Pretty Illustrated Quotes

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Despite my dad's assurances I was strangely nervous my stomach tight ever since we'd hung up. Maybe Deb had picked up on this and it was why she'd pretty much talked nonstop since I'd approached her and asked for a ride. I'd barely had time to explain the situation before she had launched into a dozen stories to illustrate the point that Things Happened But People Were Okay in the End.
Sarah Dessen (What Happened to Goodbye)
Both political parties have moved to the right during the neoliberal period. Today’s New Democrats are pretty much what used to be called “moderate Republicans.” The “political revolution” that Bernie Sanders called for, rightly, would not have greatly surprised Dwight Eisenhower. The fate of the minimum wage illustrates what has been happening. Through the periods of high and egalitarian growth in the ‘50s and ‘60s, the minimum wage—which sets a floor for other wages—tracked productivity. That ended with the onset of neoliberal doctrine. Since then, the minimum wage has stagnated (in real value). Had it continued as before, it would probably be close to $20 per hour. Today, it is considered a political revolution to raise it to $15.
Noam Chomsky
Kenneth Grahame (The Wind in the Willows (Illustrated Audio-eBook))
A honeybee cruising for nectar is pretty despite its implicit threat, but the same behavior in a hornet three times larger makes one glance about for some handy swatting material.
Neal Stephenson (The Diamond Age: Or, a Young Lady's Illustrated Primer)
Anyway, most of the chapter is Bella telling us how much pain she's in. First she's about to die because delivering Optimus Beyonce nearly killed her. And then she goes on and on about how hot and awful the vampire venom feels as it takes hold of her body. She's in agony and there's nothing she can do about it. Good! I hope it hurts. This is what you get, Bella Swan. This is what you get for being a greedy, self-centered jerk. This is what happens to people who let thousands die in Italy. This is what you get for ruining Jacob's life and ignoring your human friends because you'd rather spend time with pretty people. This is what happens to selfish brats that have no regard for their family. This is what you get for being weak and dependent. This is what you get for lying to your father. This is what you get for crying and complaining about your perfect life. This is what you get for spending pages and pages describing freaking magnets! THIS IS WHAT YOU GET! I only wish the pain lasted longer than a chapter. An entire book of Bella's torture would be nice. And maybe if the book were illustrated…with Octo-Bears…I would finally sympathize with this, the least likable character in the history of novels. Bella, I do not care one tiny bit that you're in pain.
Dan Bergstein
The depressing majority of comics seem to be about violence of one sort or another, [...] And I just don’t enjoy violence. I can see that narratively it is often a powerful spike in a story, but I certainly don’t want to dwell on it. I don’t want it in my real life, I don’t find violence entertaining in and of itself, or exciting, or funny. But sex is happily part of most people’s lives, and crosses the mind most days, I would say, even if it’s just watching your partner get out of bed in the morning. [...] Most pornography is pretty awful. I mean, it does the job at the most utilitarian level, but it rarely excites other areas of the mind, or the eye. It’s repetitive, bland and often a bit silly. I was interested in trying to do something that has an aesthetic beauty to it if possible, and something that tickles the intellect as well as the more basic areas of the mind. Maybe that’s not possible, and as soon as you start to think too much, it stops working as pornography. I don’t think so, but I guess it’s in the eye and mind of the viewer.
Dave McKean (Celluloid)
You are a hero-worshipper, my dear; and if people don't come up to the mark you are so disappointed that you fail to see the fine reality which remains when the pretty romance ends.
Louisa May Alcott (Louisa May Alcott Ultimate Collection: 16 Novels & 150+ Short Stories, Plays and Poems (Illustrated): Little Women, Good Wives, Little Men, Jo's Boys, ... The Abbot's Ghost, A Garland for Girls…)
when you have been in business as long as I have you will be inclined to put a pretty high value on loyalty. It is the one commodity that hasn’t any market value, and it’s the one that you can’t pay too much for.
George Horace Lorimer (Letters From A Merchant To His Son: Letters From A Self-Made Merchant To His Son Classics, Letters From A Self-Made Merchant To His Son George Horace Lorimer Illustrated and Annotated)
My horse knows that when I’m grown, we’ll ride the prairies all alone, drivin’ cattle ’cross dusty plains, in the saddle, sun and rain. I’ll never need the finest clothes nor put my hair in pretty bows, with cowgirl boots and cowgirl hat, nothin’ fancy’s where it’s at. From "Cowgirl Dreams,
Suzy Davies (Celebrate The Seasons)
Keir had never suspected it was possible for a woman to wear so much clothing. After they'd gone to Merritt's bedroom, he'd unfastened the back of her velvet dress and she'd stepped out of it to reveal a profusion of... Christ, he didn't know the names for them... frilly lace-trimmed undergarments that fastened with tiny hooks, ribbons, and buttons. They reminded him of the illustrations pasted on the walls of the Islay baker's shop, of wedding cakes decorated with sugar lace and marzipan pearls, and flowers made of icing. He adored the sight of her in all those pretty feminine things.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
close to the objects of her attachment, the little lovely yellow chickens, surely the prettiest of all new-born things; humiliatingly pretty beside the rough ugliness of new-born man, who piques himself on being lord of all created creatures; God knows why, except that he is slowest in development, and quickest in evil!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
When it came to my turn in the super spelling bee everyone had already been given really easy words. “Ryan,” Mr H said, “I want you to spell the word icup.” “Icup?” I thought.  I clammed up and my face went all warm and prickly, that feeling you get when you know you’re going to get the answer wrong. It’s a bit like the feeling you get when you walk up on stage to collect an award and you trip going up the stairs in front of everyone, or worse still, your pants fall down. It’s called embarrassment and I was feeling it big time. Actually it was worse than big time. It was humongous, mammoth, big time. All those long, boring afternoons sitting with Mom on the couch spelling word after word meant nothing anymore. I’d never heard of the word ‘icup’. “Oh no,” I thought. If I got this wrong I might not make the necessary criteria to get a raffle ticket before the big draw. Panic stations set in. This was going to be disastrous. ​Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight. ​ “Ok get a grip of yourself Rino,” I said in my head. “Think about it and just sound the word out.” I could hear my Mom’s words bleating in my head as she so often did when I got stuck on a word. I began slowly, deep in thought and not willing to put one foot wrong sounding out each letter, “I … c.. u .. pee.”  There was silence and then the whole class erupted into hysterics, laughing their heads off, followed by Mr Higginbottom. Then I realised what I had just said when I sounded out the word; “I see you pee,” and I burst out into an embarrassed sort of laughter too. Mr Higginbottom came over and gave me a friendly pat on my head and ruffled my hair. It didn’t worry me that I’d combed it just the right way and put gel in it that morning. It was ok for Mr H to mess it up, but if my sister ever did it, she’d be dead meat. “Well
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
Fly agaric mushrooms are the pretty, red-capped, candy-like toadstools that innocently illustrate many children’s books. Despite their alarming don’t-eat-me colours, reindeer do eat them and get as high as kites. Since most of the toxins are filtered by the animals’ kidneys, drinking their urine is apparently safer than eating the mushrooms. And that is what high-seeking herders in Northern Europe and Asia do.
Janaki Lenin (My Husband & Other Animals)
When I was little, my sister had a pretty jewellery box. Inside was a ballerina that denoted one idea of feminine beauty with her dainty waist, pink tulle skirt and gold hair. This was a representation of femininity that I felt I would never achieve, but one that I sought. Years later I had a ballerina tattooed on my right arm as a symbol of the femininity I now feel. It illustrates the journey I have undertaken and the trans femme/woman I have become.
Rhyannon Styles (The New Girl: A Trans Girl Tells It Like It Is)
the philosopher John W. Carroll compared the statement “All gold spheres are less than a mile in diameter” to a statement like “All uranium-235 spheres are less than a mile in diameter.” Our observations of the world tell us that there are no gold spheres larger than a mile wide, and we can be pretty confident there never will be. Still, we have no reason to believe that there couldn’t be one, and so the statement is not considered a law. On the other hand, the statement “All uranium-235 spheres are less than a mile in diameter” could be thought of as a law of nature because, according to what we know about nuclear physics, once a sphere of uranium-235 grew to a diameter greater than about six inches, it would demolish itself in a nuclear explosion. Hence we can be sure that such spheres do not exist. (Nor would it be a good idea to try to make one!) This distinction matters because it illustrates that not all generalizations we observe can be thought of as laws of nature, and that most laws of nature exist as part of a larger, interconnected system of laws.
Stephen Hawking (The Grand Design)
Enough of the lessons,” Mauvin said, clearly irritated at being the illustration of a fencing mistake. “Let’s show him a real demonstration.” “Looking for a rematch?” Hadrian asked. “Curious if it was luck.” Hadrian smiled and muttered, “Pickerings.” He took off his shirt and, wiping his face and hands, threw it on the grass and raised his sword to ready position. Mauvin lunged and immediately the two began to fight. The swords sang as they cut the air so fast their movements blurred. Hadrian and Mauvin danced around on the balls of their feet, shuffling in the dirt so briskly that a small cloud rose to knee height. “By Mar!” the old farmer exclaimed. Then abruptly they stopped, both panting from the exertion. Mauvin glared at Hadrian with a look that was both amazed and irritated. “You’re playing with me.” “I thought that was the point. You don’t really want me to kill you?” “Well no, but—well, like he said—by Mar! I’ve never seen anyone fight like you do; you’re amazing.” “I thought you both were pretty amazing,” Theron remarked. “I’ve never seen anything like that.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.
Kate Morton (The Forgotten Garden)
Standing on the pavement was a big fat man whom Dixon recognized as his barber. Dixon felt a deep respect for this man because of his impressive exterior, his rumbling bass voice, and his unsurpassable stock of information about the Royal Family. At that moment two rather pretty girls stopped at a pillar-box a few yards away. The barber, his hands clasped behind his back, turned and stared at them. An unmistakable expression of furtive lust came over his face; then, like a courtly shyopwalker, he moved slowly towards the two girls. Welch now accelerated again and Dixon, a good deal shaken hurriedly switched his attention to the other side of the road, where a cricket match was being played and the bowler was just running up to bowl. The batsman, another big fat man, swiped at the ball, missed it, and was violently hit by it in the stomach. Dixon had time to see him double up and the wicket-keeper begin to run forward before a tall hedge hid the scene. Uncertain whether this pair of vignettes was designed to illustrate the swiftness of divine retribution or its tendency to mistake its target, Dixon was quite sure that he felt in some way overwhelmed...
Kingsley Amis
If Bob envies Alice, he derives unhappiness from the difference between Alice’s well-being and his own; the greater the difference, the more unhappy he is. Conversely, if Alice is proud of her superiority over Bob, she derives happiness not just from her own intrinsic well-being but also from the fact that it is higher than Bob’s. It is easy to show that, in a mathematical sense, pride and envy work in roughly the same way as sadism; they lead Alice and Bob to derive happiness purely from reducing each other’s well-being, because a reduction in Bob’s well-being increases Alice’s pride, while a reduction in Alice’s well-being reduces Bob’s envy.31 Jeffrey Sachs, the renowned development economist, once told me a story that illustrated the power of these kinds of preferences in people’s thinking. He was in Bangladesh soon after a major flood had devastated one region of the country. He was speaking to a farmer who had lost his house, his fields, all his animals, and one of his children. “I’m so sorry—you must be terribly sad,” Sachs ventured. “Not at all,” replied the farmer. “I’m pretty happy because my damned neighbor has lost his wife and all his children too!
Stuart Russell (Human Compatible: Artificial Intelligence and the Problem of Control)
... You become responsible forever for what you’ve tamed. You’re responsible for your rose. ----- I have lived a great deal among grown-ups. I have seen them intimately, close at hand. And that has not much improved my opinion of them. ---- I am who I am and I have the need to be. ---- It is far more difficult to judge oneself than to judge others. If you succeed in judging yourself correctly, then you are truly a man of wisdom. ----- Straight ahead you can not go very far. ----- Grown-ups love figures... When you tell them you've made a new friend they never ask you any questions about essential matters. They never say to you "What does his voice sound like? What games does he love best? Does he collect butterflies? " Instead they demand "How old is he? How much does he weigh? How much money does his father make? " Only from these figures do they think they have learned anything about him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!' ---- One runs the risk of crying a bit if one allows oneself to be tamed.
Antoine de Saint-Exupéry (The Little Prince: Written and illustrated by)
To an economist, the strategy is obvious. Since even a penny is more valuable than nothing, it makes sense for Zelda to accept an offer as low as a penny—and, therefore, it makes sense for Annika to offer just a penny, keeping $19.99 for herself. But, economists be damned, that’s not how normal people played the game. The Zeldas usually rejected offers below $3. They were apparently so disgusted by a lowball offer that they were willing to pay to express their disgust. Not that lowball offers happened very often. On average, the Annikas offered the Zeldas more than $6. Given how the game works, an offer this large was clearly meant to ward off rejection. But still, an average of $6—almost a third of the total amount—seemed pretty generous. Does that make it altruism? Maybe, but probably not. The Ultimatum player making the offer has something to gain—the avoidance of rejection—by giving more generously. As often happens in the real world, seemingly kind behaviors in Ultimatum are inextricably tied in with potentially selfish motivations.
Steven D. Levitt (SuperFreakonomics, Illustrated edition)
A class diagram such as the one in figure 2.7 illustrates one aspect of an application’s architecture. But it isn’t much more than a pretty picture without the scenarios to animate it.
Chris Richardson (Microservices Patterns: With examples in Java)
for she had penetrated Troy's nature so far as to estimate his tendencies pretty accurately, but unfortunately loved him no less in thinking that he might soon cease to love her—indeed, considerably more.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
I suppose you only agree with me like that to please me. But, Liddy, he cannot be bad, as is said. Do you hear?" "Yes, miss, yes." "And you don't believe he is?" "I don't know what to say, miss," said Liddy, beginning to cry. "If I say No, you don't believe me; and if I say Yes, you rage at me!" "Say you don't believe it—say you don't!" "I don't believe him to be so bad as they make out." "He is not bad at all... My poor life and heart, how weak I am!" she moaned, in a relaxed, desultory way, heedless of Liddy's presence. "Oh, how I wish I had never seen him! Loving is misery for women always. I shall never forgive God for making me a woman, and dearly am I beginning to pay for the honour of owning a pretty face.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
I wonder what a farmer-woman can want with a harpsichord, dulcimer, pianner, or whatever 'tis they d'call it?" said the maltster. "Liddy saith she've a new one." "Got a pianner?" "Ay. Seems her old uncle's things were not good enough for her. She've bought all but everything new. There's heavy chairs for the stout, weak and wiry ones for the slender; great watches, getting on to the size of clocks, to stand upon the chimbley-piece." "Pictures, for the most part wonderful frames." "And long horse-hair settles for the drunk, with horse-hair pillows at each end," said Mr. Clark. "Likewise looking-glasses for the pretty, and lying books for the wicked." A firm loud tread was
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
and even his mother said (looking accidentally at Barbara at the same time) that there was no doubt Miss Nell was very pretty, but she was but a child after all, and there were many young women quite as pretty as she; and Barbara mildly observed that she should think so, and that she never could help believing Mr Christopher must be under a mistake — which Kit wondered at very much, not being able to conceive what reason she had for doubting him. Barbara’s mother too, observed that it was very common for young folks to change at about fourteen or fifteen, and whereas they had been very pretty before, to grow up quite plain; which truth she illustrated by many forcible examples, especially one of a young man, who, being a builder with great prospects, had been particular in his attentions to Barbara, but whom Barbara would have nothing to say to; which (though everything happened for the best) she almost thought was a pity. Kit said he thought so too, and so he did honestly, and he wondered what made Barbara so silent all at once, and why his mother looked at him as if he shouldn’t have said it.
Charles Dickens (The Complete Works of Charles Dickens)
There must be another way,” said Dave. “There is,” said Tom. “But it’s not pretty.” “Don’t worry,” said Carl. “Neither is Dave.” “In fact,” said Tom, “it’s downright ugly.” “So is Dave,
Dave Villager (The Legend of Dave the Villager Books 6–10 Illustrated: a collection of unofficial Minecraft books (Dave the Villager Collections Book 2))
What’s happened to me,” he thought. It was no dream. His room, a proper room for a human being, only somewhat too small, lay quietly between the four well-known walls. Above the table, on which an unpacked collection of sample cloth goods was spread out (Samsa was a traveling salesman) hung the picture which he had cut out of an illustrated magazine a little while ago and set in a pretty gilt frame. It was a picture of a woman with a fur hat and a fur boa. She sat erect there, lifting up in the direction of the viewer a solid fur muff into which her entire forearm disappeared.
Franz Kafka (Collected Works (Complete Editions: The Metamorphosis, In the Penal Colony, The Trial, ...))
if the dyspepsia be suffered to lapse into a chronic state, it is pretty sure to be accompanied by chronic nervous deafness, which can only be relieved by the removal of the original ailment.
James Yearsley (Deafness practically illustrated)
There must be another way,” said Dave. “There is,” said Tom. “But it’s not pretty.” “Don’t worry,” said Carl. “Neither is Dave.” “In fact,” said Tom, “it’s downright ugly.” “So is Dave,” said Carl. “Ok,” said Tom, “I’ll show you.
Dave Villager (The Legend of Dave the Villager Books 6–10 Illustrated: a collection of unofficial Minecraft books (Dave the Villager Collections Book 2))
Dante, as you might know, had originally titled his book The Comedy of Dante Alighieri, A Florentine by birth but not in character. The title Divine Comedy only came later, when the book became regarded as a masterpiece. It’s a work that can be approached in a thousand different ways, and over the centuries it has been,” he said, his voice gaining strength once he was on firm and familiar ground. “But what we’re going to focus on today is the use of natural imagery in the poem. And this Florentine edition which was recently donated to the Newberry collection—and which I think most of you have now seen in the central display case—is a particularly good way to do that.” He touched a button on the lectern’s electronic panel and the first image—an etching of a deep forest, with a lone figure, head bent, entering a narrow path—appeared on the screen. “ ‘In the middle of the journey of our life,’ ” he recited from memory, “ ‘I came to myself in a dark wood where the straight way was lost.’ ” Looking up, he said, “With the possible exception of ‘Jack and Jill went up the hill,’ there is probably no line of poetry more famous and easily identifiable than that. And you will notice that right here, at the very start of the epic that is to follow, we have a glimpse of the natural world that is both realistic—Dante spends a terrible night in that wood—and metaphorical.” Turning to the etching, he elaborated on several of its most salient features, including the animals that animated its border—a leopard with a spotted coat, a lion, and a skulking wolf with distended jaws. “Confronted by these creatures, Dante pretty much turns tail and runs, until he bumps into a figure—who turns out of course to be the Roman poet Virgil—who offers to guide him ‘through an eternal place where thou shalt hear the hopeless shrieks, shalt see the ancient spirits in pain so that each calls for a second death.’ ” A new image flashed on the screen, of a wide river—Acheron with mobs of the dead huddled on its shores, and a shrouded Charon in the foreground, pointing with one bony finger at a long boat. It was a particularly well-done image and David noted several heads nodding with interest and a low hum of comments. He had thought there might be. This edition of the Divine Comedy was one of the most powerful he had ever seen, and he was making it his mission to find out who the illustrator had been. The title pages of the book had sustained such significant water and smoke damage that no names could be discerned. The book had also had to be intensively treated for mold, and many of the plates bore ineradicable green and blue spots the circumference of a pencil eraser.
Robert Masello (The Medusa Amulet)
Retention is the most critical metric in understanding a product, but most of the time, the data is not pretty. When you look at the engagement data for the entire industry, the data has told the same story over and over—users don’t stick to their apps. One study50 published on tech blog TechCrunch told the story in its headline: “Nearly 1 in 4 people abandon mobile apps after only one use.” The authors looked at data from 37,000 users to show that a large percentage of users would quit an app after just a single try. Unfortunately, I’ve found similar results. In collaboration with Ankit Jain, a former product manager at Google Play, I published an essay titled “Losing 80% of mobile users is normal,” which illustrated the rapid decay that happens right after a new user signs up to a product. Of the users who install an app, 70 percent of them aren’t active the next day, and by the first three months, 96 percent of users are no longer active. The shape of the retention curve matters a lot—ideally, the curve levels out over time, indicating that some users consistently come back. But this is not true for the average app—its curve consistently falls over time, eventually whittling itself to zero. The brutal conclusion is that the usual result for most apps is failure—but there are, of course, exceptions. This is why out of the 5+ million apps on iOS and Android, just a few hundred have large audiences, and only a few dozen dominate all of people’s time and attention. Data from analytics company comScore, revealed that people spend 80 percent with just three apps51—and I’m sure you can guess which ones.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
And as for narrow circles, why, how happy, how gloriously happy, I could be outside them, if only I were independent!” “Independent — independent,” repeated Uncle Joachim testily, “always this same foolish word. What hast thou in thy head, child, thy pretty woman’s head, made, if ever head was, to lean on a good man’s shoulder?” “Oh — good men’s shoulders,” said Anna, shrugging her own, “I don’t want to lean on anybody’s shoulder. I want to hold my head up straight, all by itself. Do you then admire limp women, dear uncle, whose heads roll about all loose till a good man comes along and props them up?
Elizabeth von Arnim (Delphi Collected Works of Elizabeth von Arnim (Illustrated) (Delphi Series Eight Book 16))
Pretty Girls Make Graves Upon the sand, upon the bay "There is a quick and easy way" you say Before you illustrate I'd rather state: "I'm not the man you think I am I'm not the man you think I am" And Sorrow's native son He will not smile for anyone And Pretty Girls Make Graves Oh... End of the pier, end of the bay You tug my arm, and say: "Give in to lust, Give up to lust, oh heaven knows we'll Soon be dust... " Oh, I'm not the man you think I am I'm not the man you think I am And Sorrow's native son He will not rise for anyone And Pretty Girls Make Graves Oh really? Oh... I could have been wild and I could have Been free But Nature played this trick on me She wants it Now And she will not wait But she's too rough And I'm too delicate Then, on the sand Another man, he takes her hand A smile lights up her stupid face (and well, it would) I lost my faith in Womanhood I lost my faith in Womanhood I lost my faith... Oh... Hand in glove... The sun shines out of our behinds... Oh...
The Smiths
Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight.               “Ok
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
He was one of the coolest boys in our class. Everyone liked him, even the girls. Craig liked the girls too which is pretty gruesome.
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
Meanwhile direct your attention to the three gentlemen at the door: they are conversing. 1st Gent. — Who’s the man of the house — the bald man? 2nd Gent. — Of course. The man of the house is always bald. He’s a stockbroker, I believe. Snooks brought me. 1st Gent. — Have you been to the tea-room? There’s a pretty girl in the tea-room; blue eyes, pink ribbons, that kind of thing. 2nd Gent. — Who the deuce is that girl with those tremendous shoulders? Gad! I do wish somebody would smack ‘em. 3rd Gent. — Sir — that young lady is my niece, sir, — my niece — my name is Blades, sir. 2nd Gent. — Well, Blades! smack your niece’s shoulders: she deserves it, begad! she does. Come in, Jinks, present me to the Perkinses. — Hullo! here’s an old country acquaintance — Lady Bacon, as I live! with all the piglings; she never goes out without the whole litter. (Exeunt 1st and 2nd Gents.)
Charles Dickens (Delphi Christmas Collection Volume I (Illustrated) (Delphi Anthologies))
All organizations start with WHY, but only the great ones keep their WHY clear year after year. Those who forget WHY they were founded show up to the race every day to outdo someone else instead of to outdo themselves. The pursuit, for those who lose sight of WHY they are running the race, is for the medal or to beat someone else. What if the next time when someone asks, “Who’s your competition?” we replied, “No idea.” What if the next time someone pushes, “Well, what makes you better than your competition?” we replied, “We’re not better than them in all cases.” And what if the next time someone asks, “Well why should I do business with you then?” we answer with confidence, “Because the work we’re doing now is better than the work we were doing six months ago. And the work we’ll be doing six months from now will be better than the work we’re doing today. Because we wake up every day with a sense of WHY we come to work. We come to work to inspire people to do the things that inspire them. Are we better than our competition? If you believe what we believe and you believe that the things we do can help you, then we’re better. If you don’t believe what we believe and you don’t believe the things we can do will help you, then we’re not better. Our goal is to find customers who believe what we believe and work together so that we can all succeed. We’re looking for people to stand shoulder-to-shoulder with us in pursuit of the same goal. We’re not interested in sitting across a table from each other in pursuit of a sweeter deal. And here are the things we’re doing to advance our cause . . .” And then the details of HOW and WHAT you do follow. But this time, it started with WHY. Imagine if every organization started with WHY. Decisions would be simpler. Loyalties would be greater. Trust would be a common currency. If our leaders were diligent about starting with WHY, optimism would reign and innovation would thrive. As this book illustrates, there is precedence for this standard. No matter the size of the organization, no matter the industry, no matter the product or the service, if we all take some responsibility to start with WHY and inspire others to do the same, then, together, we can change the world. And that’s pretty inspiring.
Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
The way he straddled that chair, Tizzy thought Bob looked trapped in a bad harness.  His black hair was greasy, long, and swept back.  He looked unnatural for such a natural man.  In fact, Tizzy began to see that even his tattoos were unnatural tattoos.  As her eyes warmed to the light, she began to see how his tattoos were butchered.  They were more like tattoo scraps.  The leftover illustrations danced in the light: bleached, wrinkly red and blue-green.  His skin etchings which had been almost removed.  They had been altered until they were a twisting, scarred mess of old cuts and hairy remnants of color.  Yes, those tattoos had died torturous deaths.  Tizzy chewed, trying not to stare.  Bob did not seem to care.  But she tried not stare.  She was pretty sure there was a snip of dragon's tail she could still see, blue and curling up from scar tissue below his left elbow. “Sure
Randy Thornhorn (Wicked Temper)
Good-bye—if you hear of my being stood up against a Mexican stone wall and shot to rags please know that I think that a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. —AMBROSE BIERCE
Michael Largo (Genius and Heroin: The Illustrated Catalogue of Creativity, Obsession, and Reckless Abandon Through the Ages)
In theory everyone agreed that applied science was made for man and not man for applied science. In practice great masses of human beings have again and again been sacrificed to applied science. The conflict between science, as it has been applied up to the present, and human interests was clearly stated by Thorstein Veblen in his Science in the Modern World. In this essay Veblen distinguishes between what he calls the pragmatic and the scientific point of view. Pragmatically human beings know pretty well what is good for them, and have developed myths and fairy tales, proverbs and popular philosophies, behaviour-patterns and moralities, in order to illustrate and embody their findings about life. The findings of science—especially of science as applied for the benefit of the holders of centralized economic and political power—are frequently in conflict with humanity’s pragmatic values, and this conflict has been and still is the source of much unhappiness, frustration and bitterness.
Aldous Huxley (Science, Liberty And Peace)
There was scrutiny is Lincoln's eyes as he looked at me. He was studying me. Eyeing me up and down. Taking in my hair, my mouth, my eyes. His gaze fell on the ring pierced through my nose. He stopped at the small leftover drawings illustrated on my wrists from yesterday's English class doodlings--reading me like I was a book that had been on a shelf so long dust embossed the title on the spine. He read me as though he was the first to crack open that cover in over a decade. I felt him blowing off the pages.
Megan Squires (Love Like Crazy)
Ralph played baseball and liked to read. His favorite color was green, and he absolutely loved ice cream. He was a pretty typical rabbit, except for one thing: Ralph Rabbit hated carrots!
Simon Knight (The Rabbit Who Hated Carrots: (Beautifully Illustrated Children's Bedtime Story Book for Ages 1 - 8 with Bunnies))
The labor of self-love is a heavy one indeed. Think for yourself whether much of your sorrow has not arisen from someone speaking slightingly of you. As long as you set yourself up as a little god to which you must be loyal there will be those who will delight to offer affront to your idol. How then can you hope to have inward peace? The heart's fierce effort to protect itself from every slight, to shield its touchy honor from the bad opinion of friend and enemy, will never let the mind have rest. Continue this fight through the years and the burden will become intolerable. Yet the sons of earth are carrying this burden continually, challenging every word spoken against them, cringing under every criticism, smarting under each fancied slight, tossing sleepless if another is preferred before them. Such a burden as this is not necessary to bear. Jesus calls us to His rest, and meekness is His method. The meek man cares not at all who is greater than he, for he has long ago decided that the esteem of the world is not worth the effort. He develops toward himself a kindly sense of humor and learns to say, "Oh, so you have been overlooked? They have placed someone else before you? They have whispered that you are pretty small stuff after all? And now you feel hurt because the world is saying about you the very things you have been saying about yourself? Only yesterday you were telling God that you were nothing, a mere worm of the dust. Where is your consistency? Come on, humble yourself, and cease to care what men think.
A.W. Tozer (The Pursuit of God : (Annotated and illustrated))
When the meal was over, the Princess invited everyone to yet another room, promising music after hot chocolate. Dazzled by the glint of jewels and the gleam of silk in the firelight, I moved slowly until I found myself face-to-face with Princess Elestra. “Has my son shown you the library yet, my child?” she asked, her gently waving fan flicking up for just a moment at the angle of Confidential Invitation. “No,” I said, instantly ill at ease. “Ah--we just arrived today, you see, and there hasn’t been time to see much of anything.” “Come. We will slip out a moment. No one will notice.” With a smile, she indicated the corner where Savona was telling some story, illustrating a sword trick with a fireplace poker amid laughter and applause. My brother was laughing loudest of all. With the smoothest gesture, nod, and bow, she threaded through the crowd. Then we were suddenly in a quiet hall, its richness gleaming in the light of a double row of glowglobes placed in fabulously carved sconces. “I am told that you like to read,” the Princess said as we turned into an even more formal hall. Liveried servants stood at either side of the entry, and when they saw my companion, they bowed, ready for orders. With a little wave, she indicated the tall double doors between two spectacular tapestries dark with age. The servants sprang to open these doors. As we passed inside, I glanced back at the nearest footman and caught a glimpse of curiosity before his face smoothed into imperviousness. “A problem, dear child?” I turned and saw awareness in the Princess’s eyes. So I said carefully, “I don’t want to sound critical, Your Highness, but I was thinking how horrible it must be to stand about all day just waiting to open a door, even one as pretty as those.” “But they don’t,” she responded with a soft laugh. “They trade places regularly. Some stand out there, some are hidden from view waiting for summonses. It is very good training in patience and discretion, for they all want to advance into something better.
Sherwood Smith (Court Duel (Crown & Court, #2))
The most commonly quoted mass for the vacuum is 1094 grams per centimeter cubed (g/cm3) as calculated by John Wheeler who was quoted above.11 We will calculate later that the energy of the vacuum is 1095 g/cm3 by a slightly different method, so that value will be used from here on. As we will see, one order of magnitude difference is not that significant at this point in our discussions. Energy is related to mass by the well-known relation E=mc2. For comparison water has a mass density of 1 g/cm3 by definition. It is impossible for most normal people to grasp just how big a difference in energy there is between the zero-point field and water, so perhaps a simple illustrative example will help. Let’s start with the clichéd drop in a bucket. If the drop is one milliliter (1 ml) and the bucket 100 liters (72.5 gallons), then that gives us a factor of 105. If instead we consider a drop in all the Earth’s oceans, then we have a factor of 1024. That is a lot bigger than a bucket but nowhere close to how insignificant the mass of the drop of water is when compared to zero-point energy. To continue, what if the ocean was the size of the sun? That gives us a ratio on the order of 1041, which is still a long way off. If the ocean was the size of the solar system we get a ratio on the order of 1050. Now if we expand the ocean to the size of the galaxy we get ~1076 and we are still not anywhere close. What if the ocean is the size of the known visible universe? Assuming a radius of 7.4 x 1026 meters the mass ratio is 5 x 1095. There we go. So, the density of water compared to the energy of the vacuum is equivalent to five 1 ml drops of water in an ocean the size of the visible universe. Since we are mostly water and have a similar density to water, the vacuum fluctuations inside our body are like having all the mass-energy of an ocean of water the size of the universe inside each little part of us. Wow, we are pretty insignificant in the big scheme of things and so is any other body of solid matter or any amount of energy associated with it. This zero-point energy is all around us and all throughout us. We are lucky that zero-point energy is not detectable or anything we did would be undetectable noise to any sensor we could possibly make. Even worse, if we could absorb even a small fraction of that energy, we would be vaporized in an instant. Or, if all that energy participated in a gravitational force, the universe would be crushed to a speck.
Ray Fleming (The Zero-Point Universe)
You can cure a ham in dry salt and you can cure it in sweet pickle, and when you’re through you’ve got pretty good eating either way, provided you started in with a sound ham.
George Horace Lorimer (Letters From A Merchant To His Son: Letters From A Self-Made Merchant To His Son Classics, Letters From A Self-Made Merchant To His Son George Horace Lorimer Illustrated and Annotated)
In one of his essays William Placher comments on a time when the theological use of the Bible presupposed a deep knowledge of what the Bible says.1 The example he serves up is from the final pages of Calvin’s Institutes, where the Reformer thinks through the issue of what Christians should do if they find themselves under a wicked ruler. Placher notes that Calvin reflects on Daniel and Ezekiel regarding the need to obey even bad rulers; he weighs the command to serve the king of Babylon in Jeremiah 27. He quotes from the Psalms, and he cites Isaiah to the effect that the faithful are urged to trust in God to overcome the unrighteous. On the other hand, he evenhandedly notes episodes in Exodus and Judges “where people serve God by overthrowing the evil rulers,” and texts in 1 Kings and Hosea where God’s people are criticized for being obedient to wicked kings. He cites Peter’s conclusion before Gamaliel, according to Acts: “We must obey God rather than men” (Acts 5:29). From these and other biblical passages, he proceeds to weave nuanced conclusions. We should disobey what governement mandates if it violates our religious obligations. By contrast, Christians should not normally go around starting revolutions. But those who are in positions of authority should deploy that authority to deal with those who exploit others. Even violent revolutionaries may in mysterious ways perform the will of God, though of course they may be called to judgment on account of their evil. Placher then comments: My point is not to defend all of Calvin’s conclusions, or even all of his method, but simply to illustrate how immersion in biblical texts can produce a very complex way of reflecting within a framework of biblical authority, compared to which most contemporary examples look pretty simple-minded. We can’t “appeal to the Bible” in a way that’s either helpful or faithful without beginning to do theology. Theology begins to put together a way of looking as a Christian at the world in all its variety, a language that we share as Christians and that provides a context rich enough for discussing the complexities of our lives. Absent such a shared framework, we can quote passages at each other, but the only contexts in which we can operate come from the discourses of politics and popular culture.2
D.A. Carson (The Gagging of God: Christianity Confronts Pluralism)
Dad said I did a better job than Eddie Maguire and Mom said I was better looking than Sam Newman. I don’t even know who they were talking about but it was a pretty cool place.
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
There are two themes I wish to illustrate through this almost entirely true short story. The first is that God compensates women He does not endow with good looks in His own mysterious ways. A plain-looking, homely type of girl need not envy her better-looking sisters because men are more likely to make passes at her than at girls who resemble Marilyn Monroe or Prema Narayan. He makes good-looking lasses haughty and arrogant and only gigolo types have the confidence to approach them. That is why the plainer-looking have a better time with men and end up making better marriages than pretty ones who seldom have a satisfying sex life and usually make disastrous marriages.
Khushwant Singh (On Love and Sex)
I thought my life with Kelli could be balanced, mitigated,. That Irene had just been doing it all wrong these years. I' thought we could hang out like normal sisters, run errands, go for lattes with Jessica Hendy, and every now and then go off and have a little temper tantrum if Kelli go on my nerves--leave her in the car, assume she'd be fine. I'd assumed I could indulge myself if need be, that there could be some kind of fulfillment beyond my sister's care--that I didn't have to give myself over to it completely. But here's what I needed to understand--what Irene understood. Either you were all in with Kelli, or you were not. But if you were, Kelli had to become your joy. Kelli would be where you went for meaning. Kelli was what it was all about. And Irene was right about this too-- it was like faith. It was exactly like faith in that you had to stop futzing around and let it take you over. No more hemming and hawing. No more trying to have it both ways. And once you put your petty shit aside --your petty ego and your petty needs and your petty ambitions--that was when at last the world opened up. The world that was Kelli. It was a small world, a circumscribed world but it was your world and you did what you could to make it more beautiful. You focused on hygiene, nourishing meals, a pleasing home that always smelled good. That was your achievement and more important that was you. Once you accept that, you were--and this was strange to think, but the moment I thought it, I realized I put my finger on the savagely beating heart of my mother's philosophy--free. When I was a kid, my mother had a lavishly illustrated encyclopedia of saints she would sometimes flip through with me, and I remember how she always made a point of skipping over Saint Teresa of Avila . She didn't want to talk about the illustration that went with it. It was a photograph of the sculpture The Ecstasy of Saint Teresa, and it was pretty obvious to me even as a child why my mother disapproved. It was a sexy sculpture. The smirking angel prepares to pierce Teresa's heart with his holy spear, and boy oh boy is Saint Teresa ready. Her eyes are closed, her lips are parted, and somehow everything about her marble body, swathed in marble clothing looks to be in motion. Saint Teresa is writhing. She's writhing because that is what it is to be a Catholic Saint. This is your fulfillment. The giving over. The letting go. The disappearance. This is what it takes
Lynn Coady (Watching You Without Me)
I A. A violent order is a disorder; and B. A great disorder is an order. These Two things are one. (Pages of illustrations.) II If all the green of spring was blue, and it is; If all the flowers of South Africa were bright On the tables of Connecticut, and they are; If Englishmen lived without tea in Ceylon, and they do; And if it all went on in an orderly way, And it does; a law of inherent opposites, Of essential unity, is as pleasant as port, As pleasant as the brush-strokes of a bough, An upper, particular bough in, say, Marchand. III After all the pretty contrast of life and death Proves that these opposite things partake of one, At least that was the theory, when bishops' books Resolved the world. We cannot go back to that. The squirming facts exceed the squamous mind, If one may say so . And yet relation appears, A small relation expanding like the shade Of a cloud on sand, a shape on the side of a hill. IV A. Well, an old order is a violent one. This proves nothing. Just one more truth, one more Element in the immense disorder of truths. B. It is April as I write. The wind Is blowing after days of constant rain. All this, of course, will come to summer soon. But suppose the disorder of truths should ever come To an order, most Plantagenet, most fixed. . . . A great disorder is an order. Now, A And B are not like statuary, posed For a vista in the Louvre. They are things chalked On the sidewalk so that the pensive man may see. V The pensive man . . . He sees the eagle float For which the intricate Alps are a single nest. -Wallace Stevens, "Connoisseur of Chaos
Wallace Stevens
The experiences of men who walked with God in olden times agree to teach that the Lord cannot fully bless a man until He has first conquered him. The degree of blessing enjoyed by any man will correspond exactly with the completeness of God’s victory over him. This is a badly neglected tenet of the Christian’s creed, not understood by many in this self-assured age, but it is nevertheless of living importance to us all. This spiritual principle is well illustrated in the book of Genesis. Jacob was the wily old heel-catcher whose very strength was to him a near-fatal weakness. For two-thirds of his total life he had carried in his nature something hard and unconquered. Not his glorious vision in the wilderness nor his long bitter discipline in Haran had broken his harmful strength. He stood at the ford of Jabbok at the time of the going down of the sun, a shrewd, intelligent old master of applied psychology learned the hard way. The picture he presented was not a pretty one. He was a vessel marred in the making. His hope lay in his own defeat. This he did not know at the setting of the day, but had learned before the rising of the sun. All night he resisted God until in kindness God touched the hollow of his thigh and won the victory over him. It was only after he had gone down to humiliating defeat that he began to feel the joy of release from his own evil strength, the delight of God’s conquest over him. Then he cried aloud for the blessing and refused to let go till it came. It had been a long fight, but for God (and for reasons known only to Him) Jacob had been worth the effort. Now he became another man, the stubborn and self-willed rebel was turned into a meek and dignified friend of God. He had prevailed indeed, but through weakness, not through strength.
A.W. Tozer (God's Pursuit of Man: Tozer's Profound Prequel to The Pursuit of God)
This pretty bird, O! how she flies and sings,[1] But could she do so if she had not wings? Her wings bespeak my faith, her songs my peace; When I believe and sing my doubtings cease.
John Bunyan (John Bunyan's Poetry [Illustrated]: Divine Emblems (Bunyan Updated Classics Book 3))
To illustrate, let’s try this thought experiment: Tell yourself, “I’m going to make three sales calls today.” How does it feel? Most likely, it feels pretty “meh.” Now, tell yourself, “I’m going to make 50 sales calls today.” Which are you more excited to do?
Linda Formichelli (Commit: How to Blast Through Problems & Reach Your Goals Through Massive Action)
Not they indeed," cried Thorpe; "for, as we turned into Broad Street, I saw them—does he not drive a phaeton with bright chestnuts?" "I do not know indeed." "Yes, I know he does; I saw him. You are talking of the man you danced with last night, are not you?" "Yes. "Well, I saw him at that moment turn up the Lansdown Road, driving a smart-looking girl." "Did you indeed?" "Did upon my soul; knew him again directly, and he seemed to have got some very pretty cattle too." "It is very odd! But I suppose they thought it would be too dirty for a walk.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
I cannot agree with the gentleman in the magenta coat that Potter’s Pond is only a wretched little hamlet. But it is certainly a very remote and secluded village; so that it seems quite outlandish, like a village of a hundred years ago. The spinsters are really spinsters — damn it, you could almost imagine you saw them spin. The ladies are not just ladies. They are gentlewomen; and their chemist is not a chemist, but an apothecary; pronounced potecary. They do just admit the existence of an ordinary doctor like myself to assist the apothecary. But I am considered rather a juvenile innovation, because I am only fifty-seven years old and have only been in the county for twenty-eight years. The solicitor looks as if he had known it for twenty-eight thousand years. Then there is the old Admiral, who is just like a Dickens illustration; with a house full of cutlasses and cuttle-fish and equipped with a telescope.’ ‘I suppose,’ said Father Brown, ‘there are always a certain number of Admirals washed up on the shore. But I never understood why they get stranded so far inland.’ ‘Certainly no dead-alive place in the depths of the country is complete without one of these little creatures,’ said the doctor. ‘And then, of course, there is the proper sort of clergyman; Tory and High Church in a dusty fashion dating from Archbishop Laud; more of an old woman than any of the old women. He’s a white-haired studious old bird, more easily shocked than the spinsters. Indeed, the gentlewomen, though Puritan in their principles, are sometimes pretty plain in their speech; as the real Puritans were. Once or twice I have known old Miss Carstairs-Carew use expressions as lively as anything in the Bible. The dear old clergyman is assiduous in reading the Bible; but I almost fancy he shuts his eyes when he comes to those words.
G.K. Chesterton (The Complete Father Brown)
I just feel like such a terrible friend.” “Lys, if one were to look up the word ‘friend’ in the dictionary, I’m pretty sure there’d be a giant pop-out, confetti-spewing, musical illustration of you.
Gina Damico (Scorch (Croak, #2))
Out campaigning, one is free from all that trash. Before the cannon’s mouth men cannot stop to split straws; and with one’s own life on a thread, one cannot stop to ruin another’s character. I do not know how it is — I have read pretty widely, but philosophers never preached endurance to me as well as Nature.
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
LADY SNEERWELL. Why truly Mrs. Clackit has a very pretty Talent — a great deal of industry — yet — yes — been tolerably successful in her way — To my knowledge she has been the cause of breaking off six matches[,] of three sons being disinherited and four Daughters being turned out of Doors. Of three several Elopements, as many close confinements — nine separate maintenances and two Divorces. — nay I have more than once traced her causing a Tete-a-Tete in the Town and Country Magazine — when the Parties perhaps had never seen each other’s Faces before in the course of their Lives. VERJUICE. She certainly has Talents.
Richard Brinsley Sheridan (Delphi Complete Works of Richard Brinsley Sheridan (Illustrated) (Delphi Series Eight Book 13))
Communication is at the root of all business strengths—and weaknesses. When things go wrong and employees become upset, whether at a restaurant, a law firm, a hardware store, a university, or a major corporation, nine times out of ten the justifiable complaint is, “We need to communicate more effectively.” I admit that for many years, I didn’t really know what this meant. I had no problem standing up in front of a group to give a talk. I thought I was a pretty good communicator, but then it dawned on me: communicating has as much to do with context as it does content. That’s called setting the table. Understanding who needs to know what, when people need to know it, and why, and then presenting that information in an entirely comprehensible way is a sine qua non of great leadership. Clear, timely communication is the key to applying constant, gentle pressure. To illustrate the point, I teach our managers about the “lily pad” theory. Imagine a pond filled with lily pads and a frog perched serenely atop each one. For the fun of it, a little boy tosses a small pebble into the water, which breaks the surface of the pond but causes just a tiny ripple. The frogs barely notice, and don’t budge. Enjoying himself, the boy next tosses a larger stone into the center of the pond, sending stronger ripples that cause all of the lily pads to rock and tilt. Some frogs jump off their lily pads, while others cling to avoid falling off. But the ripples affect them all. Not content, the boy then hurls a huge rock, which creates a wave that knocks each and every frog into the water. Some frogs are frightened. All are angry (assuming that frogs get angry). If only the frogs had had some warning about the impending rock toss, each one could have timed its jump so that the wave would have had no serious impact. Grasping the lily pad theory and training yourself and your managers to implement it prevents many, if not all, communication problems.
Danny Meyer (Setting the Table: The Transforming Power of Hospitality in Business)