Pulled In Different Directions Quotes

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I am dragged along by a strange new force. Desire and reason are pulling in different directions. I see the right way and approve it, but follow the wrong.
Ovid (Metamorphoses)
I feel like I'm being pulled in a hundred different directions and my feet are stuck in cement.
Elizabeth Acevedo (With the Fire on High)
Our emotions pull us in different directions. The stronger the emotion, the greater the pull. Feelings are not always practical, nor do they make any logical sense. That's just the way it goes.
Lang Leav (Sad Girls)
Some of us are born sensitive. And if, on top of that, we are pulled about in different directions (both emotionally and physically), we might just end up becoming writers. No, we don't become writers in schools of creative writing. We become writers before we learn to write. The rest is simply learning how to put it all together.
Ruskin Bond
There is only continual motion. If I rest, if I think inward, I go mad. There is so much, and I am torn in different directions, pulled thin, taut against horizons too distant for me to reach. Swift, ceaseless pace. Will I never rest in sunlight again - slow, languid & golden with peace?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I believe in no God, no invisible man in the sky. But there is something more powerful than each of us, a combination of our efforts, a Great Chain of industry that unites us. But it is only when we struggle in our own interest that the chain pulls society in the right direction. The chain is too powerful and too mysterious for any government to guide. Any man who tells you different either has his hand in your pocket, or a pistol to your neck. —Andrew Ryan
John Shirley (BioShock: Rapture)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
The second hardest part about growing up is trying to figure out who you are. The hardest part comes after you've figured it out and the rest of the world wants to pull you in a different direction.
Jen Malone (Map to the Stars)
If Jesus were to ask me, as He did that poor demoniac in the Gospel: "What is your name?" I too would have to reply: "My name is legion, for there are many of us" (Mk 5:9). There are as many of us as there are desires, plans and regrets which we harbor, each one different from and contrary to others which pull us in opposite directions. They literally dis-tract us, drag us apart.
Raniero Cantalamessa (Virginity: A Positive Approach to Celibacy for the Sake of the Kingdom of Heaven)
You love me. I know you do. I may have gone about this whole relationship all wrong with you and I know my life seems to be pulling me in a thousand different directions, but I know, with everything I have, that you feel it.
Kimberly Lauren (Beautiful Broken Mess (Broken, #2))
Some of us are born sensitive. And if, on top of that, we are pulled about in different directions (both emotionally and physically), we might just end up becoming writers.
Ruskin Bond
He was as intensely happy as he was miserable, and it exhaused him to be pulled in two different directions at once.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend." "How can you be sure?" "He has on his best hedgehog suit." "Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?" "He's been away in London, you see, and now he has returned to her," Kartik continues. "And what if she is angry with him for being away so long?" Kartik circles just behind me. "She will forgive him." "Will she?" I say pointedly. "It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog. "And is he happy to see her again?" "Yes," Kartik says. "He should like to stay longer, but he cannot." The bark chafes against my hand. "Why is that?" "He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face. "Oh," I say, heart beating fast. "And what would the lady hedgehog say to that?" he asks. His voice soft and low. "She would say..." I swallow hard. Kartik steps closer. "Yes?" "She would say," I whisper, "'If you please, I am not a hedgehog. I am a woodchuck.'" A small smile plays at Kartik's lips. "He is fortunate to have so witty a lady friend," he says, and I wish I could have the moment back again to play differently.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Guts and hearts aren’t always the most compatible - I’m starting to learn that. They pull in different directions, ignoring one another when they really shouldn’t.
Holly Bourne (The Places I've Cried in Public)
Advocating for what you want when you're being pulled in different directions is a powerful tool to help resolve conflict, contrary to what you might imagine.
Franklin Veaux (More Than Two: A Practical Guide to Ethical Polyamory (More Than Two Essentials))
I've come to believe that at different times our lives we are drawn to certain people for various reasons, mainly because that version of ourselves is connected to that version of them at that particular time. If you stick at it, work at it, you can grow in different directions together. Sometimes you get pulled apart, but I believe there is the right person, the one, for all the different versions of yourself. Gabriel and I lived in the now. Gerry and I aimed for forever. We got a fraction of forever. And an enjoyable now and a fraction of forever is always better than doing nothing.
Cecelia Ahern (Postscript (P.S. I Love You, #2))
I'll go see what it was," said Cinder, slipping into the hallway and darting down the stairs. Jacin was siting at the bottom, hunched over something and working intently. "That was Thorne," he said, without glancing up at her. "What did he do? Knock down a wall?" Cinder stepped past Jacin, but hesitated when she saw the vase of white flowers on the floor at his feet. He was meticulously pulling the flowers out of the water, one by one, and wiring their stems together. His brow was knotted in concentration. "Are you making a bouquet?" she asked incredulously. "Shut up." He held the cluster in one hand and turned it a few different directions, before plucking out a white hydrangea and adding it to the mix.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Maybe they didn't choose locks because love is permanent. Maybe they chose locks because emotions bind us into place. They weigh us down. They pull your heart into a thousand different directions until the only option left is for it to break.
Cora Carmack
If I rest, if I think inward, I go mad. There is so much, and I am torn in different directions, pulled thin, taut against horizons too distant for me to reach. To stop with the German tribes and rest awhile: But no! On, on, on. Through ages of empires, of decline and fall. Swift, ceaseless pace. Will I never rest in sunlight again - slow, languid & golden with peace?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
He watched him turn, his throat racked by forces pulling him in different directions. Part of him wanted to grab him by the neck, force him to his knees, and caress the skin off him while covering his face with frenzied kisses. But, God, part of him wanted to bite him. To fill his lips with the boy’s moans and tears before extracting more from him, until the boy was so disgusted that he’d never want to touch Charles again. Because that was what terrified Charles more than anything else: Dorian’s touch. And what his hands might uncover deep in his soul.
Valentina C. Brin (Rise of a Nobleman (Possession, #1))
That is the trick of it. You see, Time works differently in Chess.” He pulled out his pocket watch and let it dangle like a pendulum over his desk. “Sometimes he moves forward and sometimes he moves backward, sometimes he goes fast or slow and sometimes he pauses altogether. But as long as I keep moving, as long as I am always moving in the opposite direction from Time, he can never find me, and I can never meet my fate.
Marissa Meyer (Heartless)
Lucy always said that the greatest friends have nothing and everything in common all at once. Y’all girls are different versions of the same story, she would say. But these last two months, I feel like we’re being pulled in different directions, and I’m the only one who seems to notice.
Julie Murphy (Dumplin' (Dumplin', #1))
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
They are living, growing, reproducing, pushing and pulling in the ground all around us at all times. We accept that without even noticing. Open your eyes, people. This is amazing. If plants made sounds, it would all be different. But they communicate with color and shape and size and texture. They don’t meow or bark or tweet. We think they don’t have eyes, but they see the angle of the sun and the rise of the moon. They don’t just feel the wind; they change directions because of it.
Holly Goldberg Sloan (Counting by 7s)
Right now, for most people, these four dimensions are aligned in different directions. Your mind is thinking one way; your emotions pull you another way; your physical body another way; your energy another way. This makes you a potential calamity, an accident waiting to happen. You are being hijacked—you are being pulled apart, in four different ways.
Sadhguru (Inner Engineering: A Yogi’s Guide to Joy)
Trying to do a little bit of everything leads to doing nothing of substance. When you let the demands of a day pull you in 20 different directions, they do exactly that
Tom Rath (Are You Fully Charged?: The 3 Keys to Energizing Your Work and Life)
Part of me can't understand how Mom could do this. But there's that other part of me that can readily relate. Because I feel a pull in two different directions too.
Siobhan Davis (Destiny Rising (True Calling #3))
I feel like I am in a constant battle with myself. I am being pushed and pulled in two different directions.
Krystalle Bianca (Perfectly Fractured (The Imperfect, #1).)
If marriage is a yoke meant to keep two people moving in tandem, then my parents were oxen who each pulled in a different direction, and I was caught squarely in the middle.
Jodi Picoult (Wish You Were Here)
The big forces of human life—marriage, careers, immigration policy—were pulling us in different directions. But our candle gave a lovely light.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
I thought of the hotel door that wouldn’t pull or push but only slid from right to left. Sometimes, Harold, the way forward takes you by surprise. You try to force something in the familiar direction and discover that what it needs is to move in a different dimension. The way forward is not forward, but off to one side, in a place you have not noticed before.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Often you are pulled this way and that in an attempt to please another, only to discover that no matter how hard you try, you cannot consistently move in any pleasing direction, and so, you not only do not please them, but you also do not please yourself. And because you are being pulled in so many different directions, your path to where you want to be usually gets lost in the process.
Esther Hicks (Ask and It Is Given: Learning to Manifest Your Desires)
Everybody wanted something from me, and some days it felt like I was being pulled in thirty different directions, and I wondered how anyone figured out how to be all things to all people without going insane. The
Bill Konigsberg (Honestly Ben)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
It is easy to forget the cohesiveness of a free people in times of peace and prosperity. New York is an extreme example of the great pandemonium that results when countless individuals and groups pursue their diverse interests in the normal course of life. In a crisis, however, a national tribe comes together...despite the centrifugal forces that pull us in different directions, there is a deep national unity that holds us together. Unity, however, is not sufficient for the challenges ahead. America also needs the moral self-confidence to meet its adversary...Americans cannot succeed unless they are convinced of fighting on behalf of the good.
Dinesh D'Souza (What's So Great About America)
At the heart of hygge is a willingness to set aside time for simply being with people, and, ideally, having all the time in the world for them. Hygge is a vehicle for showing that we care. It's a way of paying attention to our children or partners and friends in the messy reality of the here and now, and putting down the distractions that pull us in different directions. So many of us are drawn to a virtual world of connectivity. Hygge isn't about a life without technology, but it asks us to balance our commitments and remember the value of human interaction, conversation and physical intimacy. It liberates us to fully inhabit the moment without feeling compelled to record it.
Louisa Thomsen Brits (The Book of Hygge: The Danish Art of Living Well)
Ren followed along behind me somewhere quietly. I couldn’t hear him, but I knew he was there. I was acutely aware of his presence. I had an intangible connection with him, the man. It was almost as if he were walking next to me. Almost as if he were touching me. I must have started walking down the wrong path because he trotted ahead, pointedly moving in a different direction. I muttered, “Show-off. I’ll walk the wrong way if I want to.” But, I still followed after him. After a while, I made out the Jeep parked on the hill and saw Mr. Kadam waving at us. I walked up to his camp, and he grabbed me in a brief hug. “Miss Kelsey! You’re back. Tell me what happened.” I sighed, set down my backpack, and sat on the back bumper of the Keep. “Well, I have to tell you, these past few days have been some of the worst of my life. There were monkeys, and Kappa, and rotted kissing corpses, and snakebites, and trees covered with needles, and-“ He held up a hand. “What do you mean a few days? You just left last night.” Confused, I said, “No. We’ve been gone at least,” I counted on my fingers, “at least four or five days.” “I’m sorry, Miss Kelsey, but you and Ren left me last night. In fact, I was going to say you should get some rest and then try again tomorrow night. You were really gone almost a week?” “Well, I was asleep for two of the days. At least that’s what tiger boy over there told me.” I glared at Ren who stared back at me with an innocuous tiger expression while listening to our conversation. Ren appeared to be sweet and attentive, as harmless as a little kitten. He was about as harmless as a Kappa. I, on the other hand, was like a porcupine. I was bristling. All of my quills were standing on end so I could defend my soft belly from being devoured by the predator who had taken an interest. “Two days? My, my. Why don’t we return to the hotel and rest? We can try to get the fruit again tomorrow night.” “But, Mr. Kadam,” I said an unzipped the backpack, “we don’t have to come back. We got Durga’s first gift, the Golden Fruit.” I pulled out my quilt and unfolded it, revealing the Golden Fruit nestled within. He gently picked it up out of its cocoon. “Amazing!” he exclaimed. “It’s a mango.” With a smirk, I added, “It only makes sense. After all, mangoes are very important to Indian culture and trade.” Ren huffed at me and rolled onto his side in the grass.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There is an old Greek saying that men are tormented not by things themselves but by what they think about them. If that assertion could be proved to be always true everywhere it would be an important point gained of the comforting of our wretched human condition. For if ills can only enter us through our judgemente it would seem to be in our power either to despise them or to deflect them towards the good: if the things actually do trow themselves on our mercy why do we not act as their masters and accomodate them to our advantage? If what we call evil or torment are only evil or torment insofar as our mental apprehension endows them with those qualities when it lies within our power to change those qualities. And if we did have such a choice and were free from constraint we would be curiously mad to pull in the direction which hurst us most, endowing sickness, poverty or insolence with a bad and bitter taste when we could give them a pleasent one, Fortune simply furnishing us with the matter and leaving it to us to supply the form. Let us see whether a case can be made for what we call evil not being an evil in itself or (since it amounts to the same) whether at least it is up to us to endow it with a different savour and aspect.
Michel de Montaigne (The Complete Essays)
You really believe all that? About how there’s only one end in sight for people like you?” Amity said, tipping her chin back toward the sky and pulling her hat partway down her face, so only her nose and mouth were visible. “Horseshit. You only think that because you’ve never seen different.” Esther started to reply, but Amity held up a still-bloody finger. “Don’t interrupt me, pup. You know I’m right. You’re a woman and you love people who aren’t men, is that right?” Esther hesitated to make sure she wasn’t interrupting. “That’s right,” she said, “but—” “No but, it’s just true,” Amity said, proving that her rule about interruptions only ran in one direction. “And you’ve only ever read stories about people like you, right? You’ve never met one of your kind before now. Well, except for Beatriz,” she added. “Ain’t that so?” “Yeah,” Esther answered reluctantly. She sensed a trap coming, but she couldn’t figure out how to step around it. “All those stories you’ve read,” Amity said softly, pulling her hat back off her eyes by a few degrees. “Who gave ’em to you?
Sarah Gailey (Upright Women Wanted)
...For it is only when we profoundly understand our own true nature that we can experience the world and reality as it is, unfiltered. Free of the hooks that otherwise push and pull us in different directions. Until then, we are like puppets to the shadow world and our own social programming.
Sita Bennett (She Who Rose From Ashes (Legënd of the Mystics))
cable, and away to sea. But the wind was wanting; and to complete our helplessness, down came Hunter with the news that Jim Hawkins had slipped into a boat and was gone ashore with the rest. It never occurred to us to doubt Jim Hawkins, but we were alarmed for his safety. With the men in the temper they were in, it seemed an even chance if we should see the lad again. We ran on deck. The pitch was bubbling in the seams; the nasty stench of the place turned me sick; if ever a man smelt fever and dysentery, it was in that abominable anchorage. The six scoundrels were sitting grumbling under a sail in the forecastle; ashore we could see the gigs made fast and a man sitting in each, hard by where the river runs in. One of them was whistling "Lillibullero." Waiting was a strain, and it was decided that Hunter and I should go ashore with the jolly-boat in quest of information. The gigs had leaned to their right, but Hunter and I pulled straight in, in the direction of the stockade upon the chart. The two who were left guarding their boats seemed in a bustle at our appearance; "Lillibullero" stopped off, and I could see the pair discussing what they ought to do. Had they gone and told Silver, all might have turned out differently;
Robert Louis Stevenson (Treasure Island)
Politics consist in giving the nation an impetus by creating an oligarchy embodying a fixed theory of government, and able to direct public affairs along a straight path, instead of allowing the country to be pulled in a thousand different directions, which is what has been happening for the last forty years in our beautiful France
Honoré de Balzac (Works of Honore de Balzac)
They have three hearts, which I thought was pretty rad. But I think the connection I really made was with the fact that with three organs pumping blood into them, and eight arms that essentially all have a mind of their own — they must feel pulled in so many different directions, you know? Like they’re made up of too much to be confined into one little being.
Kandi Steiner (Hail Mary (Red Zone Rivals, #4))
No scientist before Leonardo had methodically shown how birds stay aloft. Most had simply embellished on Aristotle, who mistakenly thought that birds were supported by air the way ships were by water.12 Leonardo realized that keeping aloft in air requires fundamentally different dynamics than doing so in water, because birds are heavier than air and are thus subject to being pulled down by gravity. The first two folios of his Codex on the Flight of Birds deal with the laws of gravity, which he calls the “attraction of one object to another.” The force of gravity, he wrote, acts in the direction of “an imaginary line between the centers of each object.”13 He then described how to calculate the center of gravity of a bird, a pyramid, and other complex shapes.
Walter Isaacson (Leonardo da Vinci)
The activists also had instructions to return, to surprise people in order to catch them unaware and with their food unguarded. In many places the brigades came more than once. Families were searched, and then searched again to make sure that nothing remained. “They came three times,” one woman remembered, “until there was nothing left. Then they stopped coming.”17 Brigades sometimes arrived at different times of day or night, determined to catch whoever had food red-handed.18 If it happened that a family was eating a meagre dinner, the activists sometimes took bread off the table.19 If it happened that soup was cooking, they pulled it off the stove and tossed out the contents. Then they demanded to know how it was possible the family still had something to put in the soup.20 People who seemed able to eat were searched with special vigour; those who weren’t starving were by definition suspicious. One survivor remembered that her family had once managed to get hold of some flour and used it to bake bread during the night. Their home was instantly visited by a brigade that had detected the noise and sounds of cooking in the house. They entered by force and grabbed the bread directly out of the oven.21 Another survivor described how the brigade “watched chimneys from a hill: when they saw smoke, they went to that house and took whatever was being cooked.”22 Yet another family received a parcel from a relative containing rice, sugar, millet and shoes. A few hours later a brigade arrived and took everything except the shoes.
Anne Applebaum (Red Famine: Stalin's War on Ukraine)
Charming, happy, generous with his favors to his friends, Draco wasn't a psychopath. That was the sad and awful part, knowing human psychology well enough to know that Draco wasn't a monster. There had been ten thousand societies over the history of the world where this conversation could have happened. No, the world would have been a very different place indeed, if it took an evil mutant to say what Draco had said. It was very simple, very human, it was the default if nothing else intervened. To Draco, his enemies weren't people. And in the slowed time of this slowed country, here and now as in the darkness-before-dawn prior to the Age of Reason, the son of a sufficiently powerful noble would simply take for granted that he was above the law, at least when it came to some peasant girl. There were places in Muggle-land where it was still the same way, countries where that sort of nobility still existed and still thought like that, or even grimmer lands where it wasn't just the nobility. It was like that in every place and time that didn't descend directly from the Enlightenment. A line of descent, it seemed, which didn't quite include magical Britain, for all that there had been cross-cultural contamination of things like ring-pull drinks cans.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Unplugging helps you refocus on yourself instead of being pulled in a zillion different directions. Those directions may all be important, but you are just as important. Unplugging allows you to focus on being in the moment, here and now. It helps you step away from the emotional roller coaster that you ride reacting to a friend’s story, a news article, or outrage over worldwide events. Unplugging gives you the chance to remember who you are at your core.
Arin Murphy-Hiscock (The Witch's Book of Self-Care: Magical Ways to Pamper, Soothe, and Care for Your Body and Spirit)
 Nobody would ever be foolish enough to call marriage easy.  It’s not.  It’s hard to stay connected and utterly devoted to another human being when you’re being pulled in a zillion different directions.  But the truth is, eventually, you’re going to retire, quit, or move on from that job. Your kids will graduate, move out, and start lives of their own. Then what you’ll be left with is a stranger staring back at you, if you don’t take the time to cater to your marriage and
Carol Ann Albright-Eastman (Always There)
First, the boy. Pink cheeks, a mop of black hair, clenched fists. And then, in the next bassinet, the girl. A thin coating of blond fuzz on her head, a sweet smile on her lips. Angelina knew it was just gas, but that smile told her a lot. It told her all she needed to know. She stepped back and waited. A few minutes later, the two mothers appeared from different directions, wheeled up to the window by their happily exhausted husbands. The younger of the two women had her dark curly hair pulled into a loose ponytail.
Wendy Mass (11 Birthdays (11 Birthdays, #1))
The bushes puzzled him, they were so big, almost trees, some twice his height, and there seemed so many. They were planted all along the edges of the towering droop-limbed hemlocks that sheltered the place, and in the acres sheltered there were dozens of great rectangular clumps like loaves of porous green bread. The bushes were evergreen. With their zigzag branches and long oval leaves fingering in every direction they seemed to belong to a different climate, to a different land, whose gravity pulled softer than this one.
John Updike (Rabbit, Run)
Um… no reason in particular except that it’s cow country and less populated.” Both men grinned. “To be honest, Mr. Moore, thirty miles north is like being in a different country. All that’s around the area are fields where farmers on tractors are plowing something with shit-smelling fertilizer. We found a flat, straight road where we could see for miles in each direction. There wasn’t any traffic, so we pulled over, yanked out the bodies, and dumped them in a deep ditch. We unrolled them from the shrink wrap and left them there.
C.M. Sutter (Greed (Amber Monroe Crime Thriller, #1))
The beauty and challenge of long-term relationships is that you change and shift at different times in different directions, side by side under the same roof. Most often, these changes are subtle and you’re subconsciously adapting all the time to the constant but gentle shifting of another human being that you’re so connected to; like two shape-shifters battling to coincide, for better or worse. Remain who you are while they alter, or change with them. Inspire them to go in another direction, gently push, pull, mould, tear at, nurture. Wait.
Cecelia Ahern (Postscript (P.S. I Love You, #2))
Contrary to the other three hundred days of the year, when you’re running and doing and building and constructing, the Jewish holidays provide a kind of in-built way to pause and to gather yourself and regenerate. . . . Our lives can become so full of activities and to-do tasks that, in some sense, the soul becomes overwhelmed. We need to defragment our souls. We can be pulled in so many different directions, but the holidays help that part of us that needs meaning and connection and great purpose. . . . Holiday rituals are ancient technologies that carry contemporary wisdom. Judaism works.
Abigail Pogrebin (My Jewish Year: 18 Holidays, One Wondering Jew)
There is an old Greek saying that men are tormented not by things themselves but by what they think about them. If that assertion could be proved to be always true everywhere it would be an important point gained for the comforting of our wretched human condition. For if ills can only enter us through our judgement it would seem to be in our power either to despise them or to deflect them towards the good: if the things actually do throw themselves on our mercy why do we not act as their masters and accomodate them to our advantage? If what we call evil or torment are only evil or torment insofar as our mental apprehension endows them with those qualities when it lies within our power to change those qualities. And if we did have such a choice and were free from constraint we would be curiously mad to pull in the direction which hurts us most, endowing sickness, poverty or insolence with a bad and bitter taste when we could give them a pleasent one, Fortune simply furnishing us with the matter and leaving it to us to supply the form. Let us see whether a case can be made for what we call evil not being an evil in itself or (since it amounts to the same) whether at least it is up to us to endow it with a different savour and aspect.
Michel de Montaigne (The Complete Essays)
There is an old Greek saying that men are tormented not by things themselves but by what they think about them. If that assertion could be proved to be always true everywhere it would be an important point gained for the comforting of our wretched human condition. For if ills can only enter us through our judgement it would seem to be in our power either to despise them or to deflect them towards the good: if the things actually do throw themselves on our mercy why do we not act as their masters and accomodate them to our advantage? If what we call evil or torment are only evil or torment insofar as our mental apprehension endows them with those qualities then it lies within our power to change those qualities. And if we did have such a choice and were free from constraint we would be curiously mad to pull in the direction which hurts us most, endowing sickness, poverty or insolence with a bad and bitter taste when we could give them a pleasent one, Fortune simply furnishing us with the matter and leaving it to us to supply the form. Let us see whether a case can be made for what we call evil not being an evil in itself or (since it amounts to the same) whether at least it is up to us to endow it with a different savour and aspect.
Michel de Montaigne (The Complete Essays)
I need… I just need…” God, I needed so much my mind felt like it was in one of those medieval torture devices, being pulled in a thousand different directions, but I settled on her lips. I didn’t even bother to take another breath. I leaned up and kissed her. Emma froze, making me doubt my action for a split second, but then she sighed into my mouth. It was a happy sound. A relieved sound. And in that moment I knew there was nothing more than this. Her smile on my lips. Her breath in my mouth. I wanted to live in this moment forever. I didn’t want to think about tomorrow or the next day. Just here. Just now. Just this.
Tara A. Fuller (Inbetween (Kissed by Death, #1))
Humanity has changed profoundly, and the accumulation of constant novelties exalts a superficiality which pulls us in one direction. It becomes difficult to pause and recover depth in life. If architecture reflects the spirit of an age, our megastructures and drab apartment blocks express the spirit of globalized technology, where a constant flood of new products coexists with tedious monotony. “Nobody is suggesting a return to the Stone Age,” he wrote. “But we do need to slow down and look at reality in a different way, to appropriate the positive and sustainable progress which has been made, but also to recover the values and the great goals swept away by our unrestrained delusions of grandeur.
Anonymous
Flute music, she thought with frustration, and would not look at Arin. Her opening notes were awkward. She paused, then gave the melody over to her right hand and began inventing with her left, pulling dark, rich phrases out of her mind. Kestrel felt the counterpoint knit itself into being. Forgetting the difficulty of what she was doing, she simply played. It was a gentle, haunting music. When it ended, Kestrel was sorry. Her eyes sought Ari across the room. She didn’t know if he had watched her play. He wasn’t looking at her now. His gaze was unfocused, directed toward the garden without really seeming to see it. The lines of his face had softened. He looked different, Kestrel realized. She couldn’t say why, but he looked different to her now. Then he glanced at her, and she was startled enough to let one hand fall onto the keys with a very unmusical sound. Arin smiled. It was a true smile, which let her know that all the others he had given her were not. “Thank you,” he said. Kestrel felt herself blush. She focused on the keys and played something, anything. A simple pattern to distract herself from the fact that she wasn’t someone who easily blushed, particularly for no clear reason. But she found that her fingers were sketching an outline of a tenor’s range. “Do you truly not sing?” “No.” She considered the timbre of his voice and let her hands drift lower. “Really?” “No, Kestrel.” Her hands slid from the keys. “Too bad,” she said.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As the philosopher and Roman emperor Marcus Aurelius said, “The happiness of your life depends on the quality of your thoughts.” As true today as in Roman times. The state of your mind, body, and spirit is the direct result of all the decisions you’ve made in your life up until this moment. Physical health, cognitive performance, happiness, and well-being—these are driven almost entirely by our beliefs and behaviors. Day after day, choosing to exercise or watch Netflix, pull an all-nighter or get some sleep, eat clean or binge on mint chocolate-chip ice cream—all these decisions create our days, and our days create our lives as a whole. Each of us faces unique physical and mental challenges, but no matter what hand you’ve been dealt, your mindset makes a massive difference.
Chase Jarvis (Creative Calling: Establish a Daily Practice, Infuse Your World with Meaning, and Succeed in Work + Life)
One day in the dojo (the martial-arts studio) before our karate class began, I witnessed the power of a concentrated focus unlike anything that I’d ever seen growing up in the heartland of northern Missouri. On that day, our instructor walked into the room and asked us to do something very different from the form and movement practices that were familiar to us. He explained that he would seat himself in the center of the thick mat where we honed our skills, close his eyes, and go into a meditation. During this exercise, he would stretch his arms out on either side of his body, with his palms open and facedown. He asked us to give him a couple of minutes to “anchor” himself in this T position and then invited us to do anything that we could to move him from his place. The men in our class outnumbered the women by about two to one, and there had always been a friendly competition between the sexes. On that day, however, there was no such division. Together, we all sat close to our instructor, silent and motionless. We watched as he simply walked to the center of the mat, sat down with his legs crossed, closed his eyes, held out his arms, and changed his breathing pattern. I remember that I was fascinated and observed closely as his chest swelled and shrank, slower and slower with each breath until it was hard to tell that he was breathing at all. With a nod of agreement, we moved closer and tried to move our instructor from his place. At first, we thought that this was going to be an easy exercise, and only a few of us tried. As we grabbed his arms and legs, we pushed and pulled in different directions with absolutely no success. Amazed, we changed our strategy and gathered on one side of him to use our combined weight to force him in the opposite direction. Still, we couldn’t even budge his arms or the fingers on his hands! After a few moments, he took a deep breath, opened his eyes, and with the gentle humor we’d come to respect, he asked, “What happened? How come I’m still sitting here?” After a big laugh that eased the tension and with a familiar gleam in his eyes, he explained what had just happened. “When I closed my eyes,” he said, “I had a vision that was like a dream, and that dream became my reality. I pictured two mountains, one on either side of my body, and myself on the ground between the peaks.” As he spoke, I immediately saw the image in my mind’s eye and felt that he was somehow imbuing us with a direct experience of his vision. “Attached to each of my arms,” he continued, “I saw a chain that bound me to the top of each mountain. As long as the chains were there, I was connected to the mountains in a way that nothing could change.” Our instructor looked around at the faces that were riveted on each word he was sharing. With a big grin, he concluded, “Not even a classroom full of my best students could change my dream.” Through a brief demonstration in a martial-arts classroom, this beautiful man had just given each of us a direct sense of the power to redefine our relationship to the world. The lesson was less about reacting to what the world was showing us and more about creating our own rules for what we choose to experience. The secret here is that our instructor was experiencing himself from the perspective that he was already fixed in one place on that mat. In those moments, he was living from the outcome of his meditation. Until he chose to break the chains in his imagination, nothing could move him. And that’s precisely what we found out.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
Don’t you touch me!” I snapped. “Just tell me—do you think, on the evidence of a strange man happening to glance up at my window, that I’ve had some flaming affair with one of my patients?” Frank got out of bed and wrapped his arms around me. I stayed stiff as Lot’s wife, but he persisted, caressing my hair and rubbing my shoulders in the way he knew I liked. “No, I don’t think any such thing,” he said firmly. He pulled me closer, and I relaxed slightly, though not enough to put my arms around him. After a long time, he murmured into my hair, “No, I know you’d never do such a thing. I only meant to say that even if you ever did … Claire, it would make no difference to me. I love you so. Nothing you ever did could stop my loving you.” He took my face between his hands—only four inches taller than I, he could look directly into my eyes without trouble—and said softly, “Forgive me?
Diana Gabaldon (Outlander (Outlander, #1))
It is critical to recognize that we live in an increasingly complex world - biologically, socially, politically, technologically, you name it - that holds many inherent contradictions. In the middle of this complex world are we humans, who have a natural tendency to seek coherence in what we see, feel, think, and do. When we experience conflict, this tendency intensifies. Conflict is essentially a contradiction, an incompatibility, oppositely directed forces, and a difference that triggers tension. When we encounter conflict, within the field of forces that constitute it, the natural human tendency is to reduce that tension by seeking coherence through simplification. Research shows that this tendency toward simplification becomes even more intensified when we are under stress, threat, time constraints, fatigue, and various other conditions all absolutely typical of conflict. So what is the big idea? It is NOT that coherence is bad and complexity is good. Coherence seeking is simply a necessary and functional process that helps us interpret and respond to our world efficiently and (hopefully) effectively. And complexity in extremes is a nightmare - think of Mogadishu, Somalia, in the 1990s or the financial crisis of 2009 or Times Square during rush hour on a Friday afternoon. On the other hand, too much coherence can be just as pathological: for example, the collapse of the nuances and contradictions inherent in any conflict situation into simple 'us versus them' terms, or a deep commitment to a rigid understanding of conflicts based on past sentiments and obsolete information. Either extreme - overwhelming complexity or oversimplified coherence - is problematic. But in difficult, long-term conflicts, the tide pulls fiercely toward simplification of complex realities. This is what we must content with.
Peter T. Coleman (The Five Percent: Finding Solutions to Seemingly Impossible Conflicts)
The 8 Play Personalities The Collector loves to gather and organise, enjoying activities like searching for rare plants, or rummaging around in archives or garage sales. The Competitor enjoys games and sports, and takes pleasure in trying their best and winning. The Explorer likes to wander, discovering new places and things they’ve never seen, through hiking, road tripping and other adventures. The Creator finds joy in making things, and can spend hours every day drawing, painting, making music, gardening and more. The Storyteller has an active imagination and uses their imagination to entertain others. They’re drawn to activities like writing, dance, theatre and role-playing games. The Joker endeavours to make people laugh, and may play by performing stand-up, doing improv, or just pulling a lot of pranks to make you smile. The Director likes to plan, organise and lead others, and can fit into many different roles and activities, from directing stage performances to running a company, to working in political or social advocacy. The Kinesthete finds play in physical activities like acrobatics, gymnastics and free running.
Ali Abdaal (Feel-Good Productivity: How to Do More of What Matters to You)
It's like the difference between looking at a person and looking through their eyes." "That's how I feel about eating," Sirine interjects, and some of them laugh. Aziz lifts his chin and lowers his eyes silkily. "Please tell us more." "Well, I mean..." She fumbles for words and tears apart a slice of bread, trying to think what she means. "Something like... tasting a piece of bread that someone bought is like looking at that person, but tasting a piece of bread that they baked is like looking out of their eyes." "Fabulous metaphor," Aziz says. Nathan lifts his head. "That's giving other people power over you." "No more than usual," Aziz says. "Somebody's always going to have the power, and somebody's always got to bake the bread." He turns and smiles suavely at Sirine. "You've got the soul of a poet! Cooking and tasting is a metaphor for seeing. Your cooking reveals America to us non-Americans. And vice versa." "Chef isn't an American cook," Victor Hernandez says. "Not like the way Americans do food- just dumping salt into the pot. All the flavors go in the same direction. Chef cooks like we do. In Mexico, we put cinnamon in with the chocolate and pepper in the sweetcakes, so things pull apart, you know, make it bigger?
Diana Abu-Jaber (Crescent)
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
All my films are about Hong Kong." Wong Kar Wai once told me, "even if they're set in Argentina." While many in the West saw Happy Together primarily as a love story, his compatriots saw it something more timely and relevant: Wong grappling with the meaning of the handover to China. They knew it wasn't coincidental that the film should open in Hong Kong one month before that historical transfer of power. Nor was it coincidental that it should begin with a shot of Hong kong passports and end with Tony Leung's Lai on a train in Taipei, not Hong Kong, heading into an indeterminate future as the soundtrack plays Danny Chung's cover of the pop song "Happy Together" --a title that could be read as predicting a successful union, or as a slash of bitter irony. Even the movie's defining image, the aerial shot of water rushing down Iguazu Falls, is layered with political intimations that cut in different directions. At once thrillingly spectacular and patently dangerous--Chris Doyle, who's terrified of heights, shot it while hanging out of a chopper--the roaring waters that combine in these falls are an expression of the inexorably rushing power of reunion that can be seen as both a symbol of great strength or the downward pull of destruction.
Wong Kar-Wai
I was most pleasantly surprised, with this chart, to see a Yod pointing at the Moon. After all, what other planet influences changeable behaviour and creates a strong magnetic pull? I am tempted to say that the problem of the Bermuda Triangle has been solved: it was the Moon all along! But it is obviously more complicated than that. For one thing, there is a theory that there is an energy vortex operating through the earth, with a corresponding ‘problem’ area on the other side of the world, based near the west coast of Australia in the Indian Ocean. I noticed when I was looking at my Atlas that these trouble spots are on, or near, the Tropic of Cancer in the north, and the Tropic of Capricorn in the south. Being that these circles are the northern-most and southern-most positions of the Sun as it passes over the earth at the summer and winter solstices, there must be a residue of magnetic energy along those lines. To create a vortex, another energy line must be intersecting each tropical line at a right angle (90°). We can see this energy line on the chart: the Pluto-Midheaven opposition would be operating at full strength, as the critical degree is within 45’ of true (meaning, that the difference between the position of Pluto and the Midheaven, directly overhead, is almost exactly 180°). Because Mars is conjunct to Pluto, also opposite to the Midheaven, stormy weather, previously noted in this book, was raging: a potent combination.
Christopher Miller
Lew had never seen a dead man before. He just stood there, and looked and looked. Then he went a step closer, and looked some more. 'So that's what it's like!' he murmured inaudibly. Finally Lew reached out slowly and touched him on the face, and cringed as he met the clammy feel of it, pulled his hand back and whipped it down, as though to get something off it. The flesh was still warm and Lew knew suddenly he had no time alibi. He threw something over that face and that got rid of the awful feeling of being watched by something from the other world. After that Lew wasn't afraid to go near him; he just looked like a bundle of old clothes. The dead man was on his side, and Lew fiddled with the knife-hilt, trying to get it out. It was caught fast, so he let it alone after grabbing it with his fingers from a couple of different directions. Next he went through his pockets, thinking he'd be helping to identify him. The man was Luther Kemp, forty-two, and he lived on 79th Street. But none of that was really true any more, Lew thought, mystified; he'd left it all behind. His clothes and his home and his name and his body and the show he'd paid to see were here. But where the hell had he gone to, anyway? Again that weird feeling came over Lew momentarily, but he brushed it aside. It was just that one of the commonest things in life - death - was still strange to him. But after strangeness comes familiarity, after familiarity, contempt. ("Dusk To Dawn")
Cornell Woolrich
There are some respects in which the concepts of modern theoretical physics differ from those of the Newtonian system. To begin with, the conception of 'force', which is prominent in the seventeenth century, has been found to be superfluous. 'Force', in Newton, is the cause of change of motion, whether in magnitude or direction. The notion of cause is regarded as important, and force is conceived imaginatively as the sort of thing that we experience when we push or pull. For this reason it was considered an objection to gravitation that it acted at a distance, and Newton himself conceded that there must be some medium by which it was transmitted. Gradually it was found that all the equations could be written down without bringing in forces. What was observable was a certain relation between acceleration and configuration; to say that this relation was brought about by the intermediacy of 'force' was to add nothing to our knowledge. Observation shows that planets have at all times an acceleration towards the sun, which varies inversely as the square of their distance from it. To say that this is due to the 'force' of gravitation is merely verbal, like saying that opium makes people sleep because it has a dormitive virtue. The modern physicist, therefore, merely states formulae which determine accelerations, and avoids the word 'force' altogether. 'Force' was the faint ghost of the vitalist view as to the causes of motions, and gradually the ghost has been exorcized.
Bertrand Russell (A History of Western Philosophy)
Jobs later explained, “We discussed whether it was correct before we ran it. It’s grammatical, if you think about what we’re trying to say. It’s not think the same, it’s think different. Think a little different, think a lot different, think different. ‘Think differently’ wouldn’t hit the meaning for me.” In order to evoke the spirit of Dead Poets Society, Clow and Jobs wanted to get Robin Williams to read the narration. His agent said that Williams didn’t do ads, so Jobs tried to call him directly. He got through to Williams’s wife, who would not let him talk to the actor because she knew how persuasive he could be. They also considered Maya Angelou and Tom Hanks. At a fund-raising dinner featuring Bill Clinton that fall, Jobs pulled the president aside and asked him to telephone Hanks to talk him into it, but the president pocket-vetoed the request. They ended up with Richard Dreyfuss, who was a dedicated Apple fan. In addition to the television commercials, they created one of the most memorable print campaigns in history. Each ad featured a black-and-white portrait of an iconic historical figure with just the Apple logo and the words “Think Different” in the corner. Making it particularly engaging was that the faces were not captioned. Some of them—Einstein, Gandhi, Lennon, Dylan, Picasso, Edison, Chaplin, King—were easy to identify. But others caused people to pause, puzzle, and maybe ask a friend to put a name to the face: Martha Graham, Ansel Adams, Richard Feynman, Maria Callas, Frank Lloyd Wright, James Watson, Amelia Earhart. Most were Jobs’s personal heroes. They tended to be creative people who had taken risks, defied failure, and bet their career on doing things in a different way.
Walter Isaacson (Steve Jobs)
Good game,” someone said, patting my shoulder. “Thanks,” I said, laughing. Then I felt arms come around me and pull me close. “Hey,” Jason said, kissing my neck before parking his chin on my shoulder. Smiling brightly, I turned around in his arms. “Great game.” “Thanks.” “You hit a home run,” I said, like maybe he hadn’t realized it. “I know it seems odd, considering how long I’ve played baseball, but I’ve never hit one before,” he said. “But I knew, I knew as soon as I felt the bat make contact with the ball, that it was going to go out of the park. I don’t know if it sounded different or felt different, but I just knew.” “You did look stunned out there.” “I was. Like I said, I’d never done that before. I mean, hitting has never been my strength.” “It was tonight.” I reached up and kissed his chin. “I need to figure out what it was I did that made me hit the home run.” “You connected the bat to the ball.” “No, it was more than that. Something I did before the game, maybe--” “No, no, no,” I said, lifting myself up onto my toes so I could look directly into his eyes. “There was no thing you did other than keeping your eye on the ball and hitting at the precise moment when the impact would send the ball over the fence.” “I’m not so sure.” “Okay, you want to know what it was? It was having me for a girlfriend--” He put his hand behind my head and kissed me to shut me up. Obviously, he didn’t think I understood the whole ritual scene, and in truth, I didn’t. I mean, sure, when I played softball, I always chewed cinnamon-flavored gum during the game, and I never started chewing until after the national anthem. But that was different. If I didn’t do that, I missed way more balls than I caught. But home runs? There was nothing that guaranteed home runs. Jason drew back. “Maybe it is having you for a girlfriend.” “I was kidding.” “I’m not.
Rachel Hawthorne (The Boyfriend League)
Whatever doesn’t kill you only serves to make you stronger. And in the grand scheme of life, I had survived and grown stronger, at least mentally, if not physically. I had come within an inch of losing all my movement and, by the grace of God, still lived to tell the tale. I had learned so much, but above all, I had gained an understanding of the cards I had been playing with. The problem now was that I had no job and no income. Earning a living and following your heart can so often pull you in different directions, and I knew I wasn’t the first person to feel that strain. My decision to climb Everest was a bit of a “do or die” mission. If I climbed it and became one of the youngest climbers ever to have reached the summit, then I had at least a sporting chance of getting some sort of job in the expedition world afterward--either doing talks or leading treks. I would be able to use it as a springboard to raise sponsorship to do some other expeditions. But on the other hand, if I failed, I would either be dead on the mountain or back home and broke--with no job and no qualifications. The reality was that it wasn’t a hard decision for me to make. Deep down in my bones, I just knew it was the right thing to do: to go for it. Plus I have never been one to be too scared of that old imposter: failure. I had never climbed for people’s admiration; I had always climbed because I was half-decent at it--and now I had an avenue, through Everest, to explore that talent further. I also figured that if I failed, well at least I would fail while attempting something big and bold. I liked that. What’s more, if I could start a part-time university degree course at the same time (to be done by e-mail from Everest), then whatever the outcome on the mountain, at least I had an opening back at M15. (It’s sometimes good to not entirely burn all your bridges.)
Bear Grylls (Mud, Sweat and Tears)
His son wanted to be a firefighter, but didn't get the job. Mr. Neck is convinced that this is some kind of reverse discrimination. He says we should close our borders so that real Americans can get the jobs they deserve. The job test said that I would be a good fire fighter. I wonder if I could take a job away from Mr. Neck's son. Mr. Neck writes on the board again: "DEBATE: America should have closed her borders in 1900." That strikes a nerve. Several nerves. I can see kids counting backward on their fingers, trying to figure out when their grandparents or great-grandparents were born, when they came to America, if they would have made the Neck Cut. When they figure out they would have been stuck in a country that hated them, or a place with no schools, or a place with no future, their hands shoot up. They beg to differ with Mr. Neck's learned opinion. ... The arguments jump back and forth across the room. A few suck-ups quickly figure out which side Mr. Neck is squatting on, so they fight to throw out the 'foreigners.' Anyone whose family immigrated in the last century has a story to tell about how hard their relatives have worked, the contributions they make to the country, the taxes they pay. A member of the Archery Club tries to say that we are all foreigners and we should give the country back to the Native Americans, but she's buried under disagreement. Mr. Neck enjoys the noise, until one kid challenges him directly. Brave Kid: "Maybe your son didn't get that job because he's not good enough. Or he's lazy. Or the other guy was better than him, no matter what his skin color. I think the white people who have been here for two hundred years are the ones pulling down the country. They don't know how to work - they've had it too easy." The pro-immigration forces erupt in applause and hooting. Mr. Neck: "You watch your mouth, mister. You are talking about my son. I don't want to hear any more from you. That's enough debate - get your books out.
Laurie Halse Anderson (Speak)
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I lost my first patient on a Tuesday. She was an eighty-two-year-old woman, small and trim, the healthiest person on the general surgery service, where I spent a month as an intern. (At her autopsy, the pathologist would be shocked to learn her age: “She has the organs of a fifty-year-old!”) She had been admitted for constipation from a mild bowel obstruction. After six days of hoping her bowels would untangle themselves, we did a minor operation to help sort things out. Around eight P.M. Monday night, I stopped by to check on her, and she was alert, doing fine. As we talked, I pulled from my pocket my list of the day’s work and crossed off the last item (post-op check, Mrs. Harvey). It was time to go home and get some rest. Sometime after midnight, the phone rang. The patient was crashing. With the complacency of bureaucratic work suddenly torn away, I sat up in bed and spat out orders: “One liter bolus of LR, EKG, chest X-ray, stat—I’m on my way in.” I called my chief, and she told me to add labs and to call her back when I had a better sense of things. I sped to the hospital and found Mrs. Harvey struggling for air, her heart racing, her blood pressure collapsing. She wasn’t getting better no matter what I did; and as I was the only general surgery intern on call, my pager was buzzing relentlessly, with calls I could dispense with (patients needing sleep medication) and ones I couldn’t (a rupturing aortic aneurysm in the ER). I was drowning, out of my depth, pulled in a thousand directions, and Mrs. Harvey was still not improving. I arranged a transfer to the ICU, where we blasted her with drugs and fluids to keep her from dying, and I spent the next few hours running between my patient threatening to die in the ER and my patient actively dying in the ICU. By 5:45 A.M., the patient in the ER was on his way to the OR, and Mrs. Harvey was relatively stable. She’d needed twelve liters of fluid, two units of blood, a ventilator, and three different pressors to stay alive. When I finally left the hospital, at five P.M. on Tuesday evening, Mrs. Harvey wasn’t getting better—or worse. At seven P.M., the phone rang: Mrs. Harvey had coded, and the ICU team was attempting CPR. I raced back to the hospital, and once again, she pulled through. Barely. This time, instead of going home, I grabbed dinner near the hospital, just in case. At eight P.M., my phone rang: Mrs. Harvey had died. I went home to sleep.
Paul Kalanithi (When Breath Becomes Air)
The key to preventing this is balance. I see the give and take between different constituencies in a business as central to its success. So when I talk about taming the Beast, what I really mean is that keeping its needs balanced with the needs of other, more creative facets of your company will make you stronger. Let me give you an example of what I mean, drawn from the business I know best. In animation, we have many constituencies: story, art, budget, technology, finance, production, marketing, and consumer products. The people within each constituency have priorities that are important—and often opposing. The writer and director want to tell the most affecting story possible; the production designer wants the film to look beautiful; the technical directors want flawless effects; finance wants to keep the budgets within limits; marketing wants a hook that is easily sold to potential viewers; the consumer products people want appealing characters to turn into plush toys and to plaster on lunchboxes and T-shirts; the production managers try to keep everyone happy—and to keep the whole enterprise from spiraling out of control. And so on. Each group is focused on its own needs, which means that no one has a clear view of how their decisions impact other groups; each group is under pressure to perform well, which means achieving stated goals. Particularly in the early months of a project, these goals—which are subgoals, really, in the making of a film—are often easier to articulate and explain than the film itself. But if the director is able to get everything he or she wants, we will likely end up with a film that’s too long. If the marketing people get their way, we will only make a film that mimics those that have already been “proven” to succeed—in other words, familiar to viewers but in all likelihood a creative failure. Each group, then, is trying to do the right thing, but they’re pulling in different directions. If any one of those groups “wins,” we lose. In an unhealthy culture, each group believes that if their objectives trump the goals of the other groups, the company will be better off. In a healthy culture, all constituencies recognize the importance of balancing competing desires—they want to be heard, but they don’t have to win. Their interaction with one another—the push and pull that occurs naturally when talented people are given clear goals—yields the balance we seek. But that only happens if they understand that achieving balance is a central goal of the company.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
I thought we were meeting by the field house,” I call out as I make my way over. He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.” “You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong? “Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.” I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?” Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.” “Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day? I pull out my cell to check the time. “We should probably get going.” “I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me. Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.” I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.” Ben snorts at that. “Says who?” “Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince. “The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?” “Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.” “Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?” “I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.” “Thanks, Ben. See, someone’s a gentleman.” “Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.” I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully. “Hey!” Mason calls out, waving both arms above his head. “He’s over here.” Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously. “C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.” Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
Kristi Cook (Magnolia (Magnolia Branch, #1))
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
Thomas Pynchon (The Crying of Lot 49)
I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
My prayer regimen is a small act of surrender, a practical way to deliberately pull my gaze from myself to my Savior—a lesson I learned years earlier on long car rides to news assignments but have now begun to put into daily practice. Eyes cannot look in two different directions. I want mine on Jesus—not on yesterday’s failures or successes, not on today’s agenda, and definitely not on the world’s scorecards.
Jennifer Dukes Lee (Love Idol: Letting Go of Your Need for Approval - and Seeing Yourself through God's Eyes)
Rushing out the door on his way back to the street, he ran into someone with his shoulder. Turning to apologize to them, he stopped, horrified at what he saw. It was the white-eyed man he’d met a week ago. “Watch your back.” He said standing there just long enough for Raven to take in the meat between his teeth, the milky, nearly opaque color of his eyes and the madness within them. Then, after only a few seconds, he was gone, vanished into the crowd as if he had never existed. Certain his mind was playing tricks and tired of being terrified for his sanity, he headed down the street as fast as he could in pursuit. As he rushed through the tightly packed crowd, he saw others like the man he’d just seen, and each of their white eyes gazed blankly into his. A woman here, a hunched drifter there, shapes and faces that shifted and darted all around him. “Watch your back.” They hissed, and he tried to move faster, his heart racing and the nerves of his body jangling painfully with fear as he fought to get beyond them. Hands reached out for his clothes, pulling him in different directions as they tugged and he struggled to be free. Their fingers felt like talons clasped into the folds and gaps of his clothing, ripping and popping stitches in their fervor to gain some small grasp on his flesh beneath his jacket. Along with the horror of their cold, dead eyes, he could smell some strangeness—a sickly sweet smell of rot and decay only barely closeted by preserving fluids. The smell dug into his sinuses as their fingers and hands dug at him. He gagged, his teeth clenched tight as he exerted energy he didn’t really have. He pushed away from them and on through the empty space he saw at the end of this group of pedestrians. Many of whom mingled with what he now felt must be the dead, wholly unaware of why he flailed and pushed against them.
Amanda M. Lyons
But can you imagine if the very first time that you fell after pulling yourself up on that coffee table, a voice came thundering down at you, berating you for falling? “I knew you couldn't do it! You fell, you idiot! I can’t believe you fell. Everyone else is walking, but not you. You are a pathetic little crawler and you always will be!” No, quite the opposite! Toddlers are met with lavish praise at each minor progression, even steps in the general direction of progress. When the little one pulls herself up, she gets applause. Mom grabs the video camera and calls the grandparents. Can you imagine how different—and by different, I mean better—this journey would be if with every advancement you made, every small, wobbly step you took in the direction toward Hunger Directed Eating (however imperfect it was), you lavished praise, delighted wonderment, and encouragement upon yourself?
Josie Spinardi (Thin Side Out: How to Have Your Cake and Your Skinny Jeans Too: Stop Binge Eating, Overeating and Dieting For Good Get the Naturally Thin Body You Crave From the Inside Out (Thinside Out))
Chinese family businesses instinctively thought of ways of hiding income from the tax collector. The situation is quite different in Japan, where the family is weaker and individuals are pulled in different directions by the various vertical authority structures standing above them. The entire Japanese nation, with the emperor at the top, is, in a sense, the ie of all ies, and calls forth a degree of moral obligation and emotional attachment that the Chinese emperor never enjoyed. Unlike the Japanese, the Chinese have had less of a we-against-them attitude toward outsiders and are much more likely to identify with family, lineage, or region as with nation. The dark side to the Japanese sense of nationalism and proclivity to trust one another is their lack of trust for people who are not Japanese. The problems faced by non-Japanese living in Japan, such as the sizable Korean community, have been widely noted. Distrust of non-Japanese is also evident in the practices of many Japanese multinationals operating in other countries. While aspects of the Japanese lean manufacturing system have been imported with great success into the United States, Japanese transplants have been much less successful integrating into local American supplier networks. Japanese auto companies building assembly plants in the United States, for example, have tended to bring over with them the suppliers in their network organizations from Japan. According to one study, some ninety percent of the parts for Japanese cars assembled in America come from Japan or from subsidiaries of Japanese companies in America.43 This is perhaps predictable given the cultural differences between the Japanese assembler and the American subcontractor but has understandably led to hard feelings between the two. To take another example, while Japanese multinationals have hired a great number of native executives to run their overseas businesses, these people are seldom treated like executives at the same level in Japan. An American working for a subdivision of a Japanese company in the United States might aspire to rise within that organization but is very unlikely to be asked to move to Tokyo or even to a higher post outside the United States.44 There are exceptions. Sony America, for example, with its largely American staff, is highly autonomous and often influences its parent in Japan. But by and large, the Japanese radius of trust can be fully extended only to other Japanese.
Francis Fukuyama (Trust: The Social Virtues and the Creation of Prosperity)
McCarthy’s movie career wasn’t limited to The Stupids. In 1998, she had a small role in BASEketball and the following year in Diamonds , directed by John Asher, whom she married in September 1999. A few years later, on May 18, 2002, their only child, Evan, was born in Los Angeles. But all was not well. Following a chance encounter with a stranger, McCarthy knew that something was different about her son. “One night I reached over and grabbed my Archangel Oracle tarot cards and shuffled them and pulled out a card,” she wrote. “It was the same card I had picked over and over again the past few months. It was starting to drive me crazy. It said that I was to help teach the Indigo and Crystal children. [Later,] a woman approached Evan and me on the street and said, ‘Your son is a Crystal child,’ and then walked away. I remember thinking, ‘Okay, crazy lady,’ and then I stopped in my tracks. Holy shit, she just said ‘Crystal child,’ like on the tarot card.” McCarthy realized that she was an Indigo adult and Evan a Crystal child. Although Evan would soon be diagnosed with autism, McCarthy took heart in the fact that Crystal children were often mislabeled as autistic. According to Doreen Virtue, author of The Care and Feeding of Indigo Children, “Crystal Children don’t warrant a label of autism! They aren’t autistic, they’re AWE-tistic.
Anonymous
As with Japanese keiretsu, the member firms in a Korean chaebol own shares in each other and tend to collaborate with each other on what is often a nonprice basis. The Korean chaebol differs from the Japanese prewar zaibatsu or postwar keiretsu, however, in a number of significant ways. First and perhaps most important, Korean network organizations were not centered around a private bank or other financial institution in the way the Japanese keiretsu are.8 This is because Korean commercial banks were all state owned until their privatization in the early 1970s, while Korean industrial firms were prohibited by law from acquiring more than an eight percent equity stake in any bank. The large Japanese city banks that were at the core of the postwar keiretsu worked closely with the Finance Ministry, of course, through the process of overloaning (i.e., providing subsidized credit), but the Korean chaebol were controlled by the government in a much more direct way through the latter’s ownership of the banking system. Thus, the networks that emerged more or less spontaneously in Japan were created much more deliberately as the result of government policy in Korea. A second difference is that the Korean chaebol resemble the Japanese intermarket keiretsu more than the vertical ones (see p. 197). That is, each of the large chaebol groups has holdings in very different sectors, from heavy manufacturing and electronics to textiles, insurance, and retail. As Korean manufacturers grew and branched out into related businesses, they started to pull suppliers and subcontractors into their networks. But these relationships resembled simple vertical integration more than the relational contracting that links Japanese suppliers with assemblers. The elaborate multitiered supplier networks of a Japanese parent firm like Toyota do not have ready counterparts in Korea.9
Francis Fukuyama (Trust: The Social Virtues and the Creation of Prosperity)
It was just tiresome thinking about folks having to fight for the least little thing. I loved my people for fighting, but hated the reason why, and that left me with that crosscut notion of pride and anger pulling in different directions, two kinds of muscle fighting for the same piece of bone.
Ravi Howard
Senator Warren questions SEC chair on broker reforms 525 words By Sarah N. Lynch WASHINGTON (Reuters) - Senator Elizabeth Warren said Friday that the Labor Department should press ahead with brokerage industry reforms, and not be deterred by the Securities and Exchange Commission's plans to adopt its own separate rules.    President Barack Obama, with frequent Wall Street critic Warren at his side, last month called on the Labor Department to quickly move forward to tighten brokerage standards on retirement advice, lending new momentum to a long-running effort to implement reforms aimed at reducing conflicts of interest and "hidden fees." But that effort could be complicated by a parallel track of reforms by the SEC, whose Chair Mary Jo White on Tuesday said she supported moving ahead with a similar effort to hold retail brokers to a higher "fiduciary" standard. "I want to see the Department of Labor go forward now," Warren told Reuters in an interview Friday. "There is no reason to wait for the SEC. There is no question that the Department of Labor has the authority to act to ensure that retirement advisers are serving the best interest of their clients." Warren said that while she has no concerns with the SEC moving forward to write its own rules, she fears its involvement may give Wall Street a hook to try to delay or water down a separate ongoing Labor Department effort to craft tough new rules governing how brokers dole out retirement advice. She also raised questions about White's decision to unveil her position at a conference hosted by the Securities Industry and Financial Markets Association (SIFMA), a trade group representing the interests of securities brokerage firms. Not only is the SEC the lead regulator for brokers, but unlike the Labor Department, it is also bound by law to preserve brokers' commission-based compensation in any new fiduciary rule.     "I was surprised that (Chair) White announced the rule at a conference hosted by an industry trade group that spent several years and millions of dollars lobbying members of Congress to block real action to fix the problem," Warren said. Warren, a Massachusetts Democrat who frequently challenges market regulators as too cozy with industry, stopped short of directly criticizing White. The SEC and SIFMA both declined to comment on Warren's comments. SIFMA has strongly opposed the Labor Department's efforts, fearing its rule will contain draconian measures that would cut broker profits, and in turn, force brokers to pull back from offering accounts and advice to American retirees. It has long advocated for the SEC to take the lead on a rule that would create a new uniform standard of care for brokers and advisers. The SEC has said it has been coordinating with the Labor Department on the rule-writing effort, but on Tuesday White also acknowledged that the two can still act independently of one another because they operate under different laws. The industry and reform advocates have been waiting now for years to see whether the SEC would move to tighten standards.     Warren expressed some skepticism on Friday about whether the SEC will ever in fact actually adopt a rule, saying that for years the agency has talked about taking action, but has not delivered. (Reporting by Sarah N. Lynch; Editing by Christian Plumb)
Anonymous
Five rather small dogs can be very powerful. If you can get a team pulling together in one direction, you can get enormous power out of them.1 What a great illustration about cooperation in the face of contrast and difference.
Pat MacMillan (The Performance Factor: Unlocking the Secrets of Teamwork)
If the logic of God’s truth pulls in one direction and the logic of unbelief pulls in the opposite direction, unbelief will never face the full logic of either. Both destinations would be unthinkable, though for entirely different reasons, as both would mean the end of unbelief. The logic of God’s truth would lead to God, and the logic of unbelief would lead to disaster. Unbelief therefore lives in tension between the two worlds. As Francis Schaeffer pointed out (and his whole apologetics turned on this point), “The more logical a non-Christian is to his own presuppositions, the further he is from the real world; and the nearer he is to the real world, the more illogical he is to his presuppositions.”41
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
Maddie darted a nervous glance in his direction. Her green eyes were bright. Too bright. He frowned. She’d been crying. He leaned closer to her, reaching across the table to close the gap between them. His thumb stroking her hand, he asked, “Are you all right, Maddie?” The muscles in her neck worked as she swallowed. “Sure, I’m great.” Before he could press, Gracie butted in and plopped a plate down in front of Maddie with about half of the cake. She pulled her hand away from him and her fingers traced the faded, blue flowered porcelain edge. “Thank you, this looks delicious.” Mitch glowered at Gracie, mentally listing the different ways he could wring her neck. Maddie
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I guess there’s nothing else to say.” “Oh, I don’t know about that,” he said, crooking a finger. “Come here.” Her throat went dry, and her heart gave a thud. On instinct, she shook her head. His expression turned ruthlessly intent. “Maddie, I’ve been thinking about that mouth of yours for almost twenty-four hours straight. You don’t think I’m going to let you go without touching you, do you?” Had it only been one day? How was that even possible? It seemed as though a lifetime had passed since she’d run out on her wedding. “Um . . .” She swallowed hard and squeaked out, “Yes?” A long pause filled with sexual awareness so thick it practically coated the air. How did he do it, flip the mood? Only moments ago, she’d felt bereft, but with one wicked glance she’d forgotten everything dogging her. “I’ll tell you what.” He smiled, and it was so filled with cunning that the fine hairs on her neck rose in anticipation. “Tell me you won’t regret it and we can end things right here with a friendly pat on the back.” “I-I d-don’t know what you mean,” she lied, loving and hating the direction the conversation had taken. “Do I need to spell it out?” “No?” The word was a question instead of the statement she’d intended. “You want to take care of yourself, right?” She nodded, sensing a trap but unable to stop playing into his hands. He leaned close, placing his elbow on the console, taking up every spare inch of breathing room. “You’re ready to ditch the good Catholic girl and start doing what you want?” The strange mixture of lust and irritation he evoked pulled in her stomach. “Well, when you put it that way.” The curve of his lips held a distinct sexual tilt. “If you get out of this car untouched, tell me you won’t lie in bed late at night and regret it. Tell me you won’t wonder and wish you’d done things differently.” Her pulse hammered and her throat dried up, leaving her unable to breathe, let alone speak. He stroked a path over the line of her jaw, and Maddie forced her eyes to stay open instead of fluttering closed from sheer desire. Why did it feel like an eternity since he’d touched her? Even more troubling, why did his hands feel so right? The slightly rough pads of his fingers trailed down the curve of her neck, leaving an explosion of tingles coursing through her. “And remember, Princess,” he said, in a deep rumble of a voice that vibrated through her as though he were her own personal tuning fork. “Lying is a sin.” She gasped, sucking in the last available bit of air left in the car. “That’s a low blow.” He gave a seductive laugh, filled with heat and promise and the kind of raw passion she’d always dreamed about. “I’m not above playing dirty.” A sly smirk as he rubbed a lazy circle over skin she hadn’t known was sensitive. “In fact, I think you prefer it that way.” “I do not!” Her heart beating far too fast, she clutched at the credit card hard enough to snap it in two. “Liar.” He slipped under the collar of her T-shirt to wrap a possessive hand around the nape of her neck. “I’m waiting.” She gritted her teeth to keep from moaning. How did one man feel so good? Hot and sinful. Irresistible. She whispered, “For what?” “My answer,” he said, inching closer. Their mouths mere inches away. She swallowed hard. The truth sat on the tip of her tongue, and for once in her life, she decided to speak it instead of stuffing it back down. “I’d regret it.” “Exactly,” he said, the word a soft breath against her skin. The pad of his thumb brushed over her bottom lip, sliding over the dampness until it felt swollen. Needy. “I can’t live with myself unless I’ve tasted this mouth.” This
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Life is full of choices, always and endlessly. It is, I promise you, one of the joys of being alive, even if it doesn’t always seem like it when you’re frustrated and overwhelmed and being pulled in different directions. But through it all, here’s what I hope you will know, and remember, no matter what: It doesn’t matter what anyone else thinks you are,
Bella Andre (Kiss Me Like This (The Morrisons, #1))
The morning following Shaselle’s arrest and release, I descended the Grand Staircase to the entry hall below and was drawn toward the antechamber by raised voices. I entered to find one of my worst nightmares unfolding--Steldor and Narian were in heated argument, both seeming to have discounted where they were and who might overhear. They stood opposite one another across the room from me, Steldor likely having come from Cannan’s office, while Narian had probably been passing through on his way to the Hearing Hall. I stared transfixed, not knowing what they were arguing about, but certain they would not appreciate my interference. “What business have you in the Bastion?” my betrothed demanded. “Business that is not yours, Cokyrian,” Steldor spat. Narian glowered at the former King. “Much as you might detest the thought, Steldor, I am no longer your enemy.” “These scars on my back argue differently.” “I was merciful in leaving you alive. You asked for execution and I ordered a lashing. If not for your ridiculous pride, you’d acknowledge that.” Steldor laughed mirthlessly. “I owe you nothing after all you’ve taken from me.” “Alera is not a possession,” Narian astutely shot back. “Alera hadn’t entered my mind.” The curl in Steldor’s lip revealed the lie, and the hostility he exuded would have made most men run in the other direction. But Narian wasn’t most men. “And yet I see you around this Bastion, her home, more than any soldier or son need be. You yearn for any chance glimpse of her.” “I come to the palace on business, you mongrel pup.” “Then pray tell, what business is that?” I stood miserably by, for it was apparent neither of them was aware of my presence. Still, the argument had come full circle, and I prayed it would soon be over. “I don’t have to tell you anything,” Steldor seethed. “You are not my superior.” His dark eyes glinted malevolently, a look he had once or twice directed at me during our unfortunate marriage. “True enough. But you are nonetheless one of my subjects.” Steldor’s fists clenched and unclenched at his sides, telling me how close he was to unleashing his hellish temper. Before I could intervene, he threw a right cross at Narian’s chin, which the commander adroitly dodged, stepping back and raising his hands in a gesture of surrender. “I suggest you walk away, Steldor,” he said, unnervingly calm. “I did so once,” my former husband retorted. “I don’t intend to do so again.” Narian perused his opponent, judging his strengths and weaknesses, then struck Steldor in the middle of his chest with the heel of his palm, sending him staggering backward. In a flash, a dagger appeared in Steldor’s hand, and panic seized me. Would they spill each other’s blood right here, right now? “Stop!” I cried. “Both of you!” They straightened warily at the sound of my voice, and I hurried to stand between them, so distraught my hands were shaking. “I don’t know what this is about,” I beseeched, hoping Cannan would hear and lend assistance. “But please, for my sake, leave things be.” They glared at each other over the top of my head, then Steldor moved away, his eyes on Narian until he could place a hand on the door leading into the Grand Entry. “Queen Alera,” he pointedly acknowledged me. “I humbly honor your request.” With a disdainful smirk for Narian, he tossed the knife onto the floor, then exited, pulling the door firmly closed behind him. Narian crossed to snatch up the weapon, examining it carefully before showing it to me. “Do you plan to tell me that you recognize this blade?” he asked, and I stared at him, dumbfounded. With a stiff nod, he strode through the same door Steldor had used, leaving me alone.
Cayla Kluver (Sacrifice (Legacy, #3))
A schizophrenic’s apartment tends to be messy. The internal personality disorder—the mental fracture—often manifests in an external disorder, to the point where some schizophrenics engage the services of a housekeeper. On the other hand, the apartment of a behavioral analyst demands a certain rigor, mirroring a rectilinear mind accustomed to compartmentalizing pieces of information the way you’d arrange shoes in a storage cubby. As such, Sharko’s apartment pulled in two different directions. While the coffee cups piled up in the sink and the wrinkled suits and ties amassed in a corner of the bathroom, various other rooms, all very neat and tidy, made it look like the residence of a peaceful family. A lot of photos in frames, a small plant, a child’s room with old stuffed toys, the yellow wallpaper with its frieze of dolphins.
Franck Thilliez (Syndrome E)
On the other hand, research23 shows that when we are completely in tune with what we are doing, we more fully enjoy that activity. Moreover, being completely present allows us to enter a state of complete absorption that is extremely productive. Think of a time when you were faced with a project you were dreading. You knew it would involve a lot of effort; maybe you kept putting it off. However, once you started—perhaps finally egged on by an impending deadline—you became engaged and the project just flowed. You found that you actually enjoyed the process. You became highly productive because you focused completely on the task at hand. Instead of being stressed about the future and having your attention pulled in different directions, you got the work done and done well, and you were happy to boot.
Emma Seppälä (The Happiness Track: How to Apply the Science of Happiness to Accelerate Your Success)
I'm still a prisoner of my own contradictions, pulling my inner self towards two different directions and looking out the window of a house with no doors. I cannot stop the rain or the terrifying storm, the only path for my boat is to sail until it hits the shore or wrecks, for I fear the storm more than the aftermath but I will not willingly move away from it.
Kiady Diaz
To the Teachers in Our Schools My Dear Brethren and Sisters: The Lord will work in behalf of all who will walk humbly with Him. He has placed you in a position of trust. Walk carefully before Him. God’s hand is on the wheel. He will guide the ship past the rocks into the haven. He will take the weak things of this world to confound the things that are mighty. I pray that you will make God your Counselor. You are not amenable to any man, but are under God’s direction. Keep close to Him. Do not take worldly ideas as your criterion. Let there be no departure from the Lord’s methods of working. Use not common fire, but the sacred fire of the Lord’s kindling. Be of good courage in your work. For many years I have kept before our people the need, in the education of the youth, of an equal taxation of the physical and mental powers. But for those who have never proved the value of the instruction given to combine manual training with the study of books, it is hard to understand and carry out the directions given. Do your best to impart to your students the blessings God has given you. With a deep, earnest desire to help them, carry them over the ground of knowledge. Come close to them. Unless teachers have the love and gentleness of Christ abounding in their hearts, they will manifest too much of the spirit of a harsh, domineering master. The Lord wishes you to learn how to use the gospel net. That you may be successful in your work, the meshes of your net must be close. The application of the Scriptures must be such that the meaning shall be easily discerned. Then make the most of drawing in [268] the net. Come right to the point. However great a man’s knowledge, it is of no avail unless he is able to communicate it to others. Let the pathos of your voice, its deep feeling, make an impression on hearts. Urge your students to surrender themselves to God. “Keep yourselves in the love of God, looking for the mercy of our Lord Jesus Christ unto eternal life. And of some have compassion, making a difference: and others save with fear, pulling them out of the fire; hating even the garment spotted by the flesh.” Jude 1:21-23. As you follow Christ’s example you will have the precious reward of seeing your students won to Him.
Ellen Gould White (Testimonies for the Church Volume 7)
Donne was aware that he was a highly complex, deeply conflicted person whose desires and interests, opinions and beliefs, pulled him in many different directions. Moreover he was immensely independent and strong-willed, while knowing and believing that at its heart his Christian vocation involved a renunciation of ego and a humility of which he felt scarcely capable. All this comes out in this poem
Malcolm Guite (The Word in the Wilderness)
Startups get pulled in a lot of different directions. There are always opportunities in front of you or on the horizon that you could focus on.
Gabriel Weinberg (Traction: How Any Startup Can Achieve Explosive Customer Growth)