Pelican Quotes

We've searched our database for all the quotes and captions related to Pelican. Here they are! All 100 of them:

A wonderful bird is the Pelican. His beak can hold more than his belly can. He can hold in his beak Enough food for a week! But I'll be darned if I know how the hellican?
Dixon Lanier Merritt
Lem nodded. “It is. But a terrible idea executed brilliantly has to be better than a brilliant idea executed terribly. I mean, look at pelicans.
Brandon Sanderson (Tress of the Emerald Sea)
Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.
Richard Bach (Jonathan Livingston Seagull)
Below me Rontu was running along the cliffs barking at the screaming gulls. Pelicans were chattering as they finished the blue water. But suddenly I thought of Tutok, and the island seemed very quiet.
Scott O'Dell (Island of the Blue Dolphins)
He wondered why the pelican was the symbol of charity, except it was that it wanted a good deal of charity to admire a pelican.
G.K. Chesterton
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
a terrible idea executed brilliantly has to be better than a brilliant idea executed terribly. I mean, look at pelicans.
Brandon Sanderson (Tress of the Emerald Sea)
95% of economics is common sense
Ha-Joon Chang (Economics: The User's Guide (Pelican Books))
But what between the poor men I won't have, and the rich men who won't have me, I stand as a pelican in the wilderness!
Thomas Hardy (Far from the Madding Crowd)
Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. Yachts run before an unfelt gust with bagnecked pelicans riding above them, the city their twitching backdrop, all blocks and points of mirror light down to the water's edge.
Tim Winton (Cloudstreet)
Sometimes I have trouble sleeping. It’s weird—I can feel exhausted but still, I just lie there wide awake, staring up into the dark with all sorts of ideas bombarding me like dead pelicans
Tim Tharp (The Spectacular Now)
The storm is over, there is sunlight in my heart. I have a glass of wine and sit thinking of what has passed.
P.G. Wodehouse (A Pelican at Blandings (Blandings Castle, #11))
A pelican that is wet walks with a gaited limp, and the dry fish swims alone.
Bill Cosby
Goal: Clean air, clean clear-running rivers, the presence of Pelican and Osprey and Gray Whale in our lives; salmon and trout in our streams; unmuddied language and good dreams.
Gary Snyder (Turtle Island)
Come to the beach with me And watch the pelicans die, Hear their feeble screams Calling to an empty sky Where once they played And scouted for food, Not scavenging like the gulls But plummeting unafraid Into friendly waters. Come to the beach with me And watch the pelicans die, Listen to their feeble screams Calling to an empty sky. Maybe Christ will walk by And save them in their final toil Or work a miracle from the shore, A courtesy of Union Oil. Come to the beach with me And watch the pelicans die. My God! They'll never fly again. It's worse than Normandy somehow, For there we only murdered men.
James Kavanaugh (There Are Men Too Gentle to Live Among Wolves)
On a clear day the Oregon coast is the most beautiful place on earth—clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line.
Brian Doyle (Mink River)
intricately
Vickie McKeehan (Sea Glass Cottage (Pelican Pointe, #7))
I suppose it’s traditional to go down on one knee at this point, but the pelicans have been busy and you’re sitting on my handkerchief.
Sarah Haywood (The Cactus)
Once poor people are persuaded that their poverty is their own fault, that whoever has made a lot of money must deserve it and that they too could become rich if they tried hard enough, life becomes easier for the rich.
Ha-Joon Chang (Economics: The User's Guide: A Pelican Introduction)
Every creature on earth returns to home. It is ironic that we have made wildlife refuges for ibis, pelican, egret, wolf, crane, deer, mouse, moose, and bear, but not for ourselves in the places we live day after day. We understand that the loss of habitat is the most disastrous event that can occur to a free creauture. We fervently point out how other creatures' natural territories have become surrounded by cities, ranches, highways, noise, and other dissonance, as though we are not affected also. We know that for creatures to live on, they must at least from time to time have a home place, a place where they feel both protected and free
Clarissa Pinkola Estés (Women Who Run With the Wolves)
When a man was alone too much, he had only himself to look into, and what he found there was all manner of darkness.
Howard Bahr (Pelican Road)
This is another one of those creatures whom, like the pelican, I have fed with the blood of my own heart... There were special circumstances close at hand, urgent, troubling me, and they resulted in the state of mind that produced Werther. I had lived, loved, and suffered much... That's what it was.
Johann Wolfgang von Goethe
He sang the brightness of mornings and green rivers, He sang of smoking water in the rose-colored daybreaks, Of colors: cinnabar, carmine, burnt sienna, blue, Of the delight of swimming in the sea under marble cliffs, Of feasting on a terrace above the tumult of a fishing port, Of tastes of wine, olive oil, almonds, mustard, salt. Of the flight of the swallow, the falcon, Of a dignified flock of pelicans above the bay, Of the scent of an armful of lilacs in summer rain, Of his having composed his words always against death And of having made no rhyme in praise of nothingness.
Czesław Miłosz
Well, if she doesn't like pelicans she must be very disagreeable.
Tess Oliver (Blood Tide)
The more specific you are about your resolution, the better your chance of sticking with it. Don’t just say, “I want to lose weight.” Say, “When my arm jiggles, I want it to look less like a pelican’s throat-pouch choking down a bass.
Colin Nissan
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
After all, when ‘the Lord saw how great the wickedness of the human race had become’ He resolved to ‘wipe from the face of the earth the human race I have created – and with them the animals, the birds and the creatures that move along the ground – for I regret that I have made them’ (Genesis 6:7). The Bible thinks it is perfectly all right to destroy all animals as punishment for the crimes of Homo sapiens, as if the existence of giraffes, pelicans and ladybirds has lost all purpose if humans misbehave. The Bible could not imagine a scenario in which God repents having created Homo sapiens, wipes this sinful ape off the face of the earth, and then spends eternity enjoying the antics of ostriches, kangaroos and panda bears.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Ploffskin, Pluffskin, Pelican jee! We think no Birds so happy as we! Plumpskin, Ploshkin, Pelican jill! We think so then, and we thought so still!
Edward Lear (The Nonsense Books Collection (ShandonPress))
Sturdy swimmers afloat on water-couch Beneath the heavy bill their treasured pouch Fishes pray for them to fly far away Inland lakes toast to the Pelican’s day
Munia Khan
You are a king.” “Not while I wear this coat.” “Even with a pelican on your head, you’d still be the king of Ravka, and it wouldn’t kill that Barrel rat to show a bit of respect.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Get away, Maryann, or go on with your scrubbing, or do something! You ought to be married by this time, and not here troubling me!" "Ay, mistress—so I did. But what between the poor men I won't have, and the rich men who won't have me, I stand as a pelican in the wilderness!
Thomas Hardy (Far From the Madding Crowd)
docent,
Vickie McKeehan (Lavender Beach (Pelican Pointe, #8))
cairn
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
The cases described in this section (The Fear of Being) may seem extreme, but I have become convinced that they are not as uncommon as one would think. Beneath the seemingly rational exterior of our lives is a fear of insanity. We dare not question the values by which we live or rebel against the roles we play for fear of putting our sanity into doubt. We are like the inmates of a mental institution who must accept its inhumanity and insensitivity as caring and knowledgeableness if they hope to be regarded as sane enough to leave. The question who is sane and who is crazy was the theme of the novel One Flew Over The Cuckoo's Nest. The question, what is sanity? was clearly asked in the play Equus. The idea that much of what we do is insane and that if we want to be sane, we must let ourselves go crazy has been strongly advanced by R.D. Laing. In the preface to the Pelican edition of his book The Divided Self, Laing writes: "In the context of our present pervasive madness that we call normality, sanity, freedom, all of our frames of reference are ambiguous and equivocal." And in the same preface: "Thus I would wish to emphasize that our 'normal' 'adjusted' state is too often the abdication of ecstasy, the betrayal of our true potentialities; that many of us are only too successful in acquiring a false self to adapt to false realities." Wilhelm Reich had a somewhat similar view of present-day human behavior. Thus Reich says, "Homo normalis blocks off entirely the perception of basic orgonotic functioning by means of rigid armoring; in the schizophrenic, on the other hand, the armoring practically breaks down and thus the biosystem is flooded with deep experiences from the biophysical core with which it cannot cope." The "deep experiences" to which Reich refers are the pleasurable streaming sensations associated with intense excitation that is mainly sexual in nature. The schizophrenic cannot cope with these sensations because his body is too contracted to tolerate the charge. Unable to "block" the excitation or reduce it as a neurotic can, and unable to "stand" the charge, the schizophrenic is literally "driven crazy." But the neurotic does not escape so easily either. He avoids insanity by blocking the excitation, that is, by reducing it to a point where there is no danger of explosion, or bursting. In effect the neurotic undergoes a psychological castration. However, the potential for explosive release is still present in his body, although it is rigidly guarded as if it were a bomb. The neurotic is on guard against himself, terrified to let go of his defenses and allow his feelings free expression. Having become, as Reich calls him, "homo normalis," having bartered his freedom and ecstasy for the security of being "well adjusted," he sees the alternative as "crazy." And in a sense he is right. Without going "crazy," without becoming "mad," so mad that he could kill, it is impossible to give up the defenses that protect him in the same way that a mental institution protects its inmates from self-destruction and the destruction of others.
Alexander Lowen (Fear Of Life)
As I drove, I thought about the past year. It was amazing that I was noticing things like the ocean sparkle and stink, the pelicans, the crash of the waves, and the islands. Depression made you not notice things like that. It closed your world down and you didn’t enjoy anything at all. It was just too hard to do anything. Think. Move. Appreciate. Breathe. Too hard to do any of that.
Leslie McAdam (The Sun and the Moon (Giving You... #1))
Life insurance pays off triple if you die on a business trip. I prayed for wind shear effect. I prayed for pelicans sucked into the turbines and loose bolts and ice on the wings. On takeoff, as the plane pushed down the runway and the flaps tilted up, with our seats in their full upright position and our tray tables stowed and all personal carry-on baggage in the overhead compartment, as the end of the runway ran up to meet us with our smoking materials extinguished, I prayed for a crash.
Chuck Palahniuk (Fight Club)
There are probably two key aspects of culture that stand out as being uniquely human. One is religion and the other is story-telling. There is no other living species, whether ape or crow, that do either of these. They are entirely and genuinely unique to humans.
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
Without the freedom to make ‘mistakes’, people cannot learn to take control of their lives successfully.
Guy Standing (A Pelican Introduction: Basic Income)
tannin
Vickie McKeehan (Starlight Dunes (Pelican Pointe, #5))
cajoled
Vickie McKeehan (Promise Cove (Pelican Pointe, #1))
In primates at least, infanticide seems to have been the crucial factor driving the evolution of monogamous mating systems.
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
She watched a serrated formation of brown pelicans slice the sky and leave no scar.
Dean Koontz (Final Hour (Ashley Bell, #0.5))
I invented the pelican, but probably not the acorn or unicorn.
Daniel Davis
So why the pelican? Said Haskoll. The thief was giving Haskoll a look that said, Man, why NOT the pelican?
Adam Rex (Unlucky Charms)
He was neutral on prayer, skeptical of free speech, sympathetic to tax protestors, indifferent to Indians, afraid of blacks, tough on pornographers, soft on criminals, and fairly consistent in his protection of the environment
John Grisham (The Pelican Brief)
What kind of name is Siler-Spence? I mean, what's wrong with these women who use hyphens? What if her name was Skowinski and she married a guy named Levondowski? Would her little liberated soul insist she go through life as F.Gwendolin Skowinski- Levondowski?
John Grisham (The Pelican Brief)
And everyone loved sunsets. The light lost its sanity as it fell over the hills and into the Pacific--it went red and deeper red, orange, and even green. The skies seemed to melt, like lava eating black rock into great bite marks of burning. Sometimes all the town stopped and stared west. Shopkeepers came from their rooms to stand in the street. Families brought out their invalids on pallets and in wheelbarrows to wave their bent wrists at the madness consuming their sky. Swirls of gulls and pelicans like God's own confetti snowed across those sky riots.
Luis Alberto Urrea (The House of Broken Angels)
Why, Jon, why?” his mother asked. “Why is it so hard to be like the rest of the flock, Jon? Why can’t you leave low flying to the pelicans, the albatross? Why don’t you eat? Son, you’re bone and feathers!” “I don’t mind being bone and feathers, mom. I just want to know what I can do in the air and what I can’t, that’s all. I just want to know.
Richard Bach (Jonathan Livingston Seagull)
copse
Vickie McKeehan (Lighthouse Reef (Pelican Pointe, #4))
empanadas,
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
scurrilous
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
innately
Vickie McKeehan (Dancing Tides (Pelican Pointe, #3))
carob
Vickie McKeehan (Lavender Beach (Pelican Pointe, #8))
Stupidity had to be dealt with and paid for and then moved beyond to get to the other side. He
Vickie McKeehan (Dancing Tides (Pelican Pointe, #3))
As Siri walked along that oh-so-noisy riverbank on his way to work, he saw a pelican gliding above the surface of the water. It was a marvelous bird, proud and resourceful, and he imagined how it would taste with a little chili paste and fresh yams. Hungry people made poor environmentalists.
Colin Cotterill (Love Songs From A Shallow Grave (Dr. Siri Paiboun, #7))
The place closest to your soul isn't your heart," Kirah explained. "It's your stomach. Anger, love, and sorrow simmer together there, like bubbles in a cauldron. People of the Wing believe that when the Pelican breathed each soul into being, it wrote two secrets on a burning coal: your greatest good and your best desire. You swallowed the coal before being born, and it burned in your belly. That's why we wail as newborns, Mama would say.
Jordan Ifueko (Raybearer (Raybearer, #1))
Your home is your safe harbor; may it shelter you from the outside world during tough times and happy ones. May you find peace and harmony here for as long as you call this place home. For all who enter, may God bless. Amen.
Vickie McKeehan (Keeping Cape Summer (Pelican Pointe, #11))
The pelicans paddle in coils of waves and light. Low tide reveals fissures of saltwater and rock. From the smallest crevices color insists-colonies of jade anemones, a purple starfish harvest, barnacles hiding beaks of unbleached linen, black mussel bouquets. Between the air and sea, -this, one large prayer. I kneel.
Michelle Peñaloza (Former Possessions of the Spanish Empire)
We have about eighty thousand people in solitary confinement in this country, more than anywhere in the world. In California’s Pelican Bay state prison alone, more than five hundred prisoners had spent at least a decade in the hole. Eighty-nine had been there for at least twenty years. One had been in solitary for forty-two years.
Shane Bauer (American Prison: A Reporter's Undercover Journey into the Business of Punishment)
Carefully she took the paper off to find a secondhand Webster's dictionary. "Oh, Tate, thank you." "Look inside," he said. Tucked in the P section was a pelican feather, forget-me-not blossoms pressed between two pages of the Fs, a dried mushroom under M. So many treasures were stashed among the pages, the book would not completely close.
Delia Owens (Where the Crawdads Sing)
apparition,
Vickie McKeehan (Dancing Tides (Pelican Pointe, #3))
consecration
Vickie McKeehan (Starlight Dunes (Pelican Pointe, #5))
malevolent.
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
acerbic
Vickie McKeehan (Hidden Moon Bay (Pelican Pointe, #2))
A man, to use an old-fashioned phrase, of some twenty-eight summers, he gave the impression at the moment of having experienced at least that number of very hard winters
P.G. Wodehouse (A Pelican at Blandings (Blandings Castle, #11))
the horse for the first time? Shoot. I should
Vickie McKeehan (Promise Cove (Pelican Pointe, #1))
Skip had loved that lighthouse—and all it symbolized. Light in the darkness. Guidance through turbulent waters. Salvation for the floundering. Hope for lost souls.
Irene Hannon (Pelican Point (Hope Harbor, #4))
Go with the flow--because you can't fight a tide God sets in motion.
Irene Hannon (Pelican Point (Hope Harbor, #4))
What is the point of having all this freedom if I have no one to give it up for?
Mallory Nygard (Pelican: Poems)
hospital
Vickie McKeehan (The Coast Road Home (Pelican Pointe, #13))
Having returned from their nests in whatever lagoons, brown pelicans glided effortlessly in formation, eternally silent, while shrieking crows darted
Dean Koontz (Elsewhere)
She fought. She kicked. She did her best to scream, moving her head wildly back and forth, but the huge hand refused to budge. By sheer force he dragged her in the direction of the stairwell. She resisted the only way she could. She dug her heels into the cement to try to stop his progress. But ultimately he
Vickie McKeehan (Hidden Moon Bay (Pelican Pointe, #2))
Blacks, women, immigrants, refugees, brown pelicans—all have cut ahead of you in line. But it’s people like you who have made this country great. You feel uneasy. It has to be said: the line cutters irritate you. They are violating rules of fairness. You resent them, and you feel it’s right that you do. So do your friends. Fox commentators reflect your feelings, for your deep story is also the Fox News deep story.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
IF anybody had been there to observe the gentle-looking elderly lady who stood meditatively on the loggia outside her bungalow, they would have thought she had nothing more on her mind than deliberation on how to arrange her time that day. An expedition, perhaps, to Castle Cliff; a visit to Jamestown; a nice drive and lunch at Pelican Point_ or just a quiet morning on the beach. But the gentle old lady was deliberating quite other matters. She was in a militant mood.
Agatha Christie (A Caribbean Mystery (Miss Marple, #9))
A squadron of brown pelicans flew overhead, their shape and wingspan so effortless in the morning air that their appearance seemed a quiet psalm in praise of flight itself. They passed over us like shadows stolen from the souls of other shadows.
Pat Conroy (Beach Music)
I'm not lying, I was a killer Helen Burns. I stepped out on to that stage like I was the Great Esquimaux Curlew. When Jane Eyre came to look at my book-- which happened to be Our Town -- I handed it to her just right. When Miss Scatchard told me I never cleaned my nails, I was about as quiet and innocent as a Large-Billed Puffin. When she hit me a dozen times with a bunch of twigs, I was the Brown Pelican: I didn't bat an eye -- and you try getting hit a dozen times with a bunch of twigs. And when I had to die, people were crying. Really. And you know why? Because I was the Black-Backed Gull, and so people cried like Helen Burns was their best friend.
Gary D. Schmidt
And to love such a librarian requires a surrendering to her eccentricities, a bowing to her pathological quietness, an obeisance to a reticence that is utterly untreatable. If you cannot commit to this sort of dedication, then let her be. Let her wander in wonder among her books and live out her days in her own world without you.
Jesse Giles Christiansen (Pelican Bay)
How about some perfume?” Carol asked, moving toward her with the bottle. She touched Therese’s forehead with her fingers, at the hairline where she had kissed her that day. “You remind me of the woman I once saw,” Therese said, “somewhere off Lexington. Not you but the light. She was combing her hair up.” Therese stopped, but Carol waited for her to go on. Carol always waited, and she could never say exactly what she wanted to say. “Early one morning when I was on the way to work, and I remember it was starting to rain, she floundered on. “I saw her in a window.” She really could not go on, about standing there for perhaps three or four minutes, wishing with an intensity that drained her strength that she knew the woman, that she might be welcome if she went to the house and knocked on the door, wishing she could do that instead of going on to her job at the Pelican Press. “My little orphan,” Carol said. Therese smiled. There was nothing dismal, no sting in the word when Carol said it.
Patricia Highsmith (The Price of Salt)
modicum
Vickie McKeehan (Dancing Tides (Pelican Pointe, #3))
enigma,
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
celosia
Vickie McKeehan (Last Chance Harbor (Pelican Pointe, #6))
indigenous
Vickie McKeehan (Starlight Dunes (Pelican Pointe, #5))
kitschy,
Vickie McKeehan (Sea Glass Cottage (Pelican Pointe, #7))
sans
Vickie McKeehan (Starlight Dunes (Pelican Pointe, #5))
In the name of Christ, Protestant pastors belong to fascist groups. In the name of Christ, Catholic bishops sympathise with the aims of neo-Nazis. As a Christian, it is possible to be either a loyal communist, or a fanatical anti-communist. As a Christian, it is possible to preach pacifism or to give one's blessing to the production and the use of the atomic bomb.
Joachim Kahl (The misery of Christianity: or, A plea for a humanity without God; (Pelican books))
**“I get it,” he said. “I was supposed to give you your space. I didn’t want to. So...I compromised. Only, you frustrate the hell out of me, and I’m all done with being frustrated. This is what I wanted to do. Pretty much from the moment we stopped doing it. You?” She was still reeling, from the kiss, and the declaration. “Me, yes. Uh, too. Me, too.” “Good.” Then he kissed her again.**
Donna Kauffman (Pelican Point (Bachelors of Blueberry Cove #1))
The Bible thinks it is perfectly all right to destroy all animals as punishment for the crimes of Homo sapiens, as if the existence of giraffes, pelicans and ladybirds has lost all purpose if humans misbehave. The Bible could not imagine a scenario in which God repents having created Homo sapiens, wipes this sinful ape off the face of the earth, and then spends eternity enjoying the antics of ostriches, kangaroos and panda bears.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Beatniks are a youth cult that fight against society by wearing sunglasses even in inclement weather. This signifies their dislike of 'the sun', their sworn enemy. In the Beatniks' Manifesto they declare they will, one day, destroy the sun by using enormous pelicans that will trap it in their under-chin beak pouches and fly off to some distant place like the Hebrides and bury it beneath a pile of farmyard manure, and then the beatniks shall inherit the earth.
Vic Reeves (Vic Reeves' Vast Book of World Knowledge)
The winged human glanced towards Retina briefly. “It’s okay Dr. Blade. Scientists should never be blown away from the nature of facts.” Roma smiled. “And by scientists, are you one?” “That is dependent on your opinion Dr. Hill. I’m well versed by Dr. Sangha.” Roma moved towards him, narrowing his eyes. “It is my opinion that no respectable scientist will allow himself to be a subject of ridicule by turning in his human DNA to become a freak, a beast or whatever the hell it is you think you are.” The winged human was unaffected. “I’m sure Dr. Hill that freak or beast doesn’t apply.” Roma drew his head back slightly, studying the demeanor of the winged human. “What’s your name?” “I’m Seganus,” he replied humbly. Roma moved a little closer to him wearing a deep frown. “You don’t think the word freak or beast applies?” “No. I don’t think so.” “Is that the carnivorous beaks of the Titanis Walleri I see on you?” “No.” “Can you hold the 360 Degrees field of view of the Woodcock.” “No.” “The long bills of the Australian Pelican?” “No.” “Do you lay the large eggs of the Ostrich?” “Dr. Hill,” Retina cautioned. Lorenzo seemed amused by the situation. He was smiling. “No,” Seganus replied. Roma continued. “Then you’ll say you don’t have those qualities birds posses?” “No.” “You’ll say you’re human?” Seganus blinked before he spoke. “Yes.” Roma moved closer to him. “Then why the freaks are you wearing wings?
Dew Platt (Roma&retina)
Harold adds an important idea to that of Evans-Pritchard. "The state always seems to come down on the little guy," he notes. "Take this bayou. If your motorboat leaks a little gas into the water, the warden'll write you up. But if companies leak thousands of gallons of it and kill all the life here? The state lets them go. If you shoot an endangered brown pelican, they'll put you in jail. But if a company kills the brown pelican by poisoning the fish he eats? They let it go. I think they overregulate the bottom because it's harder to regulate the top.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
He remembered especially seeing pelicans, with their preposterous, pendant throats. He wondered why the pelican was the symbol of charity, except it was that it wanted a good deal of charity to admire a pelican. He remembered a hornbill, which was simply a huge yellow beak with a small bird tied on behind it. The whole gave him a sensation, the vividness of which he could not explain, that Nature was always making quite mysterious jokes. Sunday had told them that they would understand him when they had understood the stars. He wondered whether even the archangels understood the hornbill.
G.K. Chesterton (The Man Who Was Thursday: Political Thriller)
Why, Jon, why?” his mother asked. “Why is it so hard to be like the rest of the flock, Jon? Why can’t you leave low flying to the pelicans, the albatross? Why don’t you eat? Son, you’re bone and feathers!” “I don’t mind being bone and feathers, mom. I just want to know what I can do in the air and what I can’t, that’s all. I just want to know.” “See here, Jonathan,” said his father, not unkindly. “Winter isn’t far away. Boats will be few, and the surface fish will be swimming deep. If you must study, then study food, and how to get it. This flying business is all very well, but you can’t eat a glide, you know. Don’t you forget that the reason you fly is to eat.” Jonathan
Richard Bach (Jonathan Livingston Seagull)
We learned a lot about cults in seminary,” he said, “but to be honest, I haven’t given it much thought since it doesn’t seem to be a problem in Park Place. I need to take a refresher course when we get back home. We ministers need to be aware of signs and symbols of that sort of thing. We like to hide our heads in the sand and pretend it doesn’t exist, but it does.” The
Glenda C. Manus (High Tide at Pelican Pointe (Southern Grace, #3))
Computational models of the mind would make sense if what a computer actually does could be characterized as an elementary version of what the mind does, or at least as something remotely like thinking. In fact, though, there is not even a useful analogy to be drawn here. A computer does not even really compute. We compute, using it as a tool. We can set a program in motion to calculate the square root of pi, but the stream of digits that will appear on the screen will have mathematical content only because of our intentions, and because we—not the computer—are running algorithms. The computer, in itself, as an object or a series of physical events, does not contain or produce any symbols at all; its operations are not determined by any semantic content but only by binary sequences that mean nothing in themselves. The visible figures that appear on the computer’s screen are only the electronic traces of sets of binary correlates, and they serve as symbols only when we represent them as such, and assign them intelligible significances. The computer could just as well be programmed so that it would respond to the request for the square root of pi with the result “Rupert Bear”; nor would it be wrong to do so, because an ensemble of merely material components and purely physical events can be neither wrong nor right about anything—in fact, it cannot be about anything at all. Software no more “thinks” than a minute hand knows the time or the printed word “pelican” knows what a pelican is. We might just as well liken the mind to an abacus, a typewriter, or a library. No computer has ever used language, or responded to a question, or assigned a meaning to anything. No computer has ever so much as added two numbers together, let alone entertained a thought, and none ever will. The only intelligence or consciousness or even illusion of consciousness in the whole computational process is situated, quite incommutably, in us; everything seemingly analogous to our minds in our machines is reducible, when analyzed correctly, only back to our own minds once again, and we end where we began, immersed in the same mystery as ever. We believe otherwise only when, like Narcissus bent above the waters, we look down at our creations and, captivated by what we see reflected in them, imagine that another gaze has met our own.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
Whether Chaos brought life and substance out of nothing or whether Chaos yawned life up or dreamed it up, or conjured it up in some other way, I don’t know. I wasn’t there. Nor were you. And yet in a way we were, because all the bits that make us were there. It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit, or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea lions, seals, lions, human beings, and daffodils and murder and art and love and confusion and death and madness and biscuits. Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos.
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
The day after I turn pro, Philly gets a call from Nike. They want to meet with me about an endorsement deal. Philly and I meet the Nike man in Newport beach, at a restaurant called the Rusty Pelican. His name is Ian Hamilton. I call him Mr. Hamilton, but he says I should call him Ian. He smiles in a way that makes me trust him instantly. Philly, however, remains wary. Boys, Ian says, I think Andre has a very bright future. Thank you. I'd like Nike to be a part of that future, to be a partner in that future. Thank you. I'd like to offer you a two-year contract. Thank you. During which time Nike will provide all your gear, and pay you $20,ooo. For both years? For eacvh year. Ah. Philly jumps in. What would Andre have to do in exchange for this money? Ian looks confused. Well, he says, Andre would have to do what Andre has been doing, son. Keep being Andre. And wear Nike stuff.
Andre Agassi
There are, in addition, some other aspects of human culture that will prove to be important. One of these is the social performance of music. To be sure, many other species can be said to produce music, including songbirds and whales, to name but the best known. But only humans seem to engage in music as a social activity. For birds, music seems to be mainly a mate advertising display. Humans use music as a mechanism for community bonding in a way that seems to be quite unique. In modern societies, we may often sit listening politely to music in concert halls, but in traditional societies music-making, song and dance are almost indistinguishable and play a crucially important role. This is something we will also need to account for. What underpins all this cultural activity is, of course, our big brains, and this might ultimately be said to be what distinguishes us from the other great apes.
Robin I.M. Dunbar (Human Evolution: A Pelican Introduction (Pelican Books))
Anatol Rapoport, a mathematical psychologist who was famous for his insights into social interactions: You should attempt to re-express your target’s position so clearly, vividly, and fairly that your target says, ‘Thanks, I wish I’d thought of putting it that way.’ You should list any points of agreement (especially if they are not matters of widespread agreement). You should mention anything that you have learned from your target. Only then are you permitted to say so much as a word of rebuttal or criticism.1 How many times have you heard or participated in a conversation that obeys these rules? Such guidelines have gone out of fashion recently, if they were ever followed.
Walter Sinnott-Armstrong (Think Again: How to Reason and Argue (Pelican Books))
When I heard about the path, I had to come down and see it for myself. I had heard about it before but didn’t really think it existed.” Zach was quick with his questions. “What do you think it is, and who made it?” he asked. Jeff looked at the boy, then back at Rock. “It’s my theory that Native Americans made the path using a giant shell for a mold. It’s the shape of a Noble Pen Shell, which is odd, because this shell is only found in the Mediterranean Sea. It could have been brought here from across the sea by early traders though - something to trade to the Indians in exchange for rich minerals such as gold or silver. They would have been fascinated by a shell this large and odd shaped. “The mold would have been filled with a crushed base layer, probably ground oyster shell, sand, rock and maybe even non-porous clay - then mixed with a binding agent, I have no idea what until I analyze it.
Glenda C. Manus (High Tide at Pelican Pointe (Southern Grace, #3))
The chorus of criticism culminated in a May 27 White House press conference that had me fielding tough questions on the oil spill for about an hour. I methodically listed everything we'd done since the Deepwater had exploded, and I described the technical intricacies of the various strategies being employed to cap the well. I acknowledged problems with MMS, as well as my own excessive confidence in the ability of companies like BP to safeguard against risk. I announced the formation of a national commission to review the disaster and figure out how such accidents could be prevented in the future, and I reemphasized the need for a long-term response that would make America less reliant on dirty fossil fuels. Reading the transcript now, a decade later, I'm struck by how calm and cogent I sound. Maybe I'm surprised because the transcript doesn't register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn't fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn't have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn't like paying higher taxes - especially when it was to prepare for problems that hadn't happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who'd done Big Oil's bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they'd be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn't have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn't going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster, the media rarely covered efforts to shift America off fossil fuels or pass climate legislation, since actually educating the public on long-term energy policy would be boring and bad for ratings; and the one thing I could be certain of was that for all the outrage being expressed at the moment about wetlands and sea turtles and pelicans, what the majority of us were really interested in was having the problem go away, for me to clean up yet one more mess decades in the making with some quick and easy fix, so that we could all go back to our carbon-spewing, energy-wasting ways without having to feel guilty about it. I didn't say any of that. Instead I somberly took responsibility and said it was my job to "get this fixed." Afterward, I scolded my press team, suggesting that if they'd done better work telling the story of everything we were doing to clean up the spill, I wouldn't have had to tap-dance for an hour while getting the crap kicked out of me. My press folks looked wounded. Sitting alone in the Treaty Room later that night, I felt bad about what I had said, knowing I'd misdirected my anger and frustration. It was those damned plumes of oil that I really wanted to curse out.
Barack Obama (A Promised Land)