Pumping Concrete Quotes

At one point I was climbing off the bus and I bumped into a woman in a crisp black blazer and pointy, witchy shoes. She had a bulky cell phone pressed against her ear and a black bag with gold Prada lettering hooked around her wrist. I was a long ways off from worshiping at the Céline, Chloé, or Goyard thrones, but I certainly recognized Prada. “Sorry,” I said, and took a step away from her. She nodded at me briskly but never stopped speaking into her phone, “The samples need to be there by Friday.” As her heels snapped away on the pavement, I thought, There is no way that woman can ever get hurt. She had more important things to worry about than whether or not she would have to eat lunch alone. The samples had to arrive by Friday. And as I thought about all the other things that must make up her busy, important life, the cocktail parties and the sessions with the personal trainer and the shopping for crisp, Egyptian cotton sheets, there it started, my concrete and skyscraper wanderlust. I saw how there was a protection in success, and success was defined by threatening the minion on the other end of a cell phone, expensive pumps terrorizing the city, people stepping out of your way simply because you looked like you had more important places to be than they did. Somewhere along the way, a man got tangled up in this definition too. I just had to get to that, I decided, and no one could hurt me again.

To live at all is to share a world with cagey magic, skeptical magic, asshole magic. But, honestly, the trees must belong to something; the blossoms that tongue each groove between buildings, the water and the stone and the serious man-made steel railings all must belong. This major artery where blood and starlight pump along the tracks, where banks and malls and office towers shudder and gestate in the concrete like baobab trees.

An older boy pointed. “Look,” he told his friend. “It’s Violet Beauregarde!” That was the bratty girl in Willy Wonka and the Chocolate Factory who turned blue and ballooned into a huge ball. I was puffy because they’d pumped me up with steroids to get me ready for surgery. I ran to Mom, who was sitting on the edge. I stuffed my face in her breasts. “What is it, Bee?” “They called me it,” I squeaked. “It?” Mom’s eyes were across from mine. “Violet Beauregarde,” I managed to say, then burst into fresh tears. The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.

The scale of the structure dwarfed the men and machines working in its shadow, and neither could remain near it for long. If brought too close, the engines of the concrete pumps guttered and died, and the dials of the dosimetrists’ equipment went haywire, like compass needles in a magnetic field.25 It was a phenomenon the experts could never satisfactorily explain.

And I wrote a story for private circulation, "Miss Lewis & the Giant Turd," about a painful bowel movement that began in class, as she was drilling us on prepositions. Suddenly she emitted a low scraping sound like a box of rocks being dragged across concrete--like a glacier moving!--and she let out an AIIIIEEEEEEE and bent over double and hobbled to the girls' room, where she fell to the floor and cried pitifully for the janitor, who rushed in with a plunger and tried to extract the fecal mass from her, but it was too immense, and then the fire department arrived and laid her over the sink and attached a suction pump, two men on either side of her skinny butt, working a lever, and they managed to suction the poop out of her, and when they were done, she weighed forty-five pounds. And she couldn't teach anymore, she just sat on her front step waving to passing cars. This title passed from pupil to pupil, two grimy sheets of paper folded to pocket size.... The story found its way to Laura, Miss Lewis's pet, who handed it over to her, and she read it, thin-lipped, and tore it into tiny pieces and dropped them into the wastebacket. "This is so childish it doesn't bear talking about," she said. "It is beneath contempt.

Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)

Sarjomdih, which for about sixty years was another nondescript dot on a map. That part of the Chhotanagpur area which is now formally known as the Purbi Singbhum district. Sarjomdih, where most of the population is Santhal and the rest are Munda; all of them are followers of Sarna, the aboriginal faith of the Chhotanagpur area. Saijomdih, which stands atop the mineral-rich core of the Indian subcontinent. Sarjomdih, outside whose southern frontiers a mine and a copper factory were established, where the Copper Town sprang up, and which was now gradually threatening to swallow all of Sarjomdih. Sarjomdih, which bore the repercussions of development, the nationalization of the mine and the factory, the opening up of two more quarries, and the confiscation of the villagers' properties so roads and living quarters could be built. Sarjomdih, whose men were given jobs as unskilled laborers in the mines and the factory in return for their fecund land. Sarjomdih, which is a standing testimony to the collapse of an agrarian Adivasi society and the dilution of Adivasi culture, the twin gifts of industrialization and progress. Sarjomdih, which within sixty years acquired all the signs of urbanity, just like the Copper Town: concrete houses; cable television; two-wheelers; a hand-pump; a narrow, winding tarmac that everyone called the 'main road'; and a primary school...

The world is dead, The Samurai, moving among the inert metal of pumps and lines and distillation columns, over the concrete apron in which the plants were constructed, over gravel brought from the Prospect quarries. it is a world of age-old stones - picking up a piece of gravel in which glinted minerals unknown to him - of basalt chiped from mountains long ago, lying around on roads, lying under hills waiting to be plundered. And laughing at humans. These dead rocks were all of them older than the human race which trod them. each fragment had an immortality. Humans rotted away into the soil in an instant of time. What was the power he had that enabled him to lift this fragment of eternity in his hand and decide where to throw it? What had been breathed into his fragile dust that seemed for his instant of life to mock the inertia of the rock? Was his own existence supported by a paper warrant somewhere? He drew back from following these thoughts. There was a power in him, or rather power came to him that made him stronger than he needed to be. A power that blew up certain feelings to an enormous size, a secret power. Was he so different from the men around him? What was the mission that he had been born to perform? He deliberately relaxed. As he looked about him with a new mood the whole world filled with love. Even the dirt underfoot was sympathetic and grateful. he could love these random stones, these heaps of inert, formed metal so far now from where they were mined. He could love the soil itself and everything that was. He needed, at the moment, no written justification of his existence.

UK Concrete are the premier supplier of commercial and domestic ready mixed concrete and screed in London and the south east. Providing a variety of customers across the region with an unmatchable service at unbeatable prices. Supplying concrete for all applications from shed bases to retaining walls, with our highly trained staff and our fleet of volumetric concrete lorries and hi-tech concrete pumping equipment we can ensure that all jobs are carried out with the up most professionalism and that customer satisfaction is met every time.

When I heard the ear-piercing scream tonight, I figured someone in the Fourth was having a nightmare of the impending-danger variety. Then I realized the shrieks weren’t coming from the barracks but from inside the bathhouse. For our safety, nobody is supposed to be in the baths after eleven, because there are no lifeguards on duty. Janice says the real reason the doors are locked is to thwart romantically inclined legionnaires from getting up to shenanigans in there. That thwarting can be thwarted, though, if you know about the secret entrance to the main pool. Which everybody does, although not many people use it, because you have to swim underwater through a narrow concrete pipe, then squeeze through a small mesh gate that leads into the pool. You’d better hope you’re an underwater-breathing descendent of Neptune if you get stuck in there. Apparently, a girl and a boy from the First Cohort thought the risk was worth it, because they sneaked in via the not-so-secret entrance tonight. I’m thinking their lovey-dovey mood evaporated when they surfaced, though. Because dead rats. Hundreds of them. Floating in the pool. Blocking the hot-springs water supply. Clogging the drains. Even hanging from the basket for used towels. I can’t imagine anything more totally, completely, scream-inducingly disgusting. And mysterious, too, because no one can explain how so many rats got in there so quickly. The filtration system is shut off when the baths close, so they weren’t pumped in with the water. And the lifeguard swears the place was clean when he locked up at eleven. The couple sneaked in around eleven fifteen. Could someone have broken in and distributed all those rats in just fifteen minutes? Didn’t seem likely.

went to see Elmer O’Neill at his office in a converted gas station in Arlington. The gas pumps were gone, but the low concrete pedestal on which they’d once sat was still there. “I see what you mean about low overhead,” I said when I went in. “Overhead any lower,” Elmer said, “and I couldn’t stand up straight.

The place was as dim as a church. Roller coasters of tarnished brass and swelling seas of en­ crusted red velvet spread out in pe ersions of opu­ lence before him. Gold thread traced rococo patterns in the purple felt walls. The theater's logo - a cupid with a clutch of arrows in one hand and a severed head in the other - was sewn in embossed pink at regular intervals across the walls and carpets. Vicious, greasy teenagers prowled the lobby, pumped up on cheap violence, gore, and clinically depicted scenes of sexual denigration and mutilation. They loitered, coiled like springs anticipating release. They'd later spill out into the primordial chaos of the streets in an orgy of drive-bys, carjackings, murders and rapes, unleashed on the world like a marauding legion of rampaging demons escaped from a sewage hole lead­ ing up from hell, squirting hot hormonal juice out their pores, laboring and defiling the polluted night, Los Angeles laying there with its legs spread wide with tinsel tangled in its hair, bleeding from its gash like a freshly gang-raped transvestite weeping on the piss-soaked concrete floor of the L.A. County Jail.

pump,” Marshall added. Brooke had spotted a whimbrel, a yellow wagtail, and five small owls. He had also seen this American argument winging around Anfa many times by now. Out came the red leather folders. “The Germans have forty-four divisions in France,” he said in a monotone that implied exasperation. “That is sufficient strength to overwhelm us on the ground and perhaps hem us in with wire or concrete…. Since we cannot go into the Continent in force until Germany weakens, we should try to make the Germans disperse their forces as much as possible.” There it was, and there it remained. The Americans, whose delegation included but a single logistician frantically thumbing through three loose-leaf notebooks, tended toward observation and generality. British statements bulged with facts and statistics from Bulolo’s humming war room. The Americans had an inclination; the British had a plan.

We all have scars. Some of them, like the one you and me share, you can see with your eyes. Some of them, you ink, like you do, on your skin so that they tell the story like a picture book. Like a badge of honour that you overcame something really bad. Then there are others, like the scar that stays in your heart when you’re left alone in a hospital room for a week without anyone visiting you, or when you sleep on a metal bed in a concrete prison filled with bad men or weak men who only touch each other to sin in one way or another. I think it’s harder to talk about those scars and it’s harder to get over them because they wrap around you like poison ivy, making it hard to breathe and pump blood through your heart in the normal way.

There is no story. There is just the truth. Look around you. Everything you see, and far beyond, all of it was once green. Where you see buildings, thousand-year-old trees once stood. Above, where those aircar cables hang? That was once the crisscross of leafy vines. That cracked asphalt that scalds your paws? It was once rich earth, protected by a blanket of grass. And our kind did not look into glass windows to find our skinny reflections; we saw our faces mirrored in fresh streams—not one of them toxic. It was a paradise. Then the men came. They pulled up every plant. They drove off every animal. They paved over each patch of dirt. They built towers higher than the tallest tree trunks. They pumped smoke from factory chimneys, driving away the clouds. They replaced all that was green with shades of gray—steel and iron and concrete. But with time, mutations occur. Nature begins to adapt. If you don’t adapt, you don’t stand a chance in this world. And if you don’t have friends by your side, alerting you to danger and sharing their good food, it’s a very lonely world, indeed. So stick together, little ones. Stay close to your littermates, and help each other adapt. Make the world greener through your dreams. Build your own paradise.

into the third-floor concrete on Tower 2. Henrietta Brakes knew better. She remembered the courtyard between the four towers, kids kicking soccer balls as hard as they could at each other, cookouts before the weather got too hot each summer, the sound of Alma’s brother screaming as someone pumped a shotgun into his chest and left him spluttering in the centre of the grass, a dying star.

Mr Ambrayses nodded. “Two explanations are commonly offered for this,” he said: “In the first we are asked to imagine certain sites in the world–a crack in the concrete in Chicago or New Delhi, a twist in the air in an empty suburb of Prague, a clotted milk bottle on a Bradford tip–from which all flies issue in a constant stream, a smoke exhaled from some fundamental level of things. This is what people are asking–though they do not usually know it–when they say exasperatedly, “Where are all these flies coming from ?” Such locations are like the holes in the side of a new house where insulation has been pumped in: something left over from the constructional phase of the world. “This is an adequate, even an appealing model of the process. But it is not modern; and I prefer the alternative, in which it is assumed that as Viriconium grinds past us, dragging its enormous bulk against the bulk of the world, the energy generated is expressed in the form of these insects, which are like the sparks shooting from between two flywheels that have momentarily brushed each other.

the blood of human life was pumping through the concrete veins of the town.

It stood on the edge of the Boston Post Road, two small structures of glass and concrete forming a semicircle among the trees: the cylinder of the office and the long, low oval of the diner, with the gasoline pumps as the colonnade of a forecourt between them. It was a study in circles; there were no angles and no straight lines; it looked like shapes caught in a flow, held still at the moment of being poured, at the precise moment when they formed a harmony that seemed too perfect to be intentional. It looked like a cluster of bubbles hanging low over the ground,