“
Alone, I often fall down into nothingness. I must push my foot stealthily lest I should fall off the edge of the world into nothingness. I have to bang my head against some hard door to call myself back to the body.
”
”
Virginia Woolf (The Waves)
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Is that a yes?" he asked, pushing his fingers through my hair, fanning it out around my shoulders and searching my face intently. "Please let it be yes," he said with a gravelly edge. "Stay with me tonight. Let me hold you, even if that's all it is. Let me keep you safe.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Come to the edge," he said.
"We can't, we're afraid!" they responded.
"Come to the edge," he said.
"We can't, We will fall!" they responded.
"Come to the edge," he said.
And so they came.
And he pushed them.
And they flew.
”
”
Guillaume Apollinaire
“
Surround yourself with people who make you think differently for the better, people who, either through their deeds or their words, challenge you to push yourself.
”
”
Idowu Koyenikan (Wealth for All: Living a Life of Success at the Edge of Your Ability)
“
I lie on the floor, washed by nothing and hanging on. I cry at night. I am afraid of hearing voices, or a voice. I have come to the edge, of the land. I could get pushed over.
”
”
Margaret Atwood (Cat's Eye)
“
GIRL, write YOUR book dammit.
Who cares what people think?
If writers in the past cared what other people thought we'd still be glossing over 'inappropriate' kissing scenes.
Break the fucking rules.
Push yourself to the edge.
Show the world what YOU can do.
This is YOUR book. YOUR blood and guts.
AND, don't you EVER, EVER, write one single line for SOMEONE ELSE.
”
”
Madeline Sheehan
“
If possible, try to avoid pushing each other over the edge, as that would cause me extra paperwork.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
No, you don't know what it's like
When nothing feels all right
You don't know what it's like
To be like me
To be hurt
To feel lost
To be left out in the dark
To be kicked when you're down
To feel like you've been pushed around
To be on the edge of breaking down
And no one's there to save you
No, you don't know what it's like
Welcome to my life
”
”
Simple Plan
“
Just that dwelling and planning is bullshit, you dwell on the past, you can’t move forward. Spend too much time planning for the future and you just push yourself backwards, or you stay stagnant in the same place all your life. Live in the moment, where everything is just right, take your time and limit your bad memories and you’ll get wherever it is you’re going a lot faster and with less bumps in the road along the way.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would. He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.
”
”
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
“
Come a day there won’t be room for naughty men like us to slip about at all. This job goes south, there well may not be another. So here is us, on the raggedy edge. Don’t push me, and I won’t push you. Dong le ma?
”
”
Joss Whedon
“
All right, cupcakes. You are about to see the Grand Canyon. Try not to break it. The skywalk can hold the weight of seventy jumbo jets, to you featherweights should be safe out there. If possible, try to avoid pushing each other over the edge, as that would cause me extra paperwork.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
There are edges around the black and every now and then a flash of color streaks out of the gray. But I can never really grasp any of the slivers of memories that emerge.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I sighed. "Actually, Mom, we argue pretty regularly."
"What?" She gaped at me. "Well, stop it!"
"Oh, and I kneed him in the groin once."
There was a split second of silence before May barked a laugh. She covered her mouth and tried to stop it, but it kept coming out in awkward, squeaky sounds. Dad's lips were pressed together, but I could tell he was on the verge of losing it himself.
Mom was paler then snow.
"America, tell me you're joking. Tell me you didn't assault the prince."
I don't know why, but the word assault pushed us all on the edge; and May, Dad, and I bent over laughing as Mom stared at us.
"Sorry, Mom," I managed.
"Oh, good lord." She suddenly seemed very excited in meeting Marlee's parents, and I didn't stop her from going.
”
”
Kiera Cass (The Elite (The Selection, #2))
“
Come to the edge," he said.
They said, "We are afraid."
Come to the edge," he said.
They came.
He pushed them...and they flew.
”
”
Guillaume Apollinaire
“
Good isn't my thing but Sawyer's important to me. Please remember I've got my limits and you studying my mouth like you want a taste is pushing me dangerously close to the edge of those limits.
”
”
Abbi Glines
“
For a moment, I pretended. Not that we weren't two different species, because I didn't see him that way, but that we actually liked each other.
And then he shifted and rolled. I was on my back, and he was still on the move. His face burrowed into the space between my neck and shoulder, nuzzling. Sweet baby Jesus...Warm breath danced over my skin, sending shivers down my body. His arm was heavy against my stomach, his leg between mine, pushing up and up. Scorched air fled my lungs.
Daemon murmured in a language I couldn't understand. Whatever it was, it sounded beautiful and soft. Magical. Unearthly.
I could've woken him up but for some reason I didn't. The thrill of him touching me was far stronger than anything else.
His hand was on the edge of the borrowed shirt, his long fingers on the strip of exposed flesh between the hem on the shirt and the band of the worn pajama bottoms. And his hand inched up under the shirt, across my stomach, where it dipped slightly. My pulse went into cardiac territory. The tips of his fingers brushed my ribs. His body moved, his knee pressed against me.
I gasped.
Daemon stilled. No one moved. The clock on the wall ticked.
And I cringed.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Come to the edge.
We might fall.
Come to the edge.
It's too high!
COME TO THE EDGE!
And they came
And he pushed
And they flew.
”
”
Christopher Logue (New numbers)
“
I wanted him. I arched my back, fully aware of how vulnerable that made me and that I was giving him an invitation. He accepted it and laid me back against the table, bringing his body down on top of mine. That crushing kiss of his moved from my mouth to the nape of my neck. He pushed down the edge of my dress and the bra strap underneath, exposing my shoulder and giving his lips more skin to conquer.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Come to the edge, he said.
We are afraid, they said.
Come to the edge, he said.
They came to the edge,
He pushed them and they flew.
Come to the edge, Life said.
They said: We are afraid.
Come to the edge, Life said.
They came. It pushed them...
And they flew.
”
”
Christopher Logue
“
The Edge... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others-the living-are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there.
”
”
Hunter S. Thompson (Hell's Angels)
“
...her hand closes on smooth metal. Her fingers test the sharpness of the edge. Perfect. It's a fresh blade.
The girls' voices rustle in her head. Their clamoring pushes out all rational thought. She rolls up her sleeve.
The bite of the blade kills the noise. It wipes out the memory of those staring faces. Willow looks at her arm, at the life springing from her. Tiny pinpricks of red that blossom into giant peonies.
”
”
Julia Hoban (Willow)
“
She criticized, “There are no excuses for why it could not be better. The devil’s in the details,” Viola tried to teach him. That made him mad and she heard him mutter, “Now’s I know why they call you Mrs. Rough-ner!” He went out and used hand scissors for the edges making the yard crisp and pleasant for all to see. Then, Viola just had to smile to herself because she guessed she had pushed him to his limit! But at last, the task was perfect and then, right after that, he left their home again.
”
”
Sheridan Brown (The Viola Factor)
“
What else should our lives be but a continual series of beginnings, of painful settings out into the unknown, pushing off from the edges of consciousness into the mystery of what we have not yet become.
”
”
David Malouf (An Imaginary Life)
“
I sit up, edge over close to my window, and push it open, slipping one leg in, then the next, turning back to Jase. “Come on.”
His smile flashes in the gathering dark as his eyebrows lift, but he climbs carefully in as I lock my bedroom door.
“Be still,” I tell him. “Now I’m going to learn all about you.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
If you haven't guessed it already," I said, something fervent and resonating slipping into my tone, "I need you, too."
"Is that a yes?" he asked, pushing his fingers through my hair, fanning it out around my sholders and searching my face intently.
"Please let it be yes," he said with a gravelly edge. "Stay with me tonight. Let me hold you, even if that's all it is. Let me keep you safe.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Imagination is more important than information. Einstein said that, and he should know. And they come. And they look. And we push. And they fly. We to stay and die on our beds. They to go and die howsoever, yet inspiring those who come after them to find their own edge. And fly.
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
“
Beau's gaze made my cheeks flush. A pleased grin touched his lips and I suddenly wanted to know how those lips would feel pressed against mine. I couldn't take my eyes off them. Even when his smile vanished I continued staring at his mouth.
"You're gonna have to stop doing that Ash," Beau whispered huskily and closed the space between us. His body was suddenly pressed against mine. I managed to shake my fascination with his lips and gaze up into his eyes. He was staring down at me with a hungry gleam I wasn't accustomed to seeing. But I liked it. I liked it a lot.
"Ash, I'm trying real hard to be good. Good isn't my thing but Sawyers important to me. Please remember I've got limits and you studying my mouth like you want a taste is pushing me dangerously close to the edge of those limits.
”
”
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
“
Always.
In the twilight of the morphling, Peeta whispers the word and I go searching for him. It's a gauzy, violet-tinted world, with no hard edges, and many places to hide. I push through cloud banks, follow faint tracks, catch the scent of cinnamon, of dill. Once I feel his hand on my cheek and try to trap it, but it dissolves like mist through my fingers.
When I finally begin to surface into the sterile hospital room in 13, I remember. I was under the influence of sleep syrup. My heel had been injured after I'd climbed out on a branch over the electric fence and dropped back into 12. Peeta had put me to bed and I had asked him to stay with me as I was drifting off. He had whispered something I couldn't quite catch. But some part of my brain had trapped his single word of reply and let it swim up through my dreams to taunt me now. "Always.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
The young woman was crying, in the way that grownups cry, keeping it inside as much as they can, and hating it when it still pushes out at the edges, making them ugly and funny-looking on the way.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
love wasn't the soft, silky words the poets spoke of. Love,with it's twin edges, was the one factor that weakened so many women, that pushed them to compromised their own wants, their own needs for the needs and wants of another.
”
”
Nora Roberts (Sweet Revenge)
“
IT’S A TRUTH universally acknowledged that when rich people move into the hood, where it’s a little bit broken and a little bit forgotten, the first thing they want to do is clean it up. But it’s not just the junky stuff they’ll get rid of. People can be thrown away too, like last night’s trash left out on sidewalks or pushed to the edge of wherever all broken things go. What those rich people don’t always know is that broken and forgotten neighborhoods were first built out of love.
”
”
Ibi Zoboi (Pride)
“
One word can give someone the strengththey needed at the moment or it can shred them down to nothing. A single smile can turn a bad moment good. And one wrong outburstcould be that tiny push that causes someone to slip over the edge of destruction.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
People aren't just ants rushing around over a crust of bread. Every life, no matter how isolated, touches hundreds of others. It's up to us to decide if those micro connections are positive or negative. But whichever we decide, it does impact the ones we deal with. One word can give someone the strength they needed at that moment or it can shred them down to nothing. A single smile can turn a bad moment good. And one wrong outburst or word could be the tiny push that causes someone to slip over the edge into destruction.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
She realized he'd stopped to change his coat and it clung to him in perfectly tailored lines. He stood leaning on his cane, hair neatly pushed back from his pale brow, a black glass boy of deadly edges.
The look of surprise on Haskell's face was nearly comical. Then he started to laugh. "Well, I'll be a son of a bitch, Brekker. You have to be the craziest bastard I ever met.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
There are two things that I know for certain guys are good for: pushing swings and killing insects.
”
”
Carrie Fisher (Postcards from the Edge)
“
If I'm going to be your bloomin' tour guide, I'm gong to do it right." He held out his hand."Do you think I'd take you somewhere dangerous?"
"You bite people for a living."
"Don't be a chicken."
"If you push me over the edge, my parents will be seriously ticked."
He grabbed my hand and pulled me along. "They'll probably send me a thank-you note.
”
”
Jenny B. Jones (There You'll Find Me)
“
You have a freckle here," he whispered, sweeping his tongue over a spot just under my jaw. "It drives me crazy every time you 're above me. I just want to do this..." The jentle draw of his mouth pushed me over the edge, and my knees tightened around his hips as i rocked against him.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
Don’t you think we’re going to go to hell for this?” asked Lissa.
He reached out and touched her face, trailing his fingers along her cheek and neck and down to the top of her silky shirt. She breathed heavily at that touch, at the way it could be so gentle and small, yet evoke such a strong passion within her.
“For this?” He played with the shirt’s edge, letting his finger just barely brush inside of it.
“No,” she laughed. “For this.” She gestured around the attic. “This is a church. We shouldn’t be doing this kind of, um, thing up here.”
“Not true,” he argued. Gently, he pushed her onto her back and leaned over her. “The church is downstairs. This is just storage. God won’t mind.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
In northwest Alaska, kunlangeta "might be applied to a man who, for example, repeatedly lies and cheats and steals things and does not go hunting, and, when the other men are out of the village, takes sexual advantage of many women." The Inuits tacitly assume that kunlangeta is irremediable. And so, according to Murphy, the traditional Inuit approach to such a man was to insist he go hunting, and then, in the absence of witnesses, push him off the edge of the ice.
”
”
Martha Stout (The Sociopath Next Door)
“
Male sexuality. So artless, so crass. Men are always over the edge, right? One little push and they tumble down the cliff.
”
”
Abhaidev (The Gods Are Not Dead)
“
You're going to find out just how far you can be pushed until you're tipped over. And when that happens, when you find your edge, just promise me one things. Don't fall. Fly." - King Slade Ravinger
”
”
Raven Kennedy (Gleam (The Plated Prisoner, #3))
“
The resolve written in his eyes said no, but I could see exactly where I would have to push, and how hard, to break that resolve. It would be shockingly easy, but I found I did not wish it. ... Some part of him would break, along with his resolve, and I did not see a way to make it whole again. The jagged edge of it would stab at him all his life.
”
”
Rachel Hartman (Seraphina (Seraphina, #1))
“
A wound in the soul, coming from the rending of the spiritual body, strange as it may seem, gradually closes like a physical wound. And once a deep wound heals over and the edges seem to have knit, a wound in the soul, like a physical wound, can be healed only by the force of life pushing up from inside.
This was the way Natasha's wound healed. She thought her life was over. But suddenly her love for her mother showed her that the essence of life - love - was still alive in her. Love awoke, and life awoke.
”
”
Leo Tolstoy (War and Peace)
“
And God said come to the edge." "I can't. I’m afraid." "Come to the edge." "I can't. I’ll fall" "Come to the edge." I went to the edge and God pushed me…….and I flew.
”
”
Guillaume Apollinaire
“
I wonder this: If you take a woman and push her to the edge, how will she behave?
”
”
Anita Shreve (The Weight of Water)
“
The young can exasperate, of course, and frighten, and condescend, and insult, and cut you with their still unrounded edges. But they can also drag you, as you protest and scold and try to pull away, right up to the window of the future, and even push you through.
”
”
Laura Moriarty (The Chaperone)
“
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I want to push every one of your limits. I want to take you right to the edge. Let me take anything I want.
”
”
Anthony Bryan (The Suicide Princess)
“
Solar Eclipse
Each morning
I wake invisible.
I make a needle
from a porcupine quill,
sew feet to legs,
lift spine onto my thighs.
I put on my rib and collarbone.
I pin an ear to my head,
hear the waxwing's yellow cry.
I open my mouth for purple berries,
stick on periwinkle eyes.
I almost know what it is to be seen.
My throat enlarges from anger.
I make a hand to hold my pain.
My heart a hole the size of the sun's eclipse.
I push through the dark circle's
tattered edge of light.
All day I struggle with one hair after another
until the moon moves from the face of the sun
and there is a strange light
as though from a kerosene lamp in a cabin.
I pun on a dress,
a shawl over my shoulders.
My threads knotted and scissors gleaming.
Now I know I am seen.
I have a shadow.
I extend my arms,
dance and chant in the sun's new light.
I put a hat and coat on my shadow,
another larger dress.
I put on more shawls and blouses and underskirts
until even the shadow has substance
”
”
Diane Glancy
“
I want to take my time with you, Rylee. I want to build you up nice and slow and sweet like you need. Push you to crash over that edge. And then I want to fuck you the way I need to. Fast and hard until you’re screaming my name. The way I’ve wanted to since you fell out of that storage closet and into my life.
”
”
K. Bromberg (Driven (Driven, #1))
“
Come to the edge,' he said. 'We are afraid,' they said. 'Come to the edge, he said,' and slowly, reluctantly, they came. He pushed them and they flew.
”
”
Guillaume Apollinaire
“
He stood leaning on his cane, hair neatly pushed back from his pale brow, a black glass boy of deadly edges.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
In Michaela's favourite restaurant, I lift my glass and cutlery spills onto the expensive tiled floor. The sound crashes high as the skylight. Looking at me, Michaela pushes her own silverware over the edge. I fell in love amid the clattering of spoons....
”
”
Anne Michaels (Fugitive Pieces)
“
If you take any activity, any art, any discipline, any skill, take it and
push it as far as it will go, push it beyond where it has ever been before,
push it to the wildest edge of edges, then you force it into the realm of
magic.
”
”
Tom Robbins
“
If children don’t push the edges now and again, what’s the point of being a child?
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
It's said that science will dehumanize people and turn them into numbers. That's false, tragically false. Look for yourself. This is the concentration camp and crematorium at Auschwitz. This is where people were turned into numbers. Into this pond were flushed the ashes of some four million people. And that was not done by gas. It was done by arrogance, it was done by dogma, it was done by ignorance. When people believe that they have absolute knowledge, with no test in reality, this is how they behave. This is what men do when they aspire to the knowledge of gods.
Science is a very human form of knowledge. We are always at the brink of the known; we always feel forward for what is to be hoped. Every judgment in science stands on the edge of error and is personal. Science is a tribute to what we can know although we are fallible. In the end, the words were said by Oliver Cromwell: "I beseech you in the bowels of Christ: Think it possible you may be mistaken."
I owe it as a scientist to my friend Leo Szilard, I owe it as a human being to the many members of my family who died here, to stand here as a survivor and a witness. We have to cure ourselves of the itch for absolute knowledge and power. We have to close the distance between the push-button order and the human act. We have to touch people.
”
”
Jacob Bronowski
“
When I could hold my eyes open long enough, I did stare up at the rain pelting down on me. I’ve never looked at it like that, straight up into the sky, and while I flinched more than I could actually see, when I could see it was absolutely beautiful. Like each drop rocketing towards me was separate from the thousands of others and for a suspended moment in time, I could glimpse it and see its delicate facets. I saw the gray clouds churning above me and felt the car shake when the wind from the traffic pushed against it. I shivered even though it’s warm enough to swim. But nothing I saw or felt or heard was as warm and fascinating as Andrew’s closeness.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Doing risk sport had taught me another important lesson: never exceed your limits. You push the envelope and you live for those moments when you’re right on the edge, but you don’t go over. You have to be true to yourself; you have to know your strengths and limitations and live within your means.
”
”
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
“
Do you ever feel like breaking down?
Do you ever feel out of place?
Like somehow you just don't belong
And no one understands you
Do you ever wanna run away?
Do you lock yourself in your room?
With the radio on turned up so loud
That no one hears you screaming
No you don't know what it's like
When nothing feels all right
You don't know what it's like
To be like me
To be hurt
To feel lost
To be left out in the dark
To be kicked when you're down
To feel like you've been pushed around
To be on the edge of breaking down
And no one's there to save you
No you don't know what it's like
Welcome to my life
”
”
Simple Plan
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
We should go back inside," she said, in a half whisper. She did not want to go back inside. She wanted to stay here, with Will achingly close, almost leaning into her. She could feel the heat that radiated from his body. His dark hair fell around the mask, into his eyes, tangling with his long eyelashes. "We have only a little time-"
She took a step forward-and stumbled into Will, who caught her. She froze-and then her arms crept around him, her fingers lacing themselves behind his neck. Her face was pressed against his throat, his soft hair under her fingers. She closed her eyes, shutting out the dizzying world, the light beyond the French windows, the glow of the sky. She wanted to be here with Will, cocooned in this moment, inhaling the clean sharp scent of him., feeling the beat of his heart against hers, as steady and strong as the pulse of the ocean.
She felt him inhale. "Tess," he said. "Tess, look at me."
She raised her eyes to his, slow and unwilling, braced for anger or coldness-but his gaze was fixed on hers, his dark blue eyes somber beneath their thick black lashes, and they were stripped of all their usual cool, aloof distance. They were as clear as glass and full of desire. And more than desire-a tenderness she had never seen in them before, had never even associated with Will Herondale. That, more than anything else, stopped her protest as he raised his hands and methodically began to take the pins from her hair, one by one.
This is madness, she thought, as the first pin rattled to the ground. They should be running, fleeing this place. Instead she stood, wordless, as Will cast Jessamine's pearl clasps aside as if they were so much paste jewelry. Her own long, curling dark hair fell down around her shoulders, and Will slid his hands into it. She heard him exhale as he did so, as if he had been holding his breath for months and had only just let it out. She stood as if mesmerized as he gathered her hair in his hands, draping it over one of her shoulders, winding her curls between his fingers. "My Tessa," he said, and this time she did not tell him that she was not his.
"Will," she whispered as he reached up and unlocked her hands from around his neck. He drew her gloves off, and they joined her mask and Jessie's pins on the stone floor of the balcony. He pulled off his own mask next and cast it aside, running his hands through his damp black hair, pushing it back from his forehead. The lower edge of the mask had left marks across his high cheekbones, like light scars, but when she reached to touch them, he gently caught at her hands and pressed them down.
"No," he said. "Let me touch you first. I have wanted...
”
”
Cassandra Clare
“
A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero. Now I do have to mention the real heroes of The Trevor Project, the men and women volunteers, all of whom stand up day after day answering the calls of desperate teens whose circumstances have pushed them to the edge of the abyss. To take that call, and say yes, I will be the one who saves this life takes such courage and compassion. Hemingway’s definition of ‘grace under pressure’ seems fitting as the job they do is every bit as important, and every bit as delicate as a soldier defusing a bomb.
”
”
Daniel Radcliffe
“
It would be erroneous to say Sohrab was quiet. Quiet is peace. Tranquility. Quiet is turning down the volume knob on life.
Silence is pushing the off button. Shutting it down. All of it.
Sohrab's silence wasn't the self imposed silence of those with convictions, of protesters who seek to speak their cause by not speaking at all. It was the silence of one who has taken cover in a dark place, curled up all the edges and tucked them under.
”
”
Khaled Hosseini (The Kite Runner)
“
Are you all right?" he says
tentatively.
I am not all right. I was beginning to feel that I had finally found a place to stay, a place that was not so unstable or corrupt or controlling that I could actually belong there. You would think that I would have learned by now—such a place does not exist.
"No," I say.
He starts to move around the stone block, toward me. "What is it?"
"What is it." I laugh. "Let me put it this way: I just found out you're not the worst person I know."
I drop into a crouch and push my fingers through my hair. I feel numb and terrified of my own numbness. The Bureau is responsible for my parents' deaths. Why do I have to keep repeating it to myself to believe it? What's wrong with me?
"Oh," he says. "I'm . . . sorry?"
All I can manage is a small grunt.
"You know what Mom told me once?" he says, and the way he says Mom, like he didn't betray her, sets my teeth on edge. "She said that everyone has some evil inside them, and the first step to loving anyone is to recognize the same evil in ourselves, so we're able to forgive them.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Spirituality is the commitment to go beyond, no matter what it takes. It’s an infinite journey based upon going beyond yourself every minute of every day for the rest of your life. If you’re truly going beyond, you are always at your limits. You’re never back in the comfort zone. A spiritual being feels as though they are always against that edge, and they are constantly being pushed through it.
”
”
Michael A. Singer (The Untethered Soul: The Journey Beyond Yourself)
“
That's what spending time with the young can do—it's the big payoff for all the pain. The young can exasperate, of course, and frighten, and condescend, and insult, and cut you with their still unrounded edges. But they can also drag you, as you protest and scold and try to pull away, right up to the window of the future, and even push you through.
”
”
Laura Moriarty (The Chaperone)
“
My knuckles skimmed over the edges of the sun tattooed over his heart. That was the last thing I noticed before I kissed him.
His jaw tensed in surprise for a moment; his hand gripped my arm hard enough to hurt. And then his body was flush against mine, pushing me back against the wall of the train.
I was a desert girl. I thought I knew heat.
I was wrong
”
”
Alwyn Hamilton (Rebel of the Sands (Rebel of the Sands, #1))
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
Before she could finish that thought, Dare kissed her on the top of the head. "You're more fragile than you realize, Molly Alexander." He caught her chin, turning her face toward him. "Don't push yourself. I want you - that's not going to change. I can't say I won't kiss you, but how far and how fast we go is up to you.
”
”
Lori Foster (When You Dare (Men Who Walk the Edge of Honor, #1))
“
The words were gone, and the last of his life faded away. Ruxandra dropped him, then scanned the room. There was nothing else to eat but she didn’t mind. She was exhausted, like a man pushing himself away from the feast table, too full of food and drink to make sense. She stumbled back into the pentacle. The ground there was smoother than any other part of the room. Her eyes grew heavier. She lay down and closed her eyes, content in the smell of blood and death, warm and satiated from what she had drank. As she tipped over the edge of consciousness, a single, coherent thought—her first since drinking the fallen angel’s blood—slipped through her mind. What have I done?
”
”
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
“
Audrey kept moving with practiced quickness, stepping over roots protruding over the trail and pushing ferns and branches out of her way. She kept a brisk pace, but Kaldar didn't mind. From his vantage point, he had an excellent view of her shapely butt. It was a butt that deserved some scrutiny.
"If you're waiting for my behind to do a trick, you're out of luck," Audrey called over her shoulder.
"How the hell did you even know?" Did she have eyes on the back of her head?
"Woman's intuition," she told him.
"Aha, so it wouldn't be the fact that I stumbled twice in the last minute?"
"Not at all.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
I’m on a side of a road somewhere, stuck in the middle of a very deep hole, with no way of getting out. Never mind how I got in there, it’s not relevant to the story. I’ll invent a back-story… I was walking to get pizza and a chasm opened up in the earth and I fell in, and now I’m at the bottom of this hole, screaming for help. And along comes you. Now, maybe you just keep walking. You know, there’s a strange guy screaming from the center of the Earth. It’s perhaps best to just ignore him. But let’s say that you don’t. Let’s say that you stop. The sensible thing to do in this situation is to call down to me and say “I’m going to look for a ladder. I will be right back.” But you don’t do that. Instead you sit down at the edge of this abyss, and then you push yourself forward, and jump. And when you land at the bottom of the hole and dust yourself off, I’m like “What the hell are you doing?! Now there are two of us in this hole!” And you look at me and say, “Well yeah, but now I’m highly motivated to get you out.” This is what I love about novels, both reading them and writing them. They jump into the abyss to be with you where you are
”
”
John Green
“
Never let failure discourage you. Every time you get to the base of a mountain (literal or metaphorical), you're presented with a new opportunity to challenge yourself, to push your limits beyond what you thought possible, to learn from climbers on the trail ahead of you, and to take in some amazing views. Your performance on the mountain you climbed last week or last month or last year doesn't matter - because it's all about what you are doing right now.
”
”
Alison Levine (On the Edge: The Art of High-Impact Leadership)
“
solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person’s heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside. I think in my own way I’m aware of this danger—probably through experience—and that’s why I’ve had to constantly keep my body in motion, in some cases pushing myself to the limit, in order to heal the loneliness I feel inside and to put it in perspective. Not so much as an intentional act, but as an instinctive reaction.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories.
”
”
Margaret Atwood (Cat’s Eye)
“
All things considered, the last six months have been a goddamn Victorian tragedy. Today my husband, Victor, handed me a letter informing me that another friend had unexpectedly died. You might think that this would push me over the edge into an irreversible downward spiral of Xanax and Regina Spektor songs, but no. It’s not. I’m fucking done with sadness, and I don’t know what’s up the ass of the universe lately but I’ve HAD IT. I AM GOING TO BE FURIOUSLY HAPPY, OUT OF SHEER SPITE.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
If this is really it…if you’re really done with me…will you let me hold you tonight?”
“Please? I can’t sleep knowing you’re just a foot away, and I’m never gonna get the chance again.”
I shut my eyes tight and then pushed away from the edge of the bed, turning down the blanket. He crawled in bed beside me, hastily pulling me tight into his arms. His bare chest rose and fell with uneven breaths, and I cursed myself for feeling so peaceful against his skin.
“I’m going to miss this,” I said.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
I lay in my bed a few minutes later, resigned as the pain finally made its appearance.
It was a crippling thing, this sensation that a huge hole had been pushed through my chest, excising my most vital organs and leaving ragged, unhealed gashes around the edges that continued to throb and bleed despite the passage of time. Rationally, I knew my lungs must still be intact, yet I gasped for air and my head spun like my efforts yielded me nothing. My heart must have been beating, too, but I couldn't hear the sound of my pulse in my ears; my hands felt blue with cold. I curled inward, hugging my ribs to hold myself together. I scrambled for my numbness, my denial, but it evaded me.
And yet, I found I could survive. I was alert, I felt the pain--the aching loss that radiated out from my chest, sending wracking waves of hurt through my limbs and head--but it was managable. I could live through it. It didn't feel like the pain had weakened over time, rather that I'd grown strong enough to bear it.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw
it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes.
But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later.
But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
”
”
Hunter S. Thompson (Hell's Angels)
“
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest.
His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes.
"What? What's wrong?"
I shake my head.
"Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me."
I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me.
"Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is."
"What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris."
"I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..."
"What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to."
I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him.
"I'm going to leave now," I say quietly. And I turn toward the door.
"No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us.
"I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you."
"You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?"
"What?" He releases my wrists, and the hurt look is back. "You're afraid of me?"
"Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..."
"Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too."
"Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know."
"Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise."
I believe him.But this has nothing to do with his kindness.
He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Psychiatric diagnoses are getting closer and closer to the boundary of normal,” said Allen Frances. “That boundary is very populous. The most crowded boundary is the boundary with normal.”
“Why?” I asked.
“There’s a societal push for conformity in all ways,” he said. “There’s less tolerance of difference. And so maybe for some people having a label is better. It can confer a sense of hope and direction. ‘Previously I was laughed at, I was picked on, no one liked me, but now I can talk to fellow bipolar sufferers on the Internet and no longer feel alone.’” He paused. “In the old days some of them may have been given a more stigmatizing label like conduct disorder or personality disorder or oppositional defiant disorder. Childhood bipolar takes the edge of guilt away from parents that maybe they created an oppositional child.
”
”
Jon Ronson (The Psychopath Test: A Journey Through the Madness Industry)
“
In that case, it's good that you're a human Cuisinart," she said.
"I'm sorry?"
"A Cuisinart. It's an appliance from the Broken. You put vegetables into it, push a button, and it chops them into tiny pieces."
Richard frowned. "Why would you need an appliance to chop vegetables? Wouldn't it be easier to chop them with a knife?"
"It's meant to save time," she explained.
"Does it?"
"Well, cleaning it usually eats up most of the time you save on chopping."
"So you're telling me that I'm useless."
"It's a neat gadget!"
"And I'm hard to clean, apparently."
She checked his face. Tiny sparks danced in his eyes. He was pulling her leg. Well. If that's how it is... "Considering last night's argument, I think that you're remarkably difficult to clean."
"There probably is a retort to this that's not off-color," he said. "But I can't think of one.
”
”
Ilona Andrews (Steel's Edge (The Edge, #4))
“
Dear Camryn,
I know you're scared. I'd be lying if I said I wasn't a little scared, too, but I have to believe that this time around everything will be fine. And it will be.
We've been through so much together. More than most people in such a short time. But no matter what, the one thing that has never changed is that we're still together. Death couldn't take me away from you. Weakness couldn't make me look at you in a bad light. Drugs and all the shit that comes with them couldn't take you away from me. I think it's more safe to say that we're indestructable.
Maybe all of this has been a test. Yeah, I think about that a lot and I've convinced myself of it. A lot of people take Fate for granted. Some have everything they've ever wanted right at their fingertips, but they abuse it. Others walk right past their only opportunity because they never open their eyes long enough to see that it's there. But you and I, even before we met, took all the risks, made our own decisions without listening to everybody around us telling us, in so many ways, that what we're doing is wrong. Hell no, we did it our way, no matter how reckless, or crazy or unconventional. It's like the more we pushed and the more we fought, the harder the obstacles. Because we had to prove we were the real deal.
And I know we've done just that.
Camryn, I want you to read this letter to yourself once a week. It doesn't matter what day or what time, just read it. Every time you open it, I want you to see that another week has passed and you're still pregnant. That I'm still in good health. That we're still together. I want you to think about the three of us, you, me and our son or daughter, traveling Europe and Soth America. Because we're going to do it. I promise you that.
You're everything to me, and I want you to stay strong and not let your fear of the past taint the path to our future. Everything will work out this time, Camryn, everything will, I swear to you.
Just trust me.
Until next week...
Love,
Andrew
”
”
J.A. Redmerski (The Edge of Always (The Edge of Never, #2))
“
If you’re an adrenaline junkie, I understand why you’d find that exciting. But I’m not, and I don’t.
To me, the only good reason to take a risk is that there’s a decent possibility of a reward that outweighs the hazard. Exploring the edge of the universe and pushing the boundaries of human knowledge and capability strike me as pretty significant rewards, so I accept the risks of being an astronaut, but with an abundance of caution: I want to understand them, manage them and reduce them as much as possible.
It’s almost comical that astronauts are stereotyped as daredevils and cowboys. As a rule, we’re highly methodical and detail-oriented. Our passion isn’t for thrills but for the grindstone, and pressing our noses to it. We have to: we’re responsible for equipment that has cost taxpayers many millions of dollars, and the best insurance policy we have on our lives is our own dedication to training. Studying, simulating, practicing until responses become automatic—astronauts don’t do all this only to fulfill NASA’s requirements. Training is something we do to reduce the odds that we’ll die.
”
”
Chris Hadfield (An Astronaut's Guide to Life on Earth)
“
Pick,” Emma tells her.
Tira’s lip trembles. She tries to back out of sight, but someone pushes her forward. “Pick…Pick what?”
Emma motions to the halo of predators above them, around them, everywhere. “Pick two. Any two you want, and I will have them divide Jagen’s body evenly.”
“No!” Jagen screams, his face contorted in terror.
Emma cocks her head at him. “Jagen, make up your mind. Didn’t you just say you don’t believe I have the Gift? So then why should you care if she points to some harmless sharks?”
He clamps his mouth shut, but the look of panic stays.
Tira says, “I couldn’t do that, Highness.”
Highness! Someone called Emma “Highness!” It’s one of the many names she calls Galen when she’s mad at him. The irony is not lost on Emma. Her death glare cuts off his snickers.
She turns back to Tira. “Of course you can. There’s nothing to worry about because Paca has the Gift, remember? Isn’t that what you all believe? She would never let any harm come to her own father, would she? I know I wouldn’t. So go ahead and pick. Paca will save Jagen.”
Clever little angelfish. Galen smirks at Jagen, who won’t meet his eyes. Nalia and Grom make their way to the edge of the center. Grom grins at Emma like she’s his own daughter. Which is very weird for Galen.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
”
”
Elizabeth Berg (Never Change)
“
When his mouth was on hers, when he could feel her about to shatter yet again, he plunged into her, knocking her over the edge with that first rough stroke.
And still he thought: More.
Even as she shuddered, he shoved her knees up and went deeper inside her. His vision blurred, but through the red haze of lust he could see her eyes. Deep, dark, glazed like glass to throw his own reflection back at him.
"I'm inside you." He panted it out as he pushed them both to madness. "Everything I am. Body, heart, mind."
She struggled through layers of pleasure to say the one thing he needed. Her hands wrapped around his wrists to hold the beat of his blood. "Let go. I'll stay with you."
He pressed his face to her hair, let both heart and mind go, and let body rule them both.
”
”
J.D. Robb (Betrayal in Death (In Death, #12))
“
Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.
Laila closed her eyes. Concentrated.
With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion—like the phantom pain of an amputee.
Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence...
It would flood her, steal her breath.
But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Light. Space. Light and space without time, I think, for this is a country with only the slightest traces of human history. In the doctrine of the geologists with their scheme of ages, eons and epochs all is flux, as Heraclitus taught, but from the mortally human point of view the landscape of the Colorado is like a section of eternity- timeless. In all my years in the canyon country I have yet see a rock fall, of its own volition, so to speak, aside from floods. To convince myself of the reality of change and therefore time I will sometimes push a stone over the edge of a cliff and watch it descend and wait- lighting my pipe- for the report of its impact and disintegration to return. Doing my bit to help, of course, aiding natural processes and verifying the hypotheses of geological morphology. But am not entirely convinced.
”
”
Edward Abbey (Desert Solitaire)
“
Yes?” Came the thin and reedy voice.
I winced as I pushed the door open. Beth sounded terrible. And when I got an eyeful of her, she looked just as bad. Sitting up against the headboard with a mountain of blankets piled around her, she had dark circles under her eyes. Her pale, waiflike features were sharp, and her hair was an unwashed, tangled mess. I tried not to breathe too deeply, because the room smelled of vomit and sweat.
I halted at the bed, shocked to my core. “Are you sick?”
Her unfocused gaze drifted away from me, landing on the door to the adjoined bathroom, it didn’t make sense. Hybrids—we couldn’t get sick. Not the common cold or the most dangerous cancer. Like the Luxen, we were immune to everything out there in terms of disease, but Beth? Yeah, she wasn’t looking too good.
A great sense of unease blossomed in my belly, stiffening my muscles. “Beth?”
Her watery stare finally drifted to me. “Is Dawson back yet?”
My heart turned over heavily, almost painfully. The two of them have been through so much, more than Daemon and I had, and this . . . God, this wasn’t fair. “No, he’s not back yet, but you? You look sick.”
She raised a slim, pale hand to her throat. “I'm not feeling very well.”
I didn’t know how bad this was, and I was almost afraid to find out. “What’s wrong?”
One shoulder rose, and it looked like it had taken great effort. “You shouldn’t be worried,” she said, her voice low as she picked at the hem of a blanket. “It’s not a big deal. I’ll be okay once Dawson comes back.” Her gaze floated off again, and as she dropped the edge of the blanket, she reached down, put her hand over her blanket-covered belly, and said, “We’ll be okay once Dawson comes back.”
“We’ll be . . . ?” I trailed off as my eyes widened. My jaw came unhinged and dropped as I gaped at her.
I stared at where her hand was and watched in dawned horror as she rubbed her belly in slow, steady circles.
Oh no. oh, hell to the no to the tenth power.
I started forward and then stopped. “Beth, are you . . . are you pregnant?
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
In general, though, women aren’t really allowed to be kick-ass. It’s like the famous distinction between art and craft: Art, and wildness, and pushing against the edges, is a male thing. Craft, and control, and polish, is for women. Culturally we don’t allow women to be as free as they would like, because that is frightening. We either shun those women or deem them crazy. Female singers who push too much, and too hard, don’t tend to last very long. They’re jags, bolts, comets: Janis Joplin, Billie Holiday. But being that woman who pushes the boundaries means you also bring in less desirable aspects of yourself. At the end of the day, women are expected to hold up the world, not annihilate it. That’s why Kathleen Hanna of Bikini Kill is so great. The term girl power was coined by the Riot Grrl movement that Kathleen spearheaded in the 1990s. Girl power: a phrase that would later be co-opted by the Spice Girls, a group put together by men, each Spice Girl branded with a different personality, polished and stylized to be made marketable as a faux female type. Coco was one of the few girls on the playground who had never heard of them, and that’s its own form of girl power, saying no to female marketing!
”
”
Kim Gordon
“
So what's your doll's name?" Boo asked me.
"Barbie," I said. "All their names are Barbie."
"I see," she said. "Well, I'd think that would get boring, everyone having the same
name."
I thought about this, then said, "Okay, then her name is Sabrina."
"Well, that's a very nice name," Boo said. I remember she was baking bread,
kneading the dough
between her thick fingers. "What does she do?"
"Do?" I said.
"Yes." She flipped the dough over and started in on it from the other side. "What
does she do?"
"She goes out with Ken," I said.
"And what else?"
"She goes to parties," I said slowly. "And shopping."
"Oh," Boo said, nodding.
"She can't work?"
"She doesn't have to work," I said.
"Why not?"
"Because she's Barbie."
"I hate to tell you, Caitlin, but somebody has to make payments on that town house
and the Corvette,"
Boo said cheerfully. "Unless Barbie has a lot of family money."
I considered this while I put on Ken's pants.
Boo started pushing the dough into a pan, smoothing it with her hand over the top.
"You know what I
think, Caitlin?" Her voice was soft and nice, the way she always spoke to me.
"What?"
"I think your Barbie can go shopping, and go out with Ken, and also have a
productive and satisfying
career of her own." She opened the oven and slid in the bread pan, adjusting its
position on the rack.
"But what can she do?" My mother didn't work and spent her time cleaning the
house and going to PTA.
I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots,
doing s.uch things.
Boo came over and plopped right down beside me. I always remember
her being on my level; she'd sit
on the edge of the sandbox, or lie across her bed with me and Cass as we listened to
the radio.
"Well," she said thoughtfully, picking up Ken and examining his perfect physique.
"What do you want to
do when you grow up?"
I remember this moment so well; I can still see Boo sitting there on the floor, cross-
legged, holding my
Ken and watching my face as she tried to make me see that between my mother's
PTA and Boo's
strange ways there was a middle ground that began here with my Barbie, Sab-rina,
and led right to me.
"Well," I said abruptly, "I want to be in advertising." I have no idea where this came
from.
"Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go
to work every day,
coming up with ideas for commercials
and things like that."
"She works in an office," I went on. "Sometimes she has to work late."
"Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie."
"Because she wants to get promoted," I added. "So she can pay off the town house.
And the Corvette."
"Very responsible of her," Boo said.
"Can she be divorced?" I asked. "And famous for her commercials
and ideas?"
"She can be anything," Boo told me, and this is what I remember most, her freckled
face so solemn, as if
she knew she was the first to tell me. "And so can you.
”
”
Sarah Dessen (Dreamland)
“
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.”
Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips.
I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood.
It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks.
She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop.
With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.”
Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.”
“I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart.
“It’s okay,” she murmured. “We’re together now and that’s all that matters.”
I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with.
“Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?”
“No.” And it was the truth.
Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.”
Her body rocked with silent giggles and my lips turned up. I loved making her happy.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau.
Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover.
Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day.
‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke.
Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense.
Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
”
”
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
“
Back in Henrietta, night proceeded.
Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired.
He opened his eyes.
He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school.
He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that.
In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now.
He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it...
...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
”
”
Andrea Dworkin (Mercy)
“
Tell me what to do."
His warm breath tickled my ear. "Relax."
"Please, Noah, I don't want to do this wrong. Tell me how to make you feel good."
He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right."
His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me."
I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended.
Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy.
And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin.
He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love.
He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way."
My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever.
One clear thought forced my eyes open. "You 're putting me to sleep."
"So?" he asked a little too innocently.
I swallowed. "I'll have nightmares."
"Then we 'll have an excuse to do this again.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))