Shelter From The Rain Quotes

Don't let the rain drive you to the wrong shelter; the shade can turn out to be your protector and also your destroyer, and sometimes the rain is the perfect protector from the rain.

Sometimes the clouds weren't weightless. Sometimes their bellies got dark and full. It was life. It happened. It didn't mean it wasn't scary, or that I wasn't still afraid, but now I knew that as long as I was standing under it with Braden beside me when those clouds broke, I'd be alright. We'd get rained on together. Knowing Braden he'd have a big ass umbrela to shelter us from the worst of it. That there was an uncertain future I could handle.

I live to tear demons apart. Bring the bastards on. (Sin) Agreed…bring on the rain. The one thing I learned from Astrid is that life isn’t about finding shelter in a storm. It’s about learning to dance in the rain. I don’t care what I kill as long as I get bloody while doing it. (Zarek)

My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.

It's not about finding shelter from the storm, it's about learning to dance in the rain.

I love weather. I'm a connoisseur of weather. Wherever my travels take me, the first thing I do is turn on the weather channel and see what's going on, what's coming. I like to know about regional weather patterns, how storms are created in different altitudes, what kinds of clouds are forming or dissipating or blowing through, where the winds are coming from, where they've been. That's not a passion everybody shares, I know, but I don't believe there are any people on earth who, properly sheltered, don't feel the peace inside a summer rain and the cleansing it brings, the renewal of the earth in its aftermath.

And she would protect him as fiercely, if it were ever his need- if a fight ever became too much for him or if he needed shelter, or food, or a fire in the rain. Or anything she could provide. She would protect him from anything.

People", Shai said, rising to fetch another seal, "by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It make us feel as if we're in control. Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man's influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person's influence.

Just think," I say, trying to calm her down. "The two of us naked in a car, but safe and sound all the same, kissing each other to the clap of thunder and the sound of the driving rain!" "This is impossible," she says. "But just think. Wouldn't you like, from this snug little shelter in the midst of cosmic rage, to stick your tongue out to the entire world?

In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.

She loved beyond measure, When I was young I thought her cold. But in time I came to understand that she was too tender for the world she’d been born into,” I said. Sorrow gave Dalia an iron gift. Behind that hard shelter, she loved boundlessly in the distance and privacy of her solitude, safe from the tragic rains of her fate.

It’s raining,” I say, voice hoarse from sleep. I clear my throat and try again. “It’s fine. Straight from the clouds to you.” She frowns, still huddling over and trying to shelter from it. “Straight from the clouds? Is that hygienic?

She had something Adam didn't. Curiosity. First step to growth -- and if it wasn't for Eve's Adam would still be sitting by the side of the pool picking his nose and scratching his scalp, bamboozled by his own reflection. Off in her part of Eden, Eve hadn't bothered naming the animals. On the other hand she'd discovered how to milk some of them and how best to eat the eggs of others. She'd decided she wasn't overly keen on torrential rain and had built a shelter from bamboo and banana leaves, into which she'd retire when the heavens opened, having set out coconut shells to catch the rainwater with a view to saving herself the schlep down to the spring every time she wanted a drink. The only thing you won't be surprised to hear about is that she'd already domesticated a cat and called it Misty.

Each thing organizes the space around it, rebuffing or sidling up against other things; each thing calls, gestures, beckons to other beings or battles them for our attention; things expose themselves to the sun or retreat among the shadows, shouting with their loud colors or whispering with their seeds; rocks snag lichen spores from the air and shelter spiders under their flanks; clouds converse with the fathomless blue and metamorphose into one another; they spill rain upon the land, which gathers in rivulets and carves out canyons…

My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.

The return of the rain, beating out time on London's rooftops and pavements. Early morning Zombies sheltering beneath copies of the Standard whilst others ran screaming for cover in doorways because water from the heavens is holy and melts the undead.

Tell me about dying, Del.” Her eyes fluttered open and she looked out the spattered window. “It’s a little like being a raindrop. You wanna cling to the glass, but the ground’s calling your name.” –

Is there such a thing as public good? That's all I'm asking. I mean, is your good the same as my good? I doubt that seriously. So, if we do not agree on a common sense of good, then how can there be any larger public good? What about some homeless person who sleeps on a heat grating down the street from that sculpture? Does he feel the public good when he stares up at this excessive interplay of metallic shapes? More likely he interprets this art through the way its form and function are relevant to his life, making this piece fairly useless. Such a lost soul's aesthetic viewpoint is overriden by the terms of his subsistence. Maybe he feels frustrated and hopeless that a behemoth made almost entirely of metal contains no surfaces large enough that he could use as shelter from rain or snow. Seeing the abstract metaphors, analogies, and conclusions that they invoke, or just laughing at the artist's pretense or the corrupt visions, which are particularly rife as this century comes to an end, requires taking your bank account for granted. That's a fine luxury for those with places to sleep and clothes that are clean.

Sitting on the porch alone, listening to them fixing supper, he felt again the indignation he had felt before, the sense of loss and the aloneness, the utter defenselessness that was each man's lot, sealed up in his bee cell from all the others in the world. But the smelling of boiling vegetables and pork reached him from the inside, the aloneness left him for a while. The warm moist smell promised other people lived and were preparing supper. He listened to the pouring and the thunder rumblings that sounded hollow like they were in a rainbarrel, shared the excitement and the coziness of the buzzing insects that had sought refuge on the porch, and now and then he slapped detachedly at the mosquitoes, making a sharp crack in the pouring buzzing silence. The porch sheltered him from all but the splashes of the drops that hit the floor and their spray touched him with a pleasant chill. And he was secure, because someewhere out beyond the wall of water humanity still existed, and was preparing supper.

People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control.

As it was, nothing happened except the two of us watching the sea come in and go out again, listening to the birds, sheltering from the rain when it came, and lying silent as the sky changed from blue to white to gold. For hours we lay side by side, breathing softly together, watching thin rivulets of water run down the cliffs and into the sea, feeling the world slowly revolve around us as we leaned into each other for warmth--and for something else, something I couldn't quite name, something glorious, frightening, and unforgettable.

Who’s the informant, Ennis?” He wiggled a battery cable. “Not sure. They’re protecting his identity like the Pope protects perverts. Why?

Those without a roof over their heads could escape with Wolfe, Kafka, or Robert Louis Stevenson and have shelter from the heat and the cold, the rain and the pain.

The one thing I learned from Astrid is that life isn't about finding shelter in a storm. It's about learning to dance in the rain.

all gardens rain will fall. But the heart and the love it’s capable of will give us shelter from even the worst storms.

Belittling nostalgia is a frightened man's parlor trick. Be grateful for any prize. Even a paper fortress, albeit briefly, provides shelter from the rain.

Many of our discussions took place as we walked up and down the streets, sat on benches or stood in doorways taking shelter from the rain.

The minister read, quoting the Benediction of the Apaches.   “Now you will feel no rain, For each of you will be shelter to the other. Now you will feel no cold, For each of you will be warmth to the other. Now there is no more loneliness for you. For each of you will be companion to the other. Now you are two bodies,  But there is only one life before you.” Excerpt From: R. K. Lilley. “Grounded.” R.K. Lilley, 2013-02-10T00:00:00+00:00. iBooks. This material may be protected by copyright.

Verticality is ensured by the polarity of cellar and attic, the marks of which are so deep that, in a way, they open up two very different perspectives for a phenomenology of the imagination. Indeed, it is possible, almost without commentary, to oppose the rationality of the roof to the irrationality of the cellar. A roof tells its raison d'etre right away: it gives mankind shelter from the rain and sun he fears. Geographers are constantly reminding us that, in every country, the slope of the roofs is one of the surest indications of the climate. We "understand" the slant of a roof. Even a dreamer dreams rationally; for him, a pointed roof averts rain clouds. Up near the roof all our thoughts are clear. In the attic it is a pleasure to see the bare rafters of the strong framework. Here we participate in the carpenter's solid geometry. As for the cellar, we shall no doubt find uses for it .. It will be rationalized and its conveniences enumerated. But it is first and foremost the dark entity of the house, the one that partakes of subterranean forces. When we dream there, we are in harmony with the irrationality of the depths.

Cover mine eyes, O my Love! Mine eyes that are weary of bliss As of light that is poignant and strong O silence my lips with a kiss, My lips that are weary of song! Shelter my soul, O my love! My soul is bent low with the pain And the burden of love, like the grace Of a flower that is smitten with rain: O shelter my soul from thy face!

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

Unpleasant things are like rain: sometimes they visit us, but there’s no point in worrying about them while the sun shines. And anyway, you can take shelter from the rain, and many things that seem nasty from far away are not so terrible at all seen close up.

Life is a nomadic journey. A road without trees to shelter us from the rain, without shoulders on which to rest, without lighthouses to show us the way when we are lost. I can’t waste the life I’ve been given by standing still and lamenting the past until my days run out. I must get up and fight; I must keep providing for my family. I must keep moving forward, not just for myself, but also for my daughter and for all those who are no longer with us. Because in the end, that’s why we’re here, right? The only reason we are given life is to live it.

torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

The Onondaga Nation schools recite the Thanksgiving Address, a river of words as old as the people themselves, known in Onondaga language as the Words That Come Before All Else. This ancient order of protocol sets gratitude as the highest priority. The gratitude is directed straight to the ones who share their gifts with the world. (excerpt) ‘Today we have gathered and when we look upon the faces around us we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now let us bring our minds together as one as we give greetings and thanks to each other as People. Now our minds are one. We are thankful to our Mother the Earth, for she gives us everything that we need for life. She supports our feet as we walk about upon her. It gives us joy that she still continues to care for us, just as she has from the beginning of time. To our Mother, we send thanksgiving, love, and respect. Now our minds are one. We give thanks to all of the waters of the world for quenching our thirst, for providing strength and nurturing life for all beings. We know its power in many forms—waterfalls and rain, mists and streams, rivers and oceans, snow and ice. We are grateful that the waters are still here and meeting their responsibility to the rest of Creation. Can we agree that water is important to our lives and bring our minds together as one to send greetings and thanks to the Water? Now our minds are one. Standing around us we see all the Trees. The Earth has many families of Trees who each have their own instructions and uses. Some provide shelter and shade, others fruit and beauty and many useful gifts. The Maple is the leader of the trees, to recognize its gift of sugar when the People need it most. Many peoples of the world recognize a Tree as a symbol of peace and strength. With one mind we greet and thank the Tree life. Now our minds are one.

And the waves, of course, have almost gone here in the shelter of the island and the peninsula where even today there are cars glinting wet through the trees, people desperate enough to walk in the rain or some of them just seem to drive to the end of the road and park and sit there, newspapers and tea from a flask and it makes him itch everywhere at once just thinking of it, people sitting in parked cars, the windows steaming up, waiting for minutes to pass, for their lives to drip away.

Time and task were both disorienting, for if you were to remove everything from our lives that depends on electricity to function, homes and offices would become no more than the chambers and passages of limestone caves- simple shelter from wind and rain, far less useful than the first homes at Plymouth Plantation or a wigwam. No way to keep out cold, or heat, for long. No way to preserve food, or to cook it. The things that define us, quiet as rock outcrops - the dumb screens and dials, the senseless clicks of on/off switches- without their purpose, they lose the measure of their beauty and we are left alone in the dark with countless useless things.

But we would emerge from our shelter, for the rain was playing a game, now, among the branches, and, even when it was almost dry again underfoot, a stray drop or two, lingering in the hollow of a leaf, would run down and hang glistening from the point of it until suddenly it splashed plump upon our upturned faces from the whole height of the tree.

Loving someone meant standing in stinging rain and bellowing wind, knowing how much it hurt and doing it anyway. Because the one who needed shelter mattered more.

For a long time, I lay there crying, sheltering my fallen scarlet ibis from the heresy of rain.

From the shelter of their porch, she turned to look out over Avonlea: the gulf in the distance roared; the wind was scented with melted icecaps and blew the trees like stalks of kelp; the rain fell faster and faster until it looked as if a veil had been drawn over the island, tinting everything wet gray. She hardly recognized Avonlea as home. From someone else's front door, it looked so different.

Men who think women are weak are fools. Their greatest strength is that they’re wicks for every nuance of emotion around them. That gift makes them both perceptive and yet vulnerable to others’ judgments. Their

...in the running of cities, virtually nothing is done by anyone that is conducive to political health, nor is there a single ally with whom one might go to the aid of justice and still remain alive; it would be a case of a solitary human among wild animals, neither wanting to join in their depredations nor able to stand alone against their collective savagery, dead before he'd done any good to his city or friends and useless both to himself and everybody else. Once a person has made all these calculations, he keeps his peace and minds his own business, like someone withdrawing from the prevailing wind into the shelter of a wall in a storm of dust or rain, and as he sees everyone else filling themselves full of lawlessness he is content if he himself can somehow live out life here untainted by injustice and impious actions, and leave it with fine hopes and in a spirit of kindness and good will.

People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control. “Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man’s influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence. “We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.” Gaotona

At five-thirty the rain began to fall in great, heavy drops which bounced off the pavement before they spread out into black spots. At the same time thunder rumbled from the direction of Charenton and an eddy of wind lifted the dust, carried away the hats of passers-by who took to their heels and who, after a few confused moments, were all in the shelter of doorways or under the awnings of cafe terraces. Street pedlars of the Faubourg Saint-Antoine scurried about with an apron or a sack over their heads, pushing their carts as they tried to run. Rivulets already began to flow along the two sides of the street, the gutters sang, and on every floor you could see people hurriedly closing their windows.

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.

I am the goal at the end of all paths. I am the landlord of all creation. I am the inner witness in every human. I am your only lasting shelter; all beings dwell in Me. I am your best friend who lives in your heart as your conscience. I am the beginning of creation, the well-wisher of it, and the dissolution of it. I am the storehouse into which all life returns when creation dissolves — and I am the everlasting, imperishable seed from which it again springs. I give the heat of the sun. I let loose the food-giving rain, and I withhold it. I am both immortality and death (doled out based on the fruits of one’s actions). I am both being and nonbeing. In My visible form I am the cosmos; in My invisible form I am the germ that lies hidden.

Wow.You two seem to be right as rain again," Cole said from behind us. I could hear the undercurrent of rage beneath his voice. "I hate to interrupt this sudden case of the touchy-feelies, but with the three of us standing here, it almost feels like that spring day so long ago.Almost as if Jack hand't left for camp.Almost as if Jack had nothing to do with you going under,Nik." Jack winced, but he kept his eyes on me. "You should've seen her.Did you know that when she left your dorm that night, she came straight to me? Begged to go with me. Barely able to breathe for the pain." He enunciated each word. I studied Jack's face and shook my head. Jack dropped his arm from my shoulders. "You never let me explain. I ran to you,but you drove off.You didn't trust me." There was silence for a few long moments. "Would either of you care to know my opinion?" Cole said. "Shut up," we replied at the same time. Cole shrugged. "You know where to find me." He turned and walked across the parking lot to the sidewalk that led around the corner of the post office. I watched him until he disappeared, than I faced Jack again. Jack rougly ran both of his hands through his hair. "This is a mess." It sounded like he was talking to himself, not to me. "I know how it looked, but you should've let me explain. I hated you for leaving." He looked up at the sky. "I hated you." Jack took a step backward, away from me, and as he did,a voice called out to us. "Don't let him drive you apart!" We both turned toward the sound. Mary was sitting on a bench under the shelter of the bus stop. I hadn t noticed her before.She'd been watching us. She stood and came over. "That's what he wants. He's scared of anchors. I told you I have a theory about anchors.

In his play Antigone, Sophocles summed it up: Wonders are many and none more wonderful than man . . . In the meshes of his woven nets, cunning of mind, ingenious man . . . He snares the lighthearted birds and the tribes of savage beasts, and the creatures of the deep seas . . . He puts the halter round the horse’s neck And rings the nostrils of the angry bull. He has devised himself a shelter against the rigours of frost and the pelting rains. Speech and science he has taught himself, and artfully formed laws for harmonious civic life . . . Only against death he fights in vain. But clear intelligence—a force beyond measure— moves to work both good and ill . . . When he obeys the laws and honors justice, the city stands proud . . . But man swerves from side to side, and when the laws are broken, and set at naught, he is like a person without a city, beyond human boundary, a horror, a pollution to be avoided.29 The

There is a death far worse than physical death, and that is the death of the mind and soul, when, despite toiling night and day, under sweltering heat, torrential rain, blistering winds, you still cannot make enough to clothe, shelter and feed your loved ones, suffering miles away, forcibly separated from you.

A youngish woman of about thirty-five who had come in to shelter froma heavy shower of rain, pricked up her ears and looked away from the book she had not been reading. To realize that two men could apparently be quarrelling almost publicly over a woman in this unchivalrous age sent her on her way with new hope.

Rapture" Thought of by you all day, I think of you. The birds sing in the shelter of a tree. Above the prayer of rain, unacred blue, not paradise, goes nowhere endlessly. How does it happen that our lives can drift far from our selves, while we stay trapped in time, queuing for death? It seems nothing will shift the pattern of our days, alter the rhyme we make with loss to assonance with bliss. Then love comes, like a sudden flight of birds from earth to heaven after rain. Your kiss, recalled, unstrings, like pearls, this chain of words. Huge skies connect us, joining here to there. Desire and passion on the thinking air.

With chopsticks, I cut through the dark-skinned egg, releasing molten yoke into waiting broth. Face bathed in the warming steam, I tasted. Sheltered from the rain Soothing train, ramen-numbed brain I reap contentment With the Zen meal consumed and consumed by the Zen meal, I exited back into the chaotic Tokyo night.

France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.

The town was sunk in a kind of crystal ball; everyone seemed to be asleep (transcendentally asleep!) no matter if they were walking or sitting outside. Around five the sky clouded over and at six it began to rain. The streets cleared all at once. I had the thought that if it was as if autumn had unsheathed a claw and scratched: everything was coming apart. The tourists running on the sidewalks in search of shelter, the shopkeepers pulling tarps over the merchandise displayed in the street, the increasing number of shop windows closed until next summer. Whether I felt pity or scorn when I saw this, I don't know. Detached from any external stimulus, the only thing I could see or feel with any clarity was myself. Everything else had been bombarded by something dark; movie sets consigned to dust and oblivion, as if for good.

He was hungry, and his first thought was to collect a dozen or two gulls’ eggs to make a meal. But embryo chicks were forming in all of them. So he rowed out to do some fishing and was more succesful. He lived on fish from day to day and sang and whiled the time away and ruled over the island. When it rained he too shelter beneath a splendid overhangig rock. At night he slept on a patch of grass and the sun never set.

She thinks very distinctly of two things. The first is a photograph of herself at nine years old in a red swimsuit on a beach, she can’t remember where, Filey or Scarborough perhaps. She is with her mother and father who are swinging her towards the camera, their sunburnt faces buckled with laughter. Then she thinks of Dexter, sheltering from the rain on the steps of the new house, looking at his watch, impatient; he’ll wonder where I am, she thinks. He’ll worry.

Bilbo had never seen or imagined anything of the kind. They were high up in a narrow place, with a dreadful fall into a dim valley at one side of them. There they were sheltering under a hanging rock for the night, and he lay beneath a blanket and shook from head to toe. When he peeped out in the lightning-flashes, he saw that across the valley the stone-giants were out, and were hurling rocks at one another for a game, and catching them, and tossing them down into the darkness where they smashed among the trees far below, or splintered into little bits with a bang. Then came a wind and a rain, and the wind whipped the rain and the hail about in every direction, so that an overhanging rock was no protection at all. Soon they were getting drenched and their ponies were standing with their heads down and their tails between their legs, and some of them were whinnying with fright. They could hear the giants guffawing and shouting all over the mountainsides.

Kiyoaki and Honda were perhaps as different in their makuep as the flower and the leaf of a single plant. Kiyoaki was incapable of hiding his true nature, and he was defenceless against society's power to inflict pain. His still unawakened sensuality lay dormant within him, unprotected as a puppy in a March rain, body shivering, eyes and nose pelted with water. Honda, on the other hand, had quite early in life grasped where the danger lay, choosing to shelter from all storms, whatever their attraction.

it seemed to her that never before had she known there was malevolence in solitude. The very coach, which all the day had rocked her like a cradle, now held a note of menace in its creaks and groans. The wind tore at the roof, and the showers of rain, increasing in violence now there was no shelter from the hills, spat against the windows with new venom. On either side of the road the country stretched interminably into space. No trees, no lanes, no cluster of cottages or hamlet, but mile upon mile of bleak moorland,

A great, spreading beech tree sheltered the entire backyard. Its beautiful, perfectly symmetrical canopy stretched from one fence line to the other, so dense that it tinted even the hottest summer day a lush green. Only the heaviest rain could penetrate the leaves. Blue had a satchelful of memories of standing by the massive, smooth trunk in the rain, hearing it hiss and tap and scatter across the canopy without ever reaching the ground. Standing under the beech tree, it felt like she was the beech, like the rain rolled off her leaves and off the bark, smooth as skin against her own. With

For all the allure of speciously stress-free suburbs, for all the grinding of city life, cities endure. And when all those diverse energies are harnessed, and those choices, private and public, cohere, and all the bargains made in a million ways every day hold up, then a city flourishes and is the most stimulating center for life, and the most precious artifact, a culture can create. Think of great cities large and small (size, as with any work of art, does not necessarily determine value) and, in addition to nodes of government, commerce, law, hospitals, libraries, and newspapers will come to mind, as will restaurants and theaters and houses of worship and museums and opera houses and galleries and universities. And so will stadia and arenas and parks. In short, once finds not simply commerce but culture, not simply work but leisure, not only negotium but otium, not simply that which ennobles but also that which perfects us. Such has forever been the ultimate purpose of a city, to mirror our higher state, not simply to shelter us from wind and rain. As with leisure, so with the city: It is the setting to make us not the best that Nature can make us, but to manifest the best we, humankind, adding Art to Nature, can make us.

So, O king, does the present life of man on earth seem to me, in comparison with the time which is unknown to us, as though a sparrow flew swiftly through the hall, coming in by one door and going out by the other, and you, the while, sat at meat with your captains and liegemen, in wintry weather, with a fire burning in your midst and heating the room, the storm raging out of doors and driving snow and rain before it. For the time for which he is within, the bird is sheltered from the storm, but after this short while of calm he flies out again into the cold and is seen no more. Thus the life of man is visible for a moment, but we know not what comes before it or follows after it.

PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.

The Lost Girls Nomad girls are Lost Ones too, With leaves at foot and crown; They too seek shelter in the tress, Drink Red and Gold and Brown. Their circlets made of steam and rain, Their lashes powdered ash, They're firelight, they're fox's kill, They're blood and sweat and scratch. Lost Boys fly forever, and crow the rising sun. They play all day in Neverland, their laughter mermaid-spun. But Lost Girls live underground: They steal from hole to hole. They drink the shadows, wear the night, And paint their cheeks with coal. And when the wind turns colder, They split a doe and climb inside. Still-warm sinew wraps their hands, Dead muscle soaks the light. You'll never tell what's girl, what's beast, Once bloody fur's been trussed- So think your happy thoughts, Lost Boy, Wish on your Fairy Dust.

When I wake, it seems a little less hot than usual, so I’m worried I have a fever until light flashes behind the curtains and the sound of a detonation rolls in with a force that makes the windows rattle. As I step outside with a plastic bag over my cast, a stiff breeze pulls my hair away from my face, and I see the pregnant clouds of the monsoon hanging low over the city. The rains have finally decided to come. I sit down on the lawn, resting my back against the wall of the house, and light an aitch I’ve waited a long time to smoke. Suddenly the air is still and the trees are silent, and I can hear laughter from my neighbor’s servant quarters. A bicycle bell sounds in the street, reminding me of the green Sohrab I had as a child. Then the wind returns, bringing the smell of wet soil and a pair of orange parrots that swoop down to take shelter in the lower branches of the banyan tree, where they glow in the shadows.

On Sukkot, we’re told to construct a visibly fragile, temporary structure—one that offers little protection from the wind, rain, heat, and cold, but affords a clear view of the heavens. It is a house that “gives us no shelter…a parody of a house,” Rabbi Alan Lew observes, “it exposes the idea of a house as an illusion.” Sukkot seems to be telling us that being written in the Book of Life is an all-inclusive kind of deal. It is not “The Book of the Pleasant Things in Life” or “The Book of the Easy Things in Life.” It is “The Book of Life”—all of it. If you try to keep out all the rain, you’ll be unable to see any stars. If you refuse to bear the heat, you’ll never feel the sun on your skin. Either you get the whole package—pleasure and pain, joy and sorrow—or you get a numb, closed-off, sleepwalking existence that might seem safe and manageable, but isn’t much of a life. That kind of existence offers only the illusion of control, and it’s no way to live.

The Sentinel of Rain I am a creature who cooks on roofs, sleeps on roofs, livess on roofs. The unenlightened call me homeless; my inner circle know me as 'The Sentinel of Rain'. I know all there is to know about roofs: copper roofing, itchy; aluminium sheeting, noisy; precast concrete; dusty; ceramic tiles; slippery. I haven't had the pleasure of crashing on banana leave or straw roofs but I imagine them to be quite comfy, though pitched a bit steep to saunter about, and as for cooking dinner on, fuhgeddaboudit! Those roofs are as flammable as a cellulose nitrate print of The Blue Angel. Thank God I wasn't born in Southeast Asia or in the backward English countryside with their thatch roof cottages. It's good to be homeless in America. There are so many roof choices, the streets are virtually paved with dumpsters, stocked to the gills like the shelves of Walmart, and when it rains ~ and I'm the first to know, there's never an overpass too far to shelter me from nature's whims.

We are here this afternoon to mourn the passing of two good friends, Terrence Dace and Felix Beider. They were homeless. Their ways were not those we most desire for ourselves, but that didn’t make them wrong. We seem determined to save the homeless, to fix them, to change them into something other than what they are. We want them to be like us, but they are not. The homeless do not want our pity, nor do they deserve our scorn. Our judgments about them, for good or for ill, negate their right to live as they please. Both the urge to rescue and the need to condemn fail to take into account the concept of their personal liberty, which they may exercise as they see fit as long as their actions fall within the law. The homeless are not lesser mortals. For Terrence and Felix, their battles were within and their victories hard-won. I think of these two men as soldiers of the poor, part of an army of the disaffiliated. The homeless have established a nation within a nation, but we are not at war. Why should we not coexist in peace when we may be in greater need of salvation than they? This is what the homeless long for: respect, freedom from hunger, shelter from the elements, safety, the companionship of the like-minded. They want to live without fear. They want to enjoy the probity of the open air without the risk of bodily harm. They want to be warm. They want the comfort of a clean bed when they are ill, relief from pain, a hand offered in friendship. Ordinary conversation. Simple needs. Why are their choices so hard for us to accept? What you see before you is their home. This is their dwelling place. This grass, this sunlight, these palms, this mighty ocean, the moon, the stars, the clouds overhead though they sometimes harbor rain. Under this canopy they have staked out a life for themselves. For Terrence and for Felix, this is also the wide bridge over which they passed from life into death. Their graves will be unmarked but that does not mean they are forgotten. The Earth remembers them, even as it gathers them tenderly into its

The little procession proceeded to the center of the square, where the village locksman, one John MacRae, stepped out of the crowd to meet them. This personage was dressed as befitted his office in the sober elegance of dark breeches and coat and grey velvet hat (removed for the nonce and tenderly sheltered from the rain beneath the tail of his coat). He was not, as I had at first assumed, the village jailer, though in a pinch he did perform such office. His duties were primarily those of constable, customs inspector, and when needed, executioner; his title came from the wooden “lock” or scoop that hung from his belt, with which he was entitled to take a percentage of each bag of grain sold in the Thursday market: the remuneration of his office. I had found all this out from the locksman himself. He had been to the Castle only a few days before to see whether I could treat a persistent felon on his thumb. I had lanced it with a sterile needle and dressed it with poplar-bud salve, finding MacRae a shy and soft-spoken man with a pleasant smile.

It is hard to feel affection for something as totally impersonal as the atmosphere, and yet there it is, as much a part and product of life as wine and bread. Taken all in al, the sky is a miraculous achievement. It works, and for what it is designed to accomplish it is as infallible as anything in nature. I doubt whether any of us could think of a way to improve on it, beyond maybe shifting a local cloud from here to there on occasion. The word 'chance' does not serve to account well for structures of such magnificence... We should credit it for what it is: for sheer size and perfection of function, it is far and away the grandest product of collaboration in all of nature. It breathes for us, and it does another thing for our pleasure. Each day, millions of meteorites fall against the outer limits of the membrane and are burned to nothing by the friction. Without this shelter, our surface would long since have become the pounded powder of the moon. Even though our receptors are not sensitive enough to hear it, there is comfort in knowing the sound is there overhead, like the random noise of rain on the roof at night.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

I am the father, mother, and grandfather of this universe. I am the one who dispenses the fruits of people’s actions, their karma. I am the one thing worth knowing, and I am the enabler of all knowing. As water gets purified by filtering through earth, and other things get purified by being washed in water, mankind gets purified by contact with Me. I am the syllable Om, the very sound of Divinity. I am all the scriptures ever written. I am the goal at the end of all paths. I am the landlord of all creation. I am the inner witness in every human. I am your only lasting shelter; all beings dwell in Me. I am your best friend who lives in your heart as your conscience. I am the beginning of creation, the well-wisher of it, and the dissolution of it. I am the storehouse into which all life returns when creation dissolves — and I am the everlasting, imperishable seed from which it again springs. I give the heat of the sun. I let loose the food-giving rain, and I withhold it. I am both immortality and death (doled out based on the fruits of one’s actions). I am both being and nonbeing. In My visible form I am the cosmos; in My invisible form I am the germ that lies hidden.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

Personally, I’ve never met a person who was evil in the classic Hollywood mode, who throws down happily on the side of evil while cackling, the sworn enemy of all that is good because of some early disillusionment. Most of the evil I’ve seen in the world—most of the nastiness I’ve been on the receiving end of (and, for that matter, the nastiness I, myself, have inflicted on others)—was done by people who intended good, who thought they were doing good, by reasonable people, staying polite, making accommodations, laboring under slight misperceptions, who haven’t had the inclination or taken the time to think things through, who’ve been sheltered from or were blind to the negative consequences of the belief system of which they were part, bowing to expedience and/or “commonsense” notions that have come to them via their culture and that they have failed to interrogate. In other words, they’re like the people in Gogol. (I’m leaving aside here the big offenders, the monstrous egos, the grandiose-idea-possessors, those cut off from reality by too much wealth, fame, or success, the hyperarrogant, the power-hungry-from-birth, the socio- and/or psychopathic.) But on the mundane side of things, if we want to understand evil (nastiness, oppression, neglect) we should recognize that the people who commit these sins don’t always cackle while committing them; often they smile, because they’re feeling so useful and virtuous.

Mal’s calm, the surety he seemed to carry in his steps. “Do you think it’s out there?” I asked one afternoon when we’d taken shelter in a dense cluster of pines to wait out a storm. “Hard to say. Right now, I could just be tracking a big hawk. I’m going on my gut as much as anything, and that always makes me nervous.” “You don’t seem nervous. You seem completely at ease.” I could hear the irritation in my voice. Mal glanced at me. “It helps that no one’s threatening to cut you open.” I said nothing. The thought of the Darkling’s knife was almost comforting—a simple fear, concrete, manageable. He squinted out at the rain. “And it’s something else, something the Darkling said in the chapel. He thought he needed me to find the firebird. As much as I hate to admit it, that’s why I know I can do it now, because he was so sure.” I understood. The Darkling’s faith in me had been an intoxicating thing. I wanted that certainty, the knowledge that everything would be dealt with, that someone was in control. Sergei had run to the Darkling looking for that reassurance. I just want to feel safe again. “When the time comes,” Mal asked, “can you bring the firebird down?” Yes. I was done with hesitation. It wasn’t just that we’d run out of options, or that so much was riding on the firebird’s power. I’d simply grown ruthless enough or selfish enough to take another creature’s life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war. “It still doesn’t seem real to me,” I said.

Hey,” Chase said as he approached. “The rain sucks.” “Agreed.” His younger brother settled on a log. “I checked on the cattle. They’re fine. The clouds don’t look like there’s going to be any lightning or thunder, but they look plenty wet.” Zane nodded. “Storm’s supposed to last two days. I was hoping it would hold off until Saturday.” Chase sipped his coffee. “Everybody okay?” There was something about the question. Zane stared at him. “What do you mean?” “Nothing. Just checking.” Had Chase heard something in the night? Zane shook his head. Not possible. His tent had been some distance from the others, and the rain had blocked out a lot of noise. Nothing about his brother’s expression told what he was thinking. “We’re heading back today, right?” Chase said. “That’s the plan. I wish it wasn’t a two-day ride.” “There’s--” Chase stopped speaking and stared at his coffee. Zane knew what he’d been about to say. Reilly’s place. It was only about an hour’s ride. The old man would give them shelter until the worst of the storm passed, and even send out a few of his men to watch over the cattle until then. But Zane wasn’t about to impose on his neighbor. Not now and not ever. He glanced at the sky and wondered how long he could take a stand in weather like this. Whatever his issues with Reilly, his guests’ safety came first. “I better see how everyone’s doing,” he said as he tossed the rest of his coffee into the fire. “Before you go,” Chase said and held out something in his hand. “I wasn’t sure if you had enough with you.” Zane stared at the three condoms resting on his brother’s palm. Then he glanced at Chase, who was grinning. “Way to go, big brother.” Not knowing what to say, Zane rose and stalked off. But not before he took the condoms. He might be stubborn, but he wasn’t a fool.

The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.

Each year before the first rain after the harvest in Spring, I would look at the dry peach tree that I know so well at our backyard and anticipating that in summer it will be covered in an overgrown hedge unless my father who was a committed gardner of note take a weekend off from Jo'burg during the pruning season to prune it. Even now, I still remember with crystal clarity my childhood mood - warm days in Schoonoord with rich nostalgia of green scenery and flowers flowering everywhere.  One evening I was sitting at the veranda of our firehut looking at the orange tree between the plat (flat - roofed) house and the big L - shaped house - the tree served as a shelter from the sun for the drinking water pot next to the plat house - suddenly the weather changed, the wind howled, the tree swayed, the loose corrugated iron sheets on roof of he house clattered and clanged, the open windows shuts with a bang and the sky made night a day, and I was overwhelmed with that feeling of childhood joy at the approaching rain. All of a sudden, the deafening of steady pouring rain. The raging storm beat the orange tree leaves while I sat there remembering that where the orange tree stood used to be our first house, a small triangular   shaped mokhukhu ((tin house) made of red painted corrugated iron sheets salvaged from demolishing site in Witbank, also remembering that my aunt's mokhukhu was also made of the same type and colour of corrugated iron sheets. The ashen ground drunk merily until it was quenched and the floods started rolling down Leolo Mountains, and what one could hear above the deafening steady pouring rain was the bellowing of the nearby Manyane Dale, and if it was daylight one could have seen the noble Sebilwane River rolling in sullen glide. After about fifteen minutes of steady downpour, and rumbling sounds, the storm went away in a series of small, badly lit battle scenes.

This new surge in morale had nothing to do with Churchill’s speech and everything to do with his gift for understanding how simple gestures could generate huge effects. What had infuriated Londoners was that during these night raids the Luftwaffe seemed free to come and go as it wished, without interference from the night-blind RAF and the city’s strangely quiescent anti-aircraft guns. Gun crews were under orders to conserve ammunition and fire only when aircraft were sighted overhead and, as a consequence, did little firing at all. On Churchill’s orders, more guns were brought to the city, boosting the total to nearly two hundred, from ninety-two. More importantly, Churchill now directed their crews to fire with abandon, despite his knowing full well that guns only rarely brought down aircraft. The orders took effect that Wednesday night, September 11. The impact on civic morale was striking and immediate. Crews blasted away; one official described it as “largely wild and uncontrolled shooting.” Searchlights swept the sky. Shells burst over Trafalgar Square and Westminster like fireworks, sending a steady rain of shrapnel onto the streets below, much to the delight of London’s residents. The guns raised “a momentous sound that sent a chattering, smashing, blinding thrill through the London heart,” wrote novelist William Sansom. Churchill himself loved the sound of the guns; instead of seeking shelter, he would race to the nearest gun emplacement and watch. The new cacophony had “an immense effect on people’s morale,” wrote private secretary John Martin. “Tails are up and, after the fifth sleepless night, everyone looks quite different this morning—cheerful and confident. It was a curious bit of mass psychology—the relief of hitting back.” The next day’s Home Intelligence reports confirmed the effect. “The dominating topic of conversation today is the anti-aircraft barrage of last night. This greatly stimulated morale: in public shelters people cheered and conversation shows that the noise brought a shock of positive pleasure.

Within minutes of the red rain stopping, people began to abandon their shelter, tentatively edging out from wherever they had managed to take cover.

For we all must build our worlds around us, bravely or dreamily, as long as we can we shelter ourselves from the rain, walling ourselves in gorgeously.

The only light came from the windows of those houses she passed that had open curtains, revealing little tableaux of family life: the young couple prostrate on a sofa in front of the television, their small child playing on the floor; the solitary old lady reading the paper; the table set for tea, while an unwatched television cast an aurora borealis of moving shadows in the corner.

You better hurry, Parker Wilmington.” Ashley’s voice was muffled against his chest. “Promise me you’ll come back to me.” Parker rolled his eyes. “Yeah, yeah, sure. I promise.” “Tonight.” “Tonight,” Parker echoed dutifully. “Cross your heart.” “Oh, for Christ’s sake, Ashley, I said I’d be back, didn’t I? Don’t I always come back? Even when you don’t want me to?” Miranda’s breath caught in her throat. Fear squeezed in her chest. It can’t be…it’s impossible. For she knew now why she’d listened so intently to Ashley and Parker, why their conversation had seemed so familiar… Oh, God, no… “Parker,” she whispered. Starting forward, she saw Ashley and Etienne standing at the edge of the shelter. Ashley was shivering, and Etienne’s arm was around her shoulders. Miranda tried to call out, to shout a warning, to stop Parker from going, but he’d already dashed into the rain; she could already see the beam of his flashlight growing smaller and dimmer, swallowed by the storm. Yet his words were still here. They lingered in this dark, frightening, abandoned place--the words he’d spoken to Ashley, and the words Ashley had spoken to him. Prophetic words and fatal words. Words that tore at Miranda’s heart and echoed over and over again in her mind. The words Nathan and Ellena had spoken… Right before the end.

59. Creature Comforts Are Only Temporary It was one of the most painful lessons of my life. It was during the first time I attempted SAS selection. I was totally lost in a vast boggy wetland, torrential rain was driving down, and I was utterly spent. I was also way behind time, and I knew it. When I finally made it to the penultimate checkpoint, the corporals kept me there doing endless press-ups in the wet marsh with my heavy pack still on my back. I knew this was costing me even more valuable time and energy. I was feeling fainter and fainter; I knew things were bad. I was soon off again, wading across a fast-flowing, waist-deep stream, before climbing up through knee-deep mud towards the next 2,000-foot (600-metre) mountain ridge-line. I just had to keep going. Ten miles. Twenty miles. ‘Nothing good comes from quitting,’ I told myself, over and over again. ‘If I keep going, I will pass.’ But I was getting more and more delirious with fatigue. I didn’t know why this was happening, and I couldn’t control it. Maybe I hadn’t eaten or drunk enough, or perhaps it was just that the months of this relentless pace were finally taking their toll and I was at my limit. Every couple of paces, my knees would buckle. If I stumbled, I couldn’t stop myself from falling. Eventually I saw the trucks in the distance below me, symbolizing the end point. Wisps of smoke from army Hexi stoves curled upwards from the woods. Soon I would be warm, soon I would have a cup of hot tea. It was all I wanted. But when I reached the end checkpoint I was told I had been failed - I had been too slow. My world fell inwards. I was sent off to make camp in the woods and rest for the night. The remaining recruits would be heading out for the night march in a few hours. The next morning I would be returned to camp with the others who hadn’t made the grade. I was totally dejected. That night in those woods, warm and dry under my shelter, blisters attended to, dry socks on, and out of the wind and rain, I learnt an enduring lesson: warm and dry doesn’t mean fulfilled and happy.

In most cases homeport for the sailor is the port where he feels most at ease. It’s the place he longs to be and normally where his sweetheart lives. Monrovia has none of these characteristics, but like a fungus it begins to grow on you! Day after day the fungus spreads and so it was with me. As I grew accustomed to the heat and incessant rain I found that I actually enjoyed sleeping in a hammock strung under the awning on the port side of the upper deck behind the stack. On the starboards side was the lifeboat which sheltered me some from the wind and driving rain. It was comfortable and cooler than my cabin below. You might say that I was as snug as a bug in a rug. Speaking of which; the mosquitos were usually blown away when the breeze was onshore, however the prevailing winds were easterlies off the continent which still wasn’t too bad but woe was me when they stopped blowing and the atmosphere became heavy hot and humid, laden with the insect that carried the dread parasite that caused malaria. My life was carefree, the food was good and for the most part I was the master not only of the MV Farmington but also of my destiny. When the cargo was secure and I had the time I would fire up my motor scooter and head into town. Life was good and although I missed my girlfriend Nora, the laid-back atmosphere of this nearly forgotten part of the world suited me. In time I joined the ranks of Monrovia’s cadre of transient misfits, backwater sailors, and ‘Typical Tropical Tramps’ or “TTT’s” as we proudly called ourselves. It wasn’t anything I wished for, but slowly although incessantly it happened. Like the black fungus on every building in this decrepit tropical capital city, it grew on me as it did on everyone else.

She would accept his protection after all, if truly she needed it. She was not too proud to be helped by this friend. He’d helped her in a thousand ways already. And she would protect him as fiercely, if it were ever his need—if a fight ever became too much for him or if he needed shelter, or food, or a fire in the rain. Or anything she could provide. She would protect him from everything. That was settled then. She closed her eyes and slipped into sleep.

I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.

I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it.” Aunt Rachel crossed herself. “Holy Mary, Mother of God, pray--” “We don’t sell our womenfolk,” Henry called back. “You sicken my gut, tosi tivo. After you had bedded her, you would have sold her to that dirty old man.” With a sneer twisting his lips, he lifted Tom Weaver’s wool riding blanket from his horse’s withers and tossed it to the dirt. “Better you sell her to me. I am young. I will give her many fine sons. She will not wail over my death for many winters.” “I’d rather shoot her, you murdering bastard,” Henry retorted. “Then do it and make your death song.” The Comanche wheeled his horse, riding close to the window where Loretta stood. “Where is the herbi with such great courage who came out to face us once before? Does she still sleep? Will you hide behind your wooden walls and let your loved ones die? Come out, Yellow Hair, and meet your destiny.

Don’t be a fool!” snapped the viscount. “When did sheltering from the rain with a gentleman count as compromising a lady’s honour?” “Yes, indeed,” said the squire in amazement. “In faith, sir, you should be thanking Fitzpatrick here for having minded your daughter instead of trying to force him to marry the girl.

He lay back with his eyes shut, still sodden in the atmosphere of the dream. It was a vast, luminous dream in which his whole life seemed to stretch out before him like a landscape on a summer evening after rain. It had all occurred inside the glass paperweight, but the surface of the glass was the dome of the sky, and inside the dome everything was flooded with clear soft light in which one could see into the interminable distances. The dream had also been comprehended by - indeed, in some sense it had consisted in - a gesture of the arm made by his mother, and made against thirty years later by the Jewish woman he had seen on the news film trying to shelter the small boy from the bullet, before the helicopters blew them both to pieces.

The movers arrive at my new apartment as I close the door on this chapter. And just as this story started with you, so it shall end. May it cut through kilometres to find you. May it shelter you from the rain. May it find you nestled at the end of my voice.

Leave this place better than you found it,” she admonished. And so we did. We also had to leave wood for the next person’s fire, with tinder and kindling carefully sheltered from rain by a sheet of birch bark. I liked to imagine their pleasure, those other paddlers, arriving after dark to find a ready pile of fuel to warm their evening meal.

Greetings and Thanks to each other as people To the Earth, Mother of all, greetings and thanks. To all the Waters – Waterfalls and Rain, Rivers and Oceans – greetings and thanks. To all the Fish Life, greetings and thanks. The Grains and Greens, Beans and Berries, as one we send thanks to food plants. Medicine Herbs of the world and their keepers, greetings and thanks. To all Animals and their teachings, greetings and thanks. The Trees – for shelter and shade, fruit and beauty – greetings and thanks. To all Birds, large and small, joyful greetings and thanks. And from the Four Directions: The Four Winds, thank you for purifying the air we breathe and giving us strength. Greetings. The Thunderers, our grandfathers in the sky – we hear your voices. Greetings and thanks. And now the Sun, for the Light of a new day and all the fires of life. Greetings and thanks. To our oldest grandmother, the Moon, leader of women all over the world, And the Stars, for their mystery, beauty and guidance, greetings and thanks. To our Teachers, from all times, reminding us of how to live in harmony, greetings and thanks. And for all the gifts of Creation; For all the love around us, greetings and thanks. And for that which is forgotten, We Remember. We end our words. Now our minds are One.

If anything can save this country from all the kitsch that is raining down on it, that is laziness and apathy alone.

May the blessing of light be on ye, light outside and light within. May the blessed sunlight shine down on ye like a great fire so strangers and friends alike may come and warm themselves with it. And may ye two be a beacon of light for everyone around ye, like a candle set by the window of a house, bidding the wanderer take shelter from the storm. And may the blessing of the rain be on ye. May it wash yer Spirit fair and clean, leaving a shining pool where the blue of Heaven shines. May the blessing of the Earth be on ye, soft under yer feet as you walk along the roads, soft under ye as you lie on it when ye’re tired at the end of the day.

THE EYE OF THE STORM Fear not that the whirlwind will carry you hence, Nor wait for its onslaught in breathless suspense, Nor shrink from the blight of the terrible hail, But pass through the edge to the heart of the tale, For there is a shelter, sunlighted and warm, And Faith sees her God through the eye of the storm. The passionate tempest with rush and wild roar And threatenings of evil may beat on the shore, The waves may be mountains, the fields battle plains, And the earth be immersed in a deluge of rains, Yet, the soul, stayed on God, may sing bravely its psalm, For the heart of the storm is the center of calm. Let hope be not quenched in the blackness of night, Though the cyclone awhile may have blotted the light, For behind the great darkness the stars ever shine, And the light of God’s heavens, His love will make thine, Let no gloom dim your eyes, but uplift them on high To the face of your God and the blue of His sky. The storm is your shelter from danger and sin, And God Himself takes you for safety within; The tempest with Him passes into deep calm, And the roar of the winds is the sound of a psalm. Be glad and serene when the tempest clouds form; God smiles on His child in the eye of the storm.

Who are you? Go back with the others until you are judged.” He met Hest’s stare eye to eye. Hest responded with wide-eyed shock. “But… but I’m Hest Finbok! I’ve come all this way to find my wife, Alise! I hired passage on the newest and swiftest ships I could find to come in search of her. When treachery by the captain let it fall to Chalcedean pirates, I thought all was lost. But here I am! Sweet Sa, your miracles never cease! I am here, and alive, and so is my darling wife! Alise, don’t you know me? Has your mind been turned by this harsh place? I am here now, and you need no other protector than your loving husband.” His words, she thought, danced all through the truth, never touching it. Reyn, startled, stayed as he was as Hest stepped around him. “No.” It was the only word she could manage. Her throat was dry, her heart pounding. She could not find breath to say more than that, but she clung to Leftrin’s arm as if it were her only lifeline in a wild sea storm. And he did not let go of her. He stood firm at her side. Leftrin spoke in a low growl. “The lady says no.” “Take your hands off my wife!” Hest ignored Reyn’s challenge of him as he stepped around the Elderling to glare menacingly at Leftrin. “She is obviously not right in her mind! Look how she stares! She does not recognize me, poor thing! And you, you scoundrel, have taken advantage of her! Oh, my Alise, my darling, what has he done to you? How can you not recognize your own loving husband?” She felt a low rumbling from Leftrin as if he snarled like a beast. His arm in her clutch had become hard as iron. He would protect her, he would save her. All she had to do was let him. “No,” she said again, this time to Leftrin. She squeezed his arm reassuringly and then stepped out of his shelter. She stood free of him, and the wind off the river blew past her. Her unbound hair lifted in wild red snakes, and she knew a moment of dismay as she wondered how ridiculous she looked, her skin weathered, her woman’s body garbed in the bright colors of an Elderling as if she did not know her age or place in the world. Her place in the world. She squared her shoulders. As she walked forward, Reyn stepped toward her as if to offer his arm and support. She waved him off without meeting his eyes. She advanced on Hest, hoping to see some flicker of doubt in his eyes. Instead his smile only widened as if he were truly welcoming her. He actually believed that she would resume that role, would pretend to be his loving, dutiful wife. That thought touched fire in her soul. She halted before him and looked up at him. “Oh, my dear! How harshly the world has treated you!” he exclaimed. He tried to put his arms around her. She set both hands to his chest and pushed him firmly away. As he staggered backward, it pleased her that he had not expected her to be so strong. “You are not my husband,” she said in a low voice. He teetered a moment, then caught his balance. He tried to recover his aplomb. But she had seen the sparks of anger flare in his dark eyes. He tipped his head, solicitous, his voice striken. “My dear, you are so confused!” he began. She lifted her voice, pitched it for all to hear. “I am NOT confused. You are NOT my husband. You broke the terms of our marriage contract, rendering it void. From the earliest days of our marriage, you were unfaithful to me. You entered into the contract with no intent of keeping yourself to me. You have deceived me and made me an object of mockery. You are not my husband, and by the terms of our marriage contract, all that is mine comes back to me. You are not my husband, and I am not your wife. You are nothing to me.

Neither John Wayne nor Walter Brennan grew up in the cowboy West, and though Brennan became a rancher, he did not pretend to be his characters the way Wayne sometimes did. Walter’s son Andy remembered a story about a downpour that hit the Red River location shoot just as the cast and crew were sitting down to lunch: “Duke was seated next to Walter and, as everyone scurried for shelter, Wayne calmly went on eating, saying to Walter, ‘This will separate the men from the boys.’ Dad spooned up his rain-soaked lunch for a few minutes more, then getting up he said, ‘Which way did the boys go?’” Walter had a dry wit that could be quite unlike the sensibilities of the characters he played. Andy remembered another time when a driver gave his father the finger. Walter leaned out of his car window and extended a full five fingers, saying “Take some home to the whole family.