals as payment for coconuts. Contrary to what O'Keefe expected, the villagers were not keen on receiving his stones, and the village chief banned his townsfolk from working for the stones, decreeing that O'Keefe's stones were not of value, because they were gathered too easily. Only the stones quarried traditionally, with the sweat and blood of the Yapese, were to be accepted in Yap. Others on the island disagreed, and they did supply O'Keefe with the coconuts he sought. This resulted in conflict on the island, and in time the demise of Rai stones as money. Today, the stones serve a more ceremonial and cultural role on the island and modern government money is the most commonly used monetary medium.

Had she witnessed his swim? He didn’t see how she could have missed it if she’d indeed been lunching by the water. The more intriguing question was, had she liked what she’d seen? Ever the scientist, Darius couldn’t let the hypothesis go unchallenged. Ignoring his boots where they lay in the grass at the edge of the landing, he strode barefoot toward his quarry. “So I’m to understand that you lunch by the pond every day, Miss Greyson?” he asked as he stalked her through the shin-high grass. Her chin wobbled just a bit, and she took a nearly imperceptible step back. He’d probably not have noticed it if he hadn’t been observing her so closely. But what kind of scientist would he be if he didn’t attend to the tiniest of details? “Every day,” she confirmed, her voice impressively free of tremors. The lady knew how to put up a strong front. “After working indoors for several hours, it’s nice to have the benefits of fresh air and a change of scenery. The pond offers both.” He halted his advance about a foot away from her. “I imagine the scenery changed a little more than you were expecting today.” His lighthearted tone surprised him nearly as much as it did her. Her brow puckered as if he were an equation she couldn’t quite decipher. Well, that was only fair, since he didn’t have a clue about what he was trying to do, either. Surely not flirt with the woman. He didn’t have time for such vain endeavors. He needed to extricate himself from this situation. At once. Not knowing what else to do, Darius sketched a short bow and begged her pardon as if he were a gentleman in his mother’s drawing room instead of a soggy scientist dripping all over the vegetation. “I apologize for intruding on your solitude, Miss Greyson, and I hope I have not offended you with my . . . ah . . .” He glanced helplessly down at his wet clothing. “Dampness?” The amusement in his secretary’s voice brought his head up. “My father used to be a seaman, Mr. Thornton, and I grew up swimming in the Gulf. You aren’t the first man I’ve seen take a swim.” Though the way her gaze dipped again to his chest and the slow swallowing motion of her throat that followed seemed to indicate that she hadn’t been as unmoved by the sight as she would have him believe. That thought pleased him far more than it should have. “Be that as it may, I’ll take special care not to avail myself of the pond during the midday hours in the future.” He expected her to murmur some polite form of thanks for his consideration, but she didn’t. No, she stared at him instead. Long enough that he had to fight the urge to squirm under her perusal. “You know, Mr. Thornton,” she said with a cock of her head that gave him the distinct impression she was testing her own hypothesis. “I believe your . . . dampness has restored your ability to converse with genteel manners.” Her lips curved in a saucy grin that had his pulse leaping in response. “Perhaps you should swim more often.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

Jung famously said that about a third of his cases weren’t suffering from some clinically definable illness, but from a sense of meaninglessness and aimlessness. Jung believed he could help them find some meaning. It had been his own quest, and understandably he felt he could help others in theirs. In a way, one could say Jung built his Tower so he would have a safe space for himself and some selected others to go crazy, without having to deal with the incomprehension of outsiders. Most people who visited the Tower certainly felt it had an unusual atmosphere. Jung had some strange relationship with his pots and utensils; he spoke with them, believing they had souls, and required his guests to as well, and he insisted that the stove in his Küsnacht study was human.39 He also felt the same about a bronze box that stored his tobacco, and even named it Habbakuk. 40 It isn’t surprising to read that at the Tower Jung could immerse himself deeply in active imagination, often sitting for long periods in utter stillness, in a room set apart for this, where he painted his fantasies on the wall. He would see images and faces in stone and then slowly carve them; one stone in particular, a huge “perfect cube” Jung received from a quarry by mistake, became a favorite, and over the years Jung worked on it, carving on its surface alchemical, Greek, and Latin sayings.41

paesani of Roseto worked in the marble quarries in the surrounding hills, or cultivated the fields in the terraced valley below, walking four and five miles down

Chapter FEEDING YOUR ATTENTION HOG I was once at a New Age party and wanted to get the attention of some particularly lovely sari-wearing, belly-dancing women who were floating in and out of the various rooms. I had discovered that I could move past some of my fear and make a connection with people through singing. So I pulled out my guitar and started playing a song I had worked particularly hard to polish, Fleetwood Mac’s “A Crystalline Knowledge of You.” I was able to make it through without too many mistakes and was starting to feel the relief that comes from surviving traumatic experiences. Then one of the belly-dancing goddesses called to me from across the room, “You are some kind of attention hog, aren’t you!” As soon as she said it, my life passed before me. The room started to swirl, as a typhoon of shame began to suck me down the toilet of my soul. “Embarrassment” is an inadequate word, when someone pins the tail on the jackass of what seems to be your most central core defect. I am usually scrupulous about checking with people when I make requests for attention. But this time I was caught with my hand in the cookie jar up to the elbow. I remember slinking away in silent humiliation, putting my guitar back in its case and making a beeline for my car. I just wanted to get back to my lair to lick my wounds, and try to hold my self-hate demons at bay with a little help from my friend Jack Daniels. After that incident I quit playing music in public at all. Several years later I was attending a very intense, emotional workshop with Dr. Marshall Rosenberg. Our group of about twenty people had been baring and healing our souls for several days. The atmosphere of trust, safety and connectedness had dissolved my defenses and left me with a innocent, childlike need to contribute. And then the words popped out of my mouth, “I’d like to share a song with you all.” These words were followed by the thought: “Now I’ve gone and done it. When everyone turns on me and confirms that I have an incurable narcissistic personality disorder, it will be fifty years before I sing in public again.” Dr. Rosenberg responded in a cheerful, inviting voice. “Sure, go get your guitar!” he said, as though he were unaware that I was about to commit hara-kiri. The others in the group nodded agreement. I ran to my car to get my guitar, which I kept well hidden in the trunk. I was also hoping that I would not just jump in my car and leave. I brought the guitar in, sat down, and played my song. Sweating and relieved that I made it through the song, my first public performance in years, I felt relief as I packed my guitar in its case. Then Dr. Rosenberg said, “And now I would like to hear from each group member how they felt about Kelly playing his song.” “Oh my God!” my inner jackals began to howl, “It was a setup! They made me expose my most vulnerable part and now they are going to crucify me, or maybe just take me out to the rock quarry for a well-deserved stoning!

I consider a human soul without education like marble in the quarry, which shows none of its inherent beauties till the skill of the polisher fetches out the colors, makes the surface shine, and discovers every ornamental cloud, spot and vein that runs through the body of it and hence the paradox of education is precisely this - that as one begins to become conscious one begins to examine the society in which he is being educated. Help Dacodep showcase the potential of orphan children and illiterate adults in the community flooded with politicians, we are working to turn Bondo into an education hub.

Records show that slaves who lived in the Washington, D.C., area made up a good portion of the labor pool that worked on the Capitol. More than four hundred slaves, or more than half of the documented workforce that constructed the Capitol, cleared trees from Jenkins Hill and dug up stumps for the wide avenues that radiate out into the city, according to research first publicized by NBC reporter Edward Hotaling in 2000. We now know that slaves baked the bricks used for the building’s foundation and walls, sawed lumber for the interior walls and floors, dug the trenches for the foundation, worked the Virginia quarries where the sandstone was cut, and laid the stones that hold up the Capitol to this day.

A full millennium had passed, the scarred hands of men made strong by toil. The acclimation of the minds of Brek to the concerns of stone construction was in evidence in all quarters, their mastery of masonry proved with but a glance. In the thirty generations that had passed, building had become their pride, the strong shoulders and bronzed skin bought in the quarry a mark of highest honor. "Yet owing to the strange inborn drive possessed by the Trathnona, the men rose to their task without question. So it was that empty quarry, long stripped of stone, gave way to crowded field, the chisel abandoned to the work of plow and scythe. "From that time to the moment of my arrival--a period of more than four thousand years--the Trathnona had lived without fear of domination, knowing as they did the safety and promise of independence granted by virtue of devotion and self-sacrifice. And through famine, plague, and wars of foreign aggression, the willingness of individuals to bend to the needs of all had made of them an unbreakable tribe, sterner even than the stone of their highest pride.

Shakespeare Sonnet XVIII: Twilight Vampires Shall I compare thee to a Twilight brute? Thou art more alluring and far too cute. Thy skin like marble quarried from Carrara's mines, Stands an Augustan temple of flawless white. Thy complexion like gems sparkle in heaven's vault When fair sun rises and bids adieu to Stygian night. Thy teeth, like Wolverine's talons, lie hidden Until primed to pierce their prey. (OMG, you'd be one badass X-Men If only you could work by day). Thy eyes turn crimson like the devil's cock, When upon human blood ye feast. Who can turn their gaze from thee, Not I, nor king, nor priest. So long as mortals can breathe or Children of the Moon can see, Take my love, my freshest blood, which bequeaths immortal life to thee.

Perhaps that distance also “opened up a space” that allowed sailors who were primarily homosexual in orientation to reevaluate their own position vis à vis their country, and to consider embracing a culture that they had been taught to disdain. Sailors who were attractive physical specimens were given a choice early in their captivity: arduous labor or sexual submission. Given what has been discussed regarding the social marginalization of American sailors, given the relaxed attitude toward discreet male-male sexuality aboard ship, given the likelihood that a portion of a ship’s population were endowed with a sexual orientation that inclined them more towards homosexuality, would it not be likely that some of those men might choose a life of sexual servitude to a Muslim master over near certain death working in the quarries or the slave galleys?

A short time later, Haganah officers came to take the village from the Irgun. One officer remarked, “All of the killed, with very few exceptions, were old men, women, or children.” He noted, “The dead we found were all unjust victims and none of them had died with a weapon in their hands.” Another Haganah commander sneered, “You are swine,” and ordered his men to surround the militiamen. A tense standoff ensued as the Haganah commanders debated about forcibly disarming the dissidents and shooting them if they refused. At last, the Haganah commander ordered the Irgun to clean the village and bury the dead. They carried the bodies to a rock quarry and set them ablaze. “It was a lovely spring day,” the Haganah commander recorded. “The almond trees were in bloom, the flowers were out, and everywhere there was the stench of the dead, the thick smell of blood, and the terrible odor of the corpses burning in the quarry.”8 The next day, the Haganah commander issued a communiqué: “For a full day Etzel [Irgun] and Lechi [Stern] soldiers stood and slaughtered men, women, and children—not in the course of the operation, but in a premeditated act which had as its intention slaughter and murder only. They also took spoils, and when they finished their work, they fled.” Irgun and Stern leaders denied that any deliberate killings of civilians occurred at Deir Yassin. Menachem Begin noted that they had set up a loudspeaker at the entrance of the village, warning civilians to leave: “By giving this humane warning, our fighters threw away the element of complete surprise, and thus increased their own risk in the ensuing battle. A substantial number of the inhabitants obeyed the warning and they were unhurt. A few did not leave their stone houses—perhaps because of the confusion. The fire of the enemy was murderous—to which the number of our casualties bears elegant testimony. Our men were compelled to fight for every house; to overcome the enemy they used large numbers of hand grenades. And the civilians who had disregarded our warnings suffered inevitable casualties.”9 The Jewish Agency did not accept Begin’s explanation and immediately condemned the killings. Regardless of which view was correct, the events at Deir Yassin would have a more far-reaching impact than anyone could have imagined.

The use of the peace pipe was held sacred by the Indians. Usually it was used in ceremonies of religious, political, or social nature. The decorations on the pipe’s bowl and stem, and even the method of holding or passing the pipe on to the next person, held great ceremonial significance. The pipe was never laid on the ground. To smoke it was a signal that the smoker gave his pledge of honor. It was also believed that the smoke made one think clearly and endowed him with great wisdom. In a treaty ceremony, the pipe usually was passed around to everyone, even before the speeches were made and the problems discussed. Some pipes were made out of wood, clay, or bone. But the most popular and the most treasured were those made of the soft catlinite mined in the pipestone quarries of Minnesota. These red stone quarries were considered sacred by the Dakotas (Sioux), and were traditionally neutral ground for all tribes. Indians traveled many miles to get this pipestone, and it was a medium of barter between various tribes. The stone was so soft that it could be cut and worked into designs with a knife when freshly quarried. Some pipes were inlaid with lead. It is said that some of the Indian raids on small western town newspapers were made by the Indians to get type lead with which to inlay their pipes.

We may compare cannibalism to the stone age, and the times of slavery to the iron and bronze epochs—slavery is as natural a step in human development as from bronze to iron. Whilst speaking of the stone age I may add that in Africa I have never been fortunate enough to find one flint arrowhead or any other flint implement, though I had my eyes about me as diligently as any of my neighbours. No roads are made; no lands levelled; no drains digged; no quarries worked, nor any of the changes made on the earth's surface that might reveal fragments of the primitive manufacture of stone. Yet

They had never actually shadowed anyone before, but they had heard enough talk about it from Peter Wyatt and Sergeant Tucker so that they understood the general theory, which was: be inconspicuous, but not conspicuously inconspicuous. In other words, don’t try so hard not to be noticed that everyone notices you. The first thing they did was separate, one walking on one side of the street, the other on the other side. And they took turns watching their quarry. Andrew would hang back, looking into a shop window, actually going into a shop or sitting down on a step to adjust the laces on his boot while Sara drifted along, keeping her eye on Willie. Then, when she had gone several blocks, Andrew would amble past her and take the lead in watching while she hung back. Of course, since Willie knew them, none of this would have done much good if he had been suspicious and looked around to see if he were being followed. But apparently he wasn’t the least bit suspicious and just kept on with his hard, dusty work.

In the more immediate case, the charmed visitor's deliverance came when Nate lowered his face against the cold tile and Zero had ‒ with the surprising ease of a single determined tug against his zip-line tight leash ‒ toppled the chair to which he had been secured. It clattered loudly as he dragged it across the floor for several feet until the looped handle slipped off the now horizontal left upper knob of the back support; immediately after which the fixated feline joined his owner by inserting his much smaller head as far underneath the narrow gap at the cabinet's base as it would fit and his neck could stretch. He began to virtually mimic the rhythm of Nate's mop maneuver by alternately extending his left, then his right paw ‒ as Twitch likewise scurried from the kitchen side to the far corner ‒ sliding each in turn; alternating back and forth across the tile as if they were shortish, furry, clawed windshield wipers. For good measure, he repeatedly hissed and then growled menacingly in the direction of his quarry; finally sending the unwitting intruder scurrying once again; directly to the left of his pursuers, who ‒ despite being quite synchronized in their movements ‒ had been working at cross-purposes. During his hurried effort to return to his feet, Nate momentarily lost his balance and realized even as he righted himself, that this had provided the fleet-footed rodent all the time needed to evade his trap and bolt out the left crevice. It was in precisely this instant that his rat's luck really kicked in. Rather than escaping through any number of open spaces at the front or on either side and surely leading to a three way race that would have favored Zero heavily ‒ Twitch instead ran alongside the wall, where he became quickly immobilized between the back left cabinet leg and granite baseboard rising behind it. His twitching whiskers and wiggling nose had reached the side crevice that minutes earlier tantalized him with impending passage to the freedom of the open floor. However, by then a zealous greeting in the form of a crouched Zero awaited instead.

No, you do not understand,’ said Gimli. ‘No dwarf could be unmoved by such loveliness. None of Durin’s race would mine those caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We would tend these glades of flowering stone, not quarry them. With cautious skill, tap by tap – a small chip of rock and no more, perhaps, in a whole anxious day – so we could work, and as the years went by, we should open up new ways, and display far chambers that are still dark, glimpsed only as a void beyond fissures in the rock. And lights, Legolas! We should make lights, such lamps as once shone in Khazad-dûm; and when we wished we would drive away the night that has lain there since the hills were made; and when we desired rest, we would let the night return.

Just as enslaved and malnourished Africans had to drain the swamps, chop down the trees, clear the land to build the plantations and infrastructure of the South, the starving captives of the Third Reich had to drain the swamps, chop down the trees, dig up the tree roots, carry the logs to build the infrastructure of their torment. They worked the clay pits and quarries to make bricks for the Reich. Under both regimes, the hostages built the walls that would imprison them and often died as they did so.

Marble that was still attached to the mountain vein, or freshly quarried, was considered alive because porous stone retains moisture absorbed from the ground. Quarry sap makes the marble soft, sparkling, and easy to work. After exposure to the air, this calcium-soaked water evaporates, and the stone becomes drier and harder-cotto, Michelangelo calls it in his contract.

Derfelle died. He was a French communist who had served time in the stone quarries of Cayenne. Aside from hunger and cold, he was morally exhausted. He could not believe that he, a member of the Comintern, could end up at hard labor here in the Soviet Union. His horror would have been lessened if he could have seen that there were others here like him. Everyone with whom he had arrived, with whom he lived, with whom he died was like that. He was a small, weak person, and beatings were just becoming popular… Once the work-gang leader struck him, simply struck him with his fist – to keep him in line, so to speak – but Derfelle collapsed and did not get up. He was one of the first, the lucky ones to die. In Moscow he had worked as an editor at Tass. He had a good command of Russian. ‘Back in Cayenne it was bad, too,’ he told me once, ‘but here it’s very bad.’ Frits David died. He was a Dutch communist, an employee of the Comintern who was accused of espionage. He had beautiful wavy hair, deep-set blue eyes, and a childish line to his mouth. He knew almost no Russian. I met him in the barracks, which were so crowded that one could fall asleep standing up. We stood side by side. Frits smiled at me and closed his eyes. This Frits David was the first in our contingent to receive a package. His wife sent it to him from Moscow. In the package was a velvet suit, a nightshirt, and a large photograph of a beautiful woman. He was wearing this velvet suit as he crouched next to me on the floor. ‘I want to eat,’ he said, smiling and blushing. ‘I really want to eat. Bring me something to eat.’ Frits David went mad and was taken away.

Joe showed me his neat kennels and his complement of Labradors, and I met Mr and Mrs Fettle, the elderly couple who looked after the daily management. Joe seemed to have plenty of time to spare. ‘But,’ he said with a sideways glance, ‘you can fully train a Labrador while a spaniel’s still scratching itself.’ He was waiting for me to point out that the Labrador, being a retriever and therefore expected to do no more than wait beside his master until there was quarry to be fetched, had little to learn beyond what a puppy did naturally, while a spaniel had to hunt without chasing, distinguish wounded game from that which was sitting tight and resist the constant temptation to chase. There was even a vestige of truth in what he said. Because of their eagerness and sheer joie de vivre, spaniels can be hard work.

Cobblestone pavements were an upgrade from dirt roads in ancient times. They were functional and lasted for ages. Cobblestone is derived from the word “cob” which means round and lumpy and refers to riverside cobbles that were first used to pave roads. The modern version of cobbles is available in natural stone materials, mainly in a small square format with standard thicknesses. The first cobblestones were taken from streambeds, not quarried and shaped like the ones we see today. The name “cobblestone” now refers to any natural stone paver, particularly the square shaped Belgian blocks. These are more uniform in size and shape and are simpler to install. The durability of a granite cobblestone paved surface is superior to that of nearly any other material, and the distinctive “old world” appeal it provides may add a lot of beauty and value to the home. Why Cobblestone Paving? Because cobblestones were easy to source, affordable, and easy to install, they gained popularity in Europe. These rounded stones were sourced from riverbeds and were very useful for roads. They were great for traction and decreasing muck and sludge on the roads because they were created by years of erosion through swift-moving rivers. Cobblestones are a popular option in the community of builders, architects, designers, and even with homeowners who prefer doing a DIY project. Cobblestones are durable First, they are sturdy, long-lasting stones that can withstand the test of time, as shown by the cobblestone streets throughout Europe. They are prone to extreme weathering processes, environmental changes, or high traffic. They are a naturally sturdy and robust building material that withstands wear and strain without chipping, scratching, or staining. Cobblestone suits a variety of project spaces Cobblestones are versatile and come in various colour options, which makes them suitable for an array of project requirements such as driveway, pathway, and other high traffic areas. Cobblestones enhance the look of your home and even raise its curb appeal. This will not only make your home more appealing and pleasurable, but it will also help it stand out from the rest of the houses in the neighbourhood, which adds to its overall value and makes it easier to sell. Cobblestones are easy to install Cobblestones are easy to install since they are generally supplied in mesh form. A set of cobblestones pasted on a silicone mesh. This mesh is easy to install and covers a larger surface area, saving men hours of installation time.  Cobblestones require low maintenance These cobblestone pavers are not only tough, but they are also quite simple to maintain. A quick wash every so often will keep them looking just as stunning as the day they were set. As additional maintenance, you may only need to reseal these pavers every now and then to keep them in good condition. For ages, these granite stones will retain their stunning appearance and colour with little work on your part.

The Pragmatic Programmer, a well-regarded book in the computer programming field, makes this connection between code and old-style craftsmanship more directly by quoting the medieval quarry worker’s creed in its preface: “We who cut mere stones must always be envisioning cathedrals.” The book then elaborates that computer programmers must see their work in the same way: Within the overall structure of a project there is always room for individuality and craftsmanship… One hundred years from now, our engineering may seem as archaic as the techniques used by medieval cathedral builders seem to today’s civil engineers, while our craftsmanship will still be honored.

No dwarf could be unmoved by such loveliness. None of Durin’s race would mine those caves for stones or ore, not if diamonds and gold could be got there. Do you cut down groves of blossoming trees in the springtime for firewood? We could tend these glades of flowering tones, not quarry them. With cautious skill, tap by tap – a small chip of rock and no more, perhaps, in a whole anxious day – so we could work, and as the years went by, we should open up new ways, and display for chambers that are still dark, glimpsed only as a void beyond fissures in the rock.

As a boy, he had worked as a carter for the 5th Duke of Portland, wheeling stone from the local quarry, used to construct a vast network of underground rooms that extended for twelve miles under the Welbeck estate. There was a ballroom that could accommodate 2,000 people and a riding school with a gallop a quarter of a mile long, lit by 8,000 jets of gas. One tunnel led to a suite of rooms covering four acres, and another to stables, cow-houses and dairies, where more than sixty people were employed.

Since the briefing would have to begin at about 3am in order to make the 5am strike time, and the Met Police day is deemed to begin at 6am, they would technically be starting on Sunday and so all be on expensive overtime if we went for it on a Monday. Hence, Tuesday, 23 became the day when three months of hard work would become real and our quarry would be detained.

Divine wrath is due to impious deeds, not to physical deformities. 257 Next, how could 80,000 lepers and invalids be gathered together in practically a single day? The prophet had bidden him expel the cripples from Egypt, but the king cast them into stone-quarries, as if he needed labourers, not as if his purpose was to purge the land. 258 Manetho says, moreover, that the prophet took his own life, because he foresaw the anger of the gods and the fate in store for Egypt, but left in writing his prediction to the king. 259 Then how was it that the prophet had not from the first foreknowledge of his own death?

Bone beds turn up sporadically elsewhere, with spectacular examples in the Dinosaur National Monument in the USA and in Mongolia’s Gobi desert. In eastern England there are several within the early Cretaceous strata, which include, as well as bones, structures termed coprolites, some of which represent the petrified faeces of dinosaurs or marine reptiles. In the middle of the 19th century, when England’s population was booming and the farmers were struggling to feed everybody, it was discovered that these fragments (which, being bone, are phosphate-rich) made a superb fertilizer when crushed and acid-treated. A thriving and highly profitable industry formed to quarry away these ‘coprolite beds’. Some considerable figures were involved in this industry. John Henslow, Charles Darwin’s beloved mentor of his time at Cambridge, seems to have first encouraged the farmers of eastern England to use such fossil manure. William Buckland also became involved. An extraordinary combination of early savant of geology at Oxford and Dean of Westminster, he was the first to scientifically describe a dinosaur ( Megalosaurus); carried out his fieldwork in academic gown; reputedly ate his way through the entire animal kingdom; and coined the term ‘coprolite’, using these petrified droppings to help reconstruct the ecology of ancient animals. Later, he energetically collaborated with the celebrated German chemist Justus Liebig (who had worked out how to chemically treat these fossil phosphates to make fertilizer) to show how they could be used by agriculturalists, once demonstrating their efficacy by exhibiting, in Oxford’s Ashmolean Museum, a turnip, a yard in circumference, that he had grown with such prehistoric assistance. It is related strata (geologically rare phosphate-rich deposits, usually biologically formed) that are still a mainstay—if a rapidly depleting one—of modern agriculture. In a very real sense, these particular rocks are keeping us all alive.

Neanderthal man was first discovered in August 1856, when miners working in a limestone quarry in the Neander Valley, near Düsseldorf, Germany, came upon a pile of bones.

The hill was mainly composed of the soft stone material known as gypsum which possessed two qualities: first, it would slowly dissolve in water and was thus a poor foundation for any large building. Second, when heated, after giving off steam, it could easily be ground into the powder from which white plaster was made. For that reason, men had been burying into the hill of Montmartre for centuries to extract the gypsum. So famous had these quarrying's become, that now, even across the ocean, white plaster had come to be known as Plaster of Paris. When the builders of Sacre Coeur began their task therefore, they found that the underlying terrain was not only soft, but so honeycombed with mineshafts and tunnels that had the great building been placed directly upon it, the entire hill would have surely collapsed, leaving the church in a stupendous sinkhole. The solution had been very French, a combination of elegant logic and vast ambition: 83 gigantic shafts were dug, each over 100 feet deep filled with concrete. Upon these mighty columns, like a huge box, almost as deep as the church above, the crypt was constructed as a platform. This work alone had taken almost a decade, and by the end of it, even those who hated the project would remark with rye amusement: 'Montmartre isn't holding up the church, it's the church that's holding up Montmartre'.

The good news was that the smoke, whatever its source, was not getting closer to us. The bad news was that it was moving towards Oban. We wasted no time rowing across the loch. The group we’d already sent over remained visible and clearly busy, though doing what was anybody’s guess from our vantage point in the birlinn. It was getting on past noon, and I hated the idea of leaving the birlinn behind. Crafting it had been a singularly powerful experience, one that I wasn’t sure was repeatable. The birlinn we’d made was unique. In the end, though, it was a boat. It wasn’t alive like the three hundred people we were trying to keep breathing. Not to mention the thousands in Oban who could die. I’d planned to take one of the oars to give a rower a break, but I must have looked haggard. When I’d gone to offer, the bloke with the oar had taken one look at me and said, “Naw, mate.” Sitting on a thwart next to Eilidh, I fervently wished for something to distract me from the radiating warmth on my left. Rowing would at least give me something to do that wasn’t thinking about that heat or second guessing all the decisions we’d made in the past few days. We could have taken the strongest of us and returned to Oban, leaving the other three hundred to take the slower route around the loch. Sure, that was a possibility. But if we’d done that, we’d have left them vulnerable, including the children. That wasn’t acceptable to me or to anyone else. Oban had the advantage of numbers and at least some preparation at this point; the people with us did not. There were any number of things we could be questioning, but if we sat here picking apart the instincts we’d followed, all we’d do was pick up an ulcer. We were still alive. That was all that mattered. I tuned back in to the birlinn to hear a couple of the rowers talking, both of them darting glances at me and Eilidh in the process. “. . . wrecked all of Sackington’s guns and stole his grenades,” one of them said, not really trying to be quiet. Eilidh zeroed in on him like a bloodhound catching a whiff of the quarry. “Yes. We did.” “Erm, he wasn’t saying it was a bad thing!” one of the rowers blurted out. “Yes, I was! We could have used those instead of hitting things with sticks, for fuck’s sake,” the other one said. “No offense.” “Mate, they don’t even work anymore,” I said, and when I could almost see his thoughts pivot to but there’s magic now, I sighed. “We happened to be present when someone figured out how to use their magic to fire a rifle at one of Bawbag’s simulacra. Not only did the bullet literally bounce right back, but it killed his daughter when it ricocheted, and his next shot was dead on. Can you guess what happened then?” “He died,” said the guy who had tried to reassure me they weren’t questioning that decision. He had sandy brown hair that was a mess of waves half stuck to his head with sweat from the exertion, and his muscles were bulging out of his shirt—guess he was getting those Strength increases. “Did he die?” the other bloke asked. “Aye, he might as well have just shot himself in the heart. Even swords bounced right off that damn thing—piercing it with the point seems to be the only thing even marginally successful, and that might be imbuing it with Purifire more than the actual poke.” “I know how to shoot a gun,” Eilidh said bluntly. “And amateurs with firearms tend to hurt much more than they help, let alone in a state of active combat. This isn’t the fucking Wild West.” She sounded Done with a capital D, and I didn’t blame her. To his credit, the bloke seemed to mull that over for a bit before nodding as if ceding the point. Whatever the Ascended Alliance knew about friendly fire of an arcane nature, that did not extend to human-made explosives. If

The stones in the wall said, “We have come from mountains far away—from the sides of rugged cliffs. Fire and water have worked on us for ages but have only produced crevices. Yet human hands like yours have made us into homes where children of your immortal race are born, suffer, rejoice, find rest and shelter, and learn the lessons that our Maker and yours is teaching. But to come to the point of being used for this purpose, we have endured much. Dynamite has torn at our very heart, and pickaxes have broken and split us into pieces. Often as we lay disfigured and broken in the quarry, everything seemed to be without design or meaning.

Any historian knows...that possibilities and history are connected. It's not simply our hard work, but that we lived in circumstances in which prosperity wasn't taken away. For most people, for most of history, it's not true that religion, work and love have led to successful, happy lives. Instability, fear, disease, and war are so much more common that our lives are tremendous exceptions. Isn't that miraculous?

the entire history of our family has played out in the fields and villages stretching away beneath that fell, between Lake District and Pennines, for at least six centuries, and probably longer. We shaped this landscape, and we were shaped by it in turn. My people lived, worked, and died down there for countless generations. It is what it is because of them and people like them. It is, above all, a peopled landscape. Every acre of it has been defined by the actions of men and women over the past ten thousand years. Even the mountains were mined and quarried, and the seemingly wild woodland behind us was once intensively harvested and coppiced. Almost everyone I am related to and care about lives within sight of that fell. When we call it our landscape, we mean it as a physical and intellectual reality.

Like everything else in Balla, they were made of slate. The men worked them during slack times at the quarry. That’s what you did when you found a free half-hour: you worked your own headstone, cutting the cross or the crown at the top, and then carving your name and birthdate under ‘Sacred to the Memory of’ and a bas-relief opened book, leaving only the final date to be carved by another hand.

She wondered how to un-know certain things, certain specific things that she knew but did not wish to know. How to un-know, for example, that when people died of stone-dust, their lungs refused to be cremated. Even after the rest of their bodies had turned to ash, two lung-shaped slabs of stone remained behind, unburned. Her friend Dr. Azad Bhartiya, who lived on the pavement of Jantar Mantar, had told her about his older brother, Jiten Y. Kumar, who had worked in a granite quarry and died at the age of thirty-five. He described how he had had to break up his brother’s lungs with a crowbar on the funeral pyre to release his soul. He did it, he said, even though he was a communist and didn’t believe in souls. He did it to please his mother. He said his brother’s lungs glittered, because they were speckled with silica.

Bathed in perspiration he worked like a bull, turning over with a shovel the chalk and the clay which was to become cement. This brute strength of his came not through his intelligence but from the profundities of his strong body; it did not explode within him but flowed out of him in great waves through the thunder of the earth, across the stones and the rails, from this enormous ant-like crowd who with shouting and moaning were rising from the depths with spades and hammers, emerged from smoke-stacks and the factory buildings , from the breaches quarried from the rocks, from the smoky depths up toward the obelisks supporting the power-cables.

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Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.

Humility, Not Capability (4:1-17) Moses is presented as singularly ill-equipped for the task he is called to do. He stands before us not as a finished sculpture, modeling leadership qualities for us to follow, but rather as rough-cut stone, hewn from the same quarry from which our own humanity was hewn. Which raises a question: Why was the work of salvation entrusted to someone like that? Or why has it been entrusted to someone like us, for that matter? But maybe that’s the point. Salvation is God’s work, not ours. Incompetence may be the essential qualification, lest we presumptuously start taking over something we have no way of comprehending, let alone controlling. Our sight is limited, our steps tentative. That is how we best traverse the landscape of faith—humbly rather than capably.

The next day after work, we took the bumboat to Pulau Ubin. The tree was located after the Chek Jawa Quarry, where we cut through a dirt path to arrive at a clearing. The tree reminded me of a witch's fingers, upturned towards the sky. Its branches were gnarly and skinny, its trunk about the size of my waist. It looked like a severed hand, sticking out of its grave for one last snatch. 'It's as good as dead,' I said, patting it with my hand and feeling the dry bark. The sun had set, lending the remote island an eerie feel at dusk. We were only twenty minutes out of Singapore, yet Pulau Ubin with its small wooden homes and backyards filled with chicken coops felt like a different country altogether.