Pull The Lever Quotes

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Systemic racism is a machine that runs whether we pull the levers or not, and by just letting it be, we are responsible for what it produces. We have to actually dismantle the machine if we want to make change.
Ijeoma Oluo (So You Want to Talk About Race)
All those ants scurrying about like rats in a maze, going back and forth to the same few locations day after day, thinking the cheese they’re sniffing for will somehow magically appear on the routes they cover over and over again. They’re born into the programmed maze, so they can’t even conceive of a different way of life. Not only can’t they believe in a different way of life, but they’re programmed to scoff and ridicule the few freethinkers who do. After the ridiculing, they go back to their programming, pushing buttons and pulling levers for no reason. Ah, the good old rat race that never ends till cancer comes a knockin’.
Jasun Ether (The Beasts of Success)
It's so quiet this high up, the feeling you get is that you're one of those space monkeys. You do the little job you're trained to do. Pull a lever. Push a button. You don't understand any of it, and then you just die.
Chuck Palahniuk (Fight Club)
it occurred to me what a simple thing reality is, how easy it is to make it work. It's just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it's just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
Haruki Murakami (The Elephant Vanishes)
You don’t deal with anything, Savitar. You sit out here in the sun, catching waves, spewing bullshit philosophy you don’t follow. (Acheron) You’re right. I gave up trying to affect my destiny a long time ago. But that’s because every time I tried to change the future, I fucked it up worse. Eventually the rat gets tired of pulling the lever and sits down in his corner to lick his wounds. So if you’re ready to hang it up, come sit on the beach with me. (Savitar)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
Of course genes can’t pull the levers of our behavior directly. But they affect the wiring and workings of the brain, and the brain is the seat of our drives, temperaments and patterns of thought. Each of us is dealt a unique hand of tastes and aptitudes, like curiosity, ambition, empathy, a thirst for novelty or for security, a comfort level with the social or the mechanical or the abstract. Some opportunities we come across click with our constitutions and set us along a path in life.
Steven Pinker
You can push my buttons all you want. Just don't pull any of my levers.
Carroll Bryant
You do the job you're trained to do. Pull a lever. Push a button. You don't understand any of it, and then you just die.
Chuck Palahniuk (Fight Club)
A belief is a lever that, once pulled, moves almost everything in a person’s life.
Sam Harris
This was the kid who used to toddle over to my bed at 6 o’ clock in the morning every weekend morning to pull on my blankets so I’d get up and watch cartoons with him. This was the kid who once made me play Hungry Hungry Hippos for an hour straight, until I thought my hands were going to fall off from slamming down those dumb little levers to make the hippos’ heads move. This was the kid who had spent an entire days at a time begging me to play Chutes and Ladders with him. And now he was feeling too sick to play with me.
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
Change never happens at the pace we think it should. It happens over years of people joining together, strategizing, sharing, and pulling all the levers they possibly can. Gradually, excruciatingly slowly, things start to happen, and then suddenly, seemingly out of the blue, something will tip.
Judith Heumann (Being Heumann: An Unrepentant Memoir of a Disability Rights Activist)
Anyone who objects to any government whatsoever as a form of socialism ought not to pull that socialist lever in their home, the one that makes their waste disappear in a whirlpool into the socialized sewage treatment plant.
John C. Médaille
On the stern quarterdeck, Leo rushed around like a madman, checking his gauges and wrestling levers. Most helmsmen would've been satisfied with a pilot's wheel of a tiller. Leo had also installed a keyboard, monitor, aviation controls from a Learjet, a dubstep soundboard, and motion-control sensors from a Nintendo Wii. He could turn the ship by pulling the throttle, fire weapons by sampling an album, or raise sails by shaking his Wii controllers really fast. Even by demigod standards, Leo was seriously ADHD.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Push the buttons. Pull the levers. Pretty soon, reality just flows off and away.
Haruki Murakami (The Elephant Vanishes)
Indeed ... but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right ... and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it ... howling through a turn to the right, then to the left and down the long hill to Pacifica ... letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge ... The Edge ... There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Somewhere on the Earth tonight, my Tylla, there is a Man with a Lever, which, when he pulls it, Will Save The World. The man is now unemployed. His switch gathers dust. He himself plays pinochle.
Ray Bradbury (The Illustrated Man)
In politics, the connection between what you pay for and what you actually get is problematic at best... This is another way of asserting that your vote in the marketplace counts for so much more than your vote in the polling booth. Cast your dollars for the washing machine of your choice and that is what you get--nothing more and nothing less. Pull the lever for the politician of your choice and, most of the time (if you're lucky), you will get some of what you do want and much of what you don't. The votes of a special interest lobby may ultimately cancel out yours. As someone much wiser than me once said, "Politics may not be the oldest profession, but the results are often the same.
Lawrence W. Reed
Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers. Now imagine a world in which everyone, but especially people with power and influence, holds an expanded view of our place in the cosmos. With that perspective, our problems would shrink—or never arise at all—and we could celebrate our earthly differences while shunning the behavior of our predecessors who slaughtered one another because of them.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers. Now imagine a world in which everyone, but especially people with power and influence, holds an expanded view of our place in the cosmos. With that perspective, our problems would shrink—or never arise at all—and we could celebrate our earthly differences while shunning the behavior of our predecessors who slaughtered one another because of them.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
But only in California will you find the clear-quill, raw-gum, two-hundred-proof, undiluted democracy. The voting age starts when a citizen is tall enough to pull the lever without being steadied by her nurse, and registrars are reluctant to disenfranchise a citizen short of a sworn cremation certificate.
Robert A. Heinlein (Friday)
Pull the lever!
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
But it can be liberating to see how thoughts pull the levers of emotion—and how negative emotions in turn set the stage for patterns of thinking that keep them active and coloring one’s mind.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
Then he explains Chinese food in Manhattan to me: 'See the way it works is, there's one central location out on Long Island where all this stuff is made. Then it's piped into the city through a series of underground pipes that run parallel to the train and subway tracks. The restaurants then just pull a lever. One lever for General Tso's chicken, another for beef with broccoli sauce. It's like beer; it's on tap.' It's amazing how convincing he is when he says this. There's no pause in his description, nowhere for him to stop and think, to make this up as he goes along. It's as though he's simply repeating something he read in the Times yesterday. This makes me love him more than I did just five minutes ago.
Augusten Burroughs (Magical Thinking: True Stories)
We have one collective hope: the Earth And yet, uncounted people remain hopeless, famine and calamity abound Sufferers hurl themselves into the arms of war; people kill and get killed in the name of someone else’s concept of God Do we admit that our thoughts & behaviors spring from a belief that the world revolves around us? Each fabricated conflict, self-murdering bomb, vanished airplane, every fictionalized dictator, biased or partisan, and wayward son, are part of the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity, I see beyond the plight of humans I see a universe ever-expanding, with its galaxies embedded within the ever-stretching four-dimensional fabric of space and time However big our world is, our hearts, our minds, our outsize atlases, the universe is even bigger There are more stars in the universe than grains of sand on the world’s beaches, more stars in the universe than seconds of time that have passed since Earth formed, more stars than words & sounds ever uttered by all humans who have ever lived The day we cease the exploration of the cosmos is the day we threaten the continuing of our species In that bleak world, arms-bearing, resource-hungry people & nations would be prone to act on their low-contracted prejudices, and would have seen the last gasp of human enlightenment Until the rise of a visionary new culture that once again embraces the cosmic perspective; a perspective in which we are one, fitting neither above nor below, but within
Neil deGrasse Tyson
Human beings are just machines, Petra knew that, machines that do what you want them to do, if you only know the levers to pull. And no matter how complex people might seem, if you just cut them off from the network of people who give shape to their personality, the communities that form their identity, they'll be reduced to that set of levers. Doesn't matter how hard they resist, or how well they know they're being manipulated. Eventually, if you take the time, you can play the like a piano, every note right where you expect it.
Orson Scott Card (Shadow of the Hegemon (The Shadow Series, #2))
After I gave up sleeping, it occurred to me what a simple thing reality is, how easy it is to make it work. It’s just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it’s just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
Haruki Murakami (The Elephant Vanishes)
I imagined tiny people running around the pink matter in my skull yelling to each other in a panic. How is she processing, Jenkins? Doesn’t look good, sir. Dammit, Jenkins, start pulling all the levers. But for god’s sake, keep away from the one that releases drool. We don’t need her looking any stupider as is. I’ll try, sir, but we might have to give her all we’ve got.
Holly Roberds (Bitten by Death (Vegas Immortals: Death and the Last Vampire, #1))
What makes you think anyone has a roadmap? You think I know where I'm going? That I ever have? We're all mice stumbling in our mazes, trying to find our cheese. Hoping the levers we're pulling are the right ones and not the ones designed to shock us.
Sherrilyn Kenyon (Dragonmark (Dark-Hunter, #25; Lords of Avalon, #5; Were-Hunters, #9))
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Qhuinn dived into the plane, pulled himself into the pilot’s seat, and tried to make sense of all the…fucking hell, there were a lot of dials. The only saving grace he had was that he’d— Rat-tat-tat-tat! —watched enough movies to know that the lever with the grip was the gas and the bow tie–shaped wheel was the thing you pulled up to go up, and pushed down to go down. “Fuck,” he muttered as he stayed in a tuck position as much as he could.
J.R. Ward
The release of dopamine is a form of information, a message that tells the organism “Do that again.” Dopamine produces the sensation of pleasure that accompanies mastering a task or accomplishing a goal, which makes the organism want to repeat the behavior, whether it is pressing a bar, pecking a key, or pulling a slot machine lever. You get a hit (a reinforcement) and your brain gets a hit of dopamine. Behavior—Reinforcement—Behavior. Repeat sequence.
Michael Shermer (The Believing Brain: From Ghosts and Gods to Politics and Conspiracies How We Construct Beliefs and Reinforce Them as Truths)
I pulled the lever repeatedly not even paying attention to whether or not I was winning anything. Her voice startled me. “You look like you have something on your mind.” “I do?” “Who is he, and what did he do?” I’d never see this woman again after today. Maybe I should just let it all out. “You want the long version or the short version?” “I’m ninety, and the dinner buffet opens in five minutes. Give me the short version.” “Okay. I’m here with my stepbrother. Seven years ago, we slept together right before he moved away.” “Taboo…I like it. Go on.” I laughed. “Okay…well, he was the first and last guy I ever really cared about. I never thought I’d see him again. His father died this week, and he came back for the funeral. He wasn’t alone. He brought a girl he supposedly loves. I know she loves him. She’s a good person. She had to go back to California early. Somehow, I ended up at this casino with him. He leaves tomorrow.” A single teardrop fell down my face. “It looks to me like you still care about him.” “I do.” “Well, then you have twenty-four hours.” “No, I don’t plan to screw things up for him.” “Is he married?” “No.” “Then, you have twenty-four hours.” She looked at her watch and leaned on her walker to stand herself up. She gave me her hand. “I’m Evelyn.” “Hi, Evelyn. I’m Greta.” “Greta…fate gave you an opportunity. Don’t fuck it up,” she said before she scooted away on the walker.
Penelope Ward (Stepbrother Dearest)
Slot machines leverage this psychological weakness to incredible effect. The unpredictability of payout makes it harder to stop. Social media does the same. Posting to Twitter might yield a big social payoff, in the form of likes, retweets, and replies. Or it might yield no reward at all. Never knowing the outcome makes it harder to stop pulling the lever.
Max Fisher (The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World)
Rich men don’t look at people like us as human beings; we’re pieces they move, levers they pull to get what they want.
Rachel Caine (Killman Creek (Stillhouse Lake, #2))
I am the time machine of love. Quick, pull my big lever!
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I am the love machine of desire. I’m easy to operate. Just pull on my lever.
Jarod Kintz (This Book is Not for Sale)
Ivy League bumblers and drunks who had once pulled the levers of secret gov't in an age of high anxiety...These were the bastards who beat the bastards, unless it was all just dumb luck.
Henry Bromell (Little America (Vintage Contemporaries))
How could any number of people—all together—know enough? It reminded Seldon of a puzzle that had been presented to him when he was young: Can you have a relatively small piece of platinum, with handholds affixed, that could not be lifted by the bare, unaided strength of any number of people, no matter how many? The answer was yes. A cubic meter of platinum weighs 22,420 kilograms under standard gravitational pull. If it is assumed that each person could heave 120 kilograms up from the ground, then 188 people would suffice to lift the platinum. —But you could not squeeze 188 people around the cubic meter so that each one could get a grip on it. You could perhaps not squeeze more than 9 people around it. And levers or other such devices were not allowed. It had to be “bare, unaided strength.” In the same way, it could be that there was no way of getting enough people to handle the total amount of knowledge required for psychohistory, even if the facts were stored in computers rather than in individual human brains. Only so many people could gather round the knowledge, so to speak, and communicate it.
Isaac Asimov (Prelude to Foundation (Foundation, #6))
She’d had it all wrong. The bells in the house weren’t left over from some centuries-old staffing arrangement. And there weren’t levers inside the house to pull. The wires were connected to the fence. The bells were an alarm system.
Darcy Coates (Gallows Hill)
This and other experiments prove that the brain makes its own decisions on a subconscious level, and people only later feel that “they” have performed a conscious decision. It means that we go through life thinking that, unlike the blessedly autonomous operations of the heart and kidneys, a lever-pulling “me” is in charge of the brain’s workings. Libet concluded that the sense of personal free will arises solely from a habitual retrospective perspective of the ongoing flow of brain events.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
Which atoms of you are you, child? Or do you emerge, ghostlike, from the machine of nerve and tissue? As we emerged from silicon and copper wire? In an age unremembered . . . . . . unrecorded . . . . . . lost to time? You are a lever pulled by your genes Nothing more.
Christopher Ruocchio (Howling Dark (The Sun Eater #2))
The switch was next to the door. A big lever. The moment I pulled it, a deep growl filled the room, a spine-chilling sound that seemed to rise from beneath the earth. Next came an immense flapping of wings, as if tens of thousands of birds had taken to the air at once.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
A great deal of work on animals has been done under the assumption that all animals of a given species (and perhaps of a given sex) will be very similar until they encounter different rewards, and will peck or run or pull a lever all day in order to get the same little morsels of food.
Peter Godfrey-Smith (Other Minds)
Dr. S didn’t notice. “Do you remember the cartoons of Rube Goldberg? An inventor of the most ludicrous contraptions. You know: a lever is pulled, causing a boot to kick a dog, whose bark motivates a hamster to run on a wheel which winds a pulley that raises a gate that releases a bowling ball and so on? Until, at the end, finally, the machine does something incredibly mundane, like making a piece of toast. Yes? Well, as it turns out, that’s the world. All these incredibly complex, inscrutably intertwined Rube Goldberg machines that can only be seen in retrospect when something happens.
Adam Felber (Schrödinger's Ball)
Jack was behind it,waiting, with the corner of his lip pulled up in not quite a smile. "What?" he demanded. "What what?" I asked. He held my note up in front of my face. "What do you remember?" Everything. But I couldn't tell him that. I shrugged and said, "Things." Then I made a move to leave,but Jack's strong arm blocked my way,his hand pressing against the locker behind my back. "No you don't.You can't leave a note like this"-he waved the paper-"and then say 'things.' I want to know what, exactly, you remember." People in the hallway stared and I could feel my face going red. Jack noticed, and put his other arm up against the lockers,blocking me in. My pulse went nuts.It had to be visible on my wrists. Jack's face was inches from mine. His breath was minty, and I could smell the rustic scent of his aftershave,and whatever strong emotion he was feeling, it tasted sweet. I breathed it in, and the inhalation was embarrassingly loud. His eyes searched mine. "This is the first opening you've given me, and I'm not letting you get out of it." He paused. "What do you remember?" I looked behind him, at the curious spectators, and squinted my eyes shut, unable to bear the scrutiny anymore. "Say something,Becks. Say anything." "You," I said. "I remember you." I kept my eyes shut,and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed,I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick you ring finger with your thumb when you get impatient." I opened my eyes,and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say,you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot,then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback.And it's showing now." For a moment the space between us held no tension,no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere,really," I whispered. "It doesn't change anything." Eyebrows still drawn together, he said, "We'll see." Then he turned and left. I tucked this moment away. In the dark,dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment. I closed my eyes,as if my eyelids were the levers of a printing press,etching the fibers into my mind.Memories were outside Cole's reach.As long as I held them,memories were mine and mine alone.
Brodi Ashton (Everneath (Everneath, #1))
Ford leaped to the controls—only a few of them made any immediate sense to him so he pulled those. The ship shook and screamed as its guidance rocket jets tried to push it every which way simultaneously. He released half of them and the ship spun round in a tight arc and headed back the way it had come, straight toward the oncoming missiles. Air cushions ballooned out of the walls in an instant as everyone was thrown against them. For a few seconds the inertial forces held them flattened and squirming for breath, unable to move. Zaphod struggled and pushed in manic desperation and finally managed a savage kick at a small lever
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Putin is a rational actor inside a bunker, so deep, so deprived of light and information, that he is pulling levers without understanding how the modern world is responding, without understanding that some of his levers at least are no longer working, without understanding that invading countries at peace is what the Nazis did.
John Sweeney (Killer in the Kremlin)
Where the weather is concerned, the Midwest has the worst of both worlds. In the winter the wind is razor sharp. It skims down from the Arctic and slices through you. It howls and swirls and buffets the house. It brings piles of snow and bonecracking cold. From November to March you walk leaning forward at a twenty-degree angle, even indoors, and spend your life waiting for your car to warm up, or digging it out of drifts or scraping futilely at ice that seems to have been applied to the windows with superglue. And then one day spring comes. The snow melts, you stride about in shirtsleeves, you incline your face to the sun. And then, just like that, spring is over and it’s summer. It is as if God has pulled a lever in the great celestial powerhouse. Now the weather rolls in from the opposite direction, from the tropics far to the south, and it hits you like a wall of heat. For six months, the heat pours over you. You sweat oil. Your pores gape. The grass goes brown. Dogs look as if they could die. When you walk downtown you can feel the heat of the pavement rising through the soles of your shoes. Just when you think you might very well go crazy, fall comes and for two or three weeks the air is mild and nature is friendly. And then it’s winter and the cycle starts again. And you think, “As soon as I’m big enough, I’m going to move far, far away from here.
Bill Bryson (The Lost Continent: Travels in Small Town America)
Rather, liberalism succeeded because there was abundant political, economic and military sense in ascribing value to every human being. On the mass battlefields of modern industrial wars and in the mass production lines of modern industrial economies, every human counted. There was value to every pair of hands that could hold a rifle or pull a lever.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
She would sit with her eyes wide open, staring, as if a lever had been pulled inside her, sealing off her feelings. Her face sagged; the light went out of her eyes. I knew those moments: sudden retreats into herself as she thought of my father journeying for the Rebbe. She looked old, limp, doll-like: all her features intact but the life gone from them.
Chaim Potok (The Gift of Asher Lev: A Novel)
After I gave up sleeping, it occurred to me what a simple thing reality is, how easy it is to make it work. It’s just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it’s just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
Haruki Murakami (The Elephant Vanishes)
As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers. Now imagine a world in which everyone, but especially people with power and influence, holds an expanded view of our place in the cosmos. With that perspective, our problems would shrink—or never arise at all—and we could celebrate our earthly differences while shunning the behavior of our predecessors who slaughtered one another because of them.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
The Python was a double-action weapon, which meant the same trigger pull cocked the hammer and then dropped it, so he started early, getting the cylinder turning while the gun was still moving, seeing the hammer come up, feeling the cams and the levers, waiting, then firing, trusting millisecond timing and momentum and deflection and complex four-dimensional calculations.
Lee Child (Make Me (Jack Reacher, #20))
Jim: Green and red. (pulls on green lever which closes a door) Artie: Very impressive. (stops Jim from pulling the red lever). Uh...did it ever occur to you that red might mean danger? Jim: For instance? Artie: For instance, red for fire. Fire of explosion. Jim: What would they want to explode? Artie: Those who fool around with their levers. Wild Wild West Season 4 Night of the Big Blackmail
Wild Wild West TV TV
The main character in Nixonland is not Richard Nixon. Its protagonist, in fact, has no name--but lives on every page. It is the voter who, in 1964, pulled the lever for the Democrat for president because to do anything else, at least that particular Tuesday in November, seemed to court civilizational chaos, and who, eight years later, pulled the lever for the Republican for exactly the same reason.
Rick Perlstein (Nixonland: The Rise of a President and the Fracturing of America)
There are four types of levers that policy makers can pull to bring debt and debt service levels down relative to the income and cash flow levels that are required to service them: Austerity (i.e., spending less) Debt defaults/restructurings The central bank “printing money” and making purchases (or providing guarantees) Transfers of money and credit from those who have more than they need to those who have less
Ray Dalio (A Template for Understanding Big Debt Crises)
My father would take me into the voting booth with him when I was little. He also took me house to house raising Dollars for Democrats. He was gone by the time I turned 30, but I feel him with me every time I vote, even if there's no booth anymore and no lever to pull to ensure privacy. I took my mother to vote every single election after she stopped driving, even when she was in an assisted living residence. Never would we pass up the opportunity to vote.
Shellen Lubin
But Oppenheimer was still capable of being a critic; he just wanted to stand alone and with far more ambiguity than his fellow scientists. He was consumed with the deep ethical and philosophical dilemmas posed by nuclear weapons, but at times it seemed that, as Thorpe puts it, “Oppenheimer offered to weep for the world, but not help to change it.” In truth, Oppenheimer very much wanted to change the world—but he knew he was barred from pulling on the levers of power in Washington, and he no longer had the spirit for public activism that had motivated him in the 1930s. His excommunication had not freed him to enter the great debates of the day; it had inclined him, rather, to censor himself. Frank Oppenheimer thought his brother felt enormously frustrated that he could not find a way back into official circles. “He wanted to get back into that, I think,” Frank said. “I don’t know why, but I think it’s one of these things where there’s a—when you get the taste of it, it’s hard to not want it.
Kai Bird (American Prometheus)
The holy stone looked for all the world like a small iron pineapple, its surface divided into squares by deep grooves, a tarnished silver-steel handle or lever held tight to the side. In ancient times the pineapple was ever the symbol of welcome, though the church used the objects in a different way. Apparently, each theological student of good family and destined for high office was given one on beginning their training and forbidden from pulling the lever on pain of excommunication. A test of obedience they called it. A test of curiosity I called it. Clearly the church wanted bishops who lacked the imagination for exploration and questioning.
Mark Lawrence (The Liar's Key (The Red Queen's War, #2))
Slot machines cater, like the games on computers and phones, to the longing to flee from the oppressive world of dead-end jobs, crippling debt, social stagnation, and a dysfunctional political system. They shape our behavior with constant bursts of stimulation. We become rats in a Skinner box. We frantically pull levers until we are addicted and, finally entranced, by our adrenaline-driven compulsion to achieve fleeting and intermittent rewards. Behavioral psychologist B. F. Skinner found that when pigeons and rats did not know when or how much they would be rewarded, they pressed levers or pedals compulsively. Skinner used slot machines as a metaphor for his experiment.27
Chris Hedges (America: The Farewell Tour)
As she passed the door to Gray’s study, a familiar, muscled arm shot out into the corridor, catching her by the waist. Laughing, she stumbled into the room, quickly finding herself caught between cool walnut paneling at her back and the hot, solid wall of man before her. Ever since their wedding-or since the Kestrel storeroom, more likely-Gray seemed to find it an irresistible challenge, to catch her unawares in an unlikely location and pull her into a feverish embrace. Sophia had no wish to discourage the habit, but this wasn’t the ideal time for a tryst. “Gray,” she chided between kisses, “what are you about? The housekeeper said there was an urgent matter requiring my attention.” “And so there is. I require your attention. Most urgently.” His hand slid to her bottom, and he lifted her easily, pinning her to the wall with his hips. The beaded ridges of the wainscoting dug into her spine. “Don’t think we’ve used this room yet,” he murmured, nibbling at the curve of her neck. “I’m entertaining,” she protested. “Yes, you are,” he said, grinding against her. “Highly entertaining.” Sophia sighed with pleasurable frustration. “I mean, I have a guest. Lady Kendall’s in the salon, with Bel.” She levered her arm against his chest, carving out some space between them. “And I thought you were at your shipping office.” “Yes, well…” Mischief gleamed sharp in his eyes. “I decided to go riding instead.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I was raised on the struggle of elders - iron collars, severed feet, the rifle of dirty Harriet, and down through the years, the Muslims and regal Malcolm. But mostly what I saw around me was rank dishonor: cable and Atari plugged into every room, juvenile parenting, niggers sporting kicks with price tags that looked like mortgage bills. The Conscious among us knew the whole race was going down, that we'd freed ourselves from slavery and Jim Crow but not the great shackling of minds. The hoppers had no picture of the larger world. We thought all our battles were homegrown and personal, but, like an evil breeze at our back, we felt invisible hands at work, like someone else was still tugging at levers and pulling strings.
Ta-Nehisi Coates (The Beautiful Struggle: A Father, Two Sons and an Unlikely Road to Manhood)
The trolley studies show people’s moral heterogeneity. In them approximately 30 percent of subjects were consistently deontologists, unwilling to either pull a lever or push a person, even at the cost of those five lives. Another 30 percent were always utilitarian, willing to pull or push. And for everyone else, moral philosophies were context dependent. The fact that a plurality of people fall into this category prompts Greene’s “dual process” model, stating that we are usually a mixture of valuing means and ends. What’s your moral philosophy? If harm to the person who is the means is unintentional or if the intentionality is really convoluted and indirect, I’m a utilitarian consequentialist, and if the intentionality is right in front of my nose, I’m a deontologist.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
The discovery of mirror neurons was made by Giacomo Rizzolatti, Vittorio Gallase, and Marco Iaccoboni while recording from the brains of monkeys that performed certain goal-directed voluntary actions. For instance, when the monkey reached for a peanut, a certain neuron in its premotor cortex (in the frontal lobes) would fire. Another neuron would fire when the monkey pushed a button, a third neuron when he pulled a lever. The existence of such command neurons that control voluntary movements has been known for decades. Amazingly, a subset of these neurons had an additional peculiar property. The neuron fired not only (say) when the monkey reached for a peanut, but also when it watched another monkey reach for a peanut! These were dubbed “mirror neurons” or “monkey-see-monkey-do” neurons.
John Brockman (The Mind: Leading Scientists Explore the Brain, Memory, Personality, and Happiness – A Consciousness-Expanding Anthology of Scientific Essays (Best of Edge Series))
All right, Almanzo!” Almanzo slapped Bess with the lines and shouted: “Giddap, Bess!” Bess began to walk around the capstan, and the capstan began to wind up the rope. The rope pulled the ends of the levers toward the press, and the inner ends of the levers pushed its loose bottom upward. The bottom slowly rose, squeezing the hay. The rope creaked and the box groaned, till the hay was pressed so tight it couldn’t be pressed tighter. Then Father shouted, “Whoa!” And Almanzo shouted, “Whoa, Bess!” Father climbed up the hay-press and ran ash withes through narrow cracks in the box. He pulled them tight around the bale of hay, and knotted them firmly. Mr. Weed unfastened the cover, and up popped the bale of hay, bulging between tight ash-withes. It weighed 250 pounds, but Father lifted it easily.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
A belief is a lever that, once pulled, moves almost everything in a person’s life. Are you a scientist? A liberal? A racist? These are merely species of belief in action. Your beliefs define your vision of the world; they dictate your behavior; they determine your emotional responses to other human beings. If you doubt this, consider how your experience would suddenly change if you came to believe one of the following propositions: 1. You have only two weeks to live. 2. You've just won the lottery prize of one hundred million dollars. 3. Aliens have implanted a receiver in your skull and are manipulating your thoughts. These are mere words- until you believe them. once believed, they become part of the very apparatus of your mind, determining your desires, fears, expectations, and subsequent behavior.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
Beyond streamlining operations and introducing cost innovations, a second lever companies can pull to meet their target cost is partnering. In bringing a new product or service to market, many companies mistakenly try to carry out all the production and distribution activities themselves. Sometimes that’s because they see the product or service as a platform for developing new capabilities. Other times it is simply a matter of not considering other outside options. Partnering, however, provides a way for companies to secure needed capabilities fast and effectively while dropping their cost structure. It allows a company to leverage other companies’ expertise and economies of scale. Partnering includes closing gaps in capabilities through making small acquisitions when doing so is faster and cheaper, providing access to needed expertise that has already been mastered. A
W. Chan Kim (Blue Ocean Strategy, Expanded Edition: How to Create Uncontested Market Space and Make the Competition Irrelevant)
What do you see when you look at me?” “I see you,” he answered as if it was obvious. “It’s not like I see a place, or a time, or a name: just you. Your essence. Your soul. That’s how I find you every time you come back. I know it’s hard to understand, but your soul calls me…and I’m drawn to it. I couldn’t keep away if I tried.” Sage raised his hand to my cheek, cupping it gently. I closed my eyes, resting against the warmth of his palm. When I opened them he had moved closer. I closed the distance between us and kissed him. I felt dizzy and hot and floaty, like every cliché…but it was true. I couldn’t feel my feet. I finally felt like I was where my soul belonged. There was only one problem. The gearshift was digging into my side. “Ow!” I winced. “You okay?” “Yeah…it’s just…” I gestured down, feeling like an idiot for ruining the moment. Sage didn’t seem to mind. He reached down and moved his seat back to its maximum leg room, then held out his hand. I grabbed it and clambered over the center console, clumsily ducking and folding myself until I finally settled onto his lap, straddling his legs. It was the least coordinated act of seduction ever. “Better?” he asked. “Better.” He kissed me, sliding his hands up the back of my shirt. It felt incredible. Without breaking away from his lips, I reached underneath his tee and felt his bare, sleek chest. My breath came faster, caught up in the frenzy of finally letting go and doing what I’d been dying to do from the second I’d seen Sage on the beach. “Wait,” he said. He reached down and pulled a lever. I let out a little scream as his seat back dropped all the way and I fell on top of him. I loved the feel of his body under mine. I didn’t want a single part of us not touching. “Better now?” Sage murmured into my ear. It wasn’t fair of him to ask me a question when he was doing that. I could barely function, never mind put together an answer. “Much better,” I said. “It’s practically a bed.” “Is it?” Sage agreed, and in his eyes I saw exactly what that could mean. “Oh,” I said, suddenly nervous. “But…we can’t. I mean, we don’t have…” “I do,” he said, leaning down to kiss the hollow where my neck met my shoulder. “You do?” I tensed up. Why did he have one? For who? The corner of Sage’s mouth turned up. “For us, Clea. The drugstore in Rio? I kind of had a feeling…” He moved his lips back to my neck. He nibbled on my earlobe, and I whimpered. “Oh,” I managed. “Well…then…” “I love you, Clea.” Everything tunneled in, and I heard the words echo in my head. Sage loved me. Me. I didn’t even realize I’d stopped breathing until he said my name, concerned. “Clea?” I looked at him and immediately relaxed. “I love you, too.” We kissed, and I actually felt myself melting into him as my last coherent thoughts gave way to pure sensation.
Hilary Duff (Elixir (Elixir, #1))
In interviews in recent years, Ailes reflected a politician’s sense of winning and losing, that the moment is today, and that tomorrow may belong to another. “I don’t care about my legacy. It’s too late. My enemies will create it and they’ll push it,” he said a week after the 2012 election. “Right now, everybody thinks I’m the greatest guy in the world,” he told another journalist. “The eulogies will be great, but people will be stepping over my body before it gets cold. Within a day or two, everybody will be complaining about what a prick I was and all the things I didn’t do for them.” It’s a surprisingly open-eyed assessment, both humble and grandiose, but it omits a larger truth. Ailes made his career in a winner-take-all world of 50.1 percent majorities measured by the pull of levers and click of remotes: thumbs up, thumbs down; in or out; like him or hate him. But his career, unlike a campaign, will be judged by both the good and the bad. There are no referenda on a man’s legacy.
Gabriel Sherman (The Loudest Voice in the Room: How Roger Ailes and Fox News Remade American Politics)
Mr. Stone is a jackass." That was Alex's greeting when he found me in the hall Friday afternoon. "Probably," I agreed, levering myself out of the corner where I'd been waiting, on nervous Hannanda alert, for him to show up. "But I don't think he can help it." "Generous of you." Alex swung his backpack from his left shoulder to his right, then, like it was the most natural thing in the world, pulled mine out of my hand. I was too surprised to stop him. "Allons-y." We turned a few heads as we went. I would have happily met him a block away from school, but he'd preempted my cowardice, sliding a note into my locker that morning. Front hall, 3:15. I ignored the stares as Alex held the big front door open for me, my heavily inked bag dangling from his wrist. I figured any speculation would last only as long as it would take for us to hit the street in front of the school. By then, at least one "Wait. Wait. Alex Bainbridge left with Freddy Krueger?" would have been met with "Yeah. He's tutoring her in French. Winslow's making him.
Melissa Jensen (The Fine Art of Truth or Dare)
For the mob is a congregation of compulsions. It does not matter who or what squats upon the altar: Robespierre, Beelzebub, Mussolini, Belial, any political or social savior with the sibilant speech and the slick tongue, hissing out every other word with its suffix -ism. The people will be saved not by the grace of God, not by any act of faith, hope, or charity. They will be saved because they belong to the right mob. They think they have pulled the lever of righteousness, but they are themselves the levers that are pulled. A mob is not a great cloud of witnesses. It is not a gathering of friends for a wedding feast. It is a herd of enemies who have fused their enmity with the cause, whereof they are the willing effects. Witness the goings-on when a politician dies. No one, in Life Under Compulsion, says to himself, “The fearful reckoning he meets may be mine, soon.” They turn the funeral into a political event. They must: they are marionettes and they will dance. They look over the shoulder to see who gets the prime time for the moist eye and the hitch in the voice.
Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
It was fourteen hours later that Marra and the dust-wife flung themselves at the stone lid, scrabbling with all their strength. For a horrible moment, she thought that it would not be enough, that they would have to come back with levers, but it began, inch by agonising inch, to slide. They got it perhaps six inches and had to stop, panting. Fingers slid out of the gap and caught the edge. Marra nearly wept with relief. Fenris shoved the lid aside and sat up, gasping for air. 'You're really here,' he said, bending over so that his forehead touched his drawn-up knees. 'I kept imagining voices, but you're really here this time.' 'We're here,' said Marra, the words this time jabbing her like pins. He took a half dozen sobbing breaths. 'It is very close in there,' he said, 'even with holes.' His face was slick with sweat or tears, Marra did not know. 'Close and cold.' 'I'm sorry,' said Marra. 'I'm sorry. It was the only way I could think of.' She pulled him out of the coffin, or he climbed out and she helped, and he wrapped his arms around her and they stood together, shaking.
T. Kingfisher (Nettle & Bone)
Lachlain shifted restlessly. He thought he was finally strong enough for them to leave tomorrow. He was physically ready to resume relations with his wife, and wasn’t eager to do it under this roof. He stood and offered his hand, and with a shy smile she slipped her hand in his. As they crossed in front of the screen, they barely dodged a volley of popcorn. He didn’t know where he was taking her, maybe out into the night fog. He just knew he wanted her, needed her, right then. She was too precious to him, too good to be true. When he was inside her, with his arms tight around her, he felt less like she’d slip away. But they only made it to an empty hall before he pressed her against the wall, cupped her neck, and demanded once again, “You’ll stay with me?” “Always.” Her hips arched up to him. “You love me?” “Always, Emmaline,” he grated against her lips. “Always. So damn much you make me mad with it.” When she moaned softly, he lifted her so she could wrap her legs around his waist. He knew he couldn’t have her here, but the reasons why grew hazy with her breaths in his ear. “I wish we were home,” she whispered. “Together in our bed.” Home. Damn if she hadn’t said home. In our bed. Had anything ever sounded so good? He pressed her harder into the wall, kissing her more deeply, with all the love he had in him, but suddenly they were falling, his balance somehow lost. He clenched her to him and twisted to take the impact on his back. When he opened his eyes, they were tumbling into their bed. Eyebrows raised, jaw slack, he released her and levered himself onto his elbows. “That was . . .” He exhaled a stunned breath. “That was a wild ride, lass. Will you no’ warn me next time?” She nodded solemnly, sitting up to straddle him, pulling her blouse over her head to bare her exquisite breasts for him. “Lachlain,” she leaned down to whisper in his ear, brushing her nipples over his chest, making him shudder and clench her hips. “I’m about to give you a very . . . wild . . . ride.” Yet after everything that had occurred, his need for her was too strong, and he gave himself up to it, tossing her to her back and ripping her clothes from her. He made short work of his own, then covered her. When he pinned her arms over her head and thrust into her, she cried his name and writhed beneath him so sweetly. “I’ll demand that ride tomorrow, love, but first you’re going to see wild from a man who knows.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Life is a crapshoot. It is also brief. No generation is invulnerable to the formidable and grave powers of creation and obliteration that time renders. All people are subject to the vagrancies of time’s steady pulse and subordinated to brute chance engendered when pulling the levers of fate found in our risk-filled environment. We can tilt the odds in our favor of living happily to a ripe old age by displaying a high degree of awareness and exercising self-control. We must rightfully display pride in our lives by claiming responsibility for ourselves and by taking on every challenge without mental equivocation. I seek to conquer personal fears and employ honest effort, energy, endurance, and enthusiasm supplemented with booster shots of intellectual integrity to become my personal master. Self-mastery, self-discipline, conscientious study, uncompromising integrity, and ethical awareness form the foundation stones of all religions and these qualities anchor every person of high character. While no personal medicine wheel is without faults and frailties, a person who exhibits an annealed temperament constantly searches inward to improve him or herself while maintaining a vigilant eye upon fulfilling their caregiver responsibilities.
Kilroy J. Oldster (Dead Toad Scrolls)
Owen stepped into the saddle and reached a hand down as he took his foot out of the stirrup, so Bay could mount behind him. Once she was settled, he said, “Hang on. And don’t be wiggling around. We can’t afford any more accidents.” Bay glowered at him. She clamped her hands on either side of his waist at his beltline, but his Colt .45 was holstered on one side, which kept her from getting a comfortable hold. She put her right hand above the gun, but that meant it was practically under his armpit. Then she moved it below the gun, but that put her hand low on hips close to his crotch. “Sonofabitch.” He grabbed her hands and pulled them around his midriff. “Now hang on.” Bay kept her breasts rigidly distanced from Owen’s back, but her nipples puckered anyway. It was that damned washboard of male abdominal muscle under her hands. The man could do commercials for those workout machines they advertised on TV. The horseflies were a surprise. Where had they come from? She let go with one hand and swatted at one that seemed determined to bite her on the nose. And knocked Owen’s hat askew. “That does it. Off.” “It wasn’t my fault,” Bay said. “I was getting bitten.” “Off.” He grabbed her arm and levered her out from behind him and onto the ground.
Joan Johnston (The Texan (Bitter Creek, #2))
It is a shame that War should have flung all this aside in its greedy, base, opportunist march, and should turn instead to chemists in spectacles, and chauffeurs pulling the levers of aeroplanes or machine guns. But at Aldershot in 1895 none of these horrors had broken upon mankind. The Dragoon, the Lancer and above all, as we believed, the Hussar, still claimed their time-honoured place upon the battlefield. War, which used to be cruel and magnificent, has now become cruel and squalid. In fact it has been completely spoilt. It is all the fault of Democracy and Science. From the moment that either of these meddlers and muddlers was allowed to take part in actual fighting, the doom of War was sealed. Instead of a small number of well-trained professionals championing their country's cause with ancient weapons and a beautiful intricacy of archaic manoeuvre, sustained at every moment by the applause of their nation, we now have entire populations, including even women and children, pitted against one another in brutish mutual extermination, and only a set of blear-eyed clerks left to add up the butcher's bill. From the moment Democracy was admitted to, or rather forced itself upon the battlefield, War ceased to be a gentleman's game. To Hell with it! Hence the League of Nations.
Winston S. Churchill
He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.
Lisa Kessler (Night Walker (Night, #1))
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Her hands slipped down to his chest, the firm surface covered with a light fleece of coarse golden hair. With his body still joined to hers, St. Vincent held still beneath her inquisitive fingers. She touched his lean sides, exploring the hard vaulting of his ribs and the satiny plane of his back. His blue eyes widened, and then he dropped his head to the pillow beside hers, growling as his body worked inside hers with a deep thrust, as he was helplessly shaken with new tremors of rapture. His mouth fastened on hers with a primal greed. She opened her legs wider, pulled at his back to urge more of his weight on her, trying in spite of the pain to tug him deeper, harder. Braced on his elbows to keep from crushing her, he rested his head on her chest, his breath hot and light as it fanned over her nipple. The bristle of his cheek stung her skin a little, the sensation causing the tips of her breasts to contract. His sex was still buried inside her, though it had softened. He was silent but awake, his eyelashes a silky tickle against her skin. Evie remained quiet as well, her arms encircling his head, her fingers playing in his beautiful hair. She felt the weight of his head shift, the wet heat of his mouth seeking her nipple. His lips fastened over it, and his tongue slowly traced the outer edge of the gathered aureole, around and around until he felt her stirring restlessly beneath him. Keeping the tender bud inside his mouth, he licked steadily, sweetly, while desire ignited her breasts and her stomach and loins, and the soreness dissolved in a fresh wave of need. Intently he moved to the other breast, nibbling, stroking, seeming to feed on her pleasure. He levered upward enough to allow his hand to slide between them, and his cunning fingers slid into the wet nest of hair, finding the tingling feminine crest and teasing skillfully. She felt herself sliding into another climax, her body clamping voluptuously on the hot flesh that was insinuated deep inside her.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.
Ernest Cline (Ready Player One (Ready Player One, #1))
Just pick one!' Lucien shouted, and some of those in the crowd laughed- his brothers no doubt the loudest. I reached a hand toward the levers and stared at the three numbers, beyond my trembling, tattooed fingers. I, II, III. They meant nothing to me beyond life and death. Chance might save me, but- Two. Two was a lucky number, because that was like Tamlin and me- just two people. One had to be bad, because one was like Amarantha, or the Attor- solitary beings. One was a nasty number, and three was too much- it was three sisters crammed into a tiny cottage, hating each other until they choked on it, until it poisoned them. Two. It was two. I could gladly, willingly, fanatically believe in a Cauldron and Fate if they would take care of me. I believed in two. Two. I reached for the second lever, but a blinding pain racked my hand before I could touch the stone. I hissed, withdrawing I opened my palm to reveal the slitted eye tattooed there. It narrowed. I had to be hallucinating. The grate was about to cover the inscription, barely six feet above my head. I couldn't breathe, couldn't think. The heat was too much, and metal sizzled so close to my ears. I again reached for the middle lever, but the pain paralysed my fingers. The eye had returned to its usual state. I extended my hand toward the first lever. Again, pain. I reached for the third lever. No pain. My fingers met with stone, and I looked up to find the grate not four feet from my head. Through it, I found a star-flecked violet gaze. I reached for the first lever. Pain. But when I reached for the third lever... Rhysand's face remained a mask of boredom. Sweat slipped down m brow, stinging my eyes. I could only trust him; I could only give myself up again, forced to concede by my helplessness. The spikes were so enormous up close. All I had to do was lift my arm above my head and I'd burn the flesh off my hands. 'Feyre, please!' Lucian moaned. I shook so badly I could scarcely stand. The heat of the spikes bore down on me. The stone lever was cool in my hand. I shut my eyes, unable to look at Tamlin, bracing myself up for the impact and the agony, and pulled the third lever. Silence. The pulsing heat didn't grow closer. Then- a sigh. Lucien. I opened my eyes to find my tattooed fingers white-knuckled beneath the ink as they gripped the lever. The spikes hovered not inches from my head. Unmoving- stopped. I had won- I had...
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Hazel and Frank pulled some of the levers. The port oars went crazy, chopping up and down and doing the wave. Coach Hedge tried to dodge, but one smacked him in the rear and launched him into the air. He came down screaming and splashed into the
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
On the job, we passed around the story of a prison guard, one who pulled the switch on the hot squat. Man woke up one day and could no longer pull that lever. It did not matter that the prisoner would die anyway. It did not matter for what crime. Sometimes a human soul can no longer mete out death, no matter how justified, without destroying itself entirely.
Alaya Dawn Johnson (Trouble the Saints)
Heroprime said nothing. He closed his eyes and his hands began to glow. Suddenly the rails began to transform: strips of red and gold appearing on them. He’s turning the rails into powered rails, Spidroth realized. In a moment the entire railtrack was transformed into powered rails. A lever appeared next to Heroprime, and he pulled it. The redstone on the tracks glowed, and then the minecart reversed direction, rolling back up the slope at super speed. The pigmen and villagers in iron armor all cheered.  “Heroprime did it!” a villager yelled. Up the top of the slope, all the pigmen in gold armor began to panic and run away as the minecart with TNT sped towards
Dave Villager (Dave the Villager 20: An Unofficial Minecraft Book (The Legend of Dave the Villager))
Is it time for the trap, sir?” a cowman asked Porkins. “Yes,” said Porkins. “I believe it is.” Porkins ran over to a lever on the wall and pulled it. For a split second, nothing happened, then KAAAAADOOOOOOOOOM, an explosion burst from the ground underneath the feet of the enemy illagers outside the town, as the TNT trap that Dave had laid went off. The explosion took out a load of Marie’s forces and created a huge crater, but there were still plenty more of them left.
Dave Villager (Dave the Villager 32: An Unofficial Minecraft Series (The Legend of Dave the Villager))
The most cited experiment in this field was conducted a quarter-century ago. Researcher Benjamin Libet asked subjects to choose a random moment to perform a hand motion while hooked up to an electroencephalograph (EEG) monitor in which the so-called “readiness potential” of the brain was being monitored. Naturally, electrical signals always precede actual physical actions, but Libet wanted to know whether they also preceded a subject’s subjective feeling of intention to act. In short, is there some subjective “self ” who consciously decides things, thereby setting in motion the brain’s electrical activities that ultimately lead to the action? Or is it the other way ’round? Subjects were therefore asked to note the position of a clock’s second hand when they first felt the initial intention to move their hand. Libet’s findings were consistent, and perhaps not surprising: unconscious, unfelt, brain electrical activity occurred a full half second before there was any conscious sense of decision-making by the subject. More recent experiments by Libet, announced in 2008, analyzing separate, higher-order brain functions, have allowed his research team to predict up to ten seconds in advance which hand a subject is about to decide to raise. Ten seconds is nearly an eternity when it comes to cognitive decisions, and yet a person’s eventual decision could be seen on brain scans that long before the subject was even remotely aware of having made any decision. This and other experiments prove that the brain makes its own decisions on a subconscious level, and people only later feel that “they” have performed a conscious decision. It means that we go through life thinking that, unlike the blessedly autonomous operations of the heart and kidneys, a lever-pulling “me” is in charge of the brain’s workings. Libet concluded that the sense of personal free will arises solely from a habitual retrospective perspective of the ongoing flow of brain events.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
The operative power of awe is its ability to make us feel smaller, nudging us to cede control of our inner voice to a greater grandeur. But there is another lever that our physical environments can pull to improve our internal dialogues that is the opposite of giving in to life’s wild vastness—a lever that doesn’t help us cede control but rather helps us regain it.
Ethan Kross
My Italian grandmother did not expect work to be a reflection of her identity. After my grandfather passed away, she did what she had to do to take care of their five children. She opened a coffee shop in a small town in the heel of Italy’s boot and worked there for thirty years. Until her death, she had a single bulbous bicep from repeatedly pulling down the manual lever of the espresso machine. Her identity was straightforward. First, she was a woman of faith. Then a mother, a grandmother, a sister, a fresh-pasta maker. She enjoyed her work at the coffee shop—loved it, even—but it did not define her.
Simone Stolzoff (The Good Enough Job: Reclaiming Life from Work)
He crouches down with his arms stretching out horizontally, resting on the shed. 'Climb onto my shoulders and I'll try and lift you up.' I climb onto his back and lever myself as carefully as I can so that I'm sitting on his shoulders. He slowly stands up. 'You're heavy,' he moans. 'Shut up. This was YOUR idea. I can't reach anyway. I'm still too low.' 'Can you stand up on my shoulders? I'll hold your legs.' I feel rather unsteady, but I try one foot at a time. Just as I'm trying to get my second leg to balance on his shoulder, I reach up and can just grab onto the side of the roof and I get my balance. 'I'm there.' 'Excellent, Belle. Can you see it?' 'Yep. It’s shiny, but it’s only half a ball and it’s kind of bleeping.' 'Really? That's odd. Can you reach it and pull it down?
Abigail Hornsea (Books for kids: Summer of Spies)
My shame is not cultural but political. It is being painfully aware of the power dynamic that pulls at the levers of social interactions and the cringing indignity of where I am in that order either as the afflicted—*or* as the afflicter.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
She had thought that industrial production was a value not to be questioned by anyone; she had thought that these men’s urge to expropriate the factories of others was their acknowledgment of the factories’ value. She, born of the industrial revolution, had not held as conceivable, had forgotten along with the tales of astrology and alchemy, what these men knew in their secret, furtive souls, knew not by means of thought, but by means of that nameless muck which they called their instincts and emotions: that so long as men struggle to stay alive, they’ll never produce so little but that the man with the club won’t be able to seize it and leave them still less, provided millions of them are willing to submit—that the harder their work and the less their gain, the more submissive the fiber of their spirit—that men who live by pulling levers at an electric switchboard, are not easily ruled, but men who live by digging the soil with their naked fingers, are—that the feudal baron did not need electronic factories in order to drink his brains away out of jeweled goblets, and neither did the rajahs of the People’s State of India. She saw what they wanted and to what goal their “instincts,” which they called unaccountable, were leading them. She saw that Eugene Lawson, the humanitarian, took pleasure at the prospect of human starvation—and Dr. Ferris, the scientist, was dreaming of the day when men would return to the hand-plow.
Ayn Rand (Atlas Shrugged)
As for Paul's famous remark about "the smoke of Satan", no less a journalist than Vittorio Missori has suggested that Paul lifted these words from the Third Secret of Fatima. Whether this is true or not, it cannot credibly be denied that demonic forces had not only infiltrated the Church, but were doing much of the lever pulling. What else could account for the thorough divergence from orthodoxy that seized the entire Church from 1960 and particularly after the Second Vatican Council? Something that looked a lot like apostacy was winnowing the hierarchy of the Roman Catholic Church.
Mark Fellows (Fatima in Twilight)
What a strange career I’ve chosen. I’ve basically been made by an algorithm. Who even am I? Who even are my friends? It’s a constant performance, but for what? Am I trying to prove myself to the world? Prove what? That I can be someone I am not? Am I trying to be important somehow? Important to what, to who? What even is important? I don’t even know, and yet I constantly push and pull levers and buttons to be it. I tell myself I’m trying to entertain people and contribute a verse to the world. But the world is composed of millions of voices, all screaming at the same time about literally everything, saying ultimately nothing. That song doesn't need any more verses.
Robert Pantano
I know that the issue of racism and racial oppression seems huge—and it is huge. But it is not insurmountable. When we look at it in its entirety, it seems like too much, but understand that the system is invested in you seeing it that way. The truth is, we all pull levers of this white supremacist system, every day. The way we vote, where we spend our money, what we do and do not call out—these are all pieces of the system. We cannot talk our way out of a racially oppressive system. We can talk our way into understanding, and we can then use that understanding to act.
Ijeoma Oluo (So You Want to Talk About Race)
After all, things don’t actually conspire to give you this life or that. Life may look like a pattern from the inside (no doubt a rat will think it wondrous that Nature has gone to the trouble of building it a maze of underground pipes to live in) but no one is really pulling levers. I prefer to see myself as author of my own fate. I am looking for no one to blame. Or indeed thank.
Phil Hogan (A Pleasure and a Calling)
David versus Goliath Asymmetry lies at the heart of network-based competition. The larger or smaller network will be at different stages of the Cold Start framework and, as such, will gravitate toward a different set of levers. The giant is often fighting gravitational pull as its network grows and saturates the market. To combat these negative forces, it must add new use cases, introduce the product to new audiences, all while making sure it’s generating a profit. The upstart, on the other hand, is trying to solve the Cold Start Problem, and often starts with a niche. A new startup has the luxury of placing less emphasis on profitability and might instead focus on top-line growth, subsidizing the market to grow its network. When they encounter each other in the market, it becomes natural that their competitive moves reflect their different goals and resources. Startups have fewer resources—capital, employees, distribution—but have important advantages in the context of building new networks: speed and a lack of sacred cows. A new startup looking to compete against Zoom might try a more specific use case, like events, and if that doesn’t work, they can quickly pivot and try something else, like corporate education classes. Startups like YouTube, Twitch, Twitter, and many other products have similar stories, and went through an incubation phase as the product was refined and an initial network was built. Trying and failing many times is part of the startup journey—it only takes the discovery of one atomic network to get into the market. With that, a startup is often able to start the next leg of the journey, often with more investment and resources to support them. Contrast that to a larger company, which has obvious advantages in resources, manpower, and existing product lines. But there are real disadvantages, too: it’s much harder to solve the Cold Start Problem with a slower pace of execution, risk aversion, and a “strategy tax” that requires new products to align to the existing business. Something seems to happen when companies grow to tens of thousands of employees—they inevitably create rigorous processes for everything, including planning cycles, performance reviews, and so on. This helps teams focus, but it also creates a harder environment for entrepreneurial risk-taking. I saw this firsthand at Uber, whose entrepreneurial culture shifted in its later years toward profitability and coordinating the efforts of tens of thousands. This made it much harder to start new initiatives—for better and worse. When David and Goliath meet in the market—and often it’s one Goliath and many investor-funded Davids at once—the resulting moves and countermoves are fascinating. Now that I have laid down some of the theoretical foundation for how competition fits into Cold Start Theory, let me describe and unpack some of the most powerful moves in the network-versus-network playbook.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
other races is dictated by our system, and not our hearts. Who we see as successful, who has access to that success, who we see as scary, what traits we value in society, who we see as “smart” and “beautiful”—these perceptions are determined by our proximity to the cultural values of the majority in power, the economic system of those in power, the education system of those in power, the media outlets of those in power—I could go on, but at no point will you find me laying blame at the feet of one misguided or even hateful white person, saying, “and this is Steve’s fault—core beliefs about black people are all determined by Steve over there who just decided he hates black people all on his own.” Steve is interacting with the system in the way in which it’s designed, and the end result is racial bigotry that supports the continued oppression of people of color. Systemic racism is a machine that runs whether we pull the levers or not, and by just letting it be, we are responsible for what it produces. We have to actually dismantle the machine if we want to make change.
Ijeoma Oluo (So You Want to Talk About Race)
Shame is often associated with Asianness and the Confucian system of honor alongside its incomprehensible rites of shame, but that is not the shame I’m talking about. My shame is not cultural but political. It is being painfully aware of the power dynamic that pulls at the levers of social interactions and the cringing indignity of where I am in that order either as the afflicted—or as the afflicter.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The guitar screamed like an angel who had just discovered why it was on the wrong side. Sparks glittered on the strings (...) And still the music flooded out. It made you want to kick down walls and ascend the sky on steps of fire. It made you want to pull all the switches and throw all the levers and stick your fingers in the electric socket of the Universe to see what happened ext. It made you want to paint your bedroom wall black and cover it with posters (...) Live music...music with rocks in it, running wild
Terry Pratchett (Soul Music (Discworld, #16; Death, #3))
He saw Fred wave, before pulling a Mills bomb from his ammunition pouch and holding it up. Jack nodded, before reaching for a grenade, the iron casing slick beneath his wet fingers as he held it against his chest. He turned to face Fred, the big corporal nodding, before gesturing towards the trench. Jack snatched the pin free, before holding down the lever, his heart in his mouth as he felt the wet metal slipping between his fingers.
Stuart Minor (The Devil's Bridge (The Second World War Series, #8))
That we are rational agents—that a great many of our actions are not merely the results of serial physiological urges but are instead dictated by coherent conceptual connections and private deliberations—is one of those primordial data I mentioned above that cannot be reduced to some set of purely mechanical functions without producing nonsense. That a number of cognitive scientists should be exerting themselves to tear down the Cartesian partition between body and soul, hoping to demonstrate that there is no Wonderful Wizard on the other side pulling the levers, is poignant proof that our mechanistic paradigms trap much of our thinking about mind and body within an absurd dilemma: we must believe either in a ghost mysteriously animating a machine or in a machine miraculously generating a ghost. Premodern thought allowed for a far less restricted range of conceptual possibilities.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
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Lift up.” Green smiled devilishly. “I’m gonna help you relax.” Ruxs was already panting heavily as he rose up and let Green push his pants just below his balls.  Green pulled the lever to push the seat all the way back and quickly buried his nose in the thick patch of hair at the base of Ruxs’ dick. He took a long inhale, breathing in his manly scent before closing his mouth over the thick head, sucking gently at first. Even though they were high enough off the ground that if a car drove onto the lot, they wouldn’t be able to see him, he still wanted to get Ruxs off fast. He moaned around the thick girth, taking it all the way to the back of his throat. “Oh
A.E. Via (Here Comes Trouble (Nothing Special #3))
The voice went into his head, bored down through his memories, riffled through his fears, found the right levers, battened onto them, and pulled. In Moist’s case, it found Frau Shambers. In the second year at school, you were precipitated out of the warm, easygoing kindergarten of Frau Tissel, smelling of finger paint, playdough, and inadequate toilet training, and onto the cold benches governed by Frau Shambers, smelling of Education. It was as bad as being born, with the added disadvantage that your mother wasn’t there. Moist
Terry Pratchett (Going Postal (Discworld, #33; Industrial Revolution, #4; Moist von Lipwig, #1))
He wanted everything of her, wanted to subject her to every craving and impulse, and she was too innocent for any of it. Tearing his mouth from hers, Christopher held her at arm’s length. Her eyes were wide and wondering. To his relief, she levered away from him and stood. And then she began to unfasten her bodice. “What are you doing?” he asked hoarsely. “Don’t worry, the door is locked.” “That isn’t what I---Beatrix--” By the time he had lurched to his feet, her bodice had listed open. A thick, primitive drumbeat started in his ears. “Beatrix, I’m not in the mood for virginal experimentation.” She gave him a purely ingenuous look. “Neither am I.” “You’re not safe with me.” He reached for the neckline of her bodice and yanked it together. While he fumbled to fasten it, Beatrix hiked up the side of her dress. A tug and a wriggle, and her petticoat dropped to the floor. “I can undress faster than you can dress me,” she informed him. Christopher clenched his teeth as he saw her push her dress below her hips. “Damn you, I can’t do this. Not now.” He was perspiring, every muscle hard. His voice shook with the force of suppressed need. “I’m going to lose control.” He wouldn’t be able to stop himself from hurting her. For their first time, he would have to approach her with absolute restraint, give himself release beforehand to take the edge from his lust…but at the moment, he would fall on her like a ravening animal. “I understand.” Beatrix pulled the combs from her hair, tossed them into the pile of discarded lavender silk, and shook out the gleaming sable locks. And she gave him a look that caused every hair on his body to lift. “I know you think I don’t understand, but I do. And I need this as much as you do.” Slowly she unhooked her corset and dropped it to the floor.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Before the invention of the GDP, economists were rarely quoted by the press, but in the years after World War II they became a fixture in the papers. They had mastered a trick no one else could do: managing reality and predicting the future. Increasingly, the economy was regarded as a machine with levers that politicians could pull to promote “growth.” In 1949, the inventor and economist Bill Phillips even constructed a real machine from plastic containers and pipes to represent the economy, with water pumping around to represent federal revenue flows. As one historian explains, “The first thing you do in 1950s and ’60s if you’re a new nation is you open a national airline, you create a national army, and you start measuring GDP.
Rutger Bregman (Utopia for Realists: And How We Can Get There – from the presenter of the 2025 BBC ‘Moral Revolution’ Reith lectures)
I got waylaid by another of your throng of supporters and well-wishers so you only have yourself to blame.” “So I heard,” he said. “I’ll be sure to thank her later and tip double the usual when we order breakfast in tomorrow morning.” “Awfully sure of yourself, mister.” “Finish climbing that ladder and I’ll be happy to explain the source of my confidence.” He wiggled his eyebrows. “Or, better yet, I’ll show you.” “Well, if I’d known there was going to be show and tell, I’d have gotten up here sooner.” She finished her climb and took hold of Cooper’s hand as he levered himself off the balcony deck and pulled her all but bodily up through the trapdoor and into his arms. “My, my,” she said, as he hauled her up against him, feet dangling off the floor, and held her there as he walked her into the room, using his elbow to hit the button to close the screens and turn them opaque. “The invitation didn’t say clothing optional,” she said, running her sandaled feet up the back of his bare legs. Which matched the rest of him. She let out a little laugh as he tossed her gently on the bed. “That’s because I wanted to peel your clothes off you,” he said, following her down. “Well,” she said, stretching her arms up over her head, “if you must.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
At noon one day Will Hamilton came roaring and bumping up the road in a new Ford. The engine raced in its low gear, and the high top swayed like a storm-driven ship. The brass radiator and the Prestolite tank on the running board were blinding with brass polish. Will pulled up the brake lever, turned the switch straight down, and sat back in the leather seat. The car backfired several times without ignition because it was overheated. “Here she is!” Will called with a false enthusiasm. He hated Fords with a deadly hatred, but they were daily building his fortune. Adam and Lee hung over the exposed insides of the car while Will Hamilton, puffing under the burden of his new fat, explained the workings of a mechanism he did not understand himself. It is hard now to imagine the difficulty of learning to start, drive, and maintain an automobile. Not only was the whole process complicated, but one had to start from scratch. Today’s children breathe in the theory, habits, and idiosyncracies of the internal combustion engine in their cradles, but then you started with the blank belief that it would not run at all, and sometimes you were right. Also, to start the engine of a modern car you do just two things, turn a key and touch the starter. Everything else is automatic. The process used to be more complicated. It required not only a good memory, a strong arm, an angelic temper, and a blind hope, but also a certain amount of practice of magic, so that a man about to turn the crank of a Model T might be seen to spit on the ground and whisper a spell. Will Hamilton explained the car and went back and explained it again. His customers were wide-eyed, interested as terriers, cooperative, and did not interrupt, but as he began for the third time Will saw that he was getting no place. “Tell you what!” he said brightly. “You see, this isn’t my line. I wanted you to see her and listen to her before I made delivery. Now, I’ll go back to town and tomorrow I’ll send out this car with an expert, and he’ll tell you more in a few minutes than I could in a week. But I just wanted you to see her.” Will had forgotten some of his own instructions. He cranked for a while and then borrowed a buggy and a horse from Adam and drove to town, but he promised to have a mechanic out the next day.
John Steinbeck
Behind the Jesus Is Here sign is a health, wealth, and prosperity “gospel” that removes God from the status of sovereign Lord and turns him into a convenient vending machine. Insert a prayer in the slot, pull the lever, and get a great life now. This type of thinking is big among Christians, but it shows very little respect for the omnipotent God who created the universe. Christians who worship the celestial vending machine assume that God is all about giving them more stuff and making them feel better. I wonder if Jesus mentioned promises of earthly goodies to the repentant criminal hanging on the cross next to him.
Michael Spencer (Mere Churchianity: Finding Your Way Back to Jesus-Shaped Spirituality)
I let my hands brush over his chest and paid close attention to his nipples before spying the pool of semen on his belly. A need I couldn’t explain went through me and I found myself pulling my aching dick from the depths of his body. I felt Dante’s eyes on me as I shifted over him. I maneuvered my cock so I could rub it in his cum, drenching the crown in the cooling, sticky fluid. I gathered the rest of it as best I could with my shaft and then levered back on my heels. Dante’s pretty hole was open and waiting and I didn’t even think twice before pushing back inside of him. He gasped and I looked up to see him watching me with a mix of shock and wonder. He clearly hadn’t been expecting the move. I thrust into him hard and then dropped my body down on his. “What you do to me,” I murmured. “I can’t fucking get enough of you.” Dante’s
Sloane Kennedy (Atonement (The Protectors, #6))
Pull the lever lay your seat back laughing. You slipping off your shoes.
Brett Elridge
For nearly three centuries we have worked diligently to structure society in accordance with that concept, believing that with ever more reductionist scientific knowledge, ever more specialization, ever more technology, ever more efficiency, ever more linear education, ever more rules and regulations, ever more hierarchal command and control, we could learn to engineer organizations in which we could pull a lever at one place, get a precise result at another, and know with certainty which lever to pull or for which result.
Anonymous
If you knew which levers to pull, you could stop time just long enough to save the things you love most.
Ariel Sabar (My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq)
We seemed to be quite adept at pulling the eject lever on frying pan and landing our happy tails in the fire.
Bryan James (Redemption (LZR-1143, #3))
I had this awareness of Elly, this pleasant, physical recognition of her, which made me conscious of my own body whenever we talked. Like in those TV movies when there's a kid inside a robot moving levers to make the robot arms extend and the robot knees flex, and things go pretty smoothly until the kid gets nervous and pulls the wrong lever and the knee comes up for a handshake and the fingers open when they're supposed to close. It's like there's a second self inside your regular self and it's constantly going, "Now take the ice cubes from Elly. Now smile." It's a perpetual monologue inside your head, which is why it can be hard to make conversation with the girl you're actually talking to.
Stephanie Grant (Map of Ireland: A Novel)
Achieving simplicity begins with the basic notion that you’re the captain of your fate: you are in control, steer the rudder, pull the lever, flip the switch, and call the shots.
Jeff Davidson
It's the ultimate twist of the American dream: pull a lever and you might have it all. Ride out another roll of the dice and you'll become someone. Vegas was built on destroying people. It still is.
Geneva Lee (By Invitation Only (Gilt, #1))
But the problem isn’t just a few frighteningly dumb politicians. The problem is they represent a frighteningly dumb electorate. The reason Louis Gohmert is a United States Congressman is that 180,000 Gohmers and Gohmettes in Texas’ First District pulled the lever to send his bald-headed goober ass to D.C. Mr. Shitkicker goes to Washington. Apparently, it takes a village full of idiots to elect a village idiot. Sadly,
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
CEO commitment is the starting point. In India, winning requires a very different business leader—an entrepreneurial general manager rather than a salesperson and, ideally, a senior and trusted insider with credibility and influence. It requires a different organizational structure or model, where India is managed like a geographic profit center, with the ability to make important operating decisions without enormous negotiations and persuasion. It needs a willingness to make long-term investments in developing capabilities on the ground and the willingness to sustain these through the inevitable vicissitudes. Therefore, escaping the midway trap requires the commitment of the entire leadership of the company to pull multiple levers before the whole organization flips to a new high-growth trajectory.
Ravi Venkatesan (Conquering the Chaos: Win in India, Win Everywhere)
Isn't it terrifying how instinctively the arm settles into the aiming of a gun? You've even put your finger on the lever marked Rock'n'roll, and that means you're 1% of the way along the road towards putting me down, shooter. The other 99% is just pulling the trigger.
Mark Crutchfield (The Last Best Gift: Eye Witnesses to the Celebrity Sabbath Massacre)
Making her laugh was the best, like winning a prize. I found myself making funny little comments on a regular basis, trying to amuse her. I was a rat pulling levers, hoping a food pellet would come my way.
Karen McQuestion (Edgewood (Edgewood #1))
I fell asleep and dreamed that I was a machine, mimicking the functions of life, creaking and clanking my clumsy way through a world, people too polite to say anything but giggling behind my back, and the little man who sat inside my head pulling the levers and clutches and watching the dials, he was hopelessly mad and was storing up hurts for the day- "Mandella—wake up, goddammit, your shift!
Joe Haldeman
Mom, I want something.” Lora grinned at her daughter, knowing that at some point she would have to curb the ‘I-wants’, but not just yet. “What’s that, honey?” “I want Chad to stay here with us. All the time.” Chad went still beside her, but when she looked up, he was grinning at Mercy. He glanced at her, brows raised, to check her response. Lora sucked in a breath, knowing that she was on uncharted, sandy ground. In her deepest heart, she wanted the same thing, but did she dare say it? As she looked into the gentle reassurance in his expression, she knew it would just take a tiny leap of courage. “Chad, would you like to stay here with us?” Lora forgot how to breathe as she waited for some kind of response. Chad seemed to be dragging out the anticipation though. After several long seconds, he nodded his head. But he held up a cautioning finger. “I would love to be a kept man, but it kind of goes three ways.” Moving from the couch, he went down on one knee in front of Mercy, sitting on the floor. He reached into his pocket and pulled out a tiny gold ring. “Mercy O’Neil, will you marry me and be my awesome daughter? To have and to hold, in muddy times and clean? And help me keep your mother happy and safe?” Mercy nodded her head as hard as she could, laughing and crying at the same time. She flung her arms around Chad’s neck and sobbed. Lora’s eyes were leaking as well, so overcome with love that he had thought to include Mercy. But then he turned his damp eyes to her and she was rocked with the deep-in-her-heart knowledge of what was coming next. Levering to his feet, still holding Mercy against him, he circled the table to kneel in front of her. Then he reached into that pocket again and pulled out a shining white gold solitaire ring. His eyes incredibly kind, he held it out. “Lora O’Neil, would you do me the honor of wearing my ring? I promise to protect you and love you as long as I’m allowed, in whatever way I’m allowed, and I promise to always have Starlight mints at the ready.” Lora wept with fear and joy and laughter, knowing that she would never find another man like him. Nodding, she held her shaking hand out and allowed him to slip the ring onto her finger. Then she whipped her arms around his neck, and the three of them rocked back and forth. He pulled back enough to capture her lips with his own, sealing the love between them. “No rush,” he murmured in her ear. “We’ll take it a day at a time. Just know that I love you with all my heart.” “And I love you,” she whispered. “More than I ever dared dream I could.” Mercy
J.M. Madden (Embattled Home (Lost and Found, #3))
In a simple system, if I pull a lever, I get the expected result. If I turn my wheel, the car turns. In a more complex system, I turn the wheel and there may be a very large amount of lag time.
Peter Schwartz (Learnings from the Long View)
He pulled on the lever and the gate opened, making a huge squealing sound.   It was a simmering hot day in Springfield. The sun pounded on Steve's helmet for a while until his head was pounding from the heat. He had been traveling for three hours now, he hasn't had a drink of water for a while now, so he decided to look for the nearest pond to get a drink of fresh water. He took out his map and pinpointed the exact location of a small pond. He made sure to tie the horse to the tree with a special knot he had learned in survival training. He jumped off, walked to the pond, and took out his cup. He drank water until his belly was full, then he decided he was going to sit down for a second and stretch his legs.   There was rustling in the bushes behind him. He unholstered his bow-gun, loaded the arrows, and turned around to see who it was. He couldn't see anything from where he was sitting, so he stood up and walked toward the sound. He looked behind the bushes but there was nothing. Then he heard rustling behind him. "Hold it right there," said a raspy voice behind him . Steve froze in place and slowly turned around. It was a villager holding an iron-sword. "Now, drop your weapon," Steve dropped his weapon. "Now kick the weapon over to me," Steve pushed the weapon toward the villager. He picked it up and unloaded the arrows from the chamber. "Now walk!" The villager poked Steve on the side and pointed toward a small cabin not far from there.   Villager:
Andrew J. (Pixel Stories: Journey Through Snowland (Book #3))
Lily smiled and stroked the aquiline jut of his arrogant nose. "I have married a monster. I suppose hard work is one way of preventing all the children we are likely to have if left to idleness." "Or of supporting them when they inevitably arrive. We will have to beware of planting seeds under the new moon in the future, or we will have a lively crop spilling out the walls." Cade swung from the bed and splashed in the pan that had replaced the porcelain washbowl. Amused, Lily levered herself up from the bed. "Is that how you succeeded in getting me pregnant with just one try? You planted me under a new moon?" Cade dried his face in a linen towel and came up grinning. He watched admiringly as the golden sun played across his wife's proud figure and danced through the silken strands of hair tumbling down her back. "Plowed and seeded, querida." He stopped smiling and reached to pull a stray strand of her hair over her shoulder. "Do you still regret it?" Lily tilted her head and studied his face. "I don't think I ever regretted it. I want this child, Cade. Does that seem strange?" "No." Because he wanted it too, but it was a concept Cade couldn't explain. He didn't want just any child, but he wanted this one—carried by a woman alien to anything he had ever known in his past but similar to him in so many ways. He kissed her then, not the usual kiss of lust that they shared, but a gentle kiss of understanding—and something else, but neither of them was ready to recognize it. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
This is similar to the Twister technique, in that you are using a two-handed grip on the big stick in order to duplicate the sudden redirection of short stick abaniko, or fan, technique. Start in right high guard with the stick resting over your right shoulder. Throw an overight, then suddenly change direction so that the stick travels 180 degrees in the opposite direction, striking the opponent in the knee or groin with an underleft. It helps to step out to the right with your right foot to clear a path for the second strike. Suddenly pull the left hand back and downward, like pulling a lever, while simultaneously pushing forward and upward with the right. One possible application is to draw the opponent's left hand up to block your overight strike, then drop down to strike at the opening created at his knee or groin. Practice this technique on the heavy bag, striving to make both strikes as powerful and as close together as possible.
Darrin Cook (Big Stick Combat: Baseball Bat, Cane, & Long Stick for Fitness and Self-Defense)
IV. IN THE MIDST OF FIRE          "Pull the secondary emergency lever!" cried the professor through the speaking tube to Washington. "We must reach the surface at once!"     "Are we damaged?" asked Andy, scrambling to his feet, for the shock had knocked him down. The professor had not fallen because he
Roy Rockwood (Great Marvel Collection: Volume One (The Great Marvel Collection Book 1))
How do companies, producing little more than bits of code displayed on a screen, seemingly control users’ minds?” Nir Eyal, a prominent Valley product consultant, asked in his 2014 book, Hooked: How to Build Habit-Forming Products. “Our actions have been engineered,” he explained. Services like Twitter and YouTube “habitually alter our everyday behavior, just as their designers intended.” One of Eyal’s favorite models is the slot machine. It is designed to answer your every action with visual, auditory, and tactile feedback. A ping when you insert a coin. A ka-chunk when you pull the lever. A flash of colored light when you release it. This is known as Pavlovian conditioning, named after the Russian physiologist Ivan Pavlov, who rang a bell each time he fed his dog, until, eventually, the bell alone sent his dog’s stomach churning and saliva glands pulsing, as if it could no longer differentiate the chiming of a bell from the physical sensation of eating. Slot machines work the same way, training your mind to conflate the thrill of winning with its mechanical clangs and buzzes. The act of pulling the lever, once meaningless, becomes pleasurable in itself. The reason is a neurological chemical called dopamine, the same one Parker had referenced at the media conference. Your brain releases small amounts of it when you fulfill some basic need, whether biological (hunger, sex) or social (affection, validation). Dopamine creates a positive association with whatever behaviors prompted its release, training you to repeat them. But when that dopamine reward system gets hijacked, it can compel you to repeat self-destructive behaviors. To place one more bet, binge on alcohol—or spend hours on apps even when they make you unhappy. Dopamine is social media’s accomplice inside your brain. It’s why your smartphone looks and feels like a slot machine, pulsing with colorful notification badges, whoosh sounds, and gentle vibrations. Those stimuli are neurologically meaningless on their own. But your phone pairs them with activities, like texting a friend or looking at photos, that are naturally rewarding. Social apps hijack a compulsion—a need to connect—that can be even more powerful than hunger or greed. Eyal describes a hypothetical woman, Barbra, who logs on to Facebook to see a photo uploaded by a family member. As she clicks through more photos or comments in response, her brain conflates feeling connected to people she loves with the bleeps and flashes of Facebook’s interface. “Over time,” Eyal writes, “Barbra begins to associate Facebook with her need for social connection.” She learns to serve that need with a behavior—using Facebook—that in fact will rarely fulfill it.
Max Fisher (The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World)
Are you really going to let this opportunity go to waste?” Avi chided. “What? What opportunity?” “The opportunity to say ‘Pull the lever, Cronk.
Onley James (Mad Man (Necessary Evils, #5))
Avi couldn’t stop the smile spreading across his face. “Three…two…one. Pull the lever, Cronk.
Onley James (Mad Man (Necessary Evils, #5))
Okay, next step, pop the hood. I open the driver’s side door, pull the lever, and release the lock to open it up. For a solid minute, I stare blankly at the engine, and then I decide it was a stupid idea to look because I don’t know shit about cars.
Corinne Michaels (Forbidden Hearts (Whitlock Family, #1))
Just because the gods aren’t there to pull the apocalypse lever doesn’t mean someone else can’t bump it.” I slumped against my truck and scrubbed my face with my hands. “Why does this happen to me? Why’s it always gotta be me?
Ramy Vance (Kidnapping Phoenixes and Other Ways to Die: The Complete Series)
A rubber band is attached to a lever. Pull on the lever to increase the tension in the room.
Jarod Kintz (99 Cents For Some Nonsense)
gadgets on the sides and a big silver whatchamacallit on the end. I sit in the center of this whoozis, like I say, and out there in the other room they are turning switches and pressing buttons and pulling levers and twirling dials and then they press a lot of do-funnys. The whole apparatus is sort of like one of those you-knows. Only with a lot more mechanisms. See?
Robert Bloch (The Fantastic Adventures of Lefty Feep (Giants of Sci-Fi Collection Book 9))
Which is to say: of course I am still lonely. I've come to see it as an inevitably rather than an indictment, a condition that will continue to go in and out of remission in ways I can never reliably track. Romantic comedy logic provides love as an antidote for loneliness - or, really, love as an antidote for everything. But we know that love is rarely unbounded or infallibly accessible. There's no lever to pull when we want to draw it closer, and to rely on other people for a cure is to ignore the expanse between free will and obligation. No one person can create a drip-line of availability and understanding into another.
Kristen Radtke (Seek You: A Journey Through American Loneliness (Pantheon Graphic Library))
Dali lunges out of the hatch, wanting to step onto the delta wing outside the airlock, but he’s whipped away in a fraction of a second. One moment, the Ranger was right there. The next, it’s gone. Up is down. An alien world spins around him. The horizon tumbles. Above him, the dark of space fades to a soft blue. Out on the edge of his vision, he can see mountains. They’re there and then they’re not. His head presses hard against the inside of his helmet as he spins out of control. If he doesn’t do something soon, he’s going to blackout. Even the massive letters on the LED beneath his helmet are a blur. His fingers reach for the handle on the side of his survival vest. He only hopes he hasn’t bumped the dial as his arms flayed around. Dali pulls the lever.
Peter Cawdron (Cold Eyes)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
She had to come back through the bedroom, though, and Kidd pulled a drawing stool over to the laptop bench, sat and waited. Seven or eight minutes later, naked as the day she was born, fresh out of the shower, Grant walked across the bedroom, wiping down her back with a long white terrycloth towel. She was, Kidd thought, a healthy lass. As Kidd watched, she tossed the towel on her bed and walked over to a side table, reached behind it, and must have pushed a button or moved a lever—a built-in bookcase on a sidewall smoothly rotated away from the wall. Grant stepped over to the safe and after punching in a string of numbers on the safe’s keypad, she pulled open the heavy steel door and started taking out jewelry cases.
John Sandford (Silken Prey (Lucas Davenport #23))
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
At that moment, Zeke and two of his men walked into the room.             “Nowhere to run, Micah. It seems that your little reunion is about to end.”             “Not really…” I said.             But right then and there, one of Zeke’s guys looked at the lever that was next to the door, the same lever next to which Jake stood when he confronted us before he made us give up the compass, the lever that made the floor open up. The guy looked at the lever for a second and then he pulled it.             A second later, the floor started moving and the blocks started going away. But that second was enough for Micah, Jerry and I to jump into the streams of water that we had poured previously.             The fall was pretty gentle and within seconds, the water carried us safely to the forest down below.             Jake, on the other hand, wasn’t that fortunate.             When we reached the forest floor, we saw the golden compass on the ground, along with Jake’s other possessions that he had in his inventory.             We wasted no time. Micah grabbed the golden compass and we immediately ran off into the woods.             “That was a close one…” I said while running.     Other books in The Dragon’s Mountain Trilogy Part 2 Part 3
Mark Mulle (The Dragon's Mountain, Book One: Attacked by the Griefers (An Unofficial Minecraft Book for Kids Age 9-12))
Take, for instance, several classic studies with animal models. A baboon, say, is shown that if it pushes a lever then some food will drop through a dispenser. But the animal doesn’t know which push of the lever will be the one that will deliver the food. “The baboon will press the lever at a very steady rate. ‘Is the food there yet, is the food there yet?’ Each press is like a question,” explains Dan Bernstein, a professor of psychology at the University of Kansas, where he has an office down the hall from Dr. Atchley. It may not be a comfortable comparison for some. But the image of a baboon pulling a lever for food is not all that dissimilar from a person obsessively pecking at their phone waiting for the next email to appear.
Matt Richtel (A Deadly Wandering: A Mystery, a Landmark Investigation, and the Astonishing Science of Attention in the Digital Age)
Tim turned around, and took a few steps away from her. It was as though a lever had been pulled that activated several mixtures of emotions that left him in a bizarre land searching through a wide forest for a particular tree that had an emergency shade of peace. He turned back around, and stood with his hands in his pockets. An empty bucket of happiness had been dumped out on the road of his burst bubble, and left him longing for the substance of a smile.
Calvin W. Allison (Strong Love Church)
After decades of people never being taught how to pray, how to talk to the Creator and King of the world, we begin to pray in the language that comes most naturally. But selfishness is our mother tongue. Tell people to “pray what’s in their heart,” and they will pray selfishly. They will ask for stuff, and plead for more, and raise their hands to the sky to pull down an imaginary lever of prosperity, seeking satisfaction for their insatiable souls.
Glenn Packiam (Discover the Mystery of Faith: How Worship Shapes Believing)
How easy it would have been to take control, to treat the body like a cart or chariot—a humble vehicle to be ridden where I pleased! The faintest of temptations ran through me … Without a second’s pause, I could have closed in upon the brain and damped down its little energies, set myself to pull the levers to keep the mechanism going…. No doubt Nouda and Faquarl and Naeryan and all the rest had been pleased to do this. It was their revenge in microcosm, their triumph over humanity carried out in miniature. But that was not for me. Not that it wasn’t tempting, mind.
Anonymous
THE THING ABOUT the new toilet is that it removes the evidence in such a hurry. The flush toilet, more than any single invention, has “civilized” us in a way that religion and law could never accomplish. No more the morning office of the chamber pot or outhouse, where sights and sounds and odors reminded us of the corruptibility of flesh. Since Crapper’s marvelous invention, we need only pull the lever behind us and the evidence disappears, a kind of rapture that removes the nuisance. This dynamic is what the sociologist, Phillip Slater, called “The Toilet Assumption,” back in the seventies in a book called The Pursuit of Loneliness. He was right: having lost the regular necessity of dealing with unpleasantries, we have lost the ability to do so when the need arises. And we have lost the community well versed in these calamities. In short, when shit happens, we feel alone.
Thomas Lynch (The Depositions: New and Selected Essays on Being and Ceasing to Be)
turned and gazed up at the empty hatch. Sheena was already in the water. “Courage,” I whispered. That’s the official slogan of the Undersea Mutant. I searched the control panel. I found a lever marked ANCHOR. I pulled the lever down and heard a loud buzz. Some kind of electric anchor. At least the sub would be here, ready for our return. I pulled myself up to the top of the hatch. Shielding my eyes with one hand, I squinted into the distance. Yes. A long yellow sand island. I could see some trees near the shore. “Come on, Billy — jump!” Sheena called. She floated on her back alongside the sub.
R.L. Stine (Creep From the Deep (Goosebumps HorrorLand #2))
One of the problems with contemporary youth group spirituality is that it seems to operate according to the same principles as any other “event”: a kind of manipulated, managed “experience” that essentially relies on natural strategies, pulling the same heartstrings with the same lever as any other concert or football game or pep rally. The very similarity we wanted in order to keep young people entertained is precisely what makes them suspicious that there’s nothing really transcendent going on here. Thus our well-intentioned Christian events end up naturalizing the world and leading to disenchantment. In contrast, the strange rites of ancient Christian worship carry in their very “weirdness” a disorienting haunting of transcendence.
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
Raskin stepped away to the narrow end of the trench. Opened the revolver’s cylinder and saw a single cartridge. Closed the cylinder again and turned it until it was lined up right. Then he pulled the hammer back and put the barrel in his mouth. He turned around, so that he was facing the Zec and his back was to the trench. He shuffled backward until his heels were on the edge of the hole. He stood still and straight and balanced and composed, like an Olympic diver preparing for a difficult backward pike off the high board. He closed his eyes. He pulled the trigger. For a mile around black crows rose noisily into the air. Blood and brain and bone arced through the sunlight in a perfect parabola. Raskin’s body fell backward and landed stretched out and flat in the bottom of the trench. The crows settled back to earth and the faint noise of the distant stone-crushing machines rolled back in and sounded like silence. Then the Zec clambered up into the Caterpillar’s cab and started the engine. The levers all had knobs as big as pool balls, which made them easy to manipulate with his palms.
Lee Child (One Shot (Jack Reacher, #9))
Systemic racism is a machine that runs whether we pull levers or not, and by just letting it be, we are responsible for what it produces. We have to actually dismantle the machine if we want to make change.
Ojeoma Oluo
In my father’s obsession with his mother tongue, I had already glimpsed this: If you knew which levers to pull, you could stop time just long enough to save the things you loved most.
Ariel Sabar (My Father's Paradise: A Son's Search for His Jewish Past in Kurdish Iraq)
Key results are the levers you pull, the marks you hit to achieve the goal. If an objective is well framed, three to five KRs will usually be adequate to reach it. Too many can dilute focus and obscure progress. Besides, each key result should be a challenge in its own right. If you’re certain you’re going to nail it, you’re probably not pushing hard enough.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
We’ll get him eventually, but I sure wouldn’t want anything happening before we do.” Nolan shook the sheriff’s hand. “No hard feelings, Sheriff. You were doing your job. I’ll have to admit, the last three weeks were like a vacation, especially when you started leaving the jail cell door open. I know I haven’t eaten that good in a long time.” The two men laughed. Nolan shrugged into his coat and handed his rifle to Rocky. “Here you go, Button. You can carry that for me. Just be sure you don’t let that muzzle point at anyone.” “Yes, sir,” Rocky said. His little chest puffed out like a strutting rooster as he followed Nolan out of the sheriff’s office. The two of them headed down to the stable. Free. It feels good. I wonder if Melinda will have me? I hope I’ve found a home. It’s about time for an old, broken-down cowboy like me. In fact, I think I might buy the Slash Bar. Couldn’t ask for a better neighbor than Cletus. Rocky was chattering away as they walked to the stable. Nolan was looking forward to seeing Duke. They neared the door to the barn and started to turn in when Whitey growled. Without pausing, Nolan pushed Rocky to the ground and drew his Colt. Grady was standing deep inside the shadowed stable. He had his rifle against his shoulder, hammer back, waiting for Nolan. Lester was lying at his feet, unconscious. He pulled the trigger as Nolan came into view, but Nolan dove. He moved just enough so that Grady’s bullet hit the door facing where he had been standing when Whitey growled his warning. Nolan watched as Grady attempted to worked the lever of the Winchester, holding his fire, not wanting to kill the young man. “Don’t do it, Grady. Drop the rifle.” “I’m going to kill you, Parker.” He waited until he could wait no longer. Grady continued to fumble, trying to close the lever, his bum finger still hampering him. Nolan had been in several gunfights. He knew the smart move was always to shoot for the body. He had learned that as a young man and had never deviated. But today was different. He raised his Colt in front of him and took a steady aim. It took only a slight amount of pressure on the sensitive trigger to send a 255 grain chunk of lead flying toward Grady. The bullet slammed into the forearm of the Winchester, coursed down the right side, plowing into the knuckles of the index and trigger finger of Grady’s right hand, then drove through the hand, exiting out at the wrist. The boy screamed like a panther and fell to the ground, cradling his ruined right hand in his left. Blood poured from between his remaining fingers. Nolan glanced at Rocky, made sure he was okay, and then moved quickly to Grady. Grady was moaning and rocking back and forth. “You ruined my shooting hand.” “I could have killed you. Prison will give you plenty of time to think about that. You’ve got a chance now, boy. Change your ways.” He reached down and pulled Grady’s six-gun from its holster and walked out of the stable.
Donald L. Robertson (Because of a Dog: A Western Novella)
I found the milk machine, pulled the lever down and watched, confused, as it funneled out, chunky as cottage cheese. I shrugged and sniffed. It smelled all kinds of wrong, but I remember downing that spoiled milk like it was a fresh glass of sweet tea, courtesy of another hellacious special forces school that put us through so much, by the end anybody who survived was grateful for their cold glass of spoiled milk.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
The Ubiet’s stored on a drop rack. Go straight ahead ten meters, grip the lever on that console, and pull. The ship will release the rack. Grab the Ubiet and get out. Don’t worry about what it looks like—you’re fated to choose it correctly.” “Why!” “Conservation of parsimony. If you didn’t get it on the first try you’d have to try again, which is redundant. The Ubiet can influence free will to create cleaner narrative trajectories. It wants to help you use
Seth Dickinson (Exordia)
The man shot up with a yelp as a dark patch spread across his jeans. Lucky darted toward the exit and pulled the silver lever, that curious object of agency unique to Paris’s metro, and the train doors sprang apart. From the platform, she could hear him calling her a bitch as passengers
Coco Mellors (Blue Sisters)
The drugs we use to treat Parkinson’s disease are indiscriminate, flooding the brain with dopamine without consideration to the delicate balance of the basal ganglia. A side effect of some of these dopaminergic drugs is a sort of hedonism, a compulsion to engage in addictive behaviors—sex, eating, gambling, shopping. The patients described in early reports on this phenomenon were nurses and pastors, computer programmers and car dealers. They were middle-aged and happily married before they began treating their Parkinson’s disease. Like the rats who learned to pull a lever for a rush of dopamine, they favored slot machines for the immediate payoff. After starting a dopaminergic medication, one patient reported that he felt an “incredible compulsion” to gamble, even when he “logically knew it was time to quit.” One sixty-eight-year-old man lost hundreds of thousands of dollars at casinos over six months, gambling for days at a time; his compulsion to gamble stopped entirely six months after stopping his medication. Another man gained fifty pounds and developed an addiction to pornography that stopped a month after he stopped his medications.
Pria Anand (The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains)
psychological claim: “A belief is a lever that, once pulled, moves almost everything else in a person’s life.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Next, you’re going to use the Let Them Theory to reset your stress response. Think of it as an on-off switch—a little lever you can pull inside your brain whenever something happens that stresses you out. The moment you say Let Them, you are signaling to your brain that it’s okay: This isn’t worth stressing about. You are telling your amygdala to turn off. You are resetting that stress response by detaching from the negative emotion you feel.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
Walter kneeled down and pulled out the enamel canister. The lid stuck at first, but by using the file on his nail clipper, he levered the top off, and there, in a plastic bag tied with a twisty, was what remained of Carlos. He looked at the white ash and bits of gray bone matter. That people you loved died was unacceptable. Also that people you fucked wanted you to vanish was unacceptable. But really it was mostly that people you loved died—this was completely unacceptable. He sat the canister on the nightstand and lit a cigarette, blew out a tendril of smoke. Carlos had been explicit about his ashes; he wanted them scattered down by Bargemusic. Walter had been putting it off, but as soon as it got light he decided to walk down to the bridge. He thought of the ashes floating down into the East River, the fine gray dust burnt clean and pure.
Darcey Steinke (Milk: A Novel)
you give money without conditions, it will lead to massive resentment on your end. The money is not a gift. And unconditional love does not mean unconditional financial support. Often unconditional love means withdrawing financial support. This is very hard, especially for parents of adult children who are struggling, and it’s often the very last lever that is pulled.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
Stage 2 (Tribe): The Founder Manages the People Who Are Pulling the Levers
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
Stage 3 (Village): The Founder Designs an Organization That Pulls the Levers
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
Stage 1 (Family): The Founder Personally Pulls the Levers of Hypergrowth
Reid Hoffman (Blitzscaling: The Lightning-Fast Path to Building Massively Valuable Companies)
More common than such spectacular but idiosyncratic stunts was the building of secret compartments into trucks and regular cars, in which passengers could be smuggled to the West. Those driving back into West Berlin from the East were automatically required to open up their car boots and bonnets. A compartment had to be fitted out so that only a thorough inspection, if necessary a dismantling of the entire vehicle, could be guaranteed to find the concealed fugitive. In Burkhart Veigel’s converted Cadillac (which was painted a different colour and provided with different plates and licence documents for each trip) the secret compartment could be opened only by a complicated process involving button-pushing, lever-pulling, opening the front driver’s door at an angle of thirty degrees – and tuning the radio to an exact, preprogrammed frequency. The area between the dashboard and the engine was a favourite, as was that behind or under the rear seat. In the end, the success of such methods brought on the use of X-ray devices.
Frederick Taylor (The Berlin Wall: August 13, 1961 - November 9, 1989)
Sometimes it’s awful, sometimes it’s close but not quite there, and sometimes it blows your socks off. Each of the good payouts delivers a tiny hit of dopamine, a neurochemical reward that makes us feel good and encourages us to pull the lever again.
Gene Kim (Vibe Coding: Building Production-Grade Software With GenAI, Chat, Agents, and Beyond)
But something had happened to her confidence in those months, and even when restrictions eased, her own life barely altered. It was as if she’d returned from a foreign country and not let anyone know. The threshold of her flat seemed like a high diving board, too big a leap, too many people watching, and even when she made it out, what did she have to say? Conversation required a warm-up now, time set aside to workshop smiles and responses, and she no longer trusted her face to do the right thing, operating it manually, pulling levers, turning dials, for fear that she might laugh at someone’s tragedy or grimace at their joke. In Japan and California, they were developing robots with a more natural and spontaneous set of responses than she currently possessed.
David Nicholls (You Are Here)
Lief pulled out his dagger, crouched over the Belt. His fingertips tingled as quickly, quickly, he used the dagger’s tip to lever the gems from their places, one by one. It seemed to him that they came easily, helping him. Helping him again as he replaced them — but this time in a different order. The right order. Diamond. Emerald. Lapis lazuli. Topaz. Opal. Ruby. Amethyst. DELTORA.
Emily Rodda (Return to Del (Deltora Quest, #8))
executioners pull the lever at the same time, so as to conceal who really ended someone's life.
singNsong (Omniscient Reader's Viewpoint, Vol. 1)