Project Gutenberg Quotes

It is a consolation or a misfortune that the wrong kind of people are too often correct in their prognostications of the future; the far-seeing are also the foolish.

[ Redactor's Note: Journey to the Centre of the Earth is number V002 in the Taves and Michaluk numbering of the works of Jules Verne. First published in England by Griffith and Farran, 1871, this edition is not a translation at all but a complete re-write of the novel, with portions added and omitted, and names changed. The most reprinted version, it is entered into Project Gutenberg for reference purposes only. A better translation is A Journey into the Interior of the Earth translated by Rev. F. A. Malleson, also available on Project Gutenberg.]

For men are homesick in their homes, And strangers under the sun, And they lay their heads in a foreign land Whenever the day is done. To an open house in the evening Home shall men come, To an older place than Eden And a taller town than Rome. To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home. From: The House of Christmas, as anthologized in Burton Egbert Stevenson, ed., The Home Book of Verse, Volume 1 (New York: Henry Holt And Company, 1912); Project Gutenberg Etext #2619.

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads,—a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.

Let us therefore study the incidents in this as philosophy to learn wisdom from and none of them as wrongs to be avenged....

Another thirst had come to him—the thirst for women, for licentious pleasure, and all that Parisian life permitted him to enjoy. He felt somewhat stunned, like a man coming out of a ship, and in the visions that haunted his first sleep, he saw the shoulders of the fishwife, the loins of the 'longshorewoman, the calves of the Polish lady, and the head-dress of the female savage flying past him and coming back again continually. Then, two large black eyes, which had not been at the ball, appeared before him; and, light as butterflies, burning as torches, they came and went, ascended to the cornice and descended to his very mouth. Frederick made desperate efforts to recognise those eyes, without succeeding in doing so. But already the dream had taken hold of him. It seemed to him that he was yoked beside Arnoux to the pole of a hackney-coach, and that the Maréchale, astride of him, was disembowelling him with her gold spurs.(©Project Gutenberg)

Frederick expected that he would have felt spasms of joy; but the passions grow pale when we find ourselves in an altered situation; and, as he no longer saw Madame Arnoux in the environment wherein he had known her, she seemed to him to have lost some of her fascination; to have degenerated in some way that he could not comprehend—in fact, not to be the same. He was astonished at the serenity of his own heart. © Project Gutenberg /... sentimentele slăbesc cînd le schimbi locul...

When you lay down a proposition which is forthwith controverted, it is of course optional with you to take up the cudgels in its defence. If you are deeply convinced of its truth, you will perhaps be content to leave it to take care of itself; or, at all events, you will not go out of your way to push its fortunes; for you will reflect that in the long run an opinion often borrows credit from the forbearance of its patrons. In the long run, we say; it will meanwhile cost you an occasional pang to see your cherished theory turned into a football by the critics. A football is not, as such, a very respectable object, and the more numerous the players, the more ridiculous it becomes. Unless, therefore, you are very confident of your ability to rescue it from the chaos of kicks, you will best consult its interests by not mingling in the game.

The definition of morality; Morality is the idiosyncrasy of decadents, actuated by a desire to avenge themselves with success upon life. I attach great value to this definition. 8 [Pg 141] Have you understood me? I have not uttered a single word which I had not already said five years ago through my mouthpiece Zarathustra. The unmasking of Christian morality is an event which unequalled in history, it is a real catastrophe. The man who throws light upon it is a force majeure, a fatality; he breaks the history of man into two. Time is reckoned up before him and after him. The lightning flash of truth struck precisely that which theretofore had stood highest: he who understands what was destroyed by that flash should look to see whether he still holds anything in his hands. Everything which until then was called truth, has been revealed as the most detrimental, most spiteful, and most subterranean form of life; the holy pretext, which was the "improvement" of man, has been recognised as a ruse for draining life of its energy and of its blood. Morality conceived as Vampirism.... The man who unmasks morality has also unmasked the worthlessness of the values in which men either believe or have believed; he no longer sees anything to be revered in the most venerable man—even in the types of men that have been pronounced holy; all he can see in them is the most fatal kind of abortions, fatal, because they fascinate. The concept "God" was invented as the opposite of the concept life—everything detrimental, poisonous, and slanderous, and all deadly hostility to life, wad bound together in one horrible unit in Him. The concepts "beyond" and "true world" were invented in order to depreciate the only world that exists—in order that no goal or aim, no sense or task, might be left to earthly reality. The concepts "soul," "spirit," and last of all the concept "immortal soul," were invented in order to throw contempt on the body, in order to make it sick and "holy," in order to cultivate an attitude of appalling levity towards all things in life which deserve to be treated seriously, i.e. the questions of nutrition and habitation, of intellectual diet, the treatment of the sick, cleanliness, and weather. Instead of health, we find the "salvation of the soul"—that is to say, a folie circulate fluctuating between convulsions and penitence and the hysteria of redemption. The concept "sin," together with the torture instrument appertaining to it, which is the concept "free will," was invented in order to confuse and muddle our instincts, and to render the mistrust of them man's second nature! In the concepts "disinterestedness" and "self-denial," the actual signs of decadence are to be found. The allurement of that which is [Pg 142] [Pg 143] The Project Gutenberg eBook of Ecce Homo, by Friedrich Nietzsche. detrimental, the inability to discover one's own advantage and self-destruction, are made into absolute qualities, into the "duty," the "holiness," and the "divinity" of man. Finally—to keep the worst to the last—by the notion of the good man, all that is favoured which is weak, ill, botched, and sick-in-itself, which ought to be wiped out. The law of selection is thwarted, an ideal is made out of opposition to the proud, well-constituted man, to him who says yea to life, to him who is certain of the future, and who guarantees the future—this man is henceforth called the evil one. And all this was believed in as morality!

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The Canterbury Puzzles and Puzzles and Curious Problems. Because they were published so long ago, they are now out of copyright and you can read them freely (and legally) online through The Gutenberg Project.

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diminished

GREAT EXPECTATIONS [1867 Edition] by Charles Dickens [Project Gutenberg Editor's Note: There is also another version of this work etext98/grexp10.txt scanned from a different edition]

Writers are tough sons-of-bitches. It’s hard enough to write a book. Then you have to wade into this street fight we call the publishing industry and start pitching your project. The tweed jacket crowd is gone, replaced by Darwinian corporate mergers, staff churn, the e-book earthquake, anti-trust pricing scuffles, and book platforms multiplying like rabbits. You have to sort through too much personal information on too few agents, searching for a hook, parsing what they love, and what they want, and exactly how they want it presented. Your pitch letter has to be pitch perfect, a polished gem. You gotta sell more than a well-wrought paragraph; only Clancy and Cussler get a promo budget. You gotta show them you’ve got a social media game – tweet, facebook, link-in, chat, blog. You gotta help them sell your book. So what. I wouldn’t trade this trade for anything. Thanks, Gutenberg, for inventing this game I love.

away or re-use it under the terms of the Project Gutenberg License included

The Project Gutenberg EBook of The Notebooks of Leonardo Da Vinci, Complete by Leonardo Da Vinci (#3 in our series by Leonardo Da Vinci)

Dr. Gustav Freytag, in his book "Technique of the Drama", labels the three acts as the introduction, the climax and the catastrophe. Between the three points are the rising and falling actions. These five parts are sometimes referred to as Freytag's Pyramid because of how the plot progression can be graphed as an ascent to a peak, and after the climax, a descent to a conclusion. There is plenty of analysis online about the pyramid, and the text of the book can be downloaded from Project Gutenberg, though it is in German. An English version can be found by searching Google books. Day

Gutenberg himself had printed the first mass-produced Indulgences in 1454 while he was working on his Bible project, and by the end of the fifteenth century they had become an untrammelled money-making racket for the Church. At the time of Luther’s protest, Indulgences were being sold at an unprecedented rate to raise money for the rebuilding of St Peter’s Basilica in Rome.

Charles Dickens [Project Gutenberg Editor's Note: There is also another version of this work etext98/grexp10.txt