Punctuation Outside Quotes

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I learned two important things about the sound I was searching for: that it had to be indirect, refracted or muffled in some way; and that the sound had to give the impression that it would continue forever- the sound of someone practicing piano heard faintly from an unknown direction, or the sound of gentle rain outside a window, punctuated by drops falling on the casement.
Ryū Murakami (Coin Locker Babies)
But now she could not bear the way she sounded. She was not a person anyone could love. ... And thus fled to her room. There she wept, bitterly, an ugly sound punctuated by great gulps. She could not stop herself. She could hear his footsteps in the passage outside. He walked up and down, up and down. 'Come in,' she prayed. 'Oh dearest, do come in.' But he did not come in. He would not come in. This was the man she had practically contracted to give away her fortune to. He offered to marry her as a favour and then he would not even come into her room. Later, she could smell him make himself a sweet pancake for his lunch. She thought this a childish thing to eat, and selfish, too. If he were a gentleman he would now come to her room and save her from the prison her foolishness had made for her. He did not come. She heard him pacing in his room.
Peter Carey (Oscar and Lucinda)
In the United States, periods and commas go inside the quotation mark. In Britain, they go outside the quotation mark. Squiggly said, “No.” (United States) Squiggly said, “No”. (Britain)   “No,” said Squiggly. (United States) “No”, said Squiggly. (Britain)
Mignon Fogarty (Grammar Girl's Punctuation 911: Your Guide to Writing it Right (Quick & Dirty Tips))
Resting is doing You don’t need to be busy. You don’t need to justify your existence in terms of productivity. Rest is an essential part of survival. An essential part of us. An essential part of being the animals we are. When a dog lies in the sun I imagine it does it without guilt, because as far as I can tell dogs seem more in tune with their own needs. As I grow older, I think that resting might actually be the main point of life. To sit down passively, inside or outside, and merely absorb things—the tick of a clock, a cloud passing by, the distant hum of traffic, a bird singing—can feel like an end in itself. It can actually feel and be more meaningful than a lot of the stuff we are conditioned to see as productive. Just as we need pauses between notes for music to sound good, and just as we need punctuation in a sentence for it to be coherent, we should see rest and reflection and passivity—and even sitting on the sofa—as an intrinsic and essential part of life that is needed for the whole to make sense.
Matt Haig (The Comfort Book)
You’re saying your mother engaged in unprotected sex outside her primary relationship?’ ‘With some other student,’ replied Rosie. ‘While she was dating my’ – at this point Rosie raised her hands and made a downwards movement, twice, with the index and middle fingers of both hands – ‘father. My real dad’s a doctor. I just don’t know which one. Really, really pisses me off.’ I was fascinated by the hand movements and silent for a while as I tried to work them out. Were they a sign of distress at not knowing who her father was? If so, it was not one I was familiar with. And why had she chosen to punctuate her speech at that point … of course! Punctuation! ‘Quotation marks,’ I said aloud as the idea hit me. ‘What?’ ‘You made quotation marks around “father” to draw attention to the fact that the word should not be interpreted in the usual way. Very clever.’ ‘Well, there you go,’ she said. ‘And there I was thinking you were reflecting on my minor problem with my whole fucking life. And might have something intelligent to say.’ I corrected her. ‘It’s not a minor problem at all!’ I pointed my finger in the air to indicate an exclamation mark. ‘You should insist on being informed.’ I stabbed the same finger to indicate a full stop. This was quite fun.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
4. Or else: Rough draft of a letter I think of you, often sometimes I go back into a cafe, I ist near the door, I order a coffee I arrange my packet of cigarettes, a box of matches, a writing pad, my felt-pen on the fake marble table I Spend a long time stirring my cup of coffee with the teasspoon (yet I don't put any sugar in my coffee, I drink it allowing the sugar to melt in my mouth, like the people of North, like the Russians and Poles when they drink tea) I pretend to be precoccupied, to be reflecting, as if I had a decision to make At the top and to the right of the sheet of paaper, I inscribe the date, sometimes the place, sometimes the time, I pretend to be writing a letter I write slowly, very slowly, as slowly as I can, I trace, I draw each letter, each accent, I check the punctuation marks I stare attentively at a small notice, the price-list for ice-creams, at a piece of ironwork, a blind, the hexagonal yellow ashtray (in actual fact, it's an equilaterial triangle, in the cutoff corners of which semi-circular dents have been made where cigarettes can be rested) (...) Outside there's a bit of sunlight the cafe is nearly empty two renovatior's men are having a rum at the bar, the owner is dozing behind his till, the waitress is cleaning the coffee machine I am thinking of you you are walking in your street, it's wintertime, you've turned up your foxfur collar, you're smiling, and remote (...)
Georges Perec
Perhaps it’s just because he’s an outsider, but to Connor, the Arápache live a life of contradiction. Their homes are austere and yet punctuated by pointed opulence. A plush bed in an undecorated room. A simple wood-burning fire pit in the great room that’s not so simple because logs are fed and temperature maintained by an automatic system so that it never goes out. With one hand they rebuke creature comforts, but with the other they embrace it—as if they are in a never-ending battle between spiritualism and materialism. It must have been going on so long, they seem blind to their own ambivalence, as if it’s just become a part of their culture.
Neal Shusterman (UnSouled (Unwind, #3))
natural personality, or maybe he was simply capable of greater perspective than everyone else. Maybe he wasn’t quite as addled by drugs and alcohol. For whatever reason, Michael stayed on the sidelines as the rest of the band fought like a pack of starving wolves who have come across a carcass in the wilderness. Previous tours, especially in the first couple of years, had always featured a fair amount of ball-busting and the occasional argument that was required simply to clear the air. For the most part, though, we had a blast on the road. It was a nonstop party punctuated by spectacularly energetic concerts. There had been a lightness to it all, a sense of being part of something special, and of wanting to enjoy every minute. But now the levity was gone. Even though they spent hardly any time together offstage, the boys were at each other’s throats constantly, either directly or through a conduit—usually me. Two more quick stories, both involving Al. We were all sitting outside by the hotel pool one day. A guy named Mike had been flown in for a couple days to take care of the boys’ grooming needs. Mike was a hairdresser or stylist or whatever you want to call him. Point is, he was really good at his job, an artistic
Noel E. Monk (Runnin' with the Devil: A Backstage Pass to the Wild Times, Loud Rock, and the Down and Dirty Truth Behind the Making of Van Halen)
Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.
David Cook (Liberty or Death (The Soldier Chronicles #1))
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
he night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
The night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
In the silence punctuated only by their footsteps, both men thought not of themselves but of a Man who once made a long,lonely march up a hill, who in the world's worst hour did the most courageous thing ever done. At the end of His climb,He spread out His arms and permitted guilty men to drive nails into His hands and feet. He endured untold agony to give undeserving men- like Mike Hollis, Derrick Freeman, Nathan Hayes, and Adam Mitchell- a second chance. To most people none of this - not what these men were doing now, nor what He did two thousand years ago-made sense. From the outside, grace and truth,honor and courage,seldom do.
Randy Alcorn
The pattern of many connections within one tight community, punctuated by occasional ties to distant communities, describes a vast range of systems. Neurons in the brain mostly connect within one cluster, but occasionally their axons extend far outside, to an entirely different cluster. Proteins in a cell mostly interact within one functional group, but occasionally they connect with receptors far removed. Sites on the internet mostly connect within one tight group (celebrity news sites link to other celebrity news sites; biology sites link to other biology sites), but occasionally a site will connect far outside its cluster (TMZ will link to a study on neuroscience). The Kevin Bacon game had shown that there are surprisingly few steps between any two nodes (actors) in these kinds of networks. So Watts and Strogatz called a system with mostly local connections but occasional distant ties a “small-world network.
Safi Bahcall (Loonshots: How to Nurture the Crazy Ideas That Win Wars, Cure Diseases, and Transform Industries)
The muezzin’s call to prayer punctuated the days, weddings and funerals followed the faith’s prescribed rituals, activities slowed down during fasting months, and pork might be hard to find on a restaurant’s menu. Otherwise, people lived their lives, with women riding Vespas in short skirts and high heels on their way to office jobs, boys and girls chasing kites, and long-haired youths dancing to the Beatles and the Jackson 5 at the local disco. Muslims were largely indistinguishable from the Christians, Hindus, or college-educated nonbelievers, like my stepfather, as they crammed onto Jakarta’s overcrowded buses, filled theater seats at the latest kung-fu movie, smoked outside roadside taverns, or strolled down the cacophonous streets. The overtly pious were scarce in those days, if not the object of derision then at least set apart, like Jehovah’s Witnesses handing out pamphlets in a Chicago neighborhood.
Barack Obama (A Promised Land)
Well, she’s a deepspace mulebitch, all right,” Pytha murmurs in a monotone delivery that erodes punctuation and inflection. “Probably packing a hundred million credits of iron. Slag me but that’s a crew I’d like to be on.” “Must you swear so early in the morning?” I ask. “Shit, sorry, moon boy. Forgot to mind my fucking manners.” Pytha is in her late fifties, with distant, pale blue eyes and skin the color of a walnut. Like all Blues, she still harbors the neurodevelopmental sculpting that enhances human-to-computer interaction but impairs communication outside her sect. She doesn’t have the social niceties of the Palatine shuttle pilots.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
would never, ever say it to their face—as mentioned, we are way above the Mommy Wars. But still. We think they have it easier. Every day while we are living our lives of servitude, they go to a place, in real clothes, where they are paid to sit comfortably among adults and think entire, complete, punctuated thoughts. Often this place has free coffee round the clock and cake on their birthdays. Yes, work is work, and no, not every day is a joyfest. But here is what I did not realize when I handed in my resignation at the community college and became a professional mom: if you work outside the home, for eight or so back-to-back hours every weekday, you wipe zero butts that do not belong to you. And to be clear, butt wiping is pretty much the easiest part of stay-at-home-mom work. I would gladly wipe ten more butts per day if it did away with even just the raisin-related tantrums. If it meant I didn’t have to stand outside in every kind of weather saying, “I see! I’m watching!” while one of a succession of toddlers does absolutely nothing of interest for the tenth time in a row. If you have a full-time job outside the home, that means that for eight solid hours every day, no one asks you to go down a wet slide or starts crying
Kelly Harms (The Seven Day Switch)
Even at the time, however, National Guardsman Callahan could see that the abuses happening to prisoners following the retaking were fueled by outright racism. Callahan overheard one trooper bragging of shooting a black inmate with a .357 and watched him then give a “White Power salute.”54 He also saw “a prison guard sergeant telling this very tall, yellow-skinned black to strip” and when the man refused, the sergeant “told others to hold him down and then kicked him in the head like a football—he went limp.”55 Another Guardsman overheard one trooper saying to another over by a food stand outside Attica’s walls that it was “hot work killing niggers.”56 Racial hostility was in fact so intense that during the legislators’ tour that morning, even Assemblyman Arthur Eve was showered with invective. “Guards [were] yelling at Eve—get your nigger ass out of here.”57 Any white inmate who had stood with the black rebels in D Yard also suffered special abuse. Doctors from the National Guard reported hearing troopers and COs punctuate their beating of white inmates—the “nigger lovers”—with bitter refrains of “This is what you get for hanging around with niggers.”58 So deep was the guards’ and troopers’ hatred of Attica’s surrendered prisoners, and particularly the black men among them, that for days after the retaking they engaged not only in physical abuse but also in the wanton destruction of these men’s most basic and necessary possessions. A trooper forced Jack Florence to pull out his dentures and hand them over, then threw them “on the ground and stepped on it.”59 In addition to smashing the men’s false teeth that they needed to eat, troopers and COs mangled eyeglasses and ground them into the dirt, and tore apart every necklace and smashed every wristwatch they happened to find on a prisoner.
Heather Ann Thompson (Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy)
Contrary to popular belief, an “overnight success” has often been years in the making. In the same way that we’re only able to see the tip of the iceberg that’s above water, the general public really only gets to see the “overnight” part of a success story. A truly successful project generally takes years to build and involves a series of smaller successes punctuated by a few failures. Eventually, a critical mass of attention is reached, and the project gets launched into the mainstream, where it circulates widely, and its identity is cemented in its current form—a form that, intentionally or otherwise, rarely pays obvious homage to the years of blood, sweat, tears, and more rudimentary sounds that engendered it.
Scott Bradlee (Outside the Jukebox: How I Turned My Vintage Music Obsession into My Dream Gig)
Since the units were self-supporting, there was no need for thick walls to support the load of the building. As a result, large expanses of windows punctuated by delicate cast-iron columns created a rhythmic balance outside and well-lit spaces inside.
John Tauranac (The Empire State Building: The Making of a Landmark)
mostly unsuccessful attempts to teach grade-school children English using transformational grammar were made during the 1960s and early 1970s. Today it is taught mostly in colleges and graduate schools. Outside linguistics, transformational grammar is used mostly in computer-language-processing applications. It has an alien look and feel to traditionalists, but it can convey interesting insights into how the language works
Bryan A. Garner (The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing))
As though with a single mind, this band of girls, making its way along the esplanade like a shining comet, seemed to think the crowd of people all about them was composed of beings of another species which, even if it was capable of suffering, could not move them to sympathy, as they advanced seemingly oblivious to it, forcing everyone who stood in their way to move aside, to give way as though to a locomotive bearing down upon them without the slightest likelihood that it would avoid pedestrians; and their only reaction, if some fearful or furious old gentleman, of manifestly negligible existence, whom they swept aside as they passed, hobbled urgently or ludicrously out of their path, was to exchange a look amongst themselves and burst out laughing. For anyone or anything outside their group they affected no scorn; their sincere scorn was enough. They could not see an obstacle without taking pleasure in jumping over it, either by running at it or from the standing position, because they were full to overflowing with the youthfulness which must expend itself, which even when one is sad or unwell makes one obey the needs of age rather than the mood of the day, so that one can never come upon the possibility of leaping or sliding without making a point of leaping or sliding, and deliberately punctuating one’s slow progress, as Chopin does with even the most melancholy of his phrases, with serial detours full of grace, impulsiveness and virtuosity
Marcel Proust