Prelude To A Kiss Quotes

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Time wastes too fast : every letter I trace tells me with what rapidity Life follows my pen ; the days and hours of it, more precious, my dear Jenny! than the rubies about thy neck, are flying over our heads like light clouds of a windy day, never to return more -- every thing presses on -- whilst thou are twisting that lock, -- see! it grows grey ; and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!
Laurence Sterne
Never to be squandered.....the miracle of another human being.
Craig Lucas (Prelude to a Kiss)
Never, ever be afraid to be different. It is only when we distinguish ourselves from the expected that we make an impression.
Erin Knightley (The Baron Next Door (Prelude to a Kiss, #1))
The only thing we knew for certain was the American Civil War was not a prelude to a kiss.
Aberjhani (Greeting Flannery O'Connor at the Back Door of My Mind)
Sometimes in life, we have to take a risk. Sometimes those risks are worth it, and sometimes we're haunted by them for the rest of our lives. The thing is, you never know which outcome you'll get unless you actually take that leap.
Erin Knightley (The Earl I Adore (Prelude to a Kiss, #2))
Gideon walked briskly and I hurried to keep up. When he stopped abruptly, turned, and dipped me back in a lavish heated kiss on the crowded sidewalk, I was too stunned to do more than hold on. It was a soul-wrenching melding of our mouths, full of passion and sweet spontaneity that made my heart ache. Applause broke out around us. When he straightened me again, I was breathless and dizzy. “What was that?” I gasped. “A prelude.
Sylvia Day (Bared to You (Crossfire, #1))
Time wastes too fast… the days and hours of it… are flying over our heads like little clouds on a windy day, never to return more – everything presses on – whilst thou art twisting the lock, - see! it grows grey… and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!
Laurence Sterne
I kissed him the way he'd kissed me the night before, not as a prelude to sex, but as a wordless whisper aimed at your lover's heart. Kissing because you simply can't think of another way to show your love for the man you adore. "See, if you'd done that to me back in February, I would have been completely snookered," he said, his smile softening as he pulled away.
Georgina Guthrie (Better Deeds than Words (Words, #2))
Did people... really kiss like that? She had had NO idea. She had imagined being kissed, and in her imagination she had been swept away by the sheer romance of the meeting of lips. In her naivete she had not considered the possibility that a kiss, as a prelude to sexual activity, might have powerful effects on parts of her body, in fact, even parts she had been only half aware of possessing. She ached and throbbed in all sorts of unfamiliar places
Mary Balogh (Simply Magic (Simply Quartet #3))
Time wastes too fast: every letter I trace tells me with what rapidity Life follows my pen; the days and hours of it, more precious, my dear Jenny! than the rubies about they neck, are flying over our heads light like clouds of a windy day, never to return more -- every thing presses on -- whilst thou art twisting that lock, -- see! it grows grey; and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make. -- -- Heaven have mercy on us both!
Laurence Sterne (Tristram Shandy)
That's the problem, Frankie. That's why I'm not kissing you right now. A kiss just isn't a kiss. It's no ordinary thing. One day perhaps I can prove that to you. People have died from wanting—desiring—a mere kiss; it's more complex than you believe it to be. You're very pretty...beautiful even. But you shouldn't let just any guy kiss you. It should be meaningful. And you shouldn't be so willing to share your lips with him. Sharing your lips loosely is nearly as intimate as sharing other parts of yourself. One teases and tempts the other, in a great prelude. I'd like to think you don't kiss very often.
Rae Hachton (Frankie's Monster)
Courtenay put a finger under Julian’s chin and tilted it up. “You can’t possibly mean to kiss me. I’m revolting.” Please kiss me. “You aren’t. And even if you were, you’d be other things too.” It was a gentle kiss, the sort of patient and meandering kiss Courtenay liked and Julian had never understood before. It wasn’t a prelude to fucking, it wasn’t even a prelude to a more thorough kiss. It was a conversation, without the burden of words. Please, Julian wanted to say. Let me try again. Julian’s heart felt full of something terrifying, something more dangerous than anything he had ever thought possible. And he didn’t care. He was throwing himself into an abyss he couldn’t even see, and that was fine, at least for the duration of the kiss.
Cat Sebastian (The Ruin of a Rake (The Turners, #3))
And Gray…Gray was finished. Done for. Completely and hopelessly lost in the softest, most tender embrace he’d ever known. He held her face in his hands, brushing light kisses over her lips. Kissing her slowly, carefully, as though he were only just learning about kissing-because he was. Not learning how to kiss, but learning why to kiss. Not in persuasion, not as a prelude to further liberties. Simply to discover the taste of her, delicate and fresh and exquisitely sweet. To tell her things he didn’t dare express in words. To tell her things he had no words to express. He kissed her for no greater pleasure than to kiss, because at that moment, kissing her felt like the greatest pleasure imaginable. He pressed his lips to her cheeks, her brow, her eyelids, her hair, interspersing his kisses with little endearments in every language he knew. Then, eyes closed, he rested his forehead against hers and waited. Leaving the choice to her.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Jane and Mr. Nobley entered the great hall, the ceiling dazzling with thousands of real candles that put fire into the white dresses and cravats. Five musicians were seated on a dais--a cello and two violins (or maybe a viola?), a harpsichord, and some kind of wind instrument. From keys and strings, they coaxed a grand prelude to the minuet. Jane looked at everything, smiling at the amusement park novelty of it all. She looked at Mr. Nobley. He was beaming at her. At last. “You are stunning,” he said, and every inch of him seemed to swear that it was true. “Oh,” she said. He kissed her gloved fingers. He was still smiling. There was something different about him tonight, and she couldn’t place what it was. Some new plot twist, she presumed. She was eager to roll around in all the plot she could on her last night, though once or twice her eyes strayed to spot Martin. Mr. Nobley stood opposite her in a line of ten men. She watched Amelia and Captain East perform the figures. They held each other’s gazes, they smiled with the elation of new love. All very convincing. Poor Amelia, thought Jane. It was a bit cruel, now that she thought about it, all these actors who made women fall in love with them. Amelia seemed so tenderhearted, and Miss Charming and her heaving breasts so delighted with this world. Jane caught sight of a very striking Colonel Andrews who, now that she watched him dance, might just be gay. Jane felt a thrumming of foreboding. All the ladies were so happy and open-hearted and eager to love. What would happen to them in the dregs of tomorrow?
Shannon Hale (Austenland (Austenland, #1))
At night I could feel the loneliness coming off both of us like heat.
Craig Lucas (Prelude to a Kiss)
—and every time I kiss thy hand to bid adieu, every absence which follows it, are preludes to that eternal separation which we are shortly to make!
Stephanie Dray (America's First Daughter)
but to me, kissing could be even more intimate than sex.
Sherelle Green (Face Down Fridays: Prelude (Crowne Legacy Book 1))
Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
Someday, you'll realize that the world simply doesn't care what your plans are.
Erin Knightley (The Duke Can Go to the Devil (Prelude to a Kiss, #3))
He couldn’t resist taking her mouth, which was weird because kissing had never been more than a needed formality, a prelude to sex. Once the girl was ready and onboard, he was done with it—too intimate. Now look at him, kissing Christy after the sex. Just for the heck of it…because he wanted to. Because he needed it. He really didn’t know what it was about her that had him in this perpetual state of…idiocy. Probably it was the lack of blood circulation to his brain. Along with critical testosterone poisoning. He just hoped this condition was temporary.
Elle Aycart (Heavy Issues (Bowen Boys, #2))
Come all you young fellows who live by the sea, Kiss a fair maiden and then follow me. Hoist up the sail and the anchor aweigh, And run with the wind out through Balifor Bay.
Mary L. Kirchoff (Kendermore (Dragonlance: Preludes #2))
Some kisses are gentle and simply social; no more than a greeting, a brush on the cheek. Some exist only as a prelude to other activities. But our first kiss had a life and a meaning of its own. I felt that it marked the beginning of something important.
Vernon Coleman (The Young Country Doctor Book 1: Bilbury Chronicles)
He turned his head to look at her, trying to think of ways to plead his case. Some way to dazzle and beguile her and make her glad that it was him she was here with. Something witty and persuasive, but she turned at precisely the same moment he did, with invitation in her eyes, and all he could come up with was, “Damn, I really want to kiss you.” Her hesitation was a mere fraction of a second. “Me too,” she whispered. It was all he needed to hear, and in an instant she was in his arms. He kissed her, hard, with no prelude, no artful negotiations or seductive machinations. Just hungry kisses that sent his mind spinning and his body following. She kissed him back with equal enthusiasm, with one hand on his chest and the other wrapped tightly around the back of his neck, pulling him closer. Her mouth was sweet, as sweet as he’d imagined, with lips so soft he could have fallen over the edge of that lighthouse and thought the sensation was just from her touch.
Tracy Brogan (My Kind of You (Trillium Bay #1))
I sank into the kiss, not overtaking his mouth like I normally do, but allowing a kiss like a normal boy and girl, not domme and slave. Sometimes, especially as a prelude to a kinky scene, a little vanilla is needed to spice things up.
Rachel Kramer Bussel (Tasting Her: Oral Sex Stories)
Shazad embraced me last. "Bring each other home safe," she said finally, before letting me go and looking at Sam. His mouth pulled up at the side, and I recognized the prelude to a joke--some gallows humor before we all headed off to try our hardest to stay alive to see another dawn like the one rising behind us now. But before he could say anything, Shazad grabbed the front of his shirt and yanked him toward her abruptly, kissing him squarely on the mouth. And suddenly everyone else was looking at their feet. Or at the sky. Or just about anything that wasn't Sam and Shazad. That was one way to shut him up. Finally the two of them broke apart. "Well," Sam said, looking flushed and unbearably pleased with himself as he riffled his hands through his hair. "That's one hell of a motivation to come back alive.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
Even when I first visited Italy as a studentessa back in the sixties, our orientation program aboard SS Cristoforo Colombo had included a lesson explaining that whereas in the US a long period of time could elapse between a first kiss and a full sexual encounter, in Italy kisses were considered a nest-immediate prelude to rapport I sessuali.
Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.
Ariel Levy (The Rules Do Not Apply)
I really love you.” He kisses me once, closed mouth, and then again. I close my eyes and whisper, “I think…” Another kiss, and one more, this one a little longer with parted lips. “Yeah?” I feel him smile against my mouth. “I love you, too.” He’s on me again, this time without a gentle prelude, his tongue dips between my lips, his hand between my legs. “You’re not going to regret letting me love you.
J.B. Salsbury (On the Sideline (BSU Football, #3))