Proper Notation For Quotes

There is much more to playing the clavier than playing written music. Do you realize with accompanying there is often nothing written out but the bass line--the left hand? There might be a few notations as to a suggested harmony, but it is up to me to fill in the music, at the proper volume, style, and harmony for the soloist--often instantly. I've heard it said that Bach questioned wether the soloist or the accompanist deserves the greatest glory.

The twinkle that softens the review; the martyr's super-logic and the child's intuition; the fact that a fragment of moss can pull back into the memory a whole forest – these are proofs that there is reality in the imponderable, and not only notation but connotation is a part of the proper study of mankind.

It is safe to say that the message spoke of a common shape to all the processes of the world, and insisted there was a unity to all explanations. It confirmed that all phenomena are expressions of a single phenomenon, and while all droplets consider themselves independent, they are nonetheless still ocean through and through. In that message the great suspicions were vindicated and the old cliches were jettisoned. The hymn of the world was notated and an invitation to join the choir extended. The shape of Being was outlined in all its myriad forms and the whole was expressed in the part. With the right ears even a lesser creature can hear the song. It is sung constantly, from the heart of each atom and star. The galaxies hum of shape and form in their essence. That is their secret. The particles whisper of the nature of proper interactions. That is their game. And during a storm, in the forest, on the right night, it is no secret that the leaves all sing of God.

is safe to say that the message spoke of a common shape to all the processes of the world, and insisted there was a unity to all explanations. It confirmed that all phenomena are expressions of a single phenomenon, and while all droplets consider themselves independent, they are nonetheless still ocean through and through. In that message the great suspicions were vindicated and the old cliches were jettisoned. The hymn of the world was notated and an invitation to join the choir extended. The shape of Being was outlined in all its myriad forms and the whole was expressed in the part. With the right ears even a lesser creature can hear the song. It is sung constantly, from the heart of each atom and star. The galaxies hum of shape and form in their essence. That is their secret. The particles whisper of the nature of proper interactions. That is their game. And during a storm, in the forest, on the right night, it is no secret that the leaves all sing of God.

Classical number is a thought-process dealing not with spatial relations but with visibly limitable and tangible units, and it follows naturally and necessarily that the Classical knows only the "natural" (positive and whole) numbers, which on the contrary olay in our Western mathematics a quite undistinguished part in the midst of complex, hypercomplex, non-Archimedean and other number-systems. On this account, the idea of irrational numbers the unending decimal fractions of our notation was unrealizable within the Greek spirit. Euclid says and he ought to have been better understood that incommensurable lines are "not related to one another like numbers." In fact, it is the idea of irrational number that, once achieved, separates the notion of number from that of magnitude, for the magnitude of such a number (π, for example) can never be defined or exactly represented by any straight line. Moreover, it follows from this that in considering the relation, say, between diagonal and side in a square the Greek would be brought up suddenly against a quite other sort of number, which was fundamentally alien to the Classical soul, and was consequently feared as a secret of its proper existence too dangerous to be unveiled. There is a singular and significant late-Greek legend, according to which the man who first published the hidden mystery of the irrational perished by shipwreck, "for the unspeakable and the formless must be left hidden for ever".

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