Trace My Spine Quotes

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I am tracing the knobs of your spine like the map of my favorite continent. You are all the places that I haven't visited yet and I mark each one off with my teeth.
Amanda Oaks (Literary Sexts: A Collection of Short & Sexy Love Poems (Volume 1))
The back is one of my favorite parts of a woman’s body. I love to trace and lick the shallow line of her spine, from the top and all the way down to the twin dimples at the base of her lower back.
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
One day I’ll get a tattoo for you.” Warmth explodes in my chest, in awe that he would mark himself for me. “You don’t have to.” “I will.” His fingers trace my cheek and chills of pleasure run down my spine. “It’s what I do. Each tattoo represents the only happy memories I’ve had. And you, Rachel, you’re the happiest.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Okay." I bounced down the stairs. "I'm decent." He was waiting at the foot of the stairs, closer than I'd thought, and I bounded right into him. He steadied me, holding me a careful distance away for a few seconds before suddenly pulling me closer. "Wrong again," he murmured in my ear. "You are utterly indecent - no one should look so tempting, it's not fair." "Tempting how?" I asked. "I can change . . ." He sighed, shaking his head. "You are so absurd." He pressed his cool lips delicately to my forehead, and the room spun. The smell of his breath made it impossible to think. "Shall I explain how you are tempting me?" he said. It was clearly a rhetorical question. His fingers traced slowly down my spine, his breath coming more quickly against my skin. My hands were limp on his chest, and I felt ligtheaded again. He tilted his head slowly and touched his cool lips to mine for the second time, very carefully, parting them slightly. And then I collapsed.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
That could also be because at one point during the film, our hands found each other. And when I felt Michael's middle finger caress the inside of my palm, it sent a tickle up my spine, and the fingers of my right hand were soon exploring his left hand, and we each took turns tracing the contours of the other's hands.
Zack Love (The Syrian Virgin (The Syrian Virgin, #1))
Simon traces his fingers up my spine, touching bone after bone like he’s holding the individual beads of a rosary in silent worship.
B.L. Berry (An Unforgivable Love Story)
I traced my fingers along the book spines, taking comfort in the aged paper scent.
E.G. Sparks (Night Fury)
Isaiah runs his hand through my hair, and every cell in my body vibrates with the gentle pull. “Rachel.” “Yes.” It’s hard to breathe. “Kiss me.” Isaiah doesn’t wait for my answer. Instead his lips meet mine and his arms wrap around my body. All the hesitancy I felt the first night we kissed evaporates like mist on the heels of a summer storm. Within seconds, our mouths open, and Isaiah slips his tongue against mine. I get lost, liking the way my body curves around his, liking the way my hands explore as if they have a mind of their own, and loving how Isaiah grips my hair while tracing my spine. Tingles and shock waves and earthquakes and hurricanes. All of it takes place at the same time as our mouths move not nearly fast enough. Nothing seems fast enough. The closer I become, the closer Isaiah presses, and the more he presses, the more I want to crawl inside and live in this delicious world of warmth and fantastic hunger. Isaiah hooks an arm around my waist, and I suck in a breath when he turns us and shifts me up against the door to his Mustang. My eyes widen and I stare up at him as he stares down at me. Our chests move in unison, as do our breaths. My fingers curl into the muscles of his arms, and I briefly close my eyes, loving how his body fits into mine.
Katie McGarry (Crash into You (Pushing the Limits, #3))
It's okay to want something that's going to hurt, I remind myself. I move toward him, so we are close enough to touch. He takes my hand in his, fingers lacing together, and bends towards me. There is plenty of time for me to pull away from the kiss, but I don't. I want him to kiss me. My weariness evaporates as his lips press against mine. Over and over, one kiss sliding in to the next. 'You looked like a knight in a story tonight,' he says softly against my neck. 'Possibly a filthy story.' I kick him in the leg, and he kisses me again, harder. We stagger against the wall, and I pull his body to mine. My fingers glide up under his shirt, tracing up his spine to the wings of his shoulder blades. His tail lashes back and forth, the furred end stroking over the back of my calf.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
As I speak, his fingers trail down my arm. I’m just so relieved he’s willing to touch me after I’ve told him this. He turns my hand over and traces the fine lines on my palm. “And?” He looks up beneath heavy lids. “What else should I know about you?” “My skin—” I stop, swallow. He leans down, presses his lips to my wrist in a feathery kiss. “What about your skin?” “You know. You’ve seen it,” I rasp. “It changes. The color becomes—” “Like fire.” His gaze lifts from my wrist and he says that word he said so long ago surrounded in cold mists, tucked on a ledge above a whispering pool of water. “Beautiful.” “You said that before. In the mountains.” “I meant it. Still do.” I laugh weakly. “I guess this means you’re not mad at me.” “I would be mad, if I could.” He frowns. “I should be.” He inches closer to me on the couch. We sink deeper into the tired cushions. “This is impossible.” “This what?” I clutch the collar of his shirt in my fingers. His face is so close I study the varying color of his eyes. For a long time, he says nothing. Stares at me in that way that makes me want to squirm. For a moment, it seems that his irises glow and the pupils shrink to slits. Then, he mutters, “A hunter in love with his prey.” My chest squeezes. I suck in a breath. Pretty wonderful, I think, but am too embarrassed to say it. Even after what he just admitted. He loves me? Studying him, I let myself consider this and whether he can possibly mean it. But what else could it be? What else could drive him to this moment with me? To turn his back on his family’s way of life? As he looks at me in that desperate, devouring way, I’m reminded of those moments in his car when he tended the cut on my palm and ran his hand over my leg. My belly twists. I glance around, see how seriously, dangerously alone we are. More alone than in the stairwell. Or even the first time together, on that ledge. I lick my lips. Now we’re alone with no school bell ready to rip us apart. Even more alarming, no more secrets stand between us. No barriers. Nothing to stop us at all. I hold my breath until I feel the first press of his lips, certain I’ve never been this close to another soul, this vulnerable. We kiss until we’re both breathless, warm and flushed, twisting against each other on the couch. His hands brush my bare back beneath my shirt, trace every bump of my spine. My back tingles, wings vibrating just beneath the surface. I drink the cooler air from his lips, drawing it into my fiery lungs. I don’t even mind when he stops and watches my skin change colors, or touches my face as it blurs in and out. He kisses my changing face. Cheeks, nose, the corners of my eyes, sighing my name it like a benediction between each caress. His lips slide to my neck and I moan, arch, lost to everything but him. In this, with him . . . I’m as close to the sky as I’ve ever been.
Sophie Jordan (Firelight (Firelight, #1))
The Body As Braille” He tells me “your back is so beautiful.” He traces my spine with his hand. I’m burning like the white ring around the moon. “A witch’s moon,” dijo mi abuela. The schools call it “a reflection of ice crystals.” It’s a storm brewing in the cauldron of the sky. I’m in love but won’t tell him if it’s omens or ice.
Lorna Dee Cervantes (Emplumada (Pitt Poetry Series))
Open up and let me see inside. I’m dying to know what secrets you hold in there. Let me run my hand along your spine and trace my fingertips across your words. I want to soak up every inch of you with my eyes and hold you until I fall asleep with you on my chest. Or better yet, stay awake with you all night long. Challenge me. Stimulate me. Consume me. I dare you.
Delaney Foster (Kane (Sweet Southern Heat, #2))
His eyes ran over her hungrily. “I couldn’t get it out of my mind,” he said, almost to himself, “the way it felt, back at my mother’s house. I was never so hungry for anyone, but it wasn’t completely physical, even then.” He frowned. “I want you, Cecily, and I hate myself for it.” “What else is new?” She gestured toward the door. “Go home. And I hope you don’t sleep a wink.” “I probably won’t,” he said ruefully. He moved toward the door, hesitating. “Good night,” she said firmly, not moving. He stood with his back to her, his spine very straight. “I can trace my ancestors back before the Mexican War in the early 1800s, pure Lakota blood, undiluted even by white settlement. There are so few of us left…” She could have wept for what she knew, and he didn’t know. “You don’t have to explain it to me,” she said solemnly. “I know how you feel.” “You don’t,” he bit off. He straightened again. “I’d die to have you, just once.” He turned, and the fire was in his eyes as they met hers, glittering across the room. “It’s like that for you, too.” “It’s a corruption of the senses. You don’t love me,” she said quietly. “Without love, it’s just sex.” He breathed deliberately, slowly. He didn’t want to ask. He couldn’t help it. “Something you know?” “Yes. Something I know,” she said, lying with a straight face and a smile that she hoped was worldly. She was not going to settle for crumbs from him, stolen hours in his bed. Men were devious when desire rode them, even men like Tate. She couldn’t afford for him to know that she was incapable of wanting any man except him. The words stung. They were meant to. He hesitated, only for a minute, before he jerked open the door and went out. Cecily closed her eyes and thanked providence that she’d had the good sense to deny herself what she wanted most in the world. Tate had said once that sex alone wasn’t enough. He was right. She repeated it, like a mantra, to her starving body until she finally fell asleep.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath. 'You really don't want to know.' He's tense, but doesn't move away from my touch. 'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them. His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in. 'There's a lot of them,' I murmur, dragging my fingers down his spine. 'A hundred and seven.' He looks away. The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.' 'Yeah.' I shift so I can see his face. 'What happened, Xaden?' He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.' 'What kind of deal leaves you with scars like that?' Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.' The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows. 'Then my life is forfeit. The scars are a reminder.' It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion. He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Blame this dress,” I tell her. “It shows off the sexiest parts of you.” “Let me guess.” Her laugh rumbles into me. “The ass?” I caress the dramatic curve from her back to her butt, rubbing my hand along her spine. “No, this is the sexiest thing about you.” The laughter leaves my voice. “This gorgeous backbone.” She pulls back to study my face in the shadows. With the sun setting, soon we’ll have to pick each other out of the dark like we did the first time we made love. “Your strength,” I continue, pressing my fingers along the delicate bones strung up her back. “And this.” I skim the curve of her breasts, but don’t stop there, not until I reach the skin left bare by the neckline of her dress. Until my hand rests on her heart. “This heart of yours.” My laugh is full of self-deprecation. “That you somehow miraculously have given to me, it’s the other sexiest thing about you.” She traces the line of my eyebrows, the slant of my cheekbones, my lips. I know what she sees. A good-looking guy with a not-always-good heart. Not a heart like hers. “That’s just about the most perfect thing anyone’s ever said to me,” she says.
Kennedy Ryan (Block Shot (Hoops, #2))
In the elevator, he held silent, but she saw him twice look at her blouse. She could feel his gaze, damn it, deep inside herself. And she knew what he was looking at. Without the binding, her boobs were far too noticeable. The damned buttons gaped and the material strained. “Enjoying yourself?” she asked with a heavy dose of sarcasm. If anything, her jibe only made him intensify his study. He stood there, negligence personified, his hands clasped behind his back, his stance casual and relaxed. “I can see the outline of your nipples.” She nearly strangled on her fury. “Go to hell!” “What are you? C cup? Maybe even a D?” Oh, God, she did not want to stand here alone with him, closed up in such a small space with his heat and scent invading her lungs. “None of your damn business.” He lifted his hand in front of him, not to touch her, but to imagine it covering her right breast. His face screwed up while he pretended to heft her. “I’d say a full C.” A fine trembling started in her neck and went down her spine. She needed to stay composed to face off with Murray Coburn, but for whatever reason, this man wanted to demolish her control. “I say go kill yourself.” He cracked a smile. And what that smile did for him . . . She couldn’t deny that he was devastatingly handsome. Probably a cutthroat villain, but still gorgeous. That disheveled fair hair and those intense, oddly colored eyes . . . she shivered. He lifted a brow. “Cold?” “No.” She had to distract him. “So I didn’t catch your name.” “No one gave you my name.” “It’s a secret, then?” She tried to hunch her shoulders to make her chest less noticeable. “How strange.” “That doesn’t help,” he said of her posture, “and if you’re really interested?” He held out a hand. “Trace Miller.” She disdained touching him again. “Is that your real name or an alias?” With a grin, he retracted his proffered hand. “What do you think?” “I think you took my driver’s license.” He went still for a heartbeat, giving her a small measure of satisfaction. Lifting her hands in a “woo woo” way, she intoned,” I know all, see all.” Then she curled her lip. “And besides, you suck at stealth.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
When we reached the street that branched off into the western section of the city, I expected Saadi to conintue north, but he did not. We dismounted and walked side by side, leading our horses, until my house came into view. “You should leave,” I said to him, hoping I didn’t sound rude. “Let me help you take King to your stable.” I hesitated, unsure of the idea, then motioned for him to follow me as I cut across the property to approach the barn from the rear. After putting King in his private stall at the back of the building, sectioned off from the mares, I lit a lantern and grabbed a bucket. While Saadi watched me from the open door of the building, I went to the well to fill it. “You should really go now,” I murmured upon my return, not wanting anyone to see us or the light. He nodded and hung the lantern on its hook, but he did not leave. Instead, he took the bucket from me, placing it in King’s stall, and I noticed he had tossed in some hay. Brushing off his hands, he approached me. “Tell your family I returned the horse to your care, that our stable master found him too unruly and disruptive to serve us other than to sire an occasional foal.” “Yes, I will,” I mumbled, grateful for the lie he had provided. I had been so focused on recovering the stallion that explaining his reappearance had not yet entered my mind. Then an image of Rava, standing outside the barn tapping the scroll against her palm, surfaced. What was to prevent her return? “And your sister? What will you tell her?” He smirked. “You seem to think Rava is in charge of everything. Well, she’s not in charge of our stables. And our stable master will be content as long as we can still use the stallion for breeding. As for Rava, keep the horse out of sight and she’ll likely never know he’s back in your hands.” “But what if you’re wrong and she does find out?” “Then I’ll tell her that I have been currying a friendship with you. That you have unwittingly become an informant. That the return of the stallion, while retaining Cokyrian breeding rights, furthered that goal.” I gaped at him, for his words flowed so easily, I wondered if there was truth behind them. “And is that what this is really all about?” I studied his blue eyes, almost afraid of what they might reveal. But they were remarkably sincere when he addressed the question. “In a way, I suppose, for I am learning much from you.” He smiled and reached out to push my hair back from my face. “But it is not the sort of information that would be of interest to Rava.” His hand caressed my cheek, and he slowly leaned toward me until his lips met mine. I moved my mouth against his, following his lead, and a tingle went down my spine. With my knees threatening to buckle, I put my hands on his chest for balance, feeling his heart beating beneath my palms. Then he was gone. I stood dumbfounded, not knowing what to do, then traced my still-moist lips, the taste of him lingering. This was the first time I’d been kissed, and the experience, I could not deny, had been a good one. I no longer cared that Saadi was Cokyrian, for my feelings on the matter were clear. I’d kiss him again if given the chance.
Cayla Kluver (Sacrifice (Legacy, #3))
Incensed Muslims the world over burned and banned and fatwa’d the book condemned as blasphemous for its portrayal of the Prophet and his wives. This didn’t keep Baj from buying the book for our home library. Books transported us to other worlds, offered freedom from our bodies, revealed the absolute and inviolable freedom of an author’s imagination. Books were transcendent, so inviolable we were taught to never accidentally touch one with our feet, to never let a book touch the ground. Reading a book, no matter what its contents, no matter how profane—raised consciousness, which made them sacred. I felt afraid to even touch The Satanic Verses, intimidated by its red-and-black spine, by the title itself, unaware of how these lines traced back to a feminine divine.
Tanaïs (In Sensorium: Notes for My People)
With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it
Jalynn Gray-Wells (Broken Hearts of Queens (Lost in Love Book 1))
I do so love books. I can’t think of many truer pleasures than settling into a fat armchair, letting my mouth fall open, and reading a novel. And I mean really reading one – not just skim-reading it before a live TV interview, or pretending to read Middlemarch while smiling sagely to look more attractive in a departure lounge – genuinely reading. For me, books aren’t just a feast for the eyes. I love the feel of books: the flaps of reformed pulp nestling compliantly in the crook of my hand, my fingers tracing their supple spines; I love the sound of books – I don’t mean audiobooks, I don’t like audiobooks, I’ve never liked audiobooks: If I want to hear Sam West reading Inspector Morse out loud I’ll go to one of his garden parties; no, I’ll only allow audiobooks if you’re operating heavy machinery or are just plain blind (and don’t forget they have been given braille) – I mean the sound of a book: The moth-like thrum of flicked pages, the gedoink of a thudding tome as it lands on a bedside table. But most of all, I love the stench of books; the thick odour that leaps from their pages. If I’m feeling a little low and I’m in a library, I’ve been known to open a book (just a little), slot my nose into its tempting crevice, and inhale a deep whiff of book until my eyes roll back in their sockets and I have to lie down in a section where no-one goes (such as African literature). For me, nothing beats the delight of quietly slipping my nose into the crack of a Brontë or A Few Good Men and letting the aroma tantalise my olfactory nerve endings. Oh, the smell! Oh! The! Smell! The trusty, musty, dusty, fusty, crusty, and (if it’s a Jilly Cooper) busty and lusty smell of literature!
Alan Partridge (From the Oasthouse: The Alan Partridge Podcast (Series 2))
She lets out a slow exhale, and hesitantly raises a hand. I nod, and she lightly traces two of her fingers over the scar, inspecting it like it’s a gem she’s been asked to appraise. I almost shiver at the feeling of her touching my skin, the beginnings of a shudder clinging to the bottom of my spine.
Erica Hollis (Hearts Forged in Dragon Fire)
We started for the door when I felt a heat burning down my spine and I turned right into Trace’s stare. The look of joy and pain that swept his face had my soul sighing. Tears burned my throat and my first instinct was to throw myself into his arms, but that was followed with the urge to hurt him. I wanted to hit him and rage at him for breaking us and me. It was only a few minutes that we stared across the room at each other, but it seemed as if time just stopped. The smile seemed to come from my soul, and I knew everything I was feeling was reflected in that simple curve of my lips. His identical smile stayed with me as I walked out the door.
L.A. Fiore (Beautifully Damaged (Beautifully Damaged, #1))
But the moment Frederick buried his face between my legs it was clear there was nothing in the world he would rather be doing than this. He tasted and licked, breathing me in as he took his sweet, deliberate time. My fingertips found purchase on his shoulders, and I clung to them for dear life as he teased me, the wool of the sweater he still wore deliciously smooth against my bare legs. My head fell back against the pillow again and I writhed on the mattress, bucking up towards his mouth in search of greater friction, needing more. But he wouldn't be rushed. His hands gripped my hips harder as my body sought to move against him, keeping me pinned helplessly to the mattress in the exact spot he wanted me. I whined in delicious agony as he traced the shape of my clit with the achingly soft flat of his tongue, dancing around the direct contact my body was screaming for. I could feel how wet I was growing, could hear the sharp keening sounds I was making as if from a distance. But he would not be rushed by my desperation as he kissed, and lapped, and tasted. "Frederick." I tangled my fingers in his soft hair and tugged, moaning. I was going to pieces. I was out of my head with need. "Please." At my naked plea something must have broken inside him. He groaned, long and loud, the reverberations from it sending sparks of sensation rocketing down my spine--- And then, at last, his tongue was right there, licking me senseless as his lips closed around my clit. He sucked gently, then with greater pressure, and the room, the bed beneath us, fell away. The world collapsed down to a pinprick, nothing existing anymore outside of Frederick and the exquisite, cresting pleasure. "Oh, god," I moaned, bucking against his mouth. I was outside of myself, outside of reason. "Please---" My orgasm came upon me like a tidal wave--- devastating, and all-consuming, my toes curling with the spine-melting pleasure of it. Distantly, I could feel Frederick shifting on the bed, kissing his way up my body, whispering praise to my bare legs, my stomach, my breasts.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
I know you don't understand what I do." "That... might be true," he admitted. He touched the top of Manor House's roof with his right index finger. "But that does not mean I do not find it fascinating." I watched as he traced over every single line on the page, from top to bottom, not skipping over any part of it, with deliberate care. The house. The lake. The barely intimated trees blooming as rough graphite swirls on either side of the page. The memories of his large hand covering mine as we explored Instagram together--- the way my hands had looked pressed up against his chest in the Nordstrom dressing room--- rose unbidden, sending a delicious shiver down my spine. I'd always felt my art was an extension of my innermost self, and the sight of his large, graceful hands touching every single part of this early drawing felt almost unbearably intimate. "What do you find fascinating about it?" I couldn't tear my eyes away from the sight of his hands touching my work. I felt moments away from melting into a puddle at his feet. "All of it." His hand left the page. I felt him withdraw as much as saw it and exhaled for the first time in what felt like minutes. An unexpected, indescribable feeling of emptiness coursed through me. "I do not claim to understand what you see when you draw and build these things. But the intricacy of your detailing suggests that whatever it is, it is big and deliberate. This is intentional. It means something to you. I cannot help but respect it.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
I like you scared,” he whispers, sending shivers down my spine. “I like you begging and pleading. Crying out for God to save you.” I feel the touch of his hand on my face, and I flinch away. His fingers lightly trace over my cheekbone to my hair, tucking the loose strands behind my ear. “I like you trembling beneath my touch, uncontrollably.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
I could imagine his hand stroking up my back, fingers tracing along my spine to the base of my neck and gripping me there. Gripping me like a little doll to be used and maneuvered. Doll. He’d seemed to like calling me that.
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
I can’t remember the flavor. I was constantly applying that garbage,” she muses, fingers tracing again as a shiver races down my spine. I don’t even need to think about it. I know. I will never forget. “Watermelon.
Elsie Silver (Wild Love (Rose Hill, #1))
Could you at least give me some time to get accustomed to the idea and get to know you before we are wed?” He sighed and nodded with obvious reluctance. “Within reason.” “One year?” she asked in the sweetest voice she could manage. His silver gaze glinted as he frowned. “One month.” “Six months?” she ventured, struggling to maintain her saccharine, imploring tone. “One month,” he repeated. His arms crossed over his broad chest as his frown deepened. “Four months?” Angelica begged, hating the desperation in her voice. But she needed time to devise a plan on how to get out of this predicament. “One month.” His tone was firm, implacable, autocratic. And there was something unnerving about the way he looked at her, as if he knew she sought escape. She sighed, exhausted with his refusal to yield. “You will negotiate with my father, but not with me. Some suitor you are!” Biting back her temper, she gentled her voice. “Six weeks, please?” Burnrath nodded. “Very well, six weeks it is.” He smiled suddenly and a small dimple appeared in his cheek. “I suppose I should take the time to court you properly. Now, let’s seal the bargain with a kiss.” He grasped her shoulders, but Angelica stepped back. The idea of his lips on hers made her knees turn to water and her stomach leap around in the most alarming manner. “A-a handshake should suffice, I think.” His rich laughter overwhelmed her senses. “Come now, you are to be my bride. No kiss, no bargain, my beauty,” he challenged. “Do not tell me you are afraid.” Angelica lifted her chin. Hell if he would call her a coward! “Very well.” She stood on tiptoe and pecked him on the cheek, shocked at the thrill rushing up her spine at that small contact. He smelled of exotic spices. “D-do we have a bargain then?” she asked, hating how her voice shook. The vampire’s eyes seemed to glow dangerously. With a low growl, he pulled her into his arms. She gasped at the feel of the warm steel bands holding her to his large, hard body. “That is not what I had in mind.” Keeping his arm around her, he stroked her back as he tipped her chin up with his other hand to meet his smoldering silver gaze. With one finger, he lightly traced her cheek before tangling his fingers in her hair. The vampire’s breath was warm on her face as he whispered, “This is a kiss.” His
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
I stopped myself from reaching up to touch the raven feather I’d tied into my hair before leaving my cell. The thing had become almost a talisman to me. In the darkness a war horn sounded, like the Morrigan herself blowing her bronze carnyx, and I felt the cold finger of fate trace up my spine. As the shrill, shimmering notes died to silence, we stood, shoulder to shoulder, facing the ranks of gladiatrixes we would soon join.
Lesley Livingston (The Valiant (The Valiant, #1))
Oh, Miss Cross," he replied in a low dark tone. "I've seen you stripped bare since the day we met. You couldn't hide from me if you tried. I know every nuance. Every detail. In my mind, I've kissed you a thousand times. I've worshiped your body even more." He paused to lightly trace his fingers over my arm. A shiver traveled down my spine. "I tried to keep you out of this world. But now that you're here, I'm going to claim every last inch of you. I have spent the last three years eavesdropping on your soul. Next, I'll learn your body.
Coralee June (Malice (Malice Mafia, #1))
moved down to her waist. She slid up against my body like a fluid, her lips parted and her head thrown back as I found her mouth with mine and strained her to me. We clung to each other, our bodies molding together until she pulled her lips from mine. For a moment, she looked up into my face, silently, then her hand went behind my head and pulled it down to hers again. Last night, when I had looked at her she had seemed beautiful and cool, relaxed and almost lethargic in her movements. She was different now, close against me, her long body moving hungrily, her lips searching my mouth and her tongue darting and curling. I slid my hands over the swell of her hips, up the arching curve of her back and gripped the fragile straps at her shoulders. In a moment, she moved away from me, dropped her arms to her sides and let me ease the dress from her shoulders and down over her breasts while she looked at me, breathing through her mouth. When I let go of the cloth and pressed my hands against the smoothness of her, she moved her fingers briefly at the side of the dress, then slid it down over her hips, let it fall and stepped from it, naked, toward me. I picked her up, carried her to the divan and lowered her to it, fumbled with my clothes and then sank to the divan to lie full-length beside her, reaching for her with my lips and my hands and my body. Ayla placed both her palms against my chest and whispered almost inaudibly, "Wait, Shell." For what seemed a long time she held me from her, then she smiled. Her eyes closed. "Hold me. Love me." When I pulled her close her arms went around me and she pressed the length of her body almost violently against mine. Her lips were moist and clinging as they kissed me and pressed against my flesh and nibbled at my skin, and the long fingernails traced fire down my spine. Then she was softness, an incredible softness, every touch of her hands, her breasts, her thighs, a velvet softness, and warmth that swallowed me, enveloped me, for an immeasurable time.
Richard S. Prather (Shell Scott PI Mystery Series, Volume One)
We were getting ready to close the store for what we thought might be as long as two months now. I was looking over the day’s reports when Dissatisfaction came into the building. His fingers roamed along the spines of the books, sometimes tracing one, pulling it out to read the first line. Since he’d read The Blue Flower, by Penelope Fitzgerald, he and I had compiled a list of short perfect novels. Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai These are books that knock you sideways in around 200 pages. Between the covers there exists a complete world. The story is unforgettably peopled and nothing is extraneous. Reading one of these books takes only an hour or two but leaves a lifetime imprint. Still, to Dissatisfaction, they are but exquisite appetizers. Now he needs a meal. I knew that he’d read Ferrante’s Neapolitan novels and was lukewarm. He called them soap opera books, which I thought was the point. He did like The Days of Abandonment, which was perhaps a short perfect novel. ‘She walked the edge with that one,’ he said. He liked Knausgaard (not a short perfect). He called the writing better than Novocain. My Struggle had numbed his mind but every so often, he told me, he’d felt the crystal pain of the drill. In desperation, I handed over The Known World. He thrust it back in outrage, his soft voice a hiss, Are you kidding me? I have read this one six times. Now what do you have? In the end, I placated him with Aravind Adiga’s White Tiger, the latest Amitav Ghosh, NW by Zadie Smith, and Jane Gardam’s Old Filth books in a sturdy Europa boxed set, which he hungrily seized. He’d run his prey to earth and now he would feast. Watching him closely after he paid for the books and took the package into his hands, I saw his pupils dilate the way a diner’s do when food is brought to the table.
Louise Erdrich (The Sentence)
Sebastien,” the Englishman purred, hurt or feigning. “What would I have done? He wears your ring, my love.” “I don’t trust you.” David’s nails scratched Sebastien’s neck, tracing the spine from skull to shoulders. Sebastien shivered. “Don’t trust me,” David answered. “I need your goodwill. Use me.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
Those clever hands began to smooth up and down my spine, one of his habitual gestures. He traced the indentations of my vertebrae with his fingertips through the thin cotton of my shirt, like he was reading the signs of my body by Braille.
Zoë Sharp (Another Round of Charlie Fox)
I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Something’s happened to you, my love. That odious man has treated you wrongly, I have no doubt, and filled your mind with his vile rhetoric. I’m so sorry, Eliza. You must get away from here and back to your home where you can recover and begin to think properly again. I’m ready to take you away this instant.” Eliza shook her head and tried to answer but he stopped her with his finger on her lips. His eyes narrowed and his wounded tone carried fire. “I saw him kissing you.” The blood drained from her face and settled at her feet. The dark barn began to spin. “What?” she breathed. “I saw you at the rally. I saw you running from him.” Bile crept up her throat. Samuel continued. “I tried to get to you, but Watson was there first. I followed you . . . I saw everything.” A pitiful hurt knit his face. Oh, Dear Lord, what have I done. He came closer to her and stroked her arms. “I know you love me, Eliza. We’re meant for one another. I can only assume he’s forced himself upon you and that’s the reason you refuse me, but I don’t want you to worry. When you and I—” “You’re wrong Samuel! He’s done nothing but help and protect me.” He continued his gentleness, tracing her face with his eyes and stroking her arms. “I heard you’d been hurt—stabbed. Is that true? Did he do it because you tried to escape him?” Eliza’s nerves pricked. How much did he know? How long had he been watching them? “No . . . yes . . . no!” The words wouldn’t come quick enough. “I was hurt, very badly, but it wasn’t Thomas who did it. It was the sailors, we saw them . . .” She shook her head and waved her hands in front of her. “It’s too long to explain, but Thomas rescued me. Samuel, he saved my life!” Samuel’s eyes brimmed with emotion. “And for that, I will always be grateful.” His arms encircled her and he brushed his nose against her ear, his lips tracing along her jaw. An icy chill wriggled over her spine as she tried to push away. “Stop, Samuel! Don’t!” He stilled, then stepped away and dropped his lifeless hands at his sides. His features went slack and the muscles in his face ticked. “I care for you Samuel.” Eliza straightened, pulling the shawl back around her shoulders. “But I do not love you. I’m sorry. I don’t believe I ever really did. And how could I marry you now, knowing what you’ve done?” She lifted her chin and straightened her posture. “I love Thomas. We’re to be married.” His face twisted and flooded with red as he stepped forward. Eliza recoiled as his shoulders heaved from his heavy breathing “No. Never! You’re mine, Eliza!” His voice boomed as he spoke through his clenched teeth. He took a step closer reaching his hands toward her, a wicked desperation spinning in his gaze. “I know you are frightened to make such choices in your life. You could never come to a decision this easily. He’s forcing you to do these things. You don’t have to marry him, Eliza. You’re acting so different from the woman I know and love, and it pains me to see it. I will take you away and help you think clearly again.” “I am thinking clearly!” Eliza leaned into her words and clenched her fists, holding her arms rigid at her sides. “Samuel, I love Thomas and I am staying with him. I will be his wife! I’ll not go anywhere with you!” Samuel’s face turned to stone. “Yes. You. Will.” Eliza
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
Why?” She didn’t elaborate, because she wasn’t really quite sure what she was asking. Amber eyes flashed, but didn’t waver. “I don’t know why. All I know is when I look at you I don’t want you to go.” It was the best answer, the safe answer. What woman wouldn’t want to hear those words from a man like him? Two days ago, it would have satisfied her. But two days ago, she hadn’t climbed out the church window. “As soon as my car’s fixed, I’m going back to Chicago.” It was a statement. A promise. The laziness slid off him as he sat forward and placed his elbows on the table, nodding slowly. “It makes sense to leave now,” she said. Another statement of the obvious. A razor-sharp cut of a glance. “Sometimes you just have to fuck common sense and go with your gut.” Her heartbeat kicking up a notch, she shifted in her chair. “I shouldn’t.” “No, you shouldn’t.” The low, heated rumble of his voice made her breathless. “But you’re going to anyway.” The words were delivered as fact without even a hint of entreaty. So why didn’t she feel coerced? Spine straight, she stuck out her chin. “If I stay, I insist on doing things my way.” He scrubbed a hand over his jaw, studying her with a pensive look. Probably wondering what he could get away with. “I have some conditions.” “You’re not in a place to negotiate,” she said, her tone taking on a slightly haughty edge that held no real ice. “Neither are you, Princess,” he said, his voice laced with the first traces of genuine amusement. The
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Her whole body shook as big, fat drops slid down her cheeks. Mortified, she covered her face as though she could hide her wailing. Strong arms enveloped her and Mitch pulled her close. She gave one thought to protest, and then sank into the warm, solid strength of his chest. He was big and broad, so different from what she was used to. The thought made her cry harder. She should push him away, but instead she curled closer. Needing him. She was the most wicked kind of woman. There’d be no escaping hell now. All those years of penance washed away by one night of rash behavior. Mitch kissed her temple, rubbing his hands over her bare skin. That he let her cry, and didn’t start lecturing her on emotional outbursts, made her want to crawl into him and never let go. He swayed them both, murmuring nonsense and tracing slow, soothing circles over her back. “Come on now, Princess. Tell me what’s wrong so I can help you.” She hiccupped into his shirt while she clung to him as though he were her life vest on a sinking ship. A great gush of air was followed by a hiccup. She blurted her very pressing and very embarrassing need. “I-I h-have to go to the b-b-bathroom.” The gentle sway stopped. A rumble in his chest was followed by a cough. He was trying not to laugh. The jerk. She sobbed harder: great heaping wails straight from the pit of her stomach. Now that she was on a roll, she keened pitifully, “A-and m-m-y f-feet hurt.” “It’s okay.” His tone was most definitely amused. “Why didn’t you go?” Now came the worst confession. “M-my dress i-is too b-big.” “Well, take it off.” Did he think she was an idiot? “I c-can’t get it off.” With a fresh batch of hysterics, her shoulders trembled as she buried her face in his T-shirt, now wet with tears. No one at the store had mentioned she’d need a crew of people to go to the bathroom, and now a stranger had to undress her. She hiccupped. They really should mention these kinds of details at the time of purchase. He ran his fingers down a million tiny buttons from the blades of her shoulders to the curve of her ass. “It’s okay. We can take care of this.” “B-but,” she cried. The thought almost unbearable. She was being tested. How was she supposed to be good when she had to disrobe in front of the most gorgeous man alive? “You’ll s-see me almost n-naked.” When he said nothing, fresh tears welled in her eyes. He probably thought she was propositioning him. Surely women threw themselves at him all the time. He rubbed her bare arms. “I’m thirty-four, Princess. I’ve seen a naked woman before.” “But you haven’t seen me.” No one had seen her—well, except Steve, but he hardly even counted. “I’m twenty-eight, and only one guy has seen me. And he isn’t like you. Why can’t you be someone else?” “Like who?” He trailed a path over her bare skin, creating a rush of tingles up and down her spine. She burrowed closer, some of her hysterics finally calming as his soothing but intoxicating presence worked its charm. “You’re not Mister Rogers, you know.” “You can trust me, Maddie. I won’t attack.” Ha!
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Jack sure didn’t have this problem. He wasn’t embarrassed by his feelings. Frustrated by them, yes. Embarrassed? Pah.” “Maybe Jack is the guy I should be talking to….” Mel lost every trace of humor. “Okay, I have to draw the line there. You can’t do that. Jack might say too much—he’s been known to do that once or twice. And I can’t have you conjuring up pictures of me in—” She straightened her spine. “I’m your boss, I think. I am, yes I am. You’re the doctor, but it’s my clinic. I can’t have you picturing me in compromising positions, even if they might help your pathetic sex life, because I’m your boss.” He just grinned largely, happily. As of her last words, he didn’t need Jack’s input to drum up an image or two. Her turn to squirm. She’d certainly enjoyed his discomfort, but all he said with regards to hers was, “Why, Melinda. Hmm.” *
Robyn Carr (Paradise Valley)
I had barely glanced at the book in the pedlar's house save to ascertain it was the right title. Now I allowed myself to pore over its cover, to run my fingers across the leather binding and trace the cursive indentation of the letters that spelled along the spine, The Valley of Fear. I whispered the thrilling words to myself, then lifted the book to my nose and breathed the ink from its pages. The scent of possibilities.
Kate Morton (The House at Riverton)