Psst Quotes

—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.

[...] almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of 'psst' that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

Valkyrie, I will get answers from you one way or another. Either through this painful exercise in futility, as you believe, or through a civilized conversation." "You call this civilized?" She strained against her cuffs, leaning in to whisper, "Psst, Chase. The sexual tension between us is grueling.

And it came to pass that in that time the Great God Om spake unto Brutha, the Chosen One: ‘Psst!’

Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands.

What metro Boston AAs are trite but correct about is that both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in their life: i.e almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

If a painting really works down in your heart and changes the way you see and think and feel, you don't think, 'oh I love this painting because it's universal' 'I love this painting because it speaks to mankind'. That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes, you. An individual heart shock. . . .A really great painting is fluid enought to work its way into the mind and heart through all different angles, in ways that are unique and very particular.

Psst"he called. The Cyclops lowered his hammer. He turned towards Zeus, but his one big eye had been staring into the flames so long that he couldn't see who was talking. "I am not Psst"The Cyclops said " I am Brontes" Oh boy, Zeus thought. This may take a while

Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

Psst. Minion. I need these laundered. Very little starch. Don’t just stand there gawking or you’ll anger my good frenemy General Wroth. We’re like this.

almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of 'psst' that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.

If a painting really works down in your heart and changes the way you see, and think, and feel, you don't think, 'oh, I love this picture because it's universal.' 'I love this painting because it speaks to all mankind.' That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes, you. ... You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entirely, an that's not even to mention the people separated from us by time -four hundred years before us, four hundred years after we're gone- it'll never strike anybody the same way and the great majority of people it'll never strike in any deep way at all but- a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you.

If I was into girls, I'd do you,” I tell him honestly. He leans forward conspiratorially. ”Psst, I'll let you in on a secret Fred,” he glances sheepishly from side to side. ”I actually have a cock. Don't tell anyone, it would ruin my reputation. But feel free to do me any time you want.

He laughed. “What’s to say? Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But—” crossing back to the table to sit again “—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger.

I believe that we're much healthier if we think of our selfishness as sin. Which is what it is: a sin. Even if there is nothing out there except a random movement of untold gases and objects, sin still exists. You don't need a devil with horns. It's a social definition of sin. Everything we do that is self-indulgent, and that is selfish, and that turns us away from our dignity as human beings is a sin against what we were born with, the capacities we have, what we could make of this planet. Our whole age has taken the line that if you feel bad about yourself, it's something that you can be relieved of by your goddamn analyst. Psst!—it's gone! And then you'll be happy, you know? But that feeling is not something you should be relieved of. It's something you should deal with. And there's no remission for what I mean by "sin," except doing something useful. The confessional does the same thing as the shrink, rather more quickly and cheaper. Three "Hail Mary"s, and you're out. But I've never been the kind of religious person that thinks saying "Hail Mary" is gonna get me out of it.

Psst!” (Sasha turned around in a circle, looking for the source of the sound. Jess arched a brow at Abigail.) “I didn’t do it.” – Abigail (They looked at Sasha.) “What? Some freak noise gets made, and you blame the dog? That ain’t right. Next thing you know, I’ll get blamed for gas attacks, too.” – Sasha

Psst.” Nausicaä tugged on one of the legs of his pants. “What do your fae eyes see, Legolas?

And yes—scholars might care about the innovative brushwork and use of light, the historical influence and the unique significance in Dutch art. But not me. As my mother said all those years ago, my mother who loved the painting only from seeing it in a book she borrowed from the Comanche County Library as a child: the significance doesn’t matter. The historical significance deadens it. Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific. It’s there in the light-rinsed atmosphere, the brush strokes he permits us to see, up close, for exactly what they are—hand worked flashes of pigment, the very passage of the bristles visible—and then, at a distance, the miracle, or the joke as Horst called it, although really it’s both, the slide of transubstantiation where paint is paint and yet also feather and bone. It’s the place where reality strikes the ideal, where a joke becomes serious and anything serious is a joke. The magic point where every idea and its opposite are equally true.

Well, how do I look?” he asks, turning his made up face from side to side. He looks like a really hot woman. It’s unsettling, but also titillating. “If I was into girls, I’d do you,” I tell him honestly. He leans forward conspiratorially. “Psst, I’ll let you in on a secret Fred,” he glances sheepishly from side to side. “I actually have a cock. Don’t tell anyone, it would ruin my reputation. But feel free to do me any time you want.

Great paintings—people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

Psst!” said a voice, and he looked around to see a wispy little witch and the ferrety wizard from Magical Maintenance gesturing to him from over beside the statue. Harry hastened to join them. “You got in all right, then?” Hermione whispered to Harry. “No, he’s still stuck in the bog,” said Ron. “Oh, very funny…

If someone were to come up to you in a dark alley and say, "Psst, wanna see a UML diagram?" that diagram would probably be a class diagram.

Psst! Father Restrepo! If that story about hell is a lie, we’re all fucked, aren’t we. . . .

I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.

Zayden was glad for Mave’s warning. Yenni was a character. “Stumpy,” she whispered from her position. “Psst, Stumpy.” “That’s not my name,” he growled back.

an individual person’s basic personal powerlessness over the really meaningful events in his life: 100 i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can’t even hear because you’re in such a rush to or from something important you’ve tried to engineer.

They set off. After a few seconds the Luggage got carefully to its feet and started to follow. “Psst!” It turned carefully, little legs moving in a complicated pattern, and appeared to look up. “Is it good, being joinery?” said the tree, anxiously. “Did it hurt?” The Luggage seemed to think about this. Every brass handle, every knothole, radiated extreme concentration. Then it shrugged its lid and waddled away. The tree sighed, and shook a few dead leaves out of its twigs.

Across those unbridgeable distances—between bird and painter, painting and viewer—I hear only too well what’s being said to me, a psst from an alleyway as Hobie put it, across four hundred years of time, and it’s really very personal and specific.

I no longer understand anything literally. I cannot wait until I wake up, whereas earlier I could not wait to fall asleep. I have been made to speak. I have been sentenced to reality. - Do you hear it? (Silence.) Can you hear? (Silence.) Psst. (Silence.)

—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger. “An individual heart-shock.

almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can’t even hear because you’re in such a rush to or from something important you’ve tried to engineer.

If a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.

La población, en definitiva, debía acostumbrarse a vitorear y a ponerse en pie aunque no tuviese ningún motivo real para ello. A su vez, esto fue razón suficiente para que –¡psst!–, todos los días y todas las noches por medio de látigos de acero y taladros percutores se causara la muerte de quienes no participaban con bastante energía. Así que vitoreemos y ululemos con los lobos, heil, heil! Además se le acababa cogiendo el gusto.

Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched. Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you. Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours. Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does. That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.” Psst. Here’s a secret: holding back in your life is what’s keeping him away. Don’t wait until you find someone. You are someone.

if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger. “An individual heart-shock. Your dream

If a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ 'I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock…A really great painting is fluid enough to work its way into the mind and heart through all kind of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you.

America” came from a massive jam,’ Wendy told me. ‘We were playing and rehearsing for hours and hours and we hit on this one groove that we continued to play for five hours, and then subsequent days afterwards we kept referring back to it, and then Prince came in and did that “America” solo and started singing and it turned into the song we know. To this day, we can put that track on and feel that band’s energy and feel what we were like at our best together – a fucking freight train. No one was like “psst … psst … psst”, like those cats he plays with now. It was just a massive freight train, and no one moved from the tracks. I’m really proud of that song. It’s a perfect representation of Prince and The Revolution.

—if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you.” Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger. “An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you.

That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. Fingertip gliding over the faded-out photo—the conservator’s touch, a touch-without-touching, a communion wafer’s space between the surface and his forefinger. “An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time—four hundred years before us, four hundred years after we’re gone—it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but—a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And—oh, I don’t know, stop me if I’m rambling…” passing a hand over his forehead.… “but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag.

And when she finally dozed off, it wasn’t a cry that woke her, but the soft sound of a footstep. “Psst. You awake, cher?” Miranda fought her way up from sleep. “I am now.” Annoyance gave way to relief. She wondered why she wans’t more startled; it was almost as if she’d expected Etienne to show up. “What do you think you’re doing?” “Well, you musta been wishing for me, yeah?” he teased. “’Cause here I am.” Switching on the lamp, Miranda solemnly patted the edge of the bed. “Sit down. We need to talk.” “Awww, don’t be mad now. I just--” “I know. You wanted to check on me. And I’m glad--I’m glad you came.

Psst. You awake, cher?” Miranda fought her way up from sleep. “I am now.” Annoyance gave way to relief. She wondered why she wans’t more startled; it was almost as if she’d expected Etienne to show up. “What do you think you’re doing?” “Well, you musta been wishing for me, yeah?” he teased. “’Cause here I am.

Tanto los golpes como los besos del destino ilustran la impotencia básica del individuo con respecto a los eventos realmente significativos de su vida; es decir, casi nada de lo que le sucede se debe a que él lo haya fraguado o previsto. El destino no te llama al busca; el destino siempre sale de golpe de un callejón vestido con gabardina y te suelta un "Psst" al que normalmente uno no presta atención porque se tiene demasiada prisa en llegar o venir de algún sitio donde se ha tratado de fraguar algo importante para uno. La Broma Infinita / D. F. Wallace

Gmorning to the miracle (psst that’s you, you’re the miracle) Gnight to the miracle (Quit looking around, you’re the miracle, YOU)

Psst, billionaire,” Joe says, crooking his finger at me. I lean in, nervous. “Calling anyone ‘the help’ is dehumanizing and marks you as an out-of-touch one-percenter who deserves to be eaten.” He emphasizes this by chomping his sexy teeth together.

One of my clients, a consultant who develops leadership potential in universities and nonprofits, once joked that he didn’t suffer from attention deficit disorder (ADD) but from “attention abundance disorder (AAD).” He didn’t lack curiosity, he said. His problem was that he wanted to rein in his curiosity and focus on fewer ideas. He’s not alone. I imagine curiosity often stepping in to do wonder’s bidding. First, wonder steps back and takes notice. It gets curiosity’s attention and says, “Psst. Look at this. What’s possible here?” Then curiosity takes off on a wild pursuit to learn more. After a while, curiosity dashes back home and empties its pockets of found objects and bits of knowledge on wonder’s table.

It wasn’t hard to track Stevie down in the crowd. Lizzie found the girl in the purple tank fairly easily then scanned a twenty-yard radius looking for the boy. Sure enough, there he was, skulking behind a shortcake booth, eyes huge as he watched the purple tank girl enjoying a strawberry ice cream cone. Not wanting to embarrass the kid, she told Finn she’d round Stevie up then meet him and Annie back at the minivan. She surreptitiously circled the booth until she came up behind Stevie. In her best secret-agent voice, while pretending she didn’t see him, she whispered, “Psst, the eagle takes flight in five minutes. I repeat, the eagle takes flight in five minutes.” She saw Stevie’s body grow rigid, then relax. “Roger that,” he said under his breath.

Ben jij dan niet degene die “psst” zegt?' 'Ik hoor ook iets maar ik heb geen idee waar het vandaan komt.' Waar het ook vandaan mag komen, uit de bergen, van de vogels, uit de zee, van een mens, een dier, het gras, de insecten, de bloemen. Waar het vandaan komt maakt niet uit, zolang het er maar is! Zonder dat 'psst' is het niks gedaan. Zolang dat klinkt: leve de bloemen, de insecten, de mensen... Psst, psst. Psst, psst. Psst, psst.

O que os AAs da Grande Boston tratam de forma trivial mas correta é o fato de que tanto os beijos do destino quanto suas bifas ilustram a impotência básica e pessoal de um indivíduo qualquer diante dos eventos realmente importantes da sua vida¹: i.e., quase nada de importante te acontece porque você produziu. O destino não tem bipe; o destino sempre fica ali encostadinho de capa de chuva num beco fazendo algum tipo de Psst que normalmente você nem ouve porque está correndo tanto para ou de alguma coisa importante que tentou produzir." ¹."A formulação de um Bandeira Branca, p. ex. é que 99,9% do que rola na vida da gente a bem da verdade não é problema nosso, sendo que o 1% que a gente controla consiste basicamente na opção de aceitar ou negar a nossa inevitável impotência diante dos outros 99,9%, que tipo só tentar fazer a conta disso tudo faz a testa de Don Gately ficar roxa.

WHAT WORKS WELL Mornings: I tend to get a lot done in the mornings. Scheduling/ batching: I spend time each month creating and scheduling social media posts all in one go. Project management: I use Asana to manage all my projects. (I moved to it recently after finding Basecamp a truly painful experience.) And I have ready-made projects set up, which means I can ‘set and forget’ and then wait for the alerts telling me what to do each day. Psst: By ‘ready-made projects’ I mean templates that are set up with standard tasks for each type of job I do. Documentation: I have documents for everything. I also have templates for all kinds of project emails, as well as ad hoc things such as interview requests, favour requests and tech issues. Toggl: I use Toggl to track my time (when I remember to switch it on). Typing: I type super fast (one of my superpowers). Bravery: I’m willing to give stuff a go without fear of failure, which means I don’t procrastinate much.

WHAT DOESN’T WORK SO WELL Psst: Check out all the contradictions, which are all part of the entrepreneurial life. Afternoons: Once it hits 2pm my brain doesn’t work so well. I use this fuzzy time to do monotonous tasks such as social media scheduling, WordPress fixes, editing, etc. Scheduling/ batching: I’d also like to batch things like writing blog posts and creating videos. But I tend to do them randomly when the urge takes me, which isn’t productive at all. Social media: It’s a huge time suck that I wrestle with all day, every day. Boundaries: I try to switch off each evening around 3pm (school days) or 6pm (work days). But I often find myself logging in again. (It doesn’t help that Netflix is on my laptop, which makes it all too easy to flick over to my work email or business Facebook groups every two seconds.) Bravery: Because I’m willing to give things a go, I sometimes launch them without thinking things through!

When he had put about a mile between him and the dragon he stopped and collapsed against a tree, which then spoke to him. 'Psst,' it said.

SCORPIUS leans ominously over ALBUS’S headboard. SCORPIUS: Albus . . . Psst . . . Albus. Albus doesn’t wake. ALBUS! Albus wakes with a shock. SCORPIUS laughs. ALBUS: Pleasant. That’s a pleasant and not scary way to wake up. SCORPIUS: You know it’s the strangest of things, but ever since being in the scariest place imaginable I’m pretty much good with fear. I am—Scorpius the Dreadless. I am—Malfoy the Unanxious. ALBUS: Good. SCORPIUS: I mean, normally, being in lockdown, being in constant detention, it’d break me, but now—what’s the worst they can do? Bring back Moldy Voldy and have him torture me? Nope. ALBUS: You’re scary when you’re in a good mood, you know that? SCORPIUS: When Rose came up to me today in Potions and called me Bread Head I almost hugged her. No, there is no almost about it, I actually tried to hug her, and then she kicked me in the shin. ALBUS: I’m not sure being fearless is going to be good for your health.

well, I assume you must have some good trades to offer me if you have to wake me up at… psst, what time is it? 4am in the morning. Thanks! Ahem. At four o’clock in the morning.

Psst! Hey kid! What does Father O'Malley give for a blow job?" Timmy smiles and answers, "Usually a Big Mac and a chocolate shake.