Hoist Quotes

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Every normal man must be tempted, at times, to spit on his hands, hoist the black flag, and begin slitting throats.
H.L. Mencken (Prejudices First Series)
But before he went loopy he was the life and soul of the party," said Fred. "He used to down an entire bottle of firewhiskey, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--" Yes, he sounds like a real charmer," said Hermione, while Harry roared with laughter. Never married, for some reason," said Ron.
J.K. Rowling
I only steal because my dear old family needs the money to live!" Locke Lamora made this proclamation with his wine glass held high; he and the other Gentleman Bastards were seated at the old witchwood table. . . . The others began to jeer. "Liar!" they chorused "I only steal because this wicked world won't let me work an honest trade!" Calo cried, hoisting his own glass. "LIAR!" "I only steal," said Jean, "because I've temporarily fallen in with bad company." "LIAR!" At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, "I only steal because it's heaps of fucking fun!" "BASTARD!
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
Marian Keyes (Lucy Sullivan Is Getting Married)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
This wasn't prayer anyway, it was just argument with the gods. Prayer, he suspected as he hoisted himself up and turned for the door, was putting one foot in front of the other. Moving all the same.
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
Let our lives not merely be unbridled “hunting for likes” or a frantic “commotion of swipes.” Many MISthink they can empower their ego to hoist mountains of self-delusion through artificial widgets. ("With confidence")
Erik Pevernagie
he saw that all the struggles of life were incessant, laborious, painful, that nothing was done quickly, without labor, that it had to undergo a thousand fondlings, revisings, moldings, addings, removings, graftings, tearings, correctings, smoothings, rebuildings, reconsiderings, nailings, tackings, chippings, hammerings, hoistings, connectings — all the poor fumbling uncertain incompletions of human endeavor. They went on forever and were forever incomplete, far from perfect, refined, or smooth, full of terrible memories of failure and fears of failure, yet, in the way of things, somehow noble, complete, and shining in the end.
Jack Kerouac
I hoisted myself onto my elbows. "Yeah, well, if I ever come back as a Grigori, then I'll kick your ass." "You'll come back, and you'll be a Grigori." He spoke with such certainty it made me smile. "I doubt very greatly, however, that you'll kick my ass. But me and my ass will enjoy your efforts.
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
You saved the world," annabeth said. "We saved the world." "And Rachel is the new Oracle, which means she won't be dating anybody." "You don't sound disappointed," I noticed. Annabeth shrugged. "Oh, I don't care." "Uh-huh." She raised an eyebrow. "You got something to say to me, Seaweed Brain?" "You'd probably kick my butt." "You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
By out-talking or bad-mouthing people, some get hoisted by their own petard, ultimately. When their sense of shame makes them crawl back to the open, they can only recover through a convalescing remedy of humbleness. After an exhausting journey throughout the scorching desert of disgrace, they come to know how to be reborn from themselves. This rebirth allows them to recognize their true selves and to become relatable again. ("Waiting for emancipation")
Erik Pevernagie
The wind of God is always blowing... but you must hoist your sail.
François Fénelon
If you remove the English Army tomorrow and hoist the green flag over Dublin Castle., unless you set about the organization of the Socialist Republic your efforts will be in vain. England will still rule you. She would rule you through her capitalists, through her landlords, through her financiers, through the whole array of commercial and individualist institutions she has planted in this country and watered with the tears of our mothers and the blood of our martyrs.
James Connolly
Is killing a known terrorist wrong? I ask this, did the terrorist allow any of his victims quarter? No, then allow him no quarter, and hoist the black flag.
T.R. Wallace
[Leo] lunged at Passalos, but the red-furred dwarf was too quick. He sprang from his chair, bounced off Jason’s head, did a flip, and landed next to Leo, his hairy arms around Leo’s waist. “Save me?” the dwarf pleaded. “Get off!” Leo tried to shove him away, but Passalos did a backward somersault and landed out of reach. Leo’s pants promptly fell around his knees. He stared at Passalos, who was now grinning and holding a small zigzaggy strip of metal. Somehow, the dwarf had stolen the zipper right off Leo’s pants. “Give—stupid—zipper!” Leo stuttered, trying to shake his fist and hoist up his pants at the same time. “Eh, not shiny enough.” Passalos tossed it away.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I wish I could say that I suddenly discovered my inner warrior princess and expertly leaped at Archer, weapon hoisted high, teeth bared.That would have been cool. Instead I raised the stake to about shoulder height and took two, maybe three shuffling steps forward.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Perfection of effort is not required, by the way. It is the consistency of attempting to work these tools that brings the progress. It’s like anything else. If I want to tone muscle, lifting a ten-pound weight a few times every day will move me toward my goal much quicker than hoisting a fifty-pound barbell once a week. Yes, it really is true: “Slow and steady wins the race.” Just try a little, every day. You’ll see.
Holly Mosier
You think I am very cute, you think me sexy, as well. I can read your thoughts, remember.” I hoisted myself up and slid across his body. You are conceited, arrogant, and domineering, everything I dislike in a man. And you are independent, stubborn, and heedless, everything I dislike in a women. I slid my hands under his back and kissed his dampened lips. So why is it that I love you so much? He smiled a smug, masculine little smile and captured my legs with his. Because I love you, and to be loved by a Dark One is enough for any woman. I pinched him in a particularly vulnerable spot and allowed him to kiss me with all the sexy arrogance he had.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy’s aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed.
Ernest Hemingway (The Old Man and the Sea)
Hear, hear.' Sister Martha hoisted her water glass. 'Let the rigid stick of self-righteousness be dislodged from her very uptight ass.' Father Ramon coughed. 'A-fucking-men,' Loup supplied helpfully.
Jacqueline Carey (Santa Olivia (Santa Olivia, #1))
We are liable to miss the best of life if we do not know how to tingle, if we do not learn to hoist ourselves just a little higher than we generally are in order to sample the rarest and ripest fruit of art which human thought has to offer.
Vladimir Nabokov (Look at the Harlequins!)
I wanted to choose words that even you would have to be changed by Take the word of my pulse, loving and ordinary Send out your signals, hoist your dark scribbled flags but take my hand
Adrienne Rich (Leaflets)
So, when on one side you hoist in Locke's head, you go over that way; but now, on the other side, hoist in Kant's and you come back again; but in very poor plight. Thus, some minds for ever keep trimming boat. Oh, ye foolish! throw all these thunder-heads overboard, and then you will float light and right.
Herman Melville (Moby-Dick or, The Whale)
Music spirals out of the radios, and it is splendid to drowse on the davenport, to be warm and fed, to feel the sentences hoist her up and carry her somewhere else.
Anthony Doerr (All the Light We Cannot See)
What Do Women Want?" I want a red dress. I want it flimsy and cheap, I want it too tight, I want to wear it until someone tears it off me. I want it sleeveless and backless, this dress, so no one has to guess what's underneath. I want to walk down the street past Thrifty's and the hardware store with all those keys glittering in the window, past Mr. and Mrs. Wong selling day-old donuts in their café, past the Guerra brothers slinging pigs from the truck and onto the dolly, hoisting the slick snouts over their shoulders. I want to walk like I'm the only woman on earth and I can have my pick. I want that red dress bad. I want it to confirm your worst fears about me, to show you how little I care about you or anything except what I want. When I find it, I'll pull that garment from its hanger like I'm choosing a body to carry me into this world, through the birth-cries and the love-cries too, and I'll wear it like bones, like skin, it'll be the goddamned dress they bury me in.
Kim Addonizio
it is splendid to drowse on the davenport, to be warm and fed, to feel the sentences hoist her up and carry her somewhere else.
Anthony Doerr (All the Light We Cannot See)
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.' When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!' Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. 'Oh, come on!' I complained. 'Is there no privacy?' 'The lovebirds need to cool off!' Clarisse said with glee. 'The canoe lake!' Conner Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Hoisting my brick, I aimed at the white werewolf's head and threw as hard as I could. The brick collided with the wolf's skull and then bounced to the ground. It let go of Kyle and barked out a surprised yelp just as I realized my plan didn't have a step two.
Kathleen Peacock (Hemlock (Hemlock, #1))
The sea is rushing in now as unconsciousness does.I can see a chord, hear gospel songs as we hoist the sails.The sails are a soft white bird. We are airborne. We are primitive.
Suzy Davies (Johari's Window)
Traitors hoist by their own petard?--or victims of the gods?--we shall never know!
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
It was probably no accident that it was the cripple Hephaestus who made ingenious machines; a normal man didn't have to hoist or jack himself over hindrances by means of cranks, chains and metal parts. Then it was in the line of human advance that Einhorn could do so much.
Saul Bellow (The Adventures of Augie March)
He existed a step or two to one side of the common world, largely out of sight, a shadow, all but invisible. Whatever he owned, either he could hoist it on his back and lug it along or he could walk away from it. Anonymity was the thing he loved most about the city, being a part of it and apart from it at the same time.
James Sallis (Drive (Drive, #1))
Two things I ask of my God today. That my faith be hoisted high like a kite up in the sky and my fear be buried deeply like a carcass into the soil.
Israelmore Ayivor (Daily Drive 365)
I cannot stress enough the perils of your friends marrying or becoming court inventors. One day you are all a society of outlaws, adventurous comrades and companions who will be pushing off somewhere or other when things become tiresome; you have all the world to choose from, just by looking at the map… And then, suddenly, they’re not interested any more. They want to keep warm. They’re afraid of rain. They start collecting big things that can’t fit in a rucksack. They talk only of small things. They don’t like to make sudden decisions and do something contrariwise. Formerly they hoisted sail; now they carpenter little shelves for porcelain mugs.
Tove Jansson (Moominpappa's Memoirs (The Moomins, #4))
Antonio, I speak to you from beyond the grave, in seriousness. I have loved you with all my shameful heart, as much as I once loved Francisco, and I have conquered any envy that I might have felt. If a dead man may have a wish, it is that you should find your future with Pelagia. She is beautiful and sweet, there is no one who deserves you more, and no one else worthy of you. I wish that you will have children together, and I wish that once or twice you will tell them about their Uncle Carlo that they never saw. As for me, I hoist my knapsack on my shoulders and buckle the webbing, I put my arm through the sling of my rifle, and I open the veil to march into the unknown as soldiers always will. Remember me. Carlo.
Louis de Bernières (Corelli's Mandolin)
My sense of teasing is completely lost on you.", Patrick said, hoisting himself back up. "It's a shame too. Most people tell me my sense of humor is my best quality, only outdone by my otherworldly good looks.
Nicole Williams (Fallen Eden (Eden Trilogy, #2))
For decades, Americans have experienced a populist uprising that only benefits the people it is supposed to be targeting.... The angry workers, mighty in their numbers, are marching irresistibly against the arrogant. They are shaking their fists at the sons of privilege. They are laughing at the dainty affectations of the Leawoof toffs. They are massing at the gates of Mission Hills, hoisting the black flag, and while the millionaires tremble in their mansions, they are bellowing out their terrifying demands. 'We are here,' they scream, 'to cut your taxes.
Thomas Frank (What's the Matter with Kansas? How Conservatives Won the Heart of America)
The bourgeoisie, when it was struggling against the nobility sustained by the clergy, hoisted the flag of free thought and atheism; but once triumphant, it changed its tone and manner and today it uses religion to support its economic and political supremacy
Paul Lafargue (The Right to Be Lazy)
A needle is such a small brittle thing. It is easily broken. It can hold but one fragile thread. But if the needle is sharp, it can pierce the coarsest cloth. Ply the needle in and out of a canvas and with a great length of thread one can make a sail to move a ship across the ocean. In such a way can a sharp glossy tongue, with the thinnest of thread of a rumor, stitch together a story to flap in the breeze. Hoist that story upon the pillar of superstitious belief and a whole town can be pulled along with the wind of fear.
Kathleen Kent (The Heretic's Daughter)
Rex?” He freezes and when he looks at me I can see the uncertainty he’s trying to cover up with his motions. “I think you’re perfect. I mean, shit, that sounded sappy, but, I mean perfect in my opinion.” Ugh, how do I explain what I mean? That all those things that he is came together like the perfect recipe. “For you?” he says. “Hmm?” “Perfect for you, maybe?” He looks shy and pleased. All I can do is nod. He hoists me up onto the counter and kisses me silly.
Roan Parrish (In the Middle of Somewhere (Middle of Somewhere, #1))
The ancient Romans had a tradition: whenever one of their engineers constructed an arch, as the capstone was hoisted into place, the engineer assumed accountability for his work in the most profound way possible: he stood under the arch.
Michael Armstrong
I ONLY steal because my dear old family needs the money to live!” Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer. “Liar!” they chorused in unison. “I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass. “Liar!” “I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement. “Liar!” “I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.” “Liar!” At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!” “BASTARD!
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
A Drunkard accuses a Drunkard... A sot became extremely drunk - his legs And head sank listless, weighed by wine's thick dregs. A sober neighbour put him in a sack And took him homewards hoisted on his back. Another drunk went stumbling by the first, Who woke and stuck his head outside and cursed. "Hey, you, you lousy dipsomaniac," He yelled as he was borne off in the sack, "If you'd had fewer drinks, just two or three, You would be walking now as well as me.
عطار نیشابوری
I am choking in the suffocating foul air of the harbor. I want to hoist my sails in the open sea, even though a tempest may be blowing. Furled sails are always dirty. Those who would deride me are so many furled sails. They can do nothing.
Osamu Dazai (The Setting Sun)
Once again, the point of this discussion is not to accuse Christians of endorsing torture and persecution. Of course most devout Christians today are thoroughly tolerant and humane people. Even those who thunder from televised pulpits do not call for burning heretics alive or hoisting Jews on the strappado. The question is why they don’t, given that their beliefs imply that it would serve the greater good. The answer is that people in the West today compartmentalize their religious ideology. When they affirm their faith in houses of worship, they profess beliefs that have barely changed in two thousand years. But when it comes to their actions, they respect modern norms of nonviolence and toleration, a benevolent hypocrisy for which we should all be grateful.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...
Jack Kerouac
My mouth blooms like a cut. I've been wronged all year, tedious nights, nothing but rough elbows in them and delicate boxes of Kleenex calling crybaby crybaby, you fool! Before today my body was useless. Now it's tearing at its square corners. It's tearing old Mary's garments off, knot by knot and see - Now it's shot full of these electric bolts. Zing! A resurrection! Once it was a boat, quite wooden and with no business, no salt water under it and in need of some paint. It was no more than a group of boards. But you hoisted her, rigged her. She's been elected. My nerves are turned on. I hear them like musical instruments. Where there was silence the drums, the strings are incurably playing. You did this. Pure genius at work. Darling, the composer has stepped into fire.
Anne Sexton (Love Poems)
None of us can know today if tomorrow morning we will not be counted as part of a group considered outside the law. In that moment the civilized veneer of life changes, as the state props of well-being disappear and are transformed into omens of destruction. The luxury liner becomes a battleship, or the black jolly roger and the red executioner’s flag are hoisted on it.
Ernst Jünger (The Forest Passage)
Get off!” Leo tried to shove him away, but Passalos did a backward somersault and landed out of reach. Leo’s pants promptly fell around his knees. He stared at Passalos, who was now grinning and holding a small zigzaggy strip of metal. Somehow, the dwarf had stolen the zipper right off Leo’s pants. “Give—stupid—zipper!” Leo stuttered, trying to shake his fist and hoist up his pants at the same time.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colours that it needs but somewhere else, hoist your memory on the ship of State like a pirate's sail, and aim yourself at the tinkly present.
Leonard Cohen (Beautiful Losers)
I hoisted the lid off the Spode vegetable dish and, from the depths of its hand-painted butterflies and raspberries, spooned out a generous helping of peas. Using my knife as a ruler and my fork as a prod, I marshaled the peas so that they formed meticulous rows and columns across my plate: rank upon rank of little green spheres, spaced with a precision that would have delighted the heart of the most exacting Swiss watchmaker. Then, beginning at the bottom left, I speared the first pea with my fork and ate it.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
This Sir Alisdair fellow.” Her cheeks blushed crimson. “I’m just saying, he’s likely older than Francine. And less attractive.” “I don’t care! I don’t care if he’s ancient and warty and leprous and hunchbacked. He would still be learned, intelligent. Respected and respectful. He would still be a better man than you. You know it, and you’re envious. You’re being cruel to me to soothe your pride.” She looked him up and down with a contemptuous glare. “And you’re going to catch flies in your mouth, if you don’t shut it.” For once, Colin found himself without words. The best he could do was take her advice and hoist his dropped jaw.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
How could he hate the Jews and yet feel sick when they were attacked? Louis hated peasants, too, apparently, and yet he had no problem sitting beside Jeanne - hoisting her in the air and dancing even. Jacob tried to turn this over in his head, around and around, like the cartwheels beneath him. But after a while, he gave up. People were too strange to understand, he decided. They were like life. And also that cheese. Too many things at once.
Adam Gidwitz (The Inquisitor's Tale: Or, The Three Magical Children and Their Holy Dog)
You should have tried the eggplant parmesan she tried to hoist on me at the church bake sale. No wonder her children turned to Satan. He probably showed up as an angel of light and promised them a decent meal.
Kathy Hepinstall (The Book of Polly)
Piss!" shouted Kosta, hoisting his tumbler toward Cosetta, who nearly came apart at the joints with the resulting fit of giggles. "Thank you, Ravelle, for this gift of a daughter who will now be up all night repeating that word...
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
She wove sails out of melodies and hoisted them with verse.
Emma Brodie (Songs in Ursa Major)
Do you imagine that the poisonous spittle of five hundred little men of your sort, hoisted on to each other's shoulders, could even drool down on to the tips of my august toes?
Marcel Proust (The Guermantes Way)
Be not discourage when others are unable to see the heights of your vision, God will placed you on His shoulders long before they are hoisting you on theirs.
Carl Henegan (Darkness Left Undone)
Make no tent on thy ship; Never sleep in a house; For a foe within doors you may view. On a shield sleeps the Viking, sword in his hand, And his tent is the heavenly blue. When the storm rages fierce, Hoist the sail to the top. Oh, how merry the Storm-King appears! Let us rise, let her drive; Better founder than strike, For who strikes is a slave to his fears.
The Northmen; A Viking Saga
Immediately crouching down, Aiden scooped up his blond ball and hoisted him up into those brawny arms that seemed so at odds with the now ten-pound puppy. His eyes swung from Leo to Zac then to me. I was sure we looked pretty suspicious just standing there like deer caught in the headlights, but oh well. I smiled at him, hoping I didn’t look as flustered as I felt. “Hey, big guy.” “Hi.” With the arm that wasn’t holding Leo up, he reached up to stroke down the length of Leo’s spine, his irises bouncing back and forth between Zac and me once more. Walking toward us, he tipped his chin down to nuzzle the puppy before stopping in front of me and dipping his cheek to plant a soft, dry kiss on my cheek that had me rooted in place. What the hell was happening? What in the hell was happening? “I’m going to shower,” Zac said, shooting me a smirk that said ‘See?
Mariana Zapata (The Wall of Winnipeg and Me)
So, thought Peace, there was a wall around his heart and she wondered whether she should hoist up her skirt and scale that wall, but she knew she didn’t have the right shoes on for that sort of climb because hers were too sensible for a man like Drake.
Sarah Winman (A Year of Marvellous Ways)
The yin to the yang of caring is that sadness is felt just that much more because that caring is so deep. But (and I'm sure you'll agree) I wouldn't be any other way. To not feel so intensely and vividly would mean being one of the living dead and there are far too many of those shuffling around already. So when we mount our steeds, hoist our lances, and charge at the wrongs of the world, let's do so with wild battle cries, riding full tilt! Every now and then we'll have the joy of seeing one of those wrongs go flying off its horse.
リンダ グラットン
A cask of whisky slipped from the hoisting gear, broke on the roof of a transit shed, and poured all over MacRae. He's ready to murder someone - which is why I brought him up here to you." Despite her concern, Merritt let out a snort of laughter. "Luke Marsden, are you planning to hide behind my skirts while I confront the big, mean Scotsman?" "Absolutely," he said without hesitation. "You like them big and mean.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
In Saint Stylites, the famous Christian hermit of old times, who built him a lofty stone pillar in the desert and spent the whole latter portion of his life on its summit, hoisting his food from the ground with a tackle; in him we have a remarkable instance of a dauntless stander-of-mast-heads;
Herman Melville (Moby Dick: or, the White Whale)
We had rarely seen our fathers in work boots before, toiling in the earth and wielding brand-new root clippers. They struggled with the fence, bent over like Marines hoisting the flag on Iwo Jima. It was the greatest show of common effort we could remember in our neighborhood, all those lawyers, doctors, and mortgage bankers locked arm in arm in the trench, with our mothers bringing out orange Kool-Aid, and for a moment our century was noble again.
Jeffrey Eugenides (The Virgin Suicides)
We will all, at some point in our lives, fall. Every single one of us.” He hoisted himself up beside me and moved closer. “We shouldn't spend our time trying to avoid falling. We should spend it finding someone who will help us up.
Nicole Williams (Lost & Found (Lost & Found, #1))
She raised an eyebrow. "You got something to say to me, Seaweed Brain?" You'd probably kick my butt." You know I'd kick your butt." I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-" Oh, you so wanted to." Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry. Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. You're laughing at me," I complained. I am not!" You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
Saul Bellow (All Marbles Accounted for)
Michael Parenti has observed: The objective is not just power for its own sake but power to insure plutocratic control of the planet, power to privatize and deregulate the economies of every nation in the world, to hoist upon the backs of peoples everywhere – including the people of North America – the blessings of an untrammeled ‘free market’ corporate capitalism. The struggle is between those who believe that the land, labor, capital, technology, and markets of the world should be dedicated to maximizing capital accumulation for the few, and those who believe that these things should be used for the communal benefit and socio-economic development of the many.16
William Blum (America's Deadliest Export: Democracy The Truth about US Foreign Policy and Everything Else)
I watched the shadow of our plane hastening below us across hedges and fences, rows of poplars and canals … Nowhere, however, was a single human being to be seen. No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding. One sees the places where they live and the roads that link them, one sees the smoke rising from their houses and factories, one sees the vehicles in which they sit, but one sees not the people themselves. And yet they are present everywhere upon the face of the earth, extending their dominion by the hour, moving around the honeycombs of towering buildings and tied into networks of a complexity that goes far beyond the power of any one individual to imagine, from the thousands of hoists and winches that once worked the South African diamond mines to the floors of today's stock and commodity exchanges, through which the global tides of information flow without cease. If we view ourselves from a great height, it is frightening to realize how little we know about our species, our purpose and our end, I thought, as we crossed the coastline and flew out over the jelly-green sea.
W.G. Sebald (The Rings of Saturn)
The snores alone were quite a study, varying from the mild sniff to the stentorian snort, which startled the echoes and hoisted the performer erect to accuse his neighbor of the deed, magnanimously forgive him, and wrapping the drapery of his couch about him, lie down to vocal slumber. After listening for a week to this band of wind instruments, I indulged in the belief that I could recognize each by the snore alone, and was tempted to join the chorus by breaking out with John Brown's favorite hymn: "Blow ye the trumpet, blow!
Louisa May Alcott (Hospital Sketches)
I hoist the Christmas box into my arms again, thinking two things: that memories are so heavy; and that my son is entitled to his secrets.
Jodi Picoult (Mad Honey)
I tell them I can handle my own stuff, but it's like a mark of pride or something. I'm surprised Blake doesn't just hoist me over his shoulder and try to carry me too!
Abby McDonald (Getting Over Garrett Delaney)
I have never known anyone to win a battle waged against his emotions. When a sentiment hoists his glimmering blade into the air, the battle is lost before it has begun.
Kelseyleigh Reber
hoist Pathfinder up the side. I don’t want to break it.
Andy Weir (The Martian)
Gird your loins and hoist your bras, ladies. We’re digging in.
Meghan Quinn (Till Summer Do Us Part)
Watching Castro, whose tiny hands looked like marshmallows, hoist the ball from his waist and through the hoop seemed like the human equivalent of an ant lifting fifty times its body weight.
Rafe Bartholomew (Pacific Rims: Beermen Ballin' in Flip-Flops and the Philippines' Unlikely Love Affair with Basketball)
You've been telling us about how to secure peace, but come on, now, General—just among us Rotarians and Rotary Anns—'fess up! With your great experience, don't you honest, cross-your-heart, think that perhaps—just maybe—when a country has gone money-mad, like all our labor unions and workmen, with their propaganda to hoist income taxes, so that the thrifty and industrious have to pay for the shiftless ne'er-do-weels, then maybe, to save their lazy souls and get some iron into them, a war might be a good thing? Come on, now, tell your real middle name, Mong General!
Sinclair Lewis (It Can't Happen Here)
Just get to lunch,” I muttered to myself. It was the only way I could control my anxiety. In 1998, I’d made it through Basic Underwater Demolition/SEAL, or BUD/S, by focusing on just making it to the next meal. It didn’t matter if I couldn’t feel my arms as we hoisted logs over our heads or if the cold surf soaked me to the core. It wasn’t going to last forever. There is a saying: “How do you eat an elephant?” The answer is simple: “One bite at a time.” Only my bites were separated by meals: Make it to breakfast, train hard until lunch, and focus until dinner. Repeat.
Mark Owen (No Easy Day: The Firsthand Account of the Mission That Killed Osama Bin Laden)
I love this woman like I’ve never loved anyone or anything. I love her more than the sun on my face rising over the mountain, the feel of fresh ice under my skates, or hoisting that cup over my head. I love my little firefly like I have no other option, and the truth is maybe I never have.
Paisley Hope (Holding the Reins)
Oh, the dream. The goddamned man + baby dream. Written by the High Commission on Heterosexual Love and Sexual Reproduction and practiced by couples across the land, the dream's a bitch if you're a maternally inclined straight female and not living it by the age of thirty-seven -- a situation of a spermicidally toxic flavor. Of course you want to bring out your six-shooter every time you see another bloated mom hoisting up another pinched-faced spawn on Facebook. You want the dream too!
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
No new beginnings. Damn it, it shouldn’t bother her! But it did. She tried to turn away, but his hand flashed out and caught her by the chin. “Let me go,” she snapped. “Nay.” His grip was implacable on her jaw. There was little point in fighting for control of her face; he could have hoisted her into the air with that one big hand on her jaw, if he’d wished. He searched her gaze a long silent moment. “You truly doona ken it, do you? Excepting with you, Jessica. You, lass, are the exception to everything,” he said softly. As if he’d not just knocked the breath out of her with those words and left her feeling weak-kneed, he released her chin, turned away, and began pushing the cart again.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
Did you go over yet, or have you just been creepily standing by the front door this whole time?” “Creepily standing by the front door,” Molly replies, hoisting up the straps on her enormous backpack.
Rachael Lippincott (She Gets the Girl)
Attraction The whites of his eyes pull me like moons. He smiles. I believe his face. Already my body slips down in the chair: I recline on my side, offering peeled grapes. I can taste his tongue in my mouth whenever he speaks. I suspect he lies. But my body oils itself loose. When he gets up to fix a drink my legs like derricks hoist me off the seat. I am thirsty, it seams. Already I see the seduction far off in the distance like a large tree dwarfed by a rise in the road. I put away objections as quietly as quilts. Already I explain to myself how marriages are broken-- accidentally, like arms or legs.
Enid Shomer
At every new torment which is too hard to bear we feel yet another vein protrude, to unroll its sinuous and deadly length along our temples or beneath our eyes. And thus gradually are formed those terrible ravaged faces, of the old Rembrandt, the old Beethoven, at whom the whole world mocked. And the pockets under the eyes and the wrinkled forehead would not matter much were there not also the suffering of the heart. But since strength of one kind can change into a strength of another kind, since heat which is stored up can become light and the electricity in a flash of lightning can cause a photograph to be taken, since the dull pain in our heart can hoist above itself like a banner the visible permanence of an image for every new grief, let us accept the physical injury which is done to us for the sake of the spiritual knowledge which grief brings; let us submit to the disintegration of our body, since each new fragment which breaks away from it returns in a luminous and significant form to add itself to our work, to complete it at the price of sufferings of which others more richly endowed have no need, to make our work at least more solid as our life crumbles away beneath the corrosive action of our emotions.
Marcel Proust (Time Regained)
The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued.
Alison Fell (The Element -inth in Greek)
So, when on one side you hoist in Locke's head, you go over that way; but now, on the other side, hoist in Kant's and you come back again; but in very poor plight. Thus, some minds for ever keep trimming boat.
Herman Melville (Moby Dick: or, the White Whale)
See" Kayla links her arm through mine, leaving Blake to jostle and race the other guys. "I tell them I can handle my own stuff, but it's like a mark of pride or something. I'm surprised Blake doesn't just hoist me over his shoulder and try to carry me, too!" I laugh, starting to relax. "Is it bad I can actually picture that?
Abby McDonald (Getting Over Garrett Delaney)
Aye, Captain!” With little effort, he swept me up and hoisted me over his shoulder, knocking the air out of me. “Shore leave!” he shouted as he trotted down the gangplank. “Kashmir!” “Ah!” he said as I pounded him on the back. “That was my kidney!” “Put me down,” I said breathlessly, “or I’ll take out the other one!” “You should know, amira,” he said, emphasizing the Persian accent he often kept hidden. “We don’t negotiate with terrorists!
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
Stories set the inner life into motion, and this is particularly important where the inner life is frightened, wedged, or cornered. Story greases the hoists and pulleys, it causes adrenaline to surge, shows us the way out, down, or up, and for our trouble, cuts for us fine wide doors in previously blank walls, openings that lead to the dreamland, that lead to love and learning, that lead us back to our own real lives as knowing wildish women.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Not that I mean the least fling against men who have won a great fleet action - it is right and proper that THEY should be peers - but when you look at the mass of titles, tradesmen, dirty politicians, moneylenders...why, I had as soon be plain Jack Aubrey - Captain Jack Aubrey, for I am as proud as Nebuchadnezzar of my service rank, and if ever I hoist my flag, I shall paint HERE LIVES ADMIRAL AUBREY on the front of Ashgrove Cottage in huge letters.
Patrick O'Brian (The Mauritius Command (Aubrey & Maturin, #4))
Those who arrive at Thekla can see little of the city, beyond the plank fences, the sackcloth screens, the scaffoldings, the metal armatures, the wooden catwalks hanging from ropes or supported by sawhorses, the ladders, the trestles. If you ask, “Why is Thekla’s construction taking such a long time?” the inhabitants continue hoisting sacks, lowering leaded strings, moving long brushes up and down, as they answer, “So that its destruction cannot begin.
Italo Calvino (Invisible Cities)
Still, this particular fantasy nagged him. He'd stroll through the streets, eat, bathe, weed his rose garden, and it would gather strength over his head, an insidious halo, as black as dried blood, glittering with the thunder of snapping bones. It tugged at him like a tornado. He would peer up and see George affixed to its sphere, and the smog made him think of a woodcut he'd seen as a child. It showed every bone in some man's body broken and woven through spokes of a wagon wheel. Hoisted aloft in the Renaissance, they had continued to twirl for Philippe ever since.
Dennis Cooper (Closer)
Halfway across the river I hoist myself on the wide parapet, swing my legs over the edge, and look down in the water for Quentin’s body. How does a man in Mississippi in the 1920s create a character who feels more alive to a waitress in 1997, remembered with more tenderness, than most of the boys she’s ever known? How do you create a character like that?
Lily King (Writers & Lovers)
Around about now, young John Owen comes out of the shack lugging my old musket from the War. At six years of age, our youngest boy already knew his business. Not a word, just brings the shooting iron somewhat closer so's he don't waste powder, then hoists her up, set to haul back on the trigger. I believe his plan was to shoot this feller, get the story later.
Peter Matthiessen (Shadow Country)
Earlier in the morning Company A, 1st Battalion, 5th Marines had attacked eastward into the ruins of Shuri Castle and had raised the Confederate flag. When we learned that the flag of the Confederacy had been hoisted over the very heart and soul of Japanese resistance, all of us Southerners cheered loudly. The Yankees among us grumbled, and the Westerners didn’t know what to do. Later we learned that the Stars and Stripes that had flown over Guadalcanal were raised over Shuri Castle, a fitting tribute to the men of the 1st Marine Division who had the honor of being first into the Japanese citadel.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
My desk clock told me it was five past ten, early for a drink, although I wanted one. After a little hesitation, I decided the bottle wouldn't know it was too early, hoisted it out of the desk drawer and gave myself a small, rather shamefaced nip.
James Hadley Chase (Lay Her Among the Lilies)
I am a Black woman, therefore, I am destined to protect myself. Our men have wandered too far to beckon. They are lost guardians. Thus, you learn early on how to wield your sword & hoist your shield -- how to stand shoulder to shoulder with your sister in battle and wail a cry that never seems to be loud enough. And I am tired. If only I could rest. To be a Queen with no infantry is a painful sight indeed. They do not yield to my crown. How useless is my throne, if I am to continue to fight alone?
Bethanee Epifani J. Bryant (Don't Fall Prey! Dating Tales, Trials, & Triumphs)
I walked into the emergency room and was hoisted onto a cart where I was stripped of my clothes. It was then we learned I’d been shot & had a bullet in my lung. Getting shot hurts. Still my fear was growing because no matter how hard I tried to breathe it seemed I was getting less & less air. I focused on that tiled ceiling and prayed. But I realized I couldn’t ask for Gods help while at the same time I felt hatred for the mixed up young man who had shot me. Isn’t that the meaning of the lost sheep? We are all Gods children & therefore equally beloved by him. I began to pray for his soul and that he would find his way back to the fold.
Ronald Reagan (The Reagan Diaries)
Here, I could see, was choice matter on which the expert and art critic could exercise their knowledge and judgment. As I had neither, I made an experiment or two, and was able to inform the readers of the paper that if you walked briskly past the picture, winking both eyes as fast as possible, you really got a sort of impression of movement and activity, of ships and boats coming into the harbour and sailing out of it, of sails lowered and hoisted, of an uncertain background, now obscured, now left visible as a ship in full sail passed before it. It struck me that, in my hands, art criticism was in a fair way to become a popular sport.
Arthur Machen (The Terror and Other Stories (The Best Weird Tales of Arthur Machen #3))
So when a little girl asks her father where the moon came from, he might tell her that the moon circles around the earth and reflects light from the sun. He might tell her that the moon likes to play hide-and-seek with the sun, so sometimes the moon looks like it’s peeking out from behind a black curtain; sometimes all you can see is the top of its head, and sometimes you can’t even see it at all! He might tell her about how the moon has invisible arms that can pull the oceans back and forth, making tides rise and fall. He might tell her that astronauts have walked on the moon and played golf on the moon and collected rocks from the moon. He might tell her that the moon has dimples and craters and basins that we can see only with a telescope and that there’s a special place on the moon called the Sea of Tranquility that isn’t really a sea. Then the father might take the little girl outside, hoist her up onto his shoulders, and let her stare at the moon for a while. He might recite a poem about a cow jumping over the moon or sing a song about a dreamy-eyed kid slow-dancing with it. Soon the little girl will become so lost in her father’s beautiful stories that she will forget she ever had a question to begin with.
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
A modern slaughterhouse is a disassembly line of conveyors and shackles, bolt guns and electric prods, hooks and hoists. Animals arrive in one piece, breathing and fearing, only to be systematically stunned, hung, slashed, skinned, drawn and dismembered into a sum of tradable parts.
Jo-Anne McArthur
You’re going to tell me what you’ve blundered into.” It wasn’t a question, but I determined to take it as such. “No.” “No?” “No.” He crossed his arms on his chest, making his carved biceps bulge. I vividly remembered those steel-hard biceps flexing as he hoisted me up off the floor by my throat. “You know what I like about you? You have no sense. You sit here in my house, you can barely hold a spoon, and you're telling me 'no.' You'd pull on Death's whiskers if you could reach them.” Actually, Death wasn't that far out of reach. If I stretched my leg, I could kick him.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
100. It often happens that we count our days, as if the act of measurement made us some kind of promise. But really this is like hoisting a harness onto an invisible horse. "There is simply no way that a year from now you're going to feel the way you feel today," a different therapist said to me last year at this time. But though I have learned to act as if I feel differently, the truth is that my feelings haven't really changed.
Maggie Nelson (Bluets)
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal." Annabeth kept her eyes on the horizon. "Yeah?" "Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--" "Oh, you so wanted to." "Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry. "Anyone in particular?" Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. "You're laughing at me," I complained. "I am not!" "You are so not making this easy." Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it." When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!" Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders. "Oh, come on!" I complained. "Is there no privacy?" "The lovebirds need to cool off!" Clarisse said with glee. "The canoe lake!" Connor Stoll shouted. With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red. We held hands right up to the moment they dumped us in the water. Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry. And it was pretty much the best underwater kiss of all time.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
and in that moment, Sherman made the terrible discovery that men make about their fathers sooner or later. For the first time he realized that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best as he could, out of a sense of duty and, perhaps, love, adopted a role called being a father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. And now that boy, that good actor, had grown old and fragile and tired, wearier than ever at the thought of trying to hoist the Protector's armor back onto his shoulders again, now, so far down the line.
Tom Wolfe (The Bonfire of the Vanities)
Writing is not only a reflection of what one thinks and feels but a rope one weaves with words that can lower you below or hoist you above the surface of your life, enabling you to go deeper or higher than you would otherwise go. What excites me about his metaphor is that is makes writing much more than a lifesaving venture.
Phyllis Theroux (The Journal Keeper: A Memoir)
The exuberant Husky crew gingerly hoisted Walling out of the shell and sent him off to the hospital. Astonished fans and journalists gathered around them on the dock, peppering them with questions: Was the University of Washington in the District of Columbia? Where exactly was Seattle, anyway? Were any of them really lumberjacks?
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I know a lot of hot, unconventionally beautiful ladies who kick ass and have sex with rock-star dudes and aren't sorry about it at all. I need to say this loud for the girls in the back of the class: if a dude doesn't want to have to use both hands to grab your ass, that's totally cool; its his choice. But that doesn't make you a piece of shit. You hoist up your saddlebags and go find some dude who thinks you're rad and doesn't mind wiping the sweat off your bottom stomach when you switch sex positions. Don't be all down in the dumps (like a truck truck truck) and let opportunists and perverts take advantage of some low self-esteem you're absolutely too awesome to have.
Samantha Irby (We Are Never Meeting in Real Life.)
Holly helped hoist me into the saddle, then mounted her own horse, a silvery animal that took the lead as we jogged across the traffic of Central Park West and entered a riding path dappled with leaves denuding breezes danced about. 'See?' she shouted. 'It's great!' And suddenly it was. Suddenly, watching the tangled colors of Holly's hair flash in the red-yellow leaf light, I loved her enough to forget myself, my self-pitying despairs, and be content that something she thought happy was going to happen.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
But one gets tired of everything, even of abusing a person. Paris abandons its puppets which it raises to the throne as quickly as it does its martyrs whom it hoists on the gibbet; in its perpetual hunger for new playthings, it never gets itself excited overly much before the statues of its heroes or at the sight of the blood of its victims.
Octave Mirbeau (Le Calvaire)
Like a horseman who reins in a wild stallion that has borne him, will he, nill he, across several counties; or a ship's captain who, after scudding before a gale through a bad night, hoists sail, and gets underway once more, navigating through unfamiliar seas- thus Dr. Daniel Waterhouse, anno domini 1685, watching King Charles II die at Whitehall Palace.
Neal Stephenson (Quicksilver (The Baroque Cycle, #1))
You can’t set sail without hoisting your anchor first
Sandra Cooze (Journey to Your Self - How to Heal from Trauma: Written by Someone Who Did)
I can hoist any colors at a pinch.
Walter Scott (Bride of Lammermoor)
Hoist your heart as beacon to the whole, Stand your feet as anchor to ethics. Speak your spine as wave of integrity, Ride your brain as cure for prejudice.
Abhijit Naskar (The Humanitarian Dictator)
Except in Punjab and the NWFP, the central government’s Kashmir policy had little support in Sindh or Balochistan and even less in East Bengal. Instead of serving the people, civil servants and their allies in the army hoisted the political leaders with their Kashmir petard to become the veritable masters of the manor through autocratic and unconstitutional means.
Ayesha Jalal (The Struggle for Pakistan: A Muslim Homeland and Global Politics)
I fixed her a drink, then lowered myself on the spider's silk of my attention back into One Hundred Years of Solitude and the adventures of the Buendia family. The scene where the prodigal Jose Arcadio hoisted his adopted sister by her waist into his hammock and, in my translation, 'quartered her like a little bird' made my face hot. I bent down the page, whose small triangle marks the instant. Touching that triangle of yellowed paper today is like sliding my hand into the glove of my seventeen-year-old hand. Through magic, there are the Iowa fields slipping by... And there is my mother, not yet born into the ziplock baggie of ash my sister sent me years ago with the frank message 'Mom 1/2', written in laundry pen, since no-one in our family ever stood on ceremony.
Mary Karr (Lit)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Donna Tartt (The Goldfinch)
The masses often let themselves down and even those at the forefront who are hoisting the flag of the cause that is intended to alleviate their miseries. However, they do not do so out of wickedness or malice. Often times, they betray their interests out of incomprehension, docility and resignation to the status quo. In a subtle way, the masses often end up collaborating with those oppressing them.
Janvier Chouteu-Chando (The Fire and Ice Legend)
Yet, of course, and more especially, the executioners themselves became notorious. The first known public hangman was one Bull, who was followed by the more celebrated Derrick. “And Derrick must be his host,” Dekker wrote of a horse-thief in his Bellman of London (1608), “and Tiburne the land at which he will light.” There was a proverb—“If Derrick’s cables do but hold”—which referred to an ingenious structure, like a crane, upon which twenty-three condemned could be hanged together. This device was then put in more general use for unloading and hoisting vessels on board ships, and still bears the executioner’s name.
Peter Ackroyd (London: The Biography)
I try to shape a tight laugh, and it dies in my throat. "This is new to me, Wes. Sharing. Having someone I can share with. And I really appreciate your help -- That sounds lame. I've never had someone like... This is a mess. There's finally something good in my life and I'm already making a mess of it." My cheeks go hot, and I have to clench my teeth to stop the rambling. "Hey," he says, knocking his shoe playfully against mine. "It's the same for me, you know?" This is all new to me. And I'm not going anywhere. It takes at least three assassination attempts to scare me off. And even then, if there are baked goods involved, I might come back." He hoists himself up from the bench. "But on that note, I retreat to tend my wounded pride." He says it with a smile, and somehow I'm smiling, too. How does he do that, untangle things so easily?
Victoria Schwab (The Archived (The Archived, #1))
I reached the privy and emptied the slop pail, and so forth. And so forth, Grace? asks Dr.Jordan. I look at him. Really if he does not know what you do in a privy there is no hope for him. What I did was, I hoisted my skirts and sat down above the buzzing flies, on the same seat everyone in the house sat on, lady or lady's maid, they both piss and it smells the same, and not like lilac neither, as Mary Whitney used to say. What was in there for wiping was an old copy of the Godey's Ladies' Book; I always looked at the pictures before using them. Most were of the latest fashions, but some were of duchesses from England and high-society ladies in New York and the like. You should never let your picture be in a magazine or newspaper if you can help it, as you never know what ends your face may be made to serve, by others, once it has got out of your control. But I do not say any of this to Dr. Jordan. And so forth, I say firmly, because And so forth is all he is entitled to. Just because he pesters me to know everything is no reason for me to tell him.
Margaret Atwood (Alias Grace)
Debugging tip: For server applications, be sure to always specify the -server JVM command line switch when invoking the JVM, even for development and testing. The server JVM performs more optimization than the client JVM, such as hoisting variables out of a loop that are not modified in the loop; code that might appear to work in the development environment (client JVM) can break in the deployment environment (server JVM).
Brian Goetz (Java Concurrency in Practice)
For a minute Rose of Sharon sat still in the whispering barn. Then she hoisted her tired body up and drew the comforter around her. She moved slowly to the corner and stood looking down at the wasted face, into the wide, frightened eyes. Then slowly she lay down beside him. He shook his head slowly from side to side. Rose of Sharon loosened one side of the blanket and bared her breast. “You got to,” she said. She squirmed closer and pulled his head close. “There!” she said. “There.” Her hand moved behind his head and supported it. Her fingers moved gently in his hair. She looked up and across the barn, and her lips came together and smiled mysteriously.
John Steinbeck (The Grapes of Wrath)
And then Luca leans close and whispers something in the coyote's ear. And the man reaches up and takes Luca in his arms, and Luca folds himself around the coyote's neck, and they embrace for a long moment, and then they turn away from each other quickly, and Luca ascends the steps. Lydia watches through the window as El Chacal lifts his pack from one of the lawn chairs, hoists his replenished water supplies, and heads back into the desert.
Jeanine Cummins (American Dirt)
Of the ear, old worrier. Water mollifies the flint lip, And daylight lays its sameness on the wall. The grafters are cheerful, Heating the pincers, hoisting the delicate hammers. A current agitates the wires Volt upon volt. Catgut stitches my fissures. A workman walks by carrying a pink torso. The storerooms are full of hearts. This is the city of spare parts. My swaddled legs and arms smell sweet as rubber. Here they can doctor heads, or any limb.
Sylvia Plath (The Colossus: and Other Poems (Vintage International))
Hoisting sail, it glided down the Acushenet River.. On one side, New Bedford rose in terraces of streets, their ice-covered trees all glittering in the clean, cold air. Huge Hills and mountains of casks on casks were piled upon her wharves , and side by side the world-wandering whale-ships lay silent and safely moored at last; while from others came a sound of carpenters and coopers, with blended noises of fires and forges to melt the pitch, all betokening that new cruises were on the start; that one most perilous and long voyage ended, only begins a second, and a second ended, only begins a third, and so on, for ever and aye. Such is th endlessness,yea, the intolerableness of all earthly effort.
Herman Melville (Moby-Dick or, The Whale)
The Duchessa d’Aosta had been placed under the command of Geoffrey Appleyard and a skeleton crew, who were so delighted with their prize ship – and their Italian prisoners now locked below decks – that they hoisted a skull and crossbones from the mainmast. March-Phillipps exploded when he saw it fluttering in the dawn breeze. ‘We all got a rocket and we were told we weren’t to fly the Jolly Roger,’ recalled Leonard Guise. ‘He was a great stickler for etiquette, old Gus.
Giles Milton (Churchill's Ministry of Ungentlemanly Warfare: The Mavericks Who Plotted Hitler's Defeat)
I envied the sons their life in the country. I wasn’t even jealous of how at home they were in the fields and woods and barns; of how they could do so many things I couldn’t, drive tractors, take apart and fix motors, pluck eggs from under a hen, shove their way into a stall with a stubborn horse pushing back: I just marveled at it all, and wanted it. They and the boys who lived on farms near them were also so enviably at ease in their bodies: what back in the city would be taken as a slouch of disinterest, here was an expression of physical grace. No need to be tense when everything so readily submitted to your efficiently minimal gestures: hoisting bales of hay into a loft, priming a recalcitrant pump … Something else there was as well, something more elusive: perhaps that they lived so much of the time in a world of wild, poignant odors—mown grass, the redolent pines, even the tang of manure and horse-piss-soaked hay. Just the thought of those sensory elations inflicted me with a feeling I still have to exert myself to repress that I was squandering my time, wasting what I knew already were irretrievable clutches of years, now hecatombs of years, trapped in my trivial, stifling life.
C.K. Williams (All at Once: Prose Poems)
Every train station has magic in it, not that Ala can feel it. Some of her kind swear they can smell it, and maybe they can; all zmory have good noses, but hers is average at best. It’s because of how they were built—the train stations, that is, not the noses. They were hoisted above Chicago’s brick buildings in the mid-1910s, with the city refusing to close down cross streets for their construction, so the builders had to get creative. It took them over a decade to complete just the Red Line. There’s always sacrifice in building something that’s never been built before, and sacrifice creates a debt, and debts create a space for magic to rush in. So if the Thorndale Red Line stop hums with it, well—that makes sense to her.
Veronica Roth (When Among Crows (Curse Bearer, #1))
Altogether I carried 481 wounded soldiers from under fire. One of the journalists counted them up: a whole infantry battalion…We hauled men two or three times our weight. When they’re wounded they’re still heavier. You carry him, his weapon, plus there’s his overcoat, boots. So you hoist some 180 pounds on your back and carry it. Unload it…Go for the next one, and again it’s 150 or 180 pounds…Five or six times in one attack. And you yourself weigh a hundred pounds—like a ballet dancer.
Svetlana Alexievich (War's Unwomanly Face)
SUMMER SHOWER. A drop fell on the apple tree, Another on the roof; A half a dozen kissed the eaves, And made the gables laugh. A few went out to help the brook, That went to help the sea. Myself conjectured, Were they pearls, What necklaces could be! The dust replaced in hoisted roads, The birds jocoser sung; The sunshine threw his hat away, The orchards spangles hung. The breezes brought dejected lutes, And bathed them in the glee; The East put out a single flag, And signed the fete away.
Emily Dickinson (Poems by Emily Dickinson, Series One)
Her eyes stung from crying for so long and having some tears dry on them. Her body was weak from the exercise but she did not feel better. While she was crying she had wanted someone, anyone to come and hold her. She had crawled into her closet, hoisted herself up onto the shelf that had duvets and bedsheets and curled herself among those. Now she knew that no hug could erase her pain, no sort of embrace could bind up her heart. She needed a new heart it seemed, her old heart was beyond repair.
Roxanna A Kazibwe
If you are bewildered and clinging tenaciously to some course you love, be patient. Work hard. Hold your dream tightly to you, and do everything you can to realize it within reason. Take a step that will lead you toward the realization of your dream, and then take another, and another, and another. Hold fast to your oars, hoist the sails to the wind, read the pictures in the stars, look beyond the horizon to that which you can't see but dimly sense in your future: the curving inlet, the sandy beach.
Jesmyn Ward (Navigate Your Stars)
They growled a response and went on digging. For some time there was no noise but the grating sound of the spades discharging their freight of mould and gravel. It was very monotonous. Finally a spade struck upon the coffin with a dull woody accent, and within another minute or two the men had hoisted it out on the ground. They pried off the lid with their shovels, got out the body and dumped it rudely on the ground. The moon drifted from behind the clouds and exposed the pallid face. The barrow was got ready and the corpse placed on it, covered with a blanket, and bound to its place with the rope. Potter took out a large spring-knife and cut off the dangling end of the rope and then said: “Now the cussed thing’s ready, Sawbones, and you’ll just out with another five, or here she stays.
Mark Twain (The Complete Tom Sawyer)
After so much imposture, so much fraud, it is comforting to contemplate a beggar. He, at least, neither lies nor lies to himself: his doctrine, if he has one, he embodies; work he dislikes, and he proves it; wanting to possess nothing, he cultivates his impoverishment, the condition of his freedom. His thought is resolved into his being and his being into his thought. He has nothing, he is himself, he endures: to live on a footing with eternity is to live from day to day, from hand to mouth. Thus, for him, other men are imprisoned in illusion. If he depends on them, he takes his revenge by studying them, a specialist in the underbelly of “noble” sentiments. His sloth, of a very rare quality, truly “delivers” him from a world of fools and dupes. About renunciation he knows more than many of your esoteric works. To be convinced of this, you need only walk out into the street … But you prefer the texts that teach mendicancy. Since no practical consequence accompanies your meditations, it will not be surprising that the merest bum is worth more than you … Can we conceive a Buddha faithful to his truths and to his palace? One is not “delivered-alive” and still a land-owner. I reject the generalization of the lie, I repudiate those who exhibit their so-called “salvation” and prop it with a doctrine which does not emanate from themselves. To unmask them, to knock them off the pedestal they have hoisted themselves on, to hold them up to scorn is a campaign no one should remain indifferent to. For at any price we must keep those who have too clear a conscience from living and dying in peace.
Emil M. Cioran (The Temptation to Exist)
To build his cathedral dome—a self-supporting structure of close to four million bricks that is still the largest masonry dome in the world—Brunelleschi had to develop sophisticated mathematical modeling techniques and invent an array of hoists and other engineering tools. In
Walter Isaacson (Leonardo da Vinci)
In 1777 there was a women’s counterpart to the Boston Tea Party—a “coffee party,” described by Abigail Adams in a letter to her husband John: One eminent, wealthy, stingy merchant (who is a bachelor) had a hogshead of coffee in his store, which he refused to sell the committee under six shillings per pound. A number of females, some say a hundred, some say more, assembled with a cart and trunks, marched down to the warehouse, and demanded the keys, which he refused to deliver. Upon which one of them seized him by his neck and tossed him into the cart. Upon his finding no quarter, he delivered the keys when they tipped up the cart and discharged him; then opened the warehouse, hoisted out the coffee themselves, put it into the trunks and drove off. . . . A large concourse of men stood amazed, silent spectators of the whole transaction.
Howard Zinn (A People's History of the United States)
Those instincts were my guardians. They had saved me before, guiding my movements on a dozen bucking horses, telling me when to cling to the saddle and when to pitch myself clear of pounding hooves. They were the same instincts that, years before, had prompted me to hoist myself from the scrap bin when Dad was dumping it, because they had understood, even if I had not, that it was better to fall from that great height rather than hope Dad would intervene. All my life those instincts had been instructing me in this single doctrine—that the odds are better if you rely only on yourself.
Tara Westover (Educated)
There is no more useless activity than that of periodization, the packaging of history, in particular cultural history, into discrete eras—the Jazz Age, the Greatest Generation, the Eisenhower years, the Sixties. Such periods can never be honestly articulated without recourse to so many demurrals and arbitrary demarcations, and the granting of so many exceptions, as to render them practically useless for any kind of serious historical purpose. In times of supposed license, repression reigns freely all around; in eras renowned for their conventionality, oddballs and freaks hoist their banners high.
Michael Chabon (Manhood for Amateurs)
You mean you aren’t willing to chop off and reattatch your ears in order to hoist up your neck flaps, Lauren? Don’t you care about us? Where’s your commitment to your craft?” mean people on the Internet yell. I wish this possibility simply didn’t exist, so that we all had somewhat of a fair playing field.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
It doesn’t matter if, like the Doolittle Raiders, the time comes when the Mistys can be counted on one hand. When only one Misty is left, that man will have his own reunion, and he will hoist a glass to his brothers who flew up north and who were in the shit on every mission. He will drink to those who never came back.
Robert Coram (American Patriot: The Life and Wars of Colonel Bud Day)
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
Donna Tartt (The Goldfinch)
They were called criminals and the outraged law, like the bursting shells, had come to them, an insoluble mystery from over the sea. All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily up-hill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages. Behind this raw matter one of the reclaimed, the product of the new forces at work, strolled despondently, carrying a rifle by its middle. He had a uniform jacket with one button off, and seeing a white man on the path, hoisted his weapon on to his shoulder with alacrity. This was simple prudence, white men being so much alike at a distance that he could not tell who I might be. He was speedily reassured, and with a large, white, rascally grin, and a glance at his charge, seemed to take me into partnership in his exalted trust. After all, I also was a part of the great cause of these high and just proceedings.
Joseph Conrad (Heart of Darkness)
Have you ever been in a demon rumble before, Jenna?” I asked. Hoisting her own demonglass dagger, she shook her head. “Nope. I have a feeling it’s going to be super violent.” “Maybe we can talk to them,” I said, rubbing my nose with the back of my hand. “Have a little sit-down chat.” “With tea.” “Ooh, yeah, with the nice china, and those little sandwiches that don’t have crusts.” Cal came to stand with us. Aislinn and Finley were getting to their feet, but I could tell they were far away from optimum Brannick strength. “I don’t want to kill these kids,” Cal said. “Neither do I. But I don’t want them to kill me, either.” “Not sure what we want is going to matter that much,” Jenna said. I stared out into the trees, hearing my fate move closer. And here’s the thing: I knew I was supposed to be courageous. I was supposed to use my magic for as long as I could, and be all Braveheart about it. But I didn’t want to. I wanted to cry. I wanted to hug my mom and dad again. I wanted to see Archer. And I wanted to know that I’d done more here than just delay Aislinn’s and Finley’s deaths by a few minutes. So there was no stoic badass facing down the demon hordes. There was just a teenage girl with tears streaming down her face, her two best friends on either side of her, as all kinds of hellish creatures rushed forward.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It was signed by the man in the gray suit and black overcoat, the one Ove hoisted off the track after he passed out. Lena had told Ove that the swooning fit had been caused by some sort of complicated brain disease. If they hadn’t discovered it and started treating it when they did, it would have claimed his life within a few years.
Fredrik Backman (A Man Called Otto)
At present there are only two land-based cranes in the world that could lift weights of this magnitude. At the very frontiers of construction technology, these are both vast, industrialized machines, with booms reaching more than 220 feet into the air, which require on-board counterweights of 160 tons to prevent them from tipping over. The preparation-time for a single lift is around six weeks and calls for the skills of specialized teams of up to 20 men.13 In other words, modern builders with all the advantages of high-tech engineering at their disposal, can barely hoist weights of 200 tons. Was it not, therefore, somewhat surprising that the builders at Giza had hoisted such weights on an almost routine basis?
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
All the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moling through tunnels, heaving, pushing, moving rock, working, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It’s internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself! Where is everybody? Inside your breast and skin, the entire cast.
Saul Bellow
God is alive; Magic is afoot God is alive; Magic is afoot God is afoot; Magic is alive Alive is afoot..... Magic never died. God never sickened; Many poor men lied Many sick men lied Magic never weakened Magic never hid Magic always ruled God is afoot God never died. God was ruler Though his funeral lengthened Though his mourners thickened Magic never fled Though his shrouds were hoisted The naked God did live Though his words were twisted The naked Magic thrived Though his death was published Round and round the world The heart did not believe Many hurt men wondered Many struck men bled Magic never faltered Magic always led. Many stones were rolled But God would not lie down Many wild men lied Many fat men listened Though they offered stones Magic still was fed Though they locked their coffers God was always served. Magic is afoot. God rules. Alive is afoot. Alive is in command. Many weak men hungered Many strong men thrived Though they boasted solitude God was at their side Nor the dreamer in his cell Nor the captain on the hill Magic is alive Though his death was pardoned Round and round the world The heart did not believe. Though laws were carved in marble They could not shelter men Though altars built in parliaments They could not order men Police arrested Magic And Magic went with them, For Magic loves the hungry. But Magic would not tarry It moves from arm to arm It would not stay with them Magic is afoot It cannot come to harm It rests in an empty palm It spawns in an empty mind But Magic is no instrument Magic is the end. Many men drove Magic But Magic stayed behind Many strong men lied They only passed through Magic And out the other side Many weak men lied They came to God in secret And though they left him nourished They would not say who healed Though mountains danced before them They said that God was dead Though his shrouds were hoisted The naked God did live This I mean to whisper to my mind This I mean to laugh with in my mind This I mean my mind to serve 'til Service is but Magic Moving through the world And mind itself is Magic Coursing through the flesh And flesh itself is Magic Dancing on a clock And time itself the magic length of God.
Leonard Cohen
To make matters worse," Luke continued, "there was an accident." Her eyes widened. "What kind of accident?" "A cask of whisky slipped from the hoisting gear, broke on the roof of a transit shed, and poured all over MacRae. He's ready to murder someone - which is why I brought him up here to you." Despite her concern, Merritt let out a snort of laughter. "Luke Marsden, are you planning to hide behind my skirts while I confront the big, mean Scotsman?" "Absolutely," he said without hesitation. "You like them big and mean.” Her brows lifted. "What in heaven's name are you talking about?" "You love soothing difficult people. You're the human equivalent of table syrup." Amused, Merritt leaned her chin on her hand. "Show him in, then, and I'll start pouring." It wasn't that she loved soothing difficult people. But she definitely liked to smooth things over when she could. As the oldest of six children, she'd always been the one to settle quarrels among her brothers and sisters, or come up with indoor games on rainy days. More than once, she'd orchestrated midnight raids on the kitchen pantry or told them stories when they'd sneaked to her room after bedtime.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
We mark the days by chores that need to be done, the way farm families have always done. Al feeds the hens and horses and pigs, splits wood in the fall, slaughters a pig when the weather turns cold, cuts ice in the winter. I collect eggs from the laying hens and Al drives me into town to sell them. He times the planting so that by the Fourth of July we'll have new peas and by September there's a whole field of corn. Gulls lunge for a feast, ravaging the crop, so Al kills a few and hangs them from poles as warning. During haying season in midsummer, I see him from the dining room window in his visored cap, scything the hay by hand with six hired men walking abreast, forking the newly mown hay onto the hayrack. They haul the hay to the barn, where a block-and-tackle hoist lifts it into the mow.
Christina Baker Kline (A Piece of the World)
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
Israel, and you who call yourself Israel, the Church that calls itself Israel, and the revolt that calls itself Israel, and every nation chosen to be a nation – none of these lands is yours, all of you are thieves of holiness, all of you at war with Mercy. Who will say it? Will America say, We have stolen it, or France step down? Will Russia confess, or Poland say, We have sinned? All bloated on their scraps of destiny, all swaggering in the immunity of superstition. Ishmael, who was saved in the wilderness, and given shade in the desert, and a deadly treasure under you: has Mercy made you wise? Will Ishmael declare, We are in debt forever? Therefore the lands belong to none of you, the borders do not hold, the Law will never serve the lawless. To every people the land is given on condition. Perceived or not, there is a covenant, beyond the constitution, beyond sovereign guarantee, beyond the nation’s sweetest dreams of itself. The Covenant is broken, the condition is dishonoured, have you not noticed that the world has been taken away? You have no place, you will wander through yourselves from generation to generation without a thread. Therefore you rule over chaos, you hoist your flags with no authority, and the heart that is still alive hates you, and the remnant of Mercy is ashamed to look at you. You decompose behind your flimsy armour, your stench alarms you, your panic strikes at love. The land is not yours, the land has been taken back, your shrines fall through empty air, your tablets are quickly revised, and you bow down in hell beside your hired torturers, and still you count your battalions and crank out your marching songs. Your righteous enemy is listening. He hears your anthem full of blood and vanity, and your children singing to themselves. He has overturned the vehicle of nationhood, he has spilled the precious cargo, and every nation he has taken back. Because you are swollen with your little time. Because you do not wrestle with your angel. Because you dare to live without God. Because your cowardice has led you to believe that the victor does not limp.
Leonard Cohen (Book of Mercy)
The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock. Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet. Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act. The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off. “After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.” Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket. “And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush. Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow." I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs. I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life. He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down. After several moments of this, he breaks the silence. "Emma, calm down." "Don't tell me what to do, Highness." I dare him with my eyes to call me "boo." Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now. Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg. He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel. I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs. "I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked. "Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
When my feet touch bottom, Galen releases me. I tiptoe toward shore, jumping with the waves like a toddler. Reaching the beach, I deposit myself in the sand just far enough in for the tide to tickle my feet. "Aren't you coming in?" I call to him. "I need you to throw me my shorts," he says, pointing behind me. "Oh. Oh. You're naked?" I squeak, bordering on dolphin pitch. Of course, I should have realized that fins don't come with a cubby for carry-on luggage, and most Syrena wouldn't have a need to stash something like swimming shorts. It doesn't matter much when he's in fish form, but seeing Galen-no, thinking about Galen-naked in human form would be detrimental to my plan to use him. Could be my undoing. "Guess that means you can't see into the water yet," he says. When I shake my head, he says, "I took them off before you came out this morning. I'd prefer not to ruin them if I don't have to." Clearing my throat, I hoist myself up and trudge through the sand, finding them a few feet away. I toss them to him and take my seat again, in case my vision suddenly gives me an unhealthy view of the briny deep. Thankfully, he keeps everything submerged as he makes his way to the floating trunks and pulls them on. Tying them as he walks ashore, he kicks water on me before sitting beside me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head. “So don’t get bangs?” My phone buzzes in my purse. It’s Peter. Do you want to go? No. Then why were you staring at me? Because I felt like it. Lucas is reading over my shoulder. I push him away, and he shakes his head and says, “Are you guys really texting each other when you’re only twenty feet away?” Pammy crinkles up her nose and says, “So adorable.” I’m about to answer them when I look up and see Peter sweeping across the room toward me with purpose. “Time to get my girl home,” he says. “What time is it?” I say. “Is it that late already?” Peter’s hoisting me off the couch and helping me into my jacket. Then he pulls me by the hand and leads me through Gabe’s living room. Looking over my shoulder, I wave and call out, “Bye, Lucas! Bye, Pammy! For the record, I think you would look great with bangs!” “Why are you walking so fast?” I ask as Peter marches me through the front yard to the curb where his car is parked. He stops in front of the car, pulls me toward him, and kisses me, all in one fast motion. “I can’t concentrate on my cards when you stare at me like that, Covey.” “Sorry,” I start to say, but he is kissing me again, his hands firm on my back.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
Mark Twain (The Adventures of Huckleberry Finn)
After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone . . .” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a—a—” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over. What kind of gentleman went outside in the sun for that long with no shirt?" Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying." "Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen. "I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Eat it. It’s your reward,” she said through her teeth. “You’ve earned it.” Abraxos sniffed at the cluster of purple flowers, then flicked his eyes to her. No meat, he seemed to say. “It’s good for you,” she said, and he went right back to sniffing the violets or whatever they were. If a plant wasn’t good for poisoning, healing or keeping her alive if she were starving, she’d never bothered to learn its name—especially not wildflowers. She tossed the leg right in front of his massive mouth and tucked her hands into the folds of her red cloak. He snuffed at it, his new iron teeth glinting in the radiant sun, then stretched out one massive, claw-tipped wing and— Shoved it aside. Manon rubbed her eyes. “Is it not fresh enough?” He moved to sniff some white-and-yellow flowers. A nightmare. This was a nightmare. “You can’t really like flowers.” Again those dark eyes shifted to her. Blinked once. I most certainly do, he seemed to say. “You never even smelled a flower until yesterday. What’s wrong with the meat now?” When he went back to sniffing the flowers rather delicately—the insufferable, useless worm—she stalked to the leg of mutton and hauled it up. “If you won’t eat it,” she snarled at him, hoisting it up with both hands to her mouth and popping her iron teeth down, “then I will.” Abraxos watched her with those bemused dark eyes as she bit into the icy, raw meat. And spat it everywhere.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Mom stood fifteen feet away. She had tied rags around her shoulders to keep out the spring chill and was picking through the trash while her dog, a black-and-white terrier mix, played at her feet. Mom’s gestures were all familiar - the way she tilted her head and thrust out her lower lip when studying items of potential value that she’d hoisted out of the Dumpster, the way her eyes widened with childish glee when she found something she liked. Her long hair was streaked with gray, tangled and matted, and her eyes had sunk deep into their sockets, but still she reminded me of the mom she’d been when I was a kid, swan-diving off cliffs and painting in the desert and reading Shakespeare aloud. Her cheekbones were still high and strong, but the skin was parched and ruddy from all those winters and summers exposed to the elements. To the people walking by, she probably looked like any of the thousands of homeless people in New York City
Jeannette Walls (The Glass Castle)
I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me. “Hurry up and get up there before all the candles melt, Lara Jean,” Chris calls out. Darrell and Gabe help hoist me onto the table, careful not to set my dress on fire. Peter says, “Okay, now you look at me adoringly, and I lean forward like this.” Chris comes forward and puffs out my skirt a bit. “Roll up your sleeve a little higher,” she instructs Peter, looking from her phone to us. Peter obeys, and she nods. “Looks good, looks good.” Then she runs back to her spot and starts to snap. It takes no effort on my part at all to look at Peter adoringly tonight. When I blow out the candles and make my wish, I wish that I will always feel for Peter the way I do right now.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
My friend was aboard Sewee, untying his vessel from an ancient sunken post. “Ben?” No response. I slipped off my shoes and waded to the runabout. Pulled myself up the tiny ladder. Found Ben’s hand waiting at the rail. He effortlessly hoisted me into the boat, maneuvering my weight like it was nothing. I sometimes forgot how strong Ben was. How warm his hands could feel. Ben released me. Went back to coiling line. “Are you okay?” I immediately realized it was the wrong thing to say. “Of course I’m okay.” Gruff. Distant. I stood watching him, unsure what to say next. Unbidden, the image of a bench sprang to mind. The two of us, huddled close. Me crying in his arms. I felt blood rush to my face, was grateful for the concealing darkness. “No one expects you to like Chance,” I said finally. “Good.” Not looking up. “Because I don’t.” Another awkward silence. Then Ben huffed, “You like him enough for both of us.” I straightened, surprised. Was that what was bothering him? Jealousy? Why would Ben be jealous of Chance? After everything that spoiled boy had done to me? Did Ben think I was some ditz? That my memory reset with every pretty smile? Am I? I felt a nervous twinge in my stomach. Felt it grow. Ben. Jealous. Because of his feelings for me. The issue would not simply go away. “Ben. I . . .” Words failed. My face grew hot. Ben’s hands stopped moving. He stared at the deck, his long black hair fanning his face. He sucked in a breath, as if on the verge of something.
Kathy Reichs (Terminal (Virals, #5))
The squadron of men-of-war and transports was collected, the commodore’s flag hoisted, and the expedition sailed with most secret orders, which, as usual, were as well known to the enemy, and everybody in England, as they were to those by whom they were given. It is the characteristic of our nation, that we scorn to take any unfair advantage, or reap any benefit, by keeping our intentions a secret. We imitate the conduct of that English tar, who, having entered a fort, and meeting a Spanish officer without his sword, being providentially supplied with two cut-lasses himself, immediately offered him one, that they might engage on fair terms. The idea is generous, but not wise. But I rather imagine that this want of secrecy arises from all matters of importance being arranged by cabinet councils. In the multitude of counsellors there may be wisdom, but there certainly is not secrecy. Twenty men have probably twenty wives, and it is therefore twenty to one but the secret transpires through that channel. Further, twenty men have twenty tongues; and much as we complain of women not keeping secrets, I suspect that men deserve the odium of the charge quite as much, if not more, than women do. On the whole, it is forty to one against secrecy, which, it must be acknowledged, are long odds. On the arrival of the squadron at the point of attack, a few more days were thrown away,—probably upon the same generous principle of allowing the enemy sufficient time for preparation.
Frederick Marryat
Holmes," I said, reaching up to touch her hands, to fold them in mine. "Do you forgive me?" "You sound like you're making some kind of decision," I said, because she was scaring me a little. "Do you?" I paused, thinking. Not long ago, I'd wanted everything from her. For her to be my confidant, my general. My best and only friend. I wanted her to be the other half of me, like we together made a coin. She the king's head to my tails. I loved her like you would the person you'd always wanted to be, and in return I would have followed her anywhere, excused any action, fought to keep her hoisted high on her throne. When that myth I'd made of her shattered, I didn't know what to do. This last year, any thought I had of her felt wrong. Skewed. How could I understand what had happened, when I had put up so many lenses between my experience of her and the girl herself? Holmes wasn't a myth, or a king. She was a person. And to have a relationship with a person, you had to treat them like one. "Can I forgive you a little now?" I asked. "And then a little more tomorrow, and the next day? If there is a next day?" "Yes," she said, quickly, like it was more than she had asked for. Like I might take it back. "Provided you don't blow anything up, of course." "Yes." "Or try to look in my ears again while I'm sleeping -" "Yes," she said, laughing. That look on her face, always, like she was surprised to be laughing, like it was something involuntary and slightly shameful, like a sneeze.
Brittany Cavallaro (The Case for Jamie (Charlotte Holmes, #3))
When he found out his wife was unfaithful, Hector Castillo told his son to get in the car because they were going fishing. It was after midnight but this was nothing unusual. The Rickenbacker Bridge suspended across Biscayne Bay was full of night fishermen leaning on the railings, avoiding going home to their wives. Except Hector didn't bring any fishing gear with him. He led his son, Carlito, who'd just turned three, by the hand to the concrete wall, picked him up by his waist, and held him so that the boy grinned and stretched his arms out like a bird, telling his papi he was flying, flying, and Hector said, "Si, Carlito, tienes alas, you have wings." Then Hector pushed little Carlito up into the air, spun him around, and the boy giggled, kicking up his legs up and about, telling his father, "Higher, Papi! Higher!" before Hector took a step back and with all his might hoisted the boy as high in the sky as he'd go, told him he loved him, and threw his son over the railing into the sea.
Patricia Engel (The Veins of the Ocean)
Big woman, Miss Eileen McKenna. Not fat, just big, the way some women get in their fifties after years of being the boss: all out front, hoisted up high and solid, ready to sail through anything and not get wet. I could see her in a break-time corridor, girls skittering away in front of her before they even knew she was coming. Lots of chin; lots of eyebrow. Iron hair and steely glasses. I don't know women's gear but I know quality, and the greeny tweed was quality; the pearls weren't from Penney's.
Tana French (The Secret Place (Dublin Murder Squad, #5))
Well, guys”—he spread his arms—“I could thank Reyna all day long. She has given so much to the legion. She’s been the best mentor and friend. She can never be replaced. On the other hand, I’m up here all alone now, and we have an empty praetor’s chair. So I’d like to take nominations for—” Lavinia started the chant: “HA-ZEL! HA-ZEL!” The crowd quickly joined in. Hazel’s eyes widened. She tried to resist when those sitting around her pulled her to her feet, but her Fifth Cohort fan club had evidently been preparing for this possibility. One of them produced a shield, which they hoisted Hazel onto like a saddle. They raised her overhead and marched her to the middle of the senate floor, turning her around and chanting, “HAZEL! HAZEL!” Reyna clapped and yelled right along with them. Only Frank tried to remain neutral, though he had to hide his smile behind his fist. “Okay, settle down!” he called at last. “We have one nomination. Are there any other—?” “HAZEL! HAZEL!” “Any objections?” “HAZEL! HAZEL!” “Then I recognize the will of the Twelfth Legion. Hazel Levesque, you are hereby promoted to praetor!” More wild cheering. Hazel looked dazed as she was dressed in Reyna’s old cloak and badge of office, then led to her chair. Seeing Frank and Hazel side by side, I had to smile. They looked so right together—wise and strong and brave. The perfect praetors. Rome’s future was in good hands. “Thank you,” Hazel managed at last. “I—I’ll do everything I can to be worthy of your trust. Here’s the thing, though. This leaves the Fifth Cohort without a centurion, so—” The entire Fifth Cohort started chanting in unison: “LAVINIA! LAVINIA!” “What?” Lavinia’s face turned pinker than her hair. “Oh, no. I don’t do leadership!” “LAVINIA! LAVINIA!” “Is this a joke? Guys, I—” “Lavinia Asimov!” Hazel said with a smile. “The Fifth Cohort read my mind. As my first act as praetor, for your unparalleled heroism in the Battle of San Francisco Bay, I hereby promote you to centurion—unless my fellow praetor has any objections?” “None,” Frank said. “Then come forward, Lavinia!
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
Gina hoisted herself up onto her elbows and gaped at Spike. "So that's the famous Spike I've been hearing so much about from your brothers? Damn, he is ugly." Jesse, who'd stayed where he was, looked defensive. Spike was his baby, and you just don't go around calling Jesse's baby ugly. "He's not so bad," I said, hoping Gina would get the message and shut up. "Are you on crack?" Gina wanted to know. "Simon, the thing's only got one ear." Suddenly, the large, gilt-framed mirror above the dressing table started to shake. It had a tendency to do this whenever Jesse got annoyed - really annoyed. Gina, not knowing this, stared at the mirror with growing excitement. "Hey!" she cried. "All right! Another one!" She meant an earthquake, of course, but this, like the one before, was no earthquake. It was just Jesse letting off steam. Then the next thing I knew, a bottle of finger-nail polish Gina had left on the dressing table went flying and, defying all gravitational law, landed upside down in the suitcase she had placed on the floor at the end of the daybed, around seven or eight feet away. I probably don't need to add that the bottle of polish - it was emerald green - was uncapped. And that it ended up on top of the clothes Gina hadn't unpacked yet. Gina let out a terrified shriek, threw back the comforter, and dove to the floor, trying to salvage what she could. I, meanwhile, threw Jesse a very dirty look. But all he said was, "Don't look at me like that, Susannah. You heard what she said about him." He sounded wounded. "She called him ugly.
Meg Cabot (Reunion (The Mediator, #3))
Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.
Ryan Teitman (Litany for the City)
Now there is this noteworthy difference between savage and civilized; that while a sick, civilized man may be six months convalescing, generally speaking, a sick savage is almost half-well again in a day. So in good time my Queequeg gained strength; and at length after sitting on the windlass for a few indolent days (but eating with a vigorous appetite) he suddenly leaped to his feet, threw out his arms and legs, gave himself a good stretching, yawned a little bit, and then springing into the head of his hoisted boat, and poising a harpoon, pronounced himself fit for a fight.
Herman Melville
We have been waiting for an hour when we see a squad of German soldiers line up on the roadbed alongside the train. Next comes a column of people in civilian clothes. Surely they are Jews. All of them are rather well dressed, with suitcases in their hands as if departing peacefully on vacation. They climb aboard the train while a sergeant major keeps them moving along, “Schnell, schnell.” There are men and women of all ages, even children. Among them I see one of my former students, Jeanine Crémieux. She got married in 1941 and had a baby last spring. She is holding the infant in her left arm and a suitcase in her right hand. The first step is very high above the rocky roadbed. She puts the suitcase on the step and holds on with one hand to the doorjamb, but she can’t quite hoist herself up. The sergeant major comes running, hollers, and kicks her in the rear. Losing her balance, she screams as her baby falls to the ground, a pathetic little white wailing heap. I will never know if it was hurt, because my friends pulled me back and grabbed my hand just as I was about to shoot. Today I know what hate is, real hate, and I swear to myself that these acts will be paid for.
Lucie Aubrac (Outwitting the Gestapo)
We lunged for each other at the same time and collided, crazy with need and starving for a taste. Warnings and alarms wailed in my mind, but I shut them down. Screw it. I wanted him. He found my mouth. The thrust of his tongue against mine made my head spin. He tasted like heaven. I kissed him back, nipping, licking, melting against him. It felt so good . . . His lips traced a fiery line from my mouth to the corner of my jaw and down my neck. My whole body sang in warm liquid triumph. His voice was a ragged whisper in my ear. “Only if you want to . . . Say no, and I’ll stop.” “No,” I whispered to see if he would do it. Curran pulled back. His eyes were pure need, raw and barely under control. He swallowed. “Okay.” It was the most erotic thing I had ever seen. I reached for him and slid my hand up his chest, feeling the taut muscle. He caught my hand and kissed my palm gently. Heated, tightly controlled want shone in his eyes. I pulled my fingers free, pushed from the wall, and kissed his throat just under the jaw. This was bliss. There was no hope for me. He growled, closing his eyes. “What are you doing?” “Pulling on Death’s whiskers,” I murmured, letting my tongue play over his skin, rough with stubble. He smelled divine, clean and male. My hands slid up his biceps. His muscles tensed under the light pressure of my fingers. He was trying very, very hard to stand still and I almost laughed. All those times when he’d called me “baby” . . . Revenge was sweet. “Is that a yes or a no?” he asked. I slid against him and nipped his bottom lip. “I’ll take it as a yes.” The steel muscles of his arms flexed under my hands. He grabbed me, hoisted me up onto him, and kissed me, thrusting into my mouth with his tongue in a hot, slick rhythm, greedy and eager. I threw my arms around his neck. His right hand grasped my hair, his left cupped my butt and pushed me closer against him, his erection a hard, hot length across my lap. Finally— “Let me in,” Derek growled at the door. Go away. The guard said something. Curran’s hand found my breast and caressed the nipple, sending an electric shock through my skin, threatening to melt me . . . “Yes,” Derek snarled. “I’m a member of the damn team. Ask them.” “Curran,” I whispered. “Curran!” He snarled and kept going. The door swung open. I hit him on the back of the neck. He submerged. Help. I’ve drowned the Beast Lord.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy's aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed. That was the saddest thing I ever saw with them, the old man thought.
Ernest Hemingway (The Old Man and the Sea)
But Emma resists all of Galen's reasonings, based on the fact that it doesn't "feel right." Speaking of things that don't feel right... He pulls his new SUV into her driveway, the excitement sloshing in his stomach like high tide. As he steps out, he notices how much he likes sliding down instead of hoisting himself up from a little compact death trap. He's almost glad Rayna tied the red car around a tree-except that she and Emma could have gotten hurt. He shakes his head, crunching across the gravel of Emma's driveway in his suede Timberlands. Even over that, he hears the thud of his heart. Is it faster than usual? He's never noticed it before, so he can't tell. Shrugging it off as paranoia, he knocks on the door then folds his hands in front of him. I shouldn't be doing this. This is wrong. She could still belong to Grom. But when Emma answers the door, everything seems right again. Her little purple dress makes the violet in her eyes jump out at him. "Sorry," she says. "Mom threw a fit when I tried to leave the house in jeans. She's old-school I guess. You know. 'Thou must dress up for the movies,' says the woman who doesn't even own a dress." "She did me a favor," he says, then shoves his hands in his pockets. More like she did me in.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Wow,” he added, blinking rather rapidly as Hermione came hurrying toward them. “You look great!” “Always the tone of surprise,” said Hermione, though she smiled. She was wearing a floaty, lilac-colored dress with matching high heels; her hair was sleek and shiny. “Your Great-Aunt Muriel doesn’t agree, I just met her upstairs while she was giving Fleur the tiara. She said, ‘Oh dear, is this the Muggle-born?’ and then, ‘Bad posture and skinny ankles.’” “Don’t take it personally, she’s rude to everyone,” said Ron. “Talking about Muriel?” inquired George, reemerging from the marquee with Fred. “Yeah, she’s just told me my ears are lopsided. Old bat. I wish old Uncle Bilius was still with us, though; he was a right laugh at weddings.” “Wasn’t he the one who saw a Grim and died twenty-hour hours later?” asked Hermione. “Well, yeah, he went a bit odd toward the end,” conceded George. “But before he went loopy he was the life and soul of the party,” said Fred. “He used to down an entire bottle of firewhisky, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--” “Yes, he sounds a real charmer,” said Hermione, while Harry roared with laughter. “Never married, for some reason,” said Ron. “You amaze me,” said Hermione.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
Bohumil Hrabal (Closely Observed Trains)
Do you want a drink?’ Catherine asked, uncorking her flask. ‘Oh, don’t worry, it’s coffee, it won’t do you any harm…You need something to wash that down.’ But he refused: it was bad enough depriving her of half her piece. However, she insisted in a good-natured way and eventually said: ‘All right, I’ll go first, seeing as you’re so polite…But now you can’t refuse. It’d be rude.’ And she held out her flask. She had hoisted herself on to her knees, and he could see her up close to him in the light of the two lamps. Why had he found her unattractive? Now that she was all black and her face covered in a thin layer of coal-dust, she had a strange charm.
Émile Zola (Germinal (Les Rougon-Macquart, #13))
Shelby..." Her tongue skimmed over his while he cupped the back of her neck more firmly. "Shelby," he repeated a moment later, "there was something I wanted to talk to you about earlier, and I'm in danger of becoming as ditracted now as I was then." "Promise?" She moved her lips to his throat. "I have a command performance this weekend." "Oh?" She switched to his ear. In self-defense, Aan rolled over and pinned her beneath him. "I got a call from my father this afternoon." "Ah" Humor danced in her eyes. "The laird." "The title would appeal to him." Alan grasped her wrists to prevent her from clouding his mind as she seemed bent on doing. "It seems he's planned one of his famous family weekends. Come with me." One brow lifted. "To the MacGregor fortress in Hyannis Port? Unarmed?" "We'll hoist the white flag." She wanted to go.She wanted to say no. A visit to his family home came perilously close to that final commitment she was so carefully sidestepping. Questions, speculation-there'd be no avoiding them. Alan heard her thoughts as clearly as if it had been spoken.Pushng back frustration, he changed tactics. "I have orders to bring that girl-" he watched her eyes narrow- "-that daughter of the thieving, murdering Campbells,with me." "Oh,is that so?" "Just so," Alan returned mildly. Shelby lifted her chin. "When do we leave?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Before I knew what I was doing, I was out of my seat and rushing up toward the railing that divided the seats from the field. I had to make sure he was okay. I couldn’t just sit here and watch him lie there in pain. I heard my name called, but I ignored it as I flung my leg over the top railing and prepared to hoist myself over. One of the guys working security happened to see me and he rushed over and ordered me to stop. “I can’t. That’s my…” My voice broke. I couldn’t force the word boyfriend between my lips. It just wasn’t enough. It just didn’t describe how desperate I was to get to him. “He’s my everything,” I finished. The security guard gave me a grim look. “You can’t come on the field.” A lone tear tracked its way down my cheek, and I craned my neck. Frustrated, I glanced up at the big screen to see if it was showing a different angle. But they weren’t playing Romeo. They were focused on me. I blinked at the site of me half straddling the railing and the security guard standing there with a grim look on his face as he stared me down. My cheeks were red, behind my glasses, my eyes wild. I turned away from the screen, irritated that they weren’t focused on Romeo. I glanced at the guard. “I’m coming over.” He crossed his arms over his chest as if to say, I dare you. I flung my other leg over so I was balanced on the bottom rung. “This is your last warning,” the guard shouted. The crowd started to cheer and go wild. Romeo’s number started filling the air. I looked up. He was okay! He was on his feet, helmet in hand, and laughing at something Braeden was saying. Beside him, the coach looked relieved, and all the Wolves were clapping. The guy who’d mowed him down was being escorted off the field. Jackass. Relief made me weak and a sob caught in my throat. I sagged back against the cold metal of the rails. The guard gestured for backup, and a few others that were dressed just like him started my way. I mean, really. He was being a bit dramatic. I was only one girl. And a small one at that.
Cambria Hebert (#Hater (Hashtag, #2))
we saw something swimming in the water, and pulled toward it, thinking it a coyote; but we soon recognized a large grizzly bear, swimming directly across the channel. Not having any weapon, we hurriedly pulled for the schooner, calling out, as we neared it, “A bear! a bear!” It so happened that Major Miller was on deck, washing his face and hands. He ran rapidly to the bow of the vessel, took the musket from the hands of the sentinel, and fired at the bear, as he passed but a short distance ahead of the schooner. The bear rose, made a growl or howl, but continued his course. As we scrambled up the port-aide to get our guns, the mate, with a crew, happened to have a boat on the starboard-aide, and, armed only with a hatchet, they pulled up alongside the bear, and the mate struck him in the head with the hatchet. The bear turned, tried to get into the boat, but the mate struck his claws with repeated blows, and made him let go. After several passes with him, the mate actually killed the bear, got a rope round him, and towed him alongside the schooner, where he was hoisted on deck. The carcass weighed over six hundred pounds. It was found that Major Miller’s shot had struck the bear in the lower jaw, and thus disabled him. Had it not been for this, the bear would certainly have upset the boat and drowned all in it. As it was, however, his meat served us a good turn in our trip up to Stockton.
William T. Sherman (The Memoirs Of General William T. Sherman)
What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!
Thomas Hardy (Jude the Obscure)
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category. And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way. He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife." Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful." "Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled. He thought her beautiful? There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?" Glancing away, he muttered a curse under his breath. "No." "Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too." Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts. And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat. "I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?" She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done." "She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage. "They aren't scoundrels." "I swear to God, you're a lamb among the wolves," he muttered. That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter." His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path." A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent." He snorted. "I doubt it will stay that way." "Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?" "I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable." She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
There, sitting in front of the door, was Avery. Avery had not yet looked up to see them, and for just a fraction of a second, Bonnie witnessed her sister as she really was. No polish. No facade. No de-fection. She didn't know what had happened, but Avery was hurt-ing. She could feel her sister's pain in her own chest. Avery was slumped in the doorway, her head bowed, limbs slack, crumpled in on herself. Then she glanced up and saw them. Watching Avery compose herself under their gaze was like watching a great marquee be erected, a slack pile of cloth swiftly transformed by a sharp pull of ropes into a towering structure. As Bonnie raced down the hallway toward her, she thought fleetingly that her sister was always pulling the ropes of herself taut. Before Bonnie could reach her, Avery had hoisted herself up to embrace her and Bonnie wished that just once, she would ask for a hand.
Coco Mellors (Blue Sisters)
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The immigrants pour into the cities, and the edges of the neighborhoods fray, then braid themselves into new American patterns. These new Americans push out into this country one step ahead of ancestors touching spectral fingers to the generations of the diaspora. Go, they whisper, but do not forget us. Outside a redbrick prison, protestors set up for another day of placards and marches, cries for justice that go unheard by the two Italian anarchists inside—a fishmonger and a shoemaker, seekers of the American dream now appealing their fate in its court while the electric chair bides its time. The lady in the harbor hoists her torch. The Gold Mountain twinkles in the early-morning fog hugging the shoreline of California, a pretty mirage. The atoms vibrate, always on the verge of some new shift. Shift and the electrons lean toward particle or wave. Shift and the action requires a reaction. Shift and the stroke of a typewriter elevates i to I, changes God to god. Shift and the beast acquires a thumb; the thumb, a weapon. Shift and rights become wrongs; the wrongs, justification. It’s all in the perspective.
Libba Bray (Lair of Dreams (The Diviners, #2))
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
Kaitlyn Hill (Love from Scratch)
Ellie goes back to the kitchen . . . and screams bloody murder. “Nooooooo!” Adrenaline spikes through me and I dart to the kitchen, ready to fight. Until I see the cause of her screaming. “Bosco, noooooo!” It’s the rodent-dog. He got into the kitchen, somehow managed to hoist himself up onto the counter, and is in the process of demolishing his fourth pie. Fucking Christ, it’s impressive how fast he ate them. That a mutt his size could even eat that many. His stomach bulges with his ill-gotten gains—like a snake that ingested a monkey. A big one. “Thieving little bastard!” I yell. Ellie scoops him off the counter and I point my finger in his face. “Bad dog.” The little twat just snarls back. Ellie tosses the mongrel on the steps that lead up to the apartment and slams the door. Then we both turn and assess the damage. Two apple and a cherry are completely devoured, he nibbled at the edge of a peach and apple crumb and left tiny paw-prints in two lemon meringues. “We’re going to have re-bake all seven,” Ellie says. I fold my arms across my chest. “Looks that way.” “It’ll take hours,” she says. “Yeah.” “But we have to. There isn’t any other choice.” Silence follows. Heavy, meaningful silence. I glance sideways at Ellie, and she’s already peeking over at me. “Or . . . is there?” she asks slyly. I look at what remains of the damaged pastries, considering all the options. “If we slice off the chewed bits . . .” “And smooth out the meringue . . .” “Put the licked ones in the oven to dry out . . .” “Are you two out of your motherfucking minds?” I swing around to find Marty standing in the alley doorway behind us. Eavesdropping and horrified. Ellie tries to cover for us. But she’s bad at it. “Marty! When did you get here? We weren’t gonna do anything wrong.” Covert ops are not in her future. “Not anything wrong?” he mimics, stomping into the room. “Like getting us shut down by the goddamn health department? Like feeding people dog-drool pies—have you no couth?” “It was just a thought,” Ellie swears—starting to laugh. “A momentary lapse in judgment,” I say, backing her up. “We’re just really tired and—” “And you’ve been in this kitchen too long.” He points to the door. “Out you go.” When we don’t move, he goes for the broom. “Go on—get!” Ellie grabs her knapsack and I guide her out the back door as Marty sweeps at us like we’re vermin
Emma Chase (Royally Endowed (Royally, #3))
Well, no offense,” he began, and Hal had a moment to reflect that whenever people began with “no offense” they invariably went on to be extremely offensive. “But what qualifies Thorn to train us? I mean . . . he’s Thorn, after all. No offense,” he repeated. Thorn smiled at him but the smile never reached his eyes. Hal turned to him. “Thorn, would you like to show Jesper how qualified you are?” Thorn appeared to think about the question. Then he moved with blinding speed, covering the ground between himself and Jesper. Jesper, a former thief, was accustomed to moving quickly when threatened. But he never had time to register that Thorn was moving. The old sea wolf’s left hand closed on Jesper’s collar in an iron grip and he hoisted the boy off his feet, holding him suspended, his feet dangling clear of the ground. Then he gathered himself and hurled Jesper away like a sack of potatoes. The boy flew several meters through the air, hit the ground and lost his footing, crashing over on his back. As he lay winded, he looked up into Thorn’s bearded face, a face wreathed in a fierce smile. “How’s that for qualifications?” Jesper nodded several times, and waved weakly in reply. “Tha’s pretty good,” he gasped breathlessly. “Pretty good indeed.
John Flanagan (The Invaders (Brotherband Chronicles, #2))
After twenty minutes of hard swimming, his muscles were burning. He hoisted himself out of the water, breathing heavily, and went to fetch a towel from a stack on a table. As he dried himself vigorously, he caught a glimpse of someone standing by the other end of the swimming bath. He went very still at the sight of rose-copper hair... pink cheeks and round blue eyes... and lavish curves contained in a fashionable striped wool dress. Every filament of his nervous system sparked with an infusion of joy. "Evie?" he asked huskily, afraid he was imagining her. She glanced at the water, remarking innocently, "You were swimming so hard, I thought there might be a sh-shark." It took all Sebastian's concentration to reply casually, "You know better than that, pet." He wrapped the towel around his waist and tucked in the overlapping edge to fasten it. "I am the shark." He went to his wife in no apparent hurry, but as he drew closer his stride quickened, and he snatched her up with an ardor that nearly lifted her feet from the floor. She gasped and clutched his shoulders, and lifted her smiling mouth to his. Glorying in the taste and feel of her, Sebastian kissed her thoroughly, eventually finishing with a soft, provocative bite at her lower lip.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
How would I find someone,” Caleb said, edging the dead man’s legs parallel to one another with his toe, “who would be willing to kill a man?” “Now that, kid, is a man’s chore.” Ethan stretched his back until it cracked mightily. “You mean to kill the one who done that to you?” Ethan hoisted the corpse again and motioned with a nod for Caleb to follow suit. “I suppose I could do it. Depends on the job.” They shuffled across the gaming floor, Ethan kicking chairs and tables out of the way as they went. “Killing’s like anything else—there’s a right man for it.” Caleb couldn’t believe he hadn’t asked Ethan these questions sooner; everyone else took such great pains to protect him that he’d stopped asking lest he hear the same careful, uninformative answers. “What if I needed someone to go kill someone someplace else?” Ethan paused while he fiddled with the latch on the door, holding the man’s entire upper body with one large paw. “Ol’ Jackson Ramus, that’s who you’d call.” Jackson Ramus. The name didn’t seem real to Caleb. He checked it against his images of the men. “Of course Ramus died three, four years ago.” Ethan pitched the door open and the cold wind knocked Caleb backward. Ethan didn’t notice. “He was supposed to be tracking a woman whose husband said she’d been kidnapped. And he found her all right, found her in the lying-down game with another man.” Ethan didn’t slow moving across the icy landing to the railing. “Ramus was a smart man—maybe too smart, maybe not smart enough—and he figured if he came all the way back to ask the husband what to do, he was sure the husband would send him right back the way he came to kill this new man and the cheating wife.” Ethan stopped when they got to the edge of the deck. Caleb spun around, thinking they were going down the stairs when the legs were yanked out of his hands and the body flew through the air. Ethan slapped his palms together. “Of course, Ramus was also what you might call a lazy man. Lazy man with a gun is not the kind of man you want to find yourself next to.” The body landed facedown, the snow leaping into the air with a massive, rushing noise, and settling over the man’s clothes. “So he shot them, both of them. And came back home.” Caleb looked at the body splayed out in the snow, everything at unliving angles. He could barely listen to the words that followed. “But Ol’ Ramus got it wrong. When he came back, the husband was so upset, he shot Ramus between the eyes, stuffed his killing fee inside his mouth, and then shot himself right in his goddamned broken heart.
James Scott (The Kept)
whom had long gone to bed. By now the tears that had coursed down his ever-sun-tanned cheeks had gone . . . The question is: What made Charles weep such bitter tears? Sorrow, naturally . . . Shock and nostalgia also at what he had seen, standing there beside an electric fan which made a breeze that lifted the fringe of the dead Princess’s hair. And guilt . . . No one has ever seen him racked with such a sense of frustration and confusion as yesterday. He was distraught, and entirely drained, seeking answers to the unanswerable.’ The first sign of life from Balmoral came on Thursday, the day the Daily Mirror shouted, ‘Your subjects are suffering, speak to us Ma’am’. That day the Union flag was hoisted to half mast over Buckingham Palace – for the first time ever – and the family emerged from the gates of Balmoral. The children had said they would like to go to church again, so Charles took the opportunity to give them a taste of what awaited. The Queen, the Duke of Edinburgh, the Prince of Wales, William, Harry and their cousin Peter Phillips all got out of their cars to look at the messages and floral tributes that had been left there. About sixty members of the public were there, as were some photographers, and apart from the noise of their camera shutters clicking there
Penny Junor (The Duchess: The Untold Story)
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
I tell you, my friends, the trouble with this whole country is that so many are selfish! Here's a hundred and twenty million people, with ninety-five per cent of 'em only thinking of self, instead of turning to and helping the responsible business men to bring back prosperity! All these corrupt and self-seeking labor unions! Money grubbers! Thinking only of how much wages they can extort out of their unfortunate employer, with all the responsibilities he has to bear! "What this country needs is Discipline! Peace is a great dream, but maybe sometimes it's only a pipe dream! I'm not so sure—now this will shock you, but I want you to listen to one woman who will tell you the unadulterated hard truth instead of a lot of sentimental taffy, and I'm not sure but that we need to be in a real war again, in order to learn Discipline! We don't want all this highbrow intellectuality, all this book-learning. That's good enough in its way, but isn't it, after all, just a nice toy for grownups? No, what we all of us must have, if this great land is going to go on maintaining its high position among the Congress of Nations, is Discipline—Will Power—Character!" She turned prettily then toward General Edgeways and laughed: "You've been telling us about how to secure peace, but come on, now, General—just among us Rotarians and Rotary Anns—'fess up! With your great experience, don't you honest, cross-your-heart, think that perhaps—just maybe—when a country has gone money-mad, like all our labor unions and workmen, with their propaganda to hoist income taxes, so that the thrifty and industrious have to pay for the shiftless ne'er-do-weels, then maybe, to save their lazy souls and get some iron into them, a war might be a good thing?
Sinclair Lewis (It Can't Happen Here)