Balcony Views Quotes

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The window gave onto a view of dove-gray roofs and balconies, each one containing the same cracked flowerpot and sleeping feline. It was as if the entire city of Paris had agreed to abide by a single understated taste. Each neighbor was doing his or her own to keep up standards, which was difficult because the French ideal wasn't clearly delineated like the neatness and greenness of American lawns, but more of a picturesque disrepair. It took courage to let things fall apart so beautifully.
Jeffrey Eugenides (The Marriage Plot)
Openly live the way you know YOU REALLY are in your heart, because you cannot hide from yourself or God! Plus, the true YOU always come out sooner or later. Get it right for 2010 folks ;)
Katrina Gurl (The Balcony View Revisited)
Now I will walk, as if I had an end in view, across the room, to the balcony under the awning. I see the sky, softly feathered with its sudden effulgence of moon. I also see the railings of the square, and two people without faces, leaning like statues against the sky. There is then a world immune from change. When I have passed through this drawing room flickering with tongues that cut me like knives, making me stammer, making me lie, I find faces rid of features, robed in beauty.
Virginia Woolf (The Waves)
Our seats were in the balcony. Nosebleeds. But you don't go to Yo-Yo Ma for the view, and the sound was incredible. That man has a way of making the cello sound like a crying woman one minute, a laughing child the next. . Listening to him, I'm always reminded of why I started playing cell in the first place --- that there is something so human and expressive about it.
Gayle Forman (If I Stay (If I Stay, #1))
He had known it would not be some stupid fantasy of showing Laurent his country; of Laurent leaning against the marble balcony at Ios, turning to greet him in the cool air overlooking the sea, his eyes bright with the splendour of the view. So
C.S. Pacat (Kings Rising (Captive Prince, #3))
She stepped out onto the balcony, transfixed by the breathtaking view of the Parthenon perched atop the Acropolis. Calmness swept throughout her whole body. She felt that the ruins were speaking to her, insisting that she live in the moment. It suddenly occurred to her that she was breathing in the very same air that the ancient Greeks had once breathed.
Anthea Syrokou (The Greek Tapestry (Julie & Friends, #2))
So, there was this beautiful princess. She was locked in a high tower, one whose smart walls had cleaver holes in them that could give her anything: food, a clique of fantastic friends, wonderful clothes. And, best of all, there was this mirror on the wall, so that the princess could look at her beautiful self all day long. The only problem with the tower was that there way no way out. The builders had forgotten to put in an elevator, or even a set of stairs. She was stuck up there. One day, the princess realized that she was bored. The view from the tower--gentle hills, fields of white flowers, and a deep, dark forest--fascinated her. She started spending more time looking out the window than at her own reflection, as is often the case with troublesome girls. And it was pretty clear that no prince was showing up, or at least that he was really late. So the only thing was to jump. The hole in the wall gave her a lovely parasol to catch her when she fell, and a wonderful new dress to wear in the fields and forest, and a brass key to make sure she could get back into the tower if she needed to. But the princess, laughing pridefully, tossed the key into the fireplace, convinced she would never need to return to the tower. Without another glance in the mirror, she strolled out onto the balcony and stepped off into midair. The thing was, it was a long way down, a lot farther than the princess had expected, and the parasol turned out to be total crap. As she fell, the princess realized she should have asked for a bungee jacket or a parachute or something better than a parasol, you know? She struck the ground hard, and lay there in a crumpled heap, smarting and confused, wondering how things had worked out this way. There was no prince around to pick her up, her new dress was ruined, and thanks to her pride, she had no way back into the tower. And the worst thing was, there were no mirrors out there in the wild, so the princess was left wondering whether she in fact was still beautiful . . . or if the fall had changed the story completely.
Scott Westerfeld (Pretties (Uglies, #2))
I’ve started dreaming in Spanish, which has never happened before. I wake up feeling different, like something inside me is changing, something chemical and irreversible. There’s a magic here working its way through my veins. There’s something about the vegetation, too, that I respond to instinctively - the stunning bougainvillea, the flamboyants and jacarandas, the orchids growing from the trunks of the mysterious ceiba trees. And I love Havana, its noise and decay and painted ladyness. I could happily sit on one of those wrought-iron balconies for days, or keep my grandmother company on her porch, with its ringside view of the sea. I’m afraid to lose all this, to lose Abuela Celia again. But sooner or later I’d have to return to New York. I know now it’s where I belong - not instead of here, but more than here. How can I tell my grandmother this?
Cristina García (Dreaming in Cuban)
...you can’t tell such stories about romantic infatuation from the point of view of the object of the infatuation without losing the flavor of the emotion. They would just become 'who is that creep hanging around outside the balcony' stories.
Margaret Atwood
He thought of the boys and girls who looked for sweethearts at Mountain View Cemetery, and chorus girls who met their beaux behind scrim, and office romances that flourished in the buildings on Market Street, and he felt like there were little lights in alcoves here and there across the city, in cozy dens, in doorways during rainstorms, or even a chilly balcony on the Ferry building. Everywhere, little pairs of glowing lights. When you walked a city, wherever you looked, someone had probably fallen in love.
Glen David Gold (Carter Beats the Devil)
At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.
Ronald Reagan (An American Life: The Autobiography)
My parents constantly drummed into me the importance of judging people as individuals. There was no more grievous sin at our household than a racial slur or other evidence of religious or racial intolerance. A lot of it, I think, was because my dad had learned what discrimination was like firsthand. He’d grown up in an era when some stores still had signs at their door saying, NO DOGS OR IRISHMEN ALLOWED. When my brother and I were growing up, there were still ugly tumors of racial bigotry in much of America, including the corner of Illinois where we lived. At our one local movie theater, blacks and whites had to sit apart—the blacks in the balcony. My mother and father urged my brother and me to bring home our black playmates, to consider them equals, and to respect the religious views of our friends, whatever they were. My brother’s best friend was black, and when they went to the movies, Neil sat with him in the balcony. My mother always taught us: “Treat thy neighbor as you would want your neighbor to treat you,” and “Judge everyone by how they act, not what they are.” Once my father checked into a hotel during a shoe-selling trip and a clerk told him: “You’ll like it here, Mr. Reagan, we don’t permit a Jew in the place.” My father, who told us the story later, said he looked at the clerk angrily and picked up his suitcase and left. “I’m a Catholic,” he said. “If it’s come to the point where you won’t take Jews, then some day you won’t take me either.” Because it was the only hotel in town, he spent the night in his car during a winter blizzard and I think it may have led to his first heart attack.
Ronald Reagan (An American Life: The Autobiography)
If anyone in our family wanted to step outside onto the Truman Balcony—the lovely arcing terrace that overlooked the South Lawn, and the only semiprivate outdoor space we had at the White House—we needed to first alert the Secret Service so that they could shut down the section of E Street that was in view of the balcony, clearing out the flocks of tourists who gathered outside the gates there at all hours of the day and night.
Michelle Obama (Becoming)
But imagine the evenings," exclaimed her aunt, pointing to the Mansions with the spout of the watering can. "Turn the electric light on here or there, and it's almost the same room. One evening they may forget to draw their blinds down, and you'll see them; and the next, you yours, and they'll see you. Impossible to sit out on the balconies. Impossible to water the plants, or even speak. Imagine going out of the front-door, and they come out opposite at the same moment. And yet you tell me that plans are unnecessary, and you'd rather risk it." "I hope to risk things all my life.
E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders. She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.
Lisa Kleypas (Suddenly You)
In awe at the sheer beauty of the setting, Celina stepped onto the balcony, which overlooked a terrace garden of fruit trees. "It's so beautiful here." She breathed in, catching the scent of fruit trees below. "What type of fruit are you growing?" "Mostly lemon," Sara said. "But also olive, grapefruit, orange, fig, and pomegranate. With our temperate climate, most everything thrives." Celina peered over the balcony's edge. To one side, a cliff dropped to the sea, while on the other, a terrace sprawled along the hilltop perch. Flaming pink bougainvillea and snowy white jasmine curled around the corners of grapevine-covered archways that framed the shimmering ocean view.
Jan Moran (The Chocolatier)
These rocky, verdant, and volcanic landscapes of the Greek Isles exert their own charm, but it is the sea that dominates every aspect of life. Winding paths hug the shoreline, revealing hidden coves and inlets of turquoise water sparkling in the sun. So many constructions--whether house, church, shop, or restaurant--offer a vista of the blue sea. Terraces spilling over with bougainvillea, and balconies bearing hand-hewn wooden chairs take advantage of the views afforded by crescent-shaped harbors and quiet bays. Each island takes pride in its own picturesque fishing harbors. Off the ports of Kalymnos, fishermen and skin divers gather sponges, octopi, grouper, and shellfish.
Laura Brooks (Greek Isles (Timeless Places))
had tall windows and a usable, if narrow, balcony, with a view down an alley and straight up a boulevard to a dry fountain that once gushed and sparkled in the sunlight. It was the sort of view that might command a slight premium during gentler, more prosperous times, but would be most undesirable in times of conflict, when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography is destiny, respond the historians. War would soon erode the facade of their building as though it had accelerated time itself, a day’s toll outpacing that of a decade.
Mohsin Hamid (Exit West)
hotel where their relationship had finally been consummated. The Hôtel du Cap was one of the most beautiful, exclusive, and illustrious hotels in Europe, with prices to match. The main building had marble halls, high ceilings, and magnificent rooms and suites, most of them looking out at the sea shimmering like glass. There was an impressive outdoor staircase leading down to the even more exclusive Eden Roc, with gardens on either side of the wide path and closer to the water. It was the vacation spot for aristocrats, royalty, the immensely rich, and in recent years jet-setters, Russian tycoons, and movie stars, many of whom preferred to stay at the less formal lower building, with smaller but still elegantly appointed suites, and even better views of the sea from their balconies. There
Danielle Steel (Precious Gifts)
To this day, I can see the bright, raspberry red glow. The reactor seemed lit up from inside. It was an incredible colour. Not an ordinary fire, but a kind of shining. Very pretty. If you forget all the rest, it was very pretty. I’d never seen anything like it in the movies, there was just nothing comparable. In the evening, everyone came out on to their balconies; if they didn’t have one, they went to their friends and neighbours. We were on the eighth floor and had a great view. About three kilometres as the crow flies. People brought out their children and lifted them up. ‘Look! Don’t forget this!’ And these were people who worked at the reactor: engineers, workmen. There were even physics teachers, standing in that black dust, chatting away. Breathing it in. Admiring the sight. Some people drove dozens of kilometres or cycled to see it. We had no idea death could look so pretty.
Svetlana Alexievich (Chernobyl Prayer: Voices from Chernobyl (Penguin Modern Classics))
I can’t get over the view. I spent most of the night sitting on the third-floor balcony watching the boats.” Don’t sing to them or they’ll crash on the rocks. The thought catches me off guard, but it sticks. I can picture her up there, dark hair flying around in the wind, beckoning to passing sailors. Will I ever get to see her up there? “You like the house?” I rasp. She shrugs one shoulder. And coming from Addison, that’s a resounding yes. “It reminds me of you.” Why am I holding my breath? “Does it?” “Mmmhmm. Old-fashioned and charming…” She squints at my backside. “With a big old kitchen.” The heat that weaves up my neck is humiliating, but I cough my way through it. I’m not sure if my usual embarrassment is at play, or if I’m remembering for the thousandth time how hard I came when she used that damn finger on me. Was it supposed to make me shake like a damn teenager? “It’s not polite to make ass jokes about your tour guide.” “Oh come on. You know I love that thing.
Tessa Bailey (Getaway Girl (Girl, #1))
At the end of the oak-lined avenue, the girls came to a weather-stained loggia of stone. Its four handsomely carved pillars rose to support a balcony over which vines trailed. Steps led to the upper part. After mounting to the balcony, Nancy and her friends obtained a fine view of the nearby gardens. They had been laid out in formal sections, each one bounded by a stone wall or an un-trimmed hedge. Here and there were small circular pools, now heavy with lichens and moss, and fountains with leaf-filled basins. Over the treetops, about half a mile away, the girls could see two stone towers. “That’s the castle,” said George. Amid the wild growth, Nancy spotted a bridge. “Let’s go that way,” she suggested, starting down from the balcony. In a few minutes the trio had crossed the rickety wooden span. Before them lay a slippery moss-grown path. “The Haunted Walk,” Nancy read aloud the name on a rustic sign. “Why not try another approach?” Bess said with a shiver. “This garden looks spooky enough without deliberately inviting a meeting with ghosts!” “Oh, come on!” Nancy laughed, taking her friend firmly by the arm. “It’s only a name. Besides, the walk may lead to something interesting.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
The [Tiananmen] Gate was built during the Ming Dynasty and used by Emperors for making public appearances and proclamations. The Gate, like Tiananmen Square, has always been a major point of focus in the political history of China. If you climb up to the balcony, you can stand on the spot from which, on October 1, 1949, Chairman Mao proclamied the founding of the People's Republic of China. The spot is clearly marked, and there is an exhibition of photographs of the event clustered around it. The view across the immensity of Tiananmen Square here is extraordinary. It is like looking across a plain from the side of a mountain. In political terms the view is more astounding yet, encompassing as it does a nation that comprises almost one-quarter of the population of this planet. All of the history of China is symbolically focused here, at this very point, and it is hard, as you stand there, not to be transfixed by the power of it. It is hard, also, not to be profoundly moved by the vision of the peasant from Shaoshan who seized that power in the name of the people and whom the people still revere, in spite of the atrocities of the Cultural Revolution, as the father of their nation. And while we were standing on this spot, the spot where Mao stood when he proclaimed the founding of the Peoples Republic of China, the music we were having played at us by the public address system was first "Viva España", and then the "Theme from Hawaii Five-O." It was hard to avoid the feeling that somebody, somewhere, was missing the point. I couldn't even be sure it wasn't me.
Douglas Adams (Last Chance to See)
Notice the granite slab you’re passing under with the lettering engraved by GT’s high-precision explosive forming process. They said nobody could work natural stone explosively so we went ahead and did it, thus bearing out the company motto at the head of the list.” A dropout near Stal moved lips in an audible whisper as he struggled to interpret the obliquely viewed writing. “Underneath are listed prime examples of human shortsightedness, like you’ll see it’s impossible for men to breathe at over thirty miles an hour, and a bumblebee cannot possibly fly, and interplanetary spaces are God’s quarantine regulations. Try telling the folk at Moonbase Zero about that!” A few sycophantic laughs. Several places ahead of Stal the Divine Daughter crossed herself at the Name. “Why is it so sheeting cold in here?” yelled someone up the front near the guide. “If you were wearing GT’s new Polyclime fabrics, like me, you wouldn’t feel it,” the guide responded promptly. Drecky plantees, yet. How much of this crowd are GT staff members hired by government order and kept hanging about on makeweight jobs for want of anything better to do? “But that cues me in to another prime instance of how wrong can you be? Seventy or eighty years back they were saying to build a computer to match a human brain would take a skyscraper to house it and Niagara Falls to cool it. Well, that’s not up on the slab there because they were only half wrong about the cooling bit—in fact Niagara Falls wouldn’t do, it’s not cold enough. We use liquid helium by the ton load. But they were sheeting wrong about the skyscraper. Spread around this balcony and I’ll show you why.” Passive, the hundred and nine filed around a horseshoe gallery overlooking the chill sliced-egg volume of the vault. Below on the main floor identical-looking men and women came and went, occasionally glancing upwards with an air of incuriosity. Resentful, another score or so of the hundred and nine decided they weren’t going to be interested no matter what.
John Brunner (Stand on Zanzibar)
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.) But Mum had a bad habit. Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view. Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning. I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum. Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading. The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again. The fight started. My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough. Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist. Down he went. Now this was not good news for me. It was bad form and showed a lack of control. On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent. So I winced, apologized, and then helped the guy up. I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present. I guess that the fighter in him loved it, and on that note I passed and was given my black belt. I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts. I had done this on my own and the hard way; you can’t buy your way to a black belt. I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night. Oh, and the bullying stopped.
Bear Grylls (Mud, Sweat and Tears)
Y Talbot in Tregaron, Wales On the town square in Tregaron, a convenient base for exploring the Cambrian Mountains or the western coast, the 17th-century Y Talbot inn, above, offers board and bed in a stone-constructed pub with nine rooms. The rooms were recently updated with bright décor, and while each is distinct in layout, several offer walkout access to or balcony views over a rear garden. The pub champions local and sustainable ingredients, and the bar features Welsh cask ales brewed nearby. Doubles from 110 pounds, or about $159 at $1.44
Anonymous
The serviced apartment was advertised as a luxury penthouse, but the reality was very different; it looked like the set of a bad eighties TV show. White leather couches and lime-green linoleum tiles may have been fashionable thirty years ago, but now they were about as stylish as disco. For five hundred US a week, the place was a dump, but Bishop didn’t care. The apartment had the one redeeming feature the team needed: From the full-length balcony it offered a 270-degree panorama of downtown Kiev and perfect views of the Dostiger residence. Discreetly positioned
Jack Silkstone (PRIMAL Unleashed (PRIMAL #2))
Yet they were so tempting. Because they all had those blissful views of the river. Mum liked to sit on her balcony, reading Swedish thrillers, drinking supermarket Chardonnay.
S.K. Tremayne (The Ice Twins)
suit an appreciative nod. “Very fashionable. You look almost Italian.” VIEW OF THE SECOND-STORY BALCONY, THE HALL OF THE FIVE HUNDRED, PALAZZO VECCHIO Langdon’s mouth went bone dry, but
Dan Brown (Inferno (Robert Langdon, #4))
Pay close attention to the birds that perch on your balconies, windows, and doorsteps. Pay attention to the birds that fly past your eyes and over your heads. Pay attention to the birds that are paying attention to you. They are all bringing you messages -- so pay extra attention. If a dove should fall on your path, say AMEN. If a lone eagle should fly above your head, say THANK YOU. If you see a vulture, PRAY. If you see an owl, WRITE. And if you see a crow, ask yourself WHY. The little birds bring positive messages from the deceased and can be viewed as little angels. The larger birds act as guides and bring larger messages from the divine.
Suzy Kassem
I have been in Paris, in Montmartre with my husband, and what I saw there cemented my views about women’s rights. Montmartre is supposed to be about liberation, or that is what I had been led to believe. And I suppose it is, in a way, but it seems to be about liberation—excuse me if I am shocking you—of men’s flesh, while women are more repressed than ever.
Ella Carey (From a Paris Balcony (Secrets of Paris #3))
At the same time, she couldn’t say she was fully in favor of marriage, either. Marital union, she reflected as she swathed herself in a woolen blanket and stepped out onto the balcony to watch the sunset, was definitely for women of a different kind. Women with a certain flexibility of character, biddable women, women who were comfortable with such concepts as compromise or accommodation. Miss Prim was definitely not one of those. She couldn’t see herself compromising over anything. It wasn’t that she didn’t want to—she’d always valued the concept in the abstract—she just couldn’t imagine it in practice. She had a certain resistance, she’d realized in various situations throughout her life, to relinquishing, even in part, her view of things. While she found this resistance tiresome, in some ways she was also inwardly proud of it. Why should she concede that a certain composer was superior to another, she told herself, remembering a heated argument about music at the house of friends, when she was absolutely sure that he wasn’t?
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
Another way to slow down conflict is to “go to the balcony” in your own mind, as the negotiator William Ury does (or the opposite end of the island, if you happen to be on one). Remember the marriage hack? Couples made conflict healthier in their own relationships just by writing about an argument from a neutral third party’s point of view. It sounds so simple but these tricks interrupt the spiral of conflict, so we can think again.
Amanda Ripley (High Conflict: Why We Get Trapped and How We Get Out)
Robyn Hartford, would you like to spend these first snow moments with me?" "I am spending them with you." "Not like this." He takes a step back and extends his palm my way. "Share this first snow dance with me." Isn't he romantic? "I'll have to warn you that I'm not a good dancer." "Liar," he whispers, inching closer. "I've heard you blast the music almost every morning and watched you dance with Milo while cleaning the house." I gasp and sign rapidly. "You've been spying on me?" Era rolls his eyes. "It's called admiring the view." My smile is wider than Texas when I place my hand in his palm and allow him to spin me around in the snow.
Aisling Magie (My December Balcony Neighbor)
From a certain point of view, this morning, I looked from within my living room into a bedroom, over the balcony. A light was shining in there, certainly. You see, a ball, the Crystal Ball turned all colours in our field of a universe in one. You cannot trace this special colour as the blue one keeps on turning, over and over, over again.
Petra Hermans (Voor een betere wereld)
Jasmine crossed the room to the balcony and opened the doors to find Aladdin floating in midair behind the railing, a mischievous grin on his face. "Look who came back," he said, before soaring above her on a large Persian carpet woven in an intricate pattern of rich blues and gold. "Magic Carpet!" Jasmine exclaimed. For a brief moment, her troubles faded from view as Carpet and Aladdin landed on the balcony beside her. Carpet bowed with a flourish, and Jasmine crouched down to hug the colorful fabric. It used its tassels to hug her back. "I thought you were with the Genie!" "It seems the little fella knew we needed him," Aladdin said, handing Jasmine a folded piece of parchment from his vest pocket. The Genie's loopy blue handwriting filled the page: Al and Jas, Can you take this carpet off my hands? It's getting to be a real drag, just letting me walk all over it. (Ba-da-bum!) For real, though, a little bird told me that you could use a pick-me-up. Since Carpet can literally take care of that, he's yours. Just save me a couple weeks a year for my annual World Carpet Tour, okay? Good luck, kids, and know I'm always rooting for you, G Jasmine hugged the parchment to her chest. "Thank you, Genie." She met Aladdin's eyes. "It's amazing, isn't it, how he always knows?" "It must come with the all-powerful-greatness package.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
A balcony was outside, and I walked out with my breath held. I took in the dark sky in front of me, looking at a view I had never seen before from any other part of the Academy. It showed the side of the mountain and the large walls of Idaea miles behind it. But in between, there was something else, something I could barely make out in the darkness. It looked like rooftops, but they couldn’t be houses when there was nothing but large rocks all around them, could they? And to their side was something else but it was covered in darkness, like a damn black hole, so I couldn’t see much. Like deep, dark shadows were shielding it from my view on purpose.
D.N. Hoxa (The Elysean Academy of Darkness and Secrets (The Holy Bloodlines Book 2))
The apartment was completely quiet. She walked across the floor to the door and slid it open. A small balcony presented her with a view of the sunset: above her the cosmos was deep purple and far ahead, at the horizon, where the setting sun rolled behind the distant mountains, the sky glowed with bright vivid red. Wind fanned her, bringing with it a scent of some flower she didn't know. She sat down on the floor of the balcony, behind the trellised rail, and cried.
Ilona Andrews (The Kinsmen Universe)
The weather is very hot, but the sky is blue and the sunlight as sharp as glass. My rented room has a tiny balcony with a nice view. I had thought about lying out there on a towel in my bathing suit with my Walkman in my ears so I could get a tan. All I needed was a pair of sunglasses, oil, and an Agatha Christie novel.
Bae Suah (Highway with Green Apples)
Lanie sipped her glass of red wine. The majestic Hotel Negresco filled the view from her small balcony at the Soho Hotel that faced the busy Promenade des Anglais. She noticed the familiar silhouette of the Negresco even before taking in the curve of the brilliantly blue Mediterranean as it outlined the dramatic stretch of umbrella-dotted beach. To be sure, she thought, the view must be every bit as remarkable from the Negresco—that grand dame of luxury and British superiority. But, as she’d asked Bob last spring when they’d booked the tour: would you rather stay in a landmark or gaze upon it? 
Susan Kiernan-Lewis (Murder in Nice (Maggie Newberry Mysteries, #6))
On the left side of the balcony, at the rear just outside the open doorway through which I'm looking, I suddenly become aware of the presence of a figure. It is an imposing statue, about six feet high and apparently carved in one piece from some green stone - perhaps jade. The sculptor provided excellent detailing of fine robes, and a belt, and something - possibly a sword? - suspended from the belt. At first this stunning piece of sculpture seems just that - a harmless, inanimate statue. I'm curious to see more of it and move my point of view a little closer to get to look at its face. To my surprise, the statue is half animal, half human. It has the body of a powerful and well-muscled man but the head of a crocodile, like Sobek, the ancient Egyptian crocodile god. And now I suddenly realise it is alive - a living being, a supernatural guardian. At this moment its eyes swivel sideways and it is looking at me, taking note of me. The look is intelligent, appraising somehow sly, but yet not threatening. What is this living statue, this being of jade? The vision fades...
Graham Hancock (Supernatural: Meetings with the Ancient Teachers of Mankind)
Bond ordered a double gin and tonic and one whole green lime. When the drink came he cut the lime in half, dropped the two squeezed halves into the long glass, almost filled the glass with ice cubes and then poured in the tonic. He took the drink out on to the balcony, and sat and looked out across the spectacular view. He thought how wonderful it was to be away from headquarters, and from London, and from hospitals, and to be here, at this moment, doing what he was doing and knowing, as all his senses told him, that he was on a good tough case again.
Ian Fleming (Dr. No (James Bond #6))
Neither coach nor leader can adapt and change until we are willing to step onto the balcony and gain new views of ourselves.
Pamela McLean (Self as Coach, Self as Leader: Developing the Best in You to Develop the Best in Others)