Pulse Of The Machine Quotes

She Was A Phantom of Delight She was a Phantom of delight When first she gleam'd upon my sight; A lovely Apparition, sent To be a moment's ornament: Her eyes as stars of twilight fair; Like twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful dawn; A dancing shape, an image gay, To haunt, to startle, and waylay. I saw her upon nearer view, A Spirit, yet a Woman too! Her household motions light and free, And steps of virgin liberty; A countenance in which did meet Sweet records, promises as sweet; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine; A being breathing thoughtful breath, A traveller between life and death: The reason firm, the temperate will, Endurance, foresight, strength, and skill; A perfect Woman, nobly plann'd To warn, to comfort, and command; And yet a Spirit still, and bright With something of an angel light.

And now I see with eye serene The very pulse of the machine A being breathing thoughtful breath A traveler betwixt life and death The reason firm the temperate will Endurance Foresight Strength and skill

Many a night that summer she left Dr. Archie's office with a desire to run and run about those quiet streets until she wore out her shoes, or wore out the streets themselves; when her chest ached and it seemed as if her heart were spreading all over the desert. When she went home, it was not to go to sleep. She used to drag her mattress beside her low window and lie awake for a long while, vibrating with excitement, as a machine vibrates from speed. Life rushed in upon her through that window -- or so it seemed. In reality, of course, life rushes from within, not from without. There is no work of art so big or so beautiful that it was not once all contained in some youthful body, like this one which lay on the floor in the moonlight, pulsing with ardor and anticipation. It was on such nights that Thea Kronborg learned the thing that old Dumas meant when he told the Romanticists that to make a drama he needed but one passion and four walls.

He put his ear to his own chest and listened to the heart. How could the pulse go on, beat after beat, for all of life? No machine could run that long without a stumble. Ask not if the beating cranks are going to jam, but when.

There is her heart. I've never seen one beating.I had no idea they moved so much. You put your hand on your heart and you picture something pulsing slightly but basically still, like a hand on a desktop tapping Morse code. This things is going wild in there. It's a mixing-machine part, a stoat squirming in its burrow, an alien life form that's just won a Pontiac on The Price Is Right. If you were looking for the home of the human body's animating spirit, I could imagine believing it to be here, for the simple reason that it is the human body's most animated organ.

We, and the universe we live in, produce and operate in a sea of natural and unnatural electrical and magnetic fields. The earth, for example, pulses at about 10 Hz, like a small engine. Our bodies, as you may remember from chapter 1, are really electromagnetic machines. We simply can't move a muscle or produce a thought without an electrical impulse - and wherever there is electricity, a magnetic field is also produced, which is why we link the two together into one word: electromagnetic." Ann Louise Gittleman

Next to the vitamins, there was a contraption to measure your blood pressure and pulse. I sat in the seat of the machine, took my arm out of the sleeve of my coat and stuck it in for testing.

Books, be they physical objects or electronic pulses, are way cool. They are idea houses. So let those who want to read from machines. Those who love the feel, the smell, the gilt edging and the pretty covers and the soft paper, and the kinetic memories will enjoy the physical objects. Either form can be artifact. So long as we're all reading, and gaining joy from it, does it really matter so much?

Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!

gazing abstractly out on the Ipswich skyline, listening to the beep of the machine. We watched nurses press buttons, shine a torch into Jena’s eyes and clip her finger with a gadget to measure her pulse. Minutes ticked by with no change.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

Just think what would happen if you didn’t have on pants. You go out shopping naked, minding your own business at the grocery store, and all of a sudden, someone turns the blender on the pulse setting, and you come all over the cereal aisle because it sounds like the milking machine. Clean-up on aisle two; there’s a half gallon of minotaur semen flooding the way.

What about television?" a young man asked. "It's an octopus. It's no longer just a little box, it's the Love Machine." "Why the Love Machine?" a reporter asked. "Because it sells love. It creates love. Presidents are chosen by their appeal on that little box. It's turned politicians into movie stars and movie stars into politicians. It can you engaged if you use a certain mouthwash. It claims you'll have women hanging on your coattails if you use a certain hair cream. It tells the kids to eat their cereal if they want to be like their baseball idol. But like all great lovers, the Love Machine is a fickle bastard. It has great magnetism--but it has no heart. In place of a heart beats a Nielsen rating. And when the Nielsen falters, the program dies. It's the pulse and heart of the twentieth century--The Love Machine.

For simplicity’s sake, they assumed that the brain as a whole could be modeled as a vast, interconnected electrical circuit, with neurons serving as both the wires and the switches. That is, each neuron would receive electrical input from dozens or hundreds of other neurons. And if the total stimulation passed a certain threshold, that neuron would then “fire” and send an output pulse to dozens or hundreds more. The result—today it would be known as a “neural network” model—was admittedly a gross oversimplification of reality.

There is her heart. I’ve never seen one beating. I had no idea they moved so much. You put your hand on your heart and you picture something pulsing slightly but basically still, like a hand on a desktop tapping Morse code. This thing is going wild in there. It’s a mixing-machine part, a stoat squirming in its burrow, an alien life form that’s just won a Pontiac on The Price Is Right. If you were looking for the home of the human body’s animating spirit, I could imagine believing it to be here, for the simple reason that it is the human body’s most animated organ.

It Rained for Two Days Straight Yesterday, Ryan told me his grandfather was admitted to the hospital. It was raining the way it rains in the movies, like whoever does the dishes left the faucet running, heavy drops polishing everything in the city dark. We ran from one drooling awning to the next, quicker, then slower, quicker, slower. If one had watched from the sky, our bodies would have looked like two small needles being pulsed forward by some invisible machine, stitching the streets together. Today, Patric was left by a girl he did not love but did not not love. He told me it was impossible to imagine himself both alone and whole. It was still raining--the sky's silly metaphor for sadness, untimely, startling, the way it makes the whole world more honest. Death is like this, too. Heartache, also. The sudden absence of what was there but now not. I touched Patrick's shoulder, attempting to pass my human to his. I sent Ryan a poem. I cannot do more than this art of bearing witness, to be both the bucket and the mirror, to say, yes, you are here but I am here also, to say you won't be here forever, or to say nothing and just walk beside each other in the rain.

His touch felt like coming back, and Quincy realized she had been waiting for it. When he pulled away, both of his hands now on the sides of her face, his eyes searching hers for answers, Quincy nodded then wrapped her arms around him. She pressed her face to his chest, and his response was to gather her to him, saying something she couldn't her. And there it was, the heartbeat she had heard the night of the Fothergils' ball, pulsing again in the shell of her ear. Quincy closed her eyes from relief. It gave her the same comfort the sound of the press gave her. It was a familiar machine.

Anger flashed through me, hot and wild. I gasped in surprise at the unexpected reaction. I’d heard of the emotional instability of these human bodies, but this was beyond my ability to anticipate. In eight full lives, I’d never had an emotion touch me with such force. I felt the blood pulse through my neck, pounding behind my ears. My hands tightened into fists. The machines beside me reported the acceleration of my heartbeats. There was a reaction in the room: the sharp tap of the Seeker’s shoes approached me, mingled with a quieter shuffle that must have been the Healer. “Welcome to Earth, Wanderer,” the female voice said.

PREACHER’S WIFE PINEAPPLE CASSEROLE (Betts Hager) Ingredients 2 (20-ounce) cans pineapple chunks packed in juice, well-drained 3/4 cup sugar 6 tablespoons self-rising flour (see Note below) 2 cups grated Cheddar cheese 4 ounces Ritz crackers 1 stick butter, melted NOTE: Be sure to use self-rising flour, not all-purpose, as it already has the other necessary ingredients included. Instructions Preheat oven to 350 degrees F. Spray a 2-quart or 8 x 8-inch baking dish with cooking spray. In a medium bowl, mix the sugar and flour. Then, add pineapple and cheese and stir until there are no more dry particles. Spoon this mixture into the prepared baking dish. Crush crackers by pulsing in a food processor and add the melted butter with the machine running until it has the texture of wet sand. Add the crushed cracker mixture to the top of the casserole. Bake about 25 minutes until the top is lightly browned.

Permission Granted" You do not have to choose the bruised peach or misshapen pepper others pass over. You don't have to bury your grandmother's keys underneath her camellia bush as the will states. You don't need to write a poem about your grandfather coughing up his lung into that plastic tube—the machine's wheezing almost masking the kvetching sisters in their Brooklyn kitchen. You can let the crows amaze your son without your translation of their cries. You can lie so long under this summer shower your imprint will be left when you rise. You can be stupid and simple as a heifer. Cook plum and apple turnovers in the nude. Revel in the flight of birds without dreaming of flight. Remember the taste of raw dough in your mouth as you edged a pie. Feel the skin on things vibrate. Attune yourself. Close your eyes. Hum. Each beat of the world's pulse demands only that you feel it. No thoughts. Just the single syllable: Yes ... See the homeless woman following the tunings of a dead composer? She closes her eyes and sways with the subways. Follow her down, inside, where the singing resides.

Six or seven minutes past 2 P.M. on September 11, 1973, an infiltration patrol of the San Bemardo Infantry School commanded by Captain Roberto Garrido burst into the second floor of the Chilean Presidential Palace, Santiago's Palacio de La Moneda. Charging up the main staircase and covering themselves with spurts from their FAL machine guns, the patrol advanced to the entrance of the Salon Rojo, the state reception hall. Inside, through dense smoke coming from fires elsewhere in the building and from the explosion of tear gas bombs, grenades, and shells from Sherman tank cannons, the patrol captain saw a band of civilians braced to defend themselves with submachine guns. In a reflex action, Captain Garrido loosed a short burst from his weapon. One of his three bullets struck a civilian in the stomach. A soldier in Garrido's patrol imitated his commander, wounding the same man in the abdomen. As the man writhed on the floor in agony, Garrido suddenly realized who he was: Salvador Allende. "We shit on the President!" he shouted. There was more machine-gun fire from Garrido's patrol. Allende was riddled with bullets. As he slumped back dead, a second group of civilian defenders broke into the Salon Rojo from a side door. Their gunfire drove back Garrido and his patrol, who fled down the main staircase to the safety of the first floor, which the rebel troops had occupied.
 Some of the civilians returned to the Salon Rojo to see what could be done. Among them was Dr. Enrique Paris, a psychiatrist and President Allende's personal doctor. He leaned over the body, which showed the points of impact of at least six shots in the abdomen and lower stomach region. After taking Allende's pulse, he signaled that the President was dead. Someone, out of nowhere, appeared with a Chilean flag, and Enrique Paris covered the body with it.

Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.

Certain shapes and patterns hover over different moments in time, haunting and inspiring the individuals living through those periods. The epic clash and subsequent resolution of the dialectic animated the first half of the nineteenth century; the Darwinian and social reform movements scattered web imagery through the second half of the century. The first few decades of the twentieth century found their ultimate expression in the exuberant anarchy of the explosion, while later decades lost themselves in the faceless regimen of the grid. You can see the last ten years or so as a return to those Victorian webs, though I suspect the image that has been burned into our retinas over the past decade is more prosaic: windows piled atop one another on a screen, or perhaps a mouse clicking on an icon. These shapes are shorthand for a moment in time, a way of evoking an era and its peculiar obsessions. For individuals living within these periods, the shapes are cognitive building blocks, tools for thought: Charles Darwin and George Eliot used the web as a way of understanding biological evolution and social struggles; a half century later, the futurists embraced the explosions of machine-gun fire, while Picasso used them to re-create the horrors of war in Guernica. The shapes are a way of interpreting the world, and while no shape completely represents its epoch, they are an undeniable component of the history of thinking. When I imagine the shape that will hover above the first half of the twenty-first century, what comes to mind is not the coiled embrace of the genome, or the etched latticework of the silicon chip. It is instead the pulsing red and green pixels of Mitch Resnick’s slime mold simulation, moving erratically across the screen at first, then slowly coalescing into larger forms. The shape of those clusters—with their lifelike irregularity, and their absent pacemakers—is the shape that will define the coming decades. I see them on the screen, growing and dividing, and I think: That way lies the future.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

As she explained to her students, patients often awoke from very bad illnesses or cardiac arrests, talking about how they had been floating over their bodies. “Mm-hmmm,” Norma would reply, sometimes thinking, Yeah, yeah, I know, you were on the ceiling. Such stories were recounted so frequently that they hardly jolted medical personnel. Norma at the time had mostly chalked it up to some kind of drug reaction or brain malfunction, something like that. “No, really,” said a woman who’d recently come out of a coma. “I can prove it.” The woman had been in a car accident and been pronounced dead on arrival when she was brought into the emergency room. Medical students and interns had begun working on her and managed to get her heartbeat going, but then she had coded again. They’d kept on trying, jump-starting her heart again, this time stabilizing it. She’d remained in a coma for months, unresponsive. Then one day she awoke, talking about the brilliant light and how she remembered floating over her body. Norma thought she could have been dreaming about all kinds of things in those months when she was unconscious. But the woman told them she had obsessive-compulsive disorder and had a habit of memorizing numbers. While she was floating above her body, she had read the serial number on top of the respirator machine. And she remembered it. Norma looked at the machine. It was big and clunky, and this one stood about seven feet high. There was no way to see on top of the machine without a stepladder. “Okay, what’s the number?” Another nurse took out a piece of paper to jot it down. The woman rattled off twelve digits. A few days later, the nurses called maintenance to take the ventilator machine out of the room. The woman had recovered so well, she no longer needed it. When the worker arrived, the nurses asked if he wouldn’t mind climbing to the top to see if there was a serial number up there. He gave them a puzzled look and grabbed his ladder. When he made it up there, he told them that indeed there was a serial number. The nurses looked at each other. Could he read it to them? Norma watched him brush off a layer of dust to get a better look. He read the number. It was twelve digits long: the exact number that the woman had recited. The professor would later come to find out that her patient’s story was not unique. One of Norma’s colleagues at the University of Virginia Medical Center at the time, Dr. Raymond Moody, had published a book in 1975 called Life After Life, for which he had conducted the first large-scale study of people who had been declared clinically dead and been revived, interviewing 150 people from across the country. Some had been gone for as long as twenty minutes with no brain waves or pulse. In her lectures, Norma sometimes shared pieces of his research with her own students. Since Moody had begun looking into the near-death experiences, researchers from around the world had collected data on thousands and thousands of people who had gone through them—children, the blind, and people of all belief systems and cultures—publishing the findings in medical and research journals and books. Still, no one has been able to definitively account for the common experience all of Moody’s interviewees described. The inevitable question always followed: Is there life after death? Everyone had to answer that question based on his or her own beliefs, the professor said. For some of her students, that absence of scientific evidence of an afterlife did little to change their feelings about their faith. For others,

buttermilk or coconut milk. Pulse until blended. In a large bowl, with an electric mixer on high speed, beat the egg whites until soft peaks form. Pour into the flour mixture and pulse until the egg whites are evenly distributed, but do not run the machine at a constant speed. Spread into the pan and bake for 40 minutes, or until a wooden pick comes out clean.

Park is faster, but their pursuit seems almost ideological—a matter of committed belief. It’s as though they were appointed to the task of laying hands on him, of bringing him back into the gentle fold, of taking him home. They follow him all the way down to the ground floor. He bursts through the stairwell door, sprints down the hall, and ducks into an alcove where two vending machines stand gutted, their weighty doors cracked opened with a prybar. He wedges his body between them, pulls the knife and crouches down. His pulse is throbbing. He struggles to regain his breath, to silence himself.

The frequency of these brain waves has been crudely correlated with states of consciousness. Delta waves (0.5 to 3 cycles per second) indicate deep sleep. Theta waves (4 to 8 cycles per second) indicate trance, drowsiness, or light sleep. Alpha waves (8 to 14 cycles per second) appear during relaxed wakefulness or meditation. And beta waves (14 to 35 cycles per second), the most uneven forms, accompany all the modulations of our active everyday consciousness. Underlying these rhythms are potentials that vary much more slowly, over periods as long as several minutes. Today's EEG machines are designed to filter them out because they cause the trace to wander and are considered insignificant anyway. There's still no consensus as to where the EEG voltages come from. They would be most easily explained by direct currents, both steady state and pulsing, throughout the brain, but that has been impossible for most biologists to accept. The main alternative theory, that large numbers of neurons firing simultaneously can mimic real electrical activity, has never been proven.

Stan landed on my shoulder while I positioned the gems in front of the central wiring hubs, and once the two of us exchanged a nod, I sent out a surge of magic to embed the gems into the eight sentries at the same time. My heart pounded heavy with anticipation as the gems began to give off a steady pulse, and none of us said a word while we waited for the machines to wake up. After a few seconds, the eyes on the steel helms ignited with a blaze of white, and as the collective power of their magical gems shot through my veins, I knew these guys would be a force to be reckoned with. Not only were their personalities distinctly alert, but the energy they gave off was crisp and unyielding, and when their helms slowly turned to look my way, the pulse of the eight gems fell in sync with one another. “Welcome to the army, boys,” I said with a deadly grin. “I’m Mason Flynt.” Then the eight metal soldiers raised their right arms and saluted in unison, and the barrels of their rifles tipped toward the sky at attention.

Summer Ends” I will not name you again. I will not reduce you like a memory to your smallest parts,       little fantastic machine-heart slaving away its heat       little controlled burn       little smolder-fire wicking toward the dry brush. I will not replace this moment with the next,       will not exchange you with clocks,       with steady breaths or the tsk-tsk of the nearest metronome       the pulse of lost touches that never made landfall. I will not end when the summer ends,       this small, small moment bird-like in its nervousness       our bodies near touch-to-touch       there are new nervous octaves nested in my throat which will be anything for you,       be bird for you,       be timepiece of wrists for you, be shadow and wind for you,       be jeans for you. Licks for you. Oh, summer ends bemoaning its own misfortune. I sit near you       and the dusk comes on like the dizzy sweet sting of your cologne. For you I could be the longest day, all of your sunlight,       if for me you made yourself coda,       made nightfall, made yourself nest. The New Hampshire Review (no. 2)

To dial up was like watching a rocket launch: first the top light was on, then the second . . . then came the sound of the modem talking to whatever it was talking to . . . sounding like an Atari game’s parody of birdsong or of a clarinet solo, pinging and ponging as more and more of the little lights came on, blinking and then steady, orange and then green . . . the sound building to a crescendo that recalled the noise of TV static, as machines confided who-knows-what secret binary handshakes between them while I listened. Then came a key change. Then the pitch of the static pulse tweaked, now higher, now lower, and then, gloriously, the final light went to green and I was online, in orbit: cyberspace.

War provides some people with a sense of purposefulness. The drumbeat of war quickens the pulse of neighbors, relatives, tribes, and nations. Hostile nations amass weapons of destruction claiming that they seek peace through deterrence. When war comes, advocates of arms galvanize the citizenry by proclaiming the inevitability of conflict. Each side’s propaganda machine cast the campaign of present war as the next Great War. Generals brashly promote armed conflict as the war to end all other wars. Saber-rattlers proclaim that the opposition’s militant disciples instituted this ordeal of conquest and destruction.

The dull pulse-like beat started at eleven o’clock at night. It was a new kind of music called ‘rap’. It baffled Ananda even more than disco. He had puzzled and puzzled over why people would want to listen and even move their bodies to an angry, insistent onrush of words – words that rhymed, apparently, but had no echo or afterlife. It was as if they were an extension of the body: never had words sounded so alarmingly physical, and pure physicality lacks empathy, it’s machine-like.

My fingers flex as I extend my palms toward the creatures and the light. Energy pulses through me as the core of this dead land calls to me. More metal surrounds me, and I can feel it surging through me: the machine beast, the netting, even the faces of these creatures all consist of metal. The creature snaps its head back at me and lunges, aiming its weapon at me. I jump to the side in terror, raising my hands to protect me from the blow. The creature flies backward, landing on the ground with a thud. “What the hell is she doin’?” “Jab her!” I feel the energy rising within me. Or fear. Or both. Voices yell. Feet trample the ground. They run toward me. A grunt rises in my chest as my arms thrust forward, acting on their own. I watch it like a dream as my hands clench, and my fingers retract into claws. A thunderous shrill of ripping metal pierces the air. The iron fist rips in two. The creatures shout words as the two massive pieces of metal hover in the air. My arms cross then swing outward, sending the pieces hurtling beyond the lights and into the darkness. Several of them dash toward me. I scream. My fingers aim at the creatures and curl. As my arms drop to my sides, I watch in terror as the creatures fall to the ground by their bronze faces. My eyes burn from the stinging air. I feel like I am in a nightmare. I cannot control this power within me, and it terrifies me.

In the same year, William Henly, a Fellow of the Royal Society, wrote to the Humane Society with a suggestion that electricity be used to shock the heart and brain in ‘cases of Apparent Death from Drowning’. After all, he reasoned, why not use ‘the most potent resource in nature, which can instantly pervade the innermost recesses of the animal frame’? In 1794, the first clear success in using electricity to restart the heart was recorded by what had become the Royal Humane Society. Sophia Greenhill, a young girl, had fallen from a window in Soho and was pronounced dead by a doctor at Middlesex Hospital. Mr Squires, a local member of the Society, made it to the girl in around twenty minutes. Using a friction-type electricity machine, he applied shocks to her body. It seemed ‘in vain’, until he began to shock her thorax. Then he felt a pulse, and the child began to breathe again. She was concussed but went on to make a full recovery, and the Royal Humane Society was finally sure of the importance of electricity in reanimating those in ‘suspended animation’.

Beyond the grassy field were hundreds of huge skyscrapers, pulsing and glowing with blue and violet lights. The architecture was like nothing she had ever known. The design of the building structures was extremely complex. The buildings themselves were alive, moving in one way or another. Some structures had layers that rotated independently from the rest. There were other structures with large moving parts on the sides of the buildings or the roof, turning constantly. In some cases, entire buildings were moving. It was like they were all parts of a giant machine.

Air bikes are a popular piece of fitness equipment, especially among air bike crossfit An air bike is a combination of a traditional exercise cycle and an elliptical machine. With an air bike, you can work out both your shoulders while increasing your pulse rate.

Ix! Leto’s pulse accelerated. The machine planet. A strange and alien place.

I bought every kind of machine that's known- Grinders, shellers, planters, mowers, Mills and rakes and ploughs and threshers- And all of them stood in the rain and sun, Getting rusted, warped and battered, For I had no sheds to store them in, And no use for most of them. And toward the last, when I thought it over, There by my window, growing clearer About myself, as my pulse slowed down, And looked at one of the mills I bought- Which I didn't have the slightest need of, As things turned out, and I never ran- A fine machine, once brightly varnished, And eager to do its work, Now with its paint washed off- I saw myself as a good machine That Life had never used.

In New York City on a February morning nearly fifty years later, the faintest pale light begins to limn the buildings. A movie, a romantic adventure. It still plays that way in my imagination. And yet, unlike in a movie, I will now pay the consequences of my foolish actions. So many years later, when I have finally begun to offer something of value to the world, something that heals the wounds of time and life, I will have to flee, leave it all behind. I can’t bear it. Worse, though, how can I bear prison? Either way, I will no longer live the life I so love. A tear stings my eye. I don’t want to give this up. This home, these nieces of mine, my Instagram world, this full and satisfying life. Wallowing has never been my style. But . . . where will I go? Who will be there when I arrive? In the dark, I let myself shed tears of regret. My phone rings in my hand, startling me. The screen says Asher. My heart drops. “Asher? Is everything all right?” “Sam is in the hospital. Intensive care.” And suddenly the vistas of faraway lands disappear, and I see myself in prison gray, because I cannot leave my niece. I won’t. “I’ll be right there.” Chapter Eighteen Sam The next time I awaken, my headache is vaguely less horrific. It’s still there, pulsing around the skin of my brain, and I feel dizzy and strange, but I can also actually see a little bit. There are no windows, so I can’t tell what time it is. An IV pumps drugs into my arm, and a machine beeps my heartbeat. I swing my head carefully to the right, and there is Asher, sound asleep. He looks terrible, his skin pale and greasy, his hair unkempt. The vision from my dream pops up, of him balding and older, our two little boys,

I discovered my severe sleep apnea by using a recording pulse oximeter. No one in my family has a history of using CPAP or BiPAP machines, even though I had to use them for several years. After many years of having sleep apnea, I successfully cleared it up.

To live at all is miracle enough. The doom of nations is another thing. Here in my hammering blood-pulse is my proof. Let every painter paint and poet sing And all the sons of music ply their trade; Machines are weaker than a beetle’s wing. Swung out of sunlight into cosmic shade, Come what come may the imagination’s heart Is constellation high and can’t be weighed. Nor greed nor fear can tear our faith apart When every heart-beat hammers out the proof That life itself is miracle enough.

In avowedly “Christian” countries like Great Britain and the U.S.A., the churches regulate the pulse of the nation. They act as the “salt” upon the corporate body, and when their ways please the Lord, He gives them favour in the eyes of those round about them. When the Holy Spirit is unhindered His power is manifested, not only in calling out the elect, but in subduing sin in the non-elect and by causing the machine of the State to support godliness, as was more or less noticeably the case a hundred years ago. But when error comes into the churches and discipline is relaxed, the Spirit is grieved and His power is withheld, and the evil effects of this become more and more apparent in the country by a rising tide of lawlessness. If the churches persist in a downward course, then the Spirit is quenched and “Ichabod” is written over them, as is the case today. Then it is that the restraining hand of God is removed, and an orgy of licentiousness comes in. Then it is the government becomes an empty title, for those in power have no power except what the people have delegated to them, and therefore they act in accord with the depraved desires of the masses. This, then, is ever the order—turning from the true God, turning to false gods, and then the disturbance of the peace—either social revolution or international war.

And now I see with eye serene The very pulse of the machine; A being breathing thoughtful breath; a traveler betwixt life and death.

Nedda’s dream eye kept traveling as she slept, searching for all the things she missed: the town, the buildings inside it, the houses, rooms, and people, like dolls, whose hearts she knew. The seismic hiccup of the launch rolled through her. She saw glasses break at the Bird’s Eye, and Ellery Rees sweeping up a shattered sundae dish. The gators at Jonny’s Jungle World sank into their ponds like beans in soup, hugging the murk at the bottom. Then the surge from Crucible ran through her like an electric shock, hot and cold at once. Strong. It coursed through power lines, the lines to the college, the wires in the walls, through the outlets in the labs. It pulsed across a gold-plated switch, shattering a glass divider beneath it. Light spilled from Crucible, infrared and ultraviolet, escaping everything meant to contain it. Her father’s machine was as much hope and wish as it was metal and glass.

Dots pulsed. Jamal called those pulsing dots blowing bubbles, but I called them one of the worst user interface conventions ever designed. Worse than infinite scrolling, the Like button, or that slot-machine pull-to-refresh that always made me feel like a human guinea pig test subject pawing at the controls for either an electric shock, a dose of morphine, absolutely nothing, or a hard dry biscuit to devour while backed into a corner, scanning the edges of my iron room for hidden cameras.

Bolte Taylor got out of bed to do her morning exercise on a cardio machine, but she didn’t feel like herself. “I can no longer define the boundaries of my body, I can’t define where I begin and where I end. I felt my spirit surrender, I was no longer the choreographer of my life. My verbal thoughts were now inconsistent, fragmented, and interrupted by an intermittent silence,I was alone. In the moment, I was alone with nothing but the rhythmic pulse of my beating heart. Devoid of language and linear processing, I felt disconnected from the life I had lived. So, was I really still me? How could I still be Dr. Jill Bolte Taylor, when I no longer shared her life experiences, thoughts, and emotional attachments?” “The growing void in my traumatized brain was entirely seductive,” she later wrote. “I welcomed the reprieve that the silence brought from the constant chatter.

How do companies, producing little more than bits of code displayed on a screen, seemingly control users’ minds?” Nir Eyal, a prominent Valley product consultant, asked in his 2014 book, Hooked: How to Build Habit-Forming Products. “Our actions have been engineered,” he explained. Services like Twitter and YouTube “habitually alter our everyday behavior, just as their designers intended.” One of Eyal’s favorite models is the slot machine. It is designed to answer your every action with visual, auditory, and tactile feedback. A ping when you insert a coin. A ka-chunk when you pull the lever. A flash of colored light when you release it. This is known as Pavlovian conditioning, named after the Russian physiologist Ivan Pavlov, who rang a bell each time he fed his dog, until, eventually, the bell alone sent his dog’s stomach churning and saliva glands pulsing, as if it could no longer differentiate the chiming of a bell from the physical sensation of eating. Slot machines work the same way, training your mind to conflate the thrill of winning with its mechanical clangs and buzzes. The act of pulling the lever, once meaningless, becomes pleasurable in itself. The reason is a neurological chemical called dopamine, the same one Parker had referenced at the media conference. Your brain releases small amounts of it when you fulfill some basic need, whether biological (hunger, sex) or social (affection, validation). Dopamine creates a positive association with whatever behaviors prompted its release, training you to repeat them. But when that dopamine reward system gets hijacked, it can compel you to repeat self-destructive behaviors. To place one more bet, binge on alcohol—or spend hours on apps even when they make you unhappy. Dopamine is social media’s accomplice inside your brain. It’s why your smartphone looks and feels like a slot machine, pulsing with colorful notification badges, whoosh sounds, and gentle vibrations. Those stimuli are neurologically meaningless on their own. But your phone pairs them with activities, like texting a friend or looking at photos, that are naturally rewarding. Social apps hijack a compulsion—a need to connect—that can be even more powerful than hunger or greed. Eyal describes a hypothetical woman, Barbra, who logs on to Facebook to see a photo uploaded by a family member. As she clicks through more photos or comments in response, her brain conflates feeling connected to people she loves with the bleeps and flashes of Facebook’s interface. “Over time,” Eyal writes, “Barbra begins to associate Facebook with her need for social connection.” She learns to serve that need with a behavior—using Facebook—that in fact will rarely fulfill it.

The reason is a neurological chemical called dopamine, the same one Parker had referenced at the media conference. Your brain releases small amounts of it when you fulfill some basic need, whether biological (hunger, sex) or social (affection, validation). Dopamine creates a positive association with whatever behaviors prompted its release, training you to repeat them. But when that dopamine reward system gets hijacked, it can compel you to repeat self-destructive behaviors. To place one more bet, binge on alcohol—or spend hours on apps even when they make you unhappy. Dopamine is social media’s accomplice inside your brain. It’s why your smartphone looks and feels like a slot machine, pulsing with colorful notification badges, whoosh sounds, and gentle vibrations. Those stimuli are neurologically meaningless on their own. But your phone pairs them with activities, like texting a friend or looking at photos, that are naturally rewarding. Social apps hijack a compulsion—a need to connect—that can be even more powerful than hunger or greed. Eyal describes a hypothetical woman, Barbra, who logs on to Facebook to see a photo uploaded by a family member. As she clicks through more photos or comments in response, her brain conflates feeling connected to people she loves with the bleeps and flashes of Facebook’s interface. “Over time,” Eyal writes, “Barbra begins to associate Facebook with her need for social connection.” She learns to serve that need with a behavior—using Facebook—that in fact will rarely fulfill it.

A SNIPER FIRED into Bravo Company’s ranks. Crack! A marine fell. Then again. Crack! He was dead. The marines pulled his body as they ran for cover. They chose an abandoned Iraqi National Guard building that fronted Highway 10, the main road into Falluja. Twenty guys ran up to the roof. They set up their machine guns and waited. The sniper fired again. He was in the building across the street, fifty yards away, on the second floor. The flash of a shadow. The marines opened up with everything they had. Aimed, fired, raked and sprayed. Ten seconds. Three thousand shots. Bullet casings in smoking piles. The quickened pulses of young men. Smoke oozing from barrels. “I don’t see him,” one of them said. Minutes went by. Cigarettes glowed. Crack! A bullet zinged across the rooftop. A shadow passed by a window. Western side of the building this time, someone said, third floor. The marines opened fire again. They held their guns steady on the ledge of the rooftop as they let them fly: M-4 s, M-16 s, SAWs, 240 s, M-203 grenade launchers. A blazing symphony. The building across the street shook and smoked. A fire began on the second floor. The sniper fired. Crack, crack. A muzzle flashed. “Goddamn you!” someone shouted as the marines fired again. “We got one guy moving back and forth,” Lieutenant Eckert, one of the platoon leaders, said calmly. “We may have found him,” another marine said, but everyone kept firing where they were firing. Eckert stood back from the wall on the roof to get a wider view. “The idea is, he just sits up there and eats a sandwich, and we go crazy trying to find him,” he said. The

There are signals to the muscles and signals from them, signals from the skin, from the eyes and the ears, constantly repeating and changing. How can they connect? It is incredible, to know what small pulse is the vibration of this machine, what pulse is a word you are thinking of, and what pulse is your memory of the sky that you could not see but thought of as we flew. How can they receive and deliver with clarity through the density of such subtle things?

I could see into the shadows, where the very blades of grass and the leaves and buds of plants were sharply defined though it was a dark night. I was acutely aware of my ears, hot, pulsing, and humming. Now fragrance took command, and I was struck with the scents of the evening. Unable to resist, I rolled on the ground, breathing in the wet tang of dewy grass and the musk of the mud in which it grew. I glided my muzzle through the blades, letting each soft edge tickle my nose. When I lifted it, I caught the delicate fragrance of wildflowers and the powdery sweetness of red clover. The aromas permeated my body as if I could smell with my eyes, my toes, and my tail. I detected the essence of living fowl on the feathers of a fallen bird, but was quickly distracted by the blood-warm effluvia of rabbits and voles wafting up from a small hole in the ground. The air carried the scent of wet leaves after a forest rain. My senses were torn in two, with one thing calling my attention into the air and another, even more compelling, back down to the earth. The miasma of fetid earth, God's creatures, and the aromatic night air swirled in my head and through my body, competing with a cacophony of noises that grew louder and louder. The muffled sound of my paws as they made contact with the ground resonated in my ears. I felt in my body the vibration of all things touching the earth- animals small and large, as they interacted with the same soil that I was treading. The rustle of leaves in the trees, the screech of the wind blowing the hairs on my face, the fluttering of bees' wings, the distant cry of an owl- I heard each as a distinct, sharp sound. My senses were in control of my body. I was a living machine that processed sights, smells, and sounds.

UV/IR vision: use AI to make sense of light invisible to humans • Perfect sound memory: every sound you hear is catalogued forever and searchable with a query • Sound triangulation: when you hear a boom or a pop, your visor or glasses will light up and tell you exactly where it is happening • Perfect recall of imagery: when you take a passing glance at a license plate, its numbers and letters will be permanently captured and searchable • Prompting: AI is always in your head suggesting ideas and integrated into a device like a Fitbit to augment physical goals • “God’s Eye” view: satellite imagery and completely autonomous pocket drones that can feed images directly to your headset, effectively giving you a pair of disembodied eyes in motion • LIDAR (light detection and ranging) sensing: remote-sensing methods that can use light in the form of a pulsed laser to measure ranges • Ability to predict exact motion and speed of any object nearby • Ability to see and detect radio waves: pull a radio wave that you perceive out of the ether with the gesture of a swipe and then decode it and catalog it permanently • X-ray vision: Look inside a building through the eyes of your autonomous robotic appendage to see if there is a leak or other technical malfunction

I began lamenting the terrible social consequences of materialism and my view that the less-than-laudable moral condition of America in general and Santa Cruz in particular (I was grumpy from overwork and have never been particularly enamored of the moral condition of Santa Cruz in any event) could be laid at the feet of nearly three centuries of materialist ascendancy. The reigning belief that the thoughts we think and the choices we make reflect the deterministic workings of neurons and, ultimately, subatomic particles seemed to me to have subverted mankind’s sense of morality. The view that people are mere machines and that the mind is just another (not particularly special) manifestation of a clockwork physical universe had infiltrated all our thinking, whether or not someone knew a synapse from an axon. Do you know what the most addressable cause of all this moral decrepitude is?, I asked Dave. Materialism! Not the materialism of Rodeo Drive, SUVs, and second homes in Telluride, but materialism as a worldview, a view that holds that the physical is all that exists, and that transcendent human mental experiences and emotions, no matter what grandeur they seem—from within—to possess, are in reality nothing but the expressions of electrical pulses zipping along neurons. Chalmers wouldn’t be the first (or the last) to express incredulity that I was blaming the moral morass of the late twentieth century on a school of philosophy that most people had never heard of.

The bed the O.B. would never leave was a clinical, robust device, with upright panels to prevent him from rolling off, and various machines monitoring his progress. On one, his pulse echoed, a signal tapped out from a wavering source. A last border crossing, thought River. His grandfather was entering joe country.