β
Food. Drink. Sleep. Books. They are all drugs.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Worry less about what other people think about you, and more about what you think about them.
β
β
Fay Weldon
β
guilt to motherhood is like grapes to wine
β
β
Fay Weldon
β
Nothing happens, and nothing happens, and then everything happens.
β
β
Fay Weldon
β
I am not cynical. I am just old. I know what is going to happen next.
β
β
Fay Weldon (Chalcot Crescent)
β
One must be careful with words. Words turn probabilities into facts and by sheer force of
definition translate tendencies into habits.
β
β
Fay Weldon
β
Loving is upsetting. That's the point of it.
β
β
Fay Weldon (The Fat Woman's Joke)
β
It is the memory of past happiness that makes the present so intolerable.
β
β
Fay Weldon (The Fat Woman's Joke)
β
She could see that to lose a sibling was hard: it could only seem unnatural:out of time, out of order, a vicious re-run of your own departure into nothingness.
β
β
Fay Weldon (Worst Fears)
β
Absolutely,' she said. 'The more you pay attention to the body, the less attention you've got left to pay the soul. I really do understand that.
β
β
Fay Weldon (Darcy's Utopia)
β
Truly, books are wonderful things; to sit alone in a room and laugh and cry, because you are reading, and still be safe when you close the book; and having finished it, discover you are changed, yet unchanged!
β
β
Fay Weldon
β
Truly Alice, books are wonderful things; to sit alone in a room and laugh and cry, because you are reading, and still be safe when you close the book; and having finished it, discover you are changed, yet unchanged! To be able to visit the City of Invention at will, depart at will β that is all, really, education is about, should be about.
β
β
Fay Weldon (Letters to Alice: On First Reading Jane Austen)
β
If anything happiness is a feeling of being essential
β
β
Fay Weldon
β
So much for the fruits of love. Love? What's love? Sex, ah, that's another thing. Love has babies: sex has abortions.
β
β
Fay Weldon (Angel, all innocence, and other stories (Bloomsbury classics))
β
It became obvious that you had to be a feminist because it was such a ridiculous state of affairs.
β
β
Fay Weldon
β
My troubles are not outside me,' said Esther, 'they are inside me. Those are the worst troubles of all.
β
β
Fay Weldon (The Fat Woman's Joke)
β
The more you want the more you suffer. If you want everything you must suffer everything.
β
β
Fay Weldon
β
I think it's important to go (to church every Sunday) and sit and think about something other than yourself, pray for the sick, consider the dead.
β
β
Fay Weldon
β
There is nothing, she would think, more delicious that the icing of bought chocolate cake, eaten in the silence and privacy of the night.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Before you have children, the novelist Fay Weldon once said, you can believe you are a nice person: after you have children you understand how wars start.
β
β
Adam Phillips (On Balance)
β
To do good to one is to do bad to another. But you don't need to hear my excuses. They are the same that everyone makes to themselves when faced with the misery of others; though they would like to do the right thing, they simply fail to do so and look after themselves instead.
β
β
Fay Weldon
β
Fortunately, there is more to life than death. There is for one thing, fiction. A thousand thousand characters to be sent marching out into the world to divert time from its forward gallop to the terrible horizon.
β
β
Fay Weldon (Down Among the Women)
β
You don't go to church for intellectual gratification - you go because it pleases your aesthetic sensibilities.
β
β
Fay Weldon
β
If that was dying, I don't want to do it again.
β
β
Fay Weldon
β
New lives always begin tomorrow, [β¦] Never now.
β
β
Fay Weldon (The Fat Woman's Joke)
β
want revenge. I want power. I want money. I want to be loved and not love in return.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Getting two sentences together is exhilarating. It is heaven.
β
β
Fay Weldon
β
Peel away the wife, the mother, find the woman within, and there the she devil is.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
So treasure your moments of happiness, the glimpses you see of truth, the nights you've been loved. That's all you've got.
β
β
Fay Weldon (Female Friends)
β
Books fashion nets to sustain and support the reader as he falls helplessly through the chaos of his own existence.
β
β
Fay Weldon
β
Some of us are made fat and some of us are made thin, and that's all there is to it.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Food is the supremest of pleasures.
β
β
Fay Weldon (The Fat Woman's Joke)
β
I don't know what I want but it's not this. I don't want to be this person, I don't want to be trapped in this body, in this house, in this marriage.fay we
β
β
Fay Weldon (The Fat Woman's Joke)
β
Much sheer effort goes into avoiding the truth; Left to itself, it sweeps in like the tide. ~Fay Weldon
β
β
Lorri Coburn (Breaking Free:How Forgiveness and A Course in Miracles Can Set You Free)
β
And so another season passed, and I hadnβt seen Brian, yet another terrible tangle with Peter went by, and anyone who loved me I avoided like the plague. Can things get worse? I kept wondering, and surprisingly, they did. Until finally I read this book by Fay Weldon, and she talks about a woman married to a depressed man and explains thereβs nothing you (i.e., women) can do about them. And fiction got through to me where facts had feared to tread.
β
β
Eve Babitz (Black Swans: Stories)
β
When you're with a man, no one tells you he's a creep; they don't like to; they think, well, that's her choice, perhaps ours isn't up to much either; how will we ever be sure, in this polite world? In other words, as we all know, one woman's creep is another's true love, and just as well.
β
β
Fay Weldon
β
Do not despair, little Alice. Only persist, and thou shalt see, Jane Austen's all in all to thee.
β
β
Fay Weldon
β
Better to live with the guilty secret than the open truth of their life together - that they were bound by the habit of illicit lust, mutual degradation.
β
β
Fay Weldon
β
This is my home now. I like it. Nothing happens here. I know what to expect from one day to the next. I can control everything, and I can eat. I like eating.
β
β
Fay Weldon (The Fat Woman's Joke)
β
I just want not to be hurt by him. I want it to be like it was when I was a child, when you thought the day you got married you lived happily ever after.
β
β
Fay Weldon (The Fat Woman's Joke)
β
I ran upstairs, loving, weeping. I will run downstairs, unloving, not weeping.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
The insistence that somehow women are an endangered species that needs to be protected at all costs seems to me to be contrary to what's desirable for their view of themselves. And it just invests far more power in the male than is necessary.
β
β
Fay Weldon
β
Not satisfied with what he's got? Is that it? That's husbands all over. Ungrateful pigs. You do everything for them, you bring up their kids, you cook their food, you wash their clothes, you warm their beds, you fuss over your face day after day so they'll fancy you, you wear yourself out to keep them happy and at the end of it all, what happens? They find someone else they fancy more. Someone young some man hasn't had the chance to wear out yet. Marriage is a con trick. A girl should marry a rich man, then at least she'd have a fur coat to keep her warm in her old age.
β
β
Fay Weldon (The Fat Woman's Joke)
β
We make tactless remarks because we wish to hurt, break our legs because we do not wish to walk, marry the wrong man because we cannot let ourselves be happy, board the wrong train because we would prefer not to reach the destination.
β
β
Fay Weldon (Female Friends)
β
It seemed to me when I wrote The Life and Loves of a She-Devil that women were so much in the habit of being good it would do nobody any harm if they learned to be a little bad - that is to say, burn down their houses, give away their children, put their husband in prison, steal his money and turn themselves into their husband's mistress.
β
β
Fay Weldon
β
Mary Fisher lives in a High Tower, on the edge of the sea: she writes a great deal about the nature of love. She tells lies.
β
β
Fay Weldon
β
During the day she would read science fiction novels. In the evenings she watched television. And she ate, and ate, and drank, and ate.
β
β
Fay Weldon (The Fat Woman's Joke)
β
She drank sweet coffee, sweet tea, sweet cocoa and sweet sherry.
β
β
Fay Weldon (The Fat Woman's Joke)
β
If you do nothing unexpected, nothing unexpected happens.
β
β
Fay Weldon
β
One sort of believes in recycling. But one believes in it as a kind of palliative to the gods.
β
β
Fay Weldon
β
As it has turned out, the whole relationship between men, women and children has tilted, to the disadvantage of women.
β
β
Fay Weldon
β
Take me! Well, not quite take me, love me now, take me eventually
β
β
Fay Weldon
β
Whore,' he cried. Well, she was not his wife, yet she slept with him. She lived in sin. What else but a whore did that make her; and what did her whoredom make of Ben?
β
β
Fay Weldon
β
Because lurking somewhere beneath the surface of your brain is a vision of loneliness, and it will be a terrible moment when it breaks through, and you realise that your future is not a green pastures, but the knackers yard. We are all separate people, and we are all alone. It is a ridiculous thing to say that no man is an island. We are all islands. You can die, and Gerry won't. Gerry can die, and you won't. Our lives just go on, separate as they have always been.
β
β
Fay Weldon (The Fat Woman's Joke)
β
the observation made by novelist Fay Weldon: βThe greatest advantage of not having children must be that you can go on believing you are a nice person. Once you have children, you understand how wars start.
β
β
Deborah Anna Luepnitz (Schopenhauer's Porcupines: Intimacy And Its Dilemmas: Five Stories Of Psychotherapy)
β
I do use husbands a bit (in books). It's what writers of this kind do, actually. I am quite careful to try to keep the family out of my writing. You find, on the whole, that men will forgive you everything if you say they are good in bed and the women if you say they are beautiful. It's the way to turn away wrath.
β
β
Fay Weldon
β
Are you sure you wouldn't like some toast, Phyllis? Toast is one of the triumphs of our civilisation. It must be made with very fresh bread, thickly cut; then toasted very quickly and buttered at once, so the butter is half-melted. Unsalted butter, of course; you sprinkle it with salt afterwards. Sea salt, preferably.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Worst fears: That God was not good. That the earth you stood upon shifted, and chasms yawned; that people, falling, clutched one another for help and none was forthcoming. That the basis of all things was evil. That the beauty of the evening, now settling in a yellow glow on the stone of The Cottage barns, the swallows dipping and soaring, a sudden host of butterflies in the long grasses in the foreground, was a lie; a deceitful sheen on which hopeful visions flitted momentarily, and that long, long ago evil had won against good, death over life... in the glow of the sun against the stone walls, as well as in the dancing of butterflies- that in this she had been mocked.
β
β
Fay Weldon
β
What happens now is that if some unfortunate man goes to bed with some woman, overnight there's a divorce. He thinks and feels about the authenticity of his being, then they have to get married. So they just end up having serial marriages, which is distressing for the children. It would be much better if people just put up with the guilt of having erred and shut up.
β
β
Fay Weldon
β
Winnicott, I think, would have enjoyed the observation made by novelist Fay Weldon: βThe greatest advantage of not having children must be that you can go on believing you are a nice person. Once you have children, you understand how wars start.β All relationships,
β
β
Deborah Anna Luepnitz (Schopenhauer's Porcupines: Intimacy And Its Dilemmas: Five Stories Of Psychotherapy)
β
Women have always tried to make themselves attractive to men, and you're not going to change a thing like that in a hurry. Look around you. All the women nicely groomed and attractive and good-looking, and the men no better than fat slugs, for the most part, or skinny runts. Unshaved and smelly as often as not. They get away with everything, men. They can do every disgusting thing they like and no one ever says a thing.
β
β
Fay Weldon (The Fat Woman's Joke)
β
We discuss things, rather than ideas; we exchange information, not theories; we keep ourselves steady by thinking about the particular. The general is frightening.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
If you love the father of your child you feel he has given enough. If you don't love him all you want is his money.
β
β
Fay Weldon (She May Not Leave)
β
Idle, profligate, ingrate. No one decent could ever want him.
β
β
Fay Weldon
β
For who ever lived totally as they wanted to; who ever, if they have time to think about it, dies wholly satisfied? And those who remain know it.
β
β
Fay Weldon
β
I'd have apple pie. You break through the crust and it's juicy underneath.
β
β
Fay Weldon (The Fat Woman's Joke)
β
The language of distinction ceases to be available; is no longer available. We must search CD Rom for meanings which once were clear, but now are obscure. The words are too big for the narrow column of the contemporary newspaper. We are all one-syllable people now, two at most. So we mumble and stumble into our futures. But it is still our task and our reward to scavenge through the universe , picking up the detritus of lost concepts, dusting them down, making them shine. Latin was the best polishing cloth of all, but we threw it away.
β
β
Fay Weldon (Wicked Women (Weldon, Fay))
β
even as she says it, sees love drain out of his eyes: and somehow, as a stream, which seeks its own level, it flows over into hers, and her fate is sealed. The less he loves, the more she will.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
I am not all she devil. A she devil has no memory of the past - she is born afresh every morning. She deals with the feelings of today, not yesterday, and she is free. There is a little bit of me left, still woman.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Ruby once told Margaret that Ben was an accident, but it wasn't true. The house just felt empty without a baby in it. Good God, why do women have such feelings: and worse, having them, why do they then act upon them?
β
β
Fay Weldon (Moon Over Minneapolis (Flamingo))
β
She described how Camusβs aphorism βOne must imagine Sisyphus happyβ helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creationβthat's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus!
β
β
Fay Weldon
β
Some women are born mothers, some women become mothers, and some have motherhood thrust upon them. I struggled against it all my life, but I think the truth is I was probably born to it. I don't do badly, I don't do well, I just do it.
β
β
Fay Weldon (Moon Over Minneapolis (Flamingo))
β
I am always concerned when people, finding out that I am a writer, apologise and say, βIβm not much of a reader actually. I know I ought to, but I just donβt seem able to find the time,β and then go on to tell me how they feel obliged to finish any book they begin. Well, of course, I say, you will be reluctant to open one in the first place, knowing what it might entail. It isnβt meant to be like that, I assure them. If you begin a book and you donβt like it, just throw it away. Or take it round to a charity shop. Itβs like going to a party: some people you linger with, knowing you get on. Some people you exchange greeting with and move on fast. Itβs nothing against them. Theyβre just not your kind of person. Itβs the same with books. You must be prepared to discard. And though you may feel itβs a waste of money not reading a book you donβt get on with, thatβs like not opening the windows when the weather turns warm for fear of wasting the central heating. So, as I say, now is a good point to abandon the book. You have my permission - even my encouragement.
β
β
Fay Weldon (Chalcot Crescent)
β
Of course men canβt know you when youβre unclean,β said Hilda. βIt says so in the Bible. Thatβs why itβs called the curse. Itβs Godβs punishment.β
βFor what?β
βGiving Adam the apple, I suppose.β
βHe didnβt have to eat it.β
βYes he did. If someone offers you food, itβs only manners to take it. Why are you always so argumentative?
β
β
Fay Weldon (Praxis)
β
What would the world be like if women stopped being womenβshut the tea-and-sympathy shop, closed down the love store, gave up the slave religion? Could the world go on without romantic love, all iron fist, no velvet glove? The Germans thought Nietzsche was great, and look what it got them. And yet, in the end, nobody loves a victim, evenβespeciallyβthe other victims. βDown among the women,β as Fay Weldon wrote, back when she still was one. βWhat a place to be!β Now she writes books telling women to fake orgasms because nature has designed them to hardly ever have them and why make a man feel bad about something that isnβt his fault? In other words, practice the slave religion; just donβt believe in it yourself. But why would anyone do that if they can buy their own shoes?
β
β
Katha Pollitt (Learning to Drive (Movie Tie-in Edition): And Other Life Stories)
β
PRAXIS DUVEEN, AT THE age of five, sitting on the beach at Brighton, made a pretty picture for the photographer. Round angel face, yellow curls, puffed sleeves, white socks and little white shoesβone on, one off, while she tried to take a pebble from between her tiny pink toesβdelightful! The photographer had hoped to include her elder sister Hypatia in the picture, but that sullen, sallow little girl had refused to appear on the same piece of card as her ill-shod sister.
β
β
Fay Weldon (Praxis: A Novel)
β
Lucy could see that love unconfined, love outside convention, might well make a woman an unfit mother; you were one kind of woman or another: you were good or you were bad, as the world saw it, and no stations in between. They allowed you to choose; you could be the maternal or the erotic, but not a bit of both. The latter made you forget the former. Men married the maternal and then longed for the erotic. Or they married the erotic by mistake, and set about making it into the maternal, and then were just as disappointed.
β
β
Fay Weldon
β
I know more than he does, she thinks, in this mad excess of arrogance. I may work in an advertising agency. I may prefer central heating to carrying coals, and a frozen pizza to a fresh mackerel, but I grant the world its dignity. I am aware of what I don't know, don't understand, and that's more than you can do. My body moves with the tides, bleeds with the moon, burns in the sun: I, Minette, I am a poor passing fragment of humanity: I obey laws that I only dimly understand, but I aware that the penalty of defying them is at best disaster, at worst death. ("The Man With No Eyes")
β
β
Fay Weldon (Mischief: Fay Weldon Selects Her Best Short Stories)
β
Pity me'--the unspoken words upon a nation's lips--'because I am indeed pitiable. I have been deprived of freedom--yes, of course, all that. And of proper food and of fancy things, consumer durables and material wealth of every kind, all that. But mostly I have been robbed of my birthright, my mother, my father, my home. And how can I ever recover from that?' Then there is a murmur, as a last, despairing cry, the latest prayer--'Market forces, market forces.' Say it over and over, as once the Hail Mary was said, to ward off all ills and rescue the soul, but we know in our hearts it won't work. There is no magic here contained. Wasted lives, lost souls, unfixable. Pity me, pity me, pity me.
β
β
Fay Weldon
β
He knew he had changed because when presently he took confession from a woman who had been using contraceptives and whose husband had left her, he did not equate the sin with the consequence.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Domestic strife is catching. Happy couples do well to avoid the company of the unhappy.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Doubt afflicts the good, not the bad.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Why do you write?
Because I want to persuade everybody to agree with me about everything, for their own good.
β
β
Fay Weldon
β
Curran was beautiful but perhaps a little mad.
β
β
Fay Weldon (She May Not Leave)
β
for a man functions best if he ventures out into the world from a domestic setting in which his restless sexual and procreative energies are given liberty.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Up there on Olympus, where heβd been raised, where the mountain of reason pierces the sky of the intellect, the talk was all of how the soul suffered if the senses were gratified. Polly Patch would not allow it. She claimed, as the Devil would, that the senses and the soul were one: that gratifying one was to gratify the other.
β
β
Fay Weldon (The Life and Loves of a She Devil)
β
Serena and I would reassure our mother in our later years β see, you did the right thing, we turned out okay β but she never quite believed us.
β
β
Fay Weldon (She May Not Leave)
β
Mary Fisher has built her tower around her, and cemented the stone with banknotes, and lined the walls inside with stolen love, but still she is not safe. She has a mother.
β
β
Fay Weldon (The Life and Loves of a She Devil by Fay Weldon (15-Oct-2009) Paperback)
β
I need men to define me: to give me an idea of what I am. If I didn't have boyfriends I don't think I would exist. I would fly apart in all directions. So I must live my life in perpetual pain, if I want to live at all.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Grief is a lovely word and a lovely thing. It heals, as resentment cannot. Grief must be admitted and lived through, or it turns into resentment, and continues to bother you for the rest of your life, rearing its depressed little head at all the wrong moments, so that one Sunday tea time at the old lady's home you will unexpectedly begin to cry into your toasted teacake, and the nurses will say "Poor Mrs. Frazer, that's the end," and will move you into the senile ward, when the truth of the matter is quite different. It's not senility, but grief grown uncheckable with age. Myself, I cry now and eat now, so as not to cry later, when it is yet more dangerous. I shall make a very cheerful old lady.
β
β
Fay Weldon (The Fat Woman's Joke)
β
You shouldn't keep other people's phallic symbols on the mantelpiece.
β
β
Fay Weldon (The Fat Woman's Joke)
β
Frigid bitch,' he seizes her hair, pulls back her head. He is strong: she is helpless: if he wishes to rape her, he could, he would. It is in the air. The little girls fall quiet: terror silences them. Ben makes love to Lucy, these days, with hatred, not with love. The love he feels for her (and he does) weakens him, softens him, makes him impotent. He feels it. She is far from frigid: she is ashamed of her response to his violence: frightened of being out of her own control - if she not a mother? And mothers must be on duty day and night.
β
β
Fay Weldon
β
Was this what she had shattered convention for; broken with her family, her friends? Everything she had ever known; doomed herself to eternal damnation, for the sake of what she had believed would be heaven on earth, and had turned out to be hell, here and now?
β
β
Fay Weldon
β
else to go Felicity sits down upon the steps to consider
β
β
Fay Weldon (Rhode Island Blues)
β
Lust corrodes as love does not. Lust is all hard hammer blows, cracking and splitting. Love is a slippery, velvety cloak to hide in. Lust is real and love is the stuff of dreams, and dreams are what we are made of. A million million women couldn't be wrong. Could they?
β
β
Fay Weldon
β
A brave little woman,β said the vicar. βSo many of our women are now left alone.β And so they were. Those who in peacetime were expected to need male protection, in wartime were assumed to be able to manage perfectly well. And so they did.
β
β
Fay Weldon (Praxis)
β
Guilt is to the soul as pain is to the body, a warning that harm is being done.
β
β
Fay Weldon (She May Not Leave)
β
You must read, Alice, before it's too late. You must fill your mind with the invented images of the past: the more the better.
β
β
Fay Weldon
β
Writers create Houses of the Imagination, from whose doors the generations greet each other.
β
β
Fay Weldon (Letters to Alice: On First Reading Jane Austen)
β
Novels do not drop ready written from the skies. Your couple of hours' reading is my half year's work.
β
β
Fay Weldon (Kehua!: A Ghost Story)