Pulling Your Weight Quotes

We've searched our database for all the quotes and captions related to Pulling Your Weight. Here they are! All 100 of them:

You’re taking a nap? Come on, Kate, I need you for this fight. Stop lying around.” “You must think you’re funny.” “Just saying, you have to pull your own weight. A hot body and flirting will only get you so far.” “Everything I do, I learned from you, boy toy.” “Boy toy?” Curran asked. “Would you prefer man candy?
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
People talk about grief as emptiness, but it's not empty. It's full. Heavy. Not an absence to fill. A weight to pull. Your skin caught on hooks chained to rough boulders made of all the futures you thought you'd have.
Elan Mastai (All Our Wrong Todays)
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!" "Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look." Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives." Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing." "Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?" "I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw." Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
Sarah Rees Brennan (The Demon's Covenant)
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I stuff another handful of Raisinets in my mouth. What gets me is the 'pretty face' bit. 'Cause I won't mind being reminded I'm fat as long as you water it down first. Why not say, Hey I'm going to insult you, but first I will congratulate your fortunate genetics and appropriate appliclation of Bobbi Brown cosmetics to prevent you from hitting me. Sh*t; I kind of prefer being called a 'fat bitch.' At least it doesn't pull any punches.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
Great. Okay. That, uh... was easier than I thought." Jack cocked his head. Wait a second... He couldn't decide if he was pissed or really impressed. He hooked a finger into the waistband of the workout pants she'd changed into and pulled her closer. "Did you fake me out with those tears, Cameron?" She peered up at him, defiantly, seemingly outraged by the suggestion. "Are you kidding? What, after the day I've had, I'm not entitled to a few tears? Sheesh." Jack waited. "This wedding is very important to me--I can't believe you're even doubting me. Honestly, Jack, the tears were real." He waited some more. She would talk eventually. They always did. Cameron shifted under the weight of his stare. "Okay, fine. Some of the tears were real." She looked him over, annoyed. "You are really good at that." He grinned. "I know.
Julie James (Something About You (FBI/US Attorney, #1))
Pulling my hand away, he rose, slanting his head to kiss me deeply as he pushed me onto my back, with his weight draped over me. “I’ve never had anything that was my own,” he said against my mouth. “Nothing that was ever for just me and no one else. I’ve never been anyone’s first.” He kissed me and then lifted his head. I stared into his eyes. “I’ve never been anyone’s only.” That made my heart ache for him as I raised my hand, pressing my palm against his cheek. “You’re my first,” I whispered. “You’re…you’re my only.” His lips parted. “You can’t say that and not mean it.” I held his gaze as my chest swelled. “I mean it.” He smoothed his thumb over my lip. “I really am a lucky son of a bitch.
Jennifer L. Armentrout (The Return (Titan, #1))
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?” Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —” “He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.” Julian nodded, his thin shoulders straight. “I’ll take it.” Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy. Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
It's hard to describe, but I imagine the way I am at this moment is a lot like getting sucked into a vortex. Everything dark and churning, but slow churning instead of fast, and this great weight pulling you down, like it's attached to your feet even if you can't see it. I think, This is what it must be feel like to be trapped in quicksand.
Jennifer Niven (All the Bright Places)
Me Kate. You Tarzan?” “No.” Curran bared his teeth at me. “In the first book, he grabs a lion by the tail and pulls it. Never gonna happen. First, an adult male lion weights five hundred pounds. Second, you grab my tail, I’ll turn around and take your face off.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
To work, her dumb lunge says, is to move a certain mass ...through a certain distance, is to pull your weight and feel exact and equal to it. Feel dragged upon. And buoyant.
Seamus Heaney (Station Island)
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
When you’re flying, the changing balance of lift and weight pulls you up or down. But another pair of forces pulls you forward or backward through the air: thrust and drag. Thrust is the power that pulls the kite forward—you run with it to get it up in the air. You have to have thrust to create lift. Drag is there because your kite’s surfaces push against the air and slow the kite down. Drag doesn’t pull you out of the sky; it makes you fly more slowly.
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
Without questioning it, Mungo sat up in the bed and oriented himself to lie beside James. He pulled the boy on to his chest and felt the crumpled wetness of his face. He held him, just like Jodie would hold him, and let him remember his mother. It was good to put your weight on someone else, even if it was just for a short while.
Douglas Stuart (Young Mungo)
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
I use the example as computed by the mathematician Michael Berry. If you know a set of basic parameters concerning the ball at rest, can compute the resistance of the table (quite elementary), and can gauge the strength of the impact, then it is rather easy to predict what would happen at the first hit. The second impact becomes more complicated, but possible; you need to be more careful about your knowledge of the initial states, and more precision is called for. The problem is that to correctly predict the ninth impact, you need to take into account the gravitational pull of someone standing next to the table (modestly, Berry's computations use a weight of less than 150 pounds). And to compute the fifty-sixth impact, every single elementary particle of the universe needs to be present in your assumptions!
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
Eating a can be the weight that pulls you under or the life raft. It's your choice.
Nancy S. Mure (EAT! Empower Adjust Triumph!)
Fair-minded people make a concerted effort to pull their own weight rather than living off the hard work of others.
Frank Sonnenberg (Follow Your Conscience: Make a Difference in Your Life & in the Lives of Others)
I wanted to pull my weight and learn to be self-reliant so that when I did depend on someone, it was by choice and not necessity.
Abby Jimenez (Part of Your World (Part of Your World, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
You don’t have to come with me,” Ash said. “I only brought you along because you’re good with a knife. And got us the uniforms. And the explosives.” Lila snorted. “Sorry I’m not pulling my weight.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don' start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
I want to come home. Not just for a few days or a couple weeks. I want to stay. Can I stay?" Cam drew off his sunglasses, and his eyes, smoke-gray, met Seth's. "What the hell's the matter with you that you think you have to ask? You trying to piss me off?" "I never had to try, nobody does with you. Anyway, I'll pull my weight." "You always pulled your weight. And we missed seeing your ugly face around here." And that, Seth thought as they walked to the car, was all the welcome he needed from Cameron Quinn.
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
The moral of the story is that once upon a time I wanted the whole world from everyone I met - sun moon stars, give me the whole thing, I want it now, I want it in perfect MLA style. And now? Now I know that the best you can ask of people is that they just - I don't know - that they just show up, do their part, treat people nicely, pay their taxes. Contribute something halfway decent to society. I'm not necessarily talking about contributing a dissertation, either. I'm talking about pulling you own weight and figuring out what it is you love and then doing it. Not just talking about it or waiting for someone else to do it for you, but actually honest-to-God doing the thing you're meant to do.
Sarah Combs (Breakfast Served Anytime)
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I never knew You lived so close to the floor, but every time I am bowed down, crushed by this weight of grief, I feel Your hand on my head, Your breath on my cheek, Your tears on my neck. You never tell me to pull myself together, to stem the flow of many years. You simply stay by my side for as long as it takes, so close to the floor.
Sheila Walsh (Loved Back to Life: How I Found the Courage to Live Free)
Ursula was the last in line. Her gloomy dignity, the weight of her name, the convincing vehemence of her declaration made the scale of justice hesitate for a moment. "You have taken this horrible game very seriously and you have done well because you are doing your duty," she told the members of the court. "But don't forget that as long as God gives us life we will still be mothers and no matter how revolutionary you may be, we have the right to pull down your pants and give you a whipping at the first sign of disrespect.
Gabriel García Márquez (One Hundred Years of Solitude)
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
This is what you’re not allowed to see. The school system pulled this out of the curriculum. Parents complained it was ‘too disturbing.’ Probably worried
Tiffany D. Jackson (The Weight of Blood)
Men enforce a code of behaviour on each other, when working together. Do your work. Pull your weight. Stay awake and pay attention. Don’t whine or be touchy. Stand up for your friends. Don’t suck up and don’t snitch. Don’t be a slave to stupid rules. Don’t, in the immortal words of Arnold Schwarzenegger, be a girlie man. Don’t be dependent. At all. Ever. Period. The harassment that is part of acceptance on a working crew is a test: are you tough, entertaining, competent and reliable? If not, go away. Simple as that. We don’t need to feel sorry for you. We don’t want to put up with your narcissism, and we don’t want to do your work.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
[T]he most elaborate code of [law]... would still have left unspecified a hundred ways in which wreckers of Communism could have sidetracked it without ever having to face the essential questions: are you pulling your weight in the social boat? are you giving more trouble than you are worth? have you earned the privilege of living in a civilized community? That is why the Russians were forced to set up an Inquisition or Star Chamber, called at first the Cheka and now the Gay Pay Oo (Ogpu), to go into these questions and "liquidate" persons who could not answer them satisfactorily.
George Bernard Shaw
Each force in flight is balanced by an opposing force. The opposite of lift is weight. Weight is always trying to pull an object back to earth, so to get something to stay up, lift has to be greater than weight. You’d think your weight would always be the same, but it isn’t. When you do aerobatics or go into a dive—like a kite that’s plunging into the sand at the beach—there’s an increase in gravity, and that makes you weigh more. If you want your heavy kite to stay in the air, you have to increase the lift, as well. Maybe by waiting for a stronger wind. Maybe by finding a windier place to fly your kite. Maddie brought lift back into my life by forcing me outside. So did Bob, who introduced me to the editors of this magazine. So did Fernande, the chambermaid at the Paris Ritz, who gave me her daughter’s clothes and made me get dressed and brought me coffee every morning for three weeks.
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
Memory can be dramatically disrupted if you force something that’s implicit into explicit channels. Here’s an example that will finally make reading this book worth your while—how to make neurobiology work to your competitive advantage at sports. You’re playing tennis against someone who is beating the pants off of you. Wait until your adversary has pulled off some amazing backhand, then offer a warm smile and say, “You are a fabulous tennis player. I mean it; you’re terrific. Look at that shot you just made. How did you do that? When you do a backhand like that, do you hold your thumb this way or that, and what about your other fingers? And how about your butt, do you scrunch up the left side of it and put your weight on your right toes, or the other way around?” Do it right, and the next time that shot is called for, your opponent/victim will make the mistake of thinking about it explicitly, and the stroke won’t be anywhere near as effective. As Yogi Berra once said, “You can’t think and hit at the same time.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
Tell him not to smoke in your apartment. Tell him to get out. At first he protests. But slowly, slowly, he leaves, pulling up the collar on his expensive beige raincoat, like an old and haggard Robert Culp. Slam the door like Bette Davis. Love drains from you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.
Lorrie Moore (Self-Help)
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The Poet Ridiculed by Hysterical Academics" Is it, then, your opinion Women are putty in your hands? Is this the face to launch upon A thousand one night stands? First, please, would you be so kind As to define your contribution To modern verse, the Western mind And human institutions? Where, where is the long, flowing hair, The velvet suit, the broad bow tie; Where is the other-worldly air, Where the abstracted eye? Describe the influence on your verse Of Oscar Mudwarp’s mighty line, The theories of Susan Schmersch Or the spondee’s decline. You’ve labored to present us with This mouse-sized volume; shall this equal The epic glories of Joe Smith? He’s just brought out a sequel. Where are the beard, the bongo drums, Tattered T-shirt and grubby sandals, As who, released from Iowa, comes To tell of wondrous scandals? Have you subversive, out of date, Or controversial ideas? And can you really pull your weight Among such minds as these? Ah, what avails the tenure race, Ah, what the Ph.D., When all departments have a place For nincompoops like thee?
W.D. Snodgrass
I object to all punishment whatsoever. I don't want to punish anybody, but there are an extraordinary number of people who I want to kill. Not in any unkind or personal spirit. But it must be evident to all of you, you must all know half a dozen people at least, who are no use in this world; who are more trouble than they are worth. And I think it would be a good thing to make everybody come before a properly appointed board just as he might come before the income tax commissioners and say every 5 years or every 7 years, just put them there, and say, sir or madam, now will you be kind enough to justify your existence? If you can’t justify your existence; if you’re not pulling your weight in the social boat; if you are not producing as much as you consume or perhaps a little more, then clearly we cannot use the big organization of our society for the purpose of keeping you alive, because your life does not benefit us, and it can’t be of very much use to yourself.
George Bernard Shaw
leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
the voices are so persuasive, you don’t know what’s real and what’s not. You know the voices aren’t talking into your ears, but they’re not exactly in your head either. They seem to call to you from another place that you’ve accidentally tapped into, like a cell phone pulling in a conversation in some foreign language—yet somehow you understand it. They linger there on the edge of your consciousness like the things you hear just as you’re waking up, before the dream collapses under the crushing weight of the real world. But what if the dream doesn’t go away when you wake up? And what if you lose the ability to tell the difference?
Neal Shusterman (Challenger Deep)
One of the first admonitions of a good rowing coach, after the fundamentals are over, is “pull your own weight,” and the young oarsman does just that when he finds out that the boat goes better when he does. There is certainly a social implication here. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Poor, wretched, and stupid peoples, nations determined on your own misfortune and blind to your own good! You let yourselves be deprived before your own eyes of the best part of your revenues; your fields are plundered, your homes robbed, your family heirlooms taken away. You live in such a way that you cannot claim a single thing as our own; and it would seem that you consider yourselves lucky to be loaned your property, your families, and your very lives. All this havoc, this misfortune, this ruin, descends upon you not from alien foes, but from the one enemy whom you yourselves render as powerful as he is, for whom you go bravely to war, for whose greatness you do not refuse to offer your own bodies unto death. ... Where has he acquired enough eyes to spy upon you, if you do not provide them yourselves? How can he have so many arms to beat you with, if he does not borrow them from you? The feet that trample down your cities, where does he get them if they are not your own? How does he have any power over you except through you? How would he dare assail you if he had no cooperation from you? What could he do to you if you yourselves did not connive with the thief who plunders you, if you were not accomplices of the murderer who kills you, if you were not traitors to yourselves? You sow crops in order that he may ravage them, you install and furnish your homes to give him goods to pillage; you rear your daughters that he may gratify his lust; you bring up your children in order that he may confer upon them the greatest privilege he knows—to be led into his battles, to be delivered to butchery, to be made servants of his greed and the instruments of his vengeance; you yield your bodies unto hard labour in order that he may indulge in his delights and wallow in his filthy pleasures; you weaken yourselves in order to make him stronger and the mightier to hold you in check. From all these indignities, such as the very beasts of the field would not endure, you can deliver yourselves if you try, not be taking action, but merely by willing to be free. Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break into pieces.
Étienne de La Boétie (The Politics of Obedience: The Discourse of Voluntary Servitude)
And girl-women, women, curved like instruments or fruit, skin burnished brown-bright, suit tops held by delicate knots of fragile colored string against the pull of mysterious weights, suit bottoms riding low over the gentle juts of hips totally unlike your own, immoderate swells and swivels that melt in light into a surrounding space that cups and accommodates the soft curves as things precious. You almost understand.
David Foster Wallace (Brief Interviews with Hideous Men)
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To any woman out there who is fed up with trying the same thing over and over, I offer this suggestion. Instead of getting back on the treadmill “one more time,” try this. Alter your diet so that you eat no grain-based carbohydrate: no flour, no sugar, no bread, no pasta, and no high-fructose corn syrup. Then go to the gym and perform a workout of leg press, pull down, chest press, row and overhead press. Lift slowly and smoothly but with as much effort as possible. Go to complete fatigue, or as close to it as you can tolerate. Work out once, or at most, twice a week. Make sure your workouts last no longer than 20 minutes. Then sit back and watch what happens. —Doug McGuff, MD
Jonathan Bailor (The Calorie Myth: How to Eat More, Exercise Less, Lose Weight, and Live Better)
I think we’ve met our quota for tearful reunions,” she chuckled against the top of my head. “When this is done, I promise I’m never going to leave the house ever again. We’ll just stay in and order pizza and watch bad television.” Mom pulled away and looked over my shoulder. “Oh, I think you might want to get out every now and then,” she said. I felt the warm weight of Archer’s hand on my waist. “Hey, I like pizza and bad TV.” I turned to him, surprised. “Your chest-“ “Cal,” he said by way of explanation. “I owe that guy, like, a mountain of burgers. It’s getting embarrassing.” Mom flashed me a little smile before saying, “You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Work hard. You’re expected to pull your own weight, not to weigh down the team.
Frank Sonnenberg (Soul Food: Change Your Thinking, Change Your Life)
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
fathers who regularly do household chores, according to a University of British Columbia study, have daughters who are more likely to aspire to less stereotypically feminine careers, instead voicing an ambition to be an astronaut, professional soccer player, or geologist. When girls see fathers pulling their own weight, they receive a direct message that they are not—and should not be—destined to shoulder all the tedious work by themselves.
Jancee Dunn (How Not to Hate Your Husband After Kids)
Will you look after my family?" I attempted a smile. "Tommy's going to need a...big brother. Someone to fish with." It seemed stupid to be talking about this stuff,but there weren't any words for the bigger stuff anymore. "He makes his own flies." Jack already knew this. "Becks-" "And make sure he doesn't play football." Jack tilted his head at this. "I mean,football's fine, bit it's dangerous.I don't want him concussed-" "Becks,stop." "Just tell me you'll do it." I closed my eyes. "Tell me." There was a long pause,and I wasn't sure there'd be time for him to answer anymore.But after a few moments,he did. "No." My eyes shot open. "What?" His eyes were tight,his expression on fire with blazing determination. "You watch over Will." "What are you...?" My voice trailed off as it dawned on me what was going on. "No!" I tried to wiggle my hands free from his grip. "Don't you dare, Jack Caputo!" But I couldn't break from his strong grasp. I twisted and thrashed but that only made Jack hold on tighter. He closed his eyes and said, "Stay with me,Becks.Dream of me. I am ever yours." "No! I will forgive you!" I tried to pull back.Tried to get close enough for the Tunnels to suck me away instantaneously.But Jack had to be about twice my weight and pure muscle. "Let me go!" He ignored me.In the quickest, strongest move I would ever know,Jack yanked me toward him and threw me to the ground behind him.Away from the Tunnels.
Brodi Ashton (Everneath (Everneath, #1))
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
That was interesting.Who was that?" Matt looks unhappy. "What?" I ask him. "You'll talk to that guy,but you won't talk to us anymore?" "Sorry," I mumble, and climb out of his car. "He's just a friend.Thanks for the ride." Matt gets out,too. Cherrie starts to follow,but he throws her a sharp look. "So what does that mean?" he calls out. "We aren't friends anymore? You're bailing on us?" I trudge toward the house. "I'm tired, Matt.I'm going to bed." He follows anyway.I dig out my house key,but he grabs my wrist to stop me from opening the door. "Listen,I know you don't want to talk about it,but I just have this one thing to say before you go in there and cry yourself to sleep-" "Matt,please-" "Toph isn't a nice guy.He's never been a nice guy. I don't know what you ever saw in him.He talks back to everyone, he's completely unreliable, he wears those stupid fake clothes-" "Why are you telling me this?" I'm crying again.I pull my wrist from his grasp. "I know you didn't like me as much as I liked you. I know you would have rather been with him,and I dealth with that a long time ago.I'm over it." The shame is overwhelming. Even though I knew Matt was aware that I liked Toph,it's awful to hear him say it aloud. "But I'm still your friend." He's exasperated. "And I'm sick of seeing you waste your energy on that jerk. You've spent all this time afraid to talk about what was going on between you two,but if you'd bothered to just ask him, you would have discovered that he wasn't worth it. But you didn't.You never asked him, did you?" The weight of hurt is unbearable. "Please leave," I whisper. "Please just leave." "Anna." His voice levels, and he waits for me to look at him. "It was still wrong of him and Bridge not to tell you. Okay? You deserve better than that. And I sincerely hope whomever you were just talking to"-Matt gestures toward the phone in my purse-"is better than that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
If you sit in the darkness, nobody can see the tears stripping away at your bright smile. They won't even know you're there, and even if they did they would ignore you, because who cares, my love? If it does not affect us, then why should we do anything? It'd be just as easy not to. Well, sweet, if someone sticks a knife in your back, you are going to want someone to pull it out, and bandage it, right? You and I must be the ones to pull them out and bandage them up. And, sweet, we must do it for each other as well, because I'd sooner go down than let someone who does not care pull out the thorns. And because I am sure that you wouldn't like a heart breaker coming and pulling off the weight from your shoulders, because they will only give back a heavier load. If you sit in the darkness, no-one can see the tears stripping away at your smile... Except for me.
Lillian M Frazier
She is a mess, her dress once pulled together long and fresh, now drooping and awkwardly weighted to one side of her head. "What happened? Are you okay?" The women clamor around her. Nick walks out in perfect order and perfect swagger, passing her with a downward glance. "You forgot your panties". He said tossing her underwear onto the table in front of her. After being embarrassingly ignored by the group of debutants, the nearby college boys feel justified by the turn of events and break into hysterics. Slinking out the side door, the mortified women exit without another word.
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
How much are you lifting?” “Seven hundred.” Alrighty then. I will just stand over here, out of your way, and hope you don’t remember my promise to kick your ass. He grinned. “Wanna spot me?” “No thanks. How about I just scream verbal encouragements at you?” I took a deep breath and barked. “No pain, no gain! That pain is just weakness leaving your body! Come on! Push! Push! Make that weight your bitch!” He cracked up. The weight stopped, perilously close to his chest, while he shook with laughter. I stepped up and grabbed the bar. It put me into an incredibly compromising position, since his head was really close to my thighs and the area directly above them, but I didn’t want to explain to a rabid Pack how I was responsible for the Beast Lord crushing his chest with a weight bar. I put my back into it. There was no way in hell I could ever pull it up without him pushing. The bar crept up very slowly. “Curran, stop playing and lift.” I looked down and saw him looking straight at me. He had a smile on his face. The sight of me puffing and straining apparently amused him to no end. He raised the bar up and slid it into the twin forks on the side of the bench. I beat a hasty retreat, putting a few feet between him and me. He sat, pulled his shirt off, and used it to wipe the sweat off his chest. Slowly. Flexing a bit for my benefit. I turned around and looked at the scenery. Having a streak of drool hang from my mouth would seriously cramp my style. Besides, if he full-out flexed, I would probably faint. Or jump off the building.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Then he started fucking, his hips pistoning in a relentless tempo, his long thick cock plunging and withdrawing from root to tip in rapid-fire thrusts. Supporting his weight entirely with his arms and the tips of his toes, he powered into me, his rigid penis nailing me straight into the mattress. I came so hard my vision went black, my body seized with pleasure so intense I was locked in it, suspended in the powerful waves of erotic sensation. I was inundated by the ferocious surge of my climax. My skin tingled from head to toe. Gideon paused on a downstroke, grinding into me, giving my body the steely length of his penis to grasp. My sex spasmed ecstatically around that delicious hardness, gripping him hungrily. “Fuck,” Gideon bit out, “you’re milking my dick so hard.” I shook violently, fighting to breathe. The moment I sagged into the mattress, replete, Gideon pulled his cock out of my trembling slit and left the bed. Bereft, I lifted a hand to him. “Where are you going?” “Hang on.” He shoved his boxer briefs all the way off. He was still hard, his cock rising high and proud, slick from my orgasm—but I wasn’t wet with his. “You didn’t come.” I was too languid to help when he stripped me of my underwear. Sliding a hand beneath my back, he lifted me and whipped my shirt over my head. His
Sylvia Day (One with You (Crossfire, #5))
Oh," she said, covering her face with her hand. It was not an oh of disappointment or an oh of surprise but an oh that Amina had never heard before, scraped raw with an emotion Amina would not know herself until years later, when she understood what it was to long for someone, to ache for their smell and taste on you, to imagine the weight of their hips pinning yours so precisely that you crane up to meet your own invisible desire. She watched as Paige crossed Akhil's room, undistracted by all the usual things that stopped people- the Greats, his desk, the leather jacket hanging from his chair- and moved straight for his hamper, which she opened up, pulling out a forgotten T-shirt and crushing it into her face. "Oh,", she said again, muffled. Oh. And even if Amina didn't yet know what it was to love like that, to burn until your spine has no choice but to try to wind itself around an empty shirt, she understood for sure that the people who said it was better to have loved and lost than never to to have loved at all were a bunch of dicks.
Mira Jacob (The Sleepwalker's Guide to Dancing)
Listening to the radio, I heard the story behind rocker David Lee Roth’s notorious insistence that Van Halen’s contracts with concert promoters contain a clause specifying that a bowl of M&M’s has to be provided backstage, but with every single brown candy removed, upon pain of forfeiture of the show, with full compensation to the band. And at least once, Van Halen followed through, peremptorily canceling a show in Colorado when Roth found some brown M&M’s in his dressing room. This turned out to be, however, not another example of the insane demands of power-mad celebrities but an ingenious ruse. As Roth explained in his memoir, Crazy from the Heat, “Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors—whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through. The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function.” So just as a little test, buried somewhere in the middle of the rider, would be article 126, the no-brown-M&M’s clause. “When I would walk backstage, if I saw a brown M&M in that bowl,” he wrote, “well, we’d line-check the entire production. Guaranteed you’re going to arrive at a technical error.… Guaranteed you’d run into a problem.” These weren’t trifles, the radio story pointed out. The mistakes could be life-threatening. In Colorado, the band found the local promoters had failed to read the weight requirements and the staging would have fallen through the arena floor.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
He walked over to Jacque, whose head was bowed and turned so that her neck was bared. It was like she knew instinctively to submit so as to not provoke the dominant wolf and hopefully she would subdue him in her surrender. Fane's wolf must have been the one in control of the wheel because he leaned down over Jacque and growled low. He placed his face against her neck, breathing deep, and his voice was guttural when he spoke. "Mine." Jacque turned her head slightly and did what no other would ever be able to do when this Alpha was at this point, she looked him in the eyes. "Yes, I am yours." As soon as the words were out of her mouth, Fane pulled his power in and all of a sudden it was like a weight had been lifted and they could breathe again.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness. "Shut up and be quiet," Stefan snapped. "That's just a tad redundant, FYI." "Shut up!" he hissed near her ear. Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger. "You really do give a lot of orders," she told him. He tightened his grip. "I'm the one with the gun." "Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something." "You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance. Stefan was confused, and Maddie couldn't blame him. So she turned back and shrugged. "Maybe. But I don't think you're a bad guy." He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer. "I. Have. The. Gun," he reminded her. Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious. Stefan stuttered for a moment, then fell silent.
Ally Carter (Not If I Save You First)
You don’t let your feelings run around and jump into someone else’s hand.” Mercury made a fist. “You grab on to your own life and push it around where you want it to go.” Mercury believed she had her life firmly in place beneath her tongue, and she didn’t spit it out here and there, in bits and pieces diffusing its power. She had even taken a new name, changing it from Anna to Mercury after er granddaughter brought home a copy of the periodic table in the eighth grade and explained it to her: “An element is a substance that can’t be broken down into simpler substances.” “That’s my story,” Mercury told Charlene. running her thick forefinger across the chart. “I’m all of a piece.” Charlene opened her mouth to object, to explain that her grandmother could never be one of the chemical elements, assigned an atomic number and measured for atomic weight, but Mercury presided over the kitchen like a force of nature. Charlene’s words were snatched from her mind before they ever made it to her vocal chords. She imagined they were pulled into the woman’s energy field, the electric air surrounding Mercury’s body like her own personal atmosphere.
Susan Power (The Grass Dancer)
Dragon! My lord...oh, please, wake up-speak to me! Don't you dare just lie there!" Tears all but blinded her and slid unheeded down her ashen cheeks. Clasping his shoulders, she tried to lift him. "Please...wake up...don't-" He was too heavy, she couldn't budge him. And he just lay there, his eyes closed,all the life seemingly gone from him. A sob broke from her. She grabbed hold of his tunic and pulled so hard that the sturdy cloth came close to rending. "Don't you dare! You can't be hurt! Think of all the battles you've been though, all the adventures! Are you going to let a horse you don't even like do this to you?" One eye opened and looked at her balefully. "Would it be better somehow if I did like him?" Rycca gave a shriek of delight and threw her arms around Dragon's neck, damn near choking him. By the time he managed to disentangle himself, his vision had cleared enough to see that his wife was crying and laughing at the same time. That rather pleased him. "It's all right," he said gruffly. "I'm fine.Only let me get up." "Careful," Rycca admonished and stood by to help him. "Here,put your weight on me." Dragon started to laugh and thought better of it when he realized his head was pounding. "Lady,if I do that, I will crush you.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Can I wear it for a bit?” Dot asked, mouth full of pizza turned to chocolate. “I bet it’ll look nice on me.” “If it can fit around that head,” Hester mumbled. Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.” Hester gaped at Dot like she was a rabid bear. “Agatha. Give the girl the damned crown before she stays this way forever.” Dot snatched the diadem out of Agatha’s hands and admired herself in a brass urn as she jammed it on (upside down and backwards, but no one said a thing).
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
Curran smiled. “What’s so funny?” “Your panties have a bow,” he said. I looked down. I was wearing a short tank top—not mine—and my blue panties with a narrow white strip of lace at the top and a tiny white bow. Would it have killed me to check what I was wearing before I pulled the blanket down? “What’s wrong with bows?” “Nothing.” He was grinning now. “I expected barbed wire. Or one of those steel chains.” Wiseass. “I’m secure enough in myself to wear panties with bows on them. Besides, they are comfy and soft.” “I bet.” He almost purred. I gulped. Okay, I needed to either crawl back into bed and cover myself with the blanket or get the hell to the bathroom and back. Since I didn’t fancy peeing on myself, the bathroom was my only option. “I don’t suppose you’d mind giving me a bit of privacy for my trip?” “Not a chance,” he said. I tried to get off the bed. Everything was under control until my weight actually hit my legs and then the room decided to crawl sideways. Curran caught me. His arm hugged my back, his touch sending an electric shiver along my skin. Oh no. “Need some help, ass kicker?” “I’m fine, thanks.” I pushed away from him. He held on to me for a second, letting me know that he could restrain me against my will with laughable ease, and let go. I clenched my teeth. Enjoy it while it lasts. I’ll be back on my feet soon. I walked away from him, successfully maintaining vertical position, and zeroed in on the nearest door. “That’s the closet.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
That animal is not your possession. He doesn't exist for your amusement. He has needs, instincts. Urges." The way he said that word, in that deep, earthy growl, had chills rippling over her skin. She swallowed hard. "Urges?" "Yes. Urges." He sauntered toward her- as much as a man could saunter in knee-deep water. "But what could a lady like you know about those?" "Oh, I understand urges. Right now, I have the powerful urge to do this." She shoved him hard in the chest, hoping to send him flailing backward into the river. He didn't budge. Not a teeter. Not a totter. Not even a blink. Penny would not surrender. She took a step in reverse and then tried again, adding the weight of her body to the effort. This time, he was ready for her. He caught her wrists in his hands, stopping her before she could even make contact. "Now, now, Your Ladyship. This is most unbecoming behavior." "I know that." She clenched her hands into fists. "You are so maddening. You have a way of provoking me, unlike anyone I've ever known. It's as though I become a different person when I'm around you, and I'm not certain I like her." He pulled her to him. "I like her." Penny expected he would shortly ruin that statement. I like her- smoldering pause- potential to increase the return on my property investment. Not this time. Instead, he lowered his head until his mouth brushed hers. Teased her lips apart, until his tongue brushed hers. And then they tumbled together against the riverbank, and his everything brushed hers.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don't start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears. He froze at her question and darted his eyes from her gaze, taking in, memorizing, her face and neck, the lines of her collarbone. He reached for a lock of hair that had spilled over her breast. "This is your dream, remember? Tell me who I am," he said smiling, absently coiling the long brown tendril around a finger. She narrowed her eyes at him, her tone firm. "If this is my dream, oneiroi, then answer my question. Who are you?" He was hearing her true voice- that of a natural ruler. His smile widened at her fearlessness, even though he was twice her size and loomed over her, caging her body with his. "I am not an oneiroi, sweet one." "What are you, then?" "Deathless," he said simply. "Like you." "Wh-who are you?" she whispered. He slowly lowered himself to her, hovering just above her, the heat of his chest making contact with her, making her quiver, making her want to pull the weight of his body down to cover hers. He whispered in her ear. "I am your lord husband.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Imagine you're in a rowing boat on a lake. It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can. A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else. You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap. Now, right on that tap - stop. Stop imagining. Here's the real game. Here's what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
Steven Hall (The Raw Shark Texts)
Though we probably could have waited a couple of days for my arm to heal up before doing this.' The stitches pull, but I've had worse. 'No.' He shakes his head, unsheathing one of his daggers and walking forward. 'The enemy doesn't give a shit if you're wounded. They'll use it to their advantage. If you don't know how to fight in pain, then you'll get us both killed.' 'Fine.' I shift my body weight in annoyance. Little does he know, I'm almost always in pain. It's pretty much my comfort zone. 'That's a good point, so I'll let you have it.' 'Thank you for being so gracious.' He smirks...
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
1. Whenever you walk through a doorway at home, stop, press the palms of your hands flat against the top of the door frame, get up on your toes, then push up with your arms and try to get your heels back on the floor. But don't let them budge - you're pushing against the calf muscles and recontouring them. Hold it for few seconds and then go on about you chores. 2. Sit on a straight chair, point your toes out straight, and kick up as high as you can with each leg. You'll feel a healthy pull in the calf muscles. 3. After a few kicks, stand up on your toes and lower yourself very slowly to a squatting position, still keeping your weight on the balls of your feet. Then pull slowly up again. It’s fair to balance yourself lightly with your hands on the back of a chair if you have to. 4. Put a book on the floor and place the balls of your feet on the book and your heels on the floor. Raise yourself slowly until you’re on tiptoe on the book. Then lower yourself just as slowly. The thicker the book, the better the results/ These four exercises will slim down fat calves and build up thin ones. The point is that the muscles are being firmed, and no matter what your problem the result is lovelier legs.
Joan Crawford (My Way of Life)
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Do you think he even knows?” Oscar whispered. Ira sat with a plunk on the couch. “Knows what?” “You’ve obviously never had the privilege of meeting Stuart McGreenery,” Camille said. Ira snorted. “I’d certainly like to meet the bastard now, that’s for sure.” The ceiling above their heads creaked with the weight of Samuel’s steps. A door opened and closed lightly. “From the looks of it”-Camille searched Oscar’s face for affirmation-“you’ve just met his son.” Ira scooted to the edge of the couch cushion. “Holy gallnipper! You mean that McGreenery bloke and your mum pulled the wool over your father’s eyes a time or two way back?
Angie Frazier (Everlasting (Everlasting, #1))
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Fly with those who lift you up and thrust you forward A pilot friend of mine told me there are four main principles to master when flying airplanes: lift, thrust, weight, and drag. You have to take all these into account to make sure the plane will fly. It struck me that these same principles apply to specific types of people. There are some who lift you, brighten your day, cheer you up, and make you feel better about yourself. You meet them and you have a spring in your step. They’re a lift. Then there are people who thrust you. They inspire you, motivate you, challenge you to move forward and pursue your dreams. The third group are weights. They pull you down, dump their problems on you, so that you leave feeling heavier, negative, discouraged, and worse than you did before. Finally, there are those who are a drag. They’ve always got a sad song. The dishwasher broke. The goldfish died. They didn’t get invited to a party. They’re stuck in a pit. They expect you to cheer them up, fix their problems, and carry their loads. We all encounter people from each of these four groups. You have to make sure you’re spending the majority of your time with lifters and thrusters. If you’re only hanging out with weights and drags, it will keep you from becoming everything you were created to be.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
He shook the nerves from his hand and touched the root again. Again it moved. The tiny fibers at the end came alive, reaching for him, twining around his fingertip. He looked around the hole, and he could now see tiny roots everywhere, pushing gently through the soil. The tree was growing right before his eyes. “You’re alive,” he whispered. Just then, he felt a sharp pain. The root had tightened, choking the tip of his finger. Kip jerked his hand back, trying to pull himself free—but the root would not let go. He pulled harder. “Ow!” he cried out as his hand finally came away. A gust of wind howled overhead. Kip looked up and saw leaves and loose dirt blowing into the hole, piling up around his feet. He tried to pull himself out of the hole, but a strong gust knocked him backward. Dirt and leaves poured down over his body, burying him. “Help!” Kip shouted, but he knew no one could hear him. Molly and the family were inside the house. Even Galileo was gone. More and more tiny roots came out of the soil, grasping at his legs, his arms, his neck. Kip screamed again, straining against the roots. His voice came back to him, muffled and small. He could barely move beneath the weight of dirt and leaves—a rustling, choking darkness. Kip twisted his body and felt something hard against his face—
Jonathan Auxier (The Night Gardener)
When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?'' ``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.'' ``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?'' ``I know. I was plagued with them too. Rabbits in waistcoats.'' ``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.'' ``On the raft.'' ``On the raft. And a boy was sitting on the raft.'' ``Among the rabbits in waistcoats and the owls and the reindeer.'' ``Precisely there. A boy of the cheery gypsy ragamuffin variety.'' ``Ugh.'' ``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time. ``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.'' She shrugged. ``Good story?'' she said. ``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.'' Fenchurch laughed and hugged her legs. ``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee. Who breaks into a house, turns on the lights, and makes coffee? I padded into the living room on soft feet, Slayer ready. “Loud and clumsy, like a baby rhino,” said a familiar voice. I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago. I thought he had forgotten about me. I had been quite happy to stay forgotten. “The Princess Bride?” he said, flipping the book over. “What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place. “Did everything go well with Julie?” “Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.” I watched him, not quite sure where we stood. “I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.” “Yes, he did. I’m sorry about your people. Many losses?” A shadow darkened his face. “A third.” He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us. Curran turned the book over in his hands. “You own words of power.” He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare. “You’re an interesting woman,” he said. “Your interest has been duly noted.” I pointed to the door. He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me . . . I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
It seemed quite logical to the Librarian that, since there were aisles where the shelves were on the outside then there should be other aisles in the space between the books themselves, created out of quantum ripples by the sheer weight of words. There were certainly some odd sounds coming from the other side of some shelving, and the Librarian knew that if he gently pulled out a book or two he would be peeking into different libraries under different skies. Books bend space and time. One reason the owners of those aforesaid little rambling, poky secondhand bookshops always seem slightly unearthly is that many of them really are, having strayed into this world after taking a wrong turning in their own bookshops in worlds where it is considered commendable business practice to wear carpet slippers all the time and open your shop only when you feel like it. You stray into L-space at your peril. Very senior librarians, however, once they have proved themselves worthy by performing some valiant act of librarianship, are accepted into a secret order and are taught the raw arts of survival beyond the Shelves We Know. The Librarian was highly skilled in all of them, but what he was attempting now wouldn’t just get him thrown out of the Order but probably out of life itself. All libraries everywhere are connected in L-space. All libraries. Everywhere. And the Librarian, navigating by booksign carved on shelves by past explorers, navigating by smell, navigating even by the siren whisperings of nostalgia, was heading purposely for one very special one. There was one consolation. If he got it wrong, he’d never know it.
Terry Pratchett (Guards! Guards! (Discworld, #8))
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore. Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge. "I don't think this is going to work," Merritt said, her arms looped around his neck. "Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically. Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her. Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Is it, then, your opinion Women are putty in your hands? Is this the face to launch upon A thousand one night stands? First, please, would you be so kind As to define your contribution To modern verse, the Western mind And human institutions? Where, where is the long, flowing hair, The velvet suit, the broad bow tie; Where is the other-worldly air, Where the abstracted eye? Describe the influence on your verse Of Oscar Mudwarp’s mighty line, The theories of Susan Schmersch Or the spondee’s decline. You’ve labored to present us with This mouse-sized volume; shall this equal The epic glories of Joe Smith? He’s just brought out a sequel. Where are the beard, the bongo drums, Tattered T-shirt and grubby sandals, As who, released from Iowa, comes To tell of wondrous scandals? Have you subversive, out of date, Or controversial ideas? And can you really pull your weight Among such minds as these? Ah, what avails the tenure race, Ah, what the Ph.D., When all departments have a place For nincompoops like thee?
Snodgrass
Her problem was that she thought too much- “toxic thinking” and so forth- so she tried to stop, but a physical sensation of exertion remained. Was it her fault that her husband made more money? That it made more sense for her to quit her job than for him to quit his? Was it her fault that he was always gone, rendering her a de facto single mom for the majority of the week? Was it her fault that she found playing trains really, really boring? That she longed for even the smallest bit of mental stimulation, for a return to her piles of books, to her long-abandoned closet of half-formed projects, to one entire afternoon of solitude and silence? Was it her fault that, though she longed for mental stimulation, she still found herself unable to concoct a single, original thought or opinion? She did not actually care about anything anymore. Politics, art, philosophy, film: all boring. She craved gossip and reality TV. Was it her fault that she hated herself for her preference for reality TV? Was it her fault that she had bought into the popular societal myth that if a young woman merely secured a top-notch education she could then free herself from the historical constraints of motherhood, that if she simply had a career she could easily return to work after having a baby and sidestep the drudgery of previous generations, even though having a baby did not, in any way, represent a departure from work to which a woman might, theoretically, one day return. It actually, instead, marked an immersion in work, and unimaginable weight of work, a multiplication of work exponential in its scope, staggering, so staggering, both physically and psychically (especially psychically), that even the most mentally well person might be brought to her knees beneath such a load, a load that pitted ambition against biology, careerism against instinct, that bade the modern mother be less of an animal in order to be happy, because- come on, now- we’re evolved and civilized, and, really, what is your problem? Pull it together. This is embarrassing.
Rachel Yoder (Nightbitch)
swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
What is it?” I asked, pasting a magazine photo of a football--found in an old Seventeen magazine spread--on my beloved’s collage. “Well, a bunch of cattle trucks just showed up,” he said, trying to talk over the symphonic mooing of cows all around him. “They were supposed to get here tomorrow night, but they showed up early…” “Oh, no…that’s a bummer,” I said, not quite sure what he was getting at. “So now I’ve got to work all these cattle tonight and get ’em shipped…and by the time I get done, the store in town will be closed,” he began. Our appointment with Father Johnson was at ten the next morning. “So I think I’m just going to have to come over there really early tomorrow morning and do the thing at your house,” Marlboro Man said. I could hardly hear him through the cattle. “Are you sure?” I asked. “What time were you thinking of coming over?” I braced myself for the worst. “I was thinking around six or so,” he said. “That would give me plenty of time to get it done before we go.” Six? In the morning? Ugh, I thought. I have only one more week of sleeping in. After we’re married, there’s no telling what time I’ll have to get out of bed. “Okay,” I said, my voice dripping with trepidation. “I’ll see you in the morning. Oh, and hey…if I don’t answer the door right away it probably means I’m doing some weight training or something.” “Gotcha,” Marlboro Man answered, humoring me. “And hey--don’t pull any muscles or strain yourself. We’re getting married in less than a week.” My stomach fluttered as I hung up the phone and resumed work on my collage.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))