Daffodil Flower Quotes

i have laughed more than daffodils and cried more than June.

I could hear you, talking to the daffodils and tulips, whispering to the fairies that lived inside their petals. Each separate flower had a different family inside it.

But why should the daffodils and tulips Get all the praise and blessings? My rebirth goes unnoticed- I am worthy Of smiles and dazzled cries of worship.

Lavender lilies all dotted with spots. Sun-yellow daffodils clustered in pots. Blue morning-glories climb trellises high. Powder-white asters like stars in the sky. Thick, pink peonies unfold in the sun. Winter adieu now that spring has begun.

In Summer there were white and damask roses, and the smell of thyme and musk. In Spring there were green gooseberries and throstles [thrush], and the flowers they call ceninen [daffodils]. And leeks and cabbages also grew in that garden; and between long straight alleys, and apple-trained espaliers, there were beds of strawberries, and mint, and sage.

Daffodils are an optimistic flower, and foolproof. You know what Shakespeare said: "Daffodils, That come before the swallow dares, and take The winds of March with beauty." ...I plant them in big clumps with a trusty shovel. I make several large holes all around and put quite a few in. That's why it makes such a spectacular look when they bloom.

Daffodils are yellow trumpets of spring

We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.

In the forest, in the forest, silence had cast a spell over all things. She plucked a great bouquet of daffodils and snowdrops, and tenderly held them to her, and tenderly kissed their fresh spring faces. She did not sing at all, but sat silent, expectant, and wondering, till her flowers faded and withered in her hands.

The Gentle Gardener I'd like to leave but daffodils to mark my little way, To leave but tulips red and white behind me as I stray; I'd like to pass away from earth and feel I'd left behind But roses and forget-me-nots for all who come to find. I'd like to sow the barren spots with all the flowers of earth, To leave a path where those who come should find but gentle mirth; And when at last I'm called upon to join the heavenly throng I'd like to feel along my way I'd left no sign of wrong. And yet the cares are many and the hours of toil are few; There is not time enough on earth for all I'd like to do; But, having lived and having toiled, I'd like the world to find Some little touch of beauty that my soul had left behind.

The news did not trouble her particularly; all news was bad, like wage demands, strikes, or war, and the wise person paid no attention to it. What was important was that it was a bright, sunny day; her first narcissi were in bloom, and the daffodils behind them were already showing flower buds.

The sun continued to rise, casting its light over the earth, brightening the darkness and chasing away the shadows of what had been. And every single day, it reminded me that though life could be lonely and painful, it was also filled with rainbows on water, with fields of daffodils, and angels that emerged from rock. It was filled with delicate flowers that, against all odds, found the strength to turn their faces to the sunshine and thrive. It was filled with miracles that arrived when you least expected them and the hard-won knowledge that healing, like stone, is just sand and pressure and time.

Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.

A daffodil bulb will divide and redivide endlessly. That's why, like the peony, it is one of the few flowers you can find around abandoned farmhouses, still blooming and increasing in numbers fifty years after the farmer and his wife have moved to heaven, or the other place, Boca Raton. If you dig up a clump when no one is nearby and there is no danger of being shot, you'll find that there are scores of little bulbs in each clump, the progeny of a dozen or so planted by the farmer's wife in 1942. If you take these home, separate them, and plant them in your own yard, within a couple of years, you'll have a hundred daffodils for the mere price of a trespassing fine or imprisonment or both. I had this adventure once, and I consider it one of the great cheap thrills of my gardening career. I am not advocating trespassing, especially on my property, but there is no law against having a shovel in the trunk of your car.

No one wants a dandelion. They crop up all over the place, ugly and unfortunate, an average blossom in a world desperatly seeking beauty. They're weeds, people say. They're uninteresting and offer no fragrance and there are too many of them, too much of them, we don't want them, destroy them. Dandelions are a nuisance, We desire the buttercups, the daffodils, the morning glories. We want the azalea, the poinsettia, the calla lily. We pluck them from our gradens and plant them in our homes and we don't seem to remember their toxic nature. We don't seem to care that if you get too close? if you take a small bite? The beauty is replaced wit pain and laced with a posion that laughs in your blood, destroys your organs, infevts your heart. But pick a dandelion. Pick a dandelion and make a salad, eat the leaves, the flower, the stem. Thread it in your hair, plant it in the ground and watch it thrive. Pick a dandelion and close your eyes make a wish blow it into the wind. Watch it change the world.

It was an overcast day, but the cloudy weather did not detract from the signs of spring that were evident all around them. It was the second week in March, and the official start of the season was just a couple of weeks away. The magnolia trees had already bloomed, and tulips, daffodils, and wildflowers were shooting up all around the convent's gardens.

In the first week of April the weather turned suddenly, unseasonably, insistently lovely. The sky was blue, the air warm and windless, and the sun beamed on the muddy ground with all the sweet impatience of June. Toward the fringe of the wood, the young trees were yellow with the first tinge of new leaves; woodpeckers laughed and drummed in the copses and, lying in bed with my window open, I could hear the rush and gurgle of the melted snow running in the gutters all night long. In the second week of April everyone waited anxiously to see if the weather would hold. It did, with serene assurance. Hyacinth and daffodil bloomed in the flower beds, violet and periwinkle in the meadows; damp, bedraggled white butterflies fluttered drunkenly in the hedgerows. I put away my winter coat and overshoes and walked around, nearly light-headed with joy, in my shirtsleeves.

A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.

The things by which our emotions can be moved - the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music - all these things can be described by the complex flow of numbers. That's not a reduction of it, that's the beauty of it.

The very sight of a daffodil still makes me shiver, because spring in the north of England is always so bitter.

Spring had come finally and after much hesitation, to Lincoln's Inn Fields and there were daffodils out upon the green grass and gilly-flowers blooming in the window-boxes of the ground floor sets. This being Lincoln's Inn, where an air of general severity prevails, they did so with an unconscionable meekness, as if they feared that some legal eminence- Mr Crabbe perhaps- would descend in wrath from his chambers and present them with a writ for unlicensed blossoming or occupying too great a proportion of space.

All at once the hard, cold earth seemed to explode. The brown surface of the world dissolved and in its place was an impossible, an inconceivable, an unbelievable profusion of color: green grass and purple and red flowers; sprays of lily; white baby's breath that covered the hills; nodding fields of bright yellow daffodils; rich purple moss. The trees burst forth with new leaves. The weeping willow tree was a mass of tiny pale green leaves, thousands of them, which whispered and sighed together as the wind moved through its branches. There were fat heads of lettuce in the fields, and cucumbers lying like jewels among them, and enormous red tomatoes surrounded by thick, knotted vines. And for the first time in 1,728 days, the clouds broke apart and there was dazzling blue sky, and light beyond what anyone could remember. The sun had come out at last.

Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful. (The Lovely Bones by Alice Sebold)

Things I love about spring are these: Blooming flowers on fruit-bearing trees. Fire-red tulips—their first reveal— Followed by sun-yellow daffodils. Trees acquiring new coats of green. Natural waterfalls glistening. The chirps and melodies of birds. Throaty ribbits of frogs overheard. A passing whiff of mint to smell, Oregano and basil as well. Colorful butterflies with wings. Fuzzy, industrious bees that sting. Sunlight waning late in the day. Warm breezes causing willows to sway. Most of all, a sense of things new, Including budding feelings for you.

The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near.

Among the swirling daffodils the old labrador lay out in the teeth of the gale. Her head was raised, her ears were pricked; alertly she snuffed the air; she watched the world turn, the new season approach. Looking at her Janet thought in sharp sorrow, “I will never see this again,” for now the labrador could scarcely walk; her hind legs were emaciated and she had to be helped in and out and up and down the stairs. Yet she was crouched there, unafraid, welcoming with dignity of whatever was to come, among the reckless, gaudy flowers whose time was even briefer. “Fair daffodils, we weep to see you haste away so soon.” Fair labrador. Sometimes Janet thought that life’s sole purpose was to teach one how to die. As in most spheres, so in this, animals did better than people

Most other front gardens when planted with flowers looked both formal and artificial. Judith Haymaker, for instance, had put in daffodil and hyacinth bulbs so that they came up in rigid rows, a sight English women would have smiled at. While plentiful, Mrs Reed's flowers had a randomness about them that reminded Honor of coming upon primroses or anemones in the woods. They were just there, as if they always had been. It took real skill to remove the gardener's hand from the garden.

As spring comes with thick pink blooms, daffodil openings and lavender lilies, the earth starts singing a song of awakening, and from the depths of despair comes the landscape of colors and hope for spring rain falls on the grounds at last. The earth is reborn with smiling blossoms and you believe in something called second chances.

She's like a flower that talks— an evangelical daffodil.

It was a lovely day with a hint of spring in the air and I enjoyed it all immensely. The mild weather had encouraged the bulbs: the crocuses were spangling the glades of the Park with a sheen of gold and blue, and as I lay under the trees eating my sandwiches I could picture these woods in a few weeks' time with their glimmering carpet of daffodils. [Edgar Hopkins]

There are strawberries growing among my bulbs. Wild ones, seeded from God knows where, poking their pale little fingers among the tulips and crocuses. Wild strawberries are invasive; not quite as invasive as dandelions, but those little heart-shaped leaves conceal a powerful hunger for conquest, sending their runners everywhere, each one an outpost preparing itself for a future invasion. And yet I cannot bring myself, père, to curb their cheery exuberance. Though more or less worthless in terms of fruit, the little white flowers and pretty leaves make excellent ground count cover, keeping the thistles and ragwort at bay without suppressing my daffodils. And besides, in summer, there may be enough of the tiny red berries to put on a tart, or flavor a glassful of sweet white wine. That is, if the birds do not steal them first. They too enjoy their sweetness. Those strawberries will creep, Reynaud, said Narcisse's voice in my mind. Let them stay, and in a month, your beds will be nothing but strawberries.

To commemorate Veda’s life, Elizabeth planted thousands of daffodil bulbs in the grounds of Chapel school for the pupils to pick on Mother’s Day each year, so that no future mother would ever be forgotten.

It was spring all right, but it seemed to come shyly in that grim and sordid landscape as though unsure of a welcome. It was like a flower, a daffodil or a lily, growing in a pot on the window-sill of a slum dwelling and you wondered what it did there.

It's only the beginning of January, but some daffodils and snowdrops have made it through the earth and stand wetly in little rows by the path. The bus stop is depressing; there's a line of people looking as cold and fragile as the line of flowers [...]

Spring blooms had been coming in from Holland since December, but now flowers from Irish growers were arriving. Daffodils with their frilled trumpets and tissue-paper-delicate anemones and the first tulips with sturdy stems and glossy, tightly packed petals.

I planted bulbs,” he said. “I do it every autumn.” “What kind of bulbs?” “They’re a metaphor,” he answered, and then he laughed. “They’re daffodils, but I think of my fall planting as being like my students.” “In what way?” “I plant them in the fall, and then all winter long when it’s cold and miserable and every day is a challenge, I remember that just because I can’t see any growth, my flowers are all still making progress, and by the time spring gets here, they will be beautiful. I expect the same to be true of my students.

Spring, in Brittany, is milder than spring in Paris, and bursts into flower three weeks earlier. The five birds that herald its appearance—the swallow, the oriole, the cuckoo, the quail, and the nightingale—arrive with the breezes that refuge in the bays of the Armorican peninsula.[28] The earth is covered over with daisies, pansies, jonquils, daffodils, hyacinths, buttercups, and anemones, like the wastelands around San Giovanni of Laterano and the Holy Cross of Jerusalem in Rome. The clearings are feathered with tall and elegant ferns; the fields of gorse and broom blaze with flowers that one may take at first glance for golden butterflies. The hedges, along which strawberries, raspberries, and violets grow, are adorned with hawthorn, honeysuckle, and brambles whose brown, curving shoots burst forth with magnificent fruits and leaves. All the world teems with bees and birds; hives and nests interrupt the child’s every footstep. In certain sheltered spots, the myrtle and the rose-bay flourish in the open air, as in Greece; figs ripen, as in Provence; and every apple tree, bursting with carmine flowers, looks like the big bouquet of a village bride.

Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.

In children's art class we sat in a ring of kindergarten chairs and drew three daffodils that had just been picked out of the yard; and while I was drawing, my sharpened yellow pencil and the cup of the yellow daffodil gave off wiffs just alike. That the pencil doing the drawing should give off the same smell of the flower it drew seemed part of the art lesson - as shouldn't it be? Children, like animals use all their sense to discover the world. Then artists come along and discover it the same way, all over again. Here and there, it's the same world. Or now and then we'll hear from an artist who's never lost it.

Gamache loved to see inside the homes of people involved in a case. To look at the choices they made for their most intimate space. The colors, the decorations. The aromas. Were there books? What sort? How did it feel? He'd been in shacks in the middle of nowhere, carpets worn, upholstery torn, wallpaper peeling off. But stepping in he'd also noticed the smell of fresh coffee and bread. Walls were taken up with immense smiling graduation photos and on rusty pocked TV trays stood modest chipped vases with cheery daffodils or pussy willows or some tiny wild flower picked by worn hands for eyes that would adore it. And he'd been in mansions that felt like mausoleums.

The Quiet Garden is lovely in September, even though the summer flowers are gone. One nice thing about having a special small garden for your flowers is that you can remember it like a picture at all seasons. I remember how sweet it is in spring with the white daffodils and narcissus and white and violet-blue tulips and white pansies." page 135

And so passed one morning and every morning and day but the people growing gentle and together, like old bulbs without promise of bloom, thrown to the rubbish heap and sinking in the filth and blindness to sprout a seperate community of dark, touching tendril and root to yet invisible colour of maimed flowers, narcissus, daffodil, tulip, and crocus-leaf stained with blade of snow.

And there were so many places to go. Thickets of bramble. Fallen trees. Ferns, and violets, and gorse, paths all lined with soft green moss. And in the very heart of the wood, there was a clearing, with a circle of stones, and an old well in the middle, next to a big dead oak tree, and everything- fallen branches, standing stones, even the well, with its rusty pump- draped and festooned and piled knee-high with ruffles and flounces of strawberries, with blackbirds picking over the fruit, and the scent like all of summer. It wasn't like the rest of the farm. Narcisse's farm is very neat, with everything set out in its place. A little field for sunflowers: one for cabbages; one for squash; one for Jerusalem artichokes. Apple trees to one side; peaches and plums to the other. And in the polytunnels, there were daffodils, tulips, freesias; and in season, lettuce, tomatoes, beans. All neatly planted, in rows, with nets to keep the birds from stealing them. But here there were no nets, or polytunnels, or windmills to frighten away the birds. Just that clearing of strawberries, and the old well in the circle of stones. There was no bucket in the well. Just the broken pump, and the trough, and a grate to cover the hole, which was very deep, and not quite straight, and filled with ferns and that swampy smell. And if you put your eye to the grate, you could see a roundel of sky reflected in the water, and little pink flowers growing out from between the cracks in the old stone. And there was a kind of draught coming up from under the ground, as if something was hiding there and breathing, very quietly.

I have important things to tell you, but who can concentrate with all that racket?" That "racket" turned out to be because of flowers, hundreds of them, arriving by the cartful. Roses, orchids, lilies, daffodils, irises, and a dozen other varieties that she could not name. Heavy porcelain vases were mounted all around the grand ballroom and the royal gardens, displaying the arrangements in all their grandeur. But one arrangement stood out from the rest. From the duchess's window, Cinderella watched the gardeners erect a trellis studded with roses. When the palace staff wheeled out a barrow of flowers, white pearlescent roses intertwined with pink ones as flushed as the height of sunrise, she nearly gasped. Her parents' favorite flowers. White and pink roses, with a touch of myrtle. Charles had been listening.

Bea had to admit that the landscape was rather pretty, with all those sparkling drops hanging off branches (waiting to destroy one's clothing, but one mustn't be squeamish about it). And the birds were singing, and so forth. She even saw a yellow flower that was rather nice, although mud-splattered. "Look!" she said, trying to be friendly. 'A daffodil!' 'Yellow celandine,' her companion said curtly. After that, Bea gave up the effort of conversation and just tramped along.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

The only things in the room that she felt any connection to were half a dozen flower postcards pinned to the wall above her desk. The red and white tulip by Judith Leyster. The vase of white lilac by Manet. The bowl of blowsy roses by Henri Fantin-Latour. The vase of tumbling blooms by Brueghel- lilies and tulips, fritillaries and daffodils, carnations and snowdrops, cornflowers and peonies and anemones. Those flowers had all died four hundred years ago, but that first week back at work, they planted a seed in Lara's heart.

Like one awakening from a sleep of death, she walked along the gravel path that twinkled with the mica of the little pebbles. It was the spring of the year, and there was a woman selling flowers on the street corner, singing to herself. Mary could see the full boxes of white roses and daffodils, looped with green leaves, and the woman in a brown coat bending maternally over the display. As Mary approached, the woman lifted her head and met Mary’s eyes with a blue gaze of triumphant love. “I have been waiting for you, dear,” she said.

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among missy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it’s never been out of it. The things by which our emotions can be moved—the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music—all these things can be described by the complex flow of numbers. That’s not a reduction of it, that’s the beauty of it. Ask Newton. Ask Einstein. Ask the poet (Keats) who said that what the imagination seizes as beauty must be truth.

The following houseplants are poisonous, some in very small doses: Dumb cane, English ivy, foxglove, hyacinth bulbs (and leaves and flowers in quantity), hydrangea, iris rootstalk and rhizome, lily of the valley, philodendron, Jerusalem cherry. Outdoor plants that are poisonous include: Azalea, rhododendron, caladium, daffodil and narcissus bulbs, daphne, English ivy, foxglove, hyacinth bulbs (and leaves and flowers in quantity), hydrangea, iris rootstalk and rhizome, Japanese yew seeds and leaves, larkspur, laurel, lily of the valley, morning glory seeds, oleander, privet, rhubarb leaves, sweet peas (especially the “peas,” which are the seeds), tomato plant leaves, wisteria pods and seeds, yews. Holiday favorites holly and mistletoe, and to a lesser extent, poinsettia (which is irritating but not poisonous), are also on the danger list.

My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.

I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.

I look at all the little children’s faces going by. And I sometimes think, What a shame, what a shame, that all these flowers have to be cut, all these bright fires have to be put out. What a shame these, all of these you see in schools or running by, have to get tall and unsightly and wrinkle and turn gray or get bald, and finally, all bone and wheeze, be dead and buried off away. When I hear them laugh I can’t believe they’ll ever go the road I’m going. Yet here they Come! I still remember Wordsworth’s poem: ‘When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.’ That’s how I think of children, cruel as they sometimes are, mean as I know they can be, but not yet showing the meanness around their eyes or in their eyes, not yet full of tiredness. They’re so eager for everything! I guess that’s what I miss most in older folks, the eagerness gone nine times out of ten, the freshness gone, so much of the drive and life down the drain. I like to watch school let out each day. It’s like someone threw a bunch of flowers out the school front doors. How does it feel, Willie? How does it feel to be young forever? To look like a silver dime new from the mint? Are you happy? Are you as fine as you seem?” ***

MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe

A thing of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. …yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple’s self, so does the moon, The passion poesy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o’ercast, They alway must be with us, or we die. For ‘twas the morn: Apollo’s upward fire Made every eastern cloud a silvery pyre Of brightness so unsullied, that therein A melancholy spirit well might win Oblivion, and melt out his essence fine Into the winds: rain-scented eglantine Gave temperate sweets to that well-wooing sun; Man’s voice was on the mountains; and the mass Of nature’s lives and wonders puls’d tenfold, To feel this sun-rise and its glories old. With a faint breath of music, which ev’n then Fill’d out its voice, and died away again. Within a little space again it gave Its airy swellings, with a gentle wave, To light-hung leaves, in smoothest echoes breaking Through copse-clad vallies,—ere their death, oer-taking The surgy murmurs of the lonely sea. All I beheld and felt. Methought I lay Watching the zenith, where the milky way Among the stars in virgin splendour pours; And travelling my eye, until the doors Of heaven appear’d to open for my flight, I became loth and fearful to alight From such high soaring by a downward glance: So kept me stedfast in that airy trance, Spreading imaginary pinions wide. When, presently, the stars began to glide, And lo! from opening clouds, I saw emerge The loveliest moon, that ever silver’d o’er A shell for Neptune’s goblet: she did soar So passionately bright, my dazzled soul Commingling with her argent spheres did roll Through clear and cloudy, even when she went At last into a dark and vapoury tent— Whereat, methought, the lidless-eyed train Of planets all were in the blue again. To commune with those orbs, once more I rais’d My sight right upward: but it was quite dazed By a bright something, sailing down apace, Making me quickly veil my eyes and face: What I know not: but who, of men, can tell That flowers would bloom, or that green fruit would swell To melting pulp, that fish would have bright mail, The earth its dower of river, wood, and vale, The meadows runnels, runnels pebble-stones, The seed its harvest, or the lute its tones, Tones ravishment, or ravishment its sweet, If human souls did never kiss and greet?

Morning, Mr. Nick.” “My, don’t you look dapper.” He looked to find Lilly in the doorway. “And doesn’t your mama look pretty as a daisy.” “Not daisy. Daffodil.” Levi hopped down the steps. “That’s her favorite flower, but her dress is green, so I guess she’s pretty as a toad.” Nick chuckled. “Only you would think toads are pretty.” “Toads

Thoughts are like blossoms on a flower—there's a stem and then a whole root system beneath them. Thought substitution alone is like plucking off a dandelion bloom, glue-gunning a daffodil blossom on the stem, and expecting daffodils to keep blooming.

You Are My Spring Joy Where does life seek eternity? Not in daily struggles or toil, but in that endearing destiny, Where thoughts, pursuits, likings all merge to create a happy existence, Where happiness leaps from every act and every substance. Just like spring flowers that spread joy, To all alike: a woman, a man, a little girl and a young boy, They live for moments very brief, Yet they always manage to delight the heart immersed in grief. They last for a day or moments few, With a promise that next year they shall bloom anew, Leaving behind sweet memories and hopes profound, And even in a moment of existence they live in eternity that time’s snares can not confound. Similarly my love Irma, your smiles, your beauty nourish my existence, You, your love, your endless beauty are what I need for sustenance, My eternity lies in you, and only you, Eternity will be virtueless if it is not spent thinking about you and loving you. I seek thee with all my senses and my mind and heart, From me the reflections of your beauty never depart, And I lie wrapped in them day and night, Without the glimpse of your beautiful smile I cannot establish the brightness in any form of light. Perhaps someday the sun may not rise, And the Moon may not shine , to me it shall be no surprise, But for me living without loving you is not possible, As for the Moon to shine without the Sun is impossible. So let us be like the Sun and the moonshine, Where both exist to create the life giving sunshine and the romantic moonshine, You be a daffodil, winter jasmine, iris, primrose and be merry and always sing, And I promise, I will always be the unfailing Spring, just your Spring!

anxiety, nervousness, and abnormal dreams on a single night, it magically teams. weakness, drowsiness, and fatigue these things, even the doctors cannot critique. insomnia, tremor, and nausea all come with this excessive euphoria. also, decreased libido and weight gain are just part of its long-term reign. current findings suggest they are anti-suicidal pills but more effective it seems, are the daffodils. and to anyone who wants to withdraw would find themselves back in the devil's claw.

Black-Eyed Susans, Cosmos, Globe Amaranth, Phlox, Daylilies, and Shasta Daisies Daylilies, Taro, Coneflower, Black-Eyed Susan, Yarrow, and Lavender Global Thistle, Silver Sage, Columbine, and Bee Balm Tulips, Daffodils, Hosta, Grape Hyacinth, and Asters

Spring is the season of blooming flowers, chirping birds, and fresh beginnings. As nature awakens from its winter slumber, so too does our spirit. It's a time to shake off the frosty negative cobwebs, embrace the warmth of the sun on our faces, and revel in the beauty of renewal all around us. Let's sow the seeds of our dreams and watch them bloom alongside the daffodils and tulips. Spring is nature's way of reminding us that even the darkest winters eventually give way to brighter days.

The leaf tips bend under the weight of dew. Fruits are ripening in Earth's early morning. Daffodils light up in the sun. The curtain of cloud at the gateway of the garden path begins to shift: have pity for childhood, the way of illusion. Late at night, the candle gutters. In some distant desert, a flower opens. And somewhere else, a cold aster that never knew a cassava patch or gardens of areca palms, never knew the joy of life, at that instant disappears- man's eternal yearning

A daffodil, a dahlia, and a daisy. In the language of flowers, a message of new beginnings, joy, and forever love.

You told me how you hate daffodils because they’re morbid. They stick around for a month making everything lemon drop yellow, then die and get replaced by worse flowers. How the hell does an elementary schooler grasp the concept of beauty not being permanent?

show the way a comparison can be thought through. We can even go further. In the opening simile, a human person, the "I," compares himself to something inanimate, a "cloud." In the metaphor that follows, something nonhuman, the daffodils, are compared to human beings, human crowds and hosts and dancers. There has been as well a question of location. The cloud floats on high; but the daffodils are down low, "beside the lake, beneath the trees." And where is the "I?" Well, not up in the sky we suppose. Yet we picture him in some sense as "high" too, as though looking down at the daffodils from above. This play on height and location is picked up in the next stanza, through the next simile of the stars: "Continuous as the stars that shine." There is the "as" declaring the simile. Number and extension again take part in the comparison. The flowers stretch on like the numberless stars in the sky. The sky itself seems to parallel the "bay" that the flowers stretch alongside-partly because of the rhyme that

On the night that she'd been brought here she'd had the idea that the abbey was closed in by trees. Now she could see that a little green stood on the other side of the gravel drive. Yellow flowers were in bloom here as well- a veritable carpet of them. She walked across the drive, heading toward the flowers. Daffodils. They were daffodils, thousands of them. Iris knelt in the grass and inhaled the faint perfume. A breeze passed by and all the bright-yellow trumpets nodded as one. How could this be? Had someone patiently planted each bulb? But no. The daffodils weren't in soldierly rows. They bloomed in drifts and clumps. They must be wild. She drew in her breath in wonder. How amazing that such beautiful ephemeral things could bloom here in this house of death and decay. But perhaps she was wrong. Perhaps the abbey wasn't dying. Perhaps it merely waited, sleeping, for joy and life to return to it.

Twitter romances are fleeting, much like daffodils that bloom in spring and fade away, only to return again next year.

And then we came to a stop in front of a large yellow Victorian house that sat, so stately, between two brick buildings, like a misplaced Lego piece, overgrown with ivy and bluebells and honeysuckle. The Daffodil Inn looked exactly how I'd imagined. The bed-and-breakfast was fresh and bright, the dentils all painted across the edging on the roof, the corbels replaced, the sawn spandrils and turned spandrils all given proper attention. The bay window was set with a stained-glass daffodil, the same one that encrusted the window in the front door. Around the inn, encasing it like a lovely cage, was a wrought-iron fence overgrown with ivy and honeysuckle that bled into the rose garden that surrounded the house.

She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.

We walked to a row of three stones: our grandmother and grandfather and, between them, our mother. There were crocuses and daffodils and snowdrops blooming on my mother's grave. Gran had always carefully tended it. After Sunday dinners, when we were little, Gran would put on her wide-brimmed gardening hat and gloves and take along her basket of garden tools and bring us down here. She would plant lavender petunias and purple bearded irises. She would deadhead the spent daylilies and pull up weeds on my mother's grave and on my great-grandmother Beulah's grave back in the corner. She barely touched my grandfather's grave, scratched in some monkey grass and ivy and told us even that was too good for him.

The snow melted,” wrote Ursula, “and the spring had a fairy tale beauty.” The warmer weather brought a flood of wild daffodils to the hills above the chalet, and no fewer than three spies to the Molehill. Alexander Foote and Len Beurton traveled separately to Switzerland and checked into a Montreux boardinghouse, the Pension Elisabeth, overlooking Bon Port on Lake Geneva. The next day, while the children and Ollo “made their way through a sea of flowers, picking arms full of daffodils,” the three conspirators sat in Ursula’s kitchen and discussed how to murder Hitler. Foote was distinctly alarmed to discover that in the intervening weeks the ambiguous injunction to “keep an eye” on Hitler at the Osteria Bavaria “had

Crusty brown bread, butter, and a pot of pâté de foie gras; chicken Kiev, and the makings of a salad. Olive oil, fresh peaches, cheeses; a bottle of Scotch, a couple of bottles of wine. She bought flowers, an armful of daffodils,

What if I had made different choices from the start? What if I had stuck around to watch another year of seasons spin here in Oxford, staying to see the daffodils bloom or to wander beneath the privet tunnel hand in hand with Fisher? What if we had kept right on kissing until the naked ladies emerged near the Osage orange? What if I had lingered long enough to see cape jasmine arrive, her voluptuous white bundles an aromatic call for summer love? Or even longer, when the spider lilies burst open in the fall and the yellow autumn light fell low among mossy roots? What if I had stayed through winter, forming snow angels with my lover beneath the icy cedar boughs? What if I had not let fear defeat me after Fisher knelt before me in my mother's backyard garden, ring in his hand and happy-ever-after in his heart?

The rear doors of the Marble Hall open onto the sprawling Fountain Terrace, decorated with statues and topiary. A promenade curves southward from it, lined with yew trees that resemble giant gumdrops, and banks of daffodils and bluebells. Multiple gated gardens snake outward from the grassy lane. "This is the first of the gardens that we allow visitors to tour," Max says, leading me through a gate with a plaque above it reading THE FRENCH GARDEN. "We just planted new pink roses for the summer season." "They're beautiful." I can feel Max watching me intently as I wander the perimeter, taking in the blooming flowers and lush orange trees.

It was a day when, if a man travels, he cannot go slowly enough. At anything faster than a foot pace a man seems to lose life as he goes, on a day like this. So quick and prodigal is nature now. It would make of man a pilgrim. Not only daffodils and the wild arums sought notice, but the blue bird's eye tiny in the grass, the pink and intricate ground-ivy flower. In a cleared coppice perfect bright ovals of severance shone on the hazel butts, and told of expert work with a sharp tool.

Thoughts are like blossoms on a flower—there’s a stem and then a whole root system beneath them. Thought substitution alone is like plucking off a dandelion bloom, glue-gunning a daffodil blossom on the stem, and expecting daffodils to keep blooming

Her face and the garden Her face is like a summer garden, By divine beauty tended and by grace never forsaken, There bloom roses many, and lilies too, And I keep looking at it, for in spell bound state what else can I do, Yesterday she was a garden of roses, Last year she was the entire spring, where once in bloom, the beauty’s flower never closes, This year she has transformed into a garden blooming with new flowers, Daisies, daffodils, and sunflowers standing like beauty’s radiant towers, Rendered more radiant in the never ending splendour of her eyes, And the garden of beautiful roses growing all over her, even time defies, While I watch the garden of beauty grow over her face, My heart beats assume a new and lovely pace, That draw my mind into this world of endless beauty, And I know not whether it obeys my heart’s yearnings or it too has grown fond of her pure serenity, The summer has found a permanent residence in her face, infact within her, Because I still see the roses blooming over her face although it is late November, And when sometimes she brushes her hair with her fingers, The roses peek from her face to feel her finger tips and their magical wonders, And when she rests her eyelids upon her eyes, The pollen dust of million flowers, upon her waiting eyelashes, a perfect sheen applies, That neither sparkles nor glows, But in the garden of her face it simply in its splendour grows, And when the winter sun gets tired and retires finally, The lilies apply the mask of radiance on her tenderly, While the violets and narcissus seep deep into her brow, And what a wonder she is to look at now, A beauty with no end, where waves of summer flow interminably, As she rests her head on the pillow and closes her eyes slowly, The morning glory turns into the night glory, And then begins our own love story, Where the lovely and winding creepers grow all over us, over her and over me too, Finally the garden of beauty grows all over us, and now it shall be so, no matter what you do, I in the garden of her beauty where flowers bloom everywhere, And then my heart confesses, “Irma, let us hide in this garden somewhere, To be never found by time, and never felt by any season, Because finally we have found love in each other that defies every reason,” And this is how it has been for many years now, I and my every feeling of love sinking deep into her beauty’s eternal brow!

Thoughts are like blossoms on a flower—there’s a stem and then a whole root system beneath them. Thought substitution alone is like plucking off a dandelion bloom, glue-gunning a daffodil blossom on the stem, and expecting daffodils to keep blooming. In this case, lasting change requires digging up the roots of one flower and planting a new bulb to grow the other. These new bulbs are embodied experiences; the soil is the context that supports our blooming.

It burst about me like fireworks: flowers, flowers, flowers. Violets, anemones, daffodils, roses…I heard Flora gasp as hundreds of them rained into the room.

There were tulips and daffodils blooming all over the town inside and outside the festival venue. We were wandering by a large bed of yellow tulips with a few stray bright orange flowers. Amma stopped and bent over to look closely at one of the orange flowers. She looked up at me with a sparkle in her eyes. I knew what she meant.

The estate sprawled across a rolling green land. I'd never seen anything like it; even out former manor couldn't compare. It was veiled in roses and ivy, with patios and balconies and staircases sprouting from it's alabaster sides. The grounds were encased by woods, but stretched so far that I could barely see the distant line of the forest. So much colour, so much sunlight and movement and texture... I could hardly drink it in fast enough. To paint it would be useless, would never do it justice. My awe might have subdued my fear had the place not been so wholly empty and silent. Even the garden through which we walked, following a gravel path to the main doors of the house, seemed hushed and sleepingg. Above the array of amethyst irises and pale snowdrops and butter-yellow daffodils swaying in the balmy breeze, the faint stench of metal tickled my nose. Of course it would be magic, because it was spring here. What wretched power did they possess to make their lands so different from ours, to control the seasons and weather as if they owned them?

See? That's everything wrong with the patriarchy and all that scented tampon shit. Vaginas aren't supposed to look like flowers or smell like flowers or be fucking flowers." "Hold up, I'm not saying they can't be in the flower family, just that they can't be a lily or a daffodil. If they had to be flower, since you've planted this idea in my head, then they'd be an anomaly-type flower, the badass ones that eat flies.

You Are My Spring Joy Where does life seek eternity? Not in daily struggles or toil, but in that endearing destiny, Where thoughts, pursuits, likings all merge to create a happy existence, Where happiness leaps from every act and every substance. Just like spring flowers that spread joy, To all alike: a woman, a man, a little girl and a young boy, They live for moments very brief, Yet they always manage to delight the heart immersed in grief. They last for a day or moments few, With a promise that next year they shall bloom anew, Leaving behind sweet memories and hopes profound, And even in a moment of existence they live in eternity that time’s snares can not confound. Similarly my love Irma, your smiles, your beauty nourish my existence, You, your love, your endless beauty are what I need for sustenance, My eternity lies in you, and only you, Eternity will be virtueless if it is not spent thinking about you and loving you. I seek thee with all my senses and my mind and heart, From me the reflections of your beauty never depart, And I lie wrapped in them day and night, Without the glimpse of your beautiful smile I cannot establish the brightness in any form of light. Perhaps someday the sun may not rise, And the Moon may not shine , to me it shall be no surprise, But for me living without loving you is not possible, As for the Moon to shine without the Sun is impossible. So let us be like the Sun and the moonshine, Where both exist to create the life giving sunshine and the romantic moonshine, Let you be the the daffodils, winter jasmine, iris, primrose ,and be merry and sing, And I will always be the unfailing Spring, just your Spring!

Love is like a daffodil bloom. Commitment is like the bulb. Sometimes the blooms are so beautiful, nobody thinks about the bulb. Until the weather changes, and the flowers die back, and the bulb is the only thing left, buried under the dirt.

In planting a border, always keep in mind the fact that it should be blooming from May to November. Put in the plants according to height, the tallest, of course, at the back and the lowest in front, filling the front also with spring-flowering bulbs, Daffodils, Tulips and Narcissi, which will blossom and be over before the plants come on. You will thus have the longest succession of bloom. If the border is quite wide—from four to six feet—and perhaps one hundred and fifty feet long, it will hold a surprising number of plants.

Suzanne lowered both front windows to combat the overbearing sweetness of the sixty hyacinths in the rear of the Navigator. She’d been delighted when the nursery offered potted plants as a donation for the Boosters auction, but she’d been told they would be tulips or daffodils. A single hyacinth in full bloom could send its scent to every corner of a moderate-size home; no one would be able to breathe, much less eat, with sixty blooming hyacinths in the Boar’s Head ballroom. If the flowers could be wrapped in cellophane, it might be tolerable. She couldn’t remember what they’d decided about packaging and presentation at the meeting last week. Fifty decisions at that meeting, plus a hundred more at two others—one for the faculty appreciation lunch and another for the food bank.

I was thinking that you're right about vaginas not being remotely related to flowers. They don't smell the same or feel the same, and they're not pretty in any way that would make you want to put them in a vase in your kitchen." ... "I'm not saying they can't be in the flower family, just that they can't be a lily or a daffodil. If they had to be a flower ... then they'd be an anomaly-type flower, the badass ones that eat flies." "Venus fly traps!" "Exactly

They set off past the tree where the dogs were still playing, stopping as they went to admire the daffodils and crocuses. The garden turned round the side of the building, and there was a bench set into a lovely old wall, which must have surrounded the garden of the old house that was knocked down to build the complex. On either side of the bench were two beautiful clouds of yellow flowers. "Oh, look," said Polly, "the mimosa's out, how lovely. Let's go and smell it." They headed over and as they got closer the scent of the fluffy yellow blooms filled the air. "Ah," said Polly, breathing deeply. "Some of my favorite perfumes are based on this smell. It reminds me of my time in Australia. It's a native plant there. They call it silver wattle.

In the fringes of our yard, daffodils await their triumphant chorus. The golden bells have just opened on our forsythia, and clusters of hyacinth flowers await flourish in purple blooms. By aesthetic standards, any of these blossoms would have outshone the fistful of yellow spikes my little boy offered. In the coming months, dozens of its cousins, cast away as weeds, will meet an untimely end beneath the blades of a lawnmower. Their brazen head will be lopped off, their awkward petals demolished and scattered. They will be declared a nuisance, expendable. Yet when gripped within Pip's fingers, how perfect, how precious became this paltry bloom. He had put aside the torrent of irritability and overwhelm that trouble him hourly, and found grace in a spiral of petals. Through a humble weed, love had broken through. God works this way. He does great things with the meager, and beautiful things with the misshapen. He chooses the smallest, the humblest, the most broken as his servants. (1 Sam 16:10-12, Numbers 12:3, 1 Tim 1:15) He works for good through the greatest calamity. (Gen 50:20) With his most beloved broken and crushed, he reaches through the firmament, and in love makes things new. (Rev 21:5) Where we see weakness, he offers grace. (2 Cor 12:9) He shatters pride, so new blossoms can burst forth. I've spent the past few months wrestling with God. After Pip's evaluation, as we clumsily felt out life with special needs, the questions of why wrapped around my heart, infusing me with daily bitterness. Resentment broiled to the surface. I'd left medicine to follow God's call, but a large part of me, in shocking arrogance, wanted to comply on my terms. Over the past two years, God has compelled me to confront my idols. I thrived on productivity. But now I inevitably find grime in corners I have just cleaned. I prized efficiency. But it now takes 30 minutes of wrangling over potty... I'm an introvert, who needs alone time to rejuvenate. But is anyone less alone than a mom with young kids? A "save the world" mentality drives me. But my daily life fodder is now the mundane. I relish instant gratification. But this business of shepherding hearts is long, with few immediate rewards. I relished accolades... I consider God's graciousness to us, and in the stillness of a springtime morning, I struggle for breath. His mercy toward us in this season -- in the face of my arrogance, despite the brokenness to which I've so stalwartly clung -- is stunning. During all the years of my training and career, homeschooling was never the plan. God inexplicably placed the idea in my heart, like a shadow that deepened daily. But now, I see how perfect were his methods. I shudder to think of how our family would struggle if I was still barreling ahead at the hospital, subsumed with my own self importance, while Pip fought daily to deal with every crowd... Homeschooling was never the plan. . . but oh, what a plan! That he called us this way, was mercy manifest. That he has equipped us to continue, is the greatest gift. Even on the hard days, I count it all joy. On the days when Pip, after a week of handling things so well, has a meltdown in the grocery store, complete with screaming and a blow to my chin -- there is joy there. God can work even with our ugliness. Through Christ, God redeems even the most corrupt. He assembles the stray petals, the unseemly stems, and makes things new. He strips away the idolatry of a surgeon desperate to prove her own worth, and points her toward the fount of all worth -- Christ Jesus. There is a deep well of peace in serving God where he has placed you. There is a refining grace, in realizing his work even in the hard moments. There is a profound beauty in redemption -- in the love that breaks forth through brokenness -- if we can only put away our preoccupations, and embrace his will. "My grace is sufficient for you, for my power is made perfect in weakness." -- 2 Cor 12:9

So the smells I associate with the Elders are freshly cut garden flower arrangements- roses, lilac and endless sweet peas and the fougère hints of random greenery lavishly added to the vases, in the Constance Spry style. Also, modest shop-bought flowers, particularly daffodils, tulips and freesias, which are such an economical way to brighten a room for that thrifty generation. My scents for the elders are: Lavender by Yardley Blue Grass by Elizabeth Arden Rose in Wonderland by Atkinsons Femme by Rochas Ostara by Penhaligon's Tweed by Lenthéric (A mention of this elicited a big response at the event; it seemed all the women had worn it at some time and had happy associations with it. I do wish they would re-release it in the original tweed-fabric effect box.) The men in this age group are the last of the true British gentlemen, so especially for them: Old Spice St Johns Bay Rum by St Johns Fragrance Company Royal Mayfair by Creed

Cosima lines up all her little jars of dried herbs and flowers, then carefully picks the ones she needs. "Acacia, for secret love. Celandine, for joys to come. Bluebell," she whispers, "for constancy. Bougainvillea, for passion. And chrysanthemum, for truth." She finds her special ceramic baking bowl and begins to add the usual ingredients: flour, sugar, butter, and eggs. "And the only flavor strong enough to mask the flowers." Cosima opens the cupboard above her head and takes down two bars of the finest dark chocolate she's ever tasted. "Ninety-nine percent. Perfect." After she's grated a beetroot, for moisture, and added vanilla pods, for extra flavor, Cosima pours the dark, thick mixture into a small baking tin and slips it into the oven. An hour later, she cools the cake, then glazes its black (with a tint of purple) surface with a chocolate icing seasoned with a little dust of daffodil, passionflower, and cosmos: new beginnings, faith, joy in love and life.

A moss-covered path tended its way around the magnolia tree. Mark started along it, his leg brushing against the perennial border where cheerful yellow daffodils nodded their heads in greeting.

Narcissi and Daffodils live for generations. I know some double yellow Daffodils growing in my great-grandfather’s garden, that were planted over seventy years ago. The place was[153] sold and the house burned about thirty years since, and all this time has been entirely neglected. Some one told me that Daffodils and Narcissi still bloomed there bravely in the grass. With a cousin, one lovely day last spring, I took the train out to this old place and there found quantities of the dainty yellow flowers. We had come unprovided with any gardening implements, having nothing of the kind in town, and brought only a basket for the spoils, and a steel table-knife. We quickly found the knife of no avail, so borrowed a sadly broken coal-shovel from a tumble-down sort of a man who stood gazing at us from the door of a tumble-down house. The roots of the Daffodils were very deep, and neither of us could use a spade, so the driver of the ramshackle wagon taken at the station was pressed into service. Handling of shovel or spade was evidently an unknown art to him. The Daffodil roots were nearly a foot deep, but we finally got them, several hundreds of them, all we could[154] carry. The driver seemed to think us somewhat mad and said “Them’s only some kind of weed,” but when I told him the original bulbs from which all these had come were planted by my great-grandmother and her daughter, and that I wanted to carry some away, to plant in my own garden, he became interested and dug with all his heart. The bulbs were in solid clumps a foot across and had to be pulled apart and separated. They were the old Double Yellow Daffodil and a very large double white variety, the edges of the petals faintly tinged with yellow and delightfully fragrant. My share of the spoils is now thriving in my garden. By the process of division every three years, these Daffodils can be made to yield indefinitely, and perhaps some great-grandchild of my own may gather their blossoms.