β
We seldom realize, for example that our most private thoughts and emotions are not actually our own. For we think in terms of languages and images which we did not invent, but which were given to us by our society.
β
β
Alan W. Watts
β
We all fight our own private wars.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
I am selfish, private and easily bored. Will this be a problem?
β
β
Neil Gaiman (A Study in Emerald)
β
THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL
1. We are here to help you.
2. You will have time to get to your class before the bell rings.
3. The dress code will be enforced.
4. No smoking is allowed on school grounds.
5. Our football team will win the championship this year.
6. We expect more of you here.
7. Guidance counselors are always available to listen.
8. Your schedule was created with you in mind.
9. Your locker combination is private.
10. These will be the years you look back on fondly.
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL
1. You will use algebra in your adult lives.
2. Driving to school is a privilege that can be taken away.
3. Students must stay on campus during lunch.
4. The new text books will arrive any day now.
5. Colleges care more about you than your SAT scores.
6. We are enforcing the dress code.
7. We will figure out how to turn off the heat soon.
8. Our bus drivers are highly trained professionals.
9. There is nothing wrong with summer school.
10. We want to hear what you have to say.
β
β
Laurie Halse Anderson (Speak)
β
My name is Percy Jackson.
I'm twelve years old. Until a few months ago, I was a boarding student at Yancy Academy, a private school for troubled kids in upstate New York.
Am I a troubled kid?
Yeah. You could say that.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
β
β
Haruki Murakami (Kafka on the Shore)
β
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body.
I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
Probably one of the most private things in the world is an egg before it is broken.
β
β
M.F.K. Fisher
β
All human beings have three lives: public, private, and secret.
β
β
Gabriel GarcΓa MΓ‘rquez (Gabriel GarcΓa MΓ‘rquez: a Life)
β
I couldn't live a week without a private library - indeed, I'd part with all my furniture and squat and sleep on the floor before I'd let go of the 1500 or so books I possess.
β
β
H.P. Lovecraft
β
We live, in fact, in a world starved for solitude, silence, and private: and therefore starved for meditation and true friendship.
β
β
C.S. Lewis (The Weight of Glory)
β
I am on the highest branch.
We are written in paint.
I believe in signs.
The glow of Ultraviolet.
A lake. A prayer. It's so lovely to be lovely in Private.
β
β
Jennifer Niven (All the Bright Places)
β
Every man's memory is his private literature.
β
β
Aldous Huxley
β
I now know that some people feel unhappiness the way others love: privately, intensely, and without recourse.
β
β
Khaled Hosseini (And the Mountains Echoed)
β
A door is what a dog is perpetually on the wrong side of.
β
β
Ogden Nash (The Private Dining-room and Other Verses)
β
We kiss all the time." I clear my throat, then add, "We just...do it in private."
"A smug expression crosses his face. "I don't buy it for a second, 'cause if you were my girlfriend and a stud like me was livin' in your house, I'd kiss you in front of the guy every chance I got as a reminder."
"A reminder of w-w-what?"
"That you were mine.
β
β
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
β
Quiet minds cannot be perplexed or frightened but go on in fortune or misfortune at their own private pace, like a clock during a thunderstorm.
β
β
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
β
To hold our tongues when everyone is gossiping, to smile without hostility at people and institutions, to compensate for the shortage of love in the world with more love in small, private matters; to be more faithful in our work, to show greater patience, to forgo the cheap revenge obtainable from mockery and criticism: all these are things we can do.
β
β
Hermann Hesse
β
Jesper couldnβt quite believe he was having a conversation with the Sturmhond. The privateer was a legend. Heβd broken countless blockades on behalf of the Ravkans and there were rumors thatβ¦ βDo you really have a flying ship? blurted Jesper.
βNo.β
βOh.β
βI have several.β
βTake me with you.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
Myths are public dreams, dreams are private myths.
β
β
Joseph Campbell
β
The need to go astray, to be destroyed, is an extremely private, distant, passionate, turbulent truth.
β
β
Georges Bataille
β
Poetry is not an expression of the party line. It's that time of night, lying in bed, thinking what you really think, making the private world public, that's what the poet does.
β
β
Allen Ginsberg
β
Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
β
β
Robert A. Heinlein
β
Ever come home and found your room messed up? Like some helpful person (hi, Mom) has tried to "clean" it, and suddenly you can't find anything? And even if nothing is missing, you get that creepy feeling like somebody's been looking through your private stuff and dusting everything with lemon furniture polish?
β
β
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
β
If a man, who says he loves you, wonβt tell you the details of a private conversation between him and another woman you can be sure he is not protecting your heart. He is protecting himself and the women he has feelings for. Wise women simply see things as they are, not as their low self-esteem allows.
β
β
Shannon L. Alder
β
She must feel like Luciferβs frigid breath is running down the back of her delicate neck.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
You sound like youβre enjoying my suffering.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
Her growing possessiveness felt both good and bad.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
Maybe each human being lives in a unique world, a private world different from those inhabited and experienced by all other humans. . . If reality differs from person to person, can we speak of reality singular, or shouldn't we really be talking about plural realities? And if there are plural realities, are some more true (more real) than others? What about the world of a schizophrenic? Maybe it's as real as our world. Maybe we cannot say that we are in touch with reality and he is not, but should instead say, His reality is so different from ours that he can't explain his to us, and we can't explain ours to him. The problem, then, is that if subjective worlds are experienced too differently, there occurs a breakdown in communication ... and there is the real illness.
β
β
Philip K. Dick
β
Poetry is the one place where people can speak their original human mind. It is the outlet for people to say in public what is known in private.
β
β
Allen Ginsberg
β
I watched her undress with moonlight shivering across the room from behind sheer curtains that moved with the currents from the hearth fire.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
The verdict got both the fish and me off the hook.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
I knew IΒ rode a rugged crest of turmoil that might crash on the rocky shore of irrational behavior.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
What the hell, if you are going to roll the dice with Lucifer, I say go the distance.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
Death rides on all of our shoulders from the day we are born.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
Youβre mad,β I said. βYou know what he can do. No prize is worth that.β
Sturmhond grinned. βThat remains to be seen.β
βThe Darkling will hunt you for the rest of your days.β
βThen you and I will have something in common, wonβt we? Besides, I like to have powerful enemies. Makes me feel important.β
Mal crossed his arms and considered the privateer. βI canβt decide if youβre crazy or stupid.β
βI have so many good qualities,β Sturmhond said. βIt can be hard to choose.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
...but in this world nothing can be said to be certain, except death and taxes.
β
β
Benjamin Franklin (The Private Correspondence of Benjamin Franklin, LL.D ...: Comprising a Series of Letters on Miscellaneous, Literary, and Political Subjects ...)
β
I swallowed a sigh since, truthfully, I was glad she found the cabin.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
The final sound of the rifle shot bounced around the lake.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
It was as if we played chess after denying me both bishops and knights.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
The steps leading to the porch looked worn, cracked, and unpainted, ready for a nice hot fire.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
The liberty of a democracy is not safe if the people tolerated the growth of private power to a point where it becomes stronger than the democratic state itself. That in its essence is fascism: ownership of government by an individual, by a group, or any controlling private power.
β
β
Franklin D. Roosevelt
β
I privately say to you, old friend... please accept from me this unpretentious bouquet of early-blooming parentheses: (((()))).
β
β
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
β
Death is the ultimate test of faith.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
A look of absolute terror locked onto her features.
β
β
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
β
For us, everything was a performance.β A small, private smile catches me off guard and I glance down, hoping he wonβt see it. βEverything poetic.
β
β
M.L. Rio (If We Were Villains)
β
She wished there was some place where she could go to hum it out loud. Some kind of music was too private to sing in a house cram fall of people. It was funny, too, how lonesome a person could be in a crowded house.
β
β
Carson McCullers (The Heart Is a Lonely Hunter)
β
The main thing in one's own private world is to try to laugh as much as you cry.
β
β
Maya Angelou
β
Just because I wear black and keep a private journal, that doesn't mean I'm going to blow up the school. Or terrorize mindless cheerleaders, for that matter.
β
β
Kelly Creagh (Nevermore (Nevermore, #1))
β
Always remember that you were once alone, and the crowd you see in your life today are just as unecessary as when you were alone.
β
β
Michael Bassey Johnson
β
I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it.
β
β
Joan Didion
β
There are many things in your heart you can never tell to another person. They are you, your private joys and sorrows, and you can never tell them. You cheapen yourself, the inside of yourself, when you tell them.
β
β
Greta Garbo
β
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fanciesβall these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.
β
β
Aldous Huxley (The Doors of Perception)
β
Public opinion is a weak tyrant compared with our own private opinion. what a man thinks of himself, that it is which determines, or rather indicates, his fate.
β
β
Henry David Thoreau
β
I'm a supporter of gay rights. And not a closet supporter either. From the time I was a kid, I have never been able to understand attacks upon the gay community. There are so many qualities that make up a human being... by the time I get through with all the things that I really admire about people, what they do with their private parts is probably so low on the list that it is irrelevant.
β
β
Paul Newman
β
And while my mind is telling me I'm flirting with her just to prove a point, my body wants to play "you show me your perky privates and I'll show you mine.
β
β
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
β
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ainβt no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if youβre so smart, why ainβt you rich?' There will also be an American flag no larger than a childβs hand β glued to a lollipop stick and flying from the cash register.
Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
Reading is one of the true pleasures of life. In our age of mass culture, when so much that we encounter is abridged, adapted, adulterated, shredded, and boiled down, it is mind-easing and mind-inspiring to sit down privately with a congenial book.
β
β
Thomas S. Monson
β
I hate solitude, but I'm afraid of intimacy. The substance of my life is a private conversation with myself which to turn into a dialogue would be equivalent to self-destruction. The company which I need is the company which a pub or a cafe will provide. I have never wanted a communion of souls. It's already hard enough to tell the truth to oneself.
β
β
Iris Murdoch (Under the Net)
β
Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
β
β
Joan Didion
β
All her knowledge is gone now. Everything she ever learned, or heard, or saw. Her particular way of looking at Hamlet or daisies or thinking about love, all her private intricate thoughts, her inconsequential secret musings β theyβre gone too. I heard this expression once: Each time someone dies, a library burns. Iβm watching it burn right to the ground.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
My daughter is seven, and some of the other second-grade parents complain that their children don't read for pleasure. When I visit their homes, the children's rooms are crammed with expensive books, but the parent's rooms are empty. Those children do not see their parents reading, as I did every day of my childhood. By contrast, when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says 'PRIVATE--GROWNUPS KEEP OUT': a child sprawled on the bed, reading.
β
β
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
β
One of the strangest things about life is that it will chug on, blind and oblivious, even as your private world - your little carved-out sphere - is twisting and morphing, even breaking apart. One day you have parents; the next day you're an orphan. One day you have a place and a path. The next day you're lost in the wilderness.
And still the sun rises and clouds mass and drift and people shop for groceries and toilets flush and blinds go up and down. That's when you realize that most of it - life, the relentless mechanism of existing - isn't about you. It doesn't include you at all. It will thrust onward even after you've jumped the edge. Even after you're dead.
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
Do you play football?' Brandon asks.
'No.'
'Baseball?'
'Nope.'
Brandon is on a roll and won't stop until he's found the answer he's looking for. 'Tennis?'
'That would be a nada'
'Then what sport do you play?'
Carlos puts down his food. Oh, no. He's got a rebellious gleam in his eye as he says, 'The horizontal tango.'
...Alex stands and says through chlenched teeth, 'Carlos let's talk. In private. Ahora.'
....Brandon turns to my dad with big, innocent eyes. 'Daddy, do you know how to do the horizontal tango?
β
β
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
β
Muggle women wear them, Archie, not the men, they wear these,' said the Ministry wizard, and he brandished the pinstriped trousers.
'I'm not putting them on,' said old Archie in indignation. 'I like a healthy breeze 'round my privates, thanks.
β
β
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
β
We're always contradicting ourselves.
We want people to tell us apart....
...yet we don't want them to be able to.
We want people to get to know us...
...but we also want them to keep their distance.
We've always longed for someone to accept us...
But we never believed there'd be anyone who would accept our twisted ways.
That's why we'll stay locked up tight...
...in our own little private world...
...and throw away the key, so that no one can ever hurt us.
β
β
Bisco Hatori (Ouran High School Host Club, Vol. 9 (Ouran High School Host Club, #9))
β
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice. "You want me bad.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
We feel that to reveal embarrassing or private things, we have given someone something, that, like a primitive person fearing that a photographer will steal his soul, we identify our secrets, our past and their blotches, with our identity, that revealing our habits or losses or deeds somehow makes one less of oneself.
β
β
Dave Eggers (A Heartbreaking Work of Staggering Genius)
β
What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge.
β
β
Gerard Way
β
All this time.
This was what was wrong with me. All this time I had been trying to figure out the secrets of the universe, the secrets of my own body, of my own heart. All of the answers had always been so close and yet I'd always fought them without even knowing it. From the minute I'd met Dante, I had fallen in love with him. I just didn't let myself know it, think it, feel it. My father was right. And it was true what my mother said. We all fight our own private wars.
β
β
Benjamin Alire SΓ‘enz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
β
Unconsciously we all have a standard by which we measure other men, and if we examine closely we find that this standard is a very simple one, and is this: we admire them, we envy them, for great qualities we ourselves lack. Hero worship consists in just that. Our heroes are men who do things which we recognize, with regret, and sometimes with a secret shame, that we cannot do. We find not much in ourselves to admire, we are always privately wanting to be like somebody else. If everybody was satisfied with himself, there would be no heroes.
β
β
Mark Twain
β
He wants her in his bedroom. And not in that way β no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorise the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-
β
β
Tahereh Mafi (Unravel Me (Shatter Me, #2))
β
A marriage is a private thing. It has its own wild laws, and secret histories, and savage acts, and what passes between married people is incomprehensible to outsiders. We look terrible to you, and severe, and you see our blood flying, but what we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
β
β
Catherynne M. Valente (Deathless)
β
Aren't you frightened?"
Somehow I expected her to say no, to say something wise like a grownup would, or to explain that we can't presume to understand the Lord's plan.
She looked away. "Yes," she finally said, "I'm frightened all the time."
"Then why don't you act like it?"
"I do. I just do it in private."
"Because you don't trust me?"
"No," she said, "because I know you're frightened, too.
β
β
Nicholas Sparks (A Walk to Remember)
β
I feel unspeakably lonely. And I feel - drained. It is a blank state of mind and soul I cannot describe to you as I think it would not make any difference. Also it is a very private feeling I have - that of melting into a perpetual nervous breakdown. I am often questioning myself what I further want to do, who I further wish to be; which parts of me, exactly, are still functioning properly. No answers, darling. At all.
β
β
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
β
The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and nondull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with βWow! Signore, professore dottore Eco, what a library you have ! How many of these books have you read?β and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you donβt know as your financial means, mortgage rates and the currently tight real-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menancingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.
β
β
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
β
The end of the world started when a pegasus landed on the hood of my car.
Up until then I was having a great afternoon.Technically I wasn't supposed to be driving because I wouldn't turn sixteen for another week, but my mom and my stepdad, Paul, took my friend Rachel and me to the private stretch of beach on the South Shore, and Paul let us borrow his Prius for a short spin.
Now, I know what your thinking, Wow, that was really irresponsible of him, blah, blah, blah, but Paul knows me pretty well. He's seen me slice up demons and leap out of exploding buildings, so he probably figured taking a car a few hundred yards wasn't exactly the most dangerous thing I'd ever done.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
As soon as we are alone,...inner chaos opens up in us. This chaos can be so disturbing and so confusing that we can hardly wait to get busy again. Entering a private room and shutting the door, therefore, does not mean that we immediatel;y shut ou all our iner doubts, anxieities, fears, bad memories, unresolved conflicts, angry feelings and impulsive desires. On the contrary, when we have removed our outer distraction, we often find that our inner distraction manifest themselves to us in full force. We often use the outer distractions to shield ourselves from the interior noises. This makes the discipline of solitude all the more important.
β
β
Henri J.M. Nouwen (Making All Things New and Other Classics)
β
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
β
β
Arundhati Roy (The God of Small Things)
β
Republicans approve of the American farmer, but they are willing to help him go broke. They stand four-square for the American home--but not for housing. They are strong for labor--but they are stronger for restricting labor's rights. They favor minimum wage--the smaller the minimum wage the better. They endorse educational opportunity for all--but they won't spend money for teachers or for schools. They think modern medical care and hospitals are fine--for people who can afford them. They consider electrical power a great blessing--but only when the private power companies get their rake-off. They think American standard of living is a fine thing--so long as it doesn't spread to all the people. And they admire of Government of the United States so much that they would like to buy it.
β
β
Harry Truman
β
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
β
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Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
β
Red Sox looked around Jane at the patient, βYour mind reading coming back?β
βWith her? Sometimes?β
βHuh. You getting anything from anyone else?β
βNope.β
Red Sox repositioned his hat. βWell, ahβ¦let me know if you pick up shit from me, k? There are some things that Iβd prefer to keep private, feel me?β
βRoger that. Although I canβt help it sometimes.β
βWhich is why Iβm going to take up thinking about baseball when youβre around.β
βThank fuck youβre not a Yankees fan.β
βDonβt use the Y-word. Weβre in mixed company.
β
β
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
β
The great source of both the misery and disorders of human life, seems to arise from over-rating the difference between one permanent situation and another. Avarice over-rates the difference between poverty and riches: ambition, that between a private and a public station: vain-glory, that between obscurity and extensive reputation. The person under the influence of any of those extravagant passions, is not only miserable in his actual situation, but is often disposed to disturb the peace of society, in order to arrive at that which he so foolishly admires. The slightest observation, however, might satisfy him, that, in all the ordinary situations of human life, a well-disposed mind may be equally calm, equally cheerful, and equally contented. Some of those situations may, no doubt, deserve to be preferred to others: but none of them can deserve to be pursued with that passionate ardour which drives us to violate the rules either of prudence or of justice; or to corrupt the future tranquillity of our minds, either by shame from the remembrance of our own folly, or by remorse from the horror of our own injustice.
β
β
Adam Smith (The Theory of Moral Sentiments)
β
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle. Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
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Joan Didion (Slouching Towards Bethlehem)
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I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...."
........
" I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
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Tahareh Mafi
β
A motion picture, or music, or television, they have to maintain a certain decorum in order to be broadcast to a vast audience. Other forms of mass media cost too much to produce a risk reaching only a limited audience. Only one person. But a book. . . . A book is cheap to print and bind. A book is as private and consensual as sex. A book takes time and effort to consume - something that gives a reader every chance to walk away. Actually, so few people make the effort to read that it's difficult to call books a "mass medium." No one really gives a damn about books. No one has bothered to ban a book in decades.
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Chuck Palahniuk (Haunted)
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And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard's kitchen mat...I also remembered Buddy Willard saying in a sinister, knowing way that after I had children I would feel differently, I wouldn't want to write poems any more. So I began to think maybe it was true that when you were married and had children it was like being brainwashed, and afterward you went about numb as a slave in some private, totalitarian state.
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Sylvia Plath (The Bell Jar)
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Whereas it appeareth that however certain forms of government are better calculated than others to protect individuals in the free exercise of their natural rights, and are at the same time themselves better guarded against degeneracy, yet experience hath shewn, that even under the best forms, those entrusted with power have, in time, and by slow operations, perverted it into tyranny; and it is believed that the most effectual means of preventing this would be, to illuminate, as far as practicable, the minds of the people at large, ....whence it becomes expedient for promoting the publick happiness that those persons, whom nature hath endowed with genius and virtue, should be rendered by liberal education worthy to receive, and able to guard the sacred deposit of the rights and liberties of their fellow citizens, and that they should be called to that charge without regard to wealth, birth or accidental condition of circumstance.
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Thomas Jefferson (Writings: Autobiography / Notes on the State of Virginia / Public and Private Papers / Addresses / Letters)
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My faithful companion, Zoe Nightshade, has passed into the stars. I must have a new lieutenant. And I intend to choose one. But first, Father Zeus, I must speak to you privately."
Zeus beckoned Artemis forward. He leaned down and listened as she spoke in his ear.
A feeling of panic seized me. "Annabeth," I said under my breath. "Don't."
She frowned at me. "What?"
Look, I need to tell you something," I continued. The words came stumbling out of me. "I couldn't stand it ifβ¦ I don't want you toβ"
Percy?" she said. "You look like you're going to be sick."
And that's how I felt. I wanted to say more, but my tongue betrayed me. It wouldn't move because of the fear in my stomach
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Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
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Tahereh Mafi (Unravel Me (Shatter Me, #2))
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In a society in which nearly everybody is dominated by somebody else's mind or by a disembodied mind, it becomes increasingly difficult to learn the truth about the activities of governments and corporations, about the quality or value of products, or about the health of one's own place and economy.
In such a society, also, our private economies will depend less and less upon the private ownership of real, usable property, and more and more upon property that is institutional and abstract, beyond individual control, such as money, insurance policies, certificates of deposit, stocks, and shares. And as our private economies become more abstract, the mutual, free helps and pleasures of family and community life will be supplanted by a kind of displaced or placeless citizenship and by commerce with impersonal and self-interested suppliers...
Thus, although we are not slaves in name, and cannot be carried to market and sold as somebody else's legal chattels, we are free only within narrow limits. For all our talk about liberation and personal autonomy, there are few choices that we are free to make. What would be the point, for example, if a majority of our people decided to be self-employed?
The great enemy of freedom is the alignment of political power with wealth. This alignment destroys the commonwealth - that is, the natural wealth of localities and the local economies of household, neighborhood, and community - and so destroys democracy, of which the commonwealth is the foundation and practical means.
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Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
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We seldom realize, for example, that our most private thoughts and emotions are not actually our own. For we think in terms of languages and images which we did not invent, but which were given to us by our society. We copy emotional reactions from our parents, learning from them thatexcrement is supposed to have a disgusting smell and that vomiting is supposed to be an unpleasant sensation. The dread of death is also learned from their anxieties about sickness and from their attitudes to funerals and corpses. Our social environment has this power just because we do not exist apart from a society. Society is our extended mind and body. Yet the very society from which the individual is inseparable is using its whole irresistible force to persuade the individual that he is indeed separate! Society as we now know it is therefore playing a game with self-contradictory rules.
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Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
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In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
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Toni Morrison (Beloved (Beloved Trilogy, #1))
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Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. Since the dawn of time, roughly a hundred billion human beings have walked the planet Earth.
Now this is an interesting number, for by a curious coincidence there are approximately a hundred billion stars in our local universe, the Milky Way. So for every man who has ever lived, in this Universe there shines a star.
But every one of those stars is a sun, often far more brilliant and glorious than the small, nearby star we call the Sun. And many--perhaps most--of those alien suns have planets circling them. So almost certainly there is enough land in the sky to give every member of the human species, back to the first ape-man, his own private, world-sized heaven--or hell.
How many of those potential heavens and hells are now inhabited, and by what manner of creatures, we have no way of guessing; the very nearest is a million times farther away than Mars or Venus, those still remote goals of the next generation. But the barriers of distance are crumbling; one day we shall meet our equals, or our masters, among the stars.
Men have been slow to face this prospect; some still hope that it may never become reality. Increasing numbers, however are asking; 'Why have such meetings not occurred already, since we ourselves are about to venture into space?'
Why not, indeed? Here is one possible answer to that very reasonable question. But please remember: this is only a work of fiction.
The truth, as always, will be far stranger.
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Arthur C. Clarke (2001: A Space Odyssey (Space Odyssey, #1))
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Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first youβre barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
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Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
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Right. Lack of opportunities," Daddy says. "Corporate America don't bring jobs to our communities, and they damn sure ain't quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don't prepare us well enough. That's why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don't get the resources to equip you like Williamson does. It's easier to find some crack that it is the find a good school around here.
"Now, think 'bout this," he says. "How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking 'bout, baby. That shit is flown into our communities, but I don't know anybody with a private jet. Do you?"
"No."
"Exactly. Drugs come from somewhere, and they're destroying our community," he says. "You got folks like Brenda, who think they need them survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can't get jobs unless they're clean, and they can't pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That's the hate they're giving us, baby, a system designed against us. That's Thug Life.
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Angie Thomas (The Hate U Give (The Hate U Give, #1))
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SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
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W.H. Auden (Another Time)
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We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies - all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes. Most island universes are sufficiently like one another to Permit of inferential understanding or even of mutual empathy or "feeling into." Thus, remembering our own bereavements and humiliations, we can condole with others in analogous circumstances, can put ourselves (always, of course, in a slightly Pickwickian sense) in their places. But in certain cases communication between universes is incomplete or even nonexistent. The mind is its own place, and the Places inhabited by the insane and the exceptionally gifted are so different from the places where ordinary men and women live, that there is little or no common ground of memory to serve as a basis for understanding or fellow feeling. Words are uttered, but fail to enlighten. The things and events to which the symbols refer belong to mutually exclusive realms of experience.
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Aldous Huxley (The Doors of Perception & Heaven and Hell)
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Itβs of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. Itβs maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe itβs the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. Itβs more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once weβve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then itβs stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naΓ―vetΓ© on this continent...
...Hal, whoβs empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is heβs really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
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David Foster Wallace (Infinite Jest)