Pulling Your Weight Quotes

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You’re taking a nap? Come on, Kate, I need you for this fight. Stop lying around.” “You must think you’re funny.” “Just saying, you have to pull your own weight. A hot body and flirting will only get you so far.” “Everything I do, I learned from you, boy toy.” “Boy toy?” Curran asked. “Would you prefer man candy?
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
People talk about grief as emptiness, but it's not empty. It's full. Heavy. Not an absence to fill. A weight to pull. Your skin caught on hooks chained to rough boulders made of all the futures you thought you'd have.
Elan Mastai (All Our Wrong Todays)
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!" "Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look." Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives." Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing." "Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?" "I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw." Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
Sarah Rees Brennan (The Demon's Covenant)
You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I stuff another handful of Raisinets in my mouth. What gets me is the 'pretty face' bit. 'Cause I won't mind being reminded I'm fat as long as you water it down first. Why not say, Hey I'm going to insult you, but first I will congratulate your fortunate genetics and appropriate appliclation of Bobbi Brown cosmetics to prevent you from hitting me. Sh*t; I kind of prefer being called a 'fat bitch.' At least it doesn't pull any punches.
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
Great. Okay. That, uh... was easier than I thought." Jack cocked his head. Wait a second... He couldn't decide if he was pissed or really impressed. He hooked a finger into the waistband of the workout pants she'd changed into and pulled her closer. "Did you fake me out with those tears, Cameron?" She peered up at him, defiantly, seemingly outraged by the suggestion. "Are you kidding? What, after the day I've had, I'm not entitled to a few tears? Sheesh." Jack waited. "This wedding is very important to me--I can't believe you're even doubting me. Honestly, Jack, the tears were real." He waited some more. She would talk eventually. They always did. Cameron shifted under the weight of his stare. "Okay, fine. Some of the tears were real." She looked him over, annoyed. "You are really good at that." He grinned. "I know.
Julie James (Something About You (FBI/US Attorney, #1))
Pulling my hand away, he rose, slanting his head to kiss me deeply as he pushed me onto my back, with his weight draped over me. “I’ve never had anything that was my own,” he said against my mouth. “Nothing that was ever for just me and no one else. I’ve never been anyone’s first.” He kissed me and then lifted his head. I stared into his eyes. “I’ve never been anyone’s only.” That made my heart ache for him as I raised my hand, pressing my palm against his cheek. “You’re my first,” I whispered. “You’re…you’re my only.” His lips parted. “You can’t say that and not mean it.” I held his gaze as my chest swelled. “I mean it.” He smoothed his thumb over my lip. “I really am a lucky son of a bitch.
Jennifer L. Armentrout (The Return (Titan, #1))
Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?” Clary sat up straight. She had held the Mortal Sword: she had felt the weight of it. The cold, like hooks in your skin, dragging the truth out of you. You couldn’t lie holding the Mortal Sword, but the truth, even a truth you wanted to tell, was agony. “They can’t,” she whispered. “He’s just a kid —” “He’s the oldest of the kids who escaped the Institute,” Jace said under his breath. “They don’t have a choice.” Julian nodded, his thin shoulders straight. “I’ll take it.” Robert Lightwood passed behind the podium then and went to the table. He took up the sword and returned to stand in front of Julian. The contrast between them was almost funny: the big, barrel-chested man and the lanky, wild-haired boy. Julian reached a hand up and took the sword. As his hand closed around the hilt, he shuddered, a ripple of pain that was quickly forced down. Emma, behind him, started forward, and Clary caught a glimpse of the look on her face — pure fury — before Helen caught at her and pulled her back.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I wanted to pull my weight and learn to be self-reliant so that when I did depend on someone, it was by choice and not necessity.
Abby Jimenez (Part of Your World (Part of Your World, #1))
It's hard to describe, but I imagine the way I am at this moment is a lot like getting sucked into a vortex. Everything dark and churning, but slow churning instead of fast, and this great weight pulling you down, like it's attached to your feet even if you can't see it. I think, This is what it must be feel like to be trapped in quicksand.
Jennifer Niven (All the Bright Places)
Me Kate. You Tarzan?” “No.” Curran bared his teeth at me. “In the first book, he grabs a lion by the tail and pulls it. Never gonna happen. First, an adult male lion weights five hundred pounds. Second, you grab my tail, I’ll turn around and take your face off.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
To work, her dumb lunge says, is to move a certain mass ...through a certain distance, is to pull your weight and feel exact and equal to it. Feel dragged upon. And buoyant.
Seamus Heaney (Station Island)
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation. "Tobias," I say. "It's me." I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way. "Tris," he says,and it's him again. His mouth collides with mine. His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care. He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips. Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt. I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me. "How did you do it?" I say. "I don't know," he says. "I just hear your voice.
Veronica Roth (Divergent (Divergent, #1))
Without questioning it, Mungo sat up in the bed and oriented himself to lie beside James. He pulled the boy on to his chest and felt the crumpled wetness of his face. He held him, just like Jodie would hold him, and let him remember his mother. It was good to put your weight on someone else, even if it was just for a short while.
Douglas Stuart (Young Mungo)
When you’re flying, the changing balance of lift and weight pulls you up or down. But another pair of forces pulls you forward or backward through the air: thrust and drag. Thrust is the power that pulls the kite forward—you run with it to get it up in the air. You have to have thrust to create lift. Drag is there because your kite’s surfaces push against the air and slow the kite down. Drag doesn’t pull you out of the sky; it makes you fly more slowly.
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
I use the example as computed by the mathematician Michael Berry. If you know a set of basic parameters concerning the ball at rest, can compute the resistance of the table (quite elementary), and can gauge the strength of the impact, then it is rather easy to predict what would happen at the first hit. The second impact becomes more complicated, but possible; you need to be more careful about your knowledge of the initial states, and more precision is called for. The problem is that to correctly predict the ninth impact, you need to take into account the gravitational pull of someone standing next to the table (modestly, Berry's computations use a weight of less than 150 pounds). And to compute the fifty-sixth impact, every single elementary particle of the universe needs to be present in your assumptions!
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Fair-minded people make a concerted effort to pull their own weight rather than living off the hard work of others.
Frank Sonnenberg (Follow Your Conscience: Make a Difference in Your Life & in the Lives of Others)
Eating a can be the weight that pulls you under or the life raft. It's your choice.
Nancy S. Mure (EAT! Empower Adjust Triumph!)
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You don’t have to come with me,” Ash said. “I only brought you along because you’re good with a knife. And got us the uniforms. And the explosives.” Lila snorted. “Sorry I’m not pulling my weight.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don' start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
I want to come home. Not just for a few days or a couple weeks. I want to stay. Can I stay?" Cam drew off his sunglasses, and his eyes, smoke-gray, met Seth's. "What the hell's the matter with you that you think you have to ask? You trying to piss me off?" "I never had to try, nobody does with you. Anyway, I'll pull my weight." "You always pulled your weight. And we missed seeing your ugly face around here." And that, Seth thought as they walked to the car, was all the welcome he needed from Cameron Quinn.
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
Ursula was the last in line. Her gloomy dignity, the weight of her name, the convincing vehemence of her declaration made the scale of justice hesitate for a moment. "You have taken this horrible game very seriously and you have done well because you are doing your duty," she told the members of the court. "But don't forget that as long as God gives us life we will still be mothers and no matter how revolutionary you may be, we have the right to pull down your pants and give you a whipping at the first sign of disrespect.
Gabriel García Márquez (One Hundred Years of Solitude)
The moral of the story is that once upon a time I wanted the whole world from everyone I met - sun moon stars, give me the whole thing, I want it now, I want it in perfect MLA style. And now? Now I know that the best you can ask of people is that they just - I don't know - that they just show up, do their part, treat people nicely, pay their taxes. Contribute something halfway decent to society. I'm not necessarily talking about contributing a dissertation, either. I'm talking about pulling you own weight and figuring out what it is you love and then doing it. Not just talking about it or waiting for someone else to do it for you, but actually honest-to-God doing the thing you're meant to do.
Sarah Combs (Breakfast Served Anytime)
I never knew You lived so close to the floor, but every time I am bowed down, crushed by this weight of grief, I feel Your hand on my head, Your breath on my cheek, Your tears on my neck. You never tell me to pull myself together, to stem the flow of many years. You simply stay by my side for as long as it takes, so close to the floor.
Sheila Walsh (Loved Back to Life: How I Found the Courage to Live Free)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes. “Why do you wear those?” asked Lacuna. I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass. “Gah!” I said. “Don’t do that!” My miniature captive came to the edge of the dresser and peered down at me. “Don’t ask questions?” “Don’t come in here all quiet and spooky and scare me like that!” “You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.” “Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!” “Why not?” “Because of what could happen!” “Because they might fall down on the floor?” “No!” I snarled. Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.” “So why do you wear those?” I blinked. “Clothes?” “Yes. You don’t need them unless it’s cold or raining.” “You’re wearing clothes.” “I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.” “No, it won’t.” I sighed. Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?” “No.” “Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.” “Why?” “Because if you don’t, I  .  .  . I  .  .  . might pull your arms out of your sockets.” At that, she frowned. “Why?” “Because I have to maintain discipline, don’t I?” “True,” she said gravely. “But I have no clothes.” I counted to ten mentally. “I’ll  .  .  . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.” “Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said. “That’s what I was going for.” “You have a visitor, my lord.” I frowned. “What?” “That is why I came in here. You have a visitor waiting for you.” I stood up, exasperated. “Why didn’t you say so?” Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.” “It would not shock me in the least,” I said. “Would you like me to cut open your skull and check, my lord?” she asked. Someone that short should not be that disturbing. “I  .  .  . No. No, but thank you for the offer.” “It is my duty to serve,” Lacuna intoned. My life, Hell’s bells.
Jim Butcher (Cold Days (The Dresden Files, #14))
This is what you’re not allowed to see. The school system pulled this out of the curriculum. Parents complained it was ‘too disturbing.’ Probably worried
Tiffany D. Jackson (The Weight of Blood)
One of the first admonitions of a good rowing coach, after the fundamentals are over, is “pull your own weight,” and the young oarsman does just that when he finds out that the boat goes better when he does. There is certainly a social implication here. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Memory can be dramatically disrupted if you force something that’s implicit into explicit channels. Here’s an example that will finally make reading this book worth your while—how to make neurobiology work to your competitive advantage at sports. You’re playing tennis against someone who is beating the pants off of you. Wait until your adversary has pulled off some amazing backhand, then offer a warm smile and say, “You are a fabulous tennis player. I mean it; you’re terrific. Look at that shot you just made. How did you do that? When you do a backhand like that, do you hold your thumb this way or that, and what about your other fingers? And how about your butt, do you scrunch up the left side of it and put your weight on your right toes, or the other way around?” Do it right, and the next time that shot is called for, your opponent/victim will make the mistake of thinking about it explicitly, and the stroke won’t be anywhere near as effective. As Yogi Berra once said, “You can’t think and hit at the same time.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
[T]he most elaborate code of [law]... would still have left unspecified a hundred ways in which wreckers of Communism could have sidetracked it without ever having to face the essential questions: are you pulling your weight in the social boat? are you giving more trouble than you are worth? have you earned the privilege of living in a civilized community? That is why the Russians were forced to set up an Inquisition or Star Chamber, called at first the Cheka and now the Gay Pay Oo (Ogpu), to go into these questions and "liquidate" persons who could not answer them satisfactorily.
George Bernard Shaw
Each force in flight is balanced by an opposing force. The opposite of lift is weight. Weight is always trying to pull an object back to earth, so to get something to stay up, lift has to be greater than weight. You’d think your weight would always be the same, but it isn’t. When you do aerobatics or go into a dive—like a kite that’s plunging into the sand at the beach—there’s an increase in gravity, and that makes you weigh more. If you want your heavy kite to stay in the air, you have to increase the lift, as well. Maybe by waiting for a stronger wind. Maybe by finding a windier place to fly your kite. Maddie brought lift back into my life by forcing me outside. So did Bob, who introduced me to the editors of this magazine. So did Fernande, the chambermaid at the Paris Ritz, who gave me her daughter’s clothes and made me get dressed and brought me coffee every morning for three weeks.
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
Tell him not to smoke in your apartment. Tell him to get out. At first he protests. But slowly, slowly, he leaves, pulling up the collar on his expensive beige raincoat, like an old and haggard Robert Culp. Slam the door like Bette Davis. Love drains from you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.
Lorrie Moore (Self-Help)
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The Poet Ridiculed by Hysterical Academics" Is it, then, your opinion Women are putty in your hands? Is this the face to launch upon A thousand one night stands? First, please, would you be so kind As to define your contribution To modern verse, the Western mind And human institutions? Where, where is the long, flowing hair, The velvet suit, the broad bow tie; Where is the other-worldly air, Where the abstracted eye? Describe the influence on your verse Of Oscar Mudwarp’s mighty line, The theories of Susan Schmersch Or the spondee’s decline. You’ve labored to present us with This mouse-sized volume; shall this equal The epic glories of Joe Smith? He’s just brought out a sequel. Where are the beard, the bongo drums, Tattered T-shirt and grubby sandals, As who, released from Iowa, comes To tell of wondrous scandals? Have you subversive, out of date, Or controversial ideas? And can you really pull your weight Among such minds as these? Ah, what avails the tenure race, Ah, what the Ph.D., When all departments have a place For nincompoops like thee?
W.D. Snodgrass
I object to all punishment whatsoever. I don't want to punish anybody, but there are an extraordinary number of people who I want to kill. Not in any unkind or personal spirit. But it must be evident to all of you, you must all know half a dozen people at least, who are no use in this world; who are more trouble than they are worth. And I think it would be a good thing to make everybody come before a properly appointed board just as he might come before the income tax commissioners and say every 5 years or every 7 years, just put them there, and say, sir or madam, now will you be kind enough to justify your existence? If you can’t justify your existence; if you’re not pulling your weight in the social boat; if you are not producing as much as you consume or perhaps a little more, then clearly we cannot use the big organization of our society for the purpose of keeping you alive, because your life does not benefit us, and it can’t be of very much use to yourself.
George Bernard Shaw
the voices are so persuasive, you don’t know what’s real and what’s not. You know the voices aren’t talking into your ears, but they’re not exactly in your head either. They seem to call to you from another place that you’ve accidentally tapped into, like a cell phone pulling in a conversation in some foreign language—yet somehow you understand it. They linger there on the edge of your consciousness like the things you hear just as you’re waking up, before the dream collapses under the crushing weight of the real world. But what if the dream doesn’t go away when you wake up? And what if you lose the ability to tell the difference?
Neal Shusterman (Challenger Deep)
Men enforce a code of behaviour on each other, when working together. Do your work. Pull your weight. Stay awake and pay attention. Don’t whine or be touchy. Stand up for your friends. Don’t suck up and don’t snitch. Don’t be a slave to stupid rules. Don’t, in the immortal words of Arnold Schwarzenegger, be a girlie man. Don’t be dependent. At all. Ever. Period. The harassment that is part of acceptance on a working crew is a test: are you tough, entertaining, competent and reliable? If not, go away. Simple as that. We don’t need to feel sorry for you. We don’t want to put up with your narcissism, and we don’t want to do your work.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
Poor, wretched, and stupid peoples, nations determined on your own misfortune and blind to your own good! You let yourselves be deprived before your own eyes of the best part of your revenues; your fields are plundered, your homes robbed, your family heirlooms taken away. You live in such a way that you cannot claim a single thing as our own; and it would seem that you consider yourselves lucky to be loaned your property, your families, and your very lives. All this havoc, this misfortune, this ruin, descends upon you not from alien foes, but from the one enemy whom you yourselves render as powerful as he is, for whom you go bravely to war, for whose greatness you do not refuse to offer your own bodies unto death. ... Where has he acquired enough eyes to spy upon you, if you do not provide them yourselves? How can he have so many arms to beat you with, if he does not borrow them from you? The feet that trample down your cities, where does he get them if they are not your own? How does he have any power over you except through you? How would he dare assail you if he had no cooperation from you? What could he do to you if you yourselves did not connive with the thief who plunders you, if you were not accomplices of the murderer who kills you, if you were not traitors to yourselves? You sow crops in order that he may ravage them, you install and furnish your homes to give him goods to pillage; you rear your daughters that he may gratify his lust; you bring up your children in order that he may confer upon them the greatest privilege he knows—to be led into his battles, to be delivered to butchery, to be made servants of his greed and the instruments of his vengeance; you yield your bodies unto hard labour in order that he may indulge in his delights and wallow in his filthy pleasures; you weaken yourselves in order to make him stronger and the mightier to hold you in check. From all these indignities, such as the very beasts of the field would not endure, you can deliver yourselves if you try, not be taking action, but merely by willing to be free. Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break into pieces.
Étienne de La Boétie (The Politics of Obedience: The Discourse of Voluntary Servitude)
And girl-women, women, curved like instruments or fruit, skin burnished brown-bright, suit tops held by delicate knots of fragile colored string against the pull of mysterious weights, suit bottoms riding low over the gentle juts of hips totally unlike your own, immoderate swells and swivels that melt in light into a surrounding space that cups and accommodates the soft curves as things precious. You almost understand.
David Foster Wallace (Brief Interviews with Hideous Men)
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To any woman out there who is fed up with trying the same thing over and over, I offer this suggestion. Instead of getting back on the treadmill “one more time,” try this. Alter your diet so that you eat no grain-based carbohydrate: no flour, no sugar, no bread, no pasta, and no high-fructose corn syrup. Then go to the gym and perform a workout of leg press, pull down, chest press, row and overhead press. Lift slowly and smoothly but with as much effort as possible. Go to complete fatigue, or as close to it as you can tolerate. Work out once, or at most, twice a week. Make sure your workouts last no longer than 20 minutes. Then sit back and watch what happens. —Doug McGuff, MD
Jonathan Bailor (The Calorie Myth: How to Eat More, Exercise Less, Lose Weight, and Live Better)
I think we’ve met our quota for tearful reunions,” she chuckled against the top of my head. “When this is done, I promise I’m never going to leave the house ever again. We’ll just stay in and order pizza and watch bad television.” Mom pulled away and looked over my shoulder. “Oh, I think you might want to get out every now and then,” she said. I felt the warm weight of Archer’s hand on my waist. “Hey, I like pizza and bad TV.” I turned to him, surprised. “Your chest-“ “Cal,” he said by way of explanation. “I owe that guy, like, a mountain of burgers. It’s getting embarrassing.” Mom flashed me a little smile before saying, “You know, this isn’t how I imagined meeting Sophie’s first real boyfriend.” “Mom.” Archer gave me a little squeeze. “You mean I’m the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
When we don’t pull our own weight, we drag down everyone else.
Jim Stovall (100 Worst Employees: Learning from the Very Worst, How to Be Your Very Best)
Just saying, you have to pull your own weight. A hot body and flirting will only get you so far.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Work hard. You’re expected to pull your own weight, not to weigh down the team.
Frank Sonnenberg (Soul Food: Change Your Thinking, Change Your Life)
Boundaries are like muscles. They need to be built up in a safe support system and allowed to grow. If you try to shoulder too much weight too quickly, your muscles may tear or be pulled.
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
fathers who regularly do household chores, according to a University of British Columbia study, have daughters who are more likely to aspire to less stereotypically feminine careers, instead voicing an ambition to be an astronaut, professional soccer player, or geologist. When girls see fathers pulling their own weight, they receive a direct message that they are not—and should not be—destined to shoulder all the tedious work by themselves.
Jancee Dunn (How Not to Hate Your Husband After Kids)
Those nights, like the other nights, she was at work, or at dinner with a client, what she called “pulling her weight” when she was being kind, and what she called “being your cash cow” when she wasn’t.) So no, she was not there.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Will you look after my family?" I attempted a smile. "Tommy's going to need a...big brother. Someone to fish with." It seemed stupid to be talking about this stuff,but there weren't any words for the bigger stuff anymore. "He makes his own flies." Jack already knew this. "Becks-" "And make sure he doesn't play football." Jack tilted his head at this. "I mean,football's fine, bit it's dangerous.I don't want him concussed-" "Becks,stop." "Just tell me you'll do it." I closed my eyes. "Tell me." There was a long pause,and I wasn't sure there'd be time for him to answer anymore.But after a few moments,he did. "No." My eyes shot open. "What?" His eyes were tight,his expression on fire with blazing determination. "You watch over Will." "What are you...?" My voice trailed off as it dawned on me what was going on. "No!" I tried to wiggle my hands free from his grip. "Don't you dare, Jack Caputo!" But I couldn't break from his strong grasp. I twisted and thrashed but that only made Jack hold on tighter. He closed his eyes and said, "Stay with me,Becks.Dream of me. I am ever yours." "No! I will forgive you!" I tried to pull back.Tried to get close enough for the Tunnels to suck me away instantaneously.But Jack had to be about twice my weight and pure muscle. "Let me go!" He ignored me.In the quickest, strongest move I would ever know,Jack yanked me toward him and threw me to the ground behind him.Away from the Tunnels.
Brodi Ashton (Everneath (Everneath, #1))
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Yes.” Reed stopped pacing, coming to a dead stop a few feet away. He stared at me, jaw clenched tight, hands balled even tighter. “Yes, Halley, I’m in love with you. I think I proved that when I threw myself under the bus and completely destroyed my relationship with my daughter to protect you. To keep her from hating you,” he gritted out. “So, yes…I love you. I love you fiercely, wholly, selfishly and unselfishly, more than I ever fucking should. I love everything about you, from your smile, to your perfect heart, to the way your hair always slips from your ponytail when you’re running or sparring and hides those eyes I’ve been enamored with since the moment I first saw you. I love how you take every picture like it’s the only one you’ll ever take, how you love like it’s simply a way of life, and how you cook from your soul because it makes everyone around you so goddamn happy. I love the strength you pulled from nothing, from bare bones and rock bottom, and how you choose to dance through life with grace and courage, finding music in every soundless shadow, when anyone else would have laid down and died.” He choked out the last words, emotion catching in his throat as his chest puffed with the weight of each breath. “Now…tell me how that changes anything.
Jennifer Hartmann (Older)
That was interesting.Who was that?" Matt looks unhappy. "What?" I ask him. "You'll talk to that guy,but you won't talk to us anymore?" "Sorry," I mumble, and climb out of his car. "He's just a friend.Thanks for the ride." Matt gets out,too. Cherrie starts to follow,but he throws her a sharp look. "So what does that mean?" he calls out. "We aren't friends anymore? You're bailing on us?" I trudge toward the house. "I'm tired, Matt.I'm going to bed." He follows anyway.I dig out my house key,but he grabs my wrist to stop me from opening the door. "Listen,I know you don't want to talk about it,but I just have this one thing to say before you go in there and cry yourself to sleep-" "Matt,please-" "Toph isn't a nice guy.He's never been a nice guy. I don't know what you ever saw in him.He talks back to everyone, he's completely unreliable, he wears those stupid fake clothes-" "Why are you telling me this?" I'm crying again.I pull my wrist from his grasp. "I know you didn't like me as much as I liked you. I know you would have rather been with him,and I dealth with that a long time ago.I'm over it." The shame is overwhelming. Even though I knew Matt was aware that I liked Toph,it's awful to hear him say it aloud. "But I'm still your friend." He's exasperated. "And I'm sick of seeing you waste your energy on that jerk. You've spent all this time afraid to talk about what was going on between you two,but if you'd bothered to just ask him, you would have discovered that he wasn't worth it. But you didn't.You never asked him, did you?" The weight of hurt is unbearable. "Please leave," I whisper. "Please just leave." "Anna." His voice levels, and he waits for me to look at him. "It was still wrong of him and Bridge not to tell you. Okay? You deserve better than that. And I sincerely hope whomever you were just talking to"-Matt gestures toward the phone in my purse-"is better than that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
If you sit in the darkness, nobody can see the tears stripping away at your bright smile. They won't even know you're there, and even if they did they would ignore you, because who cares, my love? If it does not affect us, then why should we do anything? It'd be just as easy not to. Well, sweet, if someone sticks a knife in your back, you are going to want someone to pull it out, and bandage it, right? You and I must be the ones to pull them out and bandage them up. And, sweet, we must do it for each other as well, because I'd sooner go down than let someone who does not care pull out the thorns. And because I am sure that you wouldn't like a heart breaker coming and pulling off the weight from your shoulders, because they will only give back a heavier load. If you sit in the darkness, no-one can see the tears stripping away at your smile... Except for me.
Infinity E. Frazier (Previously Lillian)
She is a mess, her dress once pulled together long and fresh, now drooping and awkwardly weighted to one side of her head. "What happened? Are you okay?" The women clamor around her. Nick walks out in perfect order and perfect swagger, passing her with a downward glance. "You forgot your panties". He said tossing her underwear onto the table in front of her. After being embarrassingly ignored by the group of debutants, the nearby college boys feel justified by the turn of events and break into hysterics. Slinking out the side door, the mortified women exit without another word.
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
Imagine you're in a rowing boat on a lake. It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can. A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else. You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap. Now, right on that tap - stop. Stop imagining. Here's the real game. Here's what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
Steven Hall (The Raw Shark Texts)
How much are you lifting?” “Seven hundred.” Alrighty then. I will just stand over here, out of your way, and hope you don’t remember my promise to kick your ass. He grinned. “Wanna spot me?” “No thanks. How about I just scream verbal encouragements at you?” I took a deep breath and barked. “No pain, no gain! That pain is just weakness leaving your body! Come on! Push! Push! Make that weight your bitch!” He cracked up. The weight stopped, perilously close to his chest, while he shook with laughter. I stepped up and grabbed the bar. It put me into an incredibly compromising position, since his head was really close to my thighs and the area directly above them, but I didn’t want to explain to a rabid Pack how I was responsible for the Beast Lord crushing his chest with a weight bar. I put my back into it. There was no way in hell I could ever pull it up without him pushing. The bar crept up very slowly. “Curran, stop playing and lift.” I looked down and saw him looking straight at me. He had a smile on his face. The sight of me puffing and straining apparently amused him to no end. He raised the bar up and slid it into the twin forks on the side of the bench. I beat a hasty retreat, putting a few feet between him and me. He sat, pulled his shirt off, and used it to wipe the sweat off his chest. Slowly. Flexing a bit for my benefit. I turned around and looked at the scenery. Having a streak of drool hang from my mouth would seriously cramp my style. Besides, if he full-out flexed, I would probably faint. Or jump off the building.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Can I wear it for a bit?” Dot asked, mouth full of pizza turned to chocolate. “I bet it’ll look nice on me.” “If it can fit around that head,” Hester mumbled. Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.” Hester gaped at Dot like she was a rabid bear. “Agatha. Give the girl the damned crown before she stays this way forever.” Dot snatched the diadem out of Agatha’s hands and admired herself in a brass urn as she jammed it on (upside down and backwards, but no one said a thing).
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
It’s hard to describe, but I imagine the way I am at this moment is a lot like getting sucked into a vortex. Everything dark and churning, but slow churning instead of fast, and this great weight pulling you down, like it’s attached to your feet even if you can’t see it. I think, This is what it must feel like to be trapped in quicksand.
Jennifer Niven (All the Bright Places)
Listening to the radio, I heard the story behind rocker David Lee Roth’s notorious insistence that Van Halen’s contracts with concert promoters contain a clause specifying that a bowl of M&M’s has to be provided backstage, but with every single brown candy removed, upon pain of forfeiture of the show, with full compensation to the band. And at least once, Van Halen followed through, peremptorily canceling a show in Colorado when Roth found some brown M&M’s in his dressing room. This turned out to be, however, not another example of the insane demands of power-mad celebrities but an ingenious ruse. As Roth explained in his memoir, Crazy from the Heat, “Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors—whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through. The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function.” So just as a little test, buried somewhere in the middle of the rider, would be article 126, the no-brown-M&M’s clause. “When I would walk backstage, if I saw a brown M&M in that bowl,” he wrote, “well, we’d line-check the entire production. Guaranteed you’re going to arrive at a technical error.… Guaranteed you’d run into a problem.” These weren’t trifles, the radio story pointed out. The mistakes could be life-threatening. In Colorado, the band found the local promoters had failed to read the weight requirements and the staging would have fallen through the arena floor.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
He walked over to Jacque, whose head was bowed and turned so that her neck was bared. It was like she knew instinctively to submit so as to not provoke the dominant wolf and hopefully she would subdue him in her surrender. Fane's wolf must have been the one in control of the wheel because he leaned down over Jacque and growled low. He placed his face against her neck, breathing deep, and his voice was guttural when he spoke. "Mine." Jacque turned her head slightly and did what no other would ever be able to do when this Alpha was at this point, she looked him in the eyes. "Yes, I am yours." As soon as the words were out of her mouth, Fane pulled his power in and all of a sudden it was like a weight had been lifted and they could breathe again.
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness. "Shut up and be quiet," Stefan snapped. "That's just a tad redundant, FYI." "Shut up!" he hissed near her ear. Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger. "You really do give a lot of orders," she told him. He tightened his grip. "I'm the one with the gun." "Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something." "You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance. Stefan was confused, and Maddie couldn't blame him. So she turned back and shrugged. "Maybe. But I don't think you're a bad guy." He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer. "I. Have. The. Gun," he reminded her. Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious. Stefan stuttered for a moment, then fell silent.
Ally Carter (Not If I Save You First)
You don’t let your feelings run around and jump into someone else’s hand.” Mercury made a fist. “You grab on to your own life and push it around where you want it to go.” Mercury believed she had her life firmly in place beneath her tongue, and she didn’t spit it out here and there, in bits and pieces diffusing its power. She had even taken a new name, changing it from Anna to Mercury after er granddaughter brought home a copy of the periodic table in the eighth grade and explained it to her: “An element is a substance that can’t be broken down into simpler substances.” “That’s my story,” Mercury told Charlene. running her thick forefinger across the chart. “I’m all of a piece.” Charlene opened her mouth to object, to explain that her grandmother could never be one of the chemical elements, assigned an atomic number and measured for atomic weight, but Mercury presided over the kitchen like a force of nature. Charlene’s words were snatched from her mind before they ever made it to her vocal chords. She imagined they were pulled into the woman’s energy field, the electric air surrounding Mercury’s body like her own personal atmosphere.
Mona Susan Power (The Grass Dancer)
when your breath is hot it feels more weighted than you know i am soft but you have always been hard and heavy i’ve never been one to show the insides of my soul first but resistance to closeness pulls me in for reasons i do know but do not like to talk about i guess there are some things i need to relearn if my life is a pendulum or we are just on swings when you push me away i need to learn to push back
Michaela Angemeer (You'll Come Back to Yourself)
Dragon! My lord...oh, please, wake up-speak to me! Don't you dare just lie there!" Tears all but blinded her and slid unheeded down her ashen cheeks. Clasping his shoulders, she tried to lift him. "Please...wake up...don't-" He was too heavy, she couldn't budge him. And he just lay there, his eyes closed,all the life seemingly gone from him. A sob broke from her. She grabbed hold of his tunic and pulled so hard that the sturdy cloth came close to rending. "Don't you dare! You can't be hurt! Think of all the battles you've been though, all the adventures! Are you going to let a horse you don't even like do this to you?" One eye opened and looked at her balefully. "Would it be better somehow if I did like him?" Rycca gave a shriek of delight and threw her arms around Dragon's neck, damn near choking him. By the time he managed to disentangle himself, his vision had cleared enough to see that his wife was crying and laughing at the same time. That rather pleased him. "It's all right," he said gruffly. "I'm fine.Only let me get up." "Careful," Rycca admonished and stood by to help him. "Here,put your weight on me." Dragon started to laugh and thought better of it when he realized his head was pounding. "Lady,if I do that, I will crush you.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Then he started fucking, his hips pistoning in a relentless tempo, his long thick cock plunging and withdrawing from root to tip in rapid-fire thrusts. Supporting his weight entirely with his arms and the tips of his toes, he powered into me, his rigid penis nailing me straight into the mattress. I came so hard my vision went black, my body seized with pleasure so intense I was locked in it, suspended in the powerful waves of erotic sensation. I was inundated by the ferocious surge of my climax. My skin tingled from head to toe. Gideon paused on a downstroke, grinding into me, giving my body the steely length of his penis to grasp. My sex spasmed ecstatically around that delicious hardness, gripping him hungrily. “Fuck,” Gideon bit out, “you’re milking my dick so hard.” I shook violently, fighting to breathe. The moment I sagged into the mattress, replete, Gideon pulled his cock out of my trembling slit and left the bed. Bereft, I lifted a hand to him. “Where are you going?” “Hang on.” He shoved his boxer briefs all the way off. He was still hard, his cock rising high and proud, slick from my orgasm—but I wasn’t wet with his. “You didn’t come.” I was too languid to help when he stripped me of my underwear. Sliding a hand beneath my back, he lifted me and whipped my shirt over my head. His
Sylvia Day (One with You (Crossfire, #5))
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
He looked at me, and I saw the knowledge in his eyes. The horror. “I didn’t know, Gideon. I swear to God, I didn’t know.” My heart jerked in my chest, then began to pound. My mouth went dry. “I, uh, went to see Terrence Lucas.” Chris’s voice grew hoarse. “ Barged into his office. He denied it, the lying son of a bitch, but I could see it on his face.” The brandy sloshed in my glass. I set it down carefully, feeling the floor shift under my feet. Eva had confronted Lucas, but Chris..? “I decked him, knocked him out could, but Good … I wanted to take one of those awards on his shelves and bash his head in.” “Stop.” The word broke from my throat like slivers of glass. “And the asshole who did … That asshole is dead. I can’t get to him. Goddamn it.” Chris dropped the tumbler onto the granite with a thud, but it was the sob that tore out of him that nearly shattered me. “Hell, Gideon. It was my job to protect you. And I failed.” “Stop!” I pushed off the counter, my hands clenching. “Don’t fucking look at me like that!” He trembled visibly, but didn’t back down. “I had to tell you –“ His wrinkled dress shirt was in my fist, his feet dangling above the floor. “Stop talking. Now!” Tears lipped down his face. “I love you like my own. Always have.” I shoved him away. Turned my back to him when he stumbled and hit the wall. I left, crossing the living room without seeing it. “I’m not expecting your forgiveness,” he called after me, tears clogging his words. “I don’t deserve it. But you need to hear that I would’ve ripped him apart with my bare hands if I’d known.” I rounded on him, feeling the sickness clawing up from my gut and burning my throat. “What the fuck do you want?” Chris pulled his shoulders back. He faced me with reddened eyes and wet cheeks, shaking but too stupid to run. “I want you to know that you’re not alone.” Alone. Yes. Far away from the pity and guilt and pain staring out at me through his tears. “Get out.” Nodding, he headed toward the foyer. I stood immobile, my chest heaving, my eyes burning. Words backed up in my throat, violence pounded in the painful clench of my fists. He stopped before he left the room, facing me. “I’m glad you told Eva.” “Don’t talk about her.” I couldn’t bear to even think of her. Not now, when I was so close to losing it. He left. The weight of the day crashed onto my shoulders, dropping me to my knees. I broke.
Sylvia Day (Captivated by You (Crossfire, #4))
Curran smiled. “What’s so funny?” “Your panties have a bow,” he said. I looked down. I was wearing a short tank top—not mine—and my blue panties with a narrow white strip of lace at the top and a tiny white bow. Would it have killed me to check what I was wearing before I pulled the blanket down? “What’s wrong with bows?” “Nothing.” He was grinning now. “I expected barbed wire. Or one of those steel chains.” Wiseass. “I’m secure enough in myself to wear panties with bows on them. Besides, they are comfy and soft.” “I bet.” He almost purred. I gulped. Okay, I needed to either crawl back into bed and cover myself with the blanket or get the hell to the bathroom and back. Since I didn’t fancy peeing on myself, the bathroom was my only option. “I don’t suppose you’d mind giving me a bit of privacy for my trip?” “Not a chance,” he said. I tried to get off the bed. Everything was under control until my weight actually hit my legs and then the room decided to crawl sideways. Curran caught me. His arm hugged my back, his touch sending an electric shiver along my skin. Oh no. “Need some help, ass kicker?” “I’m fine, thanks.” I pushed away from him. He held on to me for a second, letting me know that he could restrain me against my will with laughable ease, and let go. I clenched my teeth. Enjoy it while it lasts. I’ll be back on my feet soon. I walked away from him, successfully maintaining vertical position, and zeroed in on the nearest door. “That’s the closet.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
That animal is not your possession. He doesn't exist for your amusement. He has needs, instincts. Urges." The way he said that word, in that deep, earthy growl, had chills rippling over her skin. She swallowed hard. "Urges?" "Yes. Urges." He sauntered toward her- as much as a man could saunter in knee-deep water. "But what could a lady like you know about those?" "Oh, I understand urges. Right now, I have the powerful urge to do this." She shoved him hard in the chest, hoping to send him flailing backward into the river. He didn't budge. Not a teeter. Not a totter. Not even a blink. Penny would not surrender. She took a step in reverse and then tried again, adding the weight of her body to the effort. This time, he was ready for her. He caught her wrists in his hands, stopping her before she could even make contact. "Now, now, Your Ladyship. This is most unbecoming behavior." "I know that." She clenched her hands into fists. "You are so maddening. You have a way of provoking me, unlike anyone I've ever known. It's as though I become a different person when I'm around you, and I'm not certain I like her." He pulled her to him. "I like her." Penny expected he would shortly ruin that statement. I like her- smoldering pause- potential to increase the return on my property investment. Not this time. Instead, he lowered his head until his mouth brushed hers. Teased her lips apart, until his tongue brushed hers. And then they tumbled together against the riverbank, and his everything brushed hers.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Oh," she said, covering her face with her hand. It was not an oh of disappointment or an oh of surprise but an oh that Amina had never heard before, scraped raw with an emotion Amina would not know herself until years later, when she understood what it was to long for someone, to ache for their smell and taste on you, to imagine the weight of their hips pinning yours so precisely that you crane up to meet your own invisible desire. She watched as Paige crossed Akhil's room, undistracted by all the usual things that stopped people- the Greats, his desk, the leather jacket hanging from his chair- and moved straight for his hamper, which she opened up, pulling out a forgotten T-shirt and crushing it into her face. "Oh,", she said again, muffled. Oh. And even if Amina didn't yet know what it was to love like that, to burn until your spine has no choice but to try to wind itself around an empty shirt, she understood for sure that the people who said it was better to have loved and lost than never to to have loved at all were a bunch of dicks.
Mira Jacob (The Sleepwalker's Guide to Dancing)
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don't start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears. He froze at her question and darted his eyes from her gaze, taking in, memorizing, her face and neck, the lines of her collarbone. He reached for a lock of hair that had spilled over her breast. "This is your dream, remember? Tell me who I am," he said smiling, absently coiling the long brown tendril around a finger. She narrowed her eyes at him, her tone firm. "If this is my dream, oneiroi, then answer my question. Who are you?" He was hearing her true voice- that of a natural ruler. His smile widened at her fearlessness, even though he was twice her size and loomed over her, caging her body with his. "I am not an oneiroi, sweet one." "What are you, then?" "Deathless," he said simply. "Like you." "Wh-who are you?" she whispered. He slowly lowered himself to her, hovering just above her, the heat of his chest making contact with her, making her quiver, making her want to pull the weight of his body down to cover hers. He whispered in her ear. "I am your lord husband.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
It seemed quite logical to the Librarian that, since there were aisles where the shelves were on the outside then there should be other aisles in the space between the books themselves, created out of quantum ripples by the sheer weight of words. There were certainly some odd sounds coming from the other side of some shelving, and the Librarian knew that if he gently pulled out a book or two he would be peeking into different libraries under different skies. Books bend space and time. One reason the owners of those aforesaid little rambling, poky secondhand bookshops always seem slightly unearthly is that many of them really are, having strayed into this world after taking a wrong turning in their own bookshops in worlds where it is considered commendable business practice to wear carpet slippers all the time and open your shop only when you feel like it. You stray into L-space at your peril. Very senior librarians, however, once they have proved themselves worthy by performing some valiant act of librarianship, are accepted into a secret order and are taught the raw arts of survival beyond the Shelves We Know. The Librarian was highly skilled in all of them, but what he was attempting now wouldn’t just get him thrown out of the Order but probably out of life itself. All libraries everywhere are connected in L-space. All libraries. Everywhere. And the Librarian, navigating by booksign carved on shelves by past explorers, navigating by smell, navigating even by the siren whisperings of nostalgia, was heading purposely for one very special one. There was one consolation. If he got it wrong, he’d never know it.
Terry Pratchett (Guards! Guards! (Discworld, #8))
Pain" More faithful than lover or husband it cleaves to you, calling itself by your name as if there had been a ceremony. At night you turn and turn searching for the one bearable position, but though you may finally sleep it wakens ahead of you. How heavy it is, displacing with its volume your very breath. Before, you seemed to weigh nothing, your arms might have been wings. Now each finger adds its measure; you are pulled down by the weight of your own hair. And if your life should disappear ahead of you you would not run after it.
Linda Pastan
Though we probably could have waited a couple of days for my arm to heal up before doing this.' The stitches pull, but I've had worse. 'No.' He shakes his head, unsheathing one of his daggers and walking forward. 'The enemy doesn't give a shit if you're wounded. They'll use it to their advantage. If you don't know how to fight in pain, then you'll get us both killed.' 'Fine.' I shift my body weight in annoyance. Little does he know, I'm almost always in pain. It's pretty much my comfort zone. 'That's a good point, so I'll let you have it.' 'Thank you for being so gracious.' He smirks...
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
1. Whenever you walk through a doorway at home, stop, press the palms of your hands flat against the top of the door frame, get up on your toes, then push up with your arms and try to get your heels back on the floor. But don't let them budge - you're pushing against the calf muscles and recontouring them. Hold it for few seconds and then go on about you chores. 2. Sit on a straight chair, point your toes out straight, and kick up as high as you can with each leg. You'll feel a healthy pull in the calf muscles. 3. After a few kicks, stand up on your toes and lower yourself very slowly to a squatting position, still keeping your weight on the balls of your feet. Then pull slowly up again. It’s fair to balance yourself lightly with your hands on the back of a chair if you have to. 4. Put a book on the floor and place the balls of your feet on the book and your heels on the floor. Raise yourself slowly until you’re on tiptoe on the book. Then lower yourself just as slowly. The thicker the book, the better the results/ These four exercises will slim down fat calves and build up thin ones. The point is that the muscles are being firmed, and no matter what your problem the result is lovelier legs.
Joan Crawford (My Way of Life)
The building has settled into itself so that when you walk down the aisle, you can hear it yielding to the burden of your weight. It’s a pleasanter sound than an echo would be, an obliging, accommodating sound. You have to be there alone to hear it. Maybe it can’t feel the weight of a child. But if it is still standing when you read this, and if you are not half a world away, sometime you might go there alone, just to see what I mean. After a while I did begin to wonder if I liked the church better with no people in it. I know they’re planning to pull it down. They’re waiting me out, which is kind of them.
Marilynne Robinson (Gilead)
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.” Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs. “What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts. “Don’t be ridiculous.” “I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—” He took the boxers from her. “Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over. Right. After he got the boxers on, he took off the bathrobe and . . . Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts. Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?” She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—” “Gina.” Max stopped her before she reached the door. He motioned for her to come back. She held out the green shorts, but instead of taking them, he took her arm, pulled her close. “I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little. Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle. And then, before her heart even had a chance to start beating again, he kissed her. And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated. And, God. That was a miracle, too. Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now? Yes, she’d been waiting for years for him to say that he loved her, but . . . Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’” She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted. It was obvious that he wanted her to say something, but she was completely speechless.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
All right, you. Stand straight. Pull your belly in. Pull your chin in. Keep your shoulders back. Hold your head level. Look straight front. Turn left. Turn right. Face front again and hold your hands out. Palms up. Palms down. Pull your sleeves back. No visible scars. Hair dark brown, some gray. Eyes brown. Height six feet, one half inch. Weight about one ninety. Name Philip Marlowe. Occupation private detective. Well, well, nice to see you, Marlowe. That’s all. Next man.” Much obliged, Captain. Thanks for the time. You forgot to have me open my mouth. I have some nice inlays and one very high-class porcelain jacket crown. Eighty-seven dollars worth of porcelain jacket crown. You forgot to look inside my nose too, Captain. A lot of scar tissue in there for you. Septum operation and was that guy a butcher! Two hours of it in those days. I hear they do it in twenty minutes now. I got it playing football, Captain, a slight miscalculation in an attempt to block a punt. I blocked the guy’s foot instead—after he kicked the ball. Fifteen yards penalty, and that’s about how much stiff bloody tape they pulled out of my nose an inch at a time the day after the operation. I’m not bragging, Captain. I’m just telling you. It’s the little things that count.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Do you think he even knows?” Oscar whispered. Ira sat with a plunk on the couch. “Knows what?” “You’ve obviously never had the privilege of meeting Stuart McGreenery,” Camille said. Ira snorted. “I’d certainly like to meet the bastard now, that’s for sure.” The ceiling above their heads creaked with the weight of Samuel’s steps. A door opened and closed lightly. “From the looks of it”-Camille searched Oscar’s face for affirmation-“you’ve just met his son.” Ira scooted to the edge of the couch cushion. “Holy gallnipper! You mean that McGreenery bloke and your mum pulled the wool over your father’s eyes a time or two way back?
Angie Frazier (Everlasting (Everlasting, #1))
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Fly with those who lift you up and thrust you forward A pilot friend of mine told me there are four main principles to master when flying airplanes: lift, thrust, weight, and drag. You have to take all these into account to make sure the plane will fly. It struck me that these same principles apply to specific types of people. There are some who lift you, brighten your day, cheer you up, and make you feel better about yourself. You meet them and you have a spring in your step. They’re a lift. Then there are people who thrust you. They inspire you, motivate you, challenge you to move forward and pursue your dreams. The third group are weights. They pull you down, dump their problems on you, so that you leave feeling heavier, negative, discouraged, and worse than you did before. Finally, there are those who are a drag. They’ve always got a sad song. The dishwasher broke. The goldfish died. They didn’t get invited to a party. They’re stuck in a pit. They expect you to cheer them up, fix their problems, and carry their loads. We all encounter people from each of these four groups. You have to make sure you’re spending the majority of your time with lifters and thrusters. If you’re only hanging out with weights and drags, it will keep you from becoming everything you were created to be.
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
He shook the nerves from his hand and touched the root again. Again it moved. The tiny fibers at the end came alive, reaching for him, twining around his fingertip. He looked around the hole, and he could now see tiny roots everywhere, pushing gently through the soil. The tree was growing right before his eyes. “You’re alive,” he whispered. Just then, he felt a sharp pain. The root had tightened, choking the tip of his finger. Kip jerked his hand back, trying to pull himself free—but the root would not let go. He pulled harder. “Ow!” he cried out as his hand finally came away. A gust of wind howled overhead. Kip looked up and saw leaves and loose dirt blowing into the hole, piling up around his feet. He tried to pull himself out of the hole, but a strong gust knocked him backward. Dirt and leaves poured down over his body, burying him. “Help!” Kip shouted, but he knew no one could hear him. Molly and the family were inside the house. Even Galileo was gone. More and more tiny roots came out of the soil, grasping at his legs, his arms, his neck. Kip screamed again, straining against the roots. His voice came back to him, muffled and small. He could barely move beneath the weight of dirt and leaves—a rustling, choking darkness. Kip twisted his body and felt something hard against his face—
Jonathan Auxier (The Night Gardener)
Her problem was that she thought too much- “toxic thinking” and so forth- so she tried to stop, but a physical sensation of exertion remained. Was it her fault that her husband made more money? That it made more sense for her to quit her job than for him to quit his? Was it her fault that he was always gone, rendering her a de facto single mom for the majority of the week? Was it her fault that she found playing trains really, really boring? That she longed for even the smallest bit of mental stimulation, for a return to her piles of books, to her long-abandoned closet of half-formed projects, to one entire afternoon of solitude and silence? Was it her fault that, though she longed for mental stimulation, she still found herself unable to concoct a single, original thought or opinion? She did not actually care about anything anymore. Politics, art, philosophy, film: all boring. She craved gossip and reality TV. Was it her fault that she hated herself for her preference for reality TV? Was it her fault that she had bought into the popular societal myth that if a young woman merely secured a top-notch education she could then free herself from the historical constraints of motherhood, that if she simply had a career she could easily return to work after having a baby and sidestep the drudgery of previous generations, even though having a baby did not, in any way, represent a departure from work to which a woman might, theoretically, one day return. It actually, instead, marked an immersion in work, and unimaginable weight of work, a multiplication of work exponential in its scope, staggering, so staggering, both physically and psychically (especially psychically), that even the most mentally well person might be brought to her knees beneath such a load, a load that pitted ambition against biology, careerism against instinct, that bade the modern mother be less of an animal in order to be happy, because- come on, now- we’re evolved and civilized, and, really, what is your problem? Pull it together. This is embarrassing.
Rachel Yoder (Nightbitch)
When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?'' ``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.'' ``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?'' ``I know. I was plagued with them too. Rabbits in waistcoats.'' ``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.'' ``On the raft.'' ``On the raft. And a boy was sitting on the raft.'' ``Among the rabbits in waistcoats and the owls and the reindeer.'' ``Precisely there. A boy of the cheery gypsy ragamuffin variety.'' ``Ugh.'' ``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time. ``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.'' She shrugged. ``Good story?'' she said. ``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.'' Fenchurch laughed and hugged her legs. ``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee. Who breaks into a house, turns on the lights, and makes coffee? I padded into the living room on soft feet, Slayer ready. “Loud and clumsy, like a baby rhino,” said a familiar voice. I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago. I thought he had forgotten about me. I had been quite happy to stay forgotten. “The Princess Bride?” he said, flipping the book over. “What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place. “Did everything go well with Julie?” “Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.” I watched him, not quite sure where we stood. “I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.” “Yes, he did. I’m sorry about your people. Many losses?” A shadow darkened his face. “A third.” He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us. Curran turned the book over in his hands. “You own words of power.” He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare. “You’re an interesting woman,” he said. “Your interest has been duly noted.” I pointed to the door. He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.” My mouth gaped open. He inhaled my scent, bent close, about to kiss me . . . I just stood there like an idiot. Curran smirked and whispered in my ear instead. “Psych.” And just like that, he was out the door and gone. Oh boy.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Who’s that hot piece of cowboy standing with Nathan?” She pointed toward one end of the barn by a stack of hay bales. A scowl tightened all the muscles in his face as he followed the length of her arm to the direction of her fingertip. Before he could answer, she was already pulling him again. This time toward his cousin. “Nate, who’s your friend?” she asked, not bothering with hellos. Letting go of Caleb’s hand and leaving him feeling empty, she shifted her weight to her toes when she stopped in front of Preston. “Your eyes remind me of those old Sprite bottles. I found one at a flea market once. I think it’s still lying around somewhere in my room.” Nathan’s chuckle caught her attention. “Diana Alexander, let me introduce you to Preston Grant. He’s a childhood friend of mine and Caleb’s. Pres, this is Didi.” “Can I paint you naked?” she asked, unabashed, looking up at him. Nathan’s chuckles became full-blown laughter. She hiked her thumb at Caleb. His scowl deepened. “This one’s too shy.” “It’s nice to meet you, Didi,” Preston said. He seemed unperturbed by her request. The bastard. She danced to Nathan’s side and leaned in conspiratorially, not taking her eyes away from Preston. “Between you and me,” she whispered loud enough for Caleb and the object of her fascination to hear, “just how far does his tan go?” That had done it. The words came out of his mouth without thinking. “If you’re going to paint someone naked, it will be me.” With impatience running through his veins, he laced their fingers together and tugged. “Come on.
Kate Evangelista (No Love Allowed (Dodge Cove, #1))
I’m taking some time off. I’m going to sleep for a year.” “And how are you going to do that?” I pulled a vial of Ativan out from between the sofa cushions, unscrewed the cap, and fished out two pills. Out of the corner of my eye, I could see Reva squirming. I chewed the pills up—simply to horrify her—swallowed and gagged, then stuffed the vial back between the cushions and lay down and closed my eyes. “Well, I’m glad you have a life plan. But to be honest,” Reva began, “I’m concerned about your health. You’ve lost at least three pounds since you started taking all those medications.” Reva was expert at guessing the weights of things and people. “What about the long term? Are you going to take pills for the rest of your life?” “I’m not thinking that far ahead. And I might not live that long.” I yawned.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ciling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
Thank you,” he said. Luce felt her lips quiver and her eyes burn. Before she knew what she was doing, she fell into Cam’s arms, felt his hands wrap around her back. When his chin rested on the top of her head, she began to weep. He let her cry. Held her close. He whispered, “You’re so brave.” Then Cam’s arms shifted and his chest pulled lightly away. For a second, she felt cold and exposed, but then another chest, another pair of arms replaced Cam’s. And she knew without opening her eyes that it was Daniel. No other body in the universe fit hers so well. “Mind if I cut in?” he asked softly. “Daniel—” She clenched her fists and squeezed her arms around him, wanting to squeeze away the pain. “Shhh.” He held her like that for what might have been hours, rocking her slightly, cradling her in his wings until her tears had tapered off and the weight in her heart had eased enough that she could breathe without sniffling.
Lauren Kate (Rapture (Fallen, #4))
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore. Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge. "I don't think this is going to work," Merritt said, her arms looped around his neck. "Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically. Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her. Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Is it, then, your opinion Women are putty in your hands? Is this the face to launch upon A thousand one night stands? First, please, would you be so kind As to define your contribution To modern verse, the Western mind And human institutions? Where, where is the long, flowing hair, The velvet suit, the broad bow tie; Where is the other-worldly air, Where the abstracted eye? Describe the influence on your verse Of Oscar Mudwarp’s mighty line, The theories of Susan Schmersch Or the spondee’s decline. You’ve labored to present us with This mouse-sized volume; shall this equal The epic glories of Joe Smith? He’s just brought out a sequel. Where are the beard, the bongo drums, Tattered T-shirt and grubby sandals, As who, released from Iowa, comes To tell of wondrous scandals? Have you subversive, out of date, Or controversial ideas? And can you really pull your weight Among such minds as these? Ah, what avails the tenure race, Ah, what the Ph.D., When all departments have a place For nincompoops like thee?
Snodgrass
swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
At a certain level, credible deterrence depends on a credible enemy. The Soviet Union disintegrated, but the surviving superpower's instinct to de-escalate intensified: In Kirkuk as in Kandahar, every Lilliputian warlord quickly grasped that you could provoke the infidel Gulliver with relative impunity. Mutually assured destruction had curdled into Massively Applied Desultoriness. Clearly, if one nation is responsible for near half the world's military budget, a lot of others aren't pulling their weight. The Pentagon outspends the Chinese, British, French, Russian, Japanese, German, Saudi, Indian, Italian, South Korean, Brazilian, Canadian, Australian, Spanish, Turkish, and Israeli militaries combined. So why doesn't it feel like that? Well, for exactly that reason: If you outspend every serious rival combined, you're obviously something other than the soldiery of a conventional nation state. But what exactly? The geopolitical sugar daddy is so busy picking up the tab for the global order he's lost all sense of national interest.
Mark Steyn (The Undocumented Mark Steyn)
Was it her fault that she has bought into the popular societal myth that if a young woman merely secured a top-notch education she could then free herself from the historical constraints of motherhood, that if she simply has a career she could easily return to work after having a baby and sidestep the drudgery of previous generations, even though having a baby did not, in any way, represent departure from work to which a woman might, theoretically, one day return. It actually, instead, marked an immersion in work, an unimaginable weight of work, a multiplication of work exponential it its scope, staggering, so staggering, both physically and psychically (especially psychically), that even the most mentally well person might be brought to her knees beneath such a load, a load that pitted ambition against biology, careerism against instinct, that bade the modern mother be less of an animal in order to be happy, because – come on, now – we’re evolved and civilized, and, really, what is your problem? Pull it together. This is embarrassing.
Rachel Yoder (Nightbitch)
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
OK, now imagine two little Jimmies in a pack on your pack, or, better still, something inert but weighty, something that doesn’t want to be lifted, that makes it abundantly clear to you as soon as you pick it up that what it wants is to sit heavily on the ground—say, a bag of cement or a box of medical textbooks—in any case, forty pounds of profound heaviness. Imagine the jerk of the pack going on, like the pull of a down elevator. Imagine walking with that weight for hours, for days, and not along level asphalt paths with benches and refreshment booths at thoughtful intervals but over a rough trail, full of sharp rocks and unyielding roots and staggering ascents that transfer enormous amounts of strain to your pale, shaking thighs. Now tilt your head back until your neck is taut, and fix your gaze on a point two miles away. That’s your first climb. It’s 4,682 steep feet to the top, and there are lots more like it. Don’t tell me that seven miles is not far. Oh, and here’s the other thing. You don’t have to do this. You’re not in the army. You can quit right now. Go home. See your family. Sleep in a bed.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I reassessed the map and my timing. I had to come up with a plan to get myself out of this mess, and fast. I turned 90 degrees and started to climb back up onto the high ground that I had just come off. This was way off-route, I should be heading down, but I just knew that the high ground would be better than fighting a losing battle in the bog. I had done that before--and lost. The wind was blowing hard now, down from the plateau, as if trying to deter me. I put my head down, ignored the shoulder straps that pulled and heaved against my lower neck muscles, and went for it. I had to take control. I was refusing to fail Selection again in this godforsaken armpit of a place. Once on the ridge, I started to run. And running anywhere in that moon grass, with the weight of a small person on your back, was a task. But I was on fire. I kept running. And I kept clawing back the time and miles. I ran all the way into the last checkpoint and then collapsed. The DS looked at me strangely and chuckled to himself. “Good effort,” he commented, having watched me cover the last mile or so of rough ground. I had made it within time. Demons dead. Adrenaline firing.
Bear Grylls (Mud, Sweat and Tears)
I took a step back and appraised the sight of the naked torso in front of me. He’d always had an amazing body, but Christ. Trip had gotten freaking ripped. I put my hands to my hips and asked, “Are you kidding me? What the hell is this?” My anger probably missed its mark, considering I was standing there totally nude. It’s hard to be taken seriously when you’re not wearing any clothes. He knew exactly what I was talking about and was trying to contain a smile as he asked, “What?” I rolled my eyes. “When did this happen? Jesus. Look at you! Give a girl a heads up about such a thing, huh?” That made the smile crack his features. “What? So I’ve been hitting it a little harder lately. I just came off a gladiator film and I’m starting a hockey flick in a few weeks. Occupational hazard, I guess.” “Yeah. A hazard to me, maybe! Here I am with my saggy ass and you’re standing there looking like Michelangelo’s David, you jagweed!” He stepped closer, grabbing my butt and pulling me into direct contact with what was assuredly going to be revealed as his perfect dick. He probably lifted weights with that thing, too. His cock probably possessed its own set of washboard abs.
T. Torrest (Remember When 3: The Finale (Remember Trilogy, #3))
Take it easy, friend," siad Peter, regaining his balance, quickly understanding the condition Henry was in. "Friend? You left us. In the caves." Henry's muscles tensed. Peter stepped back cautiously. Henry didn't look like himself. "Seems someone can't hold his drink," Peter said. He didn't go further, sensing then that Valerie might be thinking of her father. "And now," Henry continued on his own track, stepping closer to meet him, the smell of alcohol on his breath, "my father, too is dead." Valerie moved to Henry. "Please, don't do this," she said, stepping in. "It's not worth it." Henry pushed past her, not realizing his own weight. The force knocked her back. Peter grabbed Henry's arm and twisted it. Overreacting, Henry reared back his fist and landed a punch in the hollow of Peter's eye. The crowd laughed as Peter fell hard to the ground. Henry scrambled on top him, held him by the collar, forced Peter to face him as he'd never done. He looked into the eyes of the man he wanted to blame for his parents' deaths, because it was a shelter from the terrible thought that everything could be lost to a simple slip of fate. "You filth," he spat out. This really got the villagers going. But Peter didn't laugh. He pulled a knife from his boot and leapt up, thrusting it viciously in Henry's face. "Keep your hands off her or I'll cut them off!
Sarah Blakley-Cartwright (Red Riding Hood)
Frederick? Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside. He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him. Nothing was said. Not a word. Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said. He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress. Stop! But he didn't. Don't! But he did. Nothing. Not one word. The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done. Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything. When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.
Timothy Findley (The Piano Man's Daughter)
His face softened and he leaned down and covered her mouth with his. Dark and dirty, hot and horny, sweet and utterly seductive. Damn, the man could kiss. "I want you inside me." She swallowed hard. "I want...you." "You have me---all of me." He pushed deep, filling her, stretching her, making her feel every inch of him. His smoldering eyes watched her intently, sending a current of need arrowing straight to her core. When she moaned, he moved his hips in just the right way to hit her most sensitive spot. Pleasure licked through her body and she surged toward the peak. "Don't stop." "No chance of that." His gaze didn't leave hers as he pulled out and thrust again, his hips moving hard and fast, arms braced on either side of her. The world fell away until there was only Jay, his scent, his heat, his muscles tightening and releasing, and his eyes locked on her like she truly was the most beautiful woman in the world. Heart-squeezing tenderness and wild heat. She came in a roll of pleasure, a soul-deep release as she let herself go. Jay followed her with a quiet shudder that ripped the tension out of his muscular body with a groan. "Fuck." He fell forward, his body covering hers, taking his weight on his elbows beside her. Small kisses to her lips made her feel seen and not forgotten. "We just did." She looked up to her hands and he released them with one tug. "Touch me, sweetheart. I want to feel your hands on me." She held him close for what seemed like forever, breathing in his scent of sex and sweat and the lingering hint of his cologne.
Sara Desai (The Singles Table (Marriage Game, #3))
What is it?” I asked, pasting a magazine photo of a football--found in an old Seventeen magazine spread--on my beloved’s collage. “Well, a bunch of cattle trucks just showed up,” he said, trying to talk over the symphonic mooing of cows all around him. “They were supposed to get here tomorrow night, but they showed up early…” “Oh, no…that’s a bummer,” I said, not quite sure what he was getting at. “So now I’ve got to work all these cattle tonight and get ’em shipped…and by the time I get done, the store in town will be closed,” he began. Our appointment with Father Johnson was at ten the next morning. “So I think I’m just going to have to come over there really early tomorrow morning and do the thing at your house,” Marlboro Man said. I could hardly hear him through the cattle. “Are you sure?” I asked. “What time were you thinking of coming over?” I braced myself for the worst. “I was thinking around six or so,” he said. “That would give me plenty of time to get it done before we go.” Six? In the morning? Ugh, I thought. I have only one more week of sleeping in. After we’re married, there’s no telling what time I’ll have to get out of bed. “Okay,” I said, my voice dripping with trepidation. “I’ll see you in the morning. Oh, and hey…if I don’t answer the door right away it probably means I’m doing some weight training or something.” “Gotcha,” Marlboro Man answered, humoring me. “And hey--don’t pull any muscles or strain yourself. We’re getting married in less than a week.” My stomach fluttered as I hung up the phone and resumed work on my collage.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
There was a tap at the door, and it opened. His lips parted to snarl at the visitor. "May I come in?" he heard a girl ask softly. The curse died on Kev's lips. His senses were overwhelmed. He closed his eyes, breathing, waiting. It's you. You're here. At last. "You've been alone for so long," she said, approaching him, "I thought you might want some company. I'm Winnifred." Kev drew in the scent and sound of her, his heart pounding. Carefully he eased to his back, ignoring the pain that shot through him. He opened his eyes. He had never thought any gadji could compare to Romany girls. But this one was remarkable, an otherworldly creature as pale as moonlight, her hair silver-blond, her features formed with tender gravity. She looked warm and innocent and very soft. Everything he wasn't. His entire being responded so acutely to her that he reached out and seized her with a quiet grunt. She gasped a little but held still. Kev knew it wasn't right to touch her. He didn't know how to be gentle. He would hurt her without even trying. And yet she relaxed in his hold, and stared at him with those steady blue eyes. Why wasn't she frightened of him? He was actually frightened for her, because he knew what he was capable of. He hadn't been aware of pulling her closer. All he knew was that now part of her weight was resting on him as he lay on the bed, and his fingertips had curled into the pliant flesh of her upper arms. "Let go," she told him gently. He didn't want to. Ever. He wanted to keep her against him, and pull her braided hair down and comb his fingers through the pale silk. He wanted to carry her off to the ends of the earth. "If I do," he said gruffly, "will you stay?" The delicate lips curved. Sweet, delicious smile. "Silly boy. Of course I'll stay. I've come to visit you.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
You remember that documentary they showed us in sixth grade? The one about Hurricane Katrina?” “Yeah.” I shrug, remembering how we’d all piled into the media center to watch it on the big, pull-down screen. I don’t recall much about the movie itself, but I’m pretty sure Brad Pitt had narrated it. “What about it?” "I had nightmares for weeks. I have no idea why it affected me the way it did.” “Seriously?” He nods. “Ever since, well…let’s just say I don’t do well in storms. Especially hurricanes.” I just stare at him in stunned silence. “You’re going to have fun with this, aren’t you?” “No, I…of course not. Jeez.” How big of a bitch does he think I am? “I’m not going to tell a soul. I promise. Okay? What happens in the storm shelter stays in the storm shelter,” I quip, trying to lighten the mood. His whole body seems to relax then, as if I’ve taken a weight off him. “Did you seriously think I was going to rag on you for this? I mean, we’ve been friends forever.” He quirks one brow. “Friends?” “Well, okay, not friends, exactly. But you know what I mean. Our moms used to put us in a crib together. Back when we were babies.” He winces. “I know.” “When we were little, things were fine. But then…well, middle school. It was just…I don’t know…awkward. And then in eighth grade, I thought maybe…” I shake my head, obviously unable to form a complete sentence. “Never mind.” “You thought what? C’mon, don’t stop now. You’re doing a good job distracting me.” “Yeah?” “Yeah. Call it a public service. Or…pretend I’m just one of the pets.” “Poor babies,” I say, glancing over at the cats. Kirk and Spock are curled up together in the back of the crate, keeping the bromance alive. Sulu is sitting alone in the corner, just staring at us. “He’s a she, you know.” “Who?” “Sulu. Considering she’s a calico, you’d think Daddy would have figured it out.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The air became very still, so still that you could almost hear the slow fall of dust. The Librarian swung on his knuckles between the endless bookshelves. The dome of the Library was still overhead but then, it always was. It seemed quite logical to the Librarian that, since there were aisles where the shelves were on the outside then there should be other aisles in the space between the books themselves, created out of quantum ripples by the sheer weight of words. There were certainly some odd sounds coming from the other side of some shelving, and the Librarian knew that if he gently pulled out a book or two he would be peeking into different libraries under different skies. Books bend space and time. One reason the owners of those aforesaid little rambling, poky second-hand bookshops always seem slightly unearthly is that many of them really are, having strayed into this world after taking a wrong turning in their own bookshops in worlds where it is considered commendable business practice to wear carpet slippers all the time and open your shop only when you feel like it. You stray into L-space at your peril. Very senior librarians, however, once they have proved themselves worthy by performing some valiant act of librarianship, are accepted into a secret order and are taught the raw arts of survival beyond the Shelves We Know. The Librarian was highly skilled in all of them, but what he was attempting now wouldn't just get him thrown out of the Order but probably out of life itself. All libraries everywhere are connected in L-space. All libraries. Everywhere. And the Librarian, navigating by booksign carved on shelves by past explorers, navigating by smell, navigating even by the siren whisperings of nostalgia, was heading purposely for one very special one. There was one consolation. If he got it wrong, he'd never know it.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Isaac took a long swig from the unmarked bottle. He'd tasted her cider before, but this bottle was completely different, yet just as wonderful. The apple was more prominent, yet not sweet, almost funky but in a good, blue-cheese way. He held the bottle up to the light and could see the sediment swirling in the bottom. "This is amazing- so different from the other one." Sanna grinned. "You really like Olive? I wasn't sure when I blended it. Not everyone likes the murkiness." "Olive?" Sanna leaned against the counter, putting her weight on her wrist as she studied him for a long moment, her eyes squinting. She took a long drink from her own bottle. "I see colors when I make ciders. I can't explain it. Each juice has its own hue. That's what those paintings represent." She pointed at the watercolors over the fireplace. "A new color comes to me, and I blend the juices until I can re-create it in the flavor. And this one is Olive." "You color-code your ciders?" He struggled to understand what she was telling him. "No." She reached across the counter and pulled her journal toward her. She opened it and handed it to Isaac. As she sipped her cider, he studied the page, then the next page, then the next. On each was a swatch of layered color, all wildly different from one another- reds, greens, teals, colors he didn't really have names for. Next to the colors were measurements, apple varieties, percentages, and flavor notes. Scribbles filled the margins and equations contained both numbers and words. Things like sugars and acidity were measured and tested. It was part recipe book, part coloring book, and part wine label, with a hint of spell book. Looking at it was like opening a tiny door into the back of her head. She saw things that no one else did, an imaginary world of cider only she could see. "You can see the color in your head?" "It's the easiest way to explain it. A color pops into my head, and I know what it will taste like. When I blend the different raw ciders together, I know I have it right when it matches what I've imagined.
Amy E. Reichert (The Simplicity of Cider)
Kell skimmed the spell and frowned. “An eternal flame?” Rhy absently plucked one of the lin from the floor and shrugged. “First thing I grabbed.” He tried to sound as if he didn’t care about the stupid spell, but his throat was tight, his eyes burning. “Doesn’t matter,” he said, skipping the coin across the ground as if it were a pebble on water. “I can’t make it work.” Kell shifted his weight, lips moving silently as he read over the priest’s scrawl. He held his hands above the paper, palms cupped as if cradling a flame that wasn’t even there yet, and began to recite the spell. When Rhy had tried, the words had fallen out like rocks, but on Kell’s lips, they were poetry, smooth and sibilant. The air around them warmed instantly, steam rising from the penned lines on the scroll before the ink drew in and up into a bead of oil, and lit. The flame hovered in the air between Kell’s hands, brilliant and white. He made it look so easy, and Rhy felt a flash of anger toward his brother, hot as a spark—but just as brief. It wasn’t Kell’s fault Rhy couldn’t do magic. Rhy started to rise when Kell caught his cuff. He guided Rhy’s hands to either side of the spell, pulling the prince into the fold of his magic. Warmth tickled Rhy’s palms, and he was torn between delight at the power and knowledge that it wasn’t his. “It isn’t right,” he murmured. “I’m the crown prince, the heir of Maxim Maresh. I should be able to light a blasted candle.” Kell chewed his lip—Mother never chided him for the habit—and then said, “There are different kinds of power.” “I would rather have magic than a crown,” sulked Rhy. Kell studied the small white flame between them. “A crown is a sort of magic, if you think about it. A magician rules an element. A king rules an empire.” “Only if the king is strong enough.” Kell looked up, then. “You’re going to be a good king, if you don’t get yourself killed first.” Rhy blew out a breath, shuddering the flame. “How do you know?” At that, Kell smiled. It was a rare thing, and Rhy wanted to hold fast to it—he was the only one who could make his brother smile, and he wore it like a badge—but then Kell said, “Magic,” and Rhy wanted to slug him instead. “You’re an arse,” he muttered
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
Wondering if Westcliff was going to reprimand the boys for allowing her and Daisy to play, Lillian said uneasily, “Arthur and the others—it wasn’t their fault—I made them let us into the game—” “I don’t doubt it,” the earl said over her shoulder. “You probably gave them no chance to refuse.” “You’re not going to punish them?” “For playing rounders on their off-time? Hardly.” Removing his coat, Westcliff tossed it to the ground. He turned to the catcher, who was hovering nearby, and said, “Jim, be a good lad and help field a few balls.” “Yes, milord!” The boy ran in a flash to the empty space on the west side of the green beyond the sanctuary posts. “What are you doing?” Lillian asked as Westcliff stood behind her. “I’m correcting your swing,” came his even reply. “Lift the bat, Miss Bowman.” She turned to look at him skeptically, and he smiled, his eyes gleaming with challenge. “This should be interesting,” Lillian muttered. Taking up a batter’s stance, she glanced across the field at Daisy, whose face was flushed and eyes over-bright in the effort to suppress a burst of laughter. “My swing is perfectly fine,” Lillian grumbled, uncomfortably aware of the earl’s body just behind hers. Her eyes widened as she felt his hands slide to her elbows, pushing them into a more compact position. As his husky murmur brushed her ears, her excited nerves seemed to catch fire, and she felt a flush spreading over her face and neck, as well as other body parts that, as far as she knew, there were no names for. “Spread your feet wider,” Westcliff said, “and distribute your weight evenly. Good. Now bring your hands closer to your body. Since the bat is a few inches too long for you, you’ll have to choke up on it—” “I like holding it at the base.” “It’s too long for you,” he insisted, “which is why you pull your swing just before you hit the ball—” “I like a long bat,” Lillian argued, even as he adjusted her hands on the willow handle. “The longer the better, as a matter of fact.” A distant snicker from one of the stable boys caught her attention, and she glanced at him suspiciously before turning to face Westcliff. His face was expressionless, but there was a glitter of laughter in his eyes. “Why is that amusing?” she asked. “I have no idea,” Westcliff said blandly, and turned her toward the pitcher again.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper. By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively. "No, love. I could hurt you." "You won't. Please... Keir..." "Please what?" "I need more." His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'." "I can." She strained against him. "This deep?" he asked, reaching places in her that had never been touched before. She shook at the pleasure of it. "Oh, God. Yes." His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out... "Faster," she said desperately. "No' yet," he whispered. "Please," she begged. His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt." She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses. None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach. "You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You can’t sing;” “You’re not smart enough;” “Without money, you’re nothing;” “Who’d want you?;” “You’re just a loser;” “You should have more realistic goals;” “You’re the reason our marriage broke up;” “Without you kids I’d have had a chance;” “You’re worthless”—this opera is being sung in homes all over America right now, the stakes driven into the ground, the heavy chains attached, the children reaching the point they believe they cannot pull free. And at that point, they cannot. Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults. There’s more involved, of course, than just parenting. Some of the factors are so small they cannot be seen and yet so important they cannot be ignored: They are human genes. The one known as D4DR may influence the thrill-seeking behavior displayed by many violent criminals. Along with the influences of environment and upbringing, an elongated D4DR gene will likely be present in someone who grows up to be an assassin or a bank robber (or a daredevil). Behavioral geneticist Irving Gottesman: “Under a different scenario and in a different environment, that same person could become a hero in Bosnia.” In the future, genetics will play a much greater role in behavioral predictions. We’ll probably be able to genetically map personality traits as precisely as physical characteristics like height and weight. Though it will generate much controversy, parents may someday be able to use prenatal testing to identify children with unwanted personality genes, including those that make violence more likely. Until then, however, we’ll have to settle for a simpler, low-tech strategy for reducing violence: treating children lovingly and humanely.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
Christine Feehan (Dark Magic (Dark, #4))
Develop a rapid cadence. Ideal running requires a cadence that may be much quicker than you’re used to. Shoot for 180 footfalls per minute. Developing the proper cadence will help you achieve more speed because it increases the number of push-offs per minute. It will also help prevent injury, as you avoid overstriding and placing impact force on your heel. To practice, get an electronic metronome (or download an app for this), set it for 90+ beats per minute, and time the pull of your left foot to the chirp of the metronome. Develop a proper forward lean. With core muscles slightly engaged to generate a bracing effect, the runner leans forward—from the ankles, not from the waist. Land underneath your center of gravity. MacKenzie drills his athletes to make contact with the ground as their midfoot or forefoot passes directly under their center of gravity, rather than having their heels strike out in front of the body. When runners become proficient at this, the pounding stops, and the movement of their legs begins to more closely resemble that of a spinning wheel. Keep contact time brief. “The runner skims over the ground with a slithering motion that does not make the pounding noise heard by the plodder who runs at one speed,” the legendary coach Percy Cerutty once said.7 MacKenzie drills runners to practice a foot pull that spends as little time as possible on the ground. His runners aim to touch down with a light sort of tap that creates little or no sound. The theory is that with less time spent on the ground, the foot has less time to get into the kind of trouble caused by the sheering forces of excessive inward foot rolling, known as “overpronation.” Pull with the hamstring. To create a rapid, piston-like running form, the CFE runner, after the light, quick impact of the foot, pulls the ankle and foot up with the hamstring. Imagine that you had to confine your running stride to the space of a phone booth—you would naturally develop an extremely quick, compact form to gain optimal efficiency. Practice this skill by standing barefoot and raising one leg by sliding your ankle up along the opposite leg. Perform up to 20 repetitions on each leg. Maintain proper posture and position. Proper posture, MacKenzie says, shifts the impact stress of running from the knees to larger muscles in the trunk, namely, the hips and hamstrings. The runner’s head remains up and the eyes focused down the road. With the core muscles engaged, power flows from the larger muscles through to the extremities. Practice proper position by standing with your body weight balanced on the ball of one foot. Keep the knee of your planted leg slightly bent and your lifted foot relaxed as you hold your ankle directly below your hip. In this position, your body is in proper alignment. Practice holding this position for up to 1 minute on each leg. Be patient. Choose one day a week for practicing form drills and technique. MacKenzie recommends wearing minimalist shoes to encourage proper form, but not without taking care of the other necessary work. A quick changeover from motion-control shoes to minimalist shoes is a recipe for tendon problems. Instead of making a rapid transition, ease into minimalist shoes by wearing them just one day per week, during skill work. Then slowly integrate them into your training runs as your feet and legs adapt. Your patience will pay off.
T.J. Murphy (Unbreakable Runner: Unleash the Power of Strength & Conditioning for a Lifetime of Running Strong)
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))
Just as I was pulling over he started shifting in his seat, and I glanced over to see him pulling a slim black wallet out. Jesus. I pulled over to the curb in front of the square white stone home. “Don’t.” His silence was deafening as he sat there, duffel on his lap, one hand on the car door, and the other holding a slim coffee-colored leather wallet. “I’m giving you a ride as a favor. I don’t want your money,” I explained to him carefully. He started to pull out a bill from his wallet regardless. “Hey, I’m not joking. I don’t want your money.” Kulti started to shove a fifty at me. “Here.” I reached up and cupped his hand, crushing the bill between us. “I don’t want it.” “Take it.” He pushed against me. I pushed back. “No.” “Stop being stubborn and take the money,” Kulti argued, his face exasperated. Well if he thought he was the only one getting aggravated, he was dead wrong. “I said no. I don’t want it. Just get out.” It was his turn to start with the one-word replies. “No.” Screw this. I put some muscle behind it and slowly started pushing our hands back toward him. Well I made it two inches before he realized what I was doing and then began pushing back, only he was stronger and he advanced more than two inches. “Quit it. I’m not joking. Take your money.” I grunted a little, putting more weight into my push, almost futilely. Those green-brown eyes flicked up to with an even look that had annoyance written all over it. “I said I would pay you—“ “I don’t want your money, you hardheaded ass—“ Oh dear God. I stopped pushing the second I realized what I said. It must have been so unexpected that he wasn’t paying attention because the next thing that I knew, he was punching me in the shoulder. It didn’t hurt at all. But for some reason, instinct had me saying “oww” anyway. We both looked like we’d violated the other. Like I’d backstabbed him for saying ‘oww’ and I’m sure I looked at him like I couldn’t believe he had the nerve to hit me. Sure it was an accident, and an accident that didn’t hurt on top of that, but… “I’m sorry,” he said quickly, looking down at his hand like he couldn’t believe what he’d done. I opened my mouth and then I closed it. Reiner Kulti had just punched me in the shoulder. I had driven him home, argued with him over how I didn’t want his money, and then he punched me in the shoulder. I closed my eyes, pinched my nose and burst out laughing. “Get outta here,” I said when I started laughing harder. “I didn’t mean to—“ I threw my head back against the headrest and felt myself shake with how stupid this was. “I know. I know you didn’t. But just get out, it’s fine. I need to get to work before you punch me in the other shoulder.” “This isn’t funny,” he snapped. “It was an accident.” Suddenly I stopped laughing and snapped right back at him, “I know it was, jeez. I was just messing with you.” I gave him a wide-eyed look. “A joke, do you know what that is?” I mean, I’d already gone for calling him a hardheaded ass, and he hadn’t thought twice about it, but that might have been because he’d punched me immediately afterward. “Yes, I know what a joke is,” he grumbled back. Whether it was because I was tired of this shit, his shit or whatever, I found myself caring less and less who he was and how I should probably treat him differently. Maybe not totally, but at least a little bit. “I’m happy to hear that.” I scooped the fifty bucks that had fallen on my lap after the meeting of his fist and my shoulder and tossed it at him. “I really do need to get to work though, so…” I tipped my head in the direction of the door at his side, indifferent to how rude I was being. Did he look confused that I was kicking him out? I think so but he didn’t argue, and he took the wadded-up money and held onto it as he got out of the car. Straightening up, he held the door in one hand and looked inside. “Thank you.” Finally. I blinked at him and nodded. “You’re welcome.” Just like that, he shut the door.
Mariana Zapata (Kulti)
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons
The most common ways we get probability wrong are: We overestimate certainty. When we do this, it doesn’t even occur to us that a decision has any risk associated with it. We assume if we’re buying a house, prices will only go up. Or people move to Hollywood because they believe they are better looking or more talented than most others. The Antars never thought they’d get caught. They believed Sam would always outsmart the SEC and IRS. The other criminals I interviewed didn’t consider getting caught a possibility either. We overestimate the risk of unlikely events. We assume a remote and terrible event is more likely than it is. This is why many people are more afraid of flying than driving, even if they know the odds of dying in a car accident are higher. A plane crash is especially horrific, which is why we put higher odds on its happening. We assume correlations that don’t exist. After being dealt a few good hands in poker, you could think you’re on a roll and that the next hand is bound to be good too. In fact, each hand you are dealt has nothing to do with the last. When it comes to crime, getting away with something once, or many times, creates an illusion you’ll get away with it the next time. The Antars assumed that because they pulled off tax evasion, they could also get away with securities fraud. Wrong again, and their earlier success led them to take bigger risks to continue the fraud. We put a big weight on very likely or unlikely events and put almost no weight on anything that happens in between. The difference between a 0 percent and 5 percent probability feels huge because it creates possibility. The difference between 100 percent and 95 percent also feels meaningful because it creates or eliminates risk. But the difference between 50 percent and 55 percent barely factors into our decisions. The closer we get to certainty, the more we weight a probability, but mathematically, a 5 percent increase should be given equal weight no matter what.
Allison Schrager (An Economist Walks Into a Brothel: And Other Unexpected Places to Understand Risk)
Wounded" The guy who put his hands on you Has got nothing to do with me And the bruises that you feel will heal And I hope you'll come around 'Cause we're missing you And you used to speak so easy Now you're afraid to talk to me It's like walking with the wounded Carrying that weight way too far The concrete pulled you down so hard Out there with the wounded Missing you Well I never claimed to understand what happens after dark But my fingers catch sparks at the thought of touching you When you're wounded Let me break it down 'till I force the issue We miss your face and you know I wish you Would come back down the the Dalva Bar You tell 'em, that's just my battle scar I want to kiss you And knock 'em down like we used to You're the marigold Till you're walking down shaking that ass again And then you walk on, baby walk on, you walk on, on and on You're an angel in the pit with her hands in the air And we're missing you Now it's fall, and your shoulders get tighter Nervous flicks on the lighter, boots Your pissed off poets, your women's groups And the friends with you, we should have known this fool Well I guess we missed the mark Still my fingers catch the sparks at the thought of them touching you Now you're wounded Let me break it down 'till I force the issue You never come around, and you know we miss you Well nobody took your pride away I said, that's something people say Back down the bully to the back of the bus 'Cause it's time for them to be scared of us 'Till you're yelling, how we living cause you got the ball Then you rock on baby, rock on, you rock on, on and on You're a summer time hottie with her socks in the air You're screaming I don't care baby I don't care You say you don't know You say you can't grow All I know is we're missing you You say you don't know You say you can't grow All I know is we're missing you Show up, show up wounded Show up, show up wounded
Third Eye Blind (Third Eye Blind - Blue)
I want you to know that I see your face when someone parks over the line in a crowded parking lot and inadvertently wastes a whole second spot, and I know your scowl isn’t really about the parking space. When you stop to pick up trash on a sidewalk or put the to-go menus back in their rack at the sandwich shop, you wish you didn’t have to. You’d rather everyone else pull their weight, but if they won’t, you will. You like having work to do, but it’s hard for you to work alongside people who cut corners and blow off responsibilities. It feels like they’re doing these things to spite you, like they slack off because they know you’ll catch whatever balls they drop. You can’t fathom how they can feel okay letting so many things remain half done. This leaves you in a constant state of simmering, low-grade resentment, and you feel guilty about occasionally having the urge to throw your laptop at someone’s face. You wish these things didn’t get to you. You want to live and let live.
Mary Laura Philpott (I Miss You When I Blink: Essays)
Having hit on this “theory,” I began to recognize checklists in odd corners everywhere—in the hands of professional football coordinators, say, or on stage sets. Listening to the radio, I heard the story behind rocker David Lee Roth’s notorious insistence that Van Halen’s contracts with concert promoters contain a clause specifying that a bowl of M&M’s has to be provided backstage, but with every single brown candy removed, upon pain of forfeiture of the show, with full compensation to the band. And at least once, Van Halen followed through, peremptorily canceling a show in Colorado when Roth found some brown M&M’s in his dressing room. This turned out to be, however, not another example of the insane demands of power-mad celebrities but an ingenious ruse. As Roth explained in his memoir, Crazy from the Heat, “Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors—whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through. The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function.” So just as a little test, buried somewhere in the middle of the rider, would be article 126, the no-brown-M&M’s clause. “When I would walk backstage, if I saw a brown M&M in that bowl,” he wrote, “well, we’d line-check the entire production. Guaranteed you’re going to arrive at a technical error.… Guaranteed you’d run into a problem.” These weren’t trifles, the radio story pointed out. The mistakes could be life-threatening. In Colorado, the band found the local promoters had failed to read the weight requirements and the staging would have fallen through the arena floor. “David Lee Roth had a checklist!” I yelled at the radio.
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
This is what you’re not allowed to see. The school system pulled this out of the curriculum. Parents complained it was ‘too disturbing.’ Probably worried someone will recognize their grandpa’s or mother’s face.” “Why are they hitting them like that?” “These men were called the Greensboro Four. They were doing a ‘sit in’ to protest the racial segregation policy at a store’s lunch counter.” Maddy frowned. “But why were they sitting where they weren’t supposed to?” “Because sometimes you have to, like John Lewis said, ‘Get into good trouble, necessary trouble,’ for your voice to be heard.
Tiffany D. Jackson (The Weight of Blood)
I don't want you getting too cold, ' he added, his breath warm against my temple. He was so much taller, even sitting as straight as I was, my head still didn't reach his chin. 'I feel like that's an important part of my duty as your personal Royal Guard.' 'Is that what you're doing right now? Protecting me from the cold by pulling me into your lap?' 'Exactly.' His hand was against my side, the weight like a brand. I stared at what I thought might be his throat. 'This is incredibly inappropriate.' 'More inappropriate than reading a dirty journal?' 'Yes,' I insisted, heat creeping into my face. 'No.' His deep chuckle rumbled through me. 'I can't even lie. This is inappropriate.' 'Then why?' 'Why?' His chin grazed the top of my head. 'Because I wanted to.' I blinked once and then twice. 'And what if I didn't want to?' Another chuckle sent an acute shiver through me. 'Princess, I'm confident that if you didn't want me to do something, I'd be lying flat on my back with a dagger at my throat before I even took my next breath. Even if you can't see an inch in front of you.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Rysen looked like he was about to pass out when he saw how much weight you’ve lost.” I’ve lost weight? I snort and take his hand. “Charming. You know you’re not supposed to mention a lady’s weight to her, right?” “I’m a pirate, not a gentleman.” He pulls me up. “You want nice words and manners? Ask Kier or Klaus.
Marie Mistry (Pirate Witch (The Deadwood, #3))
Every man that your railroad needed and lost in the past ten years,” he said, “it was I who made you lose him.” His voice had the single toned flatness and the luminous simplicity of an accountant who reminds a reckless purchaser that cost is an absolute which cannot be escaped. “I have pulled every girder from under Taggart Transcontinental and, if you choose to go back, I will see it collapse upon your head.” He turned to leave the room. She stopped him. It was her voice, more than her words, that made him stop: her voice was low, it had no quality of emotion, only of a sinking weight, and its sole color was some dragging undertone, like an inner echo, resembling a threat; it was the voice of the plea of a person who still retains a concept of honor, but is long past caring for it: “You want to hold me here, don’t you?” “More than anything else in the world.” “You could hold me.” “I know it.
Ayn Rand (Atlas Shrugged)
There’s a constant fatigue you carry around with you when you lose someone. It’s a weighted vest strapped around your chest, pulling you down to the ground, and I had to learn how to grow extra muscles to carry that around with me every day because the only other option was dropping to my knees and wailing.
Vicki James (Whenever You Call)
Movement is putting your body in motion by way of stepping, bending, crouching, shifting your weight, reaching, pushing, pulling, even fidgeting. It’s a combination of functional actions that keeps everything, joints to digestive system, in good working order. We all move in some way every day, yet most of us don’t move enough or in all the ways we need to.
Kelly Starrett (Built to Move: The Ten Essential Habits to Help You Move Freely and Live Fully)
It was Brennan, wasn’t it?” I ask Professor Kaori. Sadness fills his gaze as he meets mine. “Yes. He died trying to save your brother, but Brennan was too far gone.” “Why would he do that?” I shift the weight of my satchel. “Resurrection isn’t possible. Why would he essentially kill himself when Brennan was already gone?” A stampede of grief tramples my heart, stealing my breath. Brennan never would have wanted anyone to die for him. That wasn’t in his nature. Professor Kaori sits back against his desk, pulling at the short, dark hairs of his mustache as he stares at me. “Being a Sorrengail doesn’t do you any favors in here, does it?
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
He begins to pull the photos, one by one, from their slots. “My best friends,” he says softly. “My partner. Our daughter. My favorite teacher. The neighbor who took me in and gave me home cooked meals when classes got too much. There’s nothing more terrifying than letting your starving heart be loved, and that’s why they’re the heaviest weight I carry.
S.J. Blasko (Growing Things)
Because this is what it means to be the mothers. You're a team of your own, ready to pull your weight, ready to play with pain, ready to leave it all on the field, but you're still on the sidelines waiting for someone else's end-to-end rush, or gunning from three, or taking on four defenders himself.
Karen Shepard (Kiss Me Someone: Stories)
Climbing down a mountain is a lot more dangerous than climbing up. If you’re going to get yourself killed, that’s generally when it happens. In this case, we had the added problem of exhaustion and blindness and one other little detail, my crampons. They were so-called switchblade crampons, good for technical climbing but prone to clog up in wet or sticky snow. Pretty quickly, the accumulated snow extends down beneath the blade tips and suddenly you’re better equipped for skiing than clinging to the mountainside. So here goes. I move, commit and plant my weight on what I believe to be that hill. Wrong. I step onto nothing but air and come whipping off the front of the face. The rope snaps taut, and pulls Mike right off his feet. Both of us start to slide. We take our ice axes, jam them into the hill, and both of us roll our body weight on top of them to stop the fall. We do this another two or three times before we get all the way down. Mike later described the experience as “somewhat unnerving.” Little did he guess what lay dead ahead. Except for some rips in my down suit and a whole lot of wounded pride, I was fine, and heartily relieved. We were back on the South Col—practically home free. In less than an hour of easy traverse we were going to be in those tents, in those sleeping bags, drinking hot tea and putting the long, exhausting day to bed.
Beck Weathers (Left for Dead: My Journey Home from Everest)
I could no longer feel or move my right hand, no surprise under the circumstances, and normally a fairly simple problem to fix. You take off two of the three gloves you wear and jam the affected hand beneath your coat against your bare chest. When it’s warmed sufficiently, you take it back out, put on the gloves and go about your business. Now, I had been in very cold places, but what happened next was a complete shock. When I pulled those two outer gloves off, the skin on my hand and my arm immediately froze solid, even underneath that third expedition-weight glove. The shooting pain of instant frostbite so startled me that I lost my grip on the glove in my left hand, which the wind grabbed—whoooooosh—and sent into outer space. There was another pair of gloves in the pack on my back. But they might as well have been under my bed at home. In such a storm, there was no way I could take off that pack, put it down and rummage through it. The wind was strong enough to lift me bodily off the ground and drop me, which at one point it did. I didn’t have the time, or presence of mind, to consider my exposed right hand and forearm’s probable fate, or how I might fare in the future as a one-handed pathologist. I did reinsert my hand under my coat, a frozen Napoleon. Life and death were now the issue for all of us, with the odds against the former lengthening each moment.
Beck Weathers (Left for Dead: My Journey Home from Everest)
You can think of the snatch as a clean to the point above your head. Do not even think about taking it on until you have mastered one arm swings and cleans! Stand over a kettlebell, your feet about shoulder width apart, your weight on your heels. Inhale, arch your back, push your butt back, and bend your knees. Reach for the bell with one hand, the arm straight, while keeping the other arm away from your body (initially you may help yourself by pushing with the free hand against your thigh but it is considered ‘no class’ by most gireviks). Swing the bell back and whip it straight overhead in one clean movement. Note that the pulling arm will bend and your body will shift to the side opposite to the weight. But you do not need to worry about trying to do it that way; just pull straight up and your body will find an efficient path in a short while. Do not lift with your arm, but rather with your hips. Project the force straight up, rather than back—as in a jump. You may end up airborne or at least on your toes. It is OK as long as you roll back on your heels by the time the bell comes down. Dip under the K-bell as it is flipping over the wrist. Absorb the shock the same way you did for cleans. Fix the weight overhead, in the press behind the neck position for a second, then let it free fall between your legs as you are dropping into a half squat. Keep the girya near your body when it comes down. As an option, lower the bell to your shoulder before dropping it between the legs. Ease into the one arm power snatch because even a hardcore deadlifter’s hamstrings and palms are guaranteed to take a beating. Especially if your kettlebells are rusty like the ones I trained with at the ‘courage corner’. It was a long time after my discharge before my palms finally lost their rust speckled calluses. Unlike the deadlift, the kettlebell snatch does not impose prohibitively strict requirements on spinal alignment and hamstring flexibility. If you are deadlifting with a humped over back you are generally asking for trouble; KB snatches let you get away with a slightly flexed spine. It is probably due to the fact that your connective tissues absorb shock more effectively when loaded rapidly. Your ligaments have wavy structures. A ballistic shock—as long as it is of a reasonable magnitude—is absorbed by these ‘waves’, which straighten out like springs.
Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
The clean draws its name from the requirement to bring the weight to your shoulders in one ‘clean’ movement. Pick up the kettlebell off the floor, the same way you would for the one arm swing. Note that the starting position for all the pulls, swings, cleans, and snatches is identical. Swing the kettlebell back and then immediately toward your shoulder.
Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
How willing are you to consider that your life is the way it is, not because of the weight of your circumstances or situation, but rather the weight of self-talk that pulls you down? That what you think you can and cannot do is influenced much more directly by some subconscious response than by the reality of life itself?!
Gary John Bishop (Unfu*k Yourself: Get Out of Your Head and into Your Life – The New York Times Bestselling Tough-Love Self-Help Guide to Stop Self-Sabotage and Boost Resilience (Unfu*k Yourself series Book 1))
The word reliable has its origins in relier, Old French for “fasten” or “attach”; the reliable man is an immovable pillar of strength — someone you can hang your hat on, lean and depend on, trust implicitly. The pointed end of a compass around which everything turns. Being reliable means keeping your promises, managing expectations, following through on obligations, acting consistently, pulling your weight, and showing up. Always showing up.
Brett McKay (The 33 Marks of Maturity)
ChiroCynergy - Dr. Matthew Bradshaw | Pregnancy Chiropractor in Leland, NC Back Pain 30 million people nationwide suffer from neck and/or back pain, and this year alone, they will spend $40 billion to try and solve it. ChiroCynergy can help, whether the cause of your pain is down to a muscle/ligament pull or because of a subluxation (misaligned bone) in your spine. Let us help you get back to a pain-free life – by getting to the root of the problem instead of relying on painkillers and anti-inflammatory. ChiroCynergy - Pregnancy-Induced Back Pain Chiropractors in Leland, NC Back pain is common during pregnancy due to the changes occurring in your body. As your baby grows, the biomechanics of your body and your posture alter to make room for the baby. The additional weight and change in posture can lead to increased stress on the spine. Chiropractic can help ease the pain and prepare the body for a more natural birth process by keeping the spine and pelvis in optimal alignment for your baby’s journey. Let us take care of both you and your baby during and post-pregnancy with safe and specific hands-on care. Call ChiroCynergy the best pregnancy chiropractor in Leland, NC to schedule your free consultation with one of our doctors. We can properly assess any injuries you may have suffered – and possibly save you from years of chronic arthritic pain in the future. Call us: (910) 368-1528 #chiropractor_Leland_nc #best_chiropractor_Leland_nc #chiropractor_near_Leland_nc #chiropractic_in_Leland_nc #best_chiropractor_in_Leland_nc #chiropractic_near_me #chiropractor_near_me #family_chiropractor_in_Leland_nc #female_chiropractors_in_Leland_nc #physical_therapy_in_Leland_nc #sports_chiropractor_in_Leland_nc #pregnancy_chiropractor_in_Leland_nc #sciatica_chiropractor_in_Leland_nc #car_accident_chiropractor_in_Leland_nc #Active_Release_Technique_in_Leland_nc #Cold_Laser_Therapy_in_Leland_nc #Spinal_Decompression_in_Leland_nc
ChiroCynergy - Dr. Matthew Bradshaw | Pregnancy Chiropractor in Leland, NC
Snatch. The kettlebell snatch is a total-body exercise with special emphasis on the entire posterior chain. It simultaneously develops strength, explosiveness, structural integrity, cardiorespiratory capacity, and virtually every attribute on the athletic continuum. There are six stages to the snatch: Inertia swing Acceleration pull with hip and trapezius Hand insertion deep into the handle Overhead lockout Direction change into the drop Grip change into the backswing To perform this exercise, with the kettlebell on the floor in front of you, load your hips and grip the kettlebell with your fingers as you would for the swing (see figure 7.21a). Swing the kettlebell back between your legs as you begin to stand, further loading the hips (see figure 7.21b). As with the swing and clean, various thumb positions can be used in the downswing and upswing portion of the snatch. The most common is to rotate the thumb back at the end of the downswing and transition to a 45-degree angle (thumb up) at the beginning of the acceleration pull. Keep your arm connected to your body and extend your knees and hips, allowing the inertia of the kettlebell to pull your arm forward (figure 7.21c). Just as the arm begins to separate from the body, accelerate the kettlebell vertically as fast as you can by rapidly pulling with the hip, followed by a shrug of the trapezius. If you are snatching with your right hand, push forcefully with your left leg, pull back your right hip, and shrug with your right trapezius (see figure 7.21d). As the kettlebell is accelerating upward, release your fingers and insert your palm deeply into the handle (see figure 7.21e). Allow the momentum to carry the kettlebell all the way to the top and lock out your arm in the fully extended elbow position (see figure 7.21f). This overhead lockout position is identical to the overhead position in the push or push press (thumb facing back, no or minimal rotation). To drop the kettlebell back down, first shift your weight to the opposite foot (if snatching with the right hand, shift to the left foot) and lean your upper body back (see figure 7.21g). Keep your hips and torso extended maximally and let your triceps connect to your torso. Finish the downswing by changing grips and pulling your hand back to catch the handle with your fingers (see figure 7.21h), and tighten the fingers as you follow the kettlebell between your legs into the backswing (see figure 7.21i). Use the rhythmic motion to continue the snatch for the desired repetitions.
Steve Cotter (Kettlebell Training)
The pirate screeched, the high-pitched desperate shriek turning into a gurgle, and sagged on top of me. The four-hundred-some pounds pinned me in place. I strained. The body didn’t move. Damn it. Suddenly the weight was gone. The dolphin hovered three feet above me and was tossed unceremoniously aside. A gray monster stained with blood crouched by me. Curran. “You’re taking a nap? Come on, Kate, I need you for this fight. Stop lying around.” You sonovabitch. I rolled to my feet and grabbed my sword. “You must think you’re funny.” A weredolphin threw himself at us from the right. Curran tripped him and grabbed his shoulder, pulling him back, and I sliced the pirate’s throat and punctured his heart with two quick strikes. “Just saying, you have to pull your own weight. A hot body and flirting will only get you so far.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Part of the problem is that they have become terrified of pulling that second cord because if it’s also fucked up, then they truly will be helpless. That is a mental trap set by fear. We cannot afford to remain afraid of cutting away dead weight to save ourselves.
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
A furrow appeared between his brows. “Come here, poppet.” He drew her firmly into his arms until her cheek rested against his chest. “I want to feel you take a real breath.” “Sorry, sorry.” Even as she pulled in a breath, her legs felt appallingly weak. Arm around her waist, he held her up, taking her weight. He felt so…solid. “You’re fine, sweetheart. No one will hurt you here.
Cherise Sinclair (I Will Not Beg (Mountain Masters & Dark Haven, #6))
To state the obvious, a cow’s muscles were designed by nature to move the cow’s legs. A chicken’s muscles allow the bird to walk and fly (although current breeding and rearing practices are such that these obese birds do not get around very well). A fish’s muscles move the fish’s tail. A muscle is not designed to be a nutritional supplement. It is a biological ratchet system designed for pulling. For that purpose, it is beautifully designed. Strings of protein serve as the ratchet mechanism, with fat in between them. If meat were designed to provide good nutrition, it would have fiber to tame your appetite, complex carbohydrate for energy, and vitamin C to protect your body, among other vital nutrients. But meat has none of these things. It is mainly a mixture of fat and protein (along with the occasional parasite, perhaps). Meat’s fat packs in calories, and it adds to the fat that is collecting inside your cells—the intramyocellular lipid that slows down your metabolism, as we saw in chapter 3.
Neal D. Barnard (21-Day Weight Loss Kickstart: Boost Metabolism, Lower Cholesterol, and Dramatically Improve Your Health)
Ready?’ Bim and James nodded and clung on to the flimsy bamboo basketwork that formed the sides of the tray. I pushed them over the edge. They sped away, rattling down. The little basket went hurtling away with James shrieking like a crazed jackal. They reached the lowest point on the cable and continued a little way up on the other side. The momentum didn’t help them much though. Soon they had stopped and Bim was standing with both her hands on the cable. If you lost balance and grabbed the cable downhill of the wheels, I could picture now how easy it would be for the wheels – pulled down by your body weight – to run over your fingers. Bim was trying to pull them up the other side.
Jane Wilson-Howarth (Himalayan Heist: an Alex and James wildlife adventure in Nepal)
But I do think that what makes a song a song is how it feels when it’s sung. You might give up halfway through. You might change the words as you’re singing them the way you would when you anticipate someone you’re speaking to isn’t quite following. Because every song should make some effort to connect. Songs are pleas. It’s all about reaching out and pulling in . . . or pushing out and looking in—in equal and unequal amounts. To whatever degree you need that connection in your life, you’ve at least taken the time and made the effort to create a song. I would love for you to have the full weight of this one simple truth rest on your shoulders gently for long enough to understand what it is you’ve done.
Jeff Tweedy (How to Write One Song)
Oh my god!” I arch against the mattress. “Not your god.” My husband thrusts into me with a groan. My open mouth pulls into a smile. “My King.” “That’s right, Baby.” King drops his weight onto me. “I’m your fucking King.
S.J. Tilly (King (Alliance, #2))
We break commitments to ourselves with embarrassing regularity. How can someone trying to lose weight binge on an entire pint of ice cream before bed? How can even the most disciplined of executives fail to make 30 minutes of time per week for exercise? How can someone whose marriage depends on quitting smoking pick up a cigarette? Simple: logic fails. If you were to summarize the last 100 years of behavioral psychology in two words, that would be the takeaway. Fortunately, knowing this, it is possible to engineer compliance. Pulling from both new and often-neglected data, including photographic research and auctions, there are four principles of failure-proofing behavior. Think of them as insurance against the weaknesses of human nature—your weaknesses, my weaknesses, our weaknesses: 1. Make it conscious. 2. Make it a game. 3. Make it competitive. 4. Make it small and temporary.
Timothy Ferriss (The 4-Hour Body: An Uncommon Guide to Rapid Fat-Loss, Incredible Sex, and Becoming Superhuman)
What’s the deal with Nick?” I look around the gym, but it’s empty except for us. “What are you talking about? There’s no deal.” He looks at me like I’m an idiot and I grit my teeth. This right here is why I don’t want people to know. I don’t want to deal with the intrusive questions and snide remarks. It’s only a few more months until I graduate and I don’t have to deal with this. “You really expect me to believe there isn’t something going on? Really? Do I look like a dumbass to you?” I open my mouth to respond but he holds up his hand. “Don’t answer that.” I snort and a smile starts to turn up one side of my mouth. “Nick and I are friends, kind of. You know how it is during the season, shit is busy and we really don’t have much time for anything besides school and hockey.” I shrug, trying to play it off like it’s not a big deal, but the ache in my stomach is a weight trying to pull me into the core of the earth. “Bullshit.” I stop the treadmill and stare at him. “Excuse me?” “Bull. Shit,” he enunciates. “You mope around the room when you aren’t in here or in class. Everyone else has a social life. Every. One. Else.” He takes a deep breath and watches me for a minute. “So, go shower, get changed, then go away. I’m kicking you out of the room for the day.” “You can’t kick me out of my own room.” I step down and wipe my face on my T-shirt. “Watch me. I’ll get the guys to help me carry your ass out if I have to.” “What the hell am I supposed to do all day?” “I don’t care.
Andi Jaxon (Off Sides (Darby U Hockey Boys, #3))
it’s like you are drowning, and the only way to save yourself is to pull the chord and activate your life jacket. and you consciously know this, but somehow, you feel paralyzed. your hands are tied to something which you cannot even see, and the weight on your body is increasing with each new heartbeat.  so you descend deeper into the ocean no matter how much you try not to. -depression
Yogesh Chandra (The Flower That Went Mad: Bipolar Poetry)
True healing is the willingness to treat yourself with kindness." Healing is like tending to a garden. You can't rush it, and you can't force it. As you carefully water plants and pull weeds, you must approach yourself with patience and compassion. Only by treating yourself kindly will you create an environment where healing can flourish. "The more you heal, the less you push away what's uncomfortable." Healing isn't about avoiding discomfort—it's about embracing it. Think of it like building a muscle. Every stretch and strain makes you stronger. As you heal, you grow more capable of sitting with discomfort, knowing that it's part of the process, not a thing to run from. "Healing happens when you are ready to let go of what is hurting you." Letting go is like releasing a heavy anchor holding your ship in place. You can't sail forward until you free yourself from the weight of old wounds. Healing begins when you untie yourself from the past and allow yourself to move freely into the future.
Yung Pueblo Quotes
Yung Pueblo, the modern poet and philosopher, is a beacon of personal growth, healing, and self-awareness. His words, steeped in wisdom, resonate with people seeking peace, transformation, and a deeper connection with themselves. Let's look at some of Yung Pueblo's quotes and break them down in a way that adds value to your life. Each quote is followed by an easy-to-understand explainer, using metaphors to help you understand his message's depth. These explanations are guideposts, showing how to apply his insights to your journey. ## Yung Pueblo Quotes on Healing **"True healing is the willingness to treat yourself with kindness."** Healing is like tending to a garden. You can't rush it, and you can't force it. As you carefully water plants and pull weeds, you must approach yourself with patience and compassion. Only by treating yourself kindly will you create an environment where healing can flourish. **"The more you heal, the less you push away what's uncomfortable."** Healing isn't about avoiding discomfort—it's about embracing it. Think of it like building a muscle. Every stretch and strain makes you stronger. As you heal, you grow more capable of sitting with discomfort, knowing that it's part of the process, not a thing to run from. **"Healing happens when you are ready to let go of what is hurting you."** Letting go is like releasing a heavy anchor holding your ship in place. You can't sail forward until you free yourself from the weight of old wounds. Healing begins when you untie yourself from the past and allow yourself to move freely into the future. ## Yung Pueblo Quotes About Self-Love **"You must love yourself so deeply that your energy and presence become a gift to the world."** Imagine your heart as well. The more you fill it with love for yourself, the more you have to share with others. Self-love isn't selfish—the overflow enriches everything and everyone around you. By loving yourself deeply, you become a gift to those you meet. **"Self-love is creating space in your life to take care of yourself."** Self-love is like building a sanctuary in your daily life. You need to create space, even negligible, to retreat and recharge. It's not about indulgence; it's about recognizing that taking care of yourself is essential to thriving in a busy, chaotic world. **"Self-love is accepting that you are a constantly evolving work of art."** You are like a canvas, always in progress. Some days, the strokes are bold; others, they're gentle. Self-love means accepting that your life is a masterpiece in progress—you are never finished, and that's where the beauty lies. Embrace each phase and layer, and know it all adds to something magnificent.
Yung Pueblo Quotes: Wisdom on Healing, Self-Love, and Inner Growth
If you could go back to Trehaug, would you want to?” “What?” “Last night you said you couldn’t go home. I wondered if that was what you really wanted to do.” He followed her silently for a time, then added, “Because if it was, I’d find a way to take you there.” She stopped, turned and met his eyes. He seemed so earnest, and she suddenly felt so old. “Tats. If that was what I really wanted to do, I’d find a way to do it. If I left now…well. It all would have been for nothing, wouldn’t it? I’d just be Thymara, slinking back home, to live in my father’s house and abide by my mother’s rules.” He furrowed his brow. “ ‘Just Thymara.’ I don’t think that’s such a bad thing to be. What do you want to be?” That stumped her. “I don’t know. But I know that I want to be something more than just my father’s daughter. I want to prove myself somehow. That’s what I told my da when he asked why I wanted to go on this expedition. And it’s still true.” They’d come to the next trunk and Thymara started up it, digging her claws into the bark. The same claws that had condemned her to a half life in Trehaug might be her salvation out here, she thought. Tats came behind her, more slowly. When Thymara reached a likely branch, she paused and waited for him. When he caught up with her, his face was misted with sweat. “I thought only boys felt things like that.” “Like what?” “That we have to prove ourselves, so people would know we were men now, not boys any longer.” “Why wouldn’t a girl feel that?” Her eyes had caught a glint of yellow. She pointed toward it, and he nodded. At the end of this branch, out over the river, a parasitic vine garlanded the tree. The weight of hanging yellow fruit sagged both vine and branches. It swayed and she saw the flicker of wings. Birds were feeding there, a sure sign the fruit was ripe. “I don’t know if the branches will take your weight.” “I’ll find out.” “Your choice. But don’t follow me too closely.” “I’ll be careful. And I’ll stick to my own branch.” And he was. She ventured out onto the branch, and he transferred to one beside it. She crouched, digging her claws in as she ventured toward the vine. The farther she went, the more the branch sagged. “It’s a long drop to the river, and shallow down there,” Tats reminded her. “Like I don’t know,” she muttered. She glanced over at him. He was belly down on his branch, inching out doggedly. She could tell he was afraid. And she knew that he wouldn’t go back until she did. Proving himself. “Why wouldn’t a girl want to prove herself?” “Well.” He gave a grunt and inched himself along. She had to admire his nerve. He was heavier than she was, and his branch was already beginning to droop with his weight. “A girl doesn’t have to prove herself. No one expects it of her. She just has to, you know, be a girl.” “Get married, have babies,” she said. “Well. Something like that. Not right away, the having babies part. But, well, I guess no one expects a girl to, well—” “Do anything,” she supplied for him. She was as far out as she dared to go, but the fruit was barely within her reach. She reached out and took a cautious grip on a leaf of the vine. She pulled it slowly toward her, careful not to pull the leaf off. When it was near enough, she hooked the vine itself with her free hand. Carefully she scooted back on the parasitic vines had very tough and sturdy stemwork. She’d be able to pull it from here and pluck as much fruit as she wanted. Tats saw that, and she credited his intelligence that he stopped risking himself immediately and backed along the branch. He sighed slightly, watching her. “You know what I mean.” “I do. It didn’t used to be like that, with the early Traders. Women were among the toughest of the new settlers. They had to be, not only to live but to raise their children.
Robin Hobb (City of Dragons (Rain Wild Chronicles, #3))
I weighed myself twice daily, and within two weeks I’d dropped twenty-five pounds. My progress only improved as I kept grinding, and the weight started peeling off. Ten days later I was at 250, light enough to begin doing push-ups, pull-ups, and to start running my ass off. I’d still wake up, hit the stationary bike, the pool, and the gym, but I also incorporated two-, three-, and four-mile runs. I ditched my running shoes and ordered a pair of Bates Lites, the same boots SEAL candidates wear in BUD/S, and started running in those.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
One has to be prepared for when the time is over. O man, arrange your state of soul as long as the clock is still going; For when the weight has come to the end of this short time that we live, You can’t pay anybody anywhere to pull the weight up again, Not through art, or money, or respect of man.
Larry Loftis (The Watchmaker's Daughter: The True Story of World War II Heroine Corrie ten Boom)
It is not expensive, you are pulling your own weight and you are heavy.
nickiesha reid
Hello, Minister!” bellowed Percy, sending a neat jinx straight at Thicknesse, who dropped his wand and clawed at the front of his robes, apparently in awful discomfort. “Did I mention I’m resigning?” “You’re joking, Perce!” shouted Fred as the Death Eater he was battling collapsed under the weight of three separate Stunning Spells. Thicknesse had fallen to the ground with tiny spikes erupting all over him; he seemed to be turning into some form of sea urchin. Fred looked at Percy with glee. “You actually are joking, Perce. . . . I don’t think I’ve heard you joke since you were —” The air exploded. They had been grouped together, Harry, Ron, Hermione, Fred, and Percy, the two Death Eaters at their feet, one Stunned, the other Transfigured; and in that fragment of a moment, when danger seemed temporarily at bay, the world was rent apart. Harry felt himself flying through the air, and all he could do was hold as tightly as possible to that thin stick of wood that was his one and only weapon, and shield his head in his arms: He heard the screams and yells of his companions without a hope of knowing what had happened to them — And then the world resolved itself into pain and semidarkness: He was half buried in the wreckage of a corridor that had been subjected to a terrible attack. Cold air told him that the side of the castle had been blown away, and hot stickiness on his cheek told him that he was bleeding copiously. Then he heard a terrible cry that pulled at his insides, that expressed agony of a kind neither flame nor curse could cause, and he stood up, swaying, more frightened than he had been that day, more frightened, perhaps, than he had been in his life. . . . And Hermione was struggling to her feet in the wreckage, and three redheaded men were grouped on the ground where the wall had blasted apart. Harry grabbed Hermione’s hand as they staggered and stumbled over stone and wood. “No — no — no!” someone was shouting. “No! Fred! No!” And Percy was shaking his brother, and Ron was kneeling beside them, and Fred’s eyes stared without seeing, the ghost of his last laugh still etched upon his face. CHAPTER THIRTY-TWO THE ELDER WAND The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms? Harry’s mind was in free fall, spinning out of control, unable to grasp the impossibility, because Fred Weasley could not be dead, the evidence of all his senses must be lying —
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I implore anyone working to optimize their metabolic health or weight to incorporate resistance training (otherwise known as strength training or weight training). Resistance training simply means intentionally making your muscles work against a weighted force, which could be functional movements such as lifting or pushing heavy things in your home or at work, lifting or pushing weights, or using your body weight as a force to work against (think pull-ups or push-ups).
Casey Means (Good Energy: The Surprising Connection Between Metabolism and Limitless Health)
It is essential in war to position your troops in the most favorable site before the battle begins. It is twice as advantageous to take the initiative and attack first rather than wait for the enemy to do so. Assuming an unflinching sword stance to parry an attack is effectively the same as constructing a [protective] fence of pikes and glaives. When you strike the enemy, pull the “fence posts” out and use them as pikes and glaives. Study this carefully. (6) About “Fixing the Gaze” in Other Schools (一、他流に目付と云事) Certain schools maintain that the gaze should be fixed on the enemy’s sword. Others teach students to focus on the hands, the face, the enemy’s feet and so on. Setting your gaze on specific points will cause uncertainty and will adversely affect your strategy. To give another example, players of kemari8 do not focus intently on the ball as they kick it. They can still deflect the ball off their temple and kick it using the bansuri technique9 or keep it afloat with an oimari kick,10 or even a spin kick. As the player becomes more accomplished, he can kick the ball without needing to look at it. The same can be said of acrobats. Someone accustomed to this art can juggle several swords while simultaneously balancing a door on the tip of his nose. He has no need to fix his gaze as he can see what he is doing intuitively through lots of training. Likewise, in the Way of combat strategy, the warrior learns through engaging with different opponents to determine the weight of an enemy’s mind. With practice in the Way, you will come to see everything, from reach to the speed of the sword. Generally speaking, “fixing the gaze” in strategy is to attach it to an enemy’s mind. In large-scale strategy, also, the state and numbers of the enemy must be scrutinized. The two approaches for observing are the eyes of kan (“looking in”) and ken (“looking at”). Intensifying the kan gaze, penetrate the enemy’s mind to discern the conditions. With a widened gaze, examine how the battle is progressing and search for moments of strength and vulnerability. This is the surest way to victory. In both large- and small-scale strategy, refrain from fixing your gaze narrowly. As I have written previously, focusing on minute details will make you forget bigger issues. Your mind will become confused and certain victory will slip from your reach. You must study this principle through careful training.
Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
Shh,” I murmur, taking care to keep my voice low. “It is only a dream. You’re safe. I’ve got you.” [...] "A dream,” she repeats, pupils dilated as she stares up at me. She licks her lips, and I follow the movement with my eyes, a heat pulsing low at the base of my spine. “It was just a dream.” I nod, trying to angle my hips away from her in a futile attempt to hide my thickening cock. But her body is pressed close to mine, tucked beside me under my and Jadi’s wool traveling blankets. I see the moment she realizes, my preternatural vision able to take in the details of her shock. I see the way her pale eyes go wide, cheeks flushing pink. Hear her breath hitch in surprise. I feel my own cheeks heat in response, a flush of shame tightening in my chest. Shame at how much I want her. At how I’ve treated her. Shame at how jealously I guarded Jadi’s affections. At the way I cruelly tried to drive him away from her. “Asterion?” My name is barely a whisper on her lips, but she doesn’t pull away from me. Instead, her thigh presses against my hardening length. Almost like she’s seeking me out. But of course, that can’t be right. No woman would seek me out. Not after the way I’ve treated her. “Yes?” My voice catches in my throat, but I don’t dare look away. “Do you – are you…” her voice trails off, but she keeps her eyes locked on mine. Guilt tightens its hold behind my ribs, but I nod. There’s no point in denying it. No point in lying to her. Not when she can feel the proof of my attraction to her pressing against her. “I’m sorry,” I grit out, pulling my hand away from her face. “I don’t mean to… Please, just ignore it.” I roll away until I’m lying on my back, my erection almost painful as it pushes against the weight of the blankets. “Because of Jadi?” she asks, her voice thready and uncertain. I furrow my brow, glaring with irritation into the darkness. “Jadi? What does Jadi have to do with it?” “I mean – just that you and Jadi are together. Lovers? I not know word,” she babbles. “And I know that. Respect that. I not want come between you and Jadi. At party, he asked if he could court me,” she confesses. “I sorry if I…” I cut her off with a frustrated hiss, hating myself even more for this proof of how I’ve hurt Jadi. How successfully I have pushed her away from him. “You have nothing to apologize for,” I grind out. “Jadi has every right to court you. Every right. The only one who could deny him that is you.” “But you and Jadi…” “Are lovers? Intertwined as closely as two threads woven into the same cloth? Yes.” I bark out a bitter, mirthless laugh. “Which makes my treatment of him – of you – even worse.” The words are spilling out now, like water into the hull of a ship once the wood has cracked. Now that I’ve started, there is no stopping it. “I’ve known for moon cycles that he cares for you, and I hurt him for it. I was cruel to him and tried to chase you away. Because I was afraid you would steal him away from me, and he’s all I have. He’s everything to me. He’s my heart. My heart.” I clutch my fist against my chest in emphasis, still staring at the ceiling, not daring to turn and meet her eyes with my own. “I was jealous, and it was wrong, and now the gods are probably laughing at me. Because I want you. I want you. After trying to drive Jadi away from you, now I want you for myself. But I don’t deserve you. Not after the way I’ve treated you. And even then, even if I hadn’t…” [...] “I want you too.” Her words are no more than a whisper, and I tense, my first instinct to dismiss them the moment I register what she’s said. “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
[T]he contraction of self-referencing can be thought of as gravitational pull. Like the planets in our solar system, everything in our lives orbits a narrative center of gravity--*me*. As long as we have an ego, everything is self-centered. . . . The gravitational metaphor takes on more weight when the sun is replaced by a black hole, and orbital processes are replaced be phenomena that just suck. . . . [E]verything gets sucked in to feed one massive me, like a supermassive black hole.
Andrew Holecek (Reverse Meditation: How to Use Your Pain and Most Difficult Emotions as the Doorway to Inner Freedom)
Then Mack is beside me, gently turning me over. I stare up, still dazed and bewildered and shocked beyond all measure. “Oh fuck, angel. What did you do? What did you do?” “I…” My voice sounds weird. Kind of stretched and wobbly. “I saved you. Didn’t I?” Mack makes a strange sobbing sound and lowers his face briefly to my chest. “You did.” Then he’s pulling away my jacket and my shirt, searching for the wound. I can feel it burning on my side, and being exposed to the open air from Mack’s fumbling doesn’t make it any better. “Shit, it really hurts. I guess it’s bleeding. Are my guts hanging out?” He chokes on what might have been a huff of anxious amusement. “No. They’re definitely not. You’re bleeding but not as bad as I thought it would be. Maybe it didn’t get you too bad.” “Oh.” I’m focusing on taking deep breaths, trying to will the pain away so I can think more clearly. I’m hot and cold at the exact same time, and both my head and my chest are pounding violently. “Okay. So I’m not going to die?” “No!” He makes some weird, jerky motions, and it takes longer than it should for me to figure out he’s pulled off his T-shirt. He wads it up to hold it against the place that’s hurting on my side. “You’re not gonna die. I won’t let you.” “Do you think you can stop it?” I’m genuinely curious since he sounded so certain. “Yes. I don’t think you got shot too bad, but even if it’s bad, I’m gonna fix it. You’re not gonna die now. Not when I just got you for real. I’m not gonna let it happen. Not while I’m alive.” While he’s muttering out the hoarse words, he’s working on me, checking my side again and then moving my hand so I’m holding his bundled shirt to the wound myself. “Hold this right here. I’ll be right back.” “You’re leaving me?” I ask the words in a groggy blur since I have no clear idea what’s happening. “Course not. Just need somethin’ to wrap you up.” I don’t know what this means. I consider telling him I don’t need to be wrapped up because I’m as hot as I am cold even though I’ve started to shiver. But I don’t get the words out, and it doesn’t end up mattering because he returns with another one of his shirts. This one he wraps like a sash tightly around my middle, so snugly it holds his wadded T-shirt in place. “There’s first aid stuff at the cabin. I need to get you there so I can fix you up better. You think you can get up?” He sounds so upset and stressed I wouldn’t dream of telling him no. “I can do it.” My words are more confident than is warranted by my condition. I do make an attempt, but it’s mostly Mack lifting my full weight on his own and then carrying me over to the quad. He considers various options for positions, but there’s no safe way for us both to ride this thing except in the normal arrangement with me behind him. So he helps me get on and then climbs on in front of me, pulling my arms around him.
Claire Kent (Beacon (Kindled #8))
We were scared. We just had Reign, and I was already terrified of trying to be a good mother to one child. Then suddenly, we had two.” A smile breaks across her red lips, eyes distant with the memory. “But when your father laid eyes on you? When I watched him refuse to leave your side? All the fear left, and I knew you were ours. I named you Seraphina because your father’s name means smoke.” Where there’s smoke, there’s fire.  I hate crying. Loathe it with every fiber of my being. It makes me feel weak, exposed, like my heart is on display for the world to pick apart. I’ve spent years building walls, brick by brick, to keep all that vulnerability locked away. But now, as she speaks, those walls slide down a little, and I can feel the burn of tears in my eyes. And the worst part? I can’t even be angry at her for making me feel this way ’cause all I feel is love. “You are exactly who we expected you to be,” she mutters, tucking a piece of hair behind my ear. “Our daughter. Nothing will ever change that.”  “Not even if I hate Shakespeare?” I counter, arching a brow as I quickly wipe the tears from my cheeks.  She tilts her head back with a laugh, shaking it as she says, “Not even then.” Before we part, she pulls me into a hug, squeezing me a little tighter than normal.  Her parting words remind me why blood has never and will ever determine who my family is. “I know that weight on your shoulders is heavy. I can see it. When you’re ready, I’m right here, baby. I’m strong enough to help you carry it, always.
Monty Jay (Wrath of an Exile (The River Styx Heathens #1))
Best workout ever." Darius sat next to her and rested his back against the soft mat. She laughed and fumbled to put on her bra. He lifted the weight of her hair from her back and helped her pull down her silk shirt. For a moment, he held the length of her hair in his hand as he had the swing rope. He tugged gently to turn her face to his, and then released it. His face was open and relaxed, his pale blue eyes warm and content. His knees fell open to rest against hers. The feel of skin on skin, bone to bone, was easy, the most natural thing in the world. "Next time we should try the pommel horse." Mei laughed. "You still got pommeling on your mind?" "Oh yeah." He signed and tilted his chin to the ceiling, exposing the length of his throat. "Some pommeling and tumbling would be good. We've got time to make up for.
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
following a strength-training program featuring natural, total-body movements (squats, pushups, pull-ups, etc.) helps you develop and maintain lean muscle mass, increase metabolism to maintain low levels of body fat, increase bone density, prevent injuries, and enjoy balanced hormone and blood glucose levels.
Mark Sisson (The Primal Blueprint: Reprogram your genes for effortless weight loss, vibrant health, and boundless energy (Primal Blueprint Series))
But even as he surged up, Tom dug in, using his body’s position to hold Prophet to the ground, his knees pressing Prophet’s thighs together. “You’re going to want me to open my legs,” Prophet murmured against his cheek once Tom broke the kiss and was concentrating on biting Prophet’s earlobe. “And you’ll do it for me,” Tom drawled, his breath warm against Prophet’s cheek, his hips a slow, steady rock, forcing their clothed cocks to rub together. “Jesus, that’s good.” “Fucker,” Prophet grunted, Tom’s heavy weight grounding him. “You’ve been practicing.” “Practicing fighting you or fucking you?” Tom held Prophet’s wrists immobile with one hand and reached to pull his sweats down with the other. “You
S.E. Jakes (Daylight Again (Hell or High Water, #3))
closed his eyes and tried to concentrate on pushing his orgasm down. When Ruxs topped him it sure as hell took longer than two minutes. He lowered himself and aimed for a higher angle. Ruxs lurched in his arms and Green pulled out, went back in with power, keeping that angle and strong momentum. Ruxs was quieter now. His only sounds a mix between a groan and sob each time Green pegged his gland. He looked down and Ruxs cock was harder than a choirboy’s in a porn shop. Fuck yeah. But he needed a better position, needed to go deeper. He rolled pulling Ruxs with him. “Don’t stop.” Ruxs voice was barely recognizable. “I’m not.” Green pulled Ruxs on top. Ruxs’ heavy legs on either side of his. His back to his chest, his rigid cock pointing to the ceiling. Damn. He was heavy but the weight felt good and it put Green just as deep as he needed to be. Ruxs shuddered on top of him when Green gripped him between his thighs, holding his balls in a diamond created by his hands and slid him up and down his body while he thrust up into him on the down stroke. “Fuuuuuuck,” Ruxs keened. “Right th—oh… god.” “You’re
A.E. Via (Here Comes Trouble (Nothing Special #3))
Rach?” he called, and hit Mason’s arm. Mason turned from locking their door as Kash took the few steps toward us. “Rachel, what’s wrong?” “The cats, dear.” Mrs. Adams looked at him with a worried expression. “They’ve all gone! Rachel must help me find them.” His wide eyes searched my face and I dropped my head quickly; my wet hair fell like a useless curtain and I flinched when Kash grabbed my free wrist. He dropped it quickly and spoke softly. “You know, Mrs. Adams, Rachel isn’t feeling well. I’ll help you find your cats today.” “Oh, but—you’re a boy! They won’t respond to a boy!” “Yes they will, Mrs. Adams. I helped you find them last week, don’t you remember?” “Well then come, hurry! We need to find them.” She turned and shuffled back toward her door. “Smokey! Honey, come back to Mama!” “Rachel, are—” The buzzer on the washer sounded and I jumped back, hitting the half-open door and almost falling when it swung the rest of the way from my weight. “Christ, Rach!” Kash grabbed for me and his eyes got wide again when he felt my body vibrating. “Mase! Take her into our apartment, I’ll be right back.” “N-no. I’m fine.” I pulled away from him, but he brought me out of the doorway and handed me to Mason. Jerking back again, I pleaded on a sob, “Stop touching me!” Both guys dropped their hold on me and their hands went up, as if they were surrendering. Mason’s deep voice was soft and slow. “Sweetheart, come on. I won’t touch you. Let’s just get you in our apartment. All right? Are you feeling sick? Do you want me to call Candice?” “No! Please don’t—don’t call her!” “Okay, I won’t. Come on, sweetheart. We’ll take care of you.” I
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Is this about Nathaniel?” Kitty’s face went from hot to scalding. She closed her eyes, unable to stand Thomas’s pointed gaze any longer. Did he know what had happened between them, or had he simply spoken thoughtlessly? Eliza propped forward on her hands. “Did you and Nathaniel have a disagreement, Kitty?” Turning to Thomas, Kitty hurled daggers with her eyes. If he did know, he had better not say. Thomas pulled back, his jaw open. “For one who speaks so openly, I’m surprised you have yet to tell your sister.” He does know! “Kitty?” Eliza asked, eyes round. Kitty would have thanked Thomas for relieving her of the emotions of moments past, if not for the undesirable, nay wretched subject he chose to discuss. “’Tis nothing, Liza. I assure you.”  “Nothing?” Thomas shifted his weight and flicked his gaze between them, as if gauging his next move as carefully as one might a chess piece on a board. Finally his stare landed on his wife and he spoke with enough candor to make Parliament proud. “Nathaniel has kissed her.” Kitty groaned and dropped her head in her hands. Eliza gasped and tugged on Kitty’s arm, her tone carrying equal measures of delight and concern that made Kitty want to evaporate into vapors. “Did he really, Kitty?” Kitty pulled away and met Eliza’s wide stare. Better to confront the truth than deny it. “Aye, but ‘twas a mistake and won’t happen again. Are you satisfied?” She directed the last to Thomas. He stepped closer to the bed, the softening muscles in his face reading like the tender care of a sibling. “I cannot bear to see you suffer the pains of a broken heart, Kitty.” The tight muscles in her neck relaxed the longer she stared at him, the anger suddenly fleeing at the concern in his eyes. Though his disclosure was unwelcome, the tenderness was not. “Thank you, Thomas. My tears are not for Nathaniel. I can assure you my heart is fully intact.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
You’re a fierce assassin of trolls and highwaymen,” he teased. “But most importantly, you’re my friend, and you’re worth more than two of any spoiled noblemen. You know how to pull your own weight during a journey, you don’t whine, and you’re good at sneaking compliments out of an old grizzly bear.
Vivienne Savage (Goldilocks and the Bear (Once Upon a Spell, #3))
the first day of fasting, the blood Sugar level drops below 70mg/dl. To restore the blood to the normal glucose level, liver glycogen is converted to glucose and released into the blood. This reserve is enough for a half day. The body then reduces the basal metabolic rate (BMR). The rate of internal chemical activity in resting tissue is lowered to conserve energy. The heart slows and blood pressure is reduced. Glycogen is pulled from the muscle causing some weakness. The first wave of cleansing is usually the worst.   Headaches,
Joshua Herman (Water Fasting: Your Easy Water Fast for Weight Loss, Detox, and Healthier Living (Fasting, Alternative Health, Diet, Weight Loss, Detox, Lifestyle, Religion))
You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.” Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms. “Loretta, no…Loretta, please…” To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta… It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches. The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all. The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her. Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples. The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder. Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Catherine Anderson (Comanche Moon (Comanche, #1))
There is a rhythm throughout the universe. The pulsation throbs within every heart, during each moment of ecstasy, in every birth contraction. The rhythm exists in the pull of the ocean tide, around the weight of each raindrop, woven into every cocoon. The sequence, the progression, is what we call time. Our time of influence affects the expansion of the universe. Heaven is eager to learn how we will add to the growth of eternal existence. God is ready to respond as you take part in creation. The rhythm never ends, it only strengthens and expands. This life force is you. You are the mystery. You are the journey. You are exquisite. You are here. Now, it’s your time.
Julie A. Barnes (All Flavors)
hawk, he would have been bankrupt years ago. I like to build cars and make movies. If you ask me, we would have been better off directing our resources toward making movies than putting up a fancy new building.” “Why did you go along with the plan?” “I didn’t have any choice. I told my father I thought it was a bad idea. He had the final vote. Did you and your father agree on everything when you were growing up?” “Of course not.” “Who usually won the arguments?” “My dad.” He gives me a knowing smile. “Same here. My father wanted to build his dream studio. It was his money. Do you think my opinion on the economic viability of the project carried any weight? He spent his life being told he was a genius. That word isn’t generally used when people talk about me. Now it’s going to cost us a fortune to get out.” Families. Rosie keeps her eye on the ball. “Richard, you told us you left your father’s house around two o’clock. Who was still there?” “My dad, Angelina, and Marty Kent.” “Do you know what time Kent left?” “No.” “Do you have any idea what happened to him?” “I understand he jumped.” Rosie lays the cards on the table. “Do you think he killed your father?” He starts mixing paint again. “I think Angelina killed my father. Then again, nothing Marty did would have surprised me. He was a self-righteous ass. He thought he was the brains behind the operation, and my dad and I were just pawns. And he was really ticked off.” The venom in his tone surprises me. He tells us Kent and his father had been fighting about the China Basin project for months. “Marty thought he was getting screwed. My dad went to the other investors to try to negotiate a bonus for him.” “Did something happen on Friday night?” “Yes. My dad told him that the other investors had vetoed the bonus.” This jibes with the information from Ward. He adds, “There was something else. Marty decided to try to pull some strings at city hall. He hired a consultant to help him get the approvals for the China Basin project.” I decide to play coy. “Do you know his name?” “Armando Rios. Some money may have changed hands. Marty never told me about it. Marty never told me
Sheldon Siegel (Criminal Intent (Mike Daley/Rosie Fernandez Mystery, #3))
the following simple exercise concerning the prediction of the movements of billiard balls on a table. I use the example as computed by the mathematician Michael Berry. If you know a set of basic parameters concerning the ball at rest, can compute the resistance of the table (quite elementary), and can gauge the strength of the impact, then it is rather easy to predict what would happen at the first hit. The second impact becomes more complicated, but possible; you need to be more careful about your knowledge of the initial states, and more precision is called for. The problem is that to correctly compute the ninth impact, you need to take into account the gravitational pull of someone standing next to the table (modestly, Berry’s computations use a weight of less than 150 pounds). And to compute the fifty-sixth impact, every single elementary particle of the universe needs to be present in your assumptions!
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
You will lie on your back? No harm, eh? I will watch.” “Must you?” “Hein?” Hein? Loretta had no inkling what that meant. “Must you watch? It makes me nervous. I can’t run away.” “Nuhr-vus?” “Nervous.” She shrugged one shoulder and then tried to pry his leathery fingers from around her ankle. “Nervous…uneasy.” She gave her leg a shake. His hand moved with her foot, his grip unbreakable. “Would you let go? It’s indecent, you touching me like this.” “In-dee-sent?” “Indecent. Shameful. Would you please let go? It is my foot, you know.” “And you are my woman.” She threw her head back and sighed. He had a grip like an iron vise and outweighed her by a good ninety pounds, every ounce muscle. His woman. For a moment she had lost sight of that and let him lull her into a false sense of security. He pulled on her leg and slid her toward him until she lay on her back. Then he released her ankle to loom over her, planting a hand on each side of her. Loretta stared up at his dark face, her heart pounding, her mouth dry. After struggling with him so many times, she knew how easily he could pin her beneath his weight, how quickly he could capture her hands and render her helpless. The gleam of lust in his eyes terrified her. What was to stop him from taking her? If she screamed, no one would intervene. Where were his mother and her spoon when she needed them? “You will sleep.” The low timbre of his voice vibrated through her. “I will watch.” With that, he left her and sat on his pallet. She heard a rapping sound and glanced over to find that he was chipping flint with a bone punch. On closer inspection she saw two flint arrowheads lying next to him--arrowheads that he would one day use to kill white people, no doubt. She huddled on her side and stared at him. Even from across the lodge he intimidated her. Yet she was completely dependent upon him. She would never relax enough to sleep with him sitting there.
Catherine Anderson (Comanche Moon (Comanche, #1))
What other girls, Aurora? There have been no other girls since you, because I couldn’t get past you. You are the only girl I have refused to tell anyone about because I never wanted to share even the thought of you. I would have given anything to make that night continue—anything to come back to the States and have you there waiting for me. Now that you’re in front of me again, I want nothing more than to remind you over and over again what that night was like. I want to make you forget every other guy, because the thought of you with anyone else has a rage burning inside me that I hate more than you’ll ever understand. It is a constant struggle not to pull you into my arms and keep you. But despite all of that, I owe Declan my life. I hate myself for wanting what is his, and I would never forgive myself if he ever looked at me with the betrayal that goes with the guilt I already feel.” Her mouth slowly parted as the weight of my words crashed down on her. Confusion, awe, and denial lingered in her eyes. “I told you I see you, so I see what you’re doing. You’re spouting off bullshit to protect yourself. I get it, because I’m doing it, too. Like before, I’ve been trying to give you every reason to walk away from me before I take you and never let you go. That guilt that you’re feeling just being near me, I feel it. That pain of being so close and keeping yourself from what you need, I feel that, too. If you hurt, then I hurt. And this hurts, because it feels like I need you to fucking breathe, and you’re just out of my reach.” A
Molly McAdams (I See You)
That was amazing,” she told him. He kissed the top of her thigh. “For me, too.” She heard him sit up and prepared to pass over the condom. But before she could, she felt his finger enter her again. Just the finger. It shouldn’t have been that exciting, but there was something about the way he touched her. She’d just had more than her fill of orgasms, but she couldn’t help clamping around him, drawing him in deeper. “Good?” he asked. “Oh, yeah. Don’t stop.” Without thinking, she reached down and grabbed his wrist. Holding his hand still, she thrust her hips forward and back, finding the right pace until the heavy tension returned, and she felt the telltale contractions begin again. He swore softly. “Can you do that while I’m inside of you?” “Absolutely.” She pulled his hand free and pressed the condom into his palm. “Can you put this on in the dark?” He chuckled. “With you as motivation, I could probably put it on after I was dead.” Then he was pressing against her. She reached between them and guided him inside of her. As he entered her, she contracted around him. He filled her slowly, stretching her, delighting her. Each thrust was enough to send her flying. Zane shifted so he could hold on to her hips. “I can feel you coming,” he murmured. “You’re killing me. I can’t hold on much longer.” “Go for it,” she told him. He took her at her word. Moving faster and faster, he pulled out of her, then slipped back inside. She lost herself in the movement, in what she was feeling. The pleasure was greater than any she’d ever experienced. Maybe it was a fluke. Maybe it was something about being outdoors or the placement of the moon. Whatever. At this point, she didn’t much care. Instead, as she felt Zane tensing for his own release, she wrapped her legs around him and pulled him close. One last shudder rippled through her. She gave herself up to the feel of him, to the sudden weight as he wrapped his arms around her and groaned his surrender.
Susan Mallery (Kiss Me (Fool's Gold, #17))
We go back to our silent fishing, but I'm smiling the whole time. The tension has dimmed. Well, until Blake shoves Graham into the river. A gasp leaves me, my mouth hanging open as I watch my roommate sputter to the surface of the dirty water. I drop my fishing pole, frozen in place. My dad mutters, “What the hell?” Blake throws his head back and laughs like I have never seen nor heard him laugh before. The loud and hearty sound is cut off short when Graham comes barreling out of the water, his body aimed straight for him, his eyes daggers of retribution. He lunges for his brother, wrapping his arms around his stomach and heaving him toward the water. Blake stumbles back, landing on his rear just inside the water. The sound of jeans smacking into water is sharp. He swipes water out of his eyes as Graham smirks at him. “What is wrong with you two?” I demand, more annoyed than worried. They seem to be getting along, even if they are being brutish about it. Suddenly I have the attention of two wet men, twin calculating gleams in their eyes. Graham is closest, his steps slow and purposeful as he approaches me. “Don't even think about it.” I put my hands out in front of me to ward him off. His grin deepens as he reaches me. Water drips from his hair down his face to become one with his soggy clothes. “Don't think about what?” A glance over my shoulder tells me a tree, the first form of cover I think of, is too far away. Not one to give up, I move for it anyway, but a wet, strong hand grabs the back of my shirt and pulls me away from where I want to go until I am flush with a cold chest. Cold clothes; warm body, I should say. His skin is burning through the dampness of his shirt. “Graham, I swear, if you throw me in that water, I will never speak to you again.” His voice is low and close as he says, “You make it sound like that wouldn't be a good thing.” I haven't even finished my sound of incredulity before I am gathered into his arms, my arms unconsciously going around his neck to anchor me to him. His touch is gentle, his eyes are smiling. “I mean it. This won't be good for you.” “Oh, I don't know about that.” His arms swing out, and I tighten my hold on him, threatening him even as he is laughing at me. He does it again as we move closer to the water and I glare all my irk at him. “If I go, you go.” He tilts his head as he studies me. His voice is unnaturally sober as he tells me, “That's fine with me.” I don't have time to process that before he lets go of me. I hit the water, refusing to let go of his neck, and we both go under. Lucky for me, the water is only a couple feet deep. Unlucky for Graham, I twist around until I am straddling him, keeping him down with my weight so the only thing above water is his head. I give him a sweet smile. He doesn't return it. “Hi,” I purr. He grunts in response. “Fancy meeting you here.” “What can I say? Where you go, I follow.” I pat his cheek. “That's so sweet.” “I'm a sweet guy.” “So sweet,” I agree. “Hey! You're scaring the fish away.” This from Blake, who is now standing near my father. “The fish love me!” I declare, sweeping my arms out wide and losing my balance. I splash into the water, first laughing, and then choking as water goes down my throat. Graham lifts me out of the water by my shirt. “The weight of your arrogance obviously tipped you over.” “It was more like the air couldn't handle all my splendor.” Half of his mouth lifts. “Something like that.” “Fishing with the three of you is impossible,” Dad grumbles and stomps to the cooler, opening a can of soda and gulping it down
Lindy Zart (Roomies)
A wise teacher was taking a stroll through the forest with a young pupil and stopped before a tiny tree. “Pull up that sapling,” the teacher instructed his pupil, pointing to a sprout just coming up from the earth. The youngster pulled it up easily with his fingers. “Now pull up that one,” said the teacher, indicating a more established sapling that had grown to about knee high to the boy. With little effort, the lad yanked and the tree came up, roots and all. “And now, this one,” said the teacher, nodding toward a more well-developed evergreen that was as tall as the young pupil. With great effort, throwing all his weight and strength into the task, using sticks and stone he found to pry up the stubborn roots, the boy finally got the tree loose. “Now,” the wise one said, “I’d like you to pull this one up.” The young boy followed the teacher’s gaze, which fell upon a mighty oak so tall the boy could scarcely see the top. Knowing the great struggle he’d just had pulling up the much smaller tree, he simply told his teacher, “I am sorry, but I can’t.” “My son, you have just demonstrated the power that habits will have over your life!” the teacher exclaimed. “The older they are, the bigger they get, the deeper the roots grow, and the harder they are to uproot. Some get so big, with roots so deep, you might hesitate to even try.
Darren Hardy (The Compound Effect)
They would need a logo for the app, something that instantly enticed users to download and use Picaboo. Reggie and Evan sat together and created the logo over the course of a few hours, going back and forth on ways to symbolize the disappearing nature of the app. They settled on a friendly ghost who was smiling and sticking out its tongue. Evan drew the ghost in Adobe InDesign while Reggie tossed in ideas. Reggie named the ghost Ghostface Chillah, after the Wu-Tang Clan rapper Ghostface Killah. Evan studied the hundred most popular apps in the app store and noticed that none had yellow logos. To make Picaboo stand out, he put the Ghostface Chillah logo on a bright yellow background. Reggie slapped the logo on Facebook and Twitter pages he made for the app. While Evan worked hard on the design and vision for the product and Bobby coded, Reggie contributed less. Plenty of successful Silicon Valley founders do not write code; but they play other roles, relentless hustling in the early days of their companies, dominating nontechnical jobs like marketing and user growth. Reggie simply wasn’t doing that. Having recently turned twenty-one, he wanted to enjoy the Los Angeles nightlife, and he stayed out into the wee hours of the morning. While Evan and Bobby lived the plot of Silicon Valley, Reggie was more Entourage. Evan had always remembered and valued what Clarence Carter had told him when he worked at Red Bull, “When everyone is tired and the night is over, who stays and helps out? Because those are your true friends. Those are the hard workers, the people that believe that working hard is the right thing to do.” His co-founders felt Reggie was not pulling his weight, and it was beginning to cause resentment.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
I saw an odd wooden yoke and one side was weightier then the other. It was explained that what I was seeing, was called a learners yoke. They would put aged, trained oxen on the heavy side and young, beginning oxen on the other. As long as they went straight, they pulled the same weight. If the young one tried to stray , he couldn’t because the aged oxen had the strong side. This was also a blessing when they went up hill. The aged oxen carried the most weight. I got excited. I remembered the Scripture: Come unto me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your
Sandra Spooner Anderson (Puzzle Journeys to the Mountain Top)
REACHING GAMES To encourage your baby to reach and to expand her horizons, try holding attractive toys just out of her reach: above her head, in front of her, to the sides. See how close you have to get the toy before she makes her move. Remember, the object here is not to tease or torture the baby, it’s to have fun. You can add another layer of complexity by putting the out-of-reach object on a blanket or towel. Then slowly pull the blanket and show her how it gets closer. Will she try that herself? TOUCHING GAMES Try this: let your baby play with a small toy without letting her see it (you could do this in the dark or with her hands in a paper bag). Then put that toy together with several other toys she’s never played with. Many babies this age will pick up the familiar toy. Although this may sound fairly easy, it isn’t. You’re asking your baby to use two senses—touch and vision—at the same time, and to recognize by sight something she’s touched but not seen. If your baby isn’t ready for this one, don’t worry. Just try it again in a few weeks. It’s a concept that can take a while to develop. IF … THEN … GAMES There are thousands of things you can do to reinforce cause-and-effect thinking. Rattles, banging games, rolling a ball back and forth, and splashing in the pool are excellent. So is blowing up your cheeks and having the baby “pop” them with her hands. Baby gyms—especially the kind that make a lot of noise when smacked—are also good, but be sure to pack them up the moment your baby starts trying to use the gym to pull herself up; they’re meant to be used while sitting or lying down and aren’t sturdy enough to support much weight. OBJECT PERMANENCE GAMES When your baby is about six or seven months old, the all-important idea that objects can exist even when they’re out of sight finally starts sinking in. • Object permanence develops in stages. If you’re interested in seeing how, try this: Show your baby a toy. Then, while she’s watching, “hide” it under a pillow. If you ask her where the toy is, she’ll probably push the pillow out of the way and “find” it. But if you quickly move the toy to another hiding place when she’s not looking, she’ll continue to look for it in the first hiding place. • Peek-a-boo and other games that involve hiding and finding things are great for developing object permanence. Peek-a-boo in particular teaches your baby an excellent lesson: when you go away, you always come back. This doesn’t sound like much, but making this connection now lets her know she can count on you to be there when she needs you and will help her better cope with separation anxiety (see page 222).
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
I don’t have any interest in helping you keep your job,” I say, shifting my weight onto my heels, suddenly tired and resigned. “But I promise to do what I can to keep you from being fired over false pretenses. If you get thrown out of here, it’ll be your fault, not mine, and not Mr. Dade’s.” “You say that now—” “—and I’ll say it tomorrow.” I turn and pull open the door. “Good night, Asha. Go home and get some sleep.” “I’m not tired.” “Then go to the park and pull the wings off butterflies,” I say with a sardonic smile. “That seems like the kind of thing you would enjoy.” She smiles back, shakes her head. “Butterflies are too weak.” “Then shoot a coyote, whatever,” I suggest. “But your work day’s over. We all need our rest and if I’m going to be a dictator, I’m going to try to be a benevolent one.
Kyra Davis (Binding Agreement (Just One Night, #1.3))
It was a bittersweet relief to find Power seated halfway down the grand staircase, taking puffs of a potent cigar three at a time in about thirty second intervals. She had watched him on the long walk from where she’d first pulled up in the right lot, to where she first reached the base of the steps. Yes, Pana Lake made a 5 foot, 5 ½ inch woman feel like Alice in Wonderland. “Hey, yourself.” He took in short wisps of smoke, narrowed eyes on her while he did it and then turned his head and blew it out in an opposite direction from where she had approached him. “You only smoke those when you’re agitated,” Gaby teased, stopping about three or so feet away from him before placing her right foot two stairs above her left, and resting her weight on it. “Yes; like after meeting you.” Gaby’s sarcastic smile came natural after his false insult. “Ha-ha, Mavi, the comedian. You should take your show on the road. I can see it now, Chico Magaña at his funniest.” “Chico, huh? I thought I was Esteban?” “No, you’re Pepe.” Power laughed at that, showed his gums laughed and Gaby did as well, feeling guilty because the mood wasn’t supposed to be like this. But he always made her mood, like this. “You’re racist.” She knew he didn’t mean
Takerra Allen (An Affair in Munthill)
Keith came from behind his desk and put his arm around my shoulder. "Calm down, Marco,” he said, leading me to the more comfortable love seat. “There's an un-blending process happening here. The various defender parts have a positive intention in defending against the pain from the abuse. It just happens to be in an incorrect manner.” Keith returned to his seat and leaned back in his chair. He took a deep breath. “When you're concentrating on one particular personality trait, the other parts work in conjunction, in different combinations with each other. They try to prevent you from getting to the core of the respective trait and having to relive the pain and shame from the abuse.” He leaned forward, punctuating his words. “The key ... to un-blending ... the defender parts ... successfully ... is to understand each attribute ... as it steps in to do its job. They protect you from the harmful emotions that are associated from the abuse.” Gazing at me over his wire-rimmed glasses, he said matter-of-factly, “Getting the defender parts to step aside so you can concentrate on the characteristic you want to address is the un-blending process. Once you are able to get through all the various defensive parts that get in the way of dealing with the core part, the true self is now able to answer the part in question in a divine loving place." I sat, pulled on my ear while thinking that over for a moment. "So, the true self is present to bear witness to all the feelings, beliefs, memories, and experiences of the inadequate part." Keith smiled. He leaned forward, resting his elbows on the desktop, his chin perched atop his clasped hands. "In essence, the past is being stirred up so all the associated burdens, pressures, and pain can be released and relieved. Following this unburdening process, the respective part can be cleansed. It can then be recomposed in a more constructive manner—similar to wiping a virus-infected computer hard drive clean ... then reprogramming it with anti-virus protected software." I stood up. With a few deep diaphragmatic breaths, I cleared my mind. While attempting to decipher what part came in and threw me off course, I sucked in my lips, vigorously shaking my head. Skepticism came in as a defensive part. I got back in Keith’s face. “This psychological un-blending is full of shit. The defense against the abuse is another trick to get me to believe that this crap actually works.” I flung my hands in the air. “How is this going to unburden the weight I carry on my shoulders every moment of the day? All my deficient personality traits are a result of me being a dirtball loser.” I shook my head. “I’m not worthy of the slightest bit of solace or happiness that this punishment called life has to offer.” Keith took a deep breath in and a longer breath out. "Marco, you're a miracle. A remarkable good-hearted human being. You're the most determined individual that I've come across in my thirty years of practice.
Marco L. Bernardino Sr. (Sins of the Abused)