Divine Rivals Quotes

She is the embodiment of a bad decision. The twin of danger and desire. The fine line between deadly and divine. And I can feel myself drowning.

I don't think you realize how strong you are, because sometimes strength isn't swords and steel and fire, as we are so often made to believe. Sometimes it's found in quiet, gentle places.

It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.

In the meantime, I hope you will find your place, wherever you are. Even in the silence, I hope you will find the words you need to share.

I am coming to love him, in two different ways. Face to face, and word to word.

I don’t want to wake up when I’m seventy-four only to realize I haven’t lived.

I love the words I write until I soon realize how much I hate them, as if I am destined to always be at war within myself.

That’s it. You’re doing great, Winnow.” “Shut up, Kitt.” “Absolutely. Whatever you want.

I never told you that I love you. And I regret that, most of all.

I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are.

It’s not a crime to feel joy, even when things seem hopeless. Iris, look at me. You deserve all the happiness in the world. And I intend to see that you have it.

But I think there is a magical link between you and me. A bond that not even distance can break.

My favorite season is autumn, because my mum and I both believed that’s the only time when magic can be tasted in the air.

Iris,” said Roman, “you are worthy of love. You are worthy to feel joy right now, even in the darkness. And just in case you’re wondering … I’m not going anywhere, unless you tell me to leave, and even then, we might need to negotiate.

to be vulnerable is a strength most of us fear.

And I’m not afraid to be alone, but I’m tired of being the one left behind.

He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine.

The days to come will only grow darker. And when you find something good? You hold on to it. You don't waste time worrying about things that won't even matter in the end. Rather, you take a risk for that light.

But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade; it will always be with you--a shadow you carry in your soul--but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams. You are not alone.

Even in the silence, I hope you will find the words you need to share.

I pray that my days will be long at your side. Let me fill and satisfy every longing in your soul. May your hand be in mine, by sun and by night. Let our breaths twine and our blood become one, until our bones return to dust. Even then, may I find your soul still sworn to mine.

She has to survive this, Roman thought. He didn’t want to live in a world without her and her words.

You mentioned the other day that you think I’m only here to ‘outshine’ you. But that’s the furthest thing from the truth. I broke my engagement, quit my job, and traveled six hundred kilometers into war-torn land to be with you, Iris.

How do you make your life your own and not feel guilt over it?

I don’t think you realize how strong you are, because sometimes strength isn’t swords and steel and fire, as we are so often made to believe. Sometimes it’s found in quiet, gentle places. The way you hold someone’s hand as they grieve. The way you listen to others. The way you show up, day after day, even when you are weary or afraid or simply uncertain. That is strength, and I see it in you.

Just because some Africans enslaved rival tribes before European arrival, doesn't mean all Africans enslaved. Buying/selling humans was unthinkable to peaceful tribes like our Lenape, and the San of Africa.

Let us make our names exactly what we want them to be.

And yet I keep moving forward. On some days, I’m afraid, but most days, I simply want to achieve those things I dream of.

But just in case you were wondering… I’ll gladly read whatever you write.

But I realize that people are just people, and they carry their own set of fears, dreams, desires, pains, and mistakes. I can’t expect someone else to make me feel complete; I must find it on my own. And I think I was always writing for myself, to sort through my loss and worry and tangled ambitions. Even now, I think about how effortless it is to lose oneself in words, and yet also find who you are.

Iris frowned. “You’re distracting me, Kitt.” “I’m pleased to hear it. Now you know how I’ve felt all this bloody time, Iris.

Keep writing. You will find the words you need to share. They are already within you, even in the shadows, hiding like jewels.

I am so afraid. And yet how I long to be vulnerable and brave when it comes to my own heart.

I grew something living in a season of death.

I want your hand to be in mine, no matter what comes.

But I realize that people are just people, and they carry their own set of fears, dreams, desires, pains, and mistakes. I can’t expect someone else to make me feel complete; I must find it on my own.

Endings were often found in beginnings,

You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong, even in fear and uncertainty.

Write me of hope and love, and hearts that endured. —EMILY DICKINSON

Do you think we could live in a world made only of those things? Death and pain and horror? Loss and agony? It's not a crime to feel joy, even when things seem hopeless.

Yours, —C.

I broke my engagement, quit my job, and traveled six hundred kilometers into war-torn land to be with you, Iris.

Don’t leave,” he whispered, and his hand flailed, reaching for her. “You and I … we need to stay together. We’re better this way.

She realized this was her family now. That there were bonds that ran deeper than blood.

I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me?

Love, Iris

She and Roman would survive this war. They would have the chance to grow old together, year by year. They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?—and they would write on their typewriters and ruthlessly edit each other’s pieces and read books by candlelight at night.

They would be friends until they both finally acknowledged the truth. And they would have everything that other couples had—the arguments and the hand-holding in the market and the gradual exploration of their bodies and the birthday celebrations and the journeys to new cities and the living as one and sharing a bed and the gradual sense of melting into each other. Their names would be entwined—Roman and Iris or Winnow and Kitt because could you truly have one without the other?

I don’t know who I would be without you, but you have made me in all ways better than I ever was or could have ever hoped to be.

His laughter was beautiful in the dark.

But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.” Perhaps it begins with one person. Someone you trust. You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong,

I don’t want to wake up when I’m seventy-four only to realize I haven’t lived. -Thea Attwood

You don’t waste time worrying about things that won’t even matter in the end. Rather, you take a risk for that light.

I don’t think you can even begin to understand what your words mean to me. Even if they were addressed to Forest in the beginning. You were a sister writing to her missing older brother. And I felt that pain as a brother who had lost the only sibling he ever had.

And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.

Do you ever feel as if you wear armor, day after day? That when people look at you, they see only the shine of steel that you’ve so carefully encased yourself in? They see what they want to see in you—the warped reflection of their own face, or a piece of the sky, or a shadow cast between buildings. They see all the times you’ve made mistakes, all the times you’ve failed, all the times you’ve hurt them or disappointed them. As if that is all you will ever be in their eyes. How do you change something like that? How do you make your life your own and not feel guilt over it?

I’m Iris. Like an eyeball.

Damn, he was proud of her.

Don’t run from me, Iris,” Roman said as he began to hobble toward her. “Don’t run from me, not after what we’ve just lived through. Not without granting me one final request.

By law, we’re both legal adults who can drink and be formerly charged for murder,

You look well today, Winnow.” “Are you implying I looked ill before, Kitt?

You asked me this once, months ago, and I refused to answer. But I want you to ask me again, Iris. Ask me what my middle name is.

I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, ‘You will miss so much by being so guarded.

But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade; it will always be with you—a shadow you carry in your soul—but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams. You are not alone.

Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death, or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again.

My Iris,” he said, “there is no question that you are the brave one, all on your own. You were writing to me for weeks before I roused the courage to write you back. You walked into the Gazette and took me and my ego on without a blink. You were the one who came to the front lines, unafraid to look into the ugly face of war long before I did. I don’t know who I would be without you, but you have made me in all ways better than I ever was or could have ever hoped to be.

Your words? A sublime feast that fed me on days when I was starving. I love you, Iris. And I want you to see me. I want you to know me. Through the smoke and the firelight and kilometers that once dwelled between us. Do you see me? —C.

I try to close my eyes and rest, but I’m too tempted to watch the world pass by my window.

It was eventide, the moment between darkness and light, when the constellations began to dust the sky and the city lamps flickered to life in reply.

A bond that not even distance can break.

I don’t know who I would be without you, but you have made me in all ways better than I ever was or could have ever hoped to be. - Roman Kitt

P.S. Is it odd we’re next door to each other and still choosing to send letters through our wardrobes?

I rarely share this part of my life with others, but I want to tell it to you now. A piece of armor, because I trust you. A glint of falling steel, because I feel safe with you.

She said, “I think you’ve made me brave, Kitt.” His breath escaped him, a tenuous unspooling, as if he had been holding it in years for her. “My Iris,” he said, “there is no question that you are the brave one, all on your own.

Because sometimes strength isn't swords and steel and fire, as we are so often made to believe. Sometimes it's found in quiet, gentle places.

Be safe. Be well. I’ll write soon.

Time suddenly feels sharper than a knife grazing your skin, capable of cutting you at any moment.

Because of course he would have one of those sorts of laughs. The ones you couldn’t hear and not feel in your own chest.

It takes courage to let down your armor, to welcome people to see you as you are.

If anything hurt her, it would have to come through him first.

Marry me, Iris Elizabeth Winnow,” Roman whispered, drawing back to look at her. “I want to spend all my days and all my nights with you. Marry me.

Let our breaths twine and our blood become one, until our bones return to dust. Even then, may I find your soul still sworn to mine.

He hated it when she smiled like this at him. It always made him retreat.

Your grief will never fully fade; it will always be with you—a shadow you carry in your soul—but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound.

Do you think we could live in a world made only of those things? Death and pain and horror? Loss and agony? It’s not a crime to feel joy, even when things seem hopeless. Iris, look at me. You deserve all the happiness in the world. And I intend to see that you have

strength isn’t swords and steel and fire, as we are so often made to believe. Sometimes it’s found in quiet, gentle places. The way you hold someone’s hand as they grieve. The way you listen to others. The way you show up, day after day, even when you are weary or afraid or simply uncertain.

I pray that my days will be long at your side. Let me fill and satisfy every longing in your soul. May your hand be in mine, by sun and by night. Let our breaths twine and our blood become one, until our bones return to dust. Even then, may I find your soul still sworn to mine.

Your grief will never fully fade; it will always be with you—a shadow you carry in your soul—but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams.

Once, not long ago, in her life before the front lines, she would have thought this was ridiculous. She would have said no, I have other plans right now. But that was before, a time that was gilded by a different slant of light, and this present moment was now limned in the blue tinge of after. She had seen the fragility of life. How one could wake to a sunrise and die by sunset. She had run through the smoke and the fire and the agony with Roman, his hand in hers. They had both tasted Death, brushed shoulders with it. They had scars on their skin and on their souls from that fractured moment, and now Iris saw more than she had before. She saw the light, but she also saw the shadows.

But the moment you walked away,” Roman rushed on, “I knew I felt something for you, which I had been denying for weeks. The moment you wrote me and said you were six hundred kilometers away from Oath…I thought my heart had stopped. To know that you would still want to write to me, but also that you were so far away. And as our letters progressed, I finally acknowledged that I was in love with you, and I wanted you to know who I was. That’s when I decided I would follow you. I didn’t want the life my father had planned for me—a life where I could never be with you.

To Judaism Christians ascribe the glory of having been the first religion to teach a pure monotheism. But monotheism existed long before the Jews attained to it. Zoroaster and his earliest followers were monotheists, dualism being a later development of the Persian theology. The adoption of monotheism by the Jews, which occurred only at a very late period in their history, was not, however, the result of a divine revelation, or even of an intellectual superiority, for the Jews were immeasurably inferior intellectually to the Greeks and Romans, to the Hindus and Egyptians, and to the Assyrians and Babylonians, who are supposed to have retained a belief in polytheism. This monotheism of the Jews has chiefly the result of a religious intolerance never before equaled and never since surpassed, except in the history of Christianity and Mohammedanism, the daughters of Judaism. Jehovistic priests and kings tolerated no rivals of their god and made death the penalty for disloyalty to him. The Jewish nation became monotheistic for the same reason that Spain, in the clutches of the Inquisition, became entirely Christian.

Dear Iris, I don’t think you realize how strong you are, because sometimes strength isn’t swords and steel and fire, as we are so often made to believe. Sometimes it’s found in quiet, gentle places. The way you hold someone’s hand as they grieve. The way you listen to others. The way you show up, day after day, even when you are weary or afraid or simply uncertain. That is strength, and I see it in you. As for your bravery … I can honestly tell you I don’t know anyone of your mettle. Who else packs up everything and leaves the comfort of their home to become a war correspondent? Not many. I admire you, in more ways than one. Keep writing. You will find the words you need to share. They are already within you, even in the shadows, hiding like jewels. Yours, —C.

I know what it feels like to lose someone you love. To feel as if you’re left behind, or like your life is in shambles and there’s no guidebook to tell you how to stitch it back together But time will slowly heal you, as it is doing for me. There are good days and there are difficult days. Your grief will never fully fade, it will always be with you — a shadow you carry in your soul — but it will become fainter as your life becomes brighter. You will learn to live outside of it again, as impossible as that may sound. Others who share your pain will also help you heal. Because you are not alone. Not in your fear or your grief or your hopes or your dreams. You are not alone.

I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it’s that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.” Perhaps it begins with one person. Someone you trust. You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong, even in fear and uncertainty. One person, one piece of steel.

Her thoughts began to strike across the page: I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it’s that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.” Perhaps it begins with one person. Someone you trust. You remove a piece of armor for them; you let the light stream in, even if it makes you wince. Perhaps that is how you learn to be soft yet strong, even in fear and uncertainty. One person, one piece of steel.

Religion, then, is far from "useless." It humanizes violence; it protects man from his own violence by taking it out of his hands, transforming it into a transcendent and ever-present danger to be kept in check by the appropriate rites appropriately observed and by a modest and prudent demeanor. Religious misinterpretation is a truly constructive force, for it purges man of the suspicions that would poison his existence if he were to remain conscious of the crisis as it actually took place. To think religiously is to envision the city's destiny in terms of that violence whose mastery over man increases as man believes he has gained mastery over it. To think religiously (in the primitive sense) is to see violence as something superhuman, to be kept always at a distance and ultimately renounced. When the fearful adoration of this power begins to diminish and all distinctions begin to disappear, the ritual sacrifices lose their force; their potency is not longer recognized by the entire community. Each member tries to correct the situation individually, and none succeeds. The withering away of the transcendental influence means that there is no longer the slightest difference between a desire to save the city and unbridled ambition, between genuine piety and the desire to claim divine status for oneself. Everyone looks on a rival enterprise as evidence of blasphemous designs. Men set to quarreling about the gods, and their skepticism leads to a new sacrificial crisis that will appear - retrospectively, in the light of a new manifestation of unanimous violence - as a new act of divine intervention and divine revenge. Men would not be able to shake loose the violence between them, to make of it a separate entity both sovereign and redemptory, without the surrogate victim. Also, violence itself offers a sort of respite, the fresh beginning of a cycle of ritual after a cycle of violence. Violence will come to an end only after it has had the last word and that word has been accepted as divine. The meaning of this word must remain hidden, the mechanism of unanimity remain concealed. For religion protects man as long as its ultimate foundations are not revealed. To drive the monster from its secret lair is to risk loosing it on mankind. To remove men's ignorance is only to risk exposing them to an even greater peril. The only barrier against human violence is raised on misconception. In fact, the sacrificial crisis is simply another form of that knowledge which grows grater as the reciprocal violence grows more intense but which never leads to the whole truth. It is the knowledge of violence, along with the violence itself, that the act of expulsion succeeds in shunting outside the realm of consciousness. From the very fact that it belies the overt mythological messages, tragic drama opens a vast abyss before the poet; but he always draws back at the last moment. He is exposed to a form of hubris more dangerous than any contracted by his characters; it has to do with a truth that is felt to be infinitely destructive, even if it is not fully understood - and its destructiveness is as obvious to ancient religious thought as it is to modern philosophers. Thus we are dealing with an interdiction that still applies to ourselves and that modern thought has not yet invalidated. The fact that this secret has been subjected to exceptional pressure in the play [Bacchae] must prompt the following lines: May our thoughts never aspire to anything higher than laws! What does it cost man to acknowledge the full sovereignty of the gods? That which has always been held as true owes its strength to Nature.

What we call “Higher” behavior is elaborated by our abstract mind to ensure survival by an efficient cohesion of our clan. What we call “lower” behavior is to ensure survival at the expense of a rival, or to prevent the survival of a rival to be at our expense. So, Be they our “higher” and “lower” behavior/selves, our humanity and inhumanity, our “Divine” and “diabolic” trends, or any aspect of our Human Nature, All are created by our abstract mind to ensure survival in an environment of scarcity. But of course you can always choose to adopt “revelations” which present human nature as: A messed up image of a messed up supernatural coexistence between two messed up opposite supernatural entities with a messed up relation. Ultimately, we all think we choose by what we think we know.

The Battle of Good and Evil Polytheism gave birth not merely to monotheist religions, but also to dualistic ones. Dualistic religions espouse the existence of two opposing powers: good and evil. Unlike monotheism, dualism believes that evil is an independent power, neither created by the good God, nor subordinate to it. Dualism explains that the entire universe is a battleground between these two forces, and that everything that happens in the world is part of the struggle. Dualism is a very attractive world view because it has a short and simple answer to the famous Problem of Evil, one of the fundamental concerns of human thought. ‘Why is there evil in the world? Why is there suffering? Why do bad things happen to good people?’ Monotheists have to practise intellectual gymnastics to explain how an all-knowing, all-powerful and perfectly good God allows so much suffering in the world. One well-known explanation is that this is God’s way of allowing for human free will. Were there no evil, humans could not choose between good and evil, and hence there would be no free will. This, however, is a non-intuitive answer that immediately raises a host of new questions. Freedom of will allows humans to choose evil. Many indeed choose evil and, according to the standard monotheist account, this choice must bring divine punishment in its wake. If God knew in advance that a particular person would use her free will to choose evil, and that as a result she would be punished for this by eternal tortures in hell, why did God create her? Theologians have written countless books to answer such questions. Some find the answers convincing. Some don’t. What’s undeniable is that monotheists have a hard time dealing with the Problem of Evil. For dualists, it’s easy to explain evil. Bad things happen even to good people because the world is not governed single-handedly by a good God. There is an independent evil power loose in the world. The evil power does bad things. Dualism has its own drawbacks. While solving the Problem of Evil, it is unnerved by the Problem of Order. If the world was created by a single God, it’s clear why it is such an orderly place, where everything obeys the same laws. But if Good and Evil battle for control of the world, who enforces the laws governing this cosmic war? Two rival states can fight one another because both obey the same laws of physics. A missile launched from Pakistan can hit targets in India because gravity works the same way in both countries. When Good and Evil fight, what common laws do they obey, and who decreed these laws? So, monotheism explains order, but is mystified by evil. Dualism explains evil, but is puzzled by order. There is one logical way of solving the riddle: to argue that there is a single omnipotent God who created the entire universe – and He’s evil. But nobody in history has had the stomach for such a belief. Dualistic

In some cases, the reaction to Cantor’s theory broke along national lines. French mathematicians, on the whole, were wary of its metaphysical aura. Henri Poincaré (who rivaled Germany’s Hilbert as the greatest mathematician of the era) observed that higher infinities “have a whiff of form without matter, which is repugnant to the French spirit.” Russian mathematicians, by contrast, enthusiastically embraced the newly revealed hierarchy of infinities. Why the contrary French and Russian reactions? Some observers have chalked it up to French rationalism versus Russian mysticism. That is the explanation proffered, for example, by Loren Graham, an American historian of science retired from MIT, and Jean-Michel Kantor, a mathematician at the Institut de Mathématiques de Jussieu in Paris, in their book Naming Infinity (2009). And it was the Russian mystics who better served the cause of mathematical progress—so argue Graham and Kantor. The intellectual milieu of the French mathematicians, they observe, was dominated by Descartes, for whom clarity and distinctness were warrants of truth, and by Auguste Comte, who insisted that science be purged of metaphysical speculation. Cantor’s vision of a never-ending hierarchy of infinities seemed to offend against both. The Russians, by contrast, warmed to the spiritual nimbus of Cantor’s theory. In fact, the founding figures of the most influential school of twentieth-century Russian mathematics were adepts of a heretical religious sect called the Name Worshippers. Members of the sect believed that by repetitively chanting God’s name, they could achieve fusion with the divine. Name Worshipping, traceable to fourth-century Christian hermits in the deserts of Palestine, was revived in the modern era by a Russian monk called Ilarion. In 1907, Ilarion published On the Mountains of the Caucasus, a book that described the ecstatic experiences he induced in himself while chanting the names of Christ and God over and over again until his breathing and heartbeat were in tune with the words.

Consider for a few moments the enormous aesthetic claim of its chief contemporary rival—what we may loosely call the Scientific Outlook, 1 the picture of Mr. [H. G.] Wells and the rest. Supposing this to be a myth, is it not one of the finest myths which human imagination has yet produced? The play is preceded by the most austere of all preludes: the infinite void, and matter restlessly moving to bring forth it knows not what. Then, by the millionth millionth chance—what tragic irony—the conditions at one point of space and time bubble up into that tiny fermentation which is the beginning of life. Everything seems to be against the infant hero of our drama—just as everything seems against the youngest son or ill-used stepdaughter at the opening of a fairy tale. But life somehow wins through. With infinite suffering, against all but insuperable obstacles, it spreads, it breeds, it complicates itself, from the amoeba up to the plant, up to the reptile, up to the mammal. We glance briefly at the age of monsters. Dragons prowl the earth, devour one another, and die. Then comes the theme of the younger son and the ugly duckling once more. As the weak, tiny spark of life began amidst the huge hostilities of the inanimate, so now again, amidst the beasts that are far larger and stronger than he, there comes forth a little naked, shivering, cowering creature, shuffling, not yet erect, promising nothing, the product of another millionth millionth chance. Yet somehow he thrives. He becomes the Cave Man with his club and his flints, muttering and growling over his enemies’ bones, dragging his screaming mate by her hair (I never could quite make out why), tearing his children to pieces in fierce jealousy till one of them is old enough to tear him, cowering before the horrible gods whom he created in his own image. But these are only growing pains. Wait till the next act. There he is becoming true Man. He learns to master Nature. Science comes and dissipates the superstitions of his infancy. More and more he becomes the controller of his own fate. Passing hastily over the present (for it is a mere nothing by the time scale we are using), you follow him on into the future. See him in the last act, though not the last scene, of this great mystery. A race of demigods now rules the planet—and perhaps more than the planet—for eugenics have made certain that only demigods will be born, and psychoanalysis that none of them shall lose or smirch his divinity, and communism that all which divinity requires shall be ready to their hands. Man has ascended his throne. Henceforward he has nothing to do but to practise virtue, to grow in wisdom, to be happy. And now, mark the final stroke of genius. If the myth stopped at that point, it might be a little bathetic.