Pretty Lady Quotes

A pretty sight, a lady with a book.

Surely a pretty woman never looks prettier than when making tea.

Lady, lady, never start Conversation toward your heart; Keep your pretty words serene; Never murmur what you mean. Show yourself, by word and look, Swift and shallow as a brook. Be as cool and quick to go As a drop of April snow; Be as delicate and gay As a cherry flower in May. Lady, lady, never speak Of the tears that burn your cheek- She will never win him, whose Words had shown she feared to lose. Be you wise and never sad, You will get your lovely lad. Never serious be, nor true, And your wish will come to you- And if that makes you happy, kid, You'll be the first it ever did.

One word, Ma'am," he said, coming back from the fire; limping, because of the pain. "One word. All you've been saying is quite right, I shouldn't wonder. I'm a chap who always liked to know the worst and then put the best face I can on it. So I won't deny any of what you said. But there's one more thing to be said, even so. Suppose we have only dreamed, or made up, all those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that's a funny thing, when you come to think of it. We're just babies making up a game, if you're right. But four babies playing a game can make a play-world which licks your real world hollow. That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live as like a Narnian as I can even if there isn't any Narnia. So, thanking you kindly for our supper, if these two gentlemen and the young lady are ready, we're leaving your court at once and setting out in the dark to spend our lives looking for Overland. Not that our lives will be very long, I should think; but that's a small loss if the world's as dull a place as you say.

I find it ridiculous to assign a gender to an inanimate object incapable of disrobing and making an occasional fool of itself. Why refer to lady crack pipe or good sir dishrag when these things could never live up to all that their sex implied?

They'd smash up the world if they thought it would make a pretty noise.

My new album that I'm creating, which is finished pretty much, was written with this new instinctual energy that I've developed getting to know my fans. They protect me, so now it's my destiny to protect them.

And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.

The world is supposed to be full of possibilities, but they narrow down to pretty few in most personal experience. There's lots of good fish in the sea... maybe... but the vast masses seem to be mackerel or herring, and if you're not mackerel or herring yourself, you are likely to find very few good fish in the sea.

My net search is finding only a Cadet Carswell Thorne, of the American Republic, imprisoned in New Beijing prison on—" "That's him," said Cinder, ignoring Thorne's glare. Another silence as the heat in the engine room hovered just upside of comfortable. The, "You're... rather handsome, Captain Thorne." Cinder groaned. "And you, my fine lady, are the most gorgeous ship in these skies, and don't let anyone ever tell you different." The temperature drifted upward, until Cinder dropped her arms with a sigh. "Iko, are you intentionally blushing?" The temperature dropped back down to pleasant. "No," Iko said. Then, "But am I really pretty? Even as a ship?" "The prettiest," said Thorne.

What are you reading, my dear? A pretty sight, a lady with a book.

Gundar isn't so much a ship's captain as a reformed pirate and a heathen." [Evanlyn] looked apologetically at Gundar. "No offense, Gundar." The skirl shrugged cheerfully. "None taken, little lady. It's a pretty fair description. Not sure about the reformed part," he added thoughtfully.

Katniss: I’m coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta: (Gives an unconvincing shake of head.) Caesar: Handsome lad like you. There must be some special girl. Come on, what’s her name? Peeta: Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping. Caesar: She have another fellow? Peeta: I don’t know, but a lot of boys like her. Caesar: So, here’s what you do. You win, you go home. She can’t turn you down, eh? Peeta: I don’t think it’s going to work out. Winning… won’t help in my case. Caesar: Why ever not? Peeta: Because… because… she came here with me. Caesar: Oh, that is a piece of bad luck. Peeta: It’s not good. Caesar: Well, I don’t think any of us can blame you. It’d be hard not to fall for that young lady. She didn’t know? Peeta: Not until now.

I don’t think I pity her. She doesn’t strike me as a girl that suggests compassion. I think I envy her... I don’t know whether she is a gifted being, but she is a clever girl, with a strong will and a high temper. She has no idea of being bored...Very pretty indeed; but I don’t insist upon that. It’s her general air of being someone in particular that strikes me.

She could understand suddenly why people talked about passion as fire: She felt as if they had caught aflame and were burning like the dry Malibu hills, about to become ashes that would mix together forever.

There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind...

So in the end, was it worth it? Jesus Christ. How irreparably changed my life has become. It's always the last day of summer and I've been left out in the cold with no door to get back in. I'll grant you I've had more than my share of poignant moments. Life passes most people by while they're making grand plans for it. Throughout my lifetime, I've left pieces of my heart here and there. And now, there's almost not enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent. There are no more white horses or pretty ladies at my door.

A lady who sets her heart upon a lad in uniform must prepare to change lovers pretty quickly, or her life will be but a sad one.

A proper lady should be able to smile pretty, wear sequins like she means it, and kick a man's ass nine ways from Sunday while wearing stiletto heels. If she can't do that much, she's not trying hard enough. —Francis Brown

My dear young lady, there was a great deal of truth; I dare say, in what you said, and you looked very pretty while you said it, which is much more important.

He wants you to smile and smell sweet and be his lady love. He wants to hear you recite all your pretty little words the way the septa taught you. He wants you to love him... and fear him.

Everyone knows ladies love Cajuns. It's in our blood and our language is the language of romance." "Your language is the language of bullshit. You're just a couple of good ole boys with pretty faces. Women just ought to know better.

To all my ladies who see those walking Red Flags as a pretty shade of pink… repeat after me, only when the men are fictional.

When you're awake, all the men go and fall for you - Sleep, pretty lady, and give me a chance (From the poem "Lullaby")

Is this the girl?” Kieran’s voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn’t sure he liked. “She’s pretty,” he said. “I didn’t think she’d be pretty. You didn’t mention it.” Iarlath shrugged. “You’ve always been partial to blondes,” he said. “Okay, seriously?” Emma snapped her fingers. “I am right here. And I was not aware I was being invited to a game of ‘Who’s the Hottest?'" I wasn’t aware you were invited at all,” said Kieran. His speech had a casual edge, as if he was used to talking to humans. “Rude,” said Emma.

Pen?” “Lady?” “You think I’m pretty.” He blinked in surprise. “I always found you so, Lady. But it’s true that your face has changed.” “You always found me pretty?” Pen shrugged. “It doesn’t matter, Lady. Some women are defined by their appearance, but you have never been one of them.

Hey! Come merry dol! derry dol! My darling! Light goes the weather-wind and the feathered starling. Down along under the Hill, shining in the sunlight, Waiting on the doorstep for the cold starlight, There my pretty lady is, River-woman's daughter, Slender as the willow-wand, clearer than the water. Old Tom Bombadil water-lilies bringing Comes hopping home again. Can you hear him singing? Hey! Come merry dol! derry dol! and merry-o, Goldberry, Goldberry, merry yellow berry-o! Poor old Willow-man, you tuck your roots away! Tom's in a hurry now. Evening will follow day. Tom'sgoing hom again water lilies-bringing. Hey! Come derry dol! Can you hear me singing?

And what do you keep in such a pretty little box, sir? Snuff?' Oh, no! It is a great treasure of mine that I wish Lady Pole to wear tonight!' He opened the box and showed Stephen a small, white finger.

Self-confidence is not the same thing as ego. This is not to say that the two don’t (frequently) dance hand in hand down the street, pushing over old ladies in crosswalks and kicking baby kittens. But they are definitely not the same entity. Ego is thinking you have all the answers. Self-confidence is knowing you don’t have the answers, but being pretty sure that you will be able to find them.

So I had to learn. All my life. The hard way. And the hard way’s pretty hard, but not so hard as the easy way. I learned.

She felt like Lady in Lady and the Tramp, one of Hanna's favorite movies as a kid. When Jim Dear and Darling had a new baby, they kicked Lady to the curb. Except Hanna didn't even have a scruffy bad-boy stray she could run off with because her supposed boyfriend was going to be hundreds of miles away soaking up sunshine on a nude beach with a skank.

Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, 'So this is how it feels,' and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own.

The sun, rising and setting in splendid colors, never grows tired of its admirers―much like a lady, aglow with grace, never grows tired of chivalrous acts or pretty flowers.

What every man should desire is an ugly woman with a beautiful heart, not a beautiful woman with an ugly heart.

An old man sat down beside her. "Well, aren't you a pretty little peach?" His breath smelled near as foul as the dead men in the cages, and his little pig eyes were crawling up and down her. "Does my sweet peach have a name?" For half a heartbeat she forgot who she was supposed to be. She wasn't any peach, but she couldn't be Arya Stark either, not here with some smelly drunk she did not know. "I'm . . ." "She's my sister." Gendry put a heavy hand on the old man's shoulder, and squeezed. "Leave her be." The man turned, spoiling for a quarrel, but when he saw Gendry's size he thought better of it. "You sister, is she? What kind of brother are you? I'd never bring no sister of mine to the Peach, that I wouldn't." He got up from the bench and moved off muttering, in search of a new friend. "Why did you say that?" Arya hopped to her feet, "You're not my brother." "That's right," he said angrily. "I'm too bloody lowborn to be kin to m'lady high." Arya was taken aback by the fury in his voice. "That's not the way I mean it." "Yes it is." He sat down on the bench, cradling a cup of wine between his hands. "Go away. I want to drink this wine in peace. Then maybe I'll go find that black-haired girl and ring her bell for her." "But . . ." "I said, go away. M'lady." Arya whirled and left him there. A stupid bullheaded bastard boy, that's all he is. He could ring all the bells he wanted, it was nothing to her.

Kill her for me," she said in that whiny little-girl voice. Diego took a step toward me, wearing an expression that told me he was only too happy to oblige his lady love. "Oh, what?" I said. I wasn't even scared. I didn't care anymore. The numbness in my heart had pretty much taken over my whole body. "You always do what she tells you? You know, we have a word for that now. It's called being whipped.

When ladies used to come to me in dreams, I said, 'Pretty mother, pretty mother.' But when at last she really came, I shot her.

Don’t confuse love with romance, young lady. Romance is beautiful, it’s a gesture, it’s a walk in a park with a pretty girl. Love is ugly sometimes. It’s a crawl into a war zone to save a friend. Romance whispers sweet nothings. Love tells painful truths. Romance gives an engagement ring. Love takes a bullet.

Tonight I want to forget all your insecurities. Tonight I want you to reject anyone or anything that has made you feel like you don't belong, or don't fit in, or has made you feel like you're not good enough or pretty enough or thin enough, or like you can't sing well enough or dance well enough, or write a song well enough, or like YOU'LL NEVER WIN A GRAMMY, or like YOU'LL NEVER SELL OUT MADISON SQUARE GARDEN! You just remember that you are a god damn superstar and you were born this way!

But it is very foolish to ask questions about any young ladies — about any three sisters just grown up; for one knows, without being told, exactly what they are — all very accomplished and pleasing, and one very pretty. There is a beauty in every family. — It is a regular thing

[It may be true that] men never know a pretty thing when they see it. [But men do] know a lady when they see one.

I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one. ... So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!' But yes. Yes, he can. Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five? Shah. That just isn't going to happen. At least, not for me.

I’ve got something that most pretty ladies haven’t got—and that’s a mind that’s made up.

I have been meditating on the very great pleasure which a pair of fine eyes in the face of a pretty women can bestow.' Miss Bingley immediately fixated her eyes on his face, and desired he would tell her what lady had the credit of inspiring such reflections. Mr. Darcy replied: 'Miss Elizabeth Bennet.

What'd he said in the car--he'd meant it. His gaze had been level and direct as he'd spoken. It had been *Julian* talking, her Jules, the one who lived in her bones and her brain and at the base of her spine, the one who was threaded all through her like veins or nerves.

As journalist Ta-Nehisi Coates has sensibly observed, “human beings are pretty logical and generally savvy about identifying their interests. Despite what we’ve heard, women tend to be human beings and if they are less likely to marry today, it is probably that they have decided that marriage doesn’t advance their interests as much as it once did.”60

Once again, to the ladies out there—here’s a fact for you: Men pretty much have sex on the brain twenty-four-seven. The exact figure is like every 5.2 seconds or some shit like that.

Insanity as an absence of common characteristics is also demonstrated by the Rorschach ink-blot test for schizophrenia. In this test, randomly formed ink splotches are shown to the patient and he is asked what he sees. If he says, 'I see a pretty lady with a flowering hat,' that is not a sign of schizophrenia. But if he says, 'All I see is an ink-blot,' he is showing signs of schizophrenia. The person who responds with the most elaborate lie gets the highest score for sanity. The person who tells the absolute truth does not. Sanity is not truth. Sanity is conformity to what is socially expected. Truth is sometimes in conformity, sometimes not.

Something pretty bad's happening nearby in the space-time continuum.' the Doctor shouted over the noise. 'The TARDIS is a terrible rubbernecker - like a little old lady, she can't resist slowing down for a gawp at a car crash in the next lane. Bless.' 'This is not slowing down,' bellowed Rory. 'Good point,' agreed the Doctor.

Crying is the refuge of plain women but the ruin of pretty ones. 

Pretty, was she?" "Pretty?" he echoed. "Mister, when I see my first lady angel, if God ever sees fit to show me one, it'll be her wings and not her face that'll make my mouth fall open. I've already seen the prettiest face that ever could be.

The pityingly look made Sophie utterly ashamed. He was such a dashing specimen too, with a bony, sophisticated face--really quite oold, well into his twenties--- and elaborate blond hair. His sleeves trailed longer than any in the Square, all scalloped edges and silver insets. "Oh, no thank you, if you please, sir," Sophie stammered. "I--I'm only on my way to see my sister." "Then by all means do so," laughed this advanced young man. "Who am i to keep a pretty lady from her sister? Would you like me to go with you, since you seemed so cared?" He meant it kindly, which made Sophie, more ashamed than ever. "No. No thank you, sir!" she gasped and fled away past him. He wore perfume too.

A lady wants to feel pretty, no matter how much money she has.

Oh, we’ll see you again, Mike. Just not with the same, pretty face. I hear you’re an actor, too. Pity. Your days of wooing leading ladies are about to end.

The speech of God’s beautiful woman is a fountain of life to those around her.

Alan: "I had terrible stage fright." Sin: "I'm not familiar with the concept of 'stage fright.'" A: "It's pretty awful. You end up having to picture the entire audience in their underwear. Phyllis was in that audience, you know." S: "Why, Alan, I had no idea your tastes ran that way." A: "Phyllis is a very nice lady. And I do not consider her so much aged as matured, like a fine wine. But I still think you owe me an archery lesson.

...when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. .......When I, and most other people with a Y chromosome, have a conversion, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations have been going on for the last several thousand years? I didn't even know they existed...... I'm pretty sure I'm not the only one. .....So ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting fate to think to yourself, "The man can't possibly be that stupid!" But yes. Yes, he can.

But I'm... How can I... No hand, no visual sensor, humongous landing gear... Are those supposed to be my feet?" " Well, no. It's supposed to be landing gear." "Oh, what's become of me? I'm hideous!" "Now hold on just a minute there, Miss disembodied voice." Throne strode into the engine room and crossed his arms. "What do you mean 'hideous'?" "Who's that? Who's speaking?" "I am Captain Carswell Thorne, the owner of this fine ship and I will not stand to have her insulted in my presence!" Cinder rolled her eyes. "Captain Carswell Thorne?" "That's right." A brief silence, "My net search is finding only Cadet Carswell Thorne." "That's him." Said Cinder Another silence as the heat in the engine room rose. "You're rather handsome, Captain" "And you my fine lady, are the most gorgeous ship in these skies, and don't let anyone tell you other wise." "Iko, are you intentionally blushing?" "But am I really pretty? Even as a ship?" "The prettiest.

The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass....... .....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...

What if, ladies and gentlemen, today I told you that anyone here who was born on a Monday, Tuesday, or Wednesday was free to leave right now? Also, they'd be given the most central parking spots in the city, and the biggest houses. They would get job interviews before others who were born later in the week, and they'd be taken first at the doctor's office, no matter how many patients were waiting in line. If you were born from Thursday to Sunday, you might try to catch up – but because you were straggling behind, the press would always point to how inefficient you are. And if you complained, you'd be dismissed for playing the birth-day card.” I shrug. “Seems silly, right? But what if on top of these arbitrary systems that inhibited your chances for success, everyone kept telling you that things were actually pretty equal?

It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.

He came to be very glad that he had known her, and that she had had a hand in breaking him in to life. He has known pretty women and clever ones since then,-- but never one like her, as she was in her best days. Her eyes, when they laughed for a moment into one`s own, seemed to promise a wild delight that he has not found in life. "I know where it is," they seemed to say, "I could show you!

Way back when the Sam Peckinpah film The Wild Bunch premiered, a woman journalist raised her hand at the press conference and asked the following: “Why in the world do you have to show so much blood all over the place?” She was pretty worked up about it. One of the actors, Ernest Borgnine, looked a bit perplexed and fielded the question. “Lady, did you ever see anyone shot by a gun without bleeding?” This film came out at the height of the Vietnam War. I love that line. That’s gotta be one of the principles behind reality. Accepting things that are hard to comprehend, and leaving them that way. And bleeding. Shooting and bleeding.

Very likely Miss Binny was right to a great extent. It is the pretty face which creates sympathy in the hearts of men, those wicked rogues. A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dulness may not red lips and sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. Oh, ladies, ladies! some there are of you who are neither handsome nor wise.

Of the numerous regrettable elements that go to make up the unlawful carnal-knowledge industry, I should single out for distinction the look of undisguised contempt that is often worn on the faces of its female staff. Some of the working 'hostesses' may have to simulate delight or even interest—itself a pretty cock-shriveling thought—but when these same ladies do the negotiating, they can shrug off the fake charm as a snake discards an unwanted skin.

Another scar or two won't ruin my pretty face." "Right." "Carlos, are you being polite? That's not why I came here for. I know I'm not Steve McQueen." "My lady is totally in love with him. Lucky for me he's dead or I'd be in trouble." I hold up my glas of Jack Daniel's in a toast. "Here's to all the guys better looking than us. May they all die first.

So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.

She a nice lady ol auntie … but ol moms was somethin else, she really somethin else. Harrys eyes were closed and he was leanin back remembering how his mother always protected him from the cold wind in the winter when he was a kid, and how warm she felt when he got in the house and she hugged the cold out of his ears and cheeks and always had a bowl of hot soup waiting. … Yeah, I guess the old lady was pretty groovy too. I guess its a bitch being alone like that. Harry Goldfarb and Tyrone C. Love sat loosely in their chairs, their eyes half closed, feeling the warmth of fond memories and heroin flowing through them as they got ready for another nights work.

For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.

I imagine this conversation after a stranger is told No by a woman he has approached: MAN: What a bitch. What’s your problem, lady? I was just trying to offer a little help to a pretty woman. What are you so paranoid about? WOMAN: You’re right. I shouldn’t be wary. I’m overreacting about nothing. I mean, just because a man makes an unsolicited and persistent approach in an underground parking lot in a society where crimes against women have risen four times faster than the general crime rate, and three out of four women will suffer a violent crime; and just because I’ve personally heard horror stories from every female friend I’ve ever had; and just because I have to consider where I park, where I walk, whom I talk to, and whom I date in the context of whether someone will kill me or rape me or scare me half to death; and just because several times a week someone makes an inappropriate remark, stares at me, harasses me, follows me, or drives alongside my car pacing me; and just because I have to deal with the apartment manager who gives me the creeps for reasons I haven’t figured out, yet I can tell by the way he looks at me that given an opportunity he’d do something that would get us both on the evening news; and just because these are life-and-death issues most men know nothing about so that I’m made to feel foolish for being cautious even though I live at the center of a swirl of possible hazards DOESN’T MEAN A WOMAN SHOULD BE WARY OF A STRANGER WHO IGNORES THE WORD ‘NO’.

Do you know, when I am with you I am not afraid at all. It is a magic altogether curious that happens inside the heart. I wish I could take it with me when I leave. It is sad, my Grey. We are constrained by the rules of this Game we play. There is not one little place under those rules for me to be with you happily. Or apart happily, which is what makes it so unfair. I have discovered a curious fact about myself. An hour ago I was sure you were dead, and it hurt very much. Now you are alive, and it is only that I must leave you, and I find that even more painful. That is not at all logical. Do you know the Symposium, Grey? The Symposium of Plato. [He] says that lovers are like two parts of an egg that fit together perfectly. Each half is made for the other, the single match to it. We are incomplete alone. Together, we are whole. All men are seeking that other half of themselves. Do you remember? I think you are the other half of me. It was a great mix-up in heaven. A scandal. For you there was meant to be a pretty English schoolgirl in the city of Bath and for me some fine Italian pastry cook in Palermo. But the cradles were switched somehow, and it all ended up like this…of an impossibility beyond words. I wish I had never met you. And in all my life I will not forget lying beside you, body to body, and wanting you.

He brings me calm and I give him wild and in that mix we’re pretty fucking amazing together. Gray Ellison is a knock your panties off at fifty paces kind of stunning. I’m talking ‘make you a drooling mess’ level of attractive. Protect your ovaries, ladies. Gray Ellison is walking by. It’s ludicrous that a man like him actually exists in the human world to drive women out of their horny minds.

Gardens come and go, but I find myself getting attached to certain perennials. My tulips are bridesmaids, with fat faces and good posture. Hollyhocks are long necked sisters. Daffodils are young girls running out of a white church, sun shining on their heads. Peonies are pink-haired ladies, so full and stooped you have to tie them up with string. And roses are nothing but (I hate to say it) bitches--pretty show-offs who'll draw blood if you don't handle them just right. -Vangie Galliard Nepper, From her "Garden Diary," March 1952

Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh

Must you say things like that in public, for God's sake?" "What do you mean?" He lowered his voice to a hiss. "Remember yesterday at the inn? My 'pistol' is making an appearance, thanks to you." She glanced down at his trousers, which only made them bulge more obviously. Then she lifted a mischievous gaze to his face. "Whatever will you do, now that you're in this...state?" "Conjugate Latin," he said tersely. "Think of England. Think of anything but you and me doing--Bloody hell, there it goes again, and we're nearly to Rotten Row." He stopped short and stepped behind a bench with a high back that sat near the river. She stood next to him, pretty as the proverbial picture, her eyes dropping to his trousers with virginal curiosity. "Would you stop looking at me there? he growled. "You're not helping." She laughed. "You're the one who started it by trying to seduce me with words. Serves you right if you have to suffer for it." -Giles and Minerva

Sometimes I thought about my future, because Lynn said I should. She said it was hard to tell at this point, but someday, if I didn't go to Africa to study animals, I might be a beautiful genius tennis player. I didn't worry about it one way or another. I didn't care if I was a genius or if I was pretty or if I was good in sports. I just liked to listen to Lynn and to talk to Bera-Bera and to eat rice candies. The lady who used to live down the street could take all of her top teeth out of her mouth. She wasn't allowed to eat chewy candy. I could eat any kind of candy I wanted because I still had my baby teeth. If they rotted, I would simply grow more teeth. That was pretty great.

Yes, the island is still there. Yes, we found Nick and Daisy and can bring them here. Yes, The Eye has put a price on Archer’s head that could buy a small island.” That last bit Archer had taken pretty hard. Apparently, his little squad of Eyes had gone back to tell their boss lady that Archer had used some kind of magical artifact to put a compulsion spell on them. That was the only reason they’d fought for Prodigium. “Is that true?” I’d asked Archer. His eyes had slid away from mine, and he’d given an exaggerated shrug. I took that as a yes.

I seem to wish to have some importance In the play of time. If not, Then sad was my mother's pain, my breath, my bones, My web of nerves, my wondering brain, to be shaped and quickened with such anticipation Only to feed the swamp of space. What is deep, as love is deep, I'll have Deeply. What is good, as love is good, I'll have well. Then if time and space Have any purpose, I shall belong to it. If not, if all is a pretty fiction To distract the cherubim and seraphim Who so continually do cry, the least I can do is to fill the curled shell of the world With human deep-sea sound, and hold it to The ear of God, until he has appetite To taste our salt sorrow on his lips. And so you see it might be better to die. Though, on the other hand, I admit it might Be immensely foolish.

She likes me. The shock of it sent a jolt of wild joy through him that stole his breath and robbed him momentarily of his common sense. He, Blade, who stared down cutthroat thugs in the meanest streets of the city, who laughed at death and snapped his fingers in the hangman’s face, found himself nervous and jumpy in the presence of a pretty girl. How utterly stupid. He felt like an ass. He didn’t care.

Then: “Where’s my manners? I hope you get to feeling pert soon, ma’am. I miss seeing my bonny Picasso.” He grinned. I stared at him blankly, and he added, “Picasso’s painting of the pretty blue lady, the Woman with a Helmet of Hair that I’d seen in one of the magazines you brought us? You remind me of her. Your fine color. My woman always said God saved that best color for His home.” He pointed a finger up to a patch of blue sky parting the gray clouds. “Guess He must’ve had Himself a little left over.” Astonished, I could feel my face warm. No one, not a soul, ever said my old color was fine. The best.

The town itself had been swallowed, strangled, and buried. In a very real sense there was no Augustam and there were no more fat ladies, or pretty girls, or pompous men, or wet-crotched children waving puffy clouds of cotton candy. There was no bustling Italian man here to throw slices of watermelon. Only Crowd, a creature with no body, no head, no mind. Crowd was nothing but a Voice and an Eye, and it was not surprising that Crowd was both God and Mammon. Garraty felt it. He knew the others were feeling it. It was like walking between giants electrical pylons, feeling the tingles and shocks stand every hair on end, making the tongue jitter nuttily in the mouth, making the eyes seem to crackle and shoot of sparks as they rolled in their beds of moisture. Crowd was to be pleased. Crowd was to be worshiped and feared. Ultimately, Crowd was to be made sacrifice unto.

The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.

Now that he was actually introducing Eleanor to his mom, he couldn’t help but see her the way his mom was going to. His mom was a beautician who sold Avon. She never left the house without touching up her mascara. When Patti Smith was on Saturday Night Live, his mom had gotten upset – "Why she want to look like man? It’s so sad." Eleanor, today, was wearing her sharkskin suit jacket and an old plaid cowboy shirt. She had more in common with his grandpa than his mom. And it wasn’t just the clothes. It was her. Eleanor wasn’t … nice. She was good. She was honorable. She was honest. She would definitely help an old lady across the street. But nobody – not even the old lady – would ever say, ‘Have you met that Eleanor Douglas? What a nice girl.’ Park’s mom liked nice. She loved nice. She liked smiling and small talk and eye contact … All things Eleanor sucked at. Also, his mom didn’t get sarcasm. And he was pretty sure it wasn’t a language thing. She just didn’t get it. She called David Letterman "the ugly, mean one on after Johnny.

That's when I started thinking about my sister. I thought about the time when she and her friends painted my fingernails, and how that was okay because my brother wasn't there. And the time she let me use her dolls to make up plays or let me watch whatever I wanted to watch on TV. And when she started becoming a "young lady," and no one was allowed to look at her because she thought she was fat. And how she really wasn't fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really like a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. And then I wondered how her face would look when she came out from behind those doors.

Then she wound up the clock. Witches didn’t have much use for clocks, but she kept it for the tick…well, mainly for the tick. It made a place seem lived in. It had belonged to her mother, who’d wound it up every day. It hadn’t come as a surprise to her when her mother died, firstly because Esme Weatherwax was a witch and witches have an insight into the future and secondly because she was already pretty experienced in medicine and knew the signs. So she’d had a chance to prepare herself, and hadn’t cried at all until the day afterward, when the clock stopped right in the middle of the funeral lunch. She’d dropped a tray of ham rolls and then had to go and sit by herself in the privy for a while, so that no one would see.

Jubal shrugged. "Abstract design is all right-for wall paper or linoleum. But art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas creative art is more like intercourse, in which the artist must seduce- render emotional-his audience, each time. These ladies who won't deign to do that- and perhaps can't- of course lost the public. If they hadn't lobbied for endless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, by taxes or such." "You know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought it was something missing in me, like color blindness." "Mmm, one does have to learn to look at art, just as you must know French to read a story printed in French. But in general terms it's up to the artist to use language that can be understood, not hide it in some private code like Pepys and his diary. Most of these jokers don't even want to use language you and I know or can learn. . . they would rather sneer at us and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is usually the refuge of incompetence. Ben, would you call me an artists?” “Huh? Well, I’ve never thought about it. You write a pretty good stick.” “Thank you. ‘Artist’ is a word I avoid for the same reasons I hate to be called ‘Doctor.’ But I am an artist, albeit a minor one. Admittedly most of my stuff is fit to read only once… and not even once for a busy person who already knows the little I have to say. But I am an honest artist, because what I write is consciously intended to reach the customer… reach him and affect him, if possible with pity and terror… or, if not, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a private language, nor am I seeking the praise of other writers for ‘technique’ or other balderdash. I want the praise of the cash customer, given in cash because I’ve reached him- or I don’t want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn it, you punched one of my buttons. Let me fill your glass and you tell me what is on your mind.

The Dora bag has straps, it’s like Backpack but with Dora on it instead of Backpack’s face. It has a handle too, when I try it pulls up, I think I broke it, but then it rolls, it’s a wheelie bag and a backpack at the same time, that’s magic. “You like it?” It’s Deana talking to me. “Would you like to keep your things in it?” “Maybe one that’s not pink,” says Paul to her. “What about this one, Jack, pretty cool or what?” He’s holding up a bag of Spider-Man. I give Dora a big hug. I think she whispers, Hola, Jack. Deana tries to take the Dora bag but I won’t let her. “It’s OK, I just have to pay the lady, you’ll get it back in two seconds…” It’s not two seconds, it’s thirty-seven.

There is, at its center, something immutably miraculous about the substance and process of reading stories. We read because we hunger to know, to empathize, to feel, to connect, to laugh, to fear, to wonder, and to become, with each page, more than ourselves. To become creatures with souls. We read because it allows us, through force of mind, to hold hands, touch lives, speak as another speaks, listen as another listens, and feel as another feels. We read because we wish to journey forth together. There is, despite everything, a place for empathy and compassion and rumination, and just knowing that fact, for me, is an occasion for joy. That we still, in this frenetic and bombastic and self-centered age, have legions of people who can and do return to the quietness of the page, opening their minds and hearts, again and again, to the wild world and the stuff of life, pinned into scenes and characters and sharp images and pretty sentences--well. It sure feels like a miracle, doesn't it?

... I regularly frequent St. George';s, Hanover Square, during the genteel marriage season; and though I have never seen the bridegroom's male friends give way to tears, or the beadles and officiating clergy in any way affected, yet it is not at all uncommon to see women who are not in the least concerned in the operations going on -- old ladies who are long past marrying, stout middle-aged females with plenty of sons and daughters, let alone pretty young creatures in pink bonnets, who are on their promotion, and may naturally taken an interest in the ceremony -- I say it is quite common to see the women present piping, sobbing, sniffling; hiding their little faces in their little useless pocket-handkerchiefs; and heaving, old and young, with emotion.

Or maybe this wasn't a human-faerie translation problem at all. Maybe this was a male-female translation problem. I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considerating that, and replying to it. All these other conversations that have apparently been going on for the last several thousand years? I didn't even know tht they existed until I read that stupid article, and I'm pretty sure I'm not the only one. I felt somewhat skeptical about the article's grounding. There were probably a lot of women who didn't communicate on multiple wavelenghts at once. There were probably men who could handle that many just fine. I just wasn't one of them. So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to think to yourself, "The man can't possibly be that stupid!" But yes. Yes he can.

By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair. “Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us. “Good evening, ladies,” he said, stepping aside to let us enter. Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.” He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.” I swear, Bailey was blushing so hard I could feel the heat radiating from her body. “Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—” “Whitley!” I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!” I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it. “Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.

I get it. Having had Satoru take me in as his cat, I think I felt as lucky as he did. Strays, by definition, have been abandoned or left behind, but Satoru rescued me when I broke my leg. He made me the happiest cat on earth. I'll always remember those five years we had together. And I'll forever go by the name Nana, the name that - let's face it - is pretty unusual for a male cat. The town where Satoru grew up, too, I would remember that. And the green seedlings swaying in the fields. The sea, with its frighteningly loud roar. Mount Fuji, looming over us. How cosy it felt on top of that boxy TV. That wonderful lady cat, Momo. That nervy but earnest hound, Toramaru. That huge white ferry, which swallowed up cars into its stomach. The dogs in the pet holding area, wagging their tails at Satoru. That foul-mouthed chinchilla telling me Guddo rakku! The land in Hokkaido stretching out forever. Those vibrant purple and yellow flowers by the side of the road. The field of pampas grass like an ocean. The horses chomping on grass. The bright-red berries on the mountain-ash trees. The shades of red on the mountain ash that Satoru taught me. The stands of slender white birch. The graveyard, with its wide-open vista. The bouquet of flowers in rainbow colours. The white heart-shaped bottom of the deer. That huge, huge, huge double rainbow growing out of the ground. I would remember these for the rest of my life. And Kosuke, and Yoshimine, and Sugi and Chikako. And above all, the one who brought up Satoru and made it possible for us to meet - Noriko. Could anyone be happier than this?

A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.

you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know

The Anne Rice books are a lot about infection. I read "Interview With the Vampire" a million times when I was in seventh and eighth grade. Also, [writing Gavriel's backstory] definitely came from those books: I sat down and reread them all and thought a lot about… the way in which vampirism is pushing away from humanity in interesting ways, and creating something new from humanity. I imprinted on those books pretty hard. Tanith Lee's "Sabella or the Blood Stone" was a big inspiration. I absolutely loved her books; when I was a kid, I wrote many bad Tanith Lee pastiches. Susie McKee Charnas' "The Vampire Tapestry." Poppy Z. Brite's "Lost Souls." Nancy Collins' "Sunglasses After Dark," which sounds like the most '80s title ever. It's about a vampire named Sonja Blue, and she goes around killing vampires. She's the only vampire who's half-alive. It's a really fun, blood-filled romp. It's very "Blade" before "Blade"--with a lady.

Lady Sarah gazes at Henry’s shiny shoes, her face heartbroken. “Do you ever think . . . that perhaps you should be with—” “Do not even think of finishing that fucking sentence,” Henry warns. “Why not?” She lifts her chin. “It’s the truth.” “The truth?” Henry mocks. “The truth is I wouldn’t even be here if it weren’t for you. I don’t know where I’d be or what I’d be doing, but I know it wouldn’t be pretty." “He’s right, you know, Sarah.” Prince Nicholas steps over to them. “Before you, Henry was an unmitigated disaster. Reckless, spoiled, self-destructive—” “Thank you, Nicholas,” Henry says. “I think she gets the picture.” Nicholas smacks his brother on the back and grins cheekily. “Happy to help.” Henry slips his hands into his pockets, rocking on his heels, telling Sarah, “I could say the same thing, you know. You don’t think I know you’d be better off with someone whose everyday life doesn’t send you reeling into a panic attack?” Sarah shakes her head. “No, that’s not true. I could never be better off with anyone else. I would never want to be. You’re mine, Henry, and I’m keeping you.

Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice. It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story. There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it. But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narration that make me wonder whether it isn't Esther herself writing the other bits of it. For instance, at the very beginning, she says, "When I come to write my portion of these pages . . ." So she knows that there is another narrative going on, but nobody else does. Nobody else refers to it. The second thing is that she is the only character who never appears in those passages of present-tense narration. The other characters do. She doesn't. Why would that be? There's one point very near the end of the book where she almost does. Inspector Bucket is coming into the house to collect Esther to go and look for Lady Dedlock, who's run away, and we hear that Esther is just coming -- but no, she's turned back and brought her cloak, so we don't quite see her. It's as if she's teasing us and saying, "You're going to see me; no, you're not." Now, that's Dickens, at the height of his powers, playing around -- in ways that we would now call, I don't know, postmodern, ironic, self-referential, or something -- with the whole notion of narration, characterization, and so on. Yet, it doesn't matter. Those things are there for us to notice and to enjoy and to relish, if we have the taste for that sort of thing. But the events of Bleak House are so thrilling, so perplexing, so exciting that a mere recital of the events themselves is enough to carry a whole television adaptation, a whole play, a whole story. It's so much better with Dickens's narrative playfulness there, but it's pretty good without them.

He sighs and wiggles around in his chair to get comfortable-it's going to be a long night. Watching humans play pretend for two hours doesn't exactly flip his fin. But he can tell Emma's getting restless. And so is he. Just as he nods off, a loud noise pops from the screen. Emma latches onto his arm as if he's dangling her over a cliff. She presses her face into his biceps and moans. "Is it over yet?" she whispers. "The movie?" "No. The thing that jumped out at her. Is it gone?" Galen chuckles and pries his arm from her grasp, then wraps it around her. "No. You should definitely stay there until I tell you it's clear." She whips her head up, but there's an almost-smile in her eyes. "I might take you up on that, pretend date or no. I hate scary movies." "Why didn't you tell me that? Everyone at school was practically salivating over this movie." The lady next to her leans over. "Shhh!" she whisper-yells. Emma nestles into the crook of his arm and buries her face in his chest, where she returns frequently as the movie goes on. Galen admits to himself that humans can make everything look pretty real. Still, he can't understand how Emma can be afraid when she knows they're only actors on the screen getting paid to scream like boiling lobsters. But who is he to complain? Their convincing performance keeps Emma in his arms for almost two solid hours. When the movie is over, he pulls the car to the curb and opens the door for her just as Rachel instructed. Emma accepts his hand as he helps her in. "What should we call our new little game?" he says on the way home. "Game?" "You know, 'Have some Lemonheads, sweet lips!'" "Oh, right." She laughs. "How about...Upchuck?" "Sounds appropriate. You realize it's your turn, right? I was thinking of making you eat a live crab." She leans over him. He almost swerves off the road when her lips brush his ear. "Where will you get a live crab? All I have to do is poke my head in the water and tell them to scatter." He grins. She's been getting more comfortable with her Gift. Yesterday, she sent some dolphins chasing after him.

Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!

Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.