Provinces Of Night Quotes

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He wanted her the rest of his life, and failing that, he wanted permission to walk along beside her while she lived it.
William Gay (Provinces of Night)
Life blindsides you so hard you can taste the bright copper blood in your mouth then it beguiles you with a gift of profound and appalling beauty.
William Gay (Provinces of Night)
There was something oddly restful about the fireflies. He couldn't put his finger on it but he drew comfort from it anyway. The way they'd seemed not separate entities but a single being, a moving river of light that flowed above the dark water like its negative image and attained a transient and fragile dominion over the provinces of night.
William Gay (Provinces of Night)
I have a lot of books and books are better if you can share them.
William Gay (Provinces of Night)
Seems like it's peaceful, just bein' in a country that lays the way you remember it layin
William Gay (Provinces of Night)
Were there darker provinces of night he would have found them.
Cormac McCarthy (Child of God)
don't start talkin about books or quotin poems at them. these is good folks but they ain't real crazy about readin books. just do what i do and you'll be all right.
William Gay (Provinces of Night)
He began to suspect another, deeper layer of time, a time of stone and cloud and tree to which the time of clocks and calendars was a gross mockery cobbled up by savages. He felt the ways of men fall from him like sundered shackles.
William Gay (Provinces of Night)
Her quickened breath was the very affirmation of life.
William Gay (Provinces of Night)
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
He was wishing the past was a place you could backtrack to, take a sideroad you'd walked hurriedly past, wake somebody from a bad dream he was having.
William Gay (Provinces of Night)
Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well--thousands of acres of land--a whole province of France--all France itself--lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
Charles Dickens (A Tale of Two Cities)
She looked at him fondly. You won’t never make much of a liar, she said. I can see right through you like lookin down into still water. I expect law and politics is goin to be out of your reach.
William Gay (Provinces of Night)
Cathy smiled back ‘Rules were meant to be broken.’ ‘Don’t disagree,’ Oversteegen replied immediately. ‘Indeed they are. Providin’, however, that the one breakin’ the rules is willin’ t’ pay the price for it, and the price gets charged in full. Which you were, Lady Catharine. I saluted you for it then–at the family dinner table that night, in fact. My mother was infinitely more indisposed thereafter; tottered back t’ her bed cursin’ me for an ingrate. My father was none too pleased either. I salute you for it, again. Otherwise, breakin’ rules becomes the province of brats instead of heroes. Fastest way I can think t’ turn serious political affairs int’ a playpen. A civilized society needs a conscience, and conscience can’t be developed without martyrs—real ones—against which a nation can measure its crimes and sins.
David Weber (Crown of Slaves (Honorverse: Wages of Sin, #1))
Y'know — Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney,— same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us — more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So — people a thousand years from now — this is the way we were in the provinces north of New York at the beginning of the twentieth century. — This is the way we were: in our growing up and in our marrying and in our living and in our dying. Said by the Stage Manager
Thornton Wilder (Our Town)
All right, he told the snake. I’ll tell you what I’m goin to do. I’m fixin to let you go. But the only people you can go into the world and bite are my enemies. Folks with guns and badges, khaki britches. Prison guards with shotguns. Lawyers, no limit on them. Maybe an undertaker or a insurance salesman every now and then. But no kids. No kids and no folks just tryin to scratch out a livin. You bite one of them, just one, and it’s me and you, I’ll be on your ass like a plague, I’ll finish what I started.
William Gay (Provinces of Night)
Times is always hard for some, the old man observed.
William Gay (Provinces of Night)
Were there darker provinces of night he would have found them. —CORMAC MCCARTHY, Child of God, 1973
William Gay (Provinces of Night)
The mountain consisted of a giant cone of blue-gray rock and was surrounded by an endless, barren highland studded with a few trees charred by fire and overgrown with gray moss and gray brush, out of which here and there brown boulders jutted up like rotten teeth. Even by light of day, the region was so dismal and dreary that the poorest shepherd in this poverty-stricken province would not have driven his animals here. And by night, by the bleaching light of the moon, it was such a godforsaken wilderness that it seemed not of this world.
Patrick Süskind
What he wanted, he had realized in the last few minutes, was everything. He wanted the rest of her life, and failing that, he wanted permission to walk along beside her while she lived it.
William Gay (Provinces of Night)
After a while a three-quarter moon eased up over the treeline and the dusty road went white as milk, Rorshach patches of grass bleeding through the white dust that rose and subsided with Boyd's footfalls.
William Gay (Provinces of Night)
All knowledge that takes special training to acquire is the province of the Magician energy. Whether you are an apprentice training to become a master electrician and unraveling the mysteries of high voltage; or a medical student, grinding away night and day, studying the secrets of the human body and using available technologies to help your patients; or a would-be stockbroker or a student of high finance; or a trainee in one of the psychoanalytic schools, you are in exactly the same position as the apprentice shaman or witch doctor in tribal societies. You are spending large amounts of time, energy, and money in order to be initiated into rarefied realms of secret power. You are undergoing an ordeal testing your capacities to become a master of this power. And, as is true in all initiations, there is no guarantee of success. [Magician energy]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
But I can see that you are in pain, and that is the province of monsters. You drag your mother's corpse with you—it leaves a great furrow in the earth. If it is important enough to very rudely interrupt a woman who already owns two fingers she did not have this morning just to exhume those old bones, I will listen to you instead. It matters nothing to me. Believe me, it will not go easier for you if you come to feel warmly towards me because you have unburdened your soul. We have all the nights the world has ever made ahead of us. Speak of the dead in the dark, boy, and I will take her body from you, if you want to be rid of it.
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
No move is the wrong move, What? Sometimes any move at all is better than nothin. If you're right, you're one up. If you're wrong you start over. This sittin and waiting for somebody else to make up their mind is for the God-damned birds. You have to take control of your own life.
William Gay (Provinces of Night)
He seemed to be drawing inward toward some point at which he would be reduced to the fundamental essence of himself.
William Gay (Provinces of Night)
Folks called this place haunted, felt the emanations of an unspeakable act moving outward like ripples on water.
William Gay (Provinces of Night)
Songs about death and lost love and rambling down the line because sometimes down the line was the only place left.
William Gay (Provinces of Night)
But blood is never left up to you, blood will call to blood. You can’t deny your own kin.
William Gay (Provinces of Night)
It was a place if not hell then certainly the room across the hall from it.
William Gay (Provinces of Night)
From a high point of cupping the breast of the prettiest girl in a three-county area things could only go downhill...
William Gay (Provinces of Night)
Y'know Babylon once had two million people in it, and all we know about 'em is the names of the kings and some copies of wheat contracts . . . and contracts for the sale of slaves. Yet every night all those families sat down to supper, and the father came home from his work, and the smoke went up the chimney, same as here. And even in Greece and Rome, all we know about the real life of the people is what we can piece together out of the joking poems and the comedies they wrote for the theatre back then. So I'm going to have a copy of this play put in the cornerstone and the people a thousand years from now'll know a few simple facts about us more than the Treaty of Versailles and the Lind-bergh flight. See what I mean? So people a thousand years from now this is the way we were in the provinces north of New York at the beginning of the twentieth century. This is the way we were: in our growing up and in our marrying and in our living and in our dying.
Thornton Wilder (Our Town)
As night deepened all he could see was the shifting line of fire, like some malfunction in the wiring of the world itself, as if the very night had combusted and was creeping incrementally toward him.
William Gay (Provinces of Night)
Here within these walls time was of no moment. The walls were adorned with calendars but they had measured years already immured in memory, five years old, ten years old. The house was full of clocks but some of them were stopped and of the ones that worked no two kept a similar hour. A simple request for the time of the day was a cause for consternation, for much comparing of the accuracy of one clock with another to arrive at some approximation of the hour. Here time did not matter. Here another set of rules was in order, out of another century.
William Gay (Provinces of Night)
Bloodworth was not fooled, he had these folks' number, he'd been reading their mail walking a lifetime in their shoes. Beyond the mothriddled light their faces were rapt and transfixed, he sang about death as if it was the only kept promise out of all life's false starts and switchbacks, all there was at the end of the dusty road, his voice told them about calm and quiet and eternal rest. No landlord, no cotton to chop, no ticket at the company store growing like a cancer. Just time itself frozen like leaves in winter ice and nothing in the round world to worry about or dread.
William Gay (Provinces of Night)
The day drew on, was swallowed in dusk. No bird called, no insect. Life in abeyance, the world itself grinding to a halt, who knew what would follow. Light through the glass grew dim but he read on as if the passage of day into night was of no moment. The world was winding down, and young Bloodworth wound down with it.
William Gay (Provinces of Night)
He heard footsteps on the ice and just as someone pounded on the door death came swiftly into the trailer like a physical presence. It came swiftly up the steps and turned the knob and so through the door, crossing the linoleum with a sure firm footstep toward where the old man sat on the bed with the pistol in his hand.
William Gay (Provinces of Night)
He lay on the bed and he felt he might never rise from it. He lay in an enormous torpor. The world was too heavy to bear and it was settling itself onto his chest. He felt old, old. Civilizations had risen and fallen in the brief time that he had lived. He felt that when the old man's head exploded across the snow he should have turned the gun on himself.
William Gay (Provinces of Night)
He had no faith in the permanence of any of this. What he’d seen of life had shown him that the world had little of comfort or assurance. He suspected that there were no givens, no map through the maze. Here in falling dark with the world rolling simultaneously toward him and away from him everything seemed no more than random. Life blindsides you so hard you can taste the bright copper blood in your mouth then it beguiles you with a gift of profound and appalling beauty.
William Gay (Provinces of Night)
These hours before first light were merciless. You could not go back to sleep and it was too early to get up and the things you had done or not done lay in your mind immovable as misshapen things you’d erected from stone. There was no give to these hours. They took no prisoners, made no compromises, and the things you had done could not be rationalized into anything save things you had done. The past was bitter and dry and ashes in his mouth, its bone arms clasped him like some old desiccated lover he could not be shut of.
William Gay (Provinces of Night)
Long ago the old man had been helping to dig a grave in a family plot on Grinders Creek and they were inadvertently digging the woman’s grave too near her husband’s casket and Bloodworth’s shovel had disappeared into the rotten wood and the smell that had risen out of this ancient and sacred earth had been the same odor that saturated the trailer and Bloodworth had stood with the shovelhandle in his hands breathing death in a kind of appalled outrage, thinking, so this is what it amounts to, this is what it all comes down to.
William Gay (Provinces of Night)
Came then plague days of desolation when loss ravaged him like a fever. The house was empty and dead without her. A place of ice, of perpetual winds. He heard her voice at odd times, echoes of things she’d said. He awoke once in the night and her soft laughter had just faded into silence. Once he distinctly felt her hand lie on his shoulder. Before she’d shared his bed, life had been pointless, but now it had become unbearable. She had appeared from nowhere and returned to it, but she’d taken over his life, left with a lien on his body, a mortgage on his soul.
William Gay (Provinces of Night)
And so began the second phase of my life, which our family referred to as Exile, with a capital “E.” For me it was a period of discovery. I’d spend the next nine years in that semi-uninhabited province in the south, which is now a tourist destination, a landscape of vast cold forests, snowy volcanoes, emerald lakes, and raging rivers, where anyone with a hook and line can fill a basket with trout, salmon, and turbot in under an hour. The wide skies were an ever-changing spectacle, a symphony of colors, clouds pulled quickly along by the wind, bands of wild geese, and sometimes the outline of a condor or eagle in majestic flight. Night there fell suddenly, like a black blanket embroidered with millions of lights, which I learned to identify by both their classical and indigenous names.
Isabel Allende (Violeta)
longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible
Charles Dickens (A Tale of Two Cities)
He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out.
William Gay (Provinces of Night)
Christianity was the vampire of the imperium Romanum, — overnight it destroyed the vast achievement of the Romans: the conquest of the soil for a great culture that could await its time. Can it be that this fact is not yet understood? The imperium Romanum that we know, and that the history of the Roman provinces teaches us to know better and better, — this most admirable of all works of art in the grand manner was merely the beginning, and the structure to follow was not to prove its worth for thousands of years. To this day, nothing on a like scale sub specie aeterni has been brought into being, or even dreamed of! — This organization was strong enough to withstand bad emperors: the accident of personality has nothing to do with such things — the first principle of all genuinely great architecture. But it was not strong enough to stand up against the corruptest of all forms of corruption — against Christians .... These stealthy worms, which under the cover of night, mist and duplicity, crept upon every individual, sucking him dry of all earnest interest in real things, of all instinct for reality — this cowardly, effeminate and sugar-coated gang gradually alienated all “souls,” step by step, from that colossal edifice, turning against it all the meritorious, manly and noble natures that had found in the cause of Rome their own cause, their own serious purpose, their own pride. The sneakishness of hypocrisy, the secrecy of the conventicle, concepts as black as hell, such as the sacrifice of the innocent, the unio mystica in the drinking of blood, above all, the slowly rekindled fire of revenge, of Chandala revenge — all that sort of thing became master of Rome...
Friedrich Nietzsche (The Anti-Christ)
The girl circled in my arm was clean and fresh, and her sleeping breath was humid against the base of my throat. Something stirred in me in response to her helplessness, and yet at the same time I resented her. I had seen too damn many of these brisk and shining girls, so lovely, so gracious, and so inflexibly ambitious. They had counted their stock in trade and burnished it and spread it right out there on the counter. It was all yours for the asking. All you had to do was give her all the rest of your life, and come through with the backyard pool, cookouts, Eames chairs, mortgage, picture windows, two cars, and all the rest of the setting they required for themselves. These gorgeous girls, with steel behind their eyes, were the highest paid whores in the history of the world. All they offered was their poised, half-educated selves, one hundred and twenty pounds of healthy, unblemished, arrogant meat, in return for the eventual occupational ulcer, the suburban coronary. Nor did they bother to sweeten the bargain with their virginity. Before you could, in your hypnoid state, slip the ring on her imperious finger, that old-fashioned prize was long gone, and even its departure celebrated many times, on house parties and ski weekends, in becalmed sailboats and on cruise ships. This acknowledged and excused promiscuity was, in fact, to her advantage. Having learned her way through the jungly province of sex, she was less likely to be bedazzled by body hunger to the extent that she might make a bad match with an unpromising young man. Her decks were efficiently cleared, guns rolled out, fuses alight, cannonballs stacked, all sails set. She stood on the bridge, braced and ready, scanning the horizon with eyes as cold as winter pebbles. One
John D. MacDonald (The End of the Night (Murder Room Book 629))
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you can ever hope to give them and whose visits are only too brief.
Anonymous
In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.
W.H. Auden
Esther Agrees to Help the Jews ESTHER 4 When Mordecai learned all that had been done, Mordecai tore his clothes  o and put on sackcloth and ashes, and went out into the midst of the city, and he cried out with a loud and bitter cry. 2He went up to the entrance of the king’s gate, for no one was allowed to enter the king’s gate clothed in sackcloth. 3And in every province, wherever the king’s command and his decree reached, there was great mourning among the Jews,  p with fasting and weeping and lamenting, and many of them  q lay in sackcloth and ashes. 4When Esther’s young women and her eunuchs came and told her, the queen was deeply distressed. She sent garments to clothe Mordecai, so that he might take off his sackcloth, but he would not accept them. 5Then Esther called for Hathach, one of the king’s eunuchs, who had been appointed to attend her, and ordered him to go to Mordecai to learn what this was and why it was. 6Hathach went out to Mordecai in the open square of the city in front of the king’s gate, 7and Mordecai told him all that had happened to him,  r and the exact sum of money that Haman had promised to pay into the king’s treasuries for the destruction of the Jews. 8Mordecai also gave him  s a copy of the written decree issued in Susa for their destruction, that he might show it to Esther and explain it to her and command her to go to the king to beg his favor and plead with him on behalf of her people. 9And Hathach went and told Esther what Mordecai had said. 10Then Esther spoke to Hathach and commanded him to go to Mordecai and say, 11“All the king’s servants and the people of the king’s provinces know that if any man or woman goes to the king inside  t the inner court without being called,  u there is but one law—to be put to death, except the one  v to whom the king holds out the golden scepter so that he may live. But as for me, I have not been called to come in to the king these thirty days.” 12And they told Mordecai what Esther had said. 13Then Mordecai told them to reply to Esther, “Do not think to yourself that in the king’s palace you will escape any more than all the other Jews. 14For if you keep silent at this time, relief and deliverance will rise for the Jews from another place, but you and your father’s house will perish. And who knows whether you have not come to the kingdom for such a time as this?” 15Then Esther told them to reply to Mordecai, 16“Go, gather all the Jews to be found in Susa, and hold a fast on my behalf, and do not eat or drink for  w three days, night or day. I and my young women will also fast as you do. Then I will go to the king, though it is against the law,  x and if I perish, I perish.” 17Mordecai then went away and did everything as Esther had ordered him.
Anonymous (The Holy Bible: English Standard Version)
But the worshippers and admirers of these gods delight in imitating their scandalous iniquities, and are nowise concerned that the republic be less depraved and licentious. Only let it remain undefeated, they say, only let it flourish and abound in resources; let it be glorious by its victories, or still better, secure in peace; and what matters it to us? This is our concern, that every man be able to increase his wealth so as to supply his daily prodigalities, and so that the powerful may subject the weak for their own purposes. Let the poor court the rich for a living, and that under their protection they may enjoy a sluggish tranquillity; and let the rich abuse the poor as their dependants, to minister to their pride. Let the people applaud not those who protect their interests, but those who provide them with pleasure. Let no severe duty be commanded, no impurity forbidden. Let kings estimate their prosperity, not by the righteousness, but by the servility of their subjects. Let the provinces stand loyal to the kings, not as moral guides, but as lords of their possessions and purveyors of their pleasures; not with a hearty reverence, but a crooked and servile fear. Let the laws take cognizance rather of the injury done to another man's property, than of that done to one's own person. If a man be a nuisance to his neighbor, or injure his property, family, or person, let him be actionable; but in his own affairs let everyone with impunity do what he will in company with his own family, and with those who willingly join him. Let there be a plentiful supply of public prostitutes for every one who wishes to use them, but specially for those who are too poor to keep one for their private use. Let there be erected houses of the largest and most ornate description: in these let there be provided the most sumptuous banquets, where every one who pleases may, by day or night, play, drink, vomit, dissipate. Let there be everywhere heard the rustling of dancers, the loud, immodest laughter of the theatre; let a succession of the most cruel and the most voluptuous pleasures maintain a perpetual excitement. If such happiness is distasteful to any, let him be branded as a public enemy; and if any attempt to modify or put an end to it let him be silenced, banished, put an end to. Let these be reckoned the true gods, who procure for the people this condition of things, and preserve it when once possessed. Let them be worshipped as they wish; let them demand whatever games they please, from or with their own worshippers; only let them secure that such felicity be not imperilled by foe, plague, or disaster of any kind. What sane man would compare a republic such as this, I will not say to the Roman empire, but to the palace of Sardanapalus, the ancient king who was so abandoned to pleasures, that he caused it to be inscribed on his tomb, that now that he was dead, he possessed only those things which he had swallowed and consumed by his appetites while alive? If these men had such a king as this, who, while self-indulgent, should lay no severe restraint on them, they would more enthusiastically consecrate to him a temple and a flamen than the ancient Romans did to Romulus.
Augustine of Hippo (City of God)
IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you
Anonymous
It ain't never far to a bootlegger
William Gay (Provinces of Night)
He stayed out of the house, he was much of the time in the woods, he felt like some animal half domesticated but ultimately unable to resist the feral ways of the forest. The spring nights were fecund and warm and alive, and there were nights he did not come in at all.
William Gay (Provinces of Night)
Together they knitted whole the fabric of night where violence had rent it. Everything was always changing and everything was always the same.
William Gay (Provinces of Night)
Fleming doubted all this but he listened anyway and thought with a kind of sardonic amusement that before the night was over life itself might grasp him by the scruff of the neck and jerk him out of the doldrums he seemed grounded in and into its swifter currents.
William Gay (Provinces of Night)
Even when he'd arrived he'd had restless eyes, eyes that were always looking about as if he might notice some place he'd rather be and head out for it immediately.
William Gay (Provinces of Night)
The old man always used too much of everything, too many lemons, too much sugar, as if halfmeasures at anything were beneath him.
William Gay (Provinces of Night)
The man wore a dark fedora and beneath its brim the fierce empty eyes looked out as if they were coming from a thousand miles away, and were off immediately another thousand in some other direction.
William Gay (Provinces of Night)
Julia Bradshaw was part Cherokee Indian. She was small and dark and the inscrutability of her eyes hinted at enigmas a man might unravel would he take the time to try. Bloodworth was to learn that it is the nature of an enigma to remain unsolved, and that inscrutability means just what it says.
William Gay (Provinces of Night)
When the plane exploded fire went streaking down the wall of night like trails of phosphorous from a firework of unreckonable magnitude and cascaded away in a shower of falling stars, touching the velvet balsams with a profound and eerie beauty.
William Gay (Provinces of Night)
Beyond the mothriddled light their faces were rapt and transfixed, he sang about death as if it was the only kept promise out of all life's false starts and switchbacks, all there was at the end of the dusty road, his voice told them about calm and quiet and eternal rest. No landlord, no cotton to chop, no ticket at the company store growing like a cancer. Just time itself frozen like leaves in winter ice and nothing in the round world to worry about or dread.
William Gay (Provinces of Night)
You don't learn that, she said. It's just there. It sounds like he spent his whole life trying to unlearn it. Trying to forget it.
William Gay (Provinces of Night)
Listen, he said vehemently. Somebody's going to have to say what they really mean and then do what they say they will. All this lying. All this bullshit and pretending. It's just wasting lives, wasting time, everything's just a waste. She was looking at him curiously. That's just the way people are. The way the world is. What are you trying to do, fix the world? I don't want to fix the world. Fuck the world. Just the little part of it that I have to live on. You and that old man. Folks starting babies andd walking off like that's got nothing to do with them. People walking off while you're asleep and never coming back. Leaving a note. A Goddamned note. Old people living a half mile apart and wanting to see each other and dying without doing it. Now that's crazy for you. That's what's crazy.
William Gay (Provinces of Night)
WHEN on the Magpies' Bridge I see The Hoar-frost King has cast His sparkling mantle, well I know The night is nearly past, Daylight approaches fast. The author of this verse was Governor of the Province of Koshu, and Viceroy of the more or less uncivilized northern and eastern parts of Japan; he died A.D. 785. There was a bridge or passageway in the Imperial Palace at Kyoto called the Magpies' Bridge, but there is also an allusion here to the old legend about the Weaver and Herdsman. It is said, that the Weaver (the star Vega) was a maiden, who dwelt on one side of the River of the Milky Way, and who was employed in making clothes for the Gods. But one day the Sun took pity upon her, and gave her in marriage to the Herdboy (the star Aquila), who lived on the other side of the river. But as the result of this was that the supply of clothes fell short, she was only permitted to visit her husband once a year, viz. on the seventh night of the seventh month; and on this night, it is said, the magpies in a dense flock form a bridge for her across the river. The hoar frost forms just before day breaks. The illustration shows the Herdboy crossing on the Bridge of Magpies to his bride. A Hundred Verses from Old Japan (The Hyakunin-isshu), tr. by William N. Porter, [1909],
Anonymous
The first time Halley set eyes on Howard was at a showing of The Towering Inferno. When she heard about him, her sister had wondered aloud how much of a future you could have with someone you’d met at a disaster movie. But at that point Halley wasn’t feeling picky. She had been in Dublin just over three weeks – not so long that she didn’t still get lost all the time on the infuriating streets that kept changing their names, but enough to disabuse her of most of her illusions about the place; enough too, with the deposit and first month’s rent for her new apartment, to separate her from most of the money she’d brought, and cut the time available for soul-searching and self-finding quite drastically. That afternoon she’d spent in an Internet café, reluctantly updating her résumé; she hadn’t had a conversation since the night before, a stilted exchange with the Chinese pizza delivery boy about his native Yunan province. When she spotted the poster for The Towering Inferno, which she and Zephyr must have watched twenty times together, it was like catching sight of an old friend. She went in and for three hours warmed herself in the familiar blaze of collapsing architecture and suffocating hotel guests; she stayed in her seat until the ushers started sweeping round her feet.
Paul Murray (Skippy Dies)
I can do this, he was thinking. All I have to do is just be as normal as everyone else. All I have to do is just not blow apart like a two-dollar clock. Just pick words and put one of them after the other like a baby learning to walk, like a drunk carefully crossing the street.
William Gay (Provinces of Night)
Music had been his undoing, he told the boy in ironic self-deprecation. His bane and his salvation. It had gotten him through tough times that would have otherwise been unbearable and it had made everything else he had gone at twice as hard.
William Gay (Provinces of Night)
There was something mystic about crossroads, they doubled the options, confused both pursuer and pursued.
William Gay (Provinces of Night)
Narian was once more making preparations for a journey to Cokyri; as official liaison, he frequently traveled between the mother empire and the province. Knowing that the trip was long and arduous I didn’t expect him to come to me that night, and I didn’t bother to light a lantern when I adjourned to my bedroom. Instead, I relied on memory and moonlight to guide me to my dressing table. I unpinned my dark brown hair--it was not yet long enough to tie back, but letting it merely hang was impractical--and reached behind to tug at the laces of my dress. They were difficult to loosen without the aid of my personal maid, Sahdienne, who had been among those servants rehired for the sake of the economy. I sighed in frustration and stood, about to send for her when I felt warm hands rest on my waist from behind. My irritation dispersed as I closed my eyes and tilted my head back against a sturdy chest, breathing in his presence. Narian had come. He swept my hair off my neck, his fingers giving me pleasant chills, then took over what I had been attempting. My dress rustled to the floor, leaving me standing in my chemise, and he sweetly and tenderly kissed my neck and shoulders. He pushed my shift down my arms, his mouth following, and I leaned against him, my legs weak, keenly attuned to every brush of his lips against my flushed skin. My heart beat faster, and I twisted to face him, kissing him deeply, hardly aware that he had begun to walk backward, leading me toward the bed. We fell together upon the mattress, not entirely gracefully, but neither of us thinking about form. He rolled on top of me, his breath quickening along with mine, and it was only when he took hold of my bunched up chemise that my brain snapped into action. I placed my hands on his shoulders and shook my head, and he flopped flat on his back beside me with a groan. After a moment to regain his composure, he propped himself up on his elbow to look down at me, desire still lurking in his mesmerizing eyes. “Alera? Are you…all right?” “Narian, we can’t do this.” I was more than a little shocked at the both of us. His brow furrowed, and he ran a hand through his disheveled hair. He took a breath and opened his mouth, then stopped, apparently unable to decide exactly what he wanted to say. “Why not?” “Because,” I said, pushing myself upright. “We’re not married!
Cayla Kluver (Sacrifice (Legacy, #3))
Sirhind (or Lahore), Rajputana, Gujrat, Malwa, Audh (including Rohilkand, strictly Rohelkhand, the country of the Rohelas, or "Rohillas" of the Histories), Agra, Allahabad, and Dehli: and the political division was into subahs, or divisions, sarkars or districts; dasturs, or sub-divisions; and parganahs, or fiscal unions. The Deccan, Panjab (Punjab), and Kabul, which also formed parts of the Empire in its widest extension at the end of the seventeenth century, are omitted, as far as possible, from notice, because they did not at the time of our narration form part of the territories of the Empire of Hindustan, though included in the territory ruled by the earlier and greater Emperors. Bengal, Bihar, and Orissa also formed, at one time, an integral portion of the Empire, but fell away without playing an important part in the history we are considering, excepting for a very brief period. The division into Provinces will be understood by reference to the map. Most of these had assumed a practical independence during the first quarter of the eighteenth century, though acknowledging a weak feudatory subordination to the Crown of Dehli. The highest point in the plains of Hindustan is probably the plateau on which stands the town of Ajmir, about 230 miles south of Dehli. It is situated on the eastern slope of the Aravalli Mountains, a range of primitive granite, of which Abu, the chief peak, is estimated to be near 5,000 feet above the level of the sea; the plateau of Ajmir itself is some 3,000 feet lower. The country at large is, probably, the upheaved basin of an exhausted sea which once rendered the highlands of the Deccan an island like a larger Ceylon. The general quality of the soil is accordingly sandy and light, though not unproductive; yielding, perhaps, on an average about one thousand lbs. av. of wheat to the acre. The cereals are grown in the winter, which is at least as cold as in the corresponding parts of Africa. Snow never falls, but thin ice is often formed during the night. During the spring heavy dews fall, and strong winds set in from the west. These gradually become heated by the increasing radiation of the earth, as the sun becomes more vertical and the days longer. Towards the end of May the monsoon
H.G. Keene (Fall of the Moghul Empire of Hindustan)
She was as square and solid and unlovely as a wooden packing crate. Her high complexioned moon shaped face bloomed with the high blood pressure she suffered from and her hair was dyed a hard bright orange that nature would have been hard put to replicate.
William Gay (Provinces of Night)
She had grown stingy with words, whole days spent in sullen silence, as if her supply of words was being exhausted and she must parcel them out one by one.
William Gay (Provinces of Night)
You always was a skinny child but turn sideways you just ain’t there atall.
William Gay (Provinces of Night)
I’ve been through hell and just barely got scorched.
William Gay (Provinces of Night)
The screen door opened, slapped loudly shut. An enormous woman had come onto the porch, a woman with a fierce turtle like face and wild frizzy carrot colored hair. She was wearing a bright yellow tent size dress with dark half moons of sweat fanning out from the armpits.
William Gay (Provinces of Night)
Up there was the immensity of the immensity, the endless distance of the distance, the impossible scale, the thunderous silence of all that light, the million million million blazing suns out there where nobody could hear you scream. And down here the human race, dirty ants crawling across a small rock circling a minor star in the outlying provinces of a lesser galaxy in the inconsequential boondocks of the universe, narcissistic ants mad with egotism, insisting in the face of the fiery night- sky evidence to the contrary that their puny anthills stood at the heart of it all.
Salman Rushdie (Quichotte)
From the shade of the Ivy covered porch the old men sat in ladder back chairs and watched the hot blacktop. They’d sit day long and wait for something to happen, anything to happen, waiting for the road to entertain them. These were old man in clean shirts and suspenders and pants so roomy they could’ve held another old-timer and shoes split down the sides for comfort.
William Gay (Provinces of Night)
The night of 'the look' on the avenue de New York. People drift along not seeing each other. It is like a vernissage without paintings. It could be the Exterminating Angel or 'Pure Festival' - pure in the sense of Virilio's 'pure war' - on screen. The only hot spot is the trap-door through which the champagne arrives. Peculiar feverish, power-mad tribe, dissolute yet oversensitive, metaphysics with infrared lighting. Nothing in their gaze, everything in the way they look, nothing in their eyes, everything in the decibel level. The gentle air of the Piazza Navona in December, with the acetylene lamps and the reflections of the turquoise water on the Bernini horses. A beauty that is purely Roman. In the Campo dei Fiori someone has laid fresh flowers at the foot of the statue of Giordano Bruno, burned for heresy on this very spot four centuries ago. The touching loyalty of the Roman people; where else would you see such a thing? The hot December multitudes spill out into the street: Christmas is almost as mild here as in Brazil. The city is only beautiful when the crowd invades it. So many people on the streets always gives the impression of a silent uprising. Everyone walks along in the luminous muted buzz of voices and the narrow streets. Everything is transformed into a silent opera, a theatrical geometry. Everything sings in this part of the city.
Jean Baudrillard (Cool Memories)
When I was your age these warm nights you couldn’t of held me down with a log chain. I’d do anything. I’d wake up in Alaska hung over with my beard froze to the ground. I’d hang around and pick me up one of them young girls that wanders around. Take her down by the tie yard and throw a tool to her.
William Gay (Provinces of Night)
The last time I saw my woman she had a wine glass in her hand. She was drinking down her troubles with a no good sorry man.
William Gay (Provinces of Night)
I seen a pretty woman in a red dress, the old man said. And then I seen her take it off. What else is there?
William Gay (Provinces of Night)
If there’s one thing I never mistook about it’s the sound of a whiskey bottle lid being screwed off. There ain’t nothing else in the world sounds like it.
William Gay (Provinces of Night)
a moving river of light that flowed above the dark water like its negative image and attained a transient and fragile dominion over the provinces of night. BOOK THREE
William Gay (Provinces of Night)
When you’re young, you have way fewer taboo topics, and then as you go through life and you have experiences with people getting cancer and dying and all the things you would have made fun of, then you don’t make fun of them anymore. So rebelliousness really is the province of young people—that kind of iconoclasm.
Tom Shales (Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests)
I once spent a night at a truck stop in Shandong Province, on the east coast, asking drivers about what they carried. Two men had a truck full of bamboo whisk brooms; they had just dropped off a shipment of non-ferrous metal... Others had gone from chemical materials to radiators, from tennis shoes to dynamos. They were the alchemists of the new economy, at the center of every mysterious exchange that occurs along the Chinese road system.
Peter Hessler (Country Driving: A Journey Through China from Farm to Factory)
While Hizb made inroads in Nangarhar, it also exploited the rising discontent sweeping through rural areas close to Kabul. Since late 1978 ethnic Hazaras in the rugged central region around Bamiyan had been rising up against the government. The regime responded by forming a Pashtun militia in neighbouring Wardak province to deploy against the rebels. On 4 June 1979—as the communist sergeant was being executed in Nangahrar—a delegation of Pashtuns drove to the district centre of Chak to collect the government-issue weapons they were meant to use against the Hazaras. With thousands of brand new rifles in their possession, the Pashtuns then turned on the government. The double cross had been hatched by a local council of scholars, elders, farmers and labourers who did not claim fealty to any mujahideen party. Later that summer, Hizb made the most of the rebellion, sending one of its commanders to establish a unit of fighters inside Chak. The commander had been living in Peshawar but was from Chak and had known Hekmatyar for nearly a decade. Using the friendships he already enjoyed within the community and the help of former Muslim Youth members, he ensured that Hizb quickly picked up support in and around the district
Chris Sands (Night Letters: Gulbuddin Hekmatyar and the Afghan Islamists Who Changed the World)
People would often ask - what is Build, Build, Build? it is a springboard, a chance to turn a dream of connecting Luzon, Visayas, and Mindanao into a reality. It means connecting 81 provinces, 146 cities, and 1,489 municipalities.
Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual
His Night Visit to Bahia, and the consequent Flight of the Enemy.—Lord Cochrane's Pursuit of them.—His Visit to Maranham, and Annexation of that Province and of Para.—His Return to Rio de Janeiro.—The Honours conferred upon him. - 223 CHAPTER XI [1823-1824.]
Thomas Barnes Cochrane (The Life of Thomas, Lord Cochrane, Tenth Earl of Dundonald, G.C.B., Admiral of the Red, Rear-Admiral of the Fleet, Etc., Etc.Vol. I)
The Son of a vacuum Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention. -He said: I am not a hero; I am nothing but a child looking for Eid. The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries. Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq. Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup. Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003. As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart. -When will you come back, dad? -On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts. The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland. Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote: Every morning takes me nostalgic for you, to the jasmine flower, oh, melody in the heart, oh balm I sip every while, To you, I extend a hand and a fire that ignites in the soul a buried love, night shakes me with tears in my eyes, my longing for you has shaped me into dreams, stretching footsteps to the left and to the right, gleam, calling out for me, you scream, waking me up to the glimpse of the light of life in your face, a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace, Eid comes to you as a companion, without, life yet has no trace, for roses, necklaces of love, so that you amaze. -Where is Ruslan? On the morning of the feast day, at the door of his house, the kids asked his mother, -with tears in her eyes: He went to meet his father. A moment of silence fell over the children, -Raman, with a little gut: Aunt, do you mean he went to the cemetery? -Mother: He went to meet him at those hills.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
People would often ask - what is Build, Build, Build? it Is a springboard, a chance to turn a dream of connecting Luzon, Visayas, and Mindanao into a reality. It means connecting 81 provinces, 146 cities, and 1,489 municipalities.” - Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual 2nd Edition (p. 80, 10 road trips to do in 2021)
Anna Mae Yu Lamentillo
We must come to the table knowing that there is no barangay, city, province, government, or country that can solve the COVID-19 crisis alone. More than ever, human collectivism is key. We have prepared for wars even before they happened. Maybe this time, we ought to work together, collectively and purposively, regardless of race, ethnicity, political affiliation, and religion, in finding a solution to a threat that has shaken our very definition of civilization.” - Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual 2nd Edition (p. 313, Physical (not social) Distancing)
Anna Mae Yu Lamentillo
On page 115 of Kit Chow’s “All the Tea in China” we find this: “Never use tea that has stood over night. Researchers at the Fujian Province Chinese Medicine Research Institute found that while fresh green and oolong tea lowered incidence of lung cancer in rabbits, green tea that stood overnight increased it.
Frank Hadley Murphy (Tea Fried Brain: Notes From St. Camellia's Church of the First Infusion)
We must come to the table knowing that there is no barangay, city, province, government, or country that can solve the COVID-19 crisis alone. More than ever, human collectivism is key. We have prepared for wars even before they happened. Maybe this time, we ought to work together, collectively and purposively, regardless of race, ethnicity, political affiliation, and religion, in finding a solution to a threat that has shaken our very definition of civilization.
Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual
He thinks he’s all aces but he’s mostly sevens and eights.
William Gay (Provinces of Night)
Rather than a state of equal brotherhood and sisterhood, Kim had introduced an elaborate social order in which the eleven million ordinary North Korean citizens were classified according to their perceived political reliability. The songbun system, as it was known, ruthlessly reorganized the entire social system of North Korea into a communistic pseudofeudal system, with every individual put through eight separate background checks, their family history taken into account as far back as their grandparents and second cousins. Your final rating, or songbun, put you in one of fifty-one grades, divided into three broad categories, from top to bottom: the core class, the wavering class, and the hostile class. The hostile class included vast swathes of society, from the politically suspect (“people from families of wealthy farmers, merchants, industrialists, landowners; pro-Japan and pro-U.S. people; reactionary bureaucrats; defectors from the South; Buddhists, Catholics, expelled public officials”) to kiaesaeng (the Korean equivalent of geishas) and mudang (rural shamans). Although North Koreans weren’t informed of their new classification, it quickly became clear to most people what class they had been assigned. North Koreans of the hostile class were banned from living in Pyongyang or in the most fertile areas of the countryside, and they were excluded from any good jobs. There was virtually no upward mobility—once hostile, forever hostile—but plenty downward. If you were found to be doing anything that was illegal or frowned upon by the regime, you and your family’s songbun would suffer. Personal files were kept locked away in local offices, and were backed up in the offices of the Ministry for the Protection of State Security and in a blast-resistant vault in the mountains of Yanggang province. There was no way to tamper with your status, and no way to escape it. The most cunning part of it all was that Kim Il-Sung came up with a way for his subjects to enforce their own oppression by organizing the people into inminban (“people’s groups”), cooperatives of twenty or so families per neighborhood whose duty it was to keep tabs on one another and to inform on any potentially criminal or subversive behavior. These were complemented by kyuch’aldae, mobile police units on constant lookout for infringers, who had the authority to burst into your home or office at any time of day or night. Offenses included using more than your allocated quota of electricity, wearing blue jeans, wearing clothes bearing Roman writing (a “capitalist indulgence”) and allowing your hair to grow longer than the authorized length. Worse still, Kim decreed that any one person’s guilt also made that person’s family, three generations of it, guilty of the same crime. Opposing the regime meant risking your grandparents, your wife, your children—no matter how young—being imprisoned and tortured with you. Historically, Koreans had been subject to a caste system similar to India’s and equally as rigid. In the early years of the DPRK, the North Korean people felt this was just a modernized revitalization of that traditional social structure. By the time they realized something was awfully wrong, that a pyramid had been built, and that at the top of it, on the very narrow peak, sat Kim Il-Sung, alone, perched on the people’s broken backs, on their murdered families and friends, on their destroyed lives—by the time they paused and dared to contemplate that their liberator, their savior, was betraying them—in fact, had always betrayed them—it was already much, much too late.
Paul Fischer (A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power)
She suddenly heard a wave of sound, cicadas and whippoorwills and crickets that just abruptly assailed her, and she wondered if they'd just begun or if they had already been calling and all she'd heard was the banjo music, ancient and myth-laden and somehow enticing, like sound seeping through the cracks of a place you couldn't get to anymore
William Gay (Provinces of Night)
They sold records out of the trunk of the Model A. They sold them with no trouble at all, folks digging up change out of their purses so worn the faces denominating it looked spectral, mere ghosts of themselves. They sold them to folks who did not even own phonographs, who had no prospects of owning one, folks who seemed to regard the records as talismans. Who handled them reverently and turned them to the light and studied the spiraling grooves as if they'd find there some physical evidence of their own provisional existence, as if their very lives were somehow encoded there
William Gay (Provinces of Night)
Sometimes any move at all is better than nothin. If you’re right you’re one up. If you’re wrong you start over.
William Gay (Provinces of Night)
You southerners, he said. I’ve been here for fifteen years and I’ll never understand you.
William Gay (Provinces of Night)
Before she’d shared his bed, life had been pointless, but now it had become unbearable. She had appeared from nowhere and returned to it, but she’d taken over his life, left with a lien on his body, a mortgage on his soul.
William Gay (Provinces of Night)