“
It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them.
”
”
Ernest Hemingway (By-Line: Selected Articles and Dispatches of Four Decades)
“
I will love myself, and my body, for what it can do- because it is strong enough to lift, to walk, to ride a bicyle up a hill, to embrace the people I love and hold them fully, and to nurture a new life. I will love myself because I am sturdy. Because I did not -will not- break.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we learn and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
”
”
H.P. Lovecraft
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
There was a smile dancing on his lips, although it was a wary smile, for the world is a bigger place than a little graveyard on a hill; and there would be dangers in it and mysteries, new friends to make, old friends to rediscover, mistakes to be made and many paths to be walked before he would, finally, return to the graveyard or ride with the Lady on the broad back of her great grey stallion.
”
”
Neil Gaiman (The Graveyard Book)
“
On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the light shall have the harp of gold.
By the pleasant lake the Sleepers lie,
On Cadfan’s Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.
When light from the lost land shall return,
Six Sleepers shall ride, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragon’s sword the Dark shall fall.
Y maent yr mynyddoedd yn canu,
ac y mae’r arglwyddes yn dod.
”
”
Susan Cooper (The Dark Is Rising Sequence (The Dark is Rising, #1-5))
“
What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is a caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape.
”
”
Leonard Cohen (Beautiful Losers)
“
Life was created in the valleys. It blew up onto the hills on the old terrors, the old lusts, the old despairs. That's why you must walk up the hills so you can ride down.
”
”
William Faulkner
“
It seems like a lifetime, or at least a Main Era — the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run... but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant...
There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning...
And that, I think, was the handle — that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply PREVAIL. There was no point in fighting — on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave...
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high water mark — that place where the wave finally broke, and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
You’re not . . . normal, Clara. You try to pretend you are. But you’re not. You talked to a grizzly bear, and it obeyed you. Birds follow you like a Disney cartoon, or haven’t you noticed? And for a while after you came back from Idaho Falls, Wendy thought you were on the run from someone or something. You’re good at everything you try. You ride a horse like you were born in the saddle, you ski perfect parallel turns your first time on the hill, you apparently speak fluent French and Korean and who knows what else. Yesterday I noticed that your eyebrows kind of glitter in the sun. And there’s something about the way you move, something that’s beyond graceful, something that’s beyond human, even. It’s like you’re . . . something else.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them. Thus you remember them as they actually are, while in a motor car only a high hill impresses you, and you have no such accurate remembrance of country you have driven through as you gain by riding a bicycle.
”
”
Ernest Hemingway
“
Here, I’ll tell you—with my love I could have filled ten centuries of fire, songs, and valour—ten whole centuries, enormous and winged,—full of knights riding up blazing hills—and legends about giants—and fierce Troys—and orange sails—and pirates—and poets.
”
”
Vladimir Nabokov (Letters to Véra (Vintage International))
“
And then they appeared. Along the edge of the foothills. A line of golden-armored warriors, foot soldiers and cavalry alike. More and more and more, a great line spreading across the crest of the final hill. Filling the skies, stretching into the horizon, flew mighty, armored birds with riders. Ruks. And before them all, sword raised to the sky as that horn blew one last time, the ruby in the blade’s pommel smoldering like a small sun … Before them all, riding on the Lord of the North, was Aelin.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
A Gift for You
I send you...
A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond.
You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
”
”
SARK (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
“
Through Rohan over fen and field where the long grass grows
The West Wind goes walking, and about the walls it goes.
What news from the West, oh wandering wind, do you bring to me tonight?
Have you seen Boromir the Tall by moon or by starlight?
‘I saw him ride over seven streams, over waters wide and grey;
I saw him walk in empty lands, until he passed away
Into the shadows of the North. I saw him then no more.
The North Wind may have heard the horn of the son of Denethor.’
Oh, Boromir! From the high walls westward I looked afar.
But you came not from the empty lands where no men are.
From the mouth of the sea the South Wind flies,
From the sand hills and the stones;
The wailing of the gulls it bears, and at the gate it moans
What news from the South, oh sighing wind, do you bring to me at eve?
Where now is Boromir the Fair? He tarries and I grieve.
‘Ask me not where he doth dwell--so many bones there lie
On the white shores and on the black shores under the stormy sky;
So many have passed down Anduin to find the flowing sea.
Ask of the North Wind news of them the North Wind sends to me!’
Oh Boromir! Beyond the gate the Seaward road runs South,
But you came not with the wailing gulls from the grey seas mouth.
From the Gate of Kings the North Wind rides,
And past the roaring falls
And loud and cold about the Tower its loud horn calls.
What news from the North, oh mighty wind, do you bring to me today?
What news of Boromir the Bold? For he is long away.
‘Beneath Amon Hen I heard his cry. There many foes he fought
His cloven shield, his broken sword, they to the water brought.
His head so proud, his face so fair, his limbs they laid to rest;
And Rauros, Golden Rauros Falls, bore him upon its breast.’
Oh Boromir! The Tower of Guard shall ever northward gaze
To Rauros, Golden Rauros Falls until the end of days.
”
”
J.R.R. Tolkien
“
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky.
Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished.
The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked.
His breath came out in a white cloud. “I’m not sure.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
The object of your definite chief aim should become your "hobby." You should ride this "hobby" continuously; you should sleep with it, eat with it, play with it, work with it, live with it and THINK with it.
”
”
Napoleon Hill (Law of Success: The Original Unedited Edition)
“
To persons standing alone on a hill during a clear midnight such as this, the roll of the world eastward is almost a palpable movement. The sensation may be caused by the panoramic glide of the stars past earthly objects, which is perceptible in a few minutes of stillness, or by the better outlook upon space that a hill affords, or by the wind, or by the solitude; but whatever be its origin the impression of riding along is vivid and abiding. The poetry of motion is a phrase much in use, and to enjoy the epic form of that gratification it is necessary to stand on a hill at a small hour of the night, and, having first expanded with a sense of difference from the mass of civilized mankind, who are dreamwrapt and disregardful of all such proceedings at this time, long and quietly watch your stately progress through the stars. After such a nocturnal reconnoitre it is hard to get back to earth, and to believe that the consciousness of such majestic speeding is derived from a tiny human frame.
”
”
Thomas Hardy (Far From the Madding Crowd)
“
to die with your boots on while writing poetry is not as glorious as riding a horse down Broadway with a stick of dynamite in your teeth,
”
”
Charles Bukowski (The Days Run Away Like Wild Horses Over the Hills)
“
One in three hitchhikers on the North American road died long before anyone offered them a ride, and for the most part, we’re pretty friendly.
”
”
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
“
Oh, Oliver, I said to myself on my way to the kitchen for a quick bite to eat, I’ll do anything for you. I’ll ride up the hill with you, and I’ll race you up the road to town, and won’t point out the sea when we reach the berm, and I’ll wait at the bar in the piazzetta while you meet with your translator, and I’ll touch the memorial to the unknown soldier who died on the Piave, and I won’t utter a word, I’ll show you the way to the bookstore, and we’ll park our bikes outside the shop and go in together and leave together, and I promise, I promise, I promise, there’ll be no hint of Shelley, or Monet, nor will I ever stoop to tell you that two nights ago you added an annual ring to my soul.
”
”
André Aciman (Call Me by Your Name)
“
What actually happened was something absurdly simple and unspectacular: I stopped thinking. [...] Reason and imagination and all mental chatter died down. For once, words really failed me. Past and future dropped away. I forgot who and what I was, my name, manhood, animalhood, all that could be called mine. It was as if I had been born that instant, brand new, mindless, innocent of all memories. There existed only the Now, that present moment and what was clearly given in it. To look was enough. And what I found was khaki trouserlegs terminating downwards in a pair of brown shoes, khaki sleeves terminating sideways in a pair of pink hands, and a khaki shirtfront terminating upwards in—absolutely nothing whatever! Certainly not in a head.
It took me no time at all to notice that this nothing, this hole where a head should have been was no ordinary vacancy, no mere nothing. On the contrary, it was very much occupied. It was a vast emptiness vastly filled, a nothing that found room for everything—room for grass, trees, shadowy distant hills, and far above them snowpeaks like a row of angular clouds riding the blue sky. I had lost a head and gained a world.
”
”
Douglas E. Harding (On Having No Head: Seeing One's Original Nature)
“
Writing is like riding a bike. Once you gain momentum, the hills are easier. Editing, however, requires a motor and some horsepower.
”
”
Gina McKnight (The Blackberry Patch)
“
This is a valley of ashes - a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the form of houses and chimneys and riding smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
I ride over my beautiful ranch. Betwen my legs is a beautiful horse.
The air is wine. The grapes on a score of rolling hills are red with autumn flame.
Across Sonoma Mountain, wisps of sea fog are stealing.
The afternoon sun smolders in the drowsy sky.
I have everything to make me glad I am alive.
”
”
Jack London
“
Gone. We were out in the country and everything slowed down into rolling hills covered with snow. There were trees, but no leaves, and I could not remember seeing anything so white and clean. Winter in the city was gray and the snow was dirty, but out here it was so bright it hurt my eyes and I had to turn away.
”
”
Gary Paulsen (Christmas Sonata)
“
There was a passport in his bag, money in his pocket. There was a smile dancing on his lips, although it was a wary smile, for the world is a bigger place than a little graveyard on a hill; and there would be dangers in it and mysteries, new friends to make, old friends to rediscover, mistakes to be made and many paths to be walked before he would, finally, return to the graveyard or ride with the Lady on the broad back of her great grey stallion. But between now and then, there was Life; and Bod walked into it with his eyes and his heart wide open.
”
”
Neil Gaiman (The Graveyard Book)
“
Frank had turned into a giant eagle to fly to Delos, but Leo hitched a ride with Hazel on Arion’s back. No offense to Frank, but after the fiasco at Fort Sumter, Leo had become a conscientious objector to riding giant eagles. He had a one hundred percent failure rate. They found the island deserted, maybe because the seas were too choppy for the tourist boats. The windswept hills were barren except for rocks, grass, and wildflowers—and, of course, a bunch of crumbling temples. The rubble was probably very impressive, but ever since Olympia, Leo had been on ancient ruins overload. He was so done with white marble columns. He wanted to get back to the U.S., where the oldest buildings were the public schools and Ye Olde McDonald’s.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
In my head, when the gales are riding wild,
I steer towards catastrophe
then write about it.
”
”
Robin Robertson (Hill of Doors)
“
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
”
”
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
“
It’s a lot like a roller coaster. There are lots of twists and turns, and some of the hills are a bit scary, but you stay on the ride just to feel the thrill of that fall again,” Julia said. “And, when you find that person; no matter where you are in life; don’t you be afraid to take that ride,” she instructed the girls. “Hold on up the hills, and let go during the falls, just like you do on the roller coaster.
”
”
Nancy Ann Healy (Falling Through Shooting Stars)
“
I had a fine prospect of the whole ring of moorland. I saw the car speed away with two occupants, and a man on a hill pony riding east. I judged they were looking for me, and I wished them joy of their quest.
”
”
John Buchan (The 39 Steps (Richard Hannay, #1))
“
The Darkling hurried up the hill and knelt beside me, blocking my view of the corpse. “Look at me,” he instructed. I tried to focus on his face, but all I could see was the assassin’s severed body, his blood pooling in the damp leaves. “What … what did you do to him?” I asked, my voice quavering. “What I had to do. Can you stand?” I nodded shakily. He took my hands and helped me to my feet. When my gaze slid back to the corpse, he took hold of my chin and drew my eyes back to his. “At me,” he commanded. I nodded and tried to keep my eyes trained on the Darkling as he led me down the hill and called out orders to his men. “Clear the road. I need twenty riders.” “The girl?” Ivan asked. “Rides with me,” said the Darkling. He
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
But the world is sleeping in ignorance and error, sir, and we must be crowing cocks, and singing larks, and a rising sun to awake her; or else we'll pull society up to the roots, and plant it in a different place. We'll build Alms-houses, and transcendental State prisons, and scaffolds -- we will blow out the sun, and the moon, and encourage invention. Alpha shall kiss Omega--we will ride up the hill of glory -- Hallelujah, all hail!
”
”
Emily Dickinson (Selected Letters)
“
That feeling I get when I’m riding my bike down the steep hill of Freddie’s street is the only way I know how to explain it. The world around me is a blur except for him. I feel like
”
”
Julie Murphy (Ramona Blue)
“
Sirs, I am but a nameless man,
A rhymester without a home,
Yet since I come of the Wessex clay
And carry the cross of Rome,
I will even answer the mighty earl
That asked of Wessex men
Why they be meek and monkish folk,
And bow to the White Lord's broken yoke;
What sign have we save blood and smoke?
Here is my answer then.
That on you is fallen the shadow,
And not upon the Name;
That though we scatter and though we fly,
And you hang over us like the sky,
You are more tired of victory,
Than we are tired of shame.
That though you hunt the Christian man
Like a hare on the hill-side,
The hare has still more heart to run
Than you have heart to ride.
That though all lances split on you,
All swords be heaved in vain,
We have more lust again to lose
Than you to win again.
Your lord sits high in the saddle,
A broken-hearted king,
But our king Alfred, lost from fame,
Fallen among foes or bonds of shame,
In I know not what mean trade or name,
Has still some song to sing.
Our monks go robed in rain and snow,
But the heart of flame therein,
But you go clothed in feasts and flames,
When all is ice within;
Nor shall all iron dooms make dumb
Men wandering ceaselessly,
If it be not better to fast for joy
Than feast for misery.
Nor monkish order only
Slides down, as field to fen,
All things achieved and chosen pass,
As the White Horse fades in the grass,
No work of Christian men.
Ere the sad gods that made your gods
Saw their sad sunrise pass,
The White Horse of the White Horse Vale,
That you have left to darken and fail,
Was cut out of the grass.
Therefore your end is on you,
Is on you and your kings,
Not for a fire in Ely fen,
Not that your gods are nine or ten,
But because it is only Christian men
Guard even heathen things.
For our God hath blessed creation,
Calling it good. I know
What spirit with whom you blindly band
Hath blessed destruction with his hand;
Yet by God's death the stars shall stand
And the small apples grow.
”
”
G.K. Chesterton (The Ballad of the White Horse)
“
SUMMER DEEP"
"Summer deep is in the hills again
His lady is a lioness
Winds of birds blow through the fields again
Invaders from the true worlds
A coat of grapes is on my back again
I ride upon my zebra
Pterodactyl beak hat on my brow
The truth is like a stranger
Be like you could
All my friends say.
”
”
Marc Bolan
“
To persons standing alone on a hill during a clear midnight such as this, the roll of the world eastward is almost a palpable movement. The sensation may be caused by the panoramic glide of the stars past earthly objects, which is perceptible in a few minutes of stillness, or by the better outlook upon space that a hill affords, or by the wind, or by the solitude; but whatever be its origin, the impression of riding along is vivid and abiding.
”
”
Thomas Hardy (Far from the Madding Crowd)
“
Nothing protects the heart like patience.
Don’t get your hopes up too fast.
Don’t let your fears speak too loud.
Don’t give your doubts too much time.
Not everybody is built to handle the rough times.
Can’t be surprised when you fall off with certain people.
Few people understand what it means to really be there for somebody.
And that’s the roughest part about being on a journey,
You realize the main ones that said they’ll ride,
are the first to fall off.
People make promises when the sun is shining
and make excuses when the storm comes.
That’s why I’m always thankful for the rain…
it washes away the unnecessary.
The reality is, you could be amazing, genuine, and sincere
but still be overlooked. Because honestly, people don’t want something real anymore,
they just want reasons to complain and excuses to avoid. Having a good thing is so hard because meeting a strong person is so rare.
So I’ve learned to respect when people run from me,
I realize my kind of love ain’t for everybody.
I’m at peace with that.
”
”
Rob Hill Sr.
“
We begin to understand that to co-parent is to one day look up and notice that you are on a roller coaster with another human being. You are in the same car, strapped down side by side and you can never, ever get off. There will never be another moment in your lives when your hearts don't rise and fall together, when your stomach doesn't churn in tandem, when you stop seeing huge hills emerge in the distance and simultaneously grab the sides of the car and hold on tight. No one except for the one strapped down beside you will ever understand the particular thrills and terrors of your ride.
”
”
Glennon Doyle Melton (Love Warrior)
“
There was a smile dancing on his lips, although it was a wary smile, for the world is a bigger place than a little graveyard on a hill; and there would be dangers in it and mysteries, new friends to make, old friends to rediscover, mistakes to be made and many paths to be walked before he would, finally, return to the graveyard or ride with the Lady on the broad back of her great grey stallion. But between now and then, there was Life; and Bod walked into it with his eyes and his heart wide open.
”
”
Neil Gaiman (The Graveyard Book)
“
We begin to understand that to coparent is to one day look up and notice that you are on a roller coaster with another human being. You are in the same car, strapped down side by side and you can never, ever get off. There will never be another moment in your lives when your hearts don't rise and fall together, when your minds don't race and panic together, when your stomachs don't churn in tandem, when you stop seeing huge hills emerge in the distance and simultaneously grab the side of the car and hold on tight. No one except for the one strapped down beside you will ever understand the particular thrills and terrors of your ride.
”
”
Glennon Doyle Melton (Love Warrior)
“
When you say you want all peoples to unite, you really mean that you want all peoples to unite to learn the tricks of your people. If the Bedouin Arab does not know how to read, some English missionary or schoolmaster must be sent to teach him to read, but no one ever says, 'This schoolmaster does not know how to ride on a camel; let us pay a Bedouin to teach him.' You say your civilisation will include all talents. Will it? Do you really mean to say that at the moment when the Esquimaux has learnt to vote for a County Council, you will have learnt to spear a walrus? I recur to the example I gave. In Nicaragua we had a way of catching wild horses—by lassooing the fore feet—which was supposed to be the best in South America. If you are going to include all the talents, go and do it. If not, permit me to say what I have always said, that something went from the world when Nicaragua was civilised.
”
”
G.K. Chesterton (The Napoleon of Notting Hill)
“
Let the sweet fresh breezes heal me
As they rove around the girth
Of our lovely mother planet
Of the cool, green hills of Earth.
We've tried each spinning space mote
And reckoned its true worth:
Take us back again to the homes of men
On the cool, green hills of Earth.
The arching sky is calling
Spacemen back to their trade.
ALL HANDS! STAND BY! FREE FALLING!
And the lights below us fade.
Out ride the sons of Terra,
Far drives the thundering jet,
Up leaps a race of Earthmen,
Out, far, and onward yet ---
We pray for one last landing
On the globe that gave us birth;
Let us rest our eyes on the fleecy skies
And the cool, green hills of Earth.
”
”
Robert A. Heinlein (The Green Hills of Earth)
“
I hated being around people, couldn’t pay attention to what anyone was saying, couldn’t talk to clients, couldn’t tag my pieces, couldn’t ride the subway, human activity seemed pointless, incomprehensible, some blackly swarming ant hill in the wilderness, there was not a squeak of light anywhere I looked, the antidepressants I’d been dutifully swallowing for eight weeks hadn’t helped a bit, nor had the ones before that (but then, I’d tried them all; apparently I was among the twenty unfortunates who didn’t get the daisy fields and the butterflies but the Sever Headaches and the Suicidal Thoughts); and though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying the bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark.
”
”
Donna Tartt (The Goldfinch)
“
Just four or five hours later we begin to see a country whose beauty penetrates our bones. I say beauty I mean beauty. Oftentimes in America you could go stark mad from the ugliness of things. Grass that goes for a thousand miles and never a hill to break it. I ain't saying there ain't beauty on the plains when well there is. But you ain't long travelling on the plains when you begin to feel clear loco. You can rise up out of your saddle and sort of look down on yourself riding, it's as if the stern and relentless monotony makes you die, come back to life, and die again. Your brain is molten in its bowl of bones and you just seeing atrocious wonders everywhere. The mosquitoes have your hide for supper and you are one hallucinating lunatic then. But now in the far distance we see a land begin to be suggested as if maybe a man was out there painting with a huge brush.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
I prayed. He was going home, and I wanted to pray. Look out for me, I said; look out each day and listen for me. And we were going together on horses to the hills. We were going to ride out in the first light to the hills. We were going to see how it was, and always was, how the sun came up with a little wind and the light ran out upon the land. We were going to get drunk, I said. We were going to be all alone, and we were going to get drunk and sing. We were going to sing about the way it always was. And it was going to be right and beautiful. It was going to be the last time. And he was going home.
”
”
N. Scott Momaday (House Made of Dawn)
“
FAREWELL. Tie the strings to my life, my Lord, Then I am ready to go! Just a look at the horses — Rapid! That will do! Put me in on the firmest side, So I shall never fall; For we must ride to the Judgment, And it's partly down hill. But never I mind the bridges, And never I mind the sea; Held fast in everlasting race By my own choice and thee. Good-by to the life I used to live, And the world I used to know; And kiss the hills for me, just once; Now I am ready to go!
”
”
Emily Dickinson (Poems by Emily Dickinson, Three Series, Complete)
“
We stepped a little quicker, laughed a little louder and chatted over the fences a little longer. We gathered bouquets of wildflowers, dined on fresh strawberries and began to ride our bikes up and down the Third Line again. We ran up grassy hills and rolled back down through the young clover, feeling light and giddy, free from our heavy boots and coats. There were trilliums to pick for Mother and tadpoles to catch and keep in a jar. Spring had come at last to Bathurst Township and was she ever worth the wait!
”
”
Arlene Stafford-Wilson (Lanark County Calendar)
“
So yer gonna pretend to be a boy and ride out wiht a passel a book-smart swells lookin' fer bones a dead critters
”
”
Pamela Smith Hill (Ghost Horses)
“
At dawn one still October day in the long ago of the world, across the hill of Alderley, a farmer from Mobberley was riding to Macclesfield fair.
”
”
Alan Garner (The Weirdstone of Brisingamen (Tales of Alderley, #1))
“
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
”
”
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
“
Some nights he sat up late on his front porch with a glass of Jack and listened to the trucks heading south on 220, carrying crates of live chickens to the slaughterhouses—always under cover of darkness, like a vast and shameful trafficking—chickens pumped full of hormones that left them too big to walk—and he thought how these same chickens might return from their destination as pieces of meat to the floodlit Bojangles’ up the hill from his house, and that meat would be drowned in the bubbling fryers by employees whose hatred of the job would leak into the cooked food, and that food would be served up and eaten by customers who would grow obese and end up in the hospital in Greensboro with diabetes or heart failure, a burden to the public, and later Dean would see them riding around the Mayodan Wal-Mart in electric carts because they were too heavy to walk the aisles of a Supercenter, just like hormone-fed chickens.
”
”
George Packer (The Unwinding: An Inner History of the New America)
“
They were bonded. He rose smoothly, sheathing his sword, studying her. “Men who weren’t there call it the Battle of the Shining Walls,” he said abruptly. “Men who were, call it the Blood Snow. No more. They know it was a battle. On the morning of the first day, I led nearly five hundred men. Kandori, Saldaeans, Domani. By evening on the third day, half were dead or wounded. Had I made different choices, some of those dead would be alive. And others would be dead in their places. In war, you say a prayer for your dead and ride on, because there is always another fight over the next horizon. Say a prayer for the dead, Moiraine Sedai, and ride on.” Startled, she came close to gaping. She had forgotten that the bond’s flow worked both ways. He knew her emotions, too, and apparently could make out hers far better than she could his. After a moment, she nodded, though she did not know how many prayers it would take to clear her mind. Handing her Arrow’s reins, he said, “Where do we ride first?” “Back to Chachin,” she admitted. “And then Arafel, and….” So few names remained that were easy to find. “The world, if need be. We win this battle, or the world dies.” Side by side they rode down the hill and turned south. Behind them the sky rumbled and turned black, another late storm rolling down from the Blight.
”
”
Robert Jordan (New Spring (The Wheel of Time, #0))
“
I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.
”
”
Sarah Erdman (Nine Hills to Nambonkaha: Two Years in the Heart of an African Village)
“
I never did try to make my daddy understand why I left for the army the way I did. I just thought, because he loved me, he should let it go, and if he couldn’t, well then he didn’t love me like I thought. Young folks get love and understandin’ backward, don’t they? Love don’t come galloping across fresh pastures like a fine white horse with understandin’ riding soft and easy on its back. Understandin’ plods in like an old plow mule, breaking sod. It shades the earth with its body, and waters it with sweat. Love grows up in the furrow that’s left behind. It takes some patience. I was an impatient young man. ~Claude Fisher
”
”
Lisa Wingate (A Month of Summer (Blue Sky Hill #1))
“
You and Merrin's mother-have you really been praying for me to die?" "More or less," Mould said. "To be honest, most of the time when she's calling to God, she's riding my dick." "Do you know why He hasn't struck me down?" Ig asked. "Do you know why God hasn't answered your prayers?" "Why?" "Because there is no God. Your prayers are whispers to an empty room." ..."Bullshit." "It's all a lie. There's never been anyone there.
”
”
Joe Hill (Horns)
“
Let kings stack their treasure houses ceiling-high, and merchants burst their vaults with hoarded coin, and fools envy them. I have a treasure that outvalues theirs. A diamond as big as a man’s skull. Twelve rubies each as big as the skull of a cat. Seventeen emeralds each as big as the skull of a mole. And certain rods of crystal and bars of orichalcum. Let Overlords swagger jewel-bedecked and queens load themselves with gems, and fools adore them. I have a treasure that will outlast theirs. A treasure house have I builded for it in the far southern forest, where the two hills hump double, like sleeping camels, a day’s ride beyond the village of Soreev. “A great treasure house with a high tower, fit for a king’s dwelling—yet no king may dwell there. Immediately below the keystone of the chief dome my treasure lies hid, eternal as the glittering stars. It will outlast me and my name, I, Urgaan of Angarngi. It is my hold on the future. Let fools seek it. They shall win it not. For although my treasure house be empty as air, no deadly creature in rocky lair, no sentinel outside anywhere, no pitfall, poison, trap, or snare, above and below the whole place bare, of demon or devil not a hair, no serpent lethal-fanged yet fair, no skull with mortal eye a-glare, yet have I left a guardian there. Let the wise read this riddle and forbear.
”
”
Fritz Leiber (Swords Against Death (Lankhmar, 2))
“
Are u at the airport yet? Yep. They pushed my flight back to 3 so I’m going to be sitting here awhile. That sux. What r u gonna do? Gonna hit the food court. Gonna hit it so hard it CRIES. Mom got the bike going. She’s out riding around. She wearing her helmet? Yes. I made her. Coat too. Good for you. That coat adds +5 to all armor rolls. LOL. I love u. Have a safe flight. If I die in a plane crash remember to always bag and board your comics. Love you too.
”
”
Joe Hill (NOS4A2)
“
I was not angry since I came to France
Until this instant. Take a trumpet, herald;
Ride thou unto the horsemen on yon hill:
If they will fight with us, bid them come down,
Or void the field; they do offend our sight:
If they’ll do neither, we will come to them,
And make them skirr away, as swift as stones
Enforced from the old Assyrian slings:
Besides, we’ll cut the throats of those we have,
And not a man of them that we shall take
Shall taste our mercy. Go and tell them so.
”
”
William Shakespeare (Henry V)
“
Then he neglected tennis and took up bike rides with her and her friends in the late afternoons in the hill towns farther west along the coast. One day, when there was one too many of them to go biking, Oliver turned to me and asked if I minded letting Mario borrow my bike since I wasn’t using it. It threw me back to age six. I shrugged my shoulders, meaning, Go ahead, I couldn’t care less. But no sooner had they left than I scrambled upstairs and began sobbing into my pillow.
”
”
André Aciman (Call Me By Your Name)
“
I want to scream again, and I remember that last time I felt this way, riding with Baba in the tank of the fuel truck, buried in the dark with other refugees. I want to tear myself from this place, from this reality, rise up like a cloud and float away, melt into this this humid summer night and dissolve somewhere far, over the hills. But I am here, my leg blocks of concrete, my lungs empty of air, my throat burning. There will be no floating away. There will be no other reality tonight.
”
”
Khaled Hosseini (The Kite Runner)
“
This is the place that years ago, had caught the eye of Dasani's Brooklyn principal, Miss Holmes. She had been standing in the theme park below, squinting up, saying, " What is that?". Now Dasani stands at the thop of that hill, gazing down at the park. SHe sees a tangle of roller coasters and other rides, a view that leaves her awestruck. It is hard to know which site holds more power- a theme park in the eyes of of a poor child, or a palatial school in the eyes of a Brooklyn principal.
”
”
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
“
It was fun, scurrying around the breezy hills and through the beautiful canyons. There was that rare thing, novelty, about it; it was a fresh, new, exhilarating sensation, this donkey riding, and worth a hundred worn and threadbare home pleasures.
”
”
Mark Twain (The Innocents Abroad)
“
They came out into the open, and it was the grimy backwaters of Jersey City now. Tall factory stacks, and fires burning, and spreads of stagnant stinking water.
On and on the ride went. On and on and on.
They turned north soon and left the big city and all its little satellites behind them, and after a while even the rusty glow on the horizon died down and was gone. Then trees began, and little lumpy hills, and there was nothing but the darkness and the night and the fear. ("The Number's Up")
”
”
Cornell Woolrich
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run… but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant.…
History is hard to know, because of all the hired bullshit, but even without being sure of "history" it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.
My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket… booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change)... but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that…
There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda.… You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning.…
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn't need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.…
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
not much chance,
completely cut loose from
purpose,
he was a young man
riding a bus
through North Carolina
on the way to somewhere
and it began to snow
and the bus stopped
at a little cafe
in the hills
and the passengers
entered.
he sat at the counter
with the others,
he ordered and the
food arrived.
the meal was
particularly
good
and the
coffee.
the waitress was
unlike the women
he had
known.
she was unaffected,
there was a natural
humor which came
from her.
the fry cook said
crazy things.
the dishwasher.
in back,
laughed, a good
clean
pleasant
laugh.
the young man watched
the snow through the
windows.
he wanted to stay
in that cafe
forever.
the curious feeling
swam through him
that everything
was
beautiful
there,
that it would always
stay beautiful
there.
then the bus driver
told the passengers
that it was time
to board.
the young man
thought, I'll just sit
here, I'll just stay
here.
but then
he rose and followed
the others into the
bus.
he found his seat
and looked at the cafe
through the bus
window.
then the bus moved
off, down a curve,
downward, out of
the hills.
the young man
looked straight
forward.
he heard the other
passengers
speaking
of other things,
or they were
reading
or
attempting to
sleep.
they had not
noticed
the
magic.
the young man
put his head to
one side,
closed his
eyes,
pretended to
sleep.
there was nothing
else to do -
just to listen to the
sound of the
engine,
the sound of the
tires
in the
snow."
- Charles Bukowski, "Nirvana
”
”
Charles Bukowski (The Last Night of the Earth Poems)
“
The feasting people were Wood-elves, of
course. These are not wicked folk. If they have a fault it is distrust of strangers. Though their magic was strong, even in those days they were wary. They differed from the High Elves of the West, and were more dangerous and less wise. For most of them (together with their scattered relations in the hills and mountains) were descended from the ancient tribes that never went to Faerie in the West. There the Light-elves and the Deep-elves and the Sea-elves went and lived for ages, and grew fairer and wiser and more learned, and invented their magic and their cunning craft in the making of beautiful and marvellous things, before some came back into the Wide World. In the Wide World the Wood-elves lingered in the twilight of our Sun and Moon, but loved best the stars; and they wandered in the great forests that grew tall in lands that are now lost. They dwelt most often by the edges of the woods, from which they could escape at times to hunt, or to ride and run over the open lands by moonlight or starlight;
and after the coming of Men they took ever
more and more to the gloaming and the dusk.
Still elves they were and remain, and that is
Good People.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
“
Perovich said that he also liked a regional analogy. “The way I’ve been thinking about it, riding my bike around here, is, You ride by all these pastures and they’ve got these big granite boulders in the middle of them. You’ve got a big boulder sitting thereon this rolling hill. You can’t just go by this boulder. You’ve got to try to push it. So you start rocking it, and you get a bunch of friends, and they start rocking it, and finally it starts moving. And then you realize, Maybe this wasn’t the best idea. That’s what we’re doing as a society. This climate, if it starts rolling, we don’t really know where it will stop.
”
”
Elizabeth Kolbert (Field Notes from a Catastrophe)
“
Recipe for Goodbye From the Kitchen of Lila Reyes Ingredients: One Cuban girl. One English boy. One English city. Preparation: Give Polly her kitchen back and share a genuine smile, from one legitimate baker to another. Ride through the countryside on a vintage Triumph Bonneville. Walk through Winchester, all through town and on the paths you ran. Drink vanilla black tea at Maxwell’s. Eat fish and chips and curry sauce at your friend’s pub. Sleep in fits and bits curled up together on St. Giles Hill. *Leave out future talk. Any form of the word tomorrow. Cooking temp: 200 degrees Celsius. You know the conversion by heart.
”
”
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
“
When she (Marjorie) was at her prayers (which was pretty often just now), and at other times, when the air lightened suddenly about her and the burdens of earth were lifted as if another hand were put to them, why, then, all was glory, and she saw Robin as transfigured and herself beneath him all but adoring. Little visions came and went before her imagination. Robin riding, like some knight on an adventure, to do Christ's work; Robin at the altar, in his vestments; Robin absolving penitents- all in a rosy light of faith and romance. She saw him even on the scaffold, undaunted and resolute, with God's light on his face, and the crowd awed beneath him; she saw his soul entering heaven, with all the harps ringing to meet him, and eternity begun...and then, at other times, when the heaviness came down on her, as clouds upon the Derbyshire hills, she understood nothing but that she had lost him; that she was not to be hers, but Another's; that a loveless and empty life lay before her, and a womanhood that was without its fruition. And it was this latter mood that fell on her, swift and entire, when, looking out from her window a little before dinnertime, she saw suddenly his hat, and his horse's head, jerking up the steep path to the house.
She fell on her knees by her bedside.
'Jesu!' She cried. 'Jesu! Give me strength to meet him.
”
”
Robert Hugh Benson (Come Rack! Come Rope!)
“
son of a mother!” Hazel reached the stern and couldn’t believe what she saw. When she heard the word turtle, she thought of a cute little thing the size of a jewelry box, sitting on a rock in the middle of a fishpond. When she heard huge, her mind tried to adjust—okay, perhaps it was like the Galapagos tortoise she’d seen in the zoo once, with a shell big enough to ride on. She did not envision a creature the size of an island. When she saw the massive dome of craggy black and brown squares, the word turtle simply did not compute. Its shell was more like a landmass—hills of bone, shiny pearl valleys, kelp and moss forests, rivers of seawater trickling down the grooves of its carapace.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Ancient tradition has a saying: 'The infinitely distant is the return.' Among the maxims of Zen that point in the same direction is the statement that the 'great revelation,' acquired through a series of mental and spiritual crises, consists in the recognition that 'no one and nothing 'extraordinary' exists in the beyond'; only the real exists. Reality is, however, lived in a state in which 'there is no subject of the experience nor any object that is experienced,' and under the sign of a type of absolute presence, 'the immanent making itself transcendent and the transcendent immanent.' The teaching is that at the point at which one seeks the Way, one finds oneself further from it, the same being valid for the perfection and 'realization' of the self. The cedar in the courtyard, a cloud casting its shadow on the hills, falling rain, a flower in bloom, the monotonous sound of waves: all these 'natural' and banal facts can suggest absolute illumination, the satori. As mere facts they are without meaning, finality, or intention, but as such they have an absolute meaning. Reality appears this way, in the pure state of 'things being as they are.' The moral counterpart is indicated in sayings such as: 'The pure and immaculate ascetic does not enter nirvana, and the monk who breaks the rules does not go to hell,' or: 'You have no liberation to seek from bonds, because you have never been bound.
”
”
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
“
The beach was hours away by bicycle, forbidden, completely out of all bounds. Going there risked expulsion, destroyed the studying I was going to do for an important test the next morning, blasted the reasonable amount of order I wanted to maintain in my life, and it also involved the kind of long, labored bicycle ride I hated. “All right,” I said. We got our bikes and slipped away from Devon along a back road. Having invited me Finny now felt he had to keep me entertained. He told long, wild stories about his childhood; as I pumped panting up steep hills he glided along beside me, joking steadily. He analyzed my character, and he insisted on knowing what I disliked most about him (“You’re too conventional,” I said).
”
”
John Knowles (A Separate Peace)
“
There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy. Kuranes
”
”
H.P. Lovecraft (Dreams of Terror and Death)
“
The last time he saw her before she returned to Mexico she was coming down out of the mountains riding very stately and erect out of a rainsquall building to the north and the dark clouds towering above her. She rode with her hat pulled down in the front and fastened under her chin with a drawtie and as she rode her black hair twisted and blew about her shoulders and the lightning fell silently through the black clouds behind her and she rode all seeming unaware down through the low hills while the first spits of rain blew on the wind and onto the upper pasturelands and past the pale and reedy lakes riding erect and stately until the rain caught her up and shrouded her figure away in that wild summer landscape: real horse, real rider, real land and sky and yet a dream withal.
”
”
Cormac McCarthy (All the Pretty Horses by Cormac Mc Carthy: Teacher Guide (Novel Units))
“
he's going to marry Ellen West after wanting her all his life. If I was Ellen—but then, I'm not, and if she is satisfied I can very well be. I heard her say years ago when she was a schoolgirl that she didn't want a tame puppy for a husband. There's nothing tame about Norman, believe ME." The sun was setting over Rainbow Valley. The pond was wearing a wonderful tissue of purple and gold and green and crimson. A faint blue haze rested on the eastern hill, over which a great, pale, round moon was just floating up like a silver bubble. They were all there, squatted in the little open glade—Faith and Una, Jerry and Carl, Jem and Walter, Nan and Di, and Mary Vance. They had been having a special celebration, for it would be Jem's last evening in Rainbow Valley. On the morrow he would leave for Charlottetown to attend Queen's Academy. Their charmed circle would be broken; and, in spite of the jollity of their little festival, there was a hint of sorrow in every gay young heart. "See—there is a great golden palace over there in the sunset," said Walter, pointing. "Look at the shining tower—and the crimson banners streaming from them. Perhaps a conqueror is riding home from battle—and
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
:Of course there are many ways to celebrate death & life, & of course as they bounce into their 40's & 50's & 60's, the fingers of time grow a bit longer, & yet ... & yet life doesn't stop. Life doesn't stop or wait even if you do. Pause if you must... but then catch up fast. Run with the wind. Slide down the hill tumbling head first, so that you can fall into the hands of now. Today. Everyday. Every minute. Every second. Of course it's also ok to hold onto your grief, & ride it as if your own life depended on it through a sea of rough waters, waves as high as heaven, through the thunderous barrage of emotions that are the very heart of loss. Any loss. Love. Death. Job. A slice of a segment of your life that made up the whole. Of course... the whole damn world needs to have more fun. A hellofa lot more fun.
”
”
Kris Radish (Annie Freeman's Fabulous Traveling Funeral)
“
The orange turns to dull bronze light and continues to show what it has shown all day long, but now it seems to show it without enthusiasm. Across those dry hills, within those little houses in the distance are people who've been there all day long, going about the business of the day, who now find nothing unusual or different in this strange darkening landscape, as we do. If we were to come upon them early in the day they might be curious about us and what we're here for. but now in the evening they'd just resent our presence. The workday is over. It's time for supper and family and relaxation and turning inward at home. We ride unnoticed down this empty highway through this strange country I've never seen before, and now a heavy feeling of isolation and loneliness becomes dominant and my spirits wane with the sun.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
As I tried to doze, the incident on the piazzetta, lost somewhere amid the Piave war memorial and our ride up the hill with fear and shame and who knows what else pressing on me, seemed to come back to me from summers and ages ago, as though I'd biked up to the piazzetta as a little boy before World War I and had returned a crippled ninety-year-old soldier confined to this bedroom that was not even my own, because mine had been given over to a young man who was the light of my eyes.
The light of my eyes, I said, light of my eyes, light of the world, that's what you are, light of my life. I didn't know what light of my eyes meant, and part of me wondered where on earth had I fished out such claptrap, but it was nonsense like this that brought tears now, tears I wished to drown in his pillow, soak in his bathing suit, tears I wanted him to touch with the tip of his tongue and make sorrow go away.
”
”
André Aciman (Call Me by Your Name)
“
Wander with me through one mood of the myriad moods of sadness into which one is plunged by John Barleycorn. I ride out over my beautiful ranch. Between my legs is a beautiful horse. The air is wine. The grapes on a score of rolling hills are red with autumn flame. Across Sonoma Mountain wisps of sea fog are stealing. The afternoon sun smoulders in the drowsy sky. I have everything to make me glad I am alive. I am filled with dreams and mysteries. I am all sun and air and sparkle. I am vitalised, organic. I move, I have the power of movement, I command movement of the live thing I bestride. I am possessed with the pomps of being, and know proud passions and inspirations. I have ten thousand august connotations. I am a king in the kingdom of sense, and trample the face of the uncomplaining dust.... And yet, with jaundiced eye I gaze upon all the beauty and wonder about me, and with jaundiced brain consider the pitiful figure I cut in this world that endured so long without me and that will again endure without me. I remember the men who broke their hearts and their backs over this stubborn soil that now belongs to me. As if anything imperishable could belong to the perishable! These men passed. I, too, shall pass. These men toiled, and cleared, and planted, gazed with aching eyes, while they rested their labour-stiffened bodies on these same sunrises and sunsets, at the autumn glory of the grape, and at the fog-wisps stealing across the mountain. And they are gone. And I know that I, too, shall some day, and soon, be gone.
”
”
Jack London (John Barleycorn)
“
Exploring all I could find, often with reckless dedication, I devoured the philosophies and theologies of animistic and shamanistic traditions. Hungrily I began learning: how to feel connection with the wind and the waves, how to hear the songs of the land and the stories of the ancestors, how to dissolve into darkness and ride the thermals of light. Slowly I discovered how these traditions are still alive, not just in lands that, with a mix of disquiet and envy, Western cultures call primitive and uncivilized. Returning to the islands of my ancestors, with wonder and relief, I found animistic religions in the rolling hills and flowering gardens of Britain. To my surprise and delight, I found too that here my passion for science was as nurtured as my soul’s artistic creativity. There was nothing in quantum physics or molecular biology, or the theories of the physiology of consciousness that could negate my growing understanding and experience of sanctity. I found the power of reason here, naturally inherent within the language of a religion.
”
”
Emma Restall Orr (Living With Honour: A Pagan Ethics)
“
Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon -- rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature.
They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them -- and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.
”
”
Anne Morrow Lindbergh (North to the Orient)
“
Strange memories on this nervous night in Las Vegas. Has it been five years? Six? It seems like a lifetime. The kind of peak that never comes again.
San Francisco in the middle sixties was a very special time and place to be a part of. But no explanation, no mix of words or music or memories can touch that sense of knowing you were there and alive, in that corner of time and the world. Whatever it meant...
There was madness in any direction, at any hour. You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning...
And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. We had all the momentum; we were riding the crest of a high and beautiful wave...
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . .
(...)
There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
Having outgrown its Manhattan headquarters, most of Bell Labs moved to two hundred rolling acres in Murray Hill, New Jersey. Mervin Kelly and his colleagues wanted their new home to feel like an academic campus, but without the segregation of various disciplines into different buildings. They knew that creativity came through chance encounters. “All buildings have been connected so as to avoid fixed geographical delineation between departments and to encourage free interchange and close contact among them,” an executive wrote.11 The corridors were extremely long, more than the length of two football fields, and designed to promote random meetings among people with different talents and specialties, a strategy that Steve Jobs replicated in designing Apple’s new headquarters seventy years later. Anyone walking around Bell Labs might be bombarded with random ideas, soaking them up like a solar cell. Claude Shannon, the eccentric information theorist, would sometimes ride a unicycle up and down the long red terrazzo corridors while juggling three balls and nodding at colleagues.III It was a wacky metaphor for the balls-in-the-air ferment in the halls.
”
”
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
“
I Am the Highway"
Pearls of swine bereft of me
Long and weary my road has been
I was lost in the cities
Alone in the hills
No sorrow or pity for the leaving I feel
I am not your rolling wheels
I am the highway
I am not your carpet ride
I am the sky
Friends and liars don't wait for me
I'll get on all by myself
I put millions of miles
Under my heels
And still too close to you
I feel
I am not your rolling wheels
I am the highway
I am not your carpet ride
I am the sky
I am not your blowing wind
I am the lightening
I am not your autumn moon
I am the night
Chris Cornell (July 20, 1964 - May 18, 2017)
”
”
The Friends and Fans of Chris Cornell
“
Through all these times and formative young years, Lara, my sister, was a rock to me. My mother had suffered three miscarriages after having Lara, and eight years on she was convinced that she wasn’t going to be able to have more children. But Mum got pregnant, and she tells me she spent nine months in bed to make sure she didn’t miscarry.
It worked. Mum saved me.
The end result, though, was that she was probably pleased to get me out, and that Lara finally got herself a precious baby brother; or in effect, her own baby. So Lara ended up doing everything for me, and I adored her for it.
While Mum was a busy working mother, helping my father in his constituency duties and beyond, Lara became my surrogate mum. She fed me almost every supper I ate--from when I was a baby up to about five years old. She changed my nappies, she taught me to speak, then to walk (which, with so much attention from her, of course happened ridiculously early). She taught me how to get dressed and to brush my teeth.
In essence, she got me to do all the things that either she had been too scared to do herself or that just simply intrigued her, such as eating raw bacon or riding a tricycle down a steep hill with no brakes.
I was the best rag doll of a baby brother that she could have ever dreamt of.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
I have, myself, full confidence that if all do their duty, if nothing is neglected, and if the best arrangements are made, as they are being made, we shall prove ourselves once again able to defend our island home, to ride out the storm of war, and to outlive the menace of tyranny, if necessary for years, if necessary alone. At any rate, that is what we are going to try to do. That is the resolve of His Majesty’s Government – every man of them. That is the will of Parliament and the nation. The British Empire and the French Republic, linked together in their cause and in their need, will defend to the death their native soil, aiding each other like good comrades to the utmost of their strength. Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God’s good time, the new world, with all its power and might, steps forth to the rescue and the liberation of the old.
”
”
Anthony McCarten (Darkest Hour: How Churchill Brought us Back from the Brink)
“
He told stories to help Two Mothers overcome childish fear. "Now,my son, why do you fear the storm? It is only the warriors of thunder and lightning. When you are tempted to be afraid, remember that God tells the lightning where it may go.Pretend that the noise and the light are from two warriors called Thunder and Lightning. They ride beautiful, swift ponies and carry lightning in their hands.As they race the wind,their ponies' hooves strike the clouds.That is the thunder.When they throw their lightning sticks, it flashes brightly in the sky.When God says 'Enough!' the warriors ride down to the earth, bringing the rain to water their ponies."
"Have you ever seen the ponies, Father?"
"Once, when I was hunting in the Black Hills, I thought I caught a glimpse of them. But before Wind and I could catch them, they rose again into the sky, taking the thunder and lightning with them to another place.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Trial-and-error experimentation can be informal or formal; the underlying principles are the same. As an example on the informal side, consider a user experiencing a need and then developing what eventually turns out to be a new product: the skateboard. In phase 1 of the cycle, the user combines need and solution information into a product idea: “I am bored with roller skating. How can I get down this hill in a more exciting way? Maybe it would be fun to put my skates’ wheels under a board and ride down on that.” In phase 2, the user builds a prototype by taking his skates apart and hammering the wheels onto the underside of a board. In phase 3, he runs the experiment by climbing onto the board and heading down the hill. In phase 4, he picks himself up from an inaugural crash and thinks about the error information he has gained: “It is harder to stay on this thing than I thought. What went wrong, and how can I improve things before my next run down the hill?
”
”
Eric von Hippel (Democratizing Innovation)
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era - the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were here and alive in that corner of time and the world. Whatever it meant . . . .
History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time - and
which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights - or very early mornings - when I left the Fillmore half - crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder’s jacket . . .
booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn - off to take when I got to the other end (always stalling at the toll - gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I
was: No doubt at all about that. .There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere.
There was a fantastic universal sense that whatever we were doing was right, that we were winning. And that, I think, was the handle - that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting - on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave.
So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high - water mark - that place where the wave finally broke and rolled back.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
After several long, tense minutes, one of the hounds began to bark excitedly somewhere in the trees upstream. The other dogs rushed in that direction and resumed the deep-chested baying that meant they were in close pursuit of their quarry.
When the clamor had receded, Roran slowly rose to his full height and swept his gaze over the trees and bushes. “All clear,” he said, keeping his voice subdued.
As the others stood, Hamund--who was tall and shaggy-haired and had deep lines next to his mouth, although he was only a year older than Roran--turned on Carn, scowling, and said, “Why couldn’t you have done that before, instead of letting us go riding willy-nilly over the countryside and almost breaking our necks coming down that hill?” He motioned back toward the stream.
Carn responded with an equally angry tone: “Because I hadn’t thought of it yet, that’s why. Given that I just saved you the inconvenience of having a host of small holes poked in your hide, I would think you might show a bit of gratitude.”
“Is that so? Well, I think that you ought to spend more time working on your spells before we’re chased halfway to who-knows-where and--”
Fearing that their argument could turn dangerous, Roran stepped between them. “Enough,” he said. Then he asked Carn, “Will your spell hide us from the guards?”
Carn shook his head. “Men are harder to fool than dogs.” He cast a disparaging look at Hamund. “Most of them, at least.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
So in a different version of my life, I had a bicycle. My father gave it to me when I was a little girl. And I could use this bicycle to find lost things. I would ride it across an imaginary covered bridge, and the bridge would always take me wherever I needed to go. Like once my mother lost a bracelet and I rode my bike across this bridge and came out in New Hampshire, forty miles away from home. And the bracelet was there, in a restaurant called Terry’s Primo Subs. With me so far?” “Imaginary bridge, superpowered bike. Got it.” “Over the years I used my bicycle and the bridge to find all kinds of things. Missing stuffed animals or lost photos. Things like that. I didn’t go ‘finding’ often. Just once or twice a year. And as I got older, even less. It started to scare me, because I knew it was impossible, that the world isn’t supposed to work that way. When I was little, it was just pretend. But as I got older, it began to seem crazy. It began to frighten me.” “I’m surprised you didn’t use your special power to find someone who could tell you there was nothing wrong with you,” Lou said. Her eyes widened and lit with surprise, and Lou understood that in fact she had done just that. “How did you—” she began. “I read a lot of comics. It’s the logical next step,” Lou said. “Discover magic ring, seek out the Guardians of the Universe. Standard operating procedure. Who was it?” “The bridge took me to a librarian in Iowa.” “It would be a librarian.
”
”
Joe Hill (NOS4A2)
“
Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts.
The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.
”
”
T.E.D. Klein (The Ceremonies)
“
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography.
From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate.
We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more.
Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
”
”
Jonathan Littell (The Kindly Ones)
“
She looked at him defiantly, "I know I am not beautiful.I laughed at myself for thinking such impossible things."
Rides the Wind was quiet for so long that she wondered if her rush of words had overreached his abilities in English. But just when she started to question him,he turned his own face to the horizon so that she could view only his profile.
"When Rides the Wind was young, he danced about the fire like no other brave.It was then that Dancing Waters came to be his woman.She would watch, and her eyes danced with the flames. But one day Rides the Wind went to hunt.His pony fell and crushed his leg. Marcus Whitman fixed the leg, but it would not grow straight.Rides the Wind could dance no more. The fire died in the eyes of Dancing Waters." He encircled her with his arms before continuing. "Walks the Fire sees Rides the Wind when he walks like the wounded buffalo.She sees, but the fire does not die in her eyes.Beautiful is in here," he placed his hand over her heart. "So do not laugh when you think you are beautiful.Rides the Wind sees the fire in your eyes.And to him,you are beautiful."
Jesse reached for his hand,and, holding it palm up,she kissed it.
He growled, "...and so you give me more of the white man's ways."
In a moment of uncharacteristic abandon, Jesse stood on tip-toe and placed a less-than-chaste kiss upon the mouth of her husband.She smiled in spite of the resulting blush on her cheek, reaching up to tug childishly on his flowing hair.
Then,to his delight and amazement she spoke the Lakota words: "Mihigna-my husband-Walks the Fire is an obedient wife.If he wishes her to stop this strange touch,he must tell her.Walks the Fire will obey."
Rides the Wind took her hand, and they started back to the tepee.As they climbed the hill together he replied, "Many of the white man's ways must be forgotten to live among my people...but not all.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder.
“I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other.
The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.”
“We shall soon find out.”
In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?”
The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon.
“Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.”
Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!”
Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“
“Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
”
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Judith McNaught (Almost Heaven (Sequels, #3))