Count Dracula Quotes

For there are no limits to the stars; their numbers are infinite. Which is precisely why I measure my love for you by them. An amount too boundless to count.

The last I saw of Count Dracula was his kissing his hand to me, with a red light of triumph in his eyes, and with a smile that Judas in hell might be proud of.

Everyone makes mistakes, Wadsworth. There's no shame in that. It's how you go about mending them that truly counts.

. . . Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what's inside you, to make your soul grow. Seriously! I mean starting right now, do art and do it for the rest of your lives. Draw a funny or nice picture of Ms. Lockwood, and give it to her. Dance home after school, and sing in the shower and on and on. Make a face in your mashed potatoes. Pretend you're Count Dracula. Here's an assignment for tonight, and I hope Ms. Lockwood will flunk you if you don't do it: Write a six line poem, about anything, but rhymed. No fair tennis without a net. Make it as good as you possibly can. But don't tell anybody what you're doing. Don't show it or recite it to anybody, not even your girlfriend or parents or whatever, or Ms. Lockwood. OK? Tear it up into teeny-weeny pieces, and discard them into widely separated trash recepticals [sic]. You will find that you have already been gloriously rewarded for your poem. You have experienced becoming, learned a lot more about what's inside you, and you have made your soul grow.

A friend once told me that the real message Bram Stoker sought to convey in 'Dracula' is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read 'Dracula.

We finally settled on Francis Ford Coppola's version of Dracula, which, unfortunately, Gabriel seemed to think was a comedy. I think it was the combination of Keanu Reeves's British accent and Gary Oldman's elderly Count Dracula hairstyle. They're just misleading.

We want you to tell us about vampires." Simon grinned. "What do you want to know? Scariest is Eli in Let the Right One In, cheesiest is late-era Lestat, most underrated is David Bowie in The Hunger. Sexiest is definitely Drusilla, though if you ask a girl, she'll probably say Damon Salvatore or Edward Cullen. But..." he shrugged, "You know girls." Julie's and Beatriz's eyes were wide. "I didn't think you'd know so many!" Beatriz exclaimed. "Are they... are they your friends?" "Oh, sure, Count Dracula and I are like this," Simon said, crossing his fingers to demonstrate. "Also Count Chocula. Oh, and my BFF Count Blintzula. He's a real charmer...." He trailed off as he realized no one else was laughing. In fact, no one seemed to realize he was joking. "They're from TV," he prompted them. "Or, uh, cereal." "What's he talking about?" Julie asked Jon, perfect nose wrinkling up in confusion. "Who cares?" Jon said.

How did you know?” “I…” Thomas swallowed hard, his attention fixed on the painting. “The truth?” “Please.” “You’ve got a dress with orchid blossoms embroidered on it. Ribbons in the deepest purple. You favor the color, but not nearly as much as I find myself favoring you.” He took a deep breath. “As to the stars? Those are what I prefer. More than medical practices and deductions. The universe is vast. A mathematical equation even I have no hope of solving. For there are no limits to the stars; their numbers are infinite. Which is precisely why I measure my love for you by them. An amount too boundless to count.

Sage!" he called. "You have got to see this." Eddie and I reached the next green and stared in astonishment. Then I burst out laughing. We had reached Dracula's Castle. (...) I couldn't stop laughing. Adrian and Eddie looked at me as though they'd never seen me before. "I don't think I've ever heard her laugh," Eddie told him. "Certainly not the reaction I was expecting," mused Adrian. "I'd been counting on abject terror, judging from past Alchemist behaviour. I didn't think you liked vampires.

I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years.

Could you look, sir, into my heart, you would approve to the full the sentiments which animate me. Nay, more, you would count me amongst the best and truest of your friends.

As to the stars? Those are what I prefer. More than medical practices and deductions. The universe is vast. A mathematical equation even I have no hope of solving. For there are no limits to the stars; their numbers are infinite. Which is precisely why i measure my love for you by them An amount too boundless to count.

I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.

The last I saw of Count Dracula was his kissing his hand to me; with a red light of triumph in his eyes, and with a smile that Judas in hell might be proud of.

I said interrogatively:— “Count Dracula?” He bowed in a courtly way as he replied:— “I am Dracula; and I bid you welcome, Mr. Harker, to my house.

Count comes from a wolf country, and it may be that he shall get there before us. I propose that we add Winchesters to our armament. I have a kind of belief in a Winchester when there is any trouble of that sort around.

I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey Maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

She said, "Promise me that you will not tell me anything of the plans formed for the campaign against the Count. Not by word, or inference, or implication, not at any time whilst this remains to me!

Count Dracula. A genetic defect has been identified in his home country, Romania, that results in symptoms that include a lack of tolerance to garlic, sensitivity to sunlight, and the production of red urine.

When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask anyone else, for it was all very mysterious and not by any means comforting.

It is strange that as yet I have not seen the Count eat or drink. He must be a very peculiar man!

When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat.

stregoica”—witch, “vrolok” and “vlkoslak”—both of which mean the same thing, one being Slovak and the other Servian for something that is either were-wolf or vampire. (Mem., I must ask the Count about these superstitions)

There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves. The Count’s eyes gleamed, and he said:— “Listen to them—the children of the night. What music they make!

I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)

We men are all in a fever of excitement, except Harker, who is calm. His hands are cold as ice, and an hour ago I found him whetting the edge of the great Ghoorka knife which he now always carries with him. It will be a bad lookout for the Count if the edge of that "Kukri" ever touches his throat, driven by that stern, ice-cold hand!

15 MAY.-Once more have I seen the Count go out in his lizard fashion.

Once more I have seen the count go down in his lizard fashion.

The last I saw of Count Dracula was his kissing his hand to me;

Water sleeps, and enemy is sleepless. —Count Dracula

Listen to them—the children of the night. What music they make! —Count Dracula

The last I saw of Count Dracula was his kissing his hand to me; with a red light of triumph in his eyes, and with a smile that Judas in hell might be proud of. —Jonathan Harker

But the Count! Never did I imagine such wrath and fury, even to the demons of the pit. His eyes were positively blazing. The red light in them was lurid, as if the flames of hell fire blazed behind them. His face was deathly pale, and the lines of it were hard like drawn wires.

Mummies unraveled and put on new wraps. Spiders found corners and spun silky traps. Count Dracula grinned and slicked back his hair. Frankenstein’s bride cried, “I’ve nothing to wear!

I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey Maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina. In

But Dracula, the book, the myth, goes beyond metaphor in its intuitive rendering of an oncoming century filled with sexual horror: the throat as a female genital; sex and death as synonyms; killing as a sex act; slow dying as sensuality; men watching the slow dying, and the watching is sexual; mutilation of the female body as male heroism and adventure; callous, ruthless, predatory lust as the one-note meaning of sexual desire; intercourse itself needing blood, someone's, somewhere, to count as a sex act in a world excited by sado-masochism, bored by the dull thud-thud of the literal fuck. The new virginity is emerging, a twentieth century nightmare: no matter how much we have fucked, now matter with how many, now matter with what intensity or obsession or commitment or conviction (believing that sex is freedom) or passion or promiscuous abandon, no matter how often or where or when or how, we are virgins, innocents, knowing nothing, untouched, unless blood has been spilled – ours: not the blood of the first time; the blood of every time; this elegant blood-letting of sex a so-called freedom exercised in alienation, cruelty, and despair. Trivial and decadent; proud; foolish; liars; we are free.

When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

I told him exactly what had happened and he listened with seeming impassiveness, but his nostrils twitched and his eyes blazed as I told how the ruthless hands of the Count had held his wife in that terrible and horrid position, with her mouth to the open wound in his breast. It interested me, even at that moment, to see that whilst the face of white set passion worked convulsively over the bowed head, the hands tenderly and lovingly stroked the ruffled hair.

But as I listened, I heard as if from down below in the valley the howling of many wolves. The Count’s eyes gleamed, and he said. “Listen to them, the children of the night. What music they make!” Seeing, I suppose, some expression in my face strange to him, he added, “Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter.

She probably watches every move we make, anyway; it’s probably part of what she agreed to.” “Agreed to with whom, I wonder? Count Dracula?” “You think he lives in Hill House?” “I think he spends all his week ends here; I swear I saw bats in the woodwork

I had hung my shaving glass by the window, and was just beginning to shave. Suddenly I felt a hand on my shoulder, and heard the Count’s voice saying to me, “Good morning.” I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me.

Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania; it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country. I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.

more I have seen the count go out in his lizard fashion.

The light and warmth and the count’s courteous welcome seemed to have dissipated all my doubts and fears.

I was conscious of the presence of the count, and of his being as if lapped in a stain of fury.

Everyone makes mistakes. There’s no shame in that. It's how you go about mending them that truly counts.

I awoke in my own bed. If it be that I had not dreamt, the count must have carried here. I tried to satisfy myself on the subject, but could not arrive at any unquestionable result.

The count’s mysterious warning frightened me at the time, it frightens me more now when I think of it, for in future he has a fearful hold upon me. I shall fear to doubt what he may say!

What I saw was the Count’s head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had so many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow; but I kept looking, and it could be no delusion.

There seemed a strange stillness over everything; but as I listened I heard as if from down below in the valley the howling of many wolves. The Count's eyes gleamed, and he said:- 'Listen to them- the children of the night. What music they make!' Seeing, I suppose, some expression in my face strange to him, he added:- 'Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter.

There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark irongrey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.

And then I saw something which filled my very soul with horror. There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark iron-grey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.

Of one thing I am glad: if it was the count that carried me here and undressed me, he must have been hurried in his task, for my pockets are intact. I am sure this diary would have been a mystery to him which he would not have brooked.

I raised the lid, and laid it back against the wall. And then I saw something which filled my very soul with horror. There lay the Count, but looking as if his youth had been half restored. For the white hair and moustache were changed to dark iron-grey. The cheeks were fuller, and the white skin seemed ruby-red underneath. The mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran down over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood. He lay like a filthy leech, exhausted with his repletion.

When I saw the count’s head coming out from the window, I did not see the face, but I knew the mean by the neck and the movement of his back and arms. In any case, I could not mistake the hands which I had had so many opportunities of studying.

There is certainly something to ponder over in this man's state. Several points seem to make what the American interviewer calls "a story," if one could only get them in proper order. Here they are: Will not mention "drinking." Fears the thought of being burdened with the "soul" of anything. Has no dread of wanting "life" in the future. Despises the meaner forms of life altogether, though he dreads being haunted by their souls. Logically all these things point one way! He has assurance of some kind that he will acquire some higher life. He dreads the consequence, the burden of a soul. Then it is a human life he looks to! And the assurance…? Merciful God! The Count has been to him, and there is some new scheme of terror afoot!

Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There

Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe. I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordnance Survey maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina. In the population of Transylvania

I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.

They sleep like Count Dracula, he thought, junkies do. Staring straight up until all of a sudden they sit up, like a machine cranked from position A to position B. "It--must--be--day," the junkie says, or anyhow the tape in his head says. Plays him his instructions, the mind of a junkie being like the music you hear on a clock radio...it sometimes sounds pretty, but it is only there to make you do something. The music from the clock radio is to wake you up; the music from the junkie is to get you to become a means for him to obtain more junk, in whatever way you can serve. He, a machine, will turn you into his machine.

crux. Van Helsing is simply frantic about it, and I am at my wits' end. I can't even hazard a guess. There has been a series of little circumstances which have thrown out all our calculations as to Lucy being properly watched. But these shall not occur again. Here we stay until all be well, or ill." Quincey held out his hand. "Count me in,

While I live on here there is but one thing to hope for: that I may not go mad, if indeed, I be not mad already. If I be sane, then surely it is maddening to think that of all the foul things that lurk in this hateful place the count is the least dreadful to me; that to him alone I can look for safety, even though this be only whilst I serve his purpose.

I only slept a few hours when I went to bed, and feeling that I could not sleep any more, got up. I had hung my shaving glass by the window, and was just beginning to shave. Suddenly I felt a hand on my shoulder, and heard the Count’s voice saying to me, “Good-morning.” I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me. In starting I had cut myself slightly, but did not notice it at the moment. Having answered the Count’s salutation, I turned to the glass again to see how I had been mistaken. This time there could be no error, for the man was close to me, and I could see him over my shoulder. But there was no reflection of him in the mirror!

As the count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal. The count, evidently noticing it, drew back; and with a grim kind of smile, which showed more than he had yet done his proturberant teeth, set himself down again, on his own side of the fireplace.

Suddenly I felt a hand on my shoulder, and heard the Count’s voice saying to me, ‘Good morning.’ I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me. In starting I had cut myself slightly, but did not notice it at the moment. Having answered the Count’s salutation, I turned to the glass again to see how I had been mistaken. This time there could be no error, for the man was close to me, and I could see him over my shoulder. But there was no reflection of him in the mirror! The whole room behind me was displayed; but there was no sign of a man in it, except myself. This was startling, and, coming on the top of so many strange things, was beginning to increase that vague feeling of uneasiness which I always have when the Count is near; but at that instant I saw that the cut had bled a little, and the blood was trickling over my chin. I laid down the razor, turning as I did so half-round to look for some sticking-plaster. When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

4 May.—I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German. This could not be true, because up to then he had understood it perfectly; at least, he answered my questions exactly as if he did. He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter, and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all, simply refused to speak further. It was so near the time of starting that I had no time to ask any one else, for it was all very mysterious and not by any means comforting.

What I saw was the Count's head coming out from the window. I did not see the face, but I knew the man by the neck and the movement of his back and arms. In any case I could not mistake the hands which I had had some many opportunities of studying. I was at first interested and somewhat amused, for it is wonderful how small a matter will interest and amuse a man when he is a prisoner. But my very feelings changed to repulsion and terror when I saw the whole man slowly emerge from the window and begin to crawl down the castle wall over the dreadful abyss, face down with his cloak spreading out around him like great wings. At first I could not believe my eyes. I thought it was some trick of the moonlight, some weird effect of shadow, but I kept looking, and it could be no delusion. I saw the fingers and toes grasp the corners of the stones, worn clear of the mortar by the stress of years, and by thus using every projection and inequality move downwards with considerable speed, just as a lizard moves along a wall.

Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.

In 1892 the Hungarian doctor and journalist Max Nordau published his Entartung (Degeneration), which he dedicated to Cesare Lombroso. Despite its size (almost six hundred pages), the book became an international bestseller and soon appeared in a dozen languages. Nordau had expanded the Lombrosian analysis to show that “degenerates are not always criminals, prostitutes … lunatics; they are often authors and artists.” Charles Baudelaire and the French “decadent” poets, Oscar Wilde (Bram Stoker’s original model for Count Dracula), Manet and the Impressionists, Henrik Ibsen, Leo Tolstoy, Emile Zola, as well as Wagner and Friedrich Nietzsche—all the leading lights of fin de siècle culture, in fact—came under Doctor Nordau’s critical microscope. He concluded that they were all victims of diseased “subjective states of mind.” The modern degenerate artist, like his criminal counterpart, lacks a moral sense: “For them there exists no law, no decency, no modesty.” Emotionalism and hysteria, as well as that old disease of Romanticism, ennui , pervade their works and outlook, Nordau proclaimed, because of their enfeebled nervous state. “The degenerate and insane,” he wrote, “are the predestined disciples of Schopenhauer.

Last night the count asked me in the suavest tones to write three letters, one saying that my work here was nearly done and that I should start for home within a few days, another that I was starting on the next morning from the time of the letter, and the third that I had left the castle and arrived at Bistritz. I would fain have rebelled, but felt that in the present state of things it would be madness to quarrel openly with the count whilst I am so absolutely in his power; and to refuse would be to excite his anger. He knows that I know too much, and that I must not live, lest I be dangerous to him, my only chance is to prolong my opportunities.

I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face.

Waiters began to appear with tureens of soup, platters of fish and meat, and bowls of vegetables. Another with a huge gold tasting spoon hanging like a necklace at his chest showed the Count a bottle of wine, which he approved, and when opened, sniffed the cork, and then nodded so that a glass could be poured for me. He ordered the waiters to put everything on the table and retreat to the rear of the room. "I will serve her," he said. "Tell me what you would like, Mina." I opened my mouth to speak, but he put a finger to my lips. "Not that way. Tell me with your thoughts." Without looking at the food, I directed my attention by scent to the tureen of turtle soup, whose aroma I recognized from my first dinner at the asylum. "Yes, good," the Count said, ladling out a small bowlful for me. "What else?" I relished the aromas of the white fish with wine and capers, the lamb with mint sauce, and the carrots, but rejected the turnips, which I had eaten for so many years at Miss Hadley's that I had come to abhor them. My repulsion made him laugh, and he signaled for a waiter to take the bowl away.

The wind picks up as if to match his mood, it twists my coat so that for a moment it resembles a saw-toothed cape flying out behind me. All I need now is a garish top hat and they can call me Count Dracula.

Then I stare at my face in the mirror for a minute or two, wondering if it feels like mine. In Bram Stoker’s Dracula, the dark count is invisible in mirrors and I often feel something similar is true of me too. I can’t feel any deep relationship between the face that is mine and the person I am. Like they’re two different things. I don’t

You’ve got a dress with orchid blossoms embroidered on it. Ribbons in the deepest purple. You favor the color, but not nearly as much as I find myself favoring you.” He took a deep breath. “As to the stars? Those are what I prefer. More than medical practices and deductions. The universe is vast. A mathematical equation even I have no hope of solving. For there are no limits to the stars; their numbers are infinite. Which is precisely why I measure my love for you by them. An amount too boundless to count.

Whew," Dite lifted her hand off me and shook her fingers. "You're positively brimming with raw lust. So you want to have Count Dracula's babies, do you?" "Count Dracula? No, I do not know of whom you speak. Nor do I wish more children. I have plenty. I just want to screw Hades' liver out.

Fire and sword laid waste the Earth. Darkness stalked the land. From the ashes of defeat and the smoke of despair, the people of Earth, searching for a future, plundered the past. It was the time of the Great Concoction, when the world was remade. In the thirty-first century of Our Lord, the Europe of the past rose again in the shape of Europa. In Europa, history was reborn. The geologic upheavals of Europa's formation resulted in an acute psychic backlash, manifested in periodic shifts in reality and embodied hallucinations. Spatial dimensions became mercurial in their behaviour. Entire counties could be crammed into a field. These anomalies were exacerbated by advances in psionics which produced dream worlds that were as close to the notion of a real supernatural as makes no odds. Spectres, poltergeists, fallen angels, unfallen angels, trolls, hobgoblins, vampires, werewolves and suchlike entities sprang into pseudo-being. It was upon this ontological quicksand that the Dominions of Europa were founded, recreations of ancient European countries, each containing several time periods. Within each of these historical eras there existed a small percentage of 'Reprises'; clones of famous figures from history artificially encoded with the appropriate personality matrix. These Reprises were prone to severe identity confusion. Yet more acute was the confusion of the fictional Reprises, clones of actors who became identified with particular roles: in these cases, it was not the actor's personality that was encoded into clone-body, but the role he played. By the thirty-third century, Europa was plunging into chaos. Reality unravelled. It was a time of heroes, whimsical worlds, blood and thunder, and general Byronic excess. Dark powers arose. Fearful villagers locked their shutters at night. Fire and sword laid waste the Earth. Darkness stalked... Excerpt from The Tenebrous Testaments of the House of Rue. chapter XIV. volume CLXVII [From Count (Baron) Dracula and Baron (Count) Frankenstein]

I have had many names. To others, I am most recently Count Vlad Tepes Dracula.” He swept one arm in front of his waist and bowed deep. She did not miss that his fingernails were long, sharpened points, like claws. He straightened slowly, red eyes catching the firelight and flashing dangerously. “But to you, Miss Parker, I would be only Vlad.

Count Dracula

The lives you have spent are the rain in a storm. Simply because I have not stopped to count the drops does not mean I do not comprehend the weather.

A body is never too old to do things they object to," Pierce countered. That was true in more ways than one. "Like being violated by some inverted amalgamation of Mr. Rochester and Count Dracula?

This identifies a central contradiction in the novel. The middle classes represent modernity, money, ambition and a sense of justice. However such a nebulous notion of a social and economic vision is unsustainable once individuals are isolated. Harker, alone in Castle Dracula, is a very different figure than that at the end of the novel as he plays his designated role in the destruction of the Count. The problem with vampirism is that it is too seductive and the fact that Harker is susceptible to its charms suggests *his* latent degeneracy. The Count will just not stay 'Othered'. Chapter 1 discussed this in relation to how Harker is made a 'man' by his encounter with Dracula. The paradox being that the Count represents a model of heroic manliness that he needs to emulate; in this way 'disease' is brought back into 'civilisation' in a way which is familiar from contemporary accounts of degeneration and London. -Victorian Demons: Medicine, Masculinity and the Gothic at the Fin-De-Siecle