“
Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
“My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
The cat that Prim got hates me, I think partly because I tried to drown it.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Belikov is a sick, evil man who should be thrown into a pit of rabid vipers for the great offense he commited against you this morning."
"Thank you." I said primly. Then, I considered. "Can vipers be rabid?"
"I don't see why not. Everything can be. I think. Canadian geese might be worse than vipers, though."
"Canadian geese are deadlier than vipers?"
"You ever try to feed those little bastards? They're vicious. You get thrown to vipers, you die quickly. But the geese? That'll go on for days. More suffering."
"Wow. I don't know whether I should be impressed or frightened that you've thought about all of this.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I vote yes....for Prim.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
But I feel as if I did know Rue, and she'll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the Mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their death count.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I notice her blouse has pulled out of her skirt in the back again and force myself to stay calm. "Tuck your tail in, little duck," I say, smoothing the blouse back in place.
Prim giggles and give me a small "Quack."
"Quack yourself," I say with a light laugh. The kind only Prim can draw out of me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Gentlemen, be courteous to the old maids, no matter how poor and plain and prim, for the only chivalry worth having is that which is the readiest to to pay deference to the old, protect the feeble, and serve womankind, regardless of rank, age, or color.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
So, what do you think they'll do to him?" I ask.
Prim sounds about a thousand years old when she speaks.
"Whatever it takes to break you.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
It's only now that he's been corrupted that I can fully appreciate the real Peeta. Even more than I would've if he'd died. The kindness, the steadiness, the warmth that had an unexpected heat behind it. Outside of Prim, my mother and Gale, how many people in the world love me unconditionally? I think in my case, the answer may be none.
Sometimes, when I'm alone, I take the pearl from where it lives in my pocket and try to remember the boy with the bread, the strong arms that warded off nightmares on the train, the kisses in the arena. To make myself put a name to the thing I've lost. But what's the use? It's gone. He's gone. Whatever existed between us is gone. All that's left is my promise to kill Snow. I tell myself this ten times a day.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Her name's Prim. She's just twelve. And I love her more than anything.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I'm relieved Peeta's alive. I tell myself again that if I get killed, his winnings will benefit my mother and Prim the most. This is what I tell myself to explain the conflicting emotions that arise when I think of Peeta. The gratitude that he game an edge by professing his love for me in the interview. The anger at his superiority on the roof. The dread that we may come face-to-face at any moment in this arena.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Whatever it takes to break you.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I like the sound of that, crashing Monica's party," he glanced at Michael, then quickly away. "What about you? That break some kind of vampire rules or something?"
"Blow me Shane."
"Boys," Eve said primly. "Language. Minor at the table."
"Well," Shane said, "I wasn't actually planning to do it."
Claire rolled her eyes. "Not like it's the first time I've heard it. Or said it."
"You shouldnt say it," Michael said, all seriousness. "No, I mean it. Girls should say 'eat me' not 'blow me'. Wouldn't recommend 'bite me' though. Not around here.
”
”
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
“
How old are you?" asked Door. Richard was pleased she had asked; he would never have dared.
"As old as my tongue," said Hunter, primly, "and a little older than my teeth.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Then I know Prim is right, that Snow cannot afford to waste Peeta's life, especially now, while the Mockingjay causes so much havoc. He's killed Cinna already. Destroyed my home. My family, Gale, and even Haymitch are out of his reach. Peeta's all he has left.
"So, what do you think they'll do to him?" I ask.
Prim sound about a thousand years old when she speaks."Whatever it takes to break you.
”
”
Suzanne Collins
“
I can almost hear Haymitch groaning as I team up with this wispy child. But I want her. Because she's a survivor, and I trust her, and why not admit it? She reminds me of Prim.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The color of Finnick's eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended,like a bird about to take flight.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I started down but Sam caught my arm and knelt down himself to look.
"For crying out loud," he said. "It's a racoon."
"Poor thing," I said.
"It could be a rabid baby-killer," Cole told me primly.
"Shut up," Sam said pleasantly.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
ll I can think about, every day, every waking minute since they drew Prim's name at the reaping, is how afraid I am.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Sring Venka was a prim, spoiled Sinegardian princess turned lethal soldier turned brittle survivor; of course she’d walk into a war zone with red paint on her lips simply because she felt like it.
”
”
R.F. Kuang (The Burning God (The Poppy War, #3))
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
My ghost won't associate with your ghost," Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
No one really needs me,” he says, and there's no self-pity in his voice...“I do,” I say. “I need you.” He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
She's Prim's size in diameter.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You cheated!”
He looked at her, wide-eyed with feigned outrage. “I beg your pardon. If you were a man, I would call you out for that accusation.”
“And I assure you, my lord, that I would ride forth victoriously on behalf of truth, humility, and righteousness.”
“Are you quoting the Bible to me?”
“Indeed,” she said primly, the portrait of piousness.
“While gambling.”
“What better location to attempt to reform one such as you?
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches bleeding wounds and knows our mother can hear only so much.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?
And now I know. It's because you have no choice.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
How could I leave Prim, who is the only person in the world I’m certain I love?
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
And…well, you were going to, ah…give him your flower—” I do a literal spit take. Coffee drizzles down my chin and neck, and I quickly grab a napkin to wipe it away before it stains my pajama top. “Oh my God. Mom. Don’t ever say that again. I beg of you.” “I was trying to be parental,” she says primly. “There’s parental, and then there’s Victorian England.” “All right. You were going to fuck him—” “That’s not parental either!
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
There's something else there as well, something entirely her own. An ability to look into the confusing mess of life and see things for what they are.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Prim, let go," I say harshly, because this is upsetting me and I don't want to cry. When they televise the replay of the reapings tonight, everyone will make note of my tears, and I'll be marked as an easy target. A weakling. I will give no one that satisfaction.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
So seek beauty, Miss Prim. Seek it in silence, in tranquillity; seek it in the middle of the night and at dawn. Pause to close doors while you seek it, and don't be surprised if it doesn't reside in museums or in palaces. Don't be surprised if, in the end, you find beauty to be not in Something but Someone.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one could help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
So odd. Most women of his acquaintance relied on physical beauty and charm to mask their less-pleasant traits. This girl did the opposite, hiding everything interesting about herself behind a prim, plain facade.
What other surprises was she concealing?
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Love this job," Sanya murmured. "Just love it."
"I need to challenge more people to duels," Thomas said in agreement.
"Men are pigs," Murphy said.
"Amen," said Molly.
Lea gave me a prim look and said, "I've not sacrificed a holy virgin in ages.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
I hate this image of me as a prim Edwardian. I want to shock everyone.
”
”
Helena Bonham Carter
“
Why was it librarians had such a prim image? With all the information available in books right there at their fingertips, librarians could be the best-informed people around. About anything.
”
”
Charlaine Harris (Three Bedrooms, One Corpse (Aurora Teagarden, #3))
“
People deal with me, but they are genuinely fond of Prim. Maybe there will be enough fondness to keep her alive.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
If you only like one version of your favorite, then they’re not your favorite,” she says primly, and I can’t really argue with that.
”
”
Emma Mills (Foolish Hearts)
“
Mrs Joe was a very clean housekeeper, but had an exquisite art of making her clenliness more umcomfortable and unacceptable than dirt itself. Cleanliness is next to godliness, and some people do the same by their religion.
”
”
Charles Dickens (Great Expectations)
“
My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Victories and defeats form part of everyone's life - everyone, that is, except cowards, as you call them, because they never lose or win.
”
”
Paulo Coelho (The Devil and Miss Prym)
“
Your inner whore is awakening, my love – the dirty bitch that resides beneath the prim exterior.
”
”
Lily White (Target This)
“
Why do prostitutes when they get straight always try and get so prim? It's like long-repressed librarian-ambitions come flooding out.
”
”
David Foster Wallace (Infinite Jest)
“
I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there."
My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Before anyone can ask anything, I empty my game bag and it becomes 18:00 - Cat Adoration. Prim just sits on the floor weeping and rocking that awful Buttercup, who interrupts his purring only for an occasional hiss at me. He gives me a particularly smug look when she ties the blue ribbon around his neck.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Street law dictated that for a parley of this kind each lieutenant be seconded by two of his foot soldiers and that they all be unarmed. Parley. The word felt like a deception—strangely prim, an antique. No matter what street law decreed, this night smelled like violence.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Fine. But if Pekka Rollins kills us all, I'm going to get Wylan's ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost."
Brekkers lips quirked. "I'll just hire Matthias' ghost to kick your ghost's ass."
"My ghost won't associate with your ghost," Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse.
”
”
J.M. Barrie (Peter Pan)
“
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
It is not," Valency could hear her mother's prim, dictatorial voice asserting, "it is not MAIDENLY to think about MEN.
”
”
L.M. Montgomery (The Blue Castle)
“
Because she did not look behind, September did not see the smoky-glass casket close itself primly up again. She did not see it bend in half until it cracked, and Death hop up again, quite well, quite awake, and quite small once more. She certainly did not see Death stand on her tiptoes and blow a kiss after her, a kiss that rushed through all the frosted leaves of the autumnal forest, but could not quite catch a child running as fast as she could. As all mothers know, children travel faster than kisses. The speed of kisses is, in fact, what Doctor Fallow would call a cosmic constant. The speed of children has no limits.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
No, of course not. The Redemption is nothing like a fairy tale, Miss Prim. Fairy tales and ancient legends arelike the Redemption. Haven’t you ever noticed? It’s like when you copy a tree from the garden on a piece of paper. The tree from the garden doesn’t look like the drawing, does it? It’s the drawing that’s a bit, just a little bit, like the real tree.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
In the business world, what’s
the female equivalent of going golfing with a client?”
Laney gave this some thought. Payton fell silent, too, contemplating. After a few moments, neither of them could come up with anything.
How depressing.
Payton sighed, feigning resignation. “Well, that’s it. I guess I’ll just have to sleep with them.”
Laney folded her hands primly on the table. “I think I’m uncomfortable with this conversation.
”
”
Julie James (Practice Makes Perfect)
“
Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there’s no peace from their laughter.
Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover – if never my looks, then at least my strength and my kes.
But other week… or maybe five days… or even three… and it will be too late. Even if the torture stops, I’ll die. And you’ll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense.
'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.'
The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end.
Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead.
The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.
The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat.
"No, Katniss! No! You can't go!"
But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
”
”
Suzanne Collins
“
Buttercup, miserable even with Prim’s constant attention, huddles in the cube and exhales cat breath in my face.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
The door fell, with a resounding crash, clear off its hinges. “I’m sorry,” she said primly. “I tried to warn you. I’m sure someone can mend the damage, but if not I—
”
”
Tahereh Mafi (Every Spiral of Fate (This Woven Kingdom, #4))
“
Zippers are primal and modern at the very same time. On the one hand, your zipper is primitive and reptilian, on the other mechanical and slick. A zipper is where the Industrial Revolution meets the Cobra Cult, don't you think? Ahh. Little alligators of ecstasy, that's what zippers are. Sexy, too. Now your button, a button is prim and persnickety. There's somethin' Victorian about a row o' buttons. But a zipper, why a zipper is the very snake at the gate of Eden, waitin' to escort a true believer into the Garden. Faith, I should be sewin' more zippers into me garments, for I have many erogenous zones that require speedy access. Mmm, old zipper creeper, hanging head down like the carcass of a lizard; the phantom viper that we shun in daytime and communicate with at night.
”
”
Tom Robbins
“
Nadya, who had spotted the three of them, was waving her arms frantically over her head, signaling her distress. In case this wasn’t enough, she shouted, “Over here! Next to the naked lady!” “A cake’s a cake, whether or not it’s been frosted,” said the stranger primly. “You are not a cake, you are a human being, and I can see your vagina,” snapped Nadya. The stranger shrugged. “It’s a nice one. I’m not ashamed of it.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
At least, you two have decent manners," says Effie as we're finishing the main course. "The pair last year ate everything with their hands like a couple of savages. It completely upset my digestion."
... My mother taught Prim and me to eat properly, so yes, I can handle a fork and knife. But I hate Effie Trinket's comment so much I make a point of eating the rest of my meal with my fingers. Then I wipe my hands on the tablecloth. This makes her purse her lips tightly together.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I don't have a talent, unless you count hunting illegally, which they don't. Or maybe singing, which I wouldn't do for the Capitol in a million years. My mother tried to interest me in a variety of suitable alternatives from a list Effie Trinket sent her. Cooking, flower arranging, playing the flute. None of them took, although Prim had a knack for
all three. Finally Cinna stepped in and offered to help me develop my passion for designing clothes, which really required development since it was non-existent.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim`s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the Reaping.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
How did we go from tea to death so quickly?” wondered Quesnel. “Sometimes,” said Prim darkly, “there is a very fine line between the two.” “There’s
”
”
Gail Carriger (Prudence (The Custard Protocol, #1))
“
So, what do you think they'll do to him?" I ask.
Prim sounds about a thousand years old when she speaks.
"Whatever it takes to break you.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Hailey Dashford Reid, with her silky brown hair and big, smoky blue eyes, all prim and proper and so fucking sexy it makes my nuts ache. Also, totally off-limits.
”
”
Ainsley Booth (Hate F*@k: Part 1 (The Horus Group, #1))
“
I live on a ship full of outcasts, populated by society's unacceptable. And yet, here I stand, happy. And I love them all.
It is time, Primrose thought, to tender myself the same level of courtesy. Or perhaps it is time that I simply accepted that I too am one of the strange and abandoned. Appearances be damned.
”
”
Gail Carriger (Competence (The Custard Protocol, #3))
“
You say you're looking for beauty, but this isn't the way to achieve it, my dear friend. You won't find it while you look to yourself, as if everything revolved around you. Don't you see? It's exactly the other way around, precisely the other way around. You mustn't be careful, you must get hurt. What I am trying to explain, child, is that unless you allow the beauty you seek to hurt you, to break you and knock you down, you'll never find it.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
Are you born again?" he asked, as we taxied down the runway. He was rather prim and tense, maybe a little like David Eisenhower with a spastic colon. I did not know how to answer for a moment.
"Yes," I said. "I am."
My friends like to tell each other that I am not really a born-again Christian. They think of me more along the lines of that old Jonathan Miller routine, where he said, "I'm not really a Jew -- I'm Jew-ish." They think I am Christian-ish. But I'm not. I'm just a bad Christian. A bad born-again Christian. And certainly, like the apostle Peter, I am capable of denying it, of presenting myself as a sort of leftist liberation-theology enthusiast and maybe sort of a vaguely Jesusy bon vivant. But it's not true. And I believe that when you get on a plane, if you start lying you are totally doomed.
So I told the truth; that I am a believer, a convert. I'm probably about three months away from slapping an aluminum Jesus-fish on the back of my car, although I first want to see if the application or stickum in any way interferes with my lease agreement. And believe me, all this boggles even *my* mind. But it's true. I could go to a gathering of foot-wash Baptists and, except for my dreadlocks, fit right in. I would wash their feet; I would let them wash mine.
”
”
Anne Lamott
“
As novices, Carthusians are taught to turn around and close doors without pushing them or letting them swing shut. Do you know why?
Miss Prim replied that she had no idea.
So that they learn not to rush, to do one thing after another. So as to train them in restraint, patience, silence, and mindfulness in every gesture.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
He's come on foot then, all the way from 13. Maybe they kicked him out or maybe he just couldn't stand it there without her, so he came looking.
"It was the waste of a trip. She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Ah, to be young and agile again,' said Primrose.
'We were never that young,' replied Rue.
'More to the point, we were never that agile,' said Prim with a soft smile.
”
”
Gail Carriger (Prudence (The Custard Protocol, #1))
“
Perhaps you are making a cat's paw of me with Phillotson all this time. Upon my word it almost seems so--to see you sitting up there so prim.
”
”
Thomas Hardy (Jude the Obscure)
“
They stared at her curiously, and she caught snatches of conversation in two or three languages. It wasn't hard to guess their content, and she smiled a bit primly. Youth, it appeared, was full of illusions as to how much sexual energy two people might have to spare while hiking forty or so kilometers a day, concussed, stunned, diseased, on poor food and little sleep, alternating caring for a wounded man with avoiding becoming dinner for every carnivore within range - and with a coup to plan for the end.
”
”
Lois McMaster Bujold (Shards of Honour (Vorkosigan Saga, #1))
“
Decalogul nesimtitului
1. Fii strident. Lupta cu toate mijloacele împotriva discretiei.
2. Nu te gândi la ceilalti. Fii egocentric.
3. Patrunde pretutindeni. Nu te lasa marginalizat.
4. Fa prozeliti. O sa vezi ca nu e foarte greu.
5. Batjocoreste lucrurile grave. Practica persiflarea mai ales când nu e
cazul.
6. Arata-te opac la argumentele celorlalti. Eventual refuza-le de plano.
7. Cauta mereu prim-planul. Încearca sa fii contaminant.
8. Evita sa-ti pui întrebari. Drumul tau e unul al certitudinilor.
9. Convinge lumea sa se plieze pe setul tau de non-valori. Nu accepta
compromisuri.
10. Nu uita ca marele tau dusman e bunul-simt. Combate-l cu fiecare
gest si cuvânt.
”
”
Radu Paraschivescu (Ghidul nesimţitului)
“
What I've learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head. First there's the vinegar-lipped Reader Lady, who says primly, "Well, that's not very interesting, is it?" And there's the emaciated German male who writes these Orwellian memos detailing your thought crimes. And there are your parents, agonizing over your lack of loyalty and discretion; and there's William Burroughs, dozing off or shooting up because he finds you as bold and articulate as a houseplant; and so on. And there are also the dogs: let's not forget the dogs, the dogs in their pen who will surely hurtle and snarl their way out if you ever stop writing, because writing is, for some of us, the latch that keeps the door of the pen closed, keeps those crazy ravenous dogs contained.
”
”
Anne Lamott (Bird by Bird)
“
Pero siento como si conociera a Rue...La veo en las flores amarillas que crecen en la Pradera junto a mi casa. La veo en los sinsajos que cantan en los arboles. Pero mas que nada, la veo en mi hermana Prim.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
A few years later, Mendeleev, now famous, divorced his wife and wanted to remarry. Although the conservative local church said he had to wait seven years, he bribed a priest and got on with the nuptials. This technically made him a bigamist, but no one dared arrest him. When a local bureaucrat complained to the tsar about the double standard applied to the case- the priest was defrocked-the tsar primly replied, "I admit, Mendeleev has two wives, but I have only one Mendeleev.
”
”
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
“
But there was something else going on here. He had to admit even to himself that the woman challenged his intellect and his beliefs with her own, and she wasn’t afraid to disagree with him or to disapprove of his views. Nor did she make any attempt to school her sentiments behind the polite, prim, and proper demeanor of the typical English noblewoman. She was fierce. She was passionate. She was fiery and intense. She was like no other woman he had ever met.
And suddenly, just like that, he was under her spell once again.
”
”
Anna Durbin (King of Wands)
“
I got the idea from our family’s plant book. The place where we recorded things you cannot trust to memory. The page begin’s with the person’s picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The colour of Finnick’s eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
No,” I said primly, I had no intention of being a writer because “I wouldn’t want to add another mediocre writer to the world.
”
”
Katherine Paterson (Stories of My Life)
“
All good things come to an end, sometime,” said Mary Poppins primly.
”
”
P.L. Travers (Mary Poppins Comes Back (Mary Poppins #2))
“
Well . . ." Lily prompted primly. "Ask me again."
"Ask you what?" I played dumb. She'd shushed me. This was the price of shushing.
”
”
Jennifer Lynn Barnes (Deadly Little Scandals (Debutantes, #2))
“
I protect Prim in every way I can, but I'm powerless against the reaping.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
This was where she discovered that intelligence, this wonderful gift, grows in silence, not in noise. It was here too that she learnt that a human mind, a truly human mind, is nurtured over time, with hard work and discipline.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
A cake’s a cake, whether or not it’s been frosted,” said the stranger primly. “You are not a cake, you are a human being, and I can see your vagina,” snapped Nadya. The stranger shrugged. “It’s a nice one. I’m not ashamed of it.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
My mouth fell open. “Did you really just compare me to Olivia Newton-John?”
“I just meant like going from, y’know, prim to all sexed up.”
“I feel . . . weird.”
“You look amazin. Amazin.”
He pulled me against him, hands snaking under the glamour cardigan to make the acquaintance of my arse.
Chloe gave a warning screech. “Don’t smudge ’im!”
He grinned, tilting his head because, in my heels, I was just a little bit taller than he was. “You’re giving me chills, babes.”
“Is that so? Are they multiplying?”
“Hunjed pahcent.”
“You’d better shape up, then.”
“You’re like totally the one that I want
”
”
Alexis Hall (Glitterland (Spires, #1))
“
Neither of my moms are technically witches," he says, primly. "We are just a highly intuitive family. With, uhh, an especially fine-tuned sense of impending doom."
"Mine too," I tell him. "It’s called being Jewish. Doesn’t make me magic.
”
”
Sacha Lamb (Avi Cantor Has Six Months to Live)
“
She didn’t overreact. It may have crossed her mind to march down to the woman responsible for sending this charity shitbox, but she didn’t. She swallowed the glint of anger. She packed it into her prim-and-proper voice, and like her son, moved on.
”
”
Markus Zusak (Bridge of Clay)
“
...I have to admit that I've ... always felt burdened by nostalgia, by a desire to stop time, to recapture things that have been lost. A sense that everything, absolutely everything, is on a journey from which there's no return.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
I said that i would try to win, but to win for her.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
There were two things that prevent us from achieving our dreams: believing them to be impossible or seeing those dreams made possible by some sudden turn of the wheel of fortune, when you least expected it. [...]
People want to change everything and, at the same time, want it all to remain the same
”
”
Paulo Coelho (The Devil and Miss Prym)
“
Miss Prim says that all good looks are a snare.' 'They are a snare that every sensible man would like to be caught in.' 'Oh, I don't think I would care to catch a sensible man. I shouldn't know what to talk to him about.
”
”
Oscar Wilde (The Importance of Being Earnest)
“
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Good-bye, Mrs Bartholemew," said tom, shaking hands with stiff politeness; "and thank you very much for having me."
"I shall look forward to our meeting again," said Mrs Bartholemew, equally primly.
Tom went slowly down the attic stairs. Then, at the bottom, he hesitated: he turned impulsively and ran up again - two at a time - to where Hatty Bartholemew still stood...
Afterwards, Aunt Gwen tried to describe to her husband that second parting between them. "He ran up to her, and they hugged each other as if they had known each other for years and years, instead of only having met for the first time this morning. There was something else, too, Alan, although I know you'll say it sounds even more absurd...Of course, Mrs Bartholemew's such a shrunken little old woman, she's hardly bigger than Tom; anyway: but, you know, he put his arms right round her and he hugged her good-bye as if she were a little girl.
”
”
Philippa Pearce (Tom's Midnight Garden)
“
It was the hour of unreality.
”
”
E.M. Forster (A Room with a View: his Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.)
“
Nu râde de autobuz: nu există un loc de elecţiune pentru o dragoste la prim a vedere. Chiar şi o cutie pe roţi poate deveni anticamera paradisului atunci când crezi în hazard.
”
”
Pascal Bruckner (Bitter Moon)
“
You can't look prim and righteous wearing a microscopic miniskirt and mile-high heels. Well it's pretty hard, anyway.
”
”
Meg Cabot (Cosmo's Sexiest Stories Ever: Three Naughty Tales)
“
Henry,” she said primly, “I’ll have an affair with you but I won’t marry you.
”
”
Harper Lee (Go Set a Watchman)
“
The girl behind the counter was prim, but bad at tying ribbons. Inexcusable.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
if you were convinced that the world had forgotten how to think and teach, if you believed it had discarded the beauty of art and literature, if you thought it had crushed the power of the truth, would you let that world educate your children?
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
Up until recently, Milton thought of Tessie as his prim cousin. Whenever one of his friends expressed interest in her, Milton told them to give up the idea. "That's honey from the icebox," he said, As Artie Shaw might have. "Cold sweets don't spread.
”
”
Jeffrey Eugenides (Middlesex)
“
The idea that I’ve wounded the brute’s tiny cat feelings just invites further taunting. But Prim’s genuinely distressed for him. So instead, I visualize Buttercup’s fur lining a pair of gloves, an image that has helped me deal with him over the years.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
She drew herself up to her full height—it was a little difficult on a donkey—and said primly, “I have always found that in painful situations it is a sensible idea to take each hour as it comes and not to anticipate beyond. But oh how I wish I could have a bath!
”
”
Dorothy Gilman (The Unexpected Mrs. Pollifax (Mrs. Pollifax, #1))
“
A tiny smile played over his lips as he glanced down at my hand. "Do you mean to win me over with feminine wiles? I must admit it is a more diverting notion than your usual method of screaming at me like a fishwife."
I did not rise to the bait. I simply looked at him. "Please."
He caught his breath, a slow smile warming his features. "My god, you are trying to seduce me."
"I am not." I said primly. "I am merely trying to get your attention."
He bent swiftly and kissed me hard, pulling back so suddenly I nearly toppled over. "I believe I have already made it quite clear you have my attention.
”
”
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
“
I have to tell you that equality has nothing to do with marriage. The basis of a good marriage, a reasonably happy marriage-don't delude yourself, there is no such thing as an entirely happy marriage-is, precisely, inequality. It's essential if two people are to feel mutual admiration. ................................
if you reflected a little more deeply you'd realize that you can only admire that which you do not possess. You do not admire in another a quality you have yourself, you admire what you don't have and which you see shining in another in all its splendor.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
...is there anywhere in the world as full of beauty as Italy?
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
I have the pearl, though, secured in a parachute with the spile and the medicine at my waist. I hope it makes it back to District 12. Surely my mother and Prim will know to return it to Peeta before they bury my body.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
turn to Rue’s family. “But I feel as if I did know Rue, and she’ll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.” Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.” “My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Sensing a favourable shift, Prim called for celebratory muffins and jam. Muffins and jam seemed to sooth everyone’s temper, particularly the Alpha Vanara’s whose delight in the jam was that of a child discovering blancmange for the first time. Rue could sympathise. She often felt that way about really good jam, not to mention blancmange. And this was, after all, gooseberry.
”
”
Gail Carriger (Prudence (The Custard Protocol, #1))
“
Thurman asked, “Are you born again?”
Reacher said, “Once was enough for me.”
“I’m serious.”
“So am I.”
“You should think about it.”
“My father used to say, ‘Why be born again when you can just grow up?’”
“Is he no longer with us?”
“He died a long time ago.”
“He’s in the other place then, with an attitude like that.”
“He’s in a hole in the ground in Arlington Cemetery.”
“Another veteran?”
“Marine.”
“Thank you for his service.”
“Don’t thank me, I had nothing to do with it.”
Thurman said, “You should think about getting your life in order, you know, before it’s too late. Something might happen. The Book of Revelations says ‘The time is at hand.’”
“As it has every day since it was written nearly 2000 years ago. Why would it be true now, when it wasn’t before?”
“There are signs,” Thurman said, “And the possibility of precipitating events.”
He said it primly and smugly, and with a degree of certainty, as if he had regular access to privilieged, insider information. Reacher said nothing in reply.
They drove on past a small group of tired men, wrestling with a mountain of tangled steel. Their backs were bent and their shoulders were slumped. Not yet 8 o’clock in the morning, Reacher thought. More than 10 hours still to go.
“God watches over them.”
“You sure?”
“He tells me so.”
“Does he watch over you, too?”
“He knows what I do.”
“Does he approve?”
“He tells me so.”
“Then why is there a lightning rod on your church?
”
”
Lee Child (Nothing to Lose (Jack Reacher, #12))
“
To the American, English writers are like prim spinsters fidgeting with the china, punctilious about good taste, and inwardly full of thwarted, tepid and perverse passions.
We see the Americans as gushing adolescents, repetitive and slangy, rather nasty sometimes in their zest for violence and bad language.
”
”
Evelyn Waugh (The Essays, Articles and Reviews of Evelyn Waugh)
“
And what of your children?" I gestured to the others at the table. "The only thing that divides us from that laborer who toils far beneath the surface of the earth in our fathers' mines is the blood that runs through our veins."
"Or half our blood," Vivian said with a sniff.
"Vivian,"Mr Kensington warned.
I didn't flinch. "Half my blood, then," I said with a prim nod back at Vivian. "But if I cut open my wrist alongside yours, would it not appear as the very same red? Despite your effort to be a blueblood, sister, you are as red-blooded as I.
”
”
Lisa Tawn Bergren (Glamorous Illusions (Grand Tour, #1))
“
Prim. I need only to think of Prim and all my resolve disintegrates. It’s my job to protect her. I pull the blanket up over my head, and my breathing is so rapid I use up all the oxygen and begin to choke for air. I can’t let the Capitol hurt Prim.
And then it hits me. They already have. They have killed her father in those wretched mines. They have sat by as she almost starved to death. They have chosen her as a tribute, then made her watch her sister fight to the death in the Games. She has been hurt far worse than I had at the age of twelve.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago."
Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear."
But Mrs. Bentley had stubbornly kept them.
"It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen."
It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors."
If he were alive tonight, what would he say?
"You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture."
"Affidavits?"
No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you."
Mrs. Bentley nodded at the memory, breathing easier.
"Yes, I see. I see."
The gold-feruled cane lay silently on the moonlit rug.
"In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do."
She slept . . .
”
”
Ray Bradbury (Dandelion Wine)
“
What, suddenly I am a figure from an ancient bit of nursery nonsense?" He lifted a forepaw and began chewing his toes, the picture of dismissive indifference. "And the next egg you come across you'll ask, 'Tell me, sir, what were you doing up on that wall anyway?'"
"Are you ashamed to answer?"
"I am ashamed of nothing. I am a cat." The cat gracefully placed his paw next to the other, sitting as prim as a perfect statue.
”
”
Anne Elisabeth Stengl (Moonblood (Tales of Goldstone Wood, #3))
“
Many of the people who left the South never exactly sat their children down to tell them these things, tell them what happened and why they left and how they and all this blood kin came to be in this northern city or western suburb or why they speak like melted butter and their children speak like footsteps on pavement, prim and proper or clipped and fast, like the New World itself. Some spoke of specific and certain evils. Some lived in tight-lipped and cheerful denial. Others simply had no desire to relive what they had already left. The facts of their lives unfurled over the generations like an over-wrapped present, a secret told in syllables. Sometimes the migrants dropped puzzle pieces from the past while folding the laundry or stirring the corn bread, and the children would listen between cereal commercials and not truly understand until they grew up and had children and troubles of their own. And the ones who had half-listened would scold and kick themselves that they had not paid better attention when they had the chance.
”
”
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
“
...we spoke about dying. [Prim] told me how she'd nearly died of malaria. She said that she didn't mind the thought of death. That realizing you're going to die actually makes life better as it's only then that you decide to live the life you really want to live.
”
”
Jennifer Ryan (The Chilbury Ladies' Choir)
“
For Anne to take things calmly would have been to change her nature. All 'spirit and fire and dew,' as she was, the pleasures and pains of life came to her with trebled intensity. Marilla felt this and was vaguely troubled over it, realizing that the ups and downs of existence would probably bear hardly on this impulsive soul and not sufficiently understanding that the equally great capacity for delight might more than compensate. Therefore Marilla conceived it to be her duty to drill Anne into a tranquil uniformity of disposition as impossible and alien to her as to a dancing sunbeam in one of the brook shallows. She did not make much headway, as she sorrowfully admitted to herself. The downfall of some dear hope or plan plunged Anne into 'deeps of affliction.' The fulfillment thereof exalted her to dizzy realms of delight. Marilla had almost begun to despair of ever fashioning this waif of the world into her model little girl of demure manners and prim deportment. Neither would she have believed that she really liked Anne much better as she was.
”
”
L.M. Montgomery (Anne of Green Gables)
“
[She] had the indefinable charm of someone who said little but thought much. Miss Prim had always felt that such people were at a marked advantage. They never said anything tactless, never spouted nonsense, never had cause to regret their words or justify themselves.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
My ghost won't associate with your ghost,' Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Yeah, the distance between prim and primitive is not so very motherfucking far.
”
”
Annika Martin (Prisoner (Criminals & Captives, #1))
“
In a patriarchal society, the abiding sexuality of the healthy female was obliged to wear a prim disguise.
”
”
Tom Robbins (Skinny Legs and All)
“
When your friend is decomposing, surely you owe it to them to inhale their death. To do otherwise seems impossible prim.
”
”
Nick Harkaway (Angelmaker)
“
I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as China Aster! It's bad enough being a girl, anyway, when I like boy's games and work and manners!
”
”
Louisa May Alcott
“
Then I am pushing through the crowd, just as I did before. Trying to shout out her name above the roar. I'm almost there, almost to the barricade when I think she hears me. Because just for a moment, she catches sight of me, her lips form my name.
And that's when the rest of the parachutes go off.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Damn, she's good."
"Of course she bloody is," Pearl murmured, her ace still stuffed against Jack's neck, even though she sounded like the prim English woman she was, her tone turning curt. "She's my mother.
”
”
Scarlett Dawn (King Cave (Forever Evermore, #2))
“
So now, he hoped, here was a chance to bring mankind back into the book-loving fold. He gloated. There was still no electronics in the pioneer worlds, was there? Where was your internet? Hah! Where was Google? Where was your mother’s old Kindle? Your iPad 25? Where was Wickedpedia? (Very primly, he always called it that, just to show his disdain; very few people noticed.) All gone, unbelievers! All those fancy toy-gadgets stuffed in drawers, screens blank as the eyes of corpses, left behind. Books – oh yes, real books – were flying off his shelves. Out in the Long Earth humanity was starting again in the Stone Age.
”
”
Terry Pratchett (The Long Earth (The Long Earth, #1))
“
Prim... Rue... aren't they the very reason I have to try to fight? Because what has been done to them is so wrong, so beyond justification, so evil that there is no choice? Because no one had the right to treat them as they have been treated? Yes. This is the thing to remember when fear threatens to swallow me up.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
One feels almost laughably heavy-footed in pointing out that Mrs. Clinton’s prim little book, It Takes a Village, proposes sexual abstinence for the young, and that the president was earnestly seconding this very proposal while using an impressionable intern as the physical rather than moral equivalent of a blow-up doll.
”
”
Christopher Hitchens (No One Left to Lie To: The Triangulations of William Jefferson Clinton)
“
She hops out of the car without a word, then reluctantly taps on the passenger window.
Stifling a grin, I press the button to roll down the window. “Forget something?” I mock.
“Thank you for the ride,” she says primly.
And then she’s gone, her green dress fluttering in the night breeze as she hurries toward the darkened buildings.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there’s no peace from their laughter.
Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover – if never my looks, then at least my strength and my kes.
But another week… or maybe five days… or even three… and it will be too late. Even if the torture stops, I’ll die. And you’ll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
Jesper knocked his head against the hull and cast his eyes heavenward. “Fine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.”
Brekker’s lips quirked. “I’ll just hire Matthias’ ghost to kick your ghost’s ass.”
“My ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
If I had smiled and fawned over you at Lady Mannering’s ball,” she said, “and if I had simpered and giggled during the drive in Hyde Park, you would have lost interest in me in a moment, Lord Ravensberg.”
“Good Lord, yes,” he agreed. Perceptive of her.
“I would thank you not to take the Lord’s name in vain,” she said so primly that he was momentarily enchanted. “I see that I have behaved in quite the wrong manner with you. I should have encouraged you.”
“There is always time,” he suggested, moving his chair half an inch closer to hers, “to mend your ways, Miss Edgeworth.
”
”
Mary Balogh (A Summer to Remember (Bedwyn Prequels, #2))
“
Why are you so angry at me?” she asked. The question ratcheted him even closer to the boiling point. “Because for some insane reason, I adore you. For three solid years I have thought you were the closest thing to perfection on this earth, and I can’t watch you risk your life crossing that bridge!” Had she understood correctly? After all these years of cold decorum, Zack’s eyes glittered in a face streaked with soot and sweat as he stepped closer, shouting over the roar of wind and fire. “I’ve been insane about you since the moment you waltzed into my office three years ago in that ridiculous suit and your hair as prim as a schoolmarm,” he shouted. “Don’t you dare get yourself killed on me now!
”
”
Elizabeth Camden (Into the Whirlwind)
“
It’s a good thing you didn’t get out of the workshop much. The girls of Rome would have been in
trouble!”
He grinned and waggled his brows. “Do you think so?”
She pushed his shoulder. “Naughty boy.”
“I could be much naughtier.”
Caitlyn sucked in a breath, alarmed and thrilled by the dangerous look in his eyes. She clasped her hands primly in front of her
”
”
Lisa Cach (Wake Unto Me)
“
How could you fail to feel uplifted when a voice was telling you at every step that the year, month, day, season, place, even that very moment were blessed?
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
There was a vase of flame-coloured tulips in the hall - surely the most graceful of flowers. Some thrust their heads forward like snakes, and some were very erect, stiff, virginal, rather prim. Some were dying, with curved grace in their death.
”
”
Jean Rhys (After Leaving Mr. Mackenzie)
“
The flowers were opulent, full-blown, topple shower petals at a touch. He thought that she might topple that way, falling all at once into his hand, a soft drift of blossom between his fingers. The roses bowed their extravagant heads, nodding, but she was all stiff prim and black, back in her bonnet, so that he could not see her face unless she looked directly at him.
”
”
Laura Kinsale (Flowers from the Storm)
“
You are offended by the masculine itself: the loud, irruptive, possessive thing—the gold lion, the bearded bull—which breaks through hedges and scatters the little kingdom of your primness as the dwarfs scattered the carefully made bed. The male you could have escaped, for it exists only on the biological level. But the masculine none of us can escape. What is above and beyond all things is so masculine that we are all feminine in relation to it. You had better agree with your adversary quickly.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
“
If I were anyone else…your opera singer…the woman across the hall…would you have apologized?”
He looked confused. “No…but you are neither of those women. You deserve better.”
“Better,” she repeated, frustrated. “That’s just my point! You and the rest of society believe that it’s better for me to be set upon a pedestal of primness and propriety—which might have been fine if a decade on that pedestal hadn’t simply landed me on the shelf. Perhaps unmarried young women like our sisters should be there. But what of me?” Her voice dropped as she looked down at the cards in her hands. “I’m never going to get a chance to experience life from up there. All that is up there is dust and unwanted apologies. The same cage as hers”—she indicated the woman outside—“merely a different gilt.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Holy shit. I forgot to ask you what you do. You are seriously a librarian? You aren’t fucking with me?” She made a face. “Yes, I’m really a librarian, MLS degree and all.” “Hot damn.” He pictured her behind a desk, dressed all prim and proper; her hair bound up in a little bun, black-framed glasses perched on her nose. “Remind me later to have you dress up and ask me about my overdue books.
”
”
Cynthia Rayne (Sweet Perdition (Four Horsemen MC, #1))
“
My dear Miss Prim, if you reflected a little more deeply you'd realize that you can only admire that which you do not possess. You do not admire in another a quality you have yourself, you admire what you don't have and which you see shining in another in all its splendor... If two people admire each other, they're not equals. If they were, they wouldn't admire each other. They're different, as each admires in the other what they don't find in themselves. It's difference, not similarity, that fosters admiration between two people.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
I don't think we've explained it very well, Prudencia, said Hortensia. It's not the husband who has to be the source of harmony. It's not in him that you have to seek harmony. No, it's in the marriage, in the combination of the two of you, that you've got to look for it.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
Nobody begins the search unless they’ve already found what they’re looking for. And no one finds what they’re looking for—the One they’re looking for—if that One doesn’t take the initiative and allow Himself to be found. It’s a game in which one player holds all the cards.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and hold it out to me. It is an old and rarely use gesture of our district, occasionally seen a funerals. It means thanks, it means admiration, it means goodbye to someone you love.
”
”
Collins Suzan
“
Incredibly, there are people—smart people—who think a prim disdain for drama is somehow a sign of “good taste.” It is more often the reverse: a lamentable insensitivity to the essence of the art, a failure to “get it” on the most essential level. It is more often a sign not of good taste but of artistic insecurity. Not knowing how far to go, the writer goes nowhere. Lifelessness is not a form of elegance you should pursue.
”
”
Stephen Koch (The Modern Library Writer's Workshop: A Guide to the Craft of Fiction (Modern Library Paperbacks))
“
There could have been fifty pairs of twins sitting at that dinner table, a seat for each person they had been since they's spoken last: a battered wife and a bored one, a waitress and a professor, each woman seated next to a stranger. Instead, there were only the twins, Early sitting between them. He felt, watching Stella primly cut her fish, that he didn't know Desiree at all, that maybe it was impossible to know one without the other.
”
”
Brit Bennett (The Vanishing Half)
“
And by the way, my dear,' he said, 'you might just mention to Mrs. Sutton that if she must read the morning paper before I come down, I should be obliged if she would fold it neatly afterwards.'
'What an old fuss-box you are, darling,' said his wife.
Mr. Mummery sighed. He could not explain that it was somehow important that the morning paper should come to him fresh and prim, like a virgin.
Women did not feel these things. ("Suspicion")
”
”
Dorothy L. Sayers (Shock!)
“
What is it, Master Calligrapher, that little girls do in the way that spiders weave?" sleeve asked primly.
The Calligrapher coughed, for his room was very dusty, and there was dust even on his eyelashes, and said: "It is right and proper," he said, "for a girl to read as many books as there are bricks in this city, and then, when she is finished, to begin to write new ones which are made out of the old ones, as this city is made of those stones.
”
”
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
“
This is where she discovered that intelligence, this wonderful gift, grows in silence, not in noise. It was here too that she learned that a human mind, a truly human mind, is nurtured over time, with hard work and discipline.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt.
Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired.
On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup.
Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill…
Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust.
A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place.
In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
”
”
Tom Robbins
“
Really? Who takes part? And what do you debate?” “We all take part. We debate anything and everything: politics, economics, art, education, literature, religion . . . Are you surprised? Look around you, at your own life, your relationships. Isn’t life a continual debate?” For a moment Miss Prim thought of herself in the library telling the Man in the Wing Chair about the clamor in her head. Then she recalled discussing marriage with Hortensia Oeillet, feminism with the ladies of the Feminist League, education with her employer’s mother, fairy tales with the children of the house. Yes, in a way, life was indeed a continual debate.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
A thrill runs down my spine at the thought of it, and already, I’m thinking of ways to make him punish me like that. I don’t want him to be nice to me. I want him to treat me roughly and prove to me that no matter what I do, his worst will never truly hurt me. I want to push and prod until he shows me his demons, until he pushes me into that headspace where I can finally be myself — not the Windsor wife I was raised to be, not my father’s prim daughter. Just his. His everything.
”
”
Catharina Maura (The Unwanted Marriage (The Windsors, #3))
“
gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors? Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female . . . I am going
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Look at it this way: if you were convinced that the world had forgotten how to think and teach, if you believed it had discarded the beauty of art and literature, if you thought it had crushed the power of the truth, would you let that world educate your children?
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
-Al amor, me refiero al amor. Ya existe, no lo dude usted. Solo debe descubrir dónde está, seguir el rastro, investigar. Exactamente como hace un detective.
”
”
Natalia Sanmartín Fenollera (El despertar de la señorita Prim)
“
Él dice que así se aprende a amar los libros, que tiene mucho que ver con la memoria. Dice que cuando los hombres se enamoran de las mujeres, aprenden de memoria su cara para poder recordarla después.
”
”
Natalia Sanmartín Fenollera (El despertar de la señorita Prim)
“
Maggie Botwin.
Prim, quiet lady, like an upright piano, seeming taller than she was because of the way she sat, rose and walked, and the way she held her hands in her lap and the way she coifed her hair up on top of her head, in some fashion out of World War I.
I had once heard her on a radio show describe herself as a snake charmer.
All that film whistling through her hands, sliding through her fingers, undulant and swift.
All that time passing, but to pass and repass again.
It was no different, she said, than life itself.
The future rushed at you. You had a single instant, as it flashed by, to change it into an amiable, recognizable, and decent past. Instant by instant, tomorrow blinked in your grasp. If you did not seize without holding, shape without breaking, that continuity of moments, you left nothing behind. Your object, her object, all of our objects, was to mold and print ourselves on those single fits of future that, in the touching, aged into swiftly into vanishing yesterdays.
”
”
Ray Bradbury (A Graveyard for Lunatics: Another Tale of Two Cities (Crumley Mysteries, #2))
“
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
”
”
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes)
“
Matthew shook his head. “Whoever said anything of women in the Victorian era being prim and proper apparently hadn’t met Maxine Fleming.”
Tahatan chuckled. “I’m sure a publisher somewhere would make a nice fortune with putting this into print. The fact is, people tend to look back on bygone times through rose-colored glasses. All eras have encouraged values that are pushed on the surface, but in the end, people are still people.
”
”
Tiffany Apan (Descent (The Birthrite Series, #1))
“
My mom is all about being prim, proper, and classy. Enter beauty pageants, marry a rich man, and live lavishly. I think she just wanted me to have the life she couldn’t have, and when I did the opposite, she resented me for it.”
“At least you'll end up marrying a rich man.”
“Now I can never marry you. It's my life's purpose to disappoint her in every decision I make.”
“Don't underestimate me, Addie. I'll become a poor man for you.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
His gaze slid toward the back of the sanctuary and collided with Joanna, standing silently in the doorway. You...Crockett's voice tapered off.
For a moment, all he could do was stare. Her rapt attention, the tiny smile that brought into relief the freckles dusting her cheekbones, the way the light passed through the doorway behind her to see her hair ablaze beneath the prim straw bonnet she wore. Yet it was her inner light that captured him the most. The serenity of her features. The glow in her blue eyes. This was a woman of authentic spirituality. No wonder the Master Weaver had chosen her to be the central thread to anchor his new tapestry.
”
”
Karen Witemeyer (Stealing the Preacher (Archer Brothers, #2))
“
Women think differently to men; they travel separate paths. That's why I have no liking for them; they make for trouble and confusion. It was pleasure enough to take you to Launceston, Mary, but when it comes to life and death, like my business now, God knows I wish you a hundred miles away, or sitting primly, your sewing in your lap, in a trim parlour somewhere, where you belong to be."
"That's never been my life, nor ever will."
"Why not? You'll wed a farmer one day, or small tradesman, and live respectably among your neighbours. Don't tell them you lived once at Jamaica Inn, and had love made to you by a horse-thief. They'd shut their doors against you. Good-bye, and here's prosperity to you.
”
”
Daphne du Maurier (Jamaica Inn)
“
The list of books we distribute starts off with the Aeneid and Beowuif and includes many of the other classics of Western history and legend. Much of it’s the sort of thing that every graduate from our better universities used to be familiar with, before democracy came to the academy and the standards were lowered so that the Hottentots and wetbacks could get degrees too. Then, of course, there was a deliberate weeding out by the egalitarians of books which were considered to be written from the viewpoint of the White male - racist and sexist, you know,” Harry added primly, larding his tone with an affected self-righteousness. Then he switched to sarcasm: “Unless a book was written by a militant lesbian, a revanchist American Indian, or a Negress with AIDS who’d converted to Judaism, it was suspect. The exception was anything about the ‘Holocaust,’ for which Jewish male authors, even those of the heterosexual persuasion, were acceptable.
”
”
William Luther Pierce (Hunter)
“
You don’t know,” Anthony said, his voice low and nearly shaking with rage. “You don’t know what he has done.”
“No more than what you have done, I’m sure,” Violet said slyly.
“Precisely!” Anthony roared. “Good God, I know exactly what is going on in his brain right now, and it has nothing to do with poetry and roses.”
Simon pictured laying Daphne down on a bed of rose petals. “Well, maybe roses,” he murmured.
“I’m going to kill him,” Anthony announced.
“These are tulips, anyway,” Violet said primly, “from Holland. And Anthony, you really must summon control of your emotions. This is most unseemly.”
“He is not fit to lick Daphne’s boots.”
Simon’s head filled with more erotic images, this time of himself licking her toes. He decided not to comment.
Besides, he had already decided that he wasn’t going to allow his thoughts to wander in such directions. Daphne was Anthony’s sister, for God’s sake. He couldn’t seduce her.
“I refuse to listen to another disparaging word about his grace,” Violet stated emphatically, “and that is the end of the subject.”
“But—”
“I don’t like your tone, Anthony Bridgerton!”
Simon thought he heard Daphne choke on a chuckle, and he wondered what that was all about.
“If it would please Your Motherhood,” Anthony said in excruciatingly even tones, “I would like a private word with his grace.”
“This time I’m really going to get that vase,” Daphne announced, and dashed from the room.
Violet crossed her arms, and said to Anthony, “I will not have you mistreat a guest in my home.”
“I shan’t lay so much as a hand on him,” Anthony replied. “I give you my word.”
Having never had a mother, Simon was finding this exchange fascinating. Bridgerton House was, after all, technically Anthony’s house, not his mother’s, and Simon was impressed that Anthony had refrained from pointing this out.
“It’s quite all right, Lady Bridgerton,” he interjected. “I’m sure Anthony and I have much to discuss.”
Anthony’s eyes narrowed. “Much.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Dango, dango, dango, dango, a big dango family
Dango, dango, dango, dango, a big dango family
The naughty fried dango, the kind red bean dango
The Mid-Autumn Festival dango tends to dream a little
The prim sesame dango, the four dango on a skewer
Everyone, everyone comes together and it’s a family of 100s
The baby dango is always within happiness
The aged dango has its eyes narrowed
The chummy dango hold their hands together and make a big, round ring
They build a town on the dango planet and everyone laughs together
The rabbit is trying to wave in the sky; the huge moon
Is rounding up everything, happy things and sad things, too
The chummy dango hold their hands together and make a big, round ring
They build a town on the dango planet and everyone laughs together
The rabbit is trying to wave in the sky; the huge moon
Is rounding up everything, happy things and sad things, too
Dango, dango, dango, dango, a big dango family
Dango, dango, dango, dango, a big dango family
Dango, dango, dango, dango, a big dango family
Dango, dango, dango, dango, a big dango family
”
”
Chata
“
I’d go to the ends of the earth to convince you to come to Tahiti,” he said with a strange intensity to his voice. “I’d do anything in my power, absolutely anything. But I think the journey would be a failure—a terrible failure—unless you were sure at the outset you wanted to know Tahiti.
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
I turn to Rue’s family. “But I feel as if I did know Rue, and she’ll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.” My voice is undependable, but I am almost finished. “Thank you for your children.” I raise my chin to address the crowd. “And thank you all for the bread.” I stand there, feeling broken and small, thousands of eyes trained on me. There’s a long pause. Then, from somewhere in the crowd, someone whistles Rue’s four-note mockingjay tune. The one that signaled the end of the workday in the orchards. The one that meant safety in the arena. By the end of the tune, I have found the whistler, a wizened old man in a faded red shirt and overalls. His eyes meet mine. What happens next is not an accident. It is too well executed to be spontaneous, because it happens in complete unison. Every person in the crowd presses the three middle fingers of their left hand against their lips and extends them to me. It’s our sign from District 12, the last good-bye I gave Rue in the arena.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
If you don't attend, Gwendolen," said the mistress, "and stop looking out of the window, I shall have to give you an order-mark."
"But please, Miss Prizzle-" began Gwendolen.
"Did you hear what I said, Gwendolen?" asked Miss Prizzle.
"But please, Miss Prizzle," said Gwendolen, "there's a LION!"
"Take two order-marks for talking nonsense," said Miss Prizzle. "And now-" A roar interrupted her. Ivy came curling in at the windows of the classroom. The walls became a mass of shimmering green, and leafy branches arched overhead where the ceiling had been. Miss Prizzle found she was standing on grass in a forest glade. She clutched at her desk to steady herself, and found that the desk was a rose-bush. Wild people such as she had never even imagined were crowding round her. Then she saw the Lion, screamed and fled, and with her fled her class, who were mostly dumpy, prim little girls with fat legs. Gwendolen hesitated.
"You'll stay with us, sweetheart?" said Aslan.
"Oh, may I? Thank you, thank you," said Gwendolen. Instantly she joined hands with two of the Maenads, who whirled her round in a merry dance and helped her take off some of the unnecessary and uncomfortable clothes that she was wearing.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
He lifted the book from the purse. The cover sported a painting of a stunning redhead in a long, pink gown who stared out the window over rolling green hills. The cover was slightly narrower than the rest of the book, and from underneath peeked out what looked to be a second cover. He turned the page and was startled at what he saw. Another full-color painting, but this one of a shirtless man smashing the heavily bosomed redhead onto a red couch. Her clothes were torn and their torsos met violently. The man’s face was savage; the woman’s head thrown back in surrender.
Sam flicked back and forth between the image of the prim, composed woman on the front cover and her ribald, passionate abandon on the inside cover.
He glanced out the window to see Ally emerge onto the street below, her head held high and her gait tight and focused as she marched away, prim and composed.
He flipped to the inside cover.
Hot damn.
”
”
Diana Holquist (How to Tame a Modern Rogue)
“
What I mean is that modern women like you are all, to a greater or lesser extend, hard...It's the yearning. Plainly and simply, it's the yearning."
Yearning? For what? {Miss Prim]
The yearning you all display to prove your worth, to show that you know this and that, to ensure that you can have it all. The yearning to succeed and, even more, the yearning not to fail; the yearning not to be seen as inferior, but instead even as superior, simply for being exactly what you believe you are, or rather what you've been made to believe you are. The inexplicable yearning for the world to give you credit simply for being women. {Lulu Thiberville]
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
They are alike, prim scholar and perfervid lover:
When comes the season of decay, they both decide
Upon sweet, husky cats to be the household pride;
Cats choose, like them, to sit, and like them, shudder.
Like partisans of carnal dalliance and science,
They search for silence and the shadowings of dread;
Hell well might harness them as horses for the dead,
If it could bend their native proudness in compliance.
In reverie they emulate the noble mood
Of giant sphinxes stretched in depths of solitude
Who seem to slumber in a never-ending dream;
Within their fertile loins a sparkling magic lies;
Finer than any sand are dusts of gold that gleam,
Vague starpoints, in the mystic iris of their eyes.
”
”
Charles Baudelaire
“
No, it’s not Annie. But the voice was hers. Jabberjays mimic what they hear. Where did they get those screams, Katniss?” he says. I can feel my own cheeks grow pale as I understand his meaning. “Oh, Finnick, you don’t think they . . .” “Yes. I do. That’s exactly what I think,” he says. I have an image of Prim in a white room, strapped to a table, while masked, robed figures elicit those sounds from her. Somewhere they are torturing her, or did torture her, to get those sounds. My knees turn to water and I sink to the ground. Finnick is trying to tell me something, but I can’t hear him. What I do finally hear is another bird starting up somewhere off to my left. And this time, the voice is Gale’s.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves.
”
”
Jewelle Gomez (Radical Hope: Letters of Love and Dissent in Dangerous Times)
“
Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and there's no peace from their laughter. Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone.
”
”
Stephen King (The Dark Tower (The Dark Tower, #7))
“
when you decide to take the second path you never allow yourself to see reality as it is, without excuses. You tell yourself that if you don’t pursue your own happiness, they’ll suffer too; that you have a right to be happy and you only get one life; that it’ll be better for them, they’re young, they’ll get over it. But the truth is, you make a choice and there is always a price to pay.” Miss
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
Back inside, I’m shown an antique cabinet in which members of the community, famous for their homegrown produce, dried herbs.
The Oneida Community was an upstate tourist attraction right from the start, second, Valesky says, to Niagara Falls. I’m taking the same guided tour offered a hundred and fifty years ago to prim rubbernecks who came here to peep at sex fiends. I wonder how many of my vacationing forebears went home disappointed? They thought they were taking the train to Gomorrah but instead they got to watch herbs dry. Valesky opens a drawer in the herb cabinet so I can get a whiff. He mentions that back in the day, when one tourist was shown the cabinet she rudely asked her community-member guide, “What’s that odor?” To which the guide replied, “Perhaps it’s the odor of crushed selfishness.” Valesky grins. “How about that for a utopian answer?” To my not particularly utopian nose, crushed selfishness smells a lot like cilantro.
”
”
Sarah Vowell (Assassination Vacation)
“
An organization, however streamlined and efficient, is made up of erring human beings, and in those years when Hitler was shaping his party to take over Germany’s destiny he had his fill of troubles with his chief lieutenants, who constantly quarreled not only among themselves but with him. He, who was so monumentally intolerant by his very nature, was strangely tolerant of one human condition—a man’s morals. No other party in Germany came near to attracting so many shady characters. As we have seen, a conglomeration of pimps, murderers, homosexuals, alcoholics and blackmailers flocked to the party as if to a natural haven. Hitler did not care, as long as they were useful to him. When he emerged from prison he found not only that they were at each other’s throats but that there was a demand from the more prim and respectable leaders such as Rosenberg and Ludendorff that the criminals and especially the perverts be expelled from the movement.
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
Later on in Culture and Society, Williams scores a few points by reprinting some absolutist sentences that, taken on their own, represent exaggerations or generalisations. It was a strength and weakness of Orwell’s polemical journalism that he would begin an essay with a bold and bald statement designed to arrest attention—a tactic that, as Williams rightly notices, he borrowed in part from GK Chesterton and George Bernard Shaw. No regular writer can re-read his own output of ephemera without encountering a few wince-making moments of this kind; Williams admits to ‘isolating’ them but has some fun all the same. The flat sentence ‘a humanitarian is always a hypocrite’ may contain a particle of truth—does in fact contain such a particle—but will not quite do on its own. Other passages of Orwell’s, on the failure of the Western socialist movement, read more convincingly now than they did when Williams was mocking them, but are somewhat sweeping for all that. And there are the famous outbursts of ill-temper against cranks and vegetarians and homosexuals, which do indeed disfigure the prose and (even though we still admire Pope and Swift for the heroic unfairness of their invective) probably deserve rebuke. However, Williams betrays his hidden bias even when addressing these relatively easy targets. He upbraids Orwell for the repeated use of the diminutive word ‘little’ as an insult (‘The typical Socialist ... a prim little man,’ ‘the typical little bowlerhatted sneak,’ etc.). Now, it is probable that we all overuse the term ‘little’ and its analogues. Williams does at one point—rather ‘loftily’ perhaps—reproach his New Left colleagues for being too ready to dismiss Orwell as ‘petit-bourgeois.’ But what about (I draw the example at random) Orwell’s disgust at the behaviour of the English crowd in the First World War, when ‘wretched little German bakers and hairdressers had their shops sacked by the mob’?
”
”
Christopher Hitchens
“
What's nice is that she's obviously just graduated from some boarding school or institute, that as yet there's nothing femalish, as they say, about her, nothing, that is, of what's most unpleasant about these creatures. Now she's like a child, everything about her is simple: she'll say whatever comes into her head, she'll laugh whenever she feels like laughing. Anything can be made of her, she can be a wonder, yet she can turn out to be worthless too, and worthless is what she will turn out to be! Just let the doting mothers and aunts get their hands on her. In one year they'll fill her with such female stuff of every sort that her own father won't recognize her. From that will come haughtiness and primness. She'll start acting according to the precepts that have been drilled into her, she'll begin racking her brains and trying to figure out with whom, and in what way, and for how long she sould talk, and how she should look at this person or that; and she'll live in constant fear of saying more than she should.
”
”
Nikolai Gogol (Dead Souls)
“
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
”
”
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
“
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
”
”
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger.
Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume.
“Yes,” Elizabeth had assured her, smiling. “Do you?”
“Have you read Christopher Marlowe?”
“Yes, but I prefer Shakespeare.”
Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard.
“My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.”
Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
My mother’s problem is that she can’t submit to any authority. She lost her parents years ago, and she lost her husband. She takes no account of her relatives’ views—she never has—and especially not her children’s. There’s no human or spiritual discipline to which she’ll subject her will. She just has her own opinions, and they’re the only tribunal that’s permitted to judge her when she makes a mistake. Can you imagine what you would be like if you didn’t have anyone close who was capable of influencing you? Anyone to point out your flaws, to confront you when you went too far, to correct you when you did something wrong?” Miss
”
”
Natalia Sanmartín Fenollera (The Awakening of Miss Prim)
“
You have eyes like a mermaid," he murmured. "Soft, pale green. Beautiful."
"I knew it was only a matter of time before you walked in during my bath," Lara said, trying to sound calm although her heart was pounding. "Your request to see me in that negligee made it quite evident that you're a shameless voyeur."
Hunter grinned. "I've been found out, it seems. But you can't blame me for it."
"Why not?"
"After more than a year of sexual deprivation, a man has to have some pleasure."
"You could expend your energy on something more productive," Lara suggested as he came closer to the bath. "Develop a hobby... collect something... take up chess or pugilism."
His eyes twinkled at her prim tone. "I do have a hobby, madam."
"Which is what?"
"Admiring you."
She shook her head with a reluctant smile. "If you weren't so annoying, my lord, you would almost be charming."
"If you weren't so beautiful, I wouldn't be annoying." He gave her an easy masculine grin. "But I plan to annoy you often, madam, and someday you'll like it." He took another step toward the tub. "Brace yourself- I'm coming closer."
Lara went rigid, thinking of covering herself, screaming, splashing him... but she did none of those things. She remained in the tub, stretched before him like a pagan sacrifice. Hunter made no obvious show of staring at her, but she knew that he took in every detail of her body as it shimmered beneath the scented water.
”
”
Lisa Kleypas (Stranger in My Arms)
“
At the moment, however, she had an ever larger problem: what to do now, when two defenseless women were completely lost in the wilds of Scotland, at night, in the rain and cold.
Shuffling footsteps sounded on the gravel path, and both women straightened, both suppressing the hope soaring in their breasts and keeping their faces carefully expressionless.
“Well, well, well,” Jake boomed. “Glad I caught up with you and-“ He lost his thought as he beheld the utterly comic sight of two stiff-backed women seated on a trunk together, prim and proper as you please, beneath a black umbrella in the middle of nowhere. “Uh-where are your horses?”
“We have no horses,” Lucinda informed him in a disdainful voice that implied such beasts would have been an intrusion on their tete-a-tete.
“No? How did you get here?”
“A wheeled conveyance carried us to this godforsaken place.”
“I see.” He lapsed into daunted silence, and Elizabeth started to say something at least slightly pleasant when Lucinda lost her patience.
“You have, I collect, come to urge us to return?”
“Ah-yes. Yes, I have.”
“Then do so. We haven’t all night.” Lucinda’s words struck Elizabeth as a bald lie.
When Jake seemed at a loss as to how to go about it, Lucinda stood up and assisted him. “I gather Mr. Thornton is extremely regretful for his unforgivable and inexcusable behavior?”
“Well, yes, I guess that’s the way it is. In a way.”
“No doubt he intends to tell us that when we return?”
Jake hesitated, weighing his certainty that Ian had no intention of saying anything of the kind against the certainty that if the women didn’t return, he’d be eating his own cooking and sleeping with a bad conscience and a bad stomach. “Why don’t we let him make his own apologies?” he prevaricated.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back.
“Get out of here, man!”
“Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare.
“Stay where you are, madam! I am not finished with you.”
“You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!”
“I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!”
More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!”
Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse.
When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation.
“Are you hurt, Christopher?” she asked sweetly.
“Aye! My pride has been mightily bruised!”
“Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.”
“ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.”
“You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.”
“That’s an impossibility, madam, for that thing is surely made of cold, hard steel.”
“You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.”
“I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically.
Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye.
“Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?”
He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve.
-Christopher, Erienne, and Aggie
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
DOAMNA SMITH, Pompierului: Încă una, căpitane.
POMPIERUL: Oh, nu, e prea târziu.
DOMNUL MARTIN: Spuneţi totuşi.
POMPIERUL: Sunt prea obosit.
DOMNUL SMITH: Haideţi, de dragul nostru.
DOMNUL MARTIN: Vă rog.
POMPIERUL: Nu.
DOAMNA MARTIN: Aveţi o inimă de gheaţă. Ne-aţi pus pe jar.
DOAMNA SMITH, cade la picioarele lui, plângând sau nu: Vă implor.
POMPIERUL: Fie.
DOMNUL SMITH, la urechea Doamnei Martin: A acceptat! Iar o să ne plictisim.
DOAMNA MARTIN: Fir-ar să fie!
DOAMNA SMITH: Ghinion. Am exagerat cu politeţea.
POMPIERUL: Guturaiul. „Cumnatul meu avea un văr primar din partea tatălui, al cărui unchi din partea mamei avea un cumnat al cărui bunic din partea tatălui se recăsătorise cu o tânără din partea locului al cărei frate întâlnise într-una din călătoriile lui o fată de care se îndrăgostise până peste urechi şi cu care a avut un fiu care s-a însurat cu o farmacistă curajoasă, nimeni alta decât nepoata unui şef de cart anonim din marina britanică, al cărui tată adoptiv avea o mătuşă care vorbea spaniola la perfecţie şi era, poate, una dintre nepoatele unui inginer mort în tinereţe, la rândul lui nepotul unui podgorean ale cărui vii dădeau un vin mediocru, dar care avea un verişor, om la casa lui, plutonier, al cărui fiu luase de nevastă pe-o tânără tare drăguţă, divorţată, al cărei prim soţ era fiul unui sincer patriot care a ştiut să-i bage în cap uneia din fiicele lui pofta de căpătuială, iar ea a luat de bărbat un vână-tor care-l cunoscuse pe Rotschild, şi al cărui frate, după ce-a schimbat mai multe meserii, s-a însurat şi a avut o fată al cărei străbunic era sfrijit şi purta nişte ochelari primiţi de la un văr de-al lui, cumnatul unui portughez, fiul natural al unui morar, nu prea sărac, al cărui frate de lapte luase de nevastă pe fiica unui fost medic de ţară, la rândul lui frate de lapte cu fiul unui lăptar, el însuşi fiul natural al unui alt medic de ţară, însurat de trei ori la rând, a cărui a treia soţie..."
DOMNUL MARTIN: Am cunoscut-o pe-a treia lui soţie, dacă nu mă-nşel. Mânca pui într-un viespar.
POMPIERUL: Nu-i aceeaşi.
DOAMNA SMITH: SSSSt!
POMPIERUL: Cum spuneam, deci: „... a cărui a treia soţie era fiica celei mai bune moaşe de prin partea locului şi care, rămasă văduvă în tinereţe..."
DOMNUL SMITH: Cazul soţiei mele!
POMPIERUL: „... s-a recăsătorit cu un geamgiu tare vesel din fire care-i făcuse fetei şefului de gară un copil care-şi croise un drum în viaţă..."
DOAMNA SMITH: Drum de fier...
DOMNUL MARTIN: Ba drum de fiere.
POMPIERUL: „Şi luase de nevastă o zarzavagioaică de brânzeturi al cărei tată avea un frate, primar într-un orăşel, care luase de nevastă pe-o învăţătoare blondă al cărei frate, pescar de coastă..."
DOMNUL MARTIN: Coasta lui Adam?
POMPIERUL: „... luase de nevastă pe-o altă învăţătoare blondă care se chema tot Mărie, al cărei frate se-nsurase cu altă Mărie, tot o învăţătoare blondă..."
DOMNUL SMITH: Dacă e blondă, nu poate fi decât Mărie.
POMPIERUL: „... şi-al cărei tată fusese crescut în Canada de-o bătrână, nepoata unui popă a cărui bunică făcea uneori, iarna, la fel ca toată lumea, guturai.
”
”
Eugène Ionesco (La Cantatrice chauve)
“
He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent.
“Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?”
When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—”
“I know. You were recounting Lysistrata.”
Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.”
“None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?”
He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.”
“I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.”
As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’”
It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children.
Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—”
“Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’”
Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests.
Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’”
“Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’”
“She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!”
“Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—”
He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.
”
”
Sabrina Jeffries (The Pirate Lord)
“
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.”
Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago.
His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate.
Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?”
“I’ll get it back for her,” he promised with a somber smile. “Where is she?”
Alexandra’s mouth fell open at the tenderness in his eyes and voice.
“Where is she?” he repeated with calm determination.
“I cannot tell you,” Alex said with a twinge of regret.
“You know I cannot. I gave my word.”
“Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?”
“I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.”
Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.”
To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin.
Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?”
Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.”
“He’ll go to her as soon as he figures it out.”
“Perhaps.”
“You still don’t trust him, do you?” Jordan said with a surprised smile.
“I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.”
Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.”
“Perhaps,” Alex admitted reluctantly.
Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased.
“That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist.
“And will you love my cousin just a little if he makes amends to Elizabeth?”
“I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.”
“It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?”
“No, do you?”
He nodded. “Philip Demarcus.”
She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?”
“The very same.”
“Do you suppose Mr. Demarcus cheated Elizabeth?”
“Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))