Dismiss My Feelings Quotes

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When I think of you and me and what we shared, I know it would be easy for others to dismiss our time together as simply a by-product of the days and nights we spent by the sea, a "fling" that, in the long run, would mean absolutely nothing. Thats why I don't tell people about us. They wouldn't understand, and I don't feel the need to explain, simply becasue I know in my heart how real it was... how real this is. When I think of you I cant help smiling, knowing that you've completed me somehow. I love you, not just for now, but for always, and I dream of the day that you'll take me in your arms again
Nicholas Sparks (Dear John)
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
All my adult life I have kept a distance from other people, it has been my way of coping, because I become so incredibly close to others in my thoughts and feelings of course, they only have to look away dismissively for a storm to break inside me.
Karl Ove Knausgård (A Man in Love)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.
Gillian Flynn (Gone Girl)
When evening comes, I return to my home, and I go into my study; and on the thresh-hold, I take off my everyday clothes, which are covered in mud and mire,and I put on regal and curial robes; and dressed in a more appropriate manner I enter into the ancient courts of ancient men and am welcomed by them kindly, and there I taste the food that alone is mine, and for which I was born; and there I am not ashamed to speak to them, to ask them the reasons for their actions; and they, in their humanity, answer me; and for four hours I feel no boredom,I dismiss every affliction, I no longer fear poverty nor do I tremble at the thought of death; I become completely part of them.
Niccolò Machiavelli (The Letters of Machiavelli : A Selection)
Christ, he thinks, by my age I ought to know. You don't get on by being original. You don't get on by being bright. You don't get on by being strong. You get on by being a subtle crook; somehow he thinks that's what Norris is, and he feels an irrational dislike taking root, and he tries to dismiss it, because he prefers his dislikes rational, but after all, these circumstances are extreme, the cardinal in the mud, the humiliating tussle to get him back in the saddle, the talking, talking, on the barge, and worse, the talking, talking on his knees, as if Wolsey's unraveling, in a great unweaving of scarlet thread that might lead you back into a scarlet labyrinth, with a dying monster at its heart.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
The revelation of loneliness, the omnipresent, unanswerable feeling that I was in a state of lack, that I didn't have what people were supposed to, and that this was down to some grave and no doubt externally unmistakable failing in my person: all this had quickened lately, the unwelcome consequence of being so summarily dismissed. I don't suppose it was unrelated, either, to the fact that I was keeling towards the midpoint of my thirties, an age at which female aloneness is no longer socially sanctioned and carries with it a persistent whiff of strangeness, deviance and failure.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
A beast is just what you want. A big, dark medieval brute to throw you to the ground, tear the clothes from your body, and have his wicked way with you. I know I’m right. I haven’t forgotten how excited you were in the aftermath of that blast." The nerve of him! How could he tell? She lifted her chin. "Well, I haven't forgotten the sound you made when I first touched your brow. It wasn't even a moan, it was more like . . . like a whimper." He made a dismissive sound. "Oh yes. A plaintive, yearning whimper. Because you want an angel. A sweet, tender virgin to hold you and stroke you and whisper precious promises and make you feel human." "That's absurd," he scoffed. "You're just begging to be taught a hard, fast lesson in what it means to please a man." "You're just longing to put your head in my lap and feel my fingers in your hair. He backed her up against a rock. "You need a good ravaging." "You," she breathed, "need a hug." They stared at each other for long, tense moments. At first, looking each other in the eye. Then looking each other in the lips. "You know what I think?" he said, coming closer. So close she could feel his breath wash warm against her cheek. "I think we’re having one of those vexing arguments again." "The kind where both sides are right?" "Hell, yes." And this time, when they kissed, they both made that sound. That deep, moaning, yearning, whimpering sound. That sound that said yes. And at last. And you are exactly what I need.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
And we dress, sir --?" he murmured, feeling Osnard's gaze burning the nape of his neck. "Most of my gentlemen seem to favour left these days. I don't think it's political." This was his standard joke, calculated to raise a laugh even with the most sedate of his customers. Not with Osnard apparently. "Never know where the bloody thing is. Bobs about like a windsock," he replied dismissively.
John le Carré (The Tailor of Panama)
Perhaps nothing is as disheartening as the discovery—after years of trying to escape from your dysfunctional childhood—that you have actually managed to recreate it. One woman, the daughter of a hypercritical and demanding mother, recently talked with me about her recently-ended, two-decades-long marriage: "I still have issues with feeling capable and doing things right. Unfortunately, I married my mother and was never able to feel competent in my husband’s eyes, either. I also never really felt loved by him, in the same way I didn’t feel loved by my mother.
Jeb Kinnison (Avoidant: How to Love (or Leave) a Dismissive Partner)
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away. "Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four." He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore. "Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time." "I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill." I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him.Only our lips touch. "You're brilliant,you know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?" "I hope so," I say.
Veronica Roth (Divergent (Divergent, #1))
Okay, time to get serious. I let my smile fade slowly and lowered my pitch, as no human woman could have. “I’m not joking this time. If I see it, it’s mine, and you won’t get it back at the end of the school year.” I growled, deep and long, savoring the feel of the vibrations in my throat, as if the sound alone could save me. It wasn’t quite a cat’s growl but it was damn close. And it was his last warning. Miguel dismissed my threat with an easy smile, and my stomach clenched. Oh, yeah, Faythe. You have Puss shaking in his boots, all right.
Rachel Vincent (Stray (Shifters, #1))
My dad finished chewing something and then put his fork down and looked at me. 'The longer I do my job,' he said. 'the more I realize that humans lack good mirrors. It's so hard for anyone to show us how we look, and so hard for us to show anyone how we feel.' 'That is really lovely,' my mom said. I liked that they liked each other. 'But isn't it also that on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.' 'True. Consciousness makes for poor windows, too. I don't think I'd ever thought about it quite that way.
John Green (Paper Towns)
I'd been lonely before, but never like this. Loneliness had waxed in childhood, and waned in the more social years that followed. I'd lived by myself since my mid-twenties, often in relationships but sometimes not. Mostly I liked the solitude, or, when I didn't, felt fairly certain I'd sooner or later drift into another liaison, another love. The revelation of loneliness, the omnipresent, unanswerable feeling that I was in a state of lack, that I didn't have what people were supposed to, and that this was down to some grave and no doubt externally unmistakable failing in my person: all this had quickened lately, the unwelcome consequence of being so summarily dismissed.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions. After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once. But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening. For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy. I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us. Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait. I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
My heart starts to pound, I can feel my face burning. Without thinking, I pull an arrow from my quiver and send it straight at the Gamemakers’ table. I hear shouts of alarm as people stumble back. The arrow skewers the apple in the pig’s mouth and pins it to the wall behind it. Everyone stares at me in disbelief. “Thank you for your consideration,” I say. Then I give a slight bow and walk straight towards the exit without being dismissed.
Suzanne Collins (The Hunger Games (Hunger Games, #1))
Why do you care, anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn’t mean to use it so flippantly, but it’s too late now. "You can’t play both parts at the same time." "I am not cruel." He scowls at me "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call you ranking a result of my favoritism rather than your skill." I open my mouth to object, but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands. "You didn't have to insult me to prove something to them," I say finally. "And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides- it worked, didn't it?" "At my expense." "I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you. That you are capable of being hurt." I slide my hands into my pockets and rock back on my heels. A strange feeling goes through me- a sweet, aching weakness. He did what he did because he believed in my strength. At home it was Caleb who was strong, because he could forget himself, because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength. I stand on my tiptoes, lift my head, and kiss him. Only our lips touch. "You're brilliant. You know that?" I shake my head. "You always know exactly what to do." "Only because I've been thinking about his for a long time," he says, kissing me briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend, Tris?" "Not exactly." I shrug. "Why? Do you want me to?" He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous. "Yes," he finally says.
Veronica Roth
(Now I can feel Amy looking over my shoulder, smirking at the time I’ve spent discussing my career, my misfortune, and dismissing her experience in one sentence.
Gillian Flynn (Gone Girl)
Time that will end if you pull another stunt like that again, Sadik.” My eyes were hard on him. “I’ll admit, the dating stuff is new to me, but having my feelings dismissed isn’t. I won’t have it.
Love Belvin (He Who Is a Friend (Sadik #1))
What I could tell the boy was, the moment we are born appears to be the very same moment we forget we are loved. Now isn't this awkward? Shouldn't the two things dovetail, love and memory? Shouldn't a feeling that powerful be carved on a tree so no one can ignore its message? To come so far to be in this world only to forget something all-important - what kind of a journey is that? I'll bet that 90 percent of the love that surrounds us is dismissed or discounted - the cup of tea a friend makes, the letter from a faraway auntie. The fact that no one feels loved enough merely proves my point.
Laurie Fox (The Lost Girls)
If I dismiss the ordinary — waiting for the special, the extreme, the extraordinary to happen — I may just miss my life… To allow ourselves to spend afternoons watching dancers rehearse, or sit on a stone wall and watch the sunset, or spend the whole weekend rereading Chekhov stories—to know that we are doing what we’re supposed to be doing — is the deepest form of permission in our creative lives. The British author and psychologist Adam Phillips has noted, 'When we are inspired, rather like when we are in love, we can feel both unintelligible to ourselves and most truly ourselves.' This is the feeling I think we all yearn for, a kind of hyperreal dream state. We read Emily Dickinson. We watch the dancers. We research a little known piece of history obsessively. We fall in love. We don’t know why, and yet these moments form the source from which all our words will spring.
Dani Shapiro (Still Writing: The Perils and Pleasures of a Creative Life)
They’re baffled by my singleness. A smart, pretty, nice girl like me, a girl with so many interests and enthusiasms, a cool job, a loving family. And let’s say it: money. They knit their eyebrows and pretend to think of men they can set me up with, but we all know there’s no one left, no one good left, and I know that they secretly think there’s something wrong with me, something hidden away that makes me unsatisfiable, unsatisfying. The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only … and you sense the if only list is a lot longer than either of them realizes.
Gillian Flynn (Gone Girl)
My interest in spiritual approaches to medical problems should not, however, be construed as a dismissal of science; rather it is a call for more integrated relations between science and humanities in order to transform medical cultures.
Ann Cvetkovich (Depression: A Public Feeling)
Tom looked at St. Vincent. “I assume the editor at the Chronicle refused to divulge the writer’s identity?” St. Vincent looked rueful. “Categorically. I’ll have to find a way to pry it out of him without bringing the entire British press to his defense.” “Yes,” Tom mused, tapping his lower lip with a fingertip, “they tend to be so touchy about protecting their sources.” “Trenear,” Lord Ripon said through gritted teeth, “will you kindly throw him out?” “I’ll see myself out,” Tom said casually. He turned as if to leave, and paused as if something had just occurred to him. “Although … as your friend, Trenear, I find it disappointing that you haven’t asked about my day. It makes me feel as if you don’t care.” Before Devon could respond, Pandora jumped in. “I will,” she volunteered eagerly. “How was your day, Mr. Severin?” Tom sent her a brief grin. “Busy. After six tedious hours of business negotiations, I paid a call to the chief editor of the London Chronicle.” St. Vincent lifted his brows. “After I’d already met with him?” Trying to look repentant, Tom replied, “I know you said not to. But I had a bit of leverage you didn’t.” “Oh?” “I told him the paper’s owner would dismiss him and toss him out on the pavement if he didn’t name the anonymous writer.” St. Vincent stared at him quizzically. “You bluffed?” “No, that is what the business negotiations were about. I’m the new owner. And while the chief editor happens to be a staunch advocate for freedom of the press, he’s also a staunch supporter of not losing his job.” “You just bought the London Chronicle,” Devon said slowly, to make certain he hadn’t misheard. “Today.” “No one could do that in less than a day,” Ripon sneered. Winterborne smiled slightly. “He could,” he said, with a nod toward Tom. “I did,” Tom confirmed, picking idly at a bit of lint on his cuff. “All it took was a preliminary purchase agreement and some earnest money.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
We reach the trailer and Shane digs through the pockets of the cargo pants slung over his arm until he finds the key. He pushes open the door and waits for me to pass through. Maybe later I’ll tell myself I should have thought long and hard about what I was going to do, that I should have counted to ten and waited until I regained my sanity before stepping over the threshold, evaluated the pros and cons like a thoughtful, rational adult. But I do no such thing. Shane’s eyes are on mine as I step out of my wet sneakers, drop my damp clothes in a ball on the porch, and walk inside. He follows right behind me, and even through my wet shirt I can feel the heat radiating off his bare chest. The man is a furnace. Every warning about playing with fire zings through my mind, but I dismiss them. I want this. I’m not playing games, and neither is Shane as he grips my shoulders and turns us so my back is to the door and he’s pressed up against me. He lowers his head so our eyes are inches apart and looks at me more closely and thoughtfully than anyone ever has. He’s checking to make sure I’m okay, that my expectations are in line with what today is about. And they are. Just once, we agreed. And that will be enough.
Julianna Keyes (Just Once)
1. Acknowledge and grieve the abusive and dismissive ways in which your family has mishandled your humanity. List the misdeeds done to you, and acknowledge where you didn’t get the validation or compassion you sought and deserved just out of basic human decency. One of the greatest ways to bring these memories up is to write to a F*ck You For list. I do this often with my patients. Begin each sentence with F*ck You For, and complete the sentence with the painful, angering, or frustrating memory. This exercise helps move you from feeling like a victim to taking the trash out. It places accountability on the right people. It also illuminates areas of growth for you, as you may feel anger at yourself for how long you allowed yourself to be passive or submissive to the members of your family you felt had power over you.
Sherrie Campbell (Adult Survivors of Toxic Family Members: Tools to Maintain Boundaries, Deal with Criticism, and Heal from Shame After Ties Have Been Cut)
I remember lying on the beach that afternoon, looking at Audrey while trying at the same time not to look because I knew if she caught me she’d turn away. I remember wondering if I had been that way with my own mother once, always distant, always trying to disappear, always dismissing her, she who had held me in her womb and squeezed me out. How ungrateful we all once were, we daughters who become mothers only to learn how it feels, the endless cycle of rejection. I remember thinking about my mother that day, wishing I could tell her how sorry I was.
Laurie Foos (The Blue Girl: A Novel)
Consider how often you have dismissed your own appearance, behaviors, emotions, and aspirations for being too feminine or masculine. What might your life be if you didn't impose these designations on yourself, let alone on me? What if you were to challenge yourself every time you feel afraid of me and all of us who are pushing against gender expectations and restrictions? What if you cherished us as archetypes of realized potential? What if you were to surrender to sublime possibility, yours and mine? Might you then free me, at last, of my fear and of your own?
Vivek Shraya (I'm Afraid of Men)
Parents have their own reasons for what they say and who they are, and I had always loved them even if they seemed dismissive, but that day I realise a horrible truth. Possibly they love me, but they really don’t like me. It feels like I am losing not just my daughter, but my family.
Linda Collins (Loss Adjustment)
And finally, to girls everywhere, I am with you. On nights when you feel alone, I am with you. When people doubt you or dismiss you, I am with you. I fought everyday for you. So never stop fighting, I believe you. As the author Anne Lamott once wrote, “Lighthouses don’t go running all over an island
Chanel Miller (Know My Name: A Memoir)
Anybody,” John continued, “can hire a man. But the test of leadership is how one handles the dismissal. By helping that employee relocate before he left us built up a feeling of job security in everyone in my department. I let them know by example that no one gets dumped on the street as long as I’m here.
David J. Schwartz (The Magic of Thinking Big)
Oh my God, this was an interrogation. Grady picked up his bottle as he smiled at me. “We just met, but I think we’re…going to be pretty good friends.” “Good friends?” Brock chuckled, and my hands tightened into fists. “Sounds about right. Anyway,” he said in a way that dripped dismissiveness, “I don’t want to keep you all from your dinner. Just wanted to stop by and say hi. I’ll hit you up later,” Brock said to Cam before focusing on me in that intense way of his that made you feel like there was no one else in the entire world but you. He tapped the tip of my nose. I blinked. Brock grinned. “I’ll see you again soon.
J. Lynn (Fire in You (Wait for You, #6))
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Gillian Flynn (Gone Girl)
My Darling, Where are you? And why, I wonder, have we been forced apart? I don’t know the answer to these questions, no matter how hard I try to understand. The reason is plain, but my mind forces me to dismiss it and I am torn by anxiety in all my waking hours. I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all. This, my darling, is my life without you. I long for you to show me how to live again. I try to remember the way we once were, It was times like those that I understood the meaning of true happiness. I would know in my heart that we’d be together forever. Is it always that way, I wonder, when two people are in love? I don’t know, but if my life since you were taken from me is any indication, then I think I know the answers. From now on, I know I will be alone. I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn’t enough. It will never be enough, this I know, yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside. Is it possible that you know how I feel without you? When I dream, I like to think you do. Before we came together, I moved through life without meaning, without reason. I know that somehow, every step I took since the moment I could walk was a step toward finding you. We were destined to be together. But now, alone, I have come to realize that destiny can hurt a person as much as it can bless them, and I find myself wondering why—out of all the people in all the world I could ever have loved—I had to fall in love with someone who was taken away from me.
Nicholas Sparks (Message in a Bottle)
If you’re looking for fast driving there’s a dragway in the southwestern part of the county. It opens next week.” “Do you race there?” he asks. “Yes.” And I plan on spending a lot of time there over the next six weeks. “Isaiah.” Beth attempts to step in between us, but Logan angles himself so that she can’t. “That’s not why I brought him here.” An insane glint strikes the guy’s eyes and all of a sudden, I feel a connection to him. A twitch of his lips shows he might be my kind of crazy. “How fast do the cars there go?” “Some guys hit speeds of 120 mph in an eighth mile.” “No!” Beth stomps her foot. “No. I promised Ryan nothing crazy would happen. Logan, this is not why I brought you here.” “Have you hit those speeds?” He swats his hand at Beth as if she’s a fly, earning my respect. Most guys would be terrified of having their balls ripped off and handed to them for dismissing Beth like that. “Not driving my car, I haven’t,” I answer honestly. But I hope to with Rachel’s car, and with mine, after a few modifications. “Speed can be bought. Just depends on how much you want to spend.” Logan offers his hand. “I’m Logan.” “Isaiah,” I say as we shake. “Shit,” mumbles Beth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Eventually I had gotten it together enough to call her. I did so partly to let her know where I was and partly to almost brag about where I was. Whenever I’d get morose, sulky, or stuck somewhere between crabby and suicidal, she was quick to say something disarming or indirectly tell me things weren’t that bad. Laura wasn’t exactly dismissive of my feelings, but I often left our conversations feeling like she didn’t quite get how harsh things felt for me—or at least that she wasn’t willing to acknowledge it. This frustrated and upset me. I spent so much time trying to hide the depths of my feelings and the clusterfuckedness of my life from everyone, except her. The one person I was honest with was often telling me that I was being too dramatic, or overdramatic, or overthinking things, or would I just please change the subject. It wasn’t like she didn’t believe me—it was more like she questioned why I let things bother me so much. In a small way, ending up in the mental ward was a strange kind of validation for me. Being in Timken Mercy proved that when I was insisting that things were terrible, and she kept insisting that they weren’t, they were, in fact, kind of terrible.
Eric Nuzum (Giving Up the Ghost: A Story About Friendship, 80s Rock, a Lost Scrap of Paper, and What It Means to Be Haunted)
They don’t read any of my stories in the Post, and when I try to talk to them about it—about what it’s like to have to write a cover story in under an hour that the entire city will be reading the next day and how much pressure that is, my dad responds by bringing up a really great email he wrote someone recently. I feel so dismissed when they act like this. I don’t feel cared for or nurtured or seen.
Mandy Stadtmiller (Unwifeable)
You’re as pretty as she is.” “Don’t be saying such things loud enough for herself to hear you, or she’ll skin us both.” Touched and amused, she kissed his cheek. And Shawn came through the door. It would have been comical, she decided, and was a pity that no one noticed but herself noticed the way he stopped dead in his tracks, stared, then jolted when the door swung back and slapped him in the ass. I liked how she was trying to make him jealous with Jack. Jack sighed into his beer when Brenna strode out. “She smells like sawdust,” he said more to himself than otherwise. “It’s very pleasant.” “What are you doing sniffing at her?” Shawn demanded. Jack just blinked at him. “What?” “I’ll be back in a minute.” He shoved up the pass-through on the bar, let it fall with a bang that had Aidan cursing him, then rushed through the door after Brenna. “Wait a minute. Mary Brennan? Just a damn minute.” She paused by the door of her truck, and for one of the first times in her life felt the warm glow of pure female satisfaction stream through her. A fine feeling, she decided. A fine feeling altogether. Schooling her face to show mild interest, she turned. “Is there a problem, then?” “Yes, there’s a problem. What are you doing flirting with Jack Brennan that way?” She let her eyebrows rise up under the bill of her cap. “And what business might that be of yours, I’d like to know?” “A matter of days ago you’re asking me to make love with you, and I turn around and you’re cozying up to Jack and making plans to have dinner with some Dubliner.” She waited one beat, then two. “And?” “And?” Flustered and furious, he glared at her. “And it’s not right.” She only lifted a shoulder in dismissal, then turned to open the truck door. “It’s not right,” he repeated, grabbing her again and turning her to face him. “I’m not having it.” “So you said, in clear terms.” “I don’t mean that.” “Oh, well, if you’ve decided you’d like to have sex with me after all, I’ve changed my mind.” “I haven’t decided—” He broke off, staggered. “Changed your mind?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
I better get back. It’ll be dawn soon.” He rolled out of bed and began to dress. “Besides, I don’t want to be here when your boyfriend arrives.” “Who?” I sat up. “The blonde that follows your every move with his lovesick eyes,” Valek teased. “Cahil?” I laughed, dismissing him. “He thought Janco was my heart mate. I think you should feel more jealousy toward my horse. She’s the one who has stolen my heart.
Maria V. Snyder (Magic Study (Study, #2))
I hate your kind." "Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?" Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first." The old gaijin laughs. "That would have been exciting." "We would have beaten you. Just like the cheshires." "You may yet." He shrugs. "You do not fear cibiscosis or blister rust." "No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont." He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals." Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?" The old man exchanges a glance with his ladyboy. "Can you do it?" Emiko presses. He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented." Emiko slumps. The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world." Emiko feels her heart pounding. "You can do this, truly?" "Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
Paolo Bacigalupi (The Windup Girl)
The question turns Aria’s face bright red and, based on the heat I feel in my cheeks, probably mine too. Until now, we haven’t publicly defined our relationship. It didn’t seem necessary. “We haven’t gone on an official date,” Aria says. “Do you want to?” Paris asks. “Sure,” Aria answers, somewhat dismissively. Paris looks at me expectantly. “Sure,” I say, trying to end the inquisition. “Then you should go on a date,” Paris says.
J.W. Lynne (The Haven (The Unknown, #2))
I open the red leather box and examine the earrings. They are beautiful: simple yet elegant, just like the enchanting Miss Steele … who left me this morning because I punished her … because I pushed her too hard. I cradle my head once again. But she let me. She didn’t stop me. She let me because she loves me. The thought is horrifying, and I dismiss it immediately. She can’t. It’s simple: no one can feel like that about me. Not if they know me.
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
When we arrive on our floor we head to our rooms, politely bidding each other goodnight. Just as I am about to enter mine, I remember I have his jacket. I can use this to have just one more moment with him tonight. I knock on his door, his lips slightly open when he sees me on the other side. “You forgot your jacket.” It is still on my shoulders. I turn around to offer it up to him. “Thank you Shy,” As he says this he takes both of his hands, grabbing each shoulder of the jacket and oh so slowly pulls it off of me, grazing my bare arms and back as he pulls it off. I close my eyes taking in his touch. Each caress of his fingertips feels like one thousand little sparks. How can just the faintest touch from this man set me off like this? Please kiss me. Kiss my neck. I won’t say no. I hold my position for a second more than I should, but it feels so tortuously long. There is nothing, not another touch, not a kiss. I turn to face him again and bid him goodnight. His face looks sad, almost guilty. Every word, every touch, every action tonight was an implication. This keeps us safe from one another. It keeps me safe from him. “Goodnight Shy,” he says as if dismissing me from his presence. “Goodnight Taylor.
Nina G. Jones (Strapped (Strapped, #1))
I rose from their midst feeling ashamed of how I had dismissed them; in so short a time Galen had brought me to think of them as ignorant sword wielders, men of brawn with no brain at all. I had lived among them all my life. I should have known better. No, I had known better. But my hunger to set myself higher, to prove beyond doubt my right to that royal magic had made me willing to accept any nonsense he might choose to present me. Something clicked within me, as if the key piece to a wood puzzle had suddenly slid into place. I had been bribed with the offer of knowledge as another man might have been bribed with coins.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Why are women so ungenerous to other women? Is it because we have been tokens for so long? Or is there a deeper animosity we owe it to ourselves to explore? A publisher...couldn't understand why women were so loath to help each other.... The notion flitted through my mind that somehow, by helping..., I might be hurting my own chances for something or other -- what I did not know. If there was room for only one woman poet, another space would be filled.... If I still feel I am in competition with other women, how do less well-known women feel? Terrible, I have to assume. I have had to train myself to pay as much attention to women at parties as to men.... I have had to force myself not to be dismissive of other women's creativity. We have been semi-slaves for so long (as Doris Lessing says) that we must cultivate freedom within ourselves. It doesn't come naturally. Not yet. In her writing about the drama of childhood developments, Alice Miller has created, among other things, a theory of freedom. in order to embrace freedom, a child must be sufficiently nurtured, sufficiently loved. Security and abundance are the grounds for freedom. She shows how abusive child-rearing is communicated from one generation to the next and how fascism profits from generations of abused children. Women have been abused for centuries, so it should surprise no one that we are so good at abusing each other. Until we learn how to stop doing that, we cannot make our revolution stick. Many women are damaged in childhood -- unprotected, unrespected, and treated with dishonesty. Is it any wonder that we build up vast defences against other women since the perpetrators of childhood abuse have so often been women? Is it any wonder that we return intimidation with intimidation, or that we reserve our greatest fury for others who remind us of our own weaknesses -- namely other women? Men, on the other hand, however intellectually condescending, clubbish, loutishly lewd, are rarely as calculatingly cruel as women. They tend, rather, to advance us when we are young and cute (and look like darling daughters) and ignore us when we are older and more sure of our opinions (and look like scary mothers), but they don't really know what they're doing. They are too busy bonding with other men, and creating male pecking orders, to pay attention to us. If we were skilled at compromise and alliance-building, we could transform society. The trouble is: we are not yet good at this. We are still quarrelling among ourselves. This is the crisis feminism faces today.
Erica Jong (Fear of Fifty: A Midlife Memoir)
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?” I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.” He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.” “Thank—what?” Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then. I nodded slowly at him, feeling like I’d done something wrong. The big guy’s brow furrowed. “Who was on your team last year?” I named the players I could remember, wondering where this was going and not having a good feeling about it. “What was your defensive team?” There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…” The noise Zac tried to muffle was the most obvious snicker in the world. Asshole. “Was I not on your team?” I gulped. “So you see—” “Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something. “Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.” It was the thump that said Zac’s knees hit the floor. “Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—” “Minne-sota.” Jesus, he’d broken the state in two. The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.” “See what?” “Your roster from last year.” I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
Mariana Zapata (The Wall of Winnipeg and Me)
The ones who are not soul-mated—the ones who have settled—are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say—they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation—yes, honey, okay, honey—is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.)
Gillian Flynn (Gone Girl)
What was I? Exactly what Conchis had had me told: nothing but the net sum of countless wrong turnings. Why? I dismissed most of the Freudian jargon of the trial; but all my life I had tried to turn life into fiction, to hold reality away; always I had acted as if a third person was watching and listening and giving me marks for good or bad behavior—a god like a novelist, to whom I turned, like a character with the power to please, the sensitivity to feel slighted, the ability to adapt himself to whatever he believed the novelist-god wanted. This leechlike variation of the superego I had created myself, fostered myself, and because of it I had always been incapable of acting freely. It was not my defense; but my despot. And now I saw it, I saw it a death too late.
John Fowles (The Magus)
Low inhibition and anxiety “There was no fear, no worry, no sense of reputation and competition, no envy, none of these things which in varying degrees have always been present in my work.” “A lowered sense of personal danger; I don’t feel threatened anymore, and there is no feeling of my reputation being at stake.” “Although doing well on these problems would be fine, failure to get ahead on them would have been threatening. However, as it turned out, on this afternoon the normal blocks in the way of progress seemed to be absent.” 2. Capacity to restructure problem in a larger context “Looking at the same problem with [psychedelic] materials, I was able to consider it in a much more basic way, because I could form and keep in mind a much broader picture.” “I could handle two or three different ideas at the same time and keep track of each.” “Normally I would overlook many more trivial points for the sake of expediency, but under the drug, time seemed unimportant. I faced every possible questionable issue square in the face.” “Ability to start from the broadest general basis in the beginning.” “I returned to the original problem…. I tried, I think consciously, to think of the problem in its totality, rather than through the devices I had used before.” 3. Enhanced fluency and flexibility of ideation “I began to work fast, almost feverishly, to keep up with the flow of ideas.” “I began to draw …my senses could not keep up with my images …my hand was not fast enough …my eyes were not keen enough…. I was impatient to record the picture (it has not faded one particle). I worked at a pace I would not have thought I was capable of.” “I was very impressed with the ease with which ideas appeared (it was virtually as if the world is made of ideas, and so it is only necessary to examine any part of the world to get an idea). I also got the feeling that creativity is an active process in which you limit yourself and have an objective, so there is a focus about which ideas can cluster and relate.” “I dismissed the original idea entirely, and started to approach the graphic problem in a radically different way. That was when things started to happen. All kinds of different possibilities came to mind….” “And the feeling during this period of profuse production was one of joy and exuberance…. It was the pure fun of doing, inventing, creating, and playing.
James Fadiman (The Psychedelic Explorer's Guide: Safe, Therapeutic, and Sacred Journeys)
1. All-or-Nothing Thinking The tendency to think in extremes like “always” and “never” without considering nuanced degrees between. “My boyfriend broke up with me; I always ruin my relationships.” 2. Overgeneralization The tendency to make broad assumptions based on limited specifics. “If one person thinks I’m stupid, everyone will.” 3. Mental Filter The tendency to focus on small negative details to the exclusion of the big picture. “My A+ average doesn’t matter; I got a C on an assignment.” 4. Disqualifying the Positive The tendency to dismiss positive aspects of an experience for irrational reasons. “If my friend compliments me, she is probably just saying it out of pity.” 5. Jumping to Conclusions The tendency to make unfounded, negative assumptions, often in the form of attempted mind reading or fortune telling. “If my romantic interest doesn’t text me today, he must not be interested.” 6. Catastrophizing The tendency to magnify or minimize certain details of an experience, painting it as worse or more severe than it is. “If my wife leaves me, then I will never be able to recover from my misery.” 7. Emotional Reasoning The tendency to take one’s emotions as evidence of objective truth. “If I feel offended by someone else’s remark, then he must have wronged me.” 8. Should Statements The tendency to apply rigid rules to how one “should” or “must” behave. “My friend criticized my attitude, and that is something that friends should never do.” 9. Labeling The tendency to describe oneself in the form of absolute labels. “If I make a calculation error, it makes me a total idiot.” 10. Personalization The tendency to attribute negative outcomes to oneself without evidence. “If my wife is in a bad mood, then I must have done something to upset her.
Designing the Mind (Designing the Mind: The Principles of Psychitecture)
Independent Women Lucy Liu... with my girl, Drew... Cameron D. and Destiny Charlie's Angels, Come on Uh uh uh Question: Tell me what you think about me I buy my own diamonds and I buy my own rings Only ring your cell-y when I'm feelin lonely When it's all over please get up and leave Question: Tell me how you feel about this Try to control me boy you get dismissed Pay my own fun, oh and I pay my own bills Always 50/50 in relationships The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Tell me how you feel about this Who would I want if I would wanna live I worked hard and sacrificed to get what I get Ladies, it ain't easy bein' independent Question: How'd you like this knowledge that I brought Braggin' on that cash that he gave you is to front If you're gonna brag make sure it's your money you flaunt Depend on noone else to give you what you want The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Destiny's Child Wassup? You in the house? Sure 'nuff We'll break these people off Angel style Child of Destiny Independent beauty Noone else can scare me Charlie's Angels Woah All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that [repeat until fade]
Destiny's Child
I also suspect that he loves you." Trying to suppress the anguished hope that flared in her heart, Lauren turned her face to the stained-glass window near their table. "What makes you think so?" "To begin with, he isn't treating you the way he normally treats the women in his life." "I know that. He's nice to the others," Lauren said bitterly. "Exactly!" Mary agreed. "He's always treated his women with an attitude of amused indulgence...of tolerant indifference. While an affair lasts he's attentive and charming. When a woman begins to bore him he courteously but firmly dismisses her from his life. Not once to my knowledge has any woman touched an emotion in him deeper than affection or desire. I've seen them try in the most inventive ways to make him jealous,yet he has reacted with nothing stronger than amusement, or occasionally exasperation. Which brings us to you." Lauren blushed at being correctly categorized with the other woen Nick had taken to bed,but she knew it was useless to deny it. "You," Mary continued quietly, "have evoked genuine anger in him.He is furious with you and with himself. Yet he doesn't dismiss you fro his life; he doesn't even send you downstairs. Doesn't it seem odd to you that he won't let you work for Jim,and simply have you come upstairs to act as translator when Rossi's call finally comes through?" "I think he's keeping me up there for revenge," Lauren said grimly. "i think he is too.Perhaps he's trying to get back at you for what you're making him feel.Or possibly he's trying to find fault with you,so that he won't feel the way he does any longer. I don't know. Nick is a complex man. Jim, Ericka and I are all very close to him, and yet he keeps each one of us at a slight distance. There's a part of himself that he will not share with others, not even us.
Judith McNaught (Double Standards)
The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.” He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.” “It isn’t necessary,” she was quick to insist, afraid for more reasons than one. “I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms. “You can’t take me upstairs!” she protested. “What if you’re seen?” The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.” “But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled. “Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?” “Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease. “Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.” He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.” “Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse. “I’m trying, madam. I’m really trying.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
I had my reasons, Alastair.” “I’m sure you did,” he said, surprising her again. “I wish you’d tell me what they were. Are you in love with Matthew?” “I don’t know,” Cordelia said. Not that she didn’t have thoughts on the matter, but she didn’t feel like sharing them with Alastair at the moment. “Are you in love with James, then?” “Well. We are married.” “That’s not really an answer,” said Alastair. “I don’t really like James,” he added, “but on the other hand, I also don’t like Matthew very much. So you see, I am torn.” “Well, this must be very difficult for you,” Cordelia said crossly. “I cannot imagine how you will find it within yourself to go on.” She made a dismissive gesture, which was spoiled when Alastair burst out laughing. “I’m sorry,” he said. “But those gloves are enormous on you.” “Humph,” said Cordelia. “About James—” “Are we the sort of family that discusses our intimate relationships now?” Cordelia interrupted. “Perhaps you would like to talk about Charles?” Generally not. Charles seems to be healing up, and beyond him surviving, I have no further interest in what happens to him,” said Alastair. “In fact, there have been a few touch-and-go moments with my caring about whether he survives. He was always demanding that I adjust his pillows. ‘And now the foot pillow, Alastair,” he said in a squeaky voice that, to be fair, sounded nothing like the actual Charles. Alastair was terrible at impressions. “I wouldn’t mind a foot pillow,” said Cordelia. “It sounds rather nice.” “You are clearly in an emotional state, so I will ignore your rambling,” said Alastair. “Look, you need not discuss your feelings about James, Matthew, or whatever other harem of men you may have acquired, with me. I merely want to know if you’re all right.” “No, you want to know if either of them has done something awful to me, so you can chase them around, shouting,” said Cordelia darkly. “I could do both,” Alastair pointed out.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I look back at Silas, who is adding more sugar to his coffee. “Okay. Fine. One class, but only because I might not get another chance once we’re back in Ellison. And you have to promise not to tell Scarlett.” “Only if you let me pay for it,” he counters. “Silas,” I say threateningly. He shrugs. “You and Lett are broke. And besides, if you pay for it, Scarlett will know the money is missing.” “Fine,” I say dismissively. “Great. Let’s go get you signed up, then,” he says, rising and dropping a few crumbled dollars onto the tabletop. I remain seated, mouth open. “Now?” “No time like the present. I suppose I’ve taken Operation Rosie-Gets-a-Life as a personal mission. It’s too similar to Operation Silas-Gets-a-Life for me to ignore.” He extends a hand to me, and, without thinking, I take it. My heart rate quickens and I want to pull him toward me. Oh god. What am I thinking? I pull my hand away again and smile nervously. Silas smiles almost sheepishly. Did he feel the same stirring sensation?
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
How could I sacrifice her for the sake of Charlotte? I was getting tired of Charlotte, with her intact virtue and her tidy ways. Wearing her was like wearing a hair shirt, she made me itchy, I wanted her to fall into a mud puddle, have menstrual cramps, sweat, burp, fart. Even her terrors were too pure, her faceless murderers, her corridors, her mazes and forbidden doors. Perhaps in the new life, I thought, the life to come, I would be less impressed with capes and more with holes in stockings, hangnails, body odors and stomach problems. Maybe I should try to write a real novel, about someone who worked in an office and had tawdry, unsatisfying affairs. But that was impossible, it was against my nature. I longed for happy endings, I needed the feeling of release when everything turned out right and I could scatter joy like rice all over my characters and dismiss them into bliss. Redmond would kiss Charlotte so that her eyeballs rolled right back into her head, and then they could both vanish. When would they be joyful enough, when would my life be my own?
Margaret Atwood (Lady Oracle)
Grom greets him with a smile full of nausea. "I'm not ready for this, little brother," he confesses. "Sure you are," Galen laughs, slapping his brother's back. Grom shakes his head. "It feels like...like I'm betraying her. Nalia." Galen stiffens. Oh. He doesn't feel qualified to talk Grom out of this kind of mood. "I'm sure she would understand," he offers. Grom studies him thoughtfully. "I'd like to think she would. But you didn't know Nalia. She had an amazing temper." He chuckles. "I keep looking over my shoulder, expecting to see her ready to bludgeon me with something for mating with someone else." Galen frowns, unsure of what to say. Grom chuckles. "I'm joking, of course." Then he shrugs. "Well, half joking, anyway. I swear I've been sensing her lately, Galen. It feels so real. It takes all I've got not to follow the pulse. Do you think I'm losing my mind?" Galen shakes his head out of obligation. Secretly though, he thinks he might be. "I'm sure you're just feeling guilty. Er...not that you have a reason to feel guilty. Uh, it's just natural that you feel that way before your mating ceremony. Nerves and all." Galen runs a hand through his hair. "I'm sorry. I'm not very good at this sort of thing." "What sort of thing? Being mature?" Grom smirks. "Funny." "Maybe you should spend some more time on land, then come back and talk to me. Being on land ages you, you know. Might do you some good." Galen snorts. Now you tell me. "I heard." Out of nowhere, Grom grabs Galen's face and wrestles him into a hold. Galen hates it when he does this. "Let me see that cute little face of yours, minnow. Yep, just like I thought. Your eyes are turning blue. How much time have you been spending on land? Please tell me you're not head over fin for a human?" Then he laughs and releases him just as suddenly. Galen stares at him. "What do you mean?" "I was just teasing, minnow. Giving you a hard time." "I know but...why did you say my eyes are turning blue? What does that have to go with the humans?" Grom waves a dismissive hand at him. "Forget it. I think you might be more uptight than me right now. I said I was just kidding.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
ONCE, a youth went to see a wise man, and said to him: “I have come seeking advice, for I am tormented by feelings of worthlessness and no longer wish to live. Everyone tells me that I am a failure and a fool. I beg you, Master, help me!” The wise man glanced at the youth, and answered hurriedly: “Forgive me, but I am very busy right now and cannot help you. There is one urgent matter in particular which I need to attend to...”—and here he stopped, for a moment, thinking, then added: “But if you agree to help me, I will happily return the favor.” “Of...of course, Master!” muttered the youth, noting bitterly that yet again his concerns had been dismissed as unimportant. “Good,” said the wise man, and took off a small ring with a beautiful gem from his finger. “Take my horse and go to the market square! I urgently need to sell this ring in order to pay off a debt. Try to get a decent price for it, and do not settle for anything less than one gold coin! Go right now, and come back as quick as you can!” The youth took the ring and galloped off. When he arrived at the market square, he showed it to the various traders, who at first examined it with close interest. But no sooner had they heard that it would sell only in exchange for gold than they completely lost interest. Some of the traders laughed openly at the boy; others simply turned away. Only one aged merchant was decent enough to explain to him that a gold coin was too high a price to pay for such a ring, and that he was more likely to be offered only copper, or at best, possibly silver. When he heard these words, the youth became very upset, for he remembered the old man’s instruction not to accept anything less than gold. Having already gone through the whole market looking for a buyer among hundreds of people, he saddled the horse and set off. Feeling thoroughly depressed by his failure, he returned to see the wise man. “Master, I was unable to carry out your request,” he said. “At best I would have been able to get a couple of silver coins, but you told me not to agree to anything less than gold! But they told me that this ring is not worth that much.” “That’s a very important point, my boy!” the wise man responded. “Before trying to sell a ring, it would not be a bad idea to establish how valuable it really is! And who can do that better than a jeweler? Ride over to him and find out what his price is. Only do not sell it to him, regardless of what he offers you! Instead, come back to me straightaway.” The young man once more leapt up on to the horse and set off to see the jeweler. The latter examined the ring through a magnifying glass for a long time, then weighed it on a set of tiny scales. Finally, he turned to the youth and said: “Tell your master that right now I cannot give him more than 58 gold coins for it. But if he gives me some time, I will buy the ring for 70.” “70 gold coins?!” exclaimed the youth. He laughed, thanked the jeweler and rushed back at full speed to the wise man. When the latter heard the story from the now animated youth, he told him: “Remember, my boy, that you are like this ring. Precious, and unique! And only a real expert can appreciate your true value. So why are you wasting your time wandering through the market and heeding the opinion of any old fool?
William Mougayar (The Business Blockchain: Promise, Practice, and Application of the Next Internet Technology)
need to listen to my anger to know that I’ve had a boundary violated. I need to listen to my loneliness to know that I need to invest in deep relationships. I need to listen to my anxiety to know that I have an unresolved trauma that needs to heal. I need to listen to my depression to know that I need care for my heart’s deepest wounds. I need to listen to my fear to know that I may need to create safety. I need to listen to my stress and irritability to know that I’m out of balance and need rest or reprioritization. One common experience, however, keeps us all stuck. Instead of moving toward our pain and listening to the valuable messages it has for us, the vast majority of us move against or away from it. We ignore it, deny it, feel ashamed for feeling it, resent it, or attempt to numb, deflect, or dismiss it. We’ve been well taught to not listen to, or even feel, those yucky, hard feelings. Suck it up, buttercup. Be a man. Big girls don’t cry. Stop your whining or I’ll give you something to whine about! You can see why I believe we suffer from a very serious leprosy of the heart. And it’s killing us.
Jenna Riemersma (Altogether You: Experiencing personal and spiritual transformation with Internal Family Systems therapy)
Perhaps I have misjudged you, Christopher,” Erienne commented as he whirled her about in a wide sweep of the ballroom. “How so, my love?” He searched her face for some hint of her meaning. “You watch over me as closely as Stuart,” she stated and grew thoughtful. “Perhaps more so.” “I have not given up hope that you will someday become mine, madam, and I choose to safeguard against those who would take you from me.” “What of Stuart?” She raised a lovely brow as she awaited his answer. It was a long moment before he gave a reply. “In the ways of love, I do not consider Stuart as much a threat as an inconvenience.” “An inconvenience?” she queried. “I shall have to deal with him in time, and that will be the difficult part. I cannot dismiss the man without rousing your hatred again. ’Tis a most perplexing problem.” “You amaze me, Christopher.” Erienne shook her head, somewhat shocked by his casual disregard of her husband. “You truly amaze me.” “The feeling is mutual, my love.” His voice came as a soft caress and sent an eddy of sensations spiraling down through the core of her being. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
Spearing a quail egg with her fork, Evie popped it into her mouth. “What is to be done about Mr. Egan?” His shoulders lifted in a graceful shrug. “As soon as he is sober enough to walk, he’ll be dismissed.” Evie brushed away a stray lock of hair that had fallen over her cheek. “There is no one to replace him.” “Yes, there is. Until a suitable manager can be found, I’ll run the club.” The quail egg seemed to stick in her throat, and Evie choked a little. Hastily she reached for her wine, washed it down, and regarded him with bulging eyes. How could he say something so preposterous? “You can’t.” “I can hardly do worse than Egan. He hasn’t managed a damned thing in months… before long, this place will be falling down around our ears.” “You said you hated work!” “So I did. But I feel that I should try it at least once, just to be certain.” She began to stammer in her anxiety. “You’ll pl-play at this for a few days, and then you’ll tire of it.” “I can’t afford to tire of it, my love. Although the club is still profitable, its value is in decline. Your father has a load of outstanding debt that must be settled. If the people who owe him can’t muster the cash, we’ll have to take property, jewelry, artwork… whatever they can manage. Having a good idea of the value of things, I can negotiate some acceptable settlements. And there are other problems I haven’t yet mentioned… Jenner has a string of failing Thoroughbreds that have lost a fortune at Newmarket. And he’s made some insane investments— ten thousand pounds he put into an alleged gold mine in Flintshire— a swindle that even a child should have seen through.” “Oh God,” Evie murmured, rubbing her forehead. “He’s been ill— people have taken advantage—” “Yes. And now, even if we wanted to sell the club, we couldn’t without first putting it in order. If there were an alternative, believe me, I would find it. But this place is a sieve, with no one who is capable or willing to stop the holes. Except for me.” “You know nothing about filling holes!” she cried, appalled by his arrogance. Sebastian responded with a bland smile and the slightest arch of one brow. Before he could open his mouth to reply, she clapped her hands over her ears. "Oh, don't say it, don't!" When she saw that he was obligingly holding his silence-though a devilish gleam remained in his eyes-she lowered her hands cautiously.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
My radio show’s producer, Sherri, is African American. She just got back from a trip where she was a guest speaker at a youth event in a church that was primarily white. Just before the Sunday morning service, she was called into the minister’s study for prayer, and she met a man who was overtly hostile to her. The way he looked at her, dismissively and contemptuously, made her feel hated. She felt utterly unwelcome, lonely, and out of place. After she spoke, the same man approached her, took off his glasses, and started crying. He told her that hers was the most influential talk he’d ever heard, and it had affected him particularly because he is very racist against blacks. She was stunned by his honesty. “We’ve always been this way. My family has always been racist. I’ve learned this from my dad. I’m so sorry. I’ve got to change,” he told her. “I can see Jesus is using you. And he’s using you to change me.” Sherri then asked to meet his dad. She did. And she hugged him. I know Sherri takes racism very, very seriously. But, she says, she also has to forgive racists, because she has to love people in her family. And they are part of her family. She has to love them as Jesus loves her. Sherri’s love is not naive. But that’s exactly why it’s so profound. She’s setting her offense aside, not because it doesn’t matter, not because it isn’t completely understandable, but because of what Jesus has done for her. She’s choosing against offense, not just because God loves these men but also because God loves her and has set aside her very real offenses in order to be with her. There are those of us who pat ourselves on the back for loving our families and friends. “I’m loyal to the end; I’d die for my kids,” we’ll say. Truth is, that’s not really terribly remarkable. Everyone, or practically everyone, feels this way. What is terribly remarkable is when someone is willing to love a person, in the name of Jesus, whom he or she would otherwise despise. It makes no sense otherwise. Why would we ever regard someone as family who would otherwise be an enemy? Why ignore his faults, or cover her wrongs with love? Without Jesus, it simply makes no sense. Sherri’s very refusal, and our very refusal, to take and hold offense is evidence of the existence of God. This is how they’ll know we belong to Him, Jesus says. So let’s love—from this moment forward—because He first loved us.
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
Nonconformity is an affront to those in the mainstream. Our impulse is to dismiss this lifestyle, create reasons why it can’t work, why it doesn’t even warrant consideration. Why not? Living outdoors is cheap and can be afforded by a half year of marginal employment. They can’t buy things that most of us have, but what they lose in possessions, they gain in freedom. In Somerset Maugham’s The Razor’s Edge, lead character Larry returns from the First World War and declares that he would like to “loaf.”23 The term “loafing” inadequately describes the life he would spend traveling, studying, searching for meaning, and even laboring. Larry meets with the disapproval of peers and would-be mentors: “Common sense assured…that if you wanted to get on in this world, you must accept its conventions, and not to do what everybody else did clearly pointed to instability.” Larry had an inheritance that enabled him to live modestly and pursue his dreams. Larry’s acquaintances didn’t fear the consequences of his failure; they feared his failure to conform. I’m no maverick. Upon leaving college I dove into the workforce, eager to have my own stuff and a job to pay for it. Parents approved, bosses gave raises, and my friends could relate. The approval, the comforts, the commitments wound themselves around me like invisible threads. When my life stayed the course, I wouldn’t even feel them binding. Then I would waiver enough to sense the growing entrapment, the taming of my life in which I had been complicit. Working a nine-to-five job took more energy than I had expected, leaving less time to pursue diverse interests. I grew to detest the statement “I am a…” with the sentence completed by an occupational title. Self-help books emphasize “defining priorities” and “staying focused,” euphemisms for specialization and stifling spontaneity. Our vision becomes so narrow that risk is trying a new brand of cereal, and adventure is watching a new sitcom. Over time I have elevated my opinion of nonconformity nearly to the level of an obligation. We should have a bias toward doing activities that we don’t normally do to keep loose the moorings of society. Hiking the AT is “pointless.” What life is not “pointless”? Is it not pointless to work paycheck to paycheck just to conform? Hiking the AT before joining the workforce was an opportunity not taken. Doing it in retirement would be sensible; doing it at this time in my life is abnormal, and therein lay the appeal. I want to make my life less ordinary.
David Miller (AWOL on the Appalachian Trail)
Re-examine all you have been told,' Whitman tells us, 'and dismiss whatever insults your own soul.' Full disclosure: what insults my soul is the idea—popular in the culture just now, and presented in widely variant degrees of complexity—that we can and should write only about people who are fundamentally 'like' us: racially, sexually, genetically, nationally, politically, personally. That only an intimate authorial autobiographical connection with a character can be the rightful basis of a fiction. I do not believe that. I could not have written a single one of my books if I did. But I feel no sense of triumph in my apostasy. It might well be that we simply don’t want or need novels like mine anymore, or any of the kinds of fictions that, in order to exist, must fundamentally disagree with the new theory of 'likeness.' It may be that the whole category of what we used to call fiction is becoming lost to us. And if enough people turn from the concept of fiction as it was once understood, then fighting this transformation will be like going to war against the neologism 'impactful' or mourning the loss of the modal verb 'shall.' As it is with language, so it goes with culture: what is not used or wanted dies. What is needed blooms and spreads.
Zadie Smith
Tish senses. Even as the world tries to speed by her, she is slowly taking it in. Wait, stop. That thing you said about the polar bears…it made me feel something and wonder something. Can we stay there for a moment? I have feelings. I have questions. I’m not ready to run outside to recess yet. In most cultures, folks like Tish are identified early, set apart as shamans, medicine people, poets, and clergy. They are considered eccentric but critical to the survival of the group because they are able to hear things others don’t hear and see things others don’t see and feel things others don’t feel. The culture depends on the sensitivity of a few, because nothing can be healed if it’s not sensed first. But our society is so hell-bent on expansion, power, and efficiency at all costs that the folks like Tish—like me—are inconvenient. We slow the world down. We’re on the bow of the Titanic, pointing, crying out, “Iceberg! Iceberg!” while everyone else is below deck, yelling back, “We just want to keep dancing!” It is easier to call us broken and dismiss us than to consider that we are responding appropriately to a broken world. My little girl is not broken. She is a prophet. I want to be wise enough to stop with her, ask her what she feels, and listen to what she knows.
Glennon Doyle (Untamed)
Do you think I’m so silly that I can’t understand your sometimes getting fed up with playing the Good Samaritan here day after day, can’t realize that a grown man would rather go for a ride or take his sound legs for a walk than sit about by an invalid’s chair? There’s only one thing that disgusts me, one thing I can’t stand, and that is excuses, humbug, lies — I’m fed to the teeth with them. I’m not so stupid as you all think, and I can stand quite a lot of frankness. A few days ago we engaged a new charwoman in place of the old one who had died, and the very first day she was here, before she had talked to anyone — she saw me being helped across to an arm-chair on my crutches. She dropped her scrubbing brush in horror and screamed out: “Lord Jesus, such a rich, distinguished young lady … being a cripple!” Ilona went for the poor, honest creature like a wild thing; she was going to dismiss her and throw her out on the spot. But I, I liked it, the woman’s horror did me good, because, after all, it is honest, it is human, to be horrified at seeing such a sight all of a sudden. I promptly gave her ten crowns and she went off to the church to pray for me. The whole day I felt glad, yes, positively glad, at knowing at last what others really feel when they see me for the first time
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
Are they what? And are who what?' said Steerforth. 'That sort of people. - Are they really animals and clods, and beings of another order? I want to know SO much.' 'Why, there's a pretty wide separation between them and us,' said Steerforth, with indifference. 'They are not to be expected to be as sensitive as we are. Their delicacy is not to be shocked, or hurt easily. They are wonderfully virtuous, I dare say - some people contend for that, at least; and I am sure I don't want to contradict them - but they have not very fine natures, and they may be thankful that, like their coarse rough skins, they are not easily wounded.' 'Really!' said Miss Dartle. 'Well, I don't know, now, when I have been better pleased than to hear that. It's so consoling! It's such a delight to know that, when they suffer, they don't feel! Sometimes I have been quite uneasy for that sort of people; but now I shall just dismiss the idea of them, altogether. Live and learn. I had my doubts, I confess, but now they're cleared up. I didn't know, and now I do know, and that shows the advantage of asking - don't it?' I believed that Steerforth had said what he had, in jest, or to draw Miss Dartle out; and I expected him to say as much when she was gone, and we two were sitting before the fire. But he merely asked me what I thought of her.
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
Knocking on a massive carved door minutes later, the sigils on it shouting to those literate enough to ‘Stay away or else!’ he received a nice surprise when the door swung open. Well, hello there. Reaching only his shoulder, with a wild mop of black hair, bright brown eyes and a rounded body made for worship – by his tongue – Remy wondered if he could convince the servant girl to come around the corner with him for a quickie before he met with this Ysabel person. Then she opened her luscious mouth. “If you’re done gawking, you might want to step back before I smash your nose with the door when I shut it.” Someone got up without sex today. He could fix that. “Hello beautiful, I actually have business with the occupant of this suite. I’m here to meet with Ysabel, the witch.” “Really.” Her tone said what she thought of his claim and her brown gaze looked him up and down, then dismissed him. “I don’t think so.” The door slammed shut in his face. What. The. Fuck. Remy pounded on the door. It immediately opened. The ebony haired vixen, her arms crossed under her bountiful tits, smirked. “Back already. What’s wrong? Did I hurt your feelings?” “Listen woman, I don’t know what crawled up your ass and turned you into an uptight bitch, but I’m here to see Ysabel, so get the fuck out of my way before I put you over my knee and –” “And what? Spank me?” Her eyes actually sparked with challenge, the minx. “I’d like to see you try. But, before you do, just so you know, my name is Ysabel. The witch.” Aaaaah, shit. Never one to admit defeat, he let a slow simmering smile spread across his face. It worked on demonesses, damned souls, human women, and even gay men, but apparently, it had no effect on scowling witches. Too bad. “It’s your lucky day. Lucifer has informed me that you’re my next assignment.” “Not by choice. And what are you supposed to do exactly? I need a tracker, not a gigolo. What happened? Did your gig as a pole dancer not work out? Equipment too small?” She dropped her gaze to his groin and sneered. A sudden, irrational urge possessed him to drop his pants, flip her over and show her there was nothing wrong with the size of his cock. He abstained, but couldn’t prevent himself from taunting her, eyeing her up and down in the same dismissive manner. “Anytime you want to measure my dick, you let me know. Naked.” “Pig.” “No, demon. Really, get your terminology straight, would you? After Lucifer’s warning, I expected someone older and badder.” To his credit he didn’t drop to the ground, but the pain in his balls did require he bend over to cup them gently which in turn meant he got the door in the face. Again. -Ysabel & Remy
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
You wished to discuss something before you depart?” “Yes, regarding the estate, I’ve come to some conclusions--” “I do hope--” she began, and broke off. “Forgive me, I didn’t mean to--” “Go on.” Kathleen dropped her gaze to her clenched hands as she spoke. “My lord, if you decide to dismiss any of the servants…or indeed all of them…I hope you take into account that some have served the Ravenels for their entire lives. Perhaps you might consider giving small parting sums to the oldest ones who have little hope of securing other employment.” “I’ll bear it in mind.” She could feel him looking at her, his gaze as tangible as the heat of sunlight. The mahogany bracket clock on the mantel measured out the silence with delicate ticks. His voice was soft. “You’re nervous with me.” “After yesterday--” She broke off and swallowed hard, and nodded. “No one but the two of us will ever know about that.” Even if Kathleen chose to believe him, it didn’t set her at ease. The memory was an unwanted bond with him. He had seen her at her weakest, her lowest, and she would have preferred him to be mocking rather than treat her with gentleness. She forced herself to meet his gaze as she admitted with vexed honesty, “It’s easier to think of you as an adversary.” Devon smiled faintly. “That puts us in an awkward situation, then, as I’ve decided against selling the estate.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Speaking of gendered differences in reaction and action—you’ve talked of a certain “bullying reception” to your book here in New Zealand by a certain set of older male critics. The omniscient narrator, the idea that you “had to be everywhere,” seems to have affronted some male readers, as has the length of the book. Have you experienced this reaction in the UK, too, or in Canada? Has it been a peculiarly New Zealand response, perhaps because of the necessarily small pool of literary competition here? This is a point that has been perhaps overstated. There’s been a lot written about what I said, and in fact the way I think and feel about the reviewing culture we have in New Zealand has changed a lot through reading the responses and objections of others. Initially I used the word “bullying” only to remark that, as we all learn at school, more often than not someone’s objections are more to do with their own shortcomings or failures than with yours, and that’s something that you have to remember when you’re seeing your artistic efforts devalued or dismissed in print. I don’t feel bullied when I receive a negative review, but I do think that some of the early reviewers refused to engage with the book on its own terms, and that refusal seemed to me to have a lot to do with my gender and my age. To even things out, I called attention to the gender and age of those reviewers, which at the time seemed only fair. I feel that it’s very important to say that sexism is a hegemonic problem, written in to all kinds of cultural attitudes that are held by men and women alike. As a culture we are much more comfortable with the idea of the male thinker than the female thinker, simply because there are so many more examples, throughout history, of male thinkers; as an image and as an idea, the male thinker is familiar to us, and acts in most cases as a default. Consequently female thinkers are often unacknowledged and discouraged, sometimes tacitly, sometimes explicitly, sometimes by men, and sometimes by women. I am lucky, following the Man Booker announcement, that my work is now being read very seriously indeed; but that is a privilege conferred for the most part by the status of the prize, and I know that I am the exception rather than the rule. I’d like to see a paradigm shift, and I’m confident that one is on the way, but the first thing that needs to happen is a collective acknowledgment that reviewing culture is gendered—that everything is gendered—and that until each of us makes a conscious effort to address inequality, we will each remain a part of the problem, rather than a part of the solution. Protesting the fact of inequality is like protesting global warming or evolution: it’s a conservative blindness, born out of cowardice and hostility.
Eleanor Catton (The Luminaries)
What struck me powerfully was that Mr. Spano had honored every word of his inner contract. Like everyone, he had this right of self determination. We do this when we select a partner who confirms our feelings of unworthiness. When we pick the job that pays us less than we deserve. It is all the same. It is all part of that contract, that even if we didn’t write it for ourselves, we certainly cosigned. I wondered too about my contract with myself. I wondered why the behavior of this self-hating man would rock me for even a second. I thought about how I needed to love myself enough to allow others to fulfill their contract with themselves. Be it Mr. Spano, my ex-husband, my father, my mother, Collin, the hospital administrators, or anyone else. Mr. Spano’s contract demanded that he act in ways that were dismissive of my attempts to help him. A human being can never treat another person better than he treats himself. So, if he says things that are disrespectful, this is his contract. His contract has nothing to do with mine, unless I allow it to. Unless I uncover a clause, in minuscule print on page five. A clause that I overlooked, that stipulates my need to be validated by the Mr. Spanos of the world in order to feel OK about myself. He was kind enough to prompt me to review that section again, to edit out that portion for good. In that way, he was an angel of the shift.
Michele Harper (The Beauty in Breaking)
He gave the empty flask to Arya, and as she took it, he grasped her hand, her right hand, and turned it toward the light. The skin was once more smooth and unblemished. No sign of her injury remained. “Blödhgarm healed you?” said Eragon. Arya nodded, and he released her. “Mostly. I have full use of my hand again.” She demonstrated by opening and closing it several times. “But there is still a patch of skin by the base of my thumb where I have no feeling.” She pointed with her left index finger. Eragon reached out and lightly touched the area. “Here?” “Here,” she said, and moved his hand a bit to the right. “And Blödhgarm wasn’t able to do anything about it?” She shook her head. “He tried a half-dozen spells, but the nerves refuse to rejoin.” She made dismissive motion. “It’s of no consequence. I can still wield a sword and I can still draw a bow. That is all that matters.” Eragon hesitated, then said, “You know…how grateful I am for what you did--what you tried to do. I’m only sorry it left you with a permanent mark. If I could have prevented it somehow…” “Do not feel bad because of it. It’s impossible to go through life unscathed. Nor should you want to. By the hurts we accumulate, we measure both our follies and our accomplishments.” “Angela said something similar about enemies--that if you didn’t make them, you were a coward or worse.” Arya nodded. “There is some truth to that.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
After school, I hurry out the front doors to catch him. He’s on his motorcycle, getting ready to leave. “Alex, wait!” Feeling fidgety, I curl my hair behind my ears. “Hop on,” he orders. “What?” “Hop on. If you want to thank me for savin’ your ass in Mrs. P.’s class, come home with me. I wasn’t kiddin’ yesterday. You showed me a glimpse into your life, I’m gonna show you a glimpse of mine. It’s only fair, right?” I scan the parking lot. Some people are looking our way, probably ready to spread the gossip that I’m talking to Alex. If I actually leave with him, rumors will fly. The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.” I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors. I should be terrified. Then I remember how he was with Shelley yesterday. To hell with it. I shift my book bag around to my back and straddle his motorcycle. “Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter. He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I don’t particularly care what they say,” I admitted to him one afternoon in late Fructis as we walked in the garden. “I have the chance to go abroad and see dragons; I do not think anything they say could steal that happiness from me.”   Jacob sighed. “Isabella, my dear—I am sure it feels that way now, when you are to go see dragons, but do remember that we will be returning to Scirland when the expedition is done. If you snub society ladies now, you will have to face them again later.”   “Perhaps I could bring back a dragon to frighten them with. Just a small one, nothing extravagant; Lord Hilford has caught them before.”   “Isabella—”   I laughed and twirled a few steps down the path, arms wide in the sunlight. “Of course I’m not serious, dear. Where would we keep a dragon? In my sparkling shed? It would make a dreadful mess, and undo all my careful work.”   Despite himself, Jacob laughed. “You’re like a little girl who’s been told for the first time that she may have a pony.”   “Ponies!” I dismissed these with a snort. “Can ponies fly, or breathe particles of ice upon those who vex them? I think not. Ponies, indeed.”   “Perhaps I shall tell the society gossips that you have become deranged,” Jacob mused, “and that I am installing you in a sanatorium for your own safety. I’m sure they would believe that.”   “Tell them I am deranged; tell them I am dead; tell them I have run off to be a dancing girl in Chiavora. I don’t care.
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
I became a very timid individual. I became introspective. I wondered what had made me act the way I had acted. Why had I killed my fellow men in war, without any feeling, remorse, or regret? And when the war was over, why did I con­tinue to drink and swagger around and get into fistfights? Why did I like to dish out pain, and why did I take positive delight in the suffering of others? Was I insane? Was it too much testosterone? Women don’t do things like that. The rapacious Will to Power lost its hold on me. Suddenly I began to feel sympathetic to the cares and sufferings of all living creatures. You lose your health and you start thinking this way. Has man become any better since the times of Theog­enes? The world is replete with badness. I’m not talking about that old routine where you drag out the Spanish Inqui­sition, the Holocaust, Joseph Stalin, the Khmer Rouge, etc. It happens in our own backyard. Twentieth-century America is one of the most materially prosperous nations in history. But take a walk through an American prison, a nursing home, the slums where the homeless live in cardboard boxes, a cancer ward. Go to a Vietnam vets’ meeting, or an A.A. meeting, or an Overeaters Anonymous meeting. How hollow and unreal a thing is life, how deceitful are its pleasures, what horrible aspects it possesses. Is the world not rather like a hell, as Schopenhauer, that clearheaded seer—who has helped me transform my suf­fering into an object of understanding—was so quick to point out? They called him a pessimist and dismissed him with a word, but it is peace and self-renewal that I have found in his pages.
Thom Jones (The Pugilist at Rest)
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine. “We should talk,” I say. “Fine,” she says, and I follow her into the hallway. We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t. Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic. “Do you think you’ll ever forgive me?” I say. She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.” “You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.” She’s tapping her foot, her body shifting with the movement. She nods. “I know that.” “I had to do something,” I say. “I had to.” “A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head. “I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.” “That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--” “That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.” “What’s that supposed to mean?” “It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.” “I can’t believe you would say that! You were wrong--” “Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!” “Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.” Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all. I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t. “I just need some time,” she says, choking on each word. “Okay?” “Okay,” I say. She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
Veronica Roth (Allegiant (Divergent, #3))
on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.” “True. Consciousness makes for poor windows, too. I don’t think I’d ever thought about it quite that way.” I was sitting back. I was listening. And I was hearing something about her and about windows and mirrors. Chuck Parson was a person. Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to. And all at once I knew how Margo Roth Spiegelman felt when she wasn’t being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)
Mike sounded dismissive of Western communication styles, but he admitted that he sometimes wished he could be noisy and uninhibited himself. “They’re more comfortable with their own character,” he said of his Caucasian classmates. Asians are “not uncomfortable with who they are, but are uncomfortable with expressing who they are. In a group, there’s always that pressure to be outgoing. When they don’t live up to it, you can see it in their faces.” Mike told me about a freshman icebreaking event he’d participated in, a scavenger hunt in San Francisco that was supposed to encourage students to step out of their comfort zones. Mike was the only Asian assigned to a rowdy group, some of whom streaked naked down a San Francisco street and cross-dressed in a local department store during the hunt. One girl went to a Victoria’s Secret display and stripped down to her underwear. As Mike recounted these details, I thought he was going to tell me that his group had been over the top, inappropriate. But he wasn’t critical of the other students. He was critical of himself. “When people do things like that, there’s a moment where I feel uncomfortable with it. It shows my own limits. Sometimes I feel like they’re better than I am.” Mike was getting similar messages from his professors. A few weeks after the orientation event, his freshman adviser—a professor at Stanford’s medical school—invited a group of students to her house. Mike hoped to make a good impression, but he couldn’t think of anything to say. The other students seemed to have no problem joking around and asking intelligent questions. “Mike, you were so loud today,” the professor teased him when finally he said good-bye. “You just blew me away.” He left her house feeling bad about himself. “People who don’t talk are seen as weak or lacking,” he concluded ruefully.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
I say,she is sinfully attractive when she's angry.You may not claim to have a way with the ladies,but when you want to make one mad,you are indeed an expert." Ranulf clenched his teeth and said nothing, but sent Tyr a flash of warning. Tyr dismissed the look and pressed on,opting for a flank attack. "You know that dress she was wearing? She would wear that color more often, complements that odd color of blue in her eyes." Ranulf sank onto the bench across the table from Tyr and raked his hands through his hair. "Take my advice and avoid looking too long at them.They can confound a man.Make him believe in lies." "You might be right," Tyr agreed and moved to pour himself some more wine. "But when a man can't think straight,is it she who is telling the lies or is it he who is telling them to himself?" "If you are trying to make a point, don't." "No,no point." Tyr sighed and swirled his mug. "Just that she was looking pretty tonight. Did you not think so?" "No." "Well,I did.I especially liked the hair. Normally I do not like stuff being all free like that,gets in the way.I usually prefer a woman's hair to be pulled back and tidy,but hers...well,I just might have to change my mind." Nothing from Ranulf.Not even a twitch.Damn.The man was stubborn. Tyr swallowed the mug's contents for fortification.If he got out of this with his skin still intact,he would be lucky.He had maybe one more shot before Ranulf got up to leave,so it had to hit-and hard. Tyr rocked the bench back and hummed, "Looked like silk,wonder if it feels like silk.I once had a woman with hair-" "Damn you," Ranulf uttered through his teeth. "Be quiet or get out." "What do you care? You may not like her,but I do.And not just in the face.I'm actually looking forward to tomorrow and spending time with the ladt.And after her jumping onto the idea of coming hunting,I think she feels the same." "She does not like you." "I beg to disagree.She thinks I am charming. Said so herself.But then it wasn't I who said she was trying to seduce every man around her.
Michele Sinclair (The Christmas Knight)
It is feminist thinking that empowers me to engage in a constructive critique of [Paulo] Freire’s work (which I needed so that as a young reader of his work I did not passively absorb the worldview presented) and yet there are many other standpoints from which I approach his work that enable me to experience its value, that make it possible for that work to touch me at the very core of my being. In talking with academic feminists (usually white women) who feel they must either dismiss or devalue the work of Freire because of sexism, I see clearly how our different responses are shaped by the standpoint that we bring to the work. I came to Freire thirsty, dying of thirst (in that way that the colonized, marginalized subject who is still unsure of how to break the hold of the status quo, who longs for change, is needy, is thirsty), and I found in his work (and the work of Malcolm X, Fanon, etc.) a way to quench that thirst. To have work that promotes one’s lib­eration is such a powerful gift that it does not matter so much if the gift is flawed. Think of the work as water that contains some dirt. Because you are thirsty you are not too proud to extract the dirt and be nourished by the water. For me this is an experience that corresponds very much to the way individuals of privilege respond to the use of water in the First World context. When you are privileged, living in one of the richest countries in the world, you can waste resources. And you can especially justify your dispos­al of something that you consider impure. Look at what most people do with water in this country. Many people purchase special water because they consider tap water unclean—and of course this purchasing is a luxury. Even our ability to see the water that come through the tap as unclean is itself informed by an imperialist consumer per­ spective. It is an expression of luxury and not just simply a response to the condition of water. If we approach the drinking of water that comes from the tap from a global perspective we would have to talk about it differently. We would have to consider what the vast majority of the peo­ ple in the world who are thirsty must do to obtain water. Paulo’s work has been living water for me.
bell hooks (Teaching to Transgress: Education as the Practice of Freedom (Harvest in Translation))
(from chapter 19, "Willi Ossa") "...when I did [become a pastor], I knew that it was a vocation, not a job. I told my friends in the Company [of Pastors] the story of Willi...We were honing our observational skills in discerning the difference between vocation and job. As we were seeing pastors left and right abandoning their vocations and taking jobs, we were determined to keep the distinction clear for ourselves. A job is an assignment to do work that can be quantified and evaluated. It is pretty easy to decide whether a job has been completed or not. It is pretty easy to tell whether a job is done well or badly. But a vocation is not a job in that sense. I can be hired to do a job, paid a fair wage if I do it, dismissed if I don't. But I can't be hired to be a pastor, for my primary responsibility is not to the people I serve tu to the God I serve. As it turns out, the people I serve would often prefer an idol who would do what they want done rather than do what God, revealed in Jesus, wants them to do. In our present culture, the sharp distinction between a job and a vocation is considerably blurred. How do I, as a pastor, prevent myself from thinking of my work as a job that I get paid for, a job that is assigned to me by my denomination, a job that I am expected to do to the satisfaction of my congregation? How do I stay attentive to and listening to the call that got me started in this way of life - not a call to make the church attractive and useful in the American scene, not a call to help people feel good about themselves and have a good life, not a call to use my considerable gifts and fulfill myself, but a call like Abraham's 'to set out for a place...not knowing where he was going', a call to deny myself and take up my cross and follow Jesus, a call like Jonah's to go at once to Nineveh, 'a city he detested', a call like Paul's to 'get up and enter the city and you will be told what to do'? How do I keep the immediacy and authority of God's call in my ears when in entire culture, both secular and ecclesial, is giving me a job description? How do I keep the calling, the vocation, of pastor from being drowned out by job descriptions, gussied up in glossy challenges and visions and strategies, clamoring incessantly for my attention?
Eugene H. Peterson (The Pastor: A Memoir)
Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body. Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come. There was nothing mediocre about Marlboro Man. He had more to say; he didn’t even pause to wait for a response. That, in his universe, was what a real man did. “And…” He hesitated. I listened. His voice was serious. Focused. “And I just flat don’t want you to leave,” he declared, holding me close, resting his chin on my cheek, speaking directly into my ear. I paused. Took a breath. “Well--” I began. He interrupted. “I know we’ve just been doing this for two weeks, and I know you’ve already made your plans, and I know we don’t know what the future holds, but…” He looked at me and cupped my face in his hand, his other hand on my arm. “I know,” I agreed, trying to muster some trite response. “I--” He broke in again. He had some things to say. “If I didn’t have the ranch, it’d be one thing,” he said. My pulse quickened. “But I…my life is here.” “I know,” I said again. “I wouldn’t…” He continued, “I don’t want to get in the middle of your plans. I just…” He paused, then kissed me on the cheek. “I don’t want you to go.” I was tongue-tied as usual. This was so strange for me, so foreign--that I could feel so strongly for someone I’d known for such a short time. To talk about our future would be premature; but to totally dismiss that we’d happened upon something special wouldn’t be right, either. Something extraordinary had occurred between us--that fact was indisputable. It was the timing that left so much to be desired. We were both bleary eyed, tired. Falling asleep standing up in each other’s arms. Nothing more could be said that night; nothing could be resolved. He knew it, I knew it; so we settled on a long, lasting kiss and an all-encompassing hug before he turned around and walked away. Starting his diesel pickup. Driving down my parents’ street. Driving back to his ranch.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Deanna lifted her hand to the back of her neck, stretching it from side to side. Now that he thought about it, she’d been doing that a lot today. “Do you have a headache?” he asked. She sighed. “Yeah. I haven’t been sleeping that well, and when we were doing drills yesterday, I tweaked my neck carrying equipment the wrong way.” Lucky saw a way to get this conversation back on track, so he steered them towards it. “I can help you with that.” “That’s okay,” she dismissed him. “I don’t want a massage, but thanks.” “I wasn’t offering a massage, but you’re welcome.” “But you said you could help me…” “Yeah, I did. And I can. But I didn’t say anything about a massage,” he corrected her. “Oh, no, I don’t want to take anything. I try not to take medicine unless I absolute—” “Ehhh,” he interrupted her, making the sound of a buzzer. “Wrong again. Do you want to try door number three, or should I just tell you what I was offering?” She chuckled, and his heart swelled with pride. The fact that he had made her laugh so easily made him feel like Leo on the Titanic—like he was the king of the world. “Fine. Tell me,” she replied, her tone in full sass mode. “Well, since you asked soooo nicely,” he overemphasized. “I was going to say that I could get rid of your headache if you wanted me to.” Sounding more than a little skeptical, she asked, “How?” “By going down on you,” he stated plainly and confidently. “What!?” she shrieked. “What are you talking about?” “I’m talking about me between your legs for a good thirty minutes or so. You’ll feel the scratch of my stubble on the side of your thighs, and all you’ll see is the top of my head. I’m talking about touching and kissing and licking you—” “Okay,” she cut in. “I get the point.” “Well.” He shrugged. “You asked what I was talking about, so I figured I should be clear.” Laughter filled her voice as she asked, “How do you do that?” “Do what?” “Say those….things… and make them sound so casual? Normal? Not dirty?” “It’s part of my charm, really. I can make the most innocent things sound dirty and the dirtiest things sound completely innocent,” he explained. “I believe you.” She was shaking her head and looking out the window, but with the moonlight streaming in, he could see that her face was flushed with what he was going to believe was arousal. “Just think about it. The offer’s on the table.” With that he turned up the music, which happened to be R&B. He figured a little Marvin Gaye couldn’t do anything but help his cause.
Melanie Shawn (Lucky Kiss (Hope Falls #12; Kiss #2))
Well, those who mean to escape their catching must get ready. I’m getting ready. Mind you, it isn’t all of us that are made for wild beasts; and that’s what it’s got to be. That’s why I watched you. I had my doubts. You’re slender. I didn’t know that it was you, you see, or just how you’d been buried. All these—the sort of people that lived in these houses, and all those damn little clerks that used to live down that way—they’d be no good. They haven’t any spirit in them—no proud dreams and no proud lusts; and a man who hasn’t one or the other—Lord! What is he but funk and precautions? They just used to skedaddle off to work—I’ve seen hundreds of ’em, bit of breakfast in hand, running wild and shining to catch their little season-ticket train, for fear they’d get dismissed if they didn’t; working at businesses they were afraid to take the trouble to understand; skedaddling back for fear they wouldn’t be in time for dinner; keeping indoors after dinner for fear of the back streets, and sleeping with the wives they married, not because they wanted them, but because they had a bit of money that would make for safety in their one little miserable skedaddle through the world. Lives insured and a bit invested for fear of accidents. And on Sundays—fear of the hereafter. As if hell was built for rabbits! Well, the Martians will just be a godsend to these. Nice roomy cages, fattening food, careful breeding, no worry. After a week or so chasing about the fields and lands on empty stomachs, they’ll come and be caught cheerful. They’ll be quite glad after a bit. They’ll wonder what people did before there were Martians to take care of them. And the bar loafers, and mashers, and singers—I can imagine them. I can imagine them,” he said, with a sort of sombre gratification. “There’ll be any amount of sentiment and religion loose among them. There’s hundreds of things I saw with my eyes that I’ve only begun to see clearly these last few days. There’s lots will take things as they are—fat and stupid; and lots will be worried by a sort of feeling that it’s all wrong, and that they ought to be doing something. Now whenever things are so that a lot of people feel they ought to be doing something, the weak, and those who go weak with a lot of complicated thinking, always make for a sort of do-nothing religion, very pious and superior, and submit to persecution and the will of the Lord. Very likely you’ve seen the same thing. It’s energy in a gale of funk, and turned clean inside out. These cages will be full of psalms and hymns and piety. And those of a less simple sort will work in a bit of—what is it?—eroticism.
H.G. Wells (The War of the Worlds)
Steve Jobs knew from an early age that he was adopted. “My parents were very open with me about that,” he recalled. He had a vivid memory of sitting on the lawn of his house, when he was six or seven years old, telling the girl who lived across the street. “So does that mean your real parents didn’t want you?” the girl asked. “Lightning bolts went off in my head,” according to Jobs. “I remember running into the house, crying. And my parents said, ‘No, you have to understand.’ They were very serious and looked me straight in the eye. They said, ‘We specifically picked you out.’ Both of my parents said that and repeated it slowly for me. And they put an emphasis on every word in that sentence.” Abandoned. Chosen. Special. Those concepts became part of who Jobs was and how he regarded himself. His closest friends think that the knowledge that he was given up at birth left some scars. “I think his desire for complete control of whatever he makes derives directly from his personality and the fact that he was abandoned at birth,” said one longtime colleague, Del Yocam. “He wants to control his environment, and he sees the product as an extension of himself.” Greg Calhoun, who became close to Jobs right after college, saw another effect. “Steve talked to me a lot about being abandoned and the pain that caused,” he said. “It made him independent. He followed the beat of a different drummer, and that came from being in a different world than he was born into.” Later in life, when he was the same age his biological father had been when he abandoned him, Jobs would father and abandon a child of his own. (He eventually took responsibility for her.) Chrisann Brennan, the mother of that child, said that being put up for adoption left Jobs “full of broken glass,” and it helps to explain some of his behavior. “He who is abandoned is an abandoner,” she said. Andy Hertzfeld, who worked with Jobs at Apple in the early 1980s, is among the few who remained close to both Brennan and Jobs. “The key question about Steve is why he can’t control himself at times from being so reflexively cruel and harmful to some people,” he said. “That goes back to being abandoned at birth. The real underlying problem was the theme of abandonment in Steve’s life.” Jobs dismissed this. “There’s some notion that because I was abandoned, I worked very hard so I could do well and make my parents wish they had me back, or some such nonsense, but that’s ridiculous,” he insisted. “Knowing I was adopted may have made me feel more independent, but I have never felt abandoned. I’ve always felt special. My parents made me feel special.” He would later bristle whenever anyone referred to Paul and Clara Jobs as his “adoptive” parents or implied that they were not his “real” parents. “They were my parents 1000%,” he said. When speaking about his biological parents, on the other hand, he was curt: “They were my sperm and egg bank. That’s not harsh, it’s just the way it was, a sperm bank thing, nothing more.
Walter Isaacson (Steve Jobs)
I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Excuse me, sir.” One the young officers put his hand up to stop them. “Are you Furious Barkley?” “Maybe. Maybe not. Is there a problem, officers?” Doug stepped in front of Furi. “Damn straight there’s a problem.” Syn stepped inside the door, yanking his dark aviator glasses off his face. The scowl he wore told Furi this was not a pleasant coincidence. “Thanks guys, you can go.” Furi stood with his mouth hanging open while Syn dismissed the officers. “Seriously, Starsky. You gonna track my boy down every time he leaves the house?” Doug said angrily, still blocking Furi. “He’s not your boy. And what I do regarding Furi is none of your goddamn business.” Syn’s clenched jaw made his words sound like an evil hiss. He shouldered past Doug and got directly in Furi’s face. “When I’ve been calling him for over six hours and he hasn’t picked up or returned any of my calls, I’ll send a fuckin’ SWAT team to find him if I want to.” Syn spun and pointed his finger in Doug’s face, “That’s my say, not yours.” Syn’s voice was rising with his growing temper, and all eyes were on them. “Okay, let’s get out of here.” Furi pushed at both men, urging them out the door. As soon as they were out in the brisk fall air, Syn rounded on Furi, pushing their chest together. “Where have you been, Furious? I’ve been going crazy trying to check on you, and you’re sitting here casually eating pancakes,” Syn growled. “Hey, back up, man.” Doug tried to wedge in between Furi and Syn. Syn looked up in annoyance. “Doug, I swear, if you touch me, I’m gonna ensure that you never regain the use of that hand.” “Okay, okay.” Furi put both hands flat on Syn’s chest, feeling his rapid heartbeat underneath all that muscle. Fuck. He really was scared. What was I thinking turning off my phone with everything that’s going on? “Syn. I’m so sorry. I turned my phone off because–” “You don’t owe him an explanation. You’re a grown man, Furious. You were having a business meeting; he has no right to demand you be available to him at all times, just like Patrick.” Furi and Syn both snapped at Doug. But Furi took control. “Hey! Don’t you ever say that again. This man is nothing like that asshole.” Furi shook his head at the absurdity of Doug’s accusation. “Don’t even say his name in the same sentence as Patrick’s.” Doug looked at Furi as if he were a stranger. “Doug, you don’t know everything that’s been going on. But I promise I’ll catch you up, okay? Then you’re going to feel pretty shitty about what you just said about Syn.” Furi nodded his head. “Go home. I’ll call you when I’m back at Syn’s place.” “You’re staying with him?” Doug yelled. “Doug. You know it’s not safe at my place,” Furi said softly, his eyes pleading with his friend for him to understand. “Then you should come to stay with me. I don’t trust this guy!” “This is fuckin’ crazy,” Syn snarled. “I know you’re his friend, but you’re sounding more pissed than a friend should be.” “Don’t try to read me, Detective. Furi is my best friend, and I’ve had his back since the first day he got here.” Doug wasn’t backing down from Syn’s intimidating posture. Syn’s dark glasses were back on, creating a perfectly badass look with his black leather coat and boots. All the hardware Syn had tucked under his arms and the shiny badge hanging around his neck was a sight right out of a sexy cop porno.
A.E. Via
But as the daylight began to come through the curtains, I knew I was facing something for which I had not been prepared. It was a curious sensation, like suddenly feeling cold water round your feet, then feeling it slowly rising up your legs. It took me some time to realize that they were attacking from some part of my mind of whose existence I was unaware. I had been strong because I was fighting them out of knowledge, but I should have known that my knowledge of mind was pitifully small. I was like an astronomer who knows the solar system, and thinks he knows the universe. What the parasites were doing was to attack me from below my knowledge of myself. It is true that I had given some small thought to the matter; but I had—rightly—postponed it as a study for a more advanced period. I had reflected often enough that our human life is based completely on ‘premises’ that we take for granted. A child takes its parents and its home for granted; later, it comes to take its country and its society for granted. We need these supports to begin with. A child without parents and a regular home grows up feeling insecure. A child that has had a good home may later learn to criticize its parents, or even reject them altogether (although this is unlikely); but it only does so when it is strong enough to stand alone. All original thinkers develop by kicking away these ‘supports’ one by one. They may continue to love their parents and their country, but they love from a position of strength—a strength that began in rejection. In fact, though, human beings never really learn to stand alone. They are lazy, and prefer supports. A man may be a fearlessly original mathematician, and yet be slavishly dependent on his wife. He may be a powerful free thinker, yet derive a great deal more comfort than he would admit from the admiration of a few friends and disciples. In short, human beings never question all their supports; they question a few, and continue to take the rest for granted. Now I had been so absorbed in the adventure of entering new mental continents, rejecting my old personality and its assumptions, that I had been quite unaware that I was still leaning heavily on dozens of ordinary assumptions. For example, although I felt my identity had changed, I still had a strong feeling of identity. And our most fundamental sense of identity comes from an anchor that lies at the bottom of a very deep sea. I still looked upon myself as a member of the human race. I still looked upon myself as an inhabitant of the solar system and the universe in space and time. I took space and time for granted. I did not ask where I had been before my birth or after my death. I did not even recognize the problem of my own death; it was something I left ‘to be explored later’. What the parasites now did was to go to these deep moorings of my identity, and proceed to shake them. I cannot express it more clearly than this. They did not actually, so to speak, pull up the anchors. That was beyond their powers. But they shook the chains, so that I suddenly became aware of an insecurity on a level I had taken completely for granted. I found myself asking: Who am I? In the deepest sense. Just as a bold thinker dismisses patriotism and religion, so I dismissed all the usual things that gave me an ‘identity’: the accident of my time and place of birth, the accident of my being a human being rather than a dog or a fish, the accident of my powerful instinct to cling to life. Having thrown off all these accidental ‘trappings’, I stood naked as pure consciousness confronting the universe. But here I became aware that this so-called ‘pure consciousness’ was as arbitrary as my name. It could not confront the universe without sticking labels on it. How could it be ‘pure consciousness’ when I saw that object as a book, that one as a table? It was still my tiny human identity looking out of my eyes. And if I tried to get beyond it, everything went blank.
Colin Wilson (The Mind Parasites: The Supernatural Metaphysical Cult Thriller)
The Messenger Ritual 1. Sit down and relax completely. Let your mind wander and your thinking flow without restraint. After a while, begin to repeat to yourself, ‘Now I am relaxed, and I am in the deepest kind of sleep.’ 2. When you feel that your mind is no longer concerned with anything, imagine a billow of fire to your right. Make the flames lively and brilliant. Then quietly say, ‘I order my subconscious to show itself. I order it to open and reveal its magic secrets.’ Wait a bit, and concentrate only on the fire. If an image appears, it will be a manifestation of your subconscious. Try to keep it alive. 3. Keeping the fire always to your right, now begin to imagine another billow of fire to your left. When the flames are lively, say the following words quietly: ‘May the power of the Lamb, which manifests itself in everything and everyone, manifest itself also in me when I invoke my messenger. (Name of messenger) will appear before me now. 4. Talk with your messenger, who should appear between the two fires. Discuss your specific problems, ask for advice, and give him the necessary orders. 5. When your conversation has ended, dismiss the messenger with the following words: ‘I thank the Lamb for the miracle I have performed. May (name of messenger) return whenever he is invoked, and when he is far away, may he help me to carry on my work.’ Note: On the first invocation – or during the first invocations, depending on the ability of the person performing the ritual to concentrate – do not say the name of the messenger. Just say “he.” If the ritual is well performed, the messenger should immediately reveal his name telepathically. If not, insist until you learn his name, and only then begin the conversation. The more the ritual is repeated, the stronger the presence of the messenger will be and the more rapid his actions.
Paulo Coelho (The Pilgrimage)
One way to understand fiction is to treat every story as an attempt to make an argument (Helena Bell has written more extensively about this concept). That feels like a natural fit with my way of thinking, colored by my experiences as a lawyer. But the “message” in fiction is harder to pin down than the “message” in a brief or essay, for the ways in which stories attempt to persuade are different from the ways in which traditional rhetoric attempts to persuade. I would say that my stories do make an argument about my view of the world, but it is a view that resists easy summation; I find the most effective way to communicate that argument is through fiction. An argument made through fiction can be subtler and more tolerant of ambivalence, more cognizant of emotion and more accommodating of uncertainty; but, because of these advantages, such an argument also tends to lose precision and can be open to (mis)interpretation. Sometimes, a reader will dismiss a work because the argument is too at odds with the reader’s own assumptions (hence the resistance to so-called “message” stories); other times, a reader will not even perceive the argument because their own stance and interpretive lens will not even allow them to see that their assumptions are being challenged.
Ken Liu
I knew without a doubt that I was a good person, and, no matter what anyone else thought or said about me, no matter who they were or how important, I didn’t care. When I realized this, down to the moment, the clouds opened up. This realization was the beginning of personal integrity, when, instead of dismissing my feelings or my intuition, I found myself following them,
Jenna Miscavige Hill (Beyond Belief: My Secret Life Inside Scientology and My Harrowing Escape)
What troubles me most about my vegetarianism is the subtle way it alienates me from other people and, odd as this might sound, from a whole dimension of human experience. Other people now have to accommodate me, and I find this uncomfortable: My new dietary restrictions throw a big wrench into the basic host-guest relationship. As a guest, if I neglect to tell my host in advance that I don’t eat meat, she feels bad, and if I do tell her, she’ll make something special for me, in which case I’ll feel bad. On this matter I’m inclined to agree with the French, who gaze upon any personal dietary prohibition as bad manners. Even if the vegetarian is a more highly evolved human being, it seems to me he has lost something along the way, something I’m not prepared to dismiss as trivial. Healthy and virtuous as I may feel these days, I also feel alienated from traditions I value: cultural traditions like the Thanksgiving turkey, or even franks at the ballpark, and family traditions like my mother’s beef brisket at Passover. These ritual meals link us to our history along multiple lines—family, religion, landscape, nation, and, if you want to go back much further, biology. For although humans no longer need meat in order to survive (now that we can get our B-12 from fermented foods or supplements), we have been meat eaters for most of our time on earth. This fact of evolutionary history is reflected in the design of our teeth, the structure of our digestion, and, quite possibly, in the way my mouth still waters at the sight of a steak cooked medium rare. Meat eating helped make us what we are in a physical as well as a social sense. Under the pressure of the hunt, anthropologists tell us, the human brain grew in size and complexity, and around the hearth where the spoils of the hunt were cooked and then apportioned, human culture first flourished. This isn’t to say we can’t or shouldn’t transcend our inheritance, only that it is our inheritance; whatever else may be gained by giving up meat, this much at least is lost. The notion of granting rights to animals may lift us up from the brutal, amoral world of eater and eaten—of predation—but along the way it will entail the sacrifice, or sublimation, of part of our identity—of our own animality. (This is one of the odder ironies of animal rights: It asks us to acknowledge all we share with animals, and then to act toward them in a most unanimalistic way.) Not that the sacrifice of our animality is necessarily regrettable; no one regrets our giving up raping and pillaging, also part of our inheritance. But we should at least acknowledge that the human desire to eat meat is not, as the animal rightists would have it, a trivial matter, a mere gastronomic preference. By the same token we might call sex—also now technically unnecessary for reproduction—a mere recreational preference. Rather, our meat eating is something very deep indeed.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
No sugarcoating would be necessary,” Matthew interrupted calmly. “Daisy…that is, Miss Bowman, is entirely—” Beautiful. Desirable. Bewitching. “—acceptable. Marrying a woman like Miss Bowman would be a reward in itself.” “Good,” Bowman grunted, clearly unconvinced. “Very gentlemanly of you to say so. Still, I will offer you fair recompense in the form of a generous dowry, more shares in the company and so forth. You will be quite satisfied, I assure you. Now as to the wedding arrangements—” “I didn’t say yes,” Matthew interrupted. Bowman stopped pacing and sent him a questioning stare. “To start with,” Matthew continued carefully, “it is possible Miss Bowman will find a suitor within the next two months.” “She will find no suitors of your caliber,” Bowman said smugly. Matthew replied gravely despite his amusement. “Thank you. But I don’t believe Miss Bowman shares your high opinion.” The older man made a dismissive gesture. “Bah. Women’s minds are as changeable as English weather. You can persuade her to like you. Give her a posy of flowers, throw a few compliments in her direction…better yet, quote something from one of those blasted poetry books she reads. Seducing a woman is easily accomplished, Swift. All you have to do is—” “Mr. Bowman,” Matthew interrupted with a sudden touch of alarm. God in heaven, all he needed was an explanation of courtship techniques from his employer. “I believe I could manage that without any advice. That’s not the issue.” “Then what…ah.” Bowman gave him a man-of-the-world smile. “I understand.” “You understand what?” Matthew asked apprehensively. “Obviously you fear my reaction if you should decide later on that my daughter is not adequate to your needs. But as long as you behave with discretion, I won’t say a word.” Matthew sighed and rubbed his eyes, suddenly feeling weary. This was a bit much to face so soon after his ship had landed in Bristol. “You’re saying you’ll look the other way if I stray from my wife,” he said rather than asked. “We men face temptations. Sometimes we stray. It is the way of the world.” “It’s not my way,” Matthew said flatly. “I stand by my word, both in business and in my personal life. If or when I promise to be faithful to a woman, I would be. No matter what.” Bowman’s heavy mustache twitched with amusement. “You’re still young enough to afford scruples.” “The old can’t afford them?” Matthew asked with a touch of affectionate mockery. “Some scruples have a way of becoming overpriced. You’ll discover that someday.” “God, I hope not.” Matthew sank into a chair and buried his head in his hands, his fingers tunneling through the heavy locks of his hair.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
While my lack of enthusiasm kept the bulk of humanity at arm’s length, it almost seemed to attract people like Charles. Maybe it’s the fact that we misanthropes don’t discriminate—the people hater hates everybody equally. Maybe this sad sack egalitarianism makes the Charleses of the world, used as they are to being dismissed out of hand, feel raised to uncommon heights of social desirability when bathed in its jaundiced glow.
Adrian Barnes (Nod)
Unfortunately these days, hardly a day goes by without news of an incident of childhood bullying. Some of these are so horrific or tragic that they defy understanding. Those really grab our attention. Others are all too easily dismissed as some sort of rite of passage, an acceptable part of growing up. The truth, though, is that bullying of any kind has the power to change who a child is, the kind of person he or she grows up to be. When ignored, the victim can be scarred for life, emotionally, if not physically. The perpetrator grows up with a skewed value system that suggests it’s perfectly okay to make another person’s life miserable, to feel powerful, even for a moment, at the expense of someone weaker. It’s up to adults—parents, teachers, entire communities—to take a stand, to say bullying is not okay, not ever, not by anyone! And that’s exactly what happens in Serenity when schoolteacher Laura Reed and pediatrician J. C. Fullerton realize a student is being bullied. Both Laura and J.C. have experienced the damaging effects of bullying, so what’s happening to Misty Dawson is personal and unacceptable. While there are often subtle messages tucked away in my stories, I hope the message in Catching Fireflies is loud and clear. There is nothing cute or normal or acceptable about bullying, whether it’s a toddler on the playground or a teenager using the internet to torment a classmate. Pay attention to what may be happening to your children, no matter how young or how old. Pay even closer attention to how they’re treating others. Bullying is wrong. It needs to stop. And alert parents and teachers and a united community can make that happen. I hope you’ll enjoy spending time with all the Sweet Magnolias once more, and that you’ll take their message—and mine—to heart. All best, Sherryl
Sherryl Woods (Catching Fireflies (The Sweet Magnolias, #9))
Lady Meliara?” There was a tap outside the door, and Oria’s mother, Julen, lifted the tapestry. Oria and I both stared in surprise at the three long sticks she carried so carefully. “More Fire Sticks?” I asked. “In midwinter?” “Just found them outside the gate.” Julen laid them down, looked from one of us to the other, and went out. Oria grinned at me. “Maybe they’re a present. You did save the Covenant last year, and the Hill Folk know it.” “I didn’t do it,” I muttered. “All I did was make mistakes.” Oria crossed her arms. “Not mistakes. Misunderstandings. Those, at least, can be fixed. Which is all the more reason to go to Court--” “And what?” I asked sharply. “Get myself into trouble again?” Oria stood silently, and suddenly I was aware of the social gulf between us, and I knew she was as well. It happened like that sometimes. We’d be working side by side, cleaning or scraping or carrying, and then a liveried equerry would dash up the road with a letter, and suddenly I was the countess and she the servant who waited respectfully for me to read my letter and discuss it or not as I saw fit. “I’m sorry,” I said immediately, stuffing the Marquise’s letter into the pocket of my faded, worn old gown. “You know how I feel about Court, even if Bran has changed his mind.” “I promise not to jaw on about it again, but let me say it this once. You need to make your peace,” Oria said quietly. “You left your brother and the Marquis without so much as a by-your-leave, and I think it’s gnawing at you. Because you keep watching that road.” I felt my temper flare, but I didn’t say anything because I knew she was right. Or half right. And I wasn’t angry with her. I tried my best to dismiss my anger and force myself to smile. “Perhaps you may be right, and I’ll write to Bran by and by. But here, listen to this!” And I picked up the book I’d been reading before the letter came. “This is one of the ones I got just before the snows closed the roads: ‘And in several places throughout the world there are caves with ancient paintings and Iyon Daiyin glyphs.’” I looked up from the book. “Doesn’t that make you want to jump on the back of the nearest horse and ride and ride until you find these places?” Oria shuddered. “Not me. I like it fine right here at home.” “Use your imagination!” I read on. “‘Some of the caves depict constellations never seen in our skies--’” I stopped when we heard the pealing of bells. Not the melodic pattern of the time changes, but the clang of warning bells at the guardhouse just down the road. “Someone’s coming!” I exclaimed. Oria nodded, brows arched above her fine, dark eyes. “And the Hill Folk saw them.” She pointed at the Fire Sticks. “‘Them?’” I repeated, then glanced at the Fire Sticks and nodded. “Means a crowd, true enough.” Julen reappeared then, and tapped at the door. “Countess, I believe we have company on the road.” She looked in, and I said, “I hadn’t expected anyone.” Then my heart thumped, and I added, “It could be the fine weather has melted the snows down-mountain--d’you think it might be Branaric at last? I don’t see how it could be anyone else!” “Branaric needs three Fire Sticks?” Oria asked. “Maybe he’s brought lots of servants?” I suggested doubtfully. “Perhaps his half year at Court has given him elaborate tastes, ones that only a lot of servants can see to. Or he’s hired artisans from the capital to help forward our work on the castle. I hope it’s artisans,” I added. “Either way, we’ll be wanted to find space for these newcomers,” Julen said to her daughter. She picked up the Fire Sticks again and looked over her shoulder at me. “You ought to put on one of those gowns of your mother’s that we remade, my lady.” “For my brother?” I laughed, pulling my blanket closer about me as we slipped out of my room. “I don’t need to impress him, even if he has gotten used to Court ways!
Sherwood Smith (Court Duel (Crown & Court, #2))
There are some things in life you just never get over. Embarrassment. The feeling of being unprepared for life's biggest moments. The dismissal of a coworker, even one you can't stand. And being abandoned by a man you were actually beginning to like. I won't forget this. And when I'm done, neither will my stupid, ball-playing neighbor.
Amy Matayo (The Thirteenth Chance)