Marching Band Quotes

I thought I would inaugurate a Bipolar Pride Day. You know, with floats and parades and stuff! On the floats we would get the depressives, and they wouldn’t even have to leave their beds - we’d just roll their beds out of their houses, and they could continue staring off miserably into space. And then for the manics, we’d have the manic marching band, with manics laughing and talking and shopping and fucking and making bad judgment calls.

There came a time in everyone’s life when they realized that in spite of how hard they’d been running from themselves, everywhere they went, there they were: Addictions and compulsions were nothing but marching bands of distraction, masking truths that were unpleasant, but ultimately undeniable.

REGARDING THE MARCHING BAND: How much more interesting it would be to see a creeping band.

I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.

In Jones's experience, the decision to turn one's life around in a different direction rarely arrived with fireworks and marching bands. Often, the decision came with tears and regret. Then, almost impossibly, the power of forgiveness would fill an unseen void, allowing a new day's optimism and sense of purpose to take hold and point that life in a new direction.

To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.

The man in the shop peered disapprovingly at Evie through the glass. She pumped her arms and legs up and down in imitation of a marching band, gave the man a salute, and continued her meandering walk to the museum.

Marching bands used to be used in wars. The musicians wore certain uniforms so the opposing army could identify who not to shoot or something like that.

In the year 3,000,002,012 the Andromeda Galaxy may collide with our Milky Way. At first this sounds miserable, like a collision of two bird flocks. But galaxy members fly farly, not tip to tip. In a galactic collision the stars do not actually collide—as with crisscrossing marching bands, only the interstices collide. (Oh to be like a galaxy, to mingle without wrecking. But then we would have to be composed of so much more sky.) The spaces between stars are so wide that thousands of galaxies have to converge before the stars will crash.

Courage is not measured by Marching bands and banners in the wind. If you have not walked The bloody lines and seen the faces, You have no right to describe it so. We die here to keep you safe at home, And what we suffer Pray you may never know.

My eyes travel up red slacks, a white marching band shirt with a red sash that says ORCHARD HIGH, and finally reach the top of Levi's head fashioning a red and white hat that straps under his chin. He gives me a half smile, and taps his leg with his piccolo. He is without a doubt, the sexiest human being alive.

Because isn’t that what eternity is? It’s your own high school. Where the good girls are always good, the stupid boys are always stupid, the marching band always plays some lame tribute to whatever Broadway musical was big twenty-five years ago...

That maybe I’m the answer,’ I blurted. ‘To healing your heart. I could … you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like … yeah.’ I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of ‘You’re a Grand Old Flag’. Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse – Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask, What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a riverbed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree and looked at her dogs as if to share the joke. ‘Oh … my … gods,’ she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. ‘You. Me? HA-HA-HA-HA-HA-HA-HA.

Music, as everyone experiences, provides an unquestionable justification and a fulfilling pleasure for the activities it accompanies: the soldier who hears the marching band is enthralled and reassured; the religious man is exalted in his prayer by the sound of the organ in the church; and the lover is carried away and his conscience stilled by the romantic guitar. Armed with music, man can damn rational doubt.

You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.

(In Austria after VE Day) Sergeant Mercier...dressed in a full German officer's uniform, topped off with a monocle for his right eye. Someone got the bright idea to march him over to the company orderly room and turn him in at rifle point to Captain Speirs. Someone got word to Speirs before Mercier showed up. When troopers brought Mercier up to Speirs's desk, prodding him with bayonets, Speirs did not look up. One of the troopers snapped a salute and declared, "Sir, we have captured this German officer. What should we do with him?" "Take him out and shoot him," Speirs replied, not looking up. "Sir," Mercier called out, "sir, please, sir, it's me, Sergeant Mercier." "Mercier, get out of that silly uniform," Speirs ordered.

The ultimate feast! Turkey, dressing, pies, memories. Laughter carries over squabbles and fleeting tears. Game time, go! Heightened adrenaline; increased appetites. Oh, the parade! Marching bands, floats and giant balloons. Stuff the turkey, stuff your tummies! Eat up, eat more! Thanksgiving joys shared with beloved family and friends.

She raised her hands from the side of the pen in a gesture hieratic and profound. A visionary light settled in her eyes. She saw the streak as a vast swinging bridge extending upward from the earth through a field of living fire. Upon it a vast horde of souls were rumbling toward heaven. There were whole companies of white-trash, clean for the first time in their lives, and bands of black niggers in white robes, and battalions of freaks and lunatics shouting and clapping and leaping like frogs. And bringing up the end of the procession was a tribe of people whom she recognized at once as those who, like herself and Claud, had always had a little of everything and the God-given wit to use it right. She leaned forward to observe them closer. They were marching behind the others with great dignity, accountable as they had always been for good order and common sense and respectable behavior. They alone were on key. Yet she could see by their shocked and altered faces that even their virtues were being burned away. She lowered her hands and gripped the rail of the hog pen, her eyes small but fixed unblinkingly on what lay ahead. In a moment the vision faded but she remained where she was, immobile.

This topic brings me to that worst outcrop of herd life, the military system, which I abhor. That a man can take pleasure in marching in fours to the strains of a band is enough to make me despise him. He has only been given his big brain by mistake; unprotected spinal marrow was all he needed. This plague-spot of civilization ought to be abolished with all possible speed. Heroism on command, senseless violence, and all the loathsome nonsense that goes by the name of patriotism—how passionately I hate them! How vile and despicable seems war to me! I would rather be hacked in pieces than take part in such an abominable business. My opinion of the human race is high enough that I believe this bogey would have disappeared long ago, had the sound sense of the peoples not been systematically corrupted by commercial and political interests acting through the schools and the Press.

The year was 1952.” I clear my throat and look down at my paper. “It was summer, and Frank Sinatra was on the radio. Lana Turner and Ava Gardner were the starlets of the day. Stormy was eighteen. She was in the marching band, she was voted Best Legs, and she always had a date on Saturday night. On this particular night, she was on a date with a boy named Walt. On a dare, she went skinny-dipping in the town lake. Stormy never could turn down a dare.” Mr. Perelli laughs and says, “That’s right, she never could.” Other people murmur in agreement, “She never could.” “A farmer called the police, and when they shined their lights on the lake, Stormy told them to turn around before she would come out. She got a ride home in a police car that night.” “Not the first time or the last,” someone calls out, and everyone laughs, and I can feel my shoulders start to relax. “Stormy lived more life in one night than most people do their whole lives. She was a force of nature. She taught me that love--” My eyes well up and I start over. “Stormy taught me that love is about making brave choices every day. That’s what Stormy did. She always picked love; she always picked adventure. To her they were one and the same. And now she’s off on a new adventure, and we wish her well.

The piercing fanfare of the brass against the brutal boom and rattle of the drums surged through the air. At the head of the Ferris band marched the drum majorette. A crimson and white shako crowned her long dark hair which flew out behind her and across her radiant face flushed with excitement. Her blue eyes flashed and her smile registered triumph at having been chosen.

A brick could be used like March 5th marches in a marching band. And guess what, as the marching band director, I am the cement that holds everyone’s shoes in sync at the bottom of the Hudson River.


This topic brings me to that worst outcrop of the herd nature, the military system, which I abhor. That a man can take pleasure in marching in formation to the strains of a band is enough to make me despise him. He has only been given his big brain by mistake; a backbone was all he needed. This plague-spot of civilization ought to be abolished with all possible speed. Heroism by order, senseless violence, and all the pestilent nonsense that goes by the name of patriotism—how I hate them! War seems to me a mean, contemptible thing: I would rather be hacked in pieces than take part in such an abominable business. And yet so high, in spite of everything, is my opinion of the human race that I believe this bogey would have disappeared long ago, had the sound sense of the nations not been systematically corrupted by commercial and political interests acting through the schools and the Press.

Les pas que je fis après avoir laissé Oroshi aux rapaces, ma déambulation hagarde, écrasée de tristesse, au bord du plateau vide, et saturé de chrones, vide et saturé sans cesse, vide, sur plus de trois mille kilomètres de marche, jusqu'à l'étendue de glace crevassée, cisaillée de crivetz, qui marque de manière si caractéristique la limite de la bande de Contre, ces pas, je ne les ai dus qu'à moi.

Band has really been the one thing that allows me to experience somewhat of a distraction. They say music heals, right? I'm able to exist in all my weirdness right in the middle of a big crowd of people, but all I really have to focus on is playing my own part, marching with the correct foot, and being where I’m supposed to be on the field. - Rigby Raines

I came to that wooden marching band. I stopped and looked. There was a trumpet, trombone, clarinet, and drum. Birds don't live alone, I told myself. They live in flocks. Like people. People are always in a group. Like that little wooden band.

This topic brings me to that worst outcrop of the herd nature, the military system, which I abhor. That a man can take pleasure in marching in formation to the strains of a band is enough to make me despise him. He has only been given his big brain by mistake; a backbone was all he needed. This plague-spot of civilization ought to be abolished with all possible speed. Heroism by order, senseless violence, and all the pestilent nonsense that goes by the name of patriotism-how I hate them!

It is numbers like 545 billion that we are dealing with when we talk about a Defense Department overrun of $750 billion for the next four years. A really fancy single-user computer (the kind I wouldn’t mind having) costs approximately $75,000. With $750 billion to throw around, we could give one to every person in New York City, which is to say, we could buy about ten million of them. Or, we could give $1 million to every person in San Francisco, and still have enough left over to buy a bicycle for everyone in China! There’s no telling what good uses we could put $750 billion to. But instead, it will go into bullets and tanks and fighters and war games and missile systems and jet fuel and marching bands and so on. An interesting way to spend $750 billion, but I can think of better ways.

You know,” Wayne said, “I’m an Allomancer too.” The man said nothing. “I figured you’d want to know,” Wayne said, “since it seems like this is your religion and all. In case you wanted someone else to worship.” Again no reply. “I’m a Slider,” Wayne said. “Speed bubbles, you know? Those fancy titles would work for me just fine, I think. Handsome One. Smart One. Um … Guy wif the Great Hat.” The only sound was that of their footfalls and the gusting wind. “Now, see,” Wayne said, “this is unfair. Wax doesn’t want you to worship him, right? But you gotta have someone to worship. It’s human nature. It’s ingratiated in us. So, I’m willin’ to be accommodatin’ and let you—” “He can’t understand you, Wayne,” Marasi said, marching past. “He’s swapped metalminds to keep himself warm.” Wayne stopped in place as they all hiked onward. “Well, when he gets his brain back, someone tell him I’m a god, all right?” “Will do,” Wax called from up ahead.

Cadets at West Point did not make music. The musicians in the dance band and the marching band were Regular Army enlisted men, members of the servant class. They were under orders to play music as written, note for note, and never mind how they felt about the music or about anything.

At Mount Holyoke, a band of female Wide-Awakes described as “running hither and thither…laughing and shouting, and drinking lemonade,” marched in a celebratory torchlight procession, unfurling a banner that read: “PRESIDENT—ABRAHAM LINCOLN. Behind a homely exterior, we recognize inward beauty.

singing in choruses, performing in marching bands, listening to sermons, attending political rallies, and meditating. Most of my students have experienced the switch at least once, although only a few had a life-changing experience. More commonly, the effects fade away within a few hours or days.

I take a deep breath. "But if for some reason this plan doesn't work, we need to promise to find each other in the afterlife. There has to be an afterlife, Roof, because it's the only thing that makes dying this young fair." Rufus nods. "I will make it so easy for you to find me. Neon signs, Marching bands.

Perjuangan terberat dalam hidup manusia adalah perjuangan mengalahkan diri sendiri. Buku ini adalah bagi semua yang memenangkannya.

March 6, 1961 I remembered a party in a house outside of Ann Arbor. There was a jazz band -- piano, bass, drums, and sax -- playing in one of the large rooms. A heavy odor of marijuana hung in the air. The host appeared now and then looking pleased, as if he liked seeing strangers in every room, the party out of his control. It wasn't wild, but with a constant flow of people, who knows what they're doing. It became late and I was a little drunk, wandering from one part of the house to another. I entered a long hall and was surprised by the silence, as if I had entered another house. A girl at the other end of the hall was walking toward me. I saw large blue eyes and very black hair. She was about average height, doll-like features delicate as cut glass, extremely pretty, maybe the prettiest girl I'd ever seen. When she came up to me I took her in my arms and kissed her. She let it happen. We were like creatures in a dream. Holding her hand, I drew her with me and we passed through rooms where people stood about, and then left the house. As we drove away, she said her name was Margo. She was a freshman at the university, from a town in northern Michigan. I took her home. It was obvious she'd never gone home with a man. She didn't seem fearful, only uncertain, the question in her eyes: "What happens next?" What happened next was nothing much. We fell asleep in our clothes. I wasn't the one to make her no different from everyone.

On Thursday, March 26, as the assault continued and as his troops wasted away, General MacArthur, safely in Australia, received the Congressional Medal of Honor from the U.S. minister there. General Wainwright, learning of the news, radioed his congratulations from Corregidor, even as the bombs were falling on top of him. He also reported on the desperate state of his supplies.

In my own life, I must confess that I had never felt “manly” until I got married. I was a nerd before it was fashionable, playing trumpet in the marching band and staying in the Boy Scouts through high school. Good things, no doubt, but not cool or macho. I was often mocked and excluded, especially during high school, for my uncoolness. But Kathy looked at me like her knight in shining armor. She has always told me, and continues to tell me, that though all the world may look at me and see Clark Kent, she knows that underneath I have on blue underwear. She has always been very quick to point out and celebrate anything I have done that is courageous. Over the years, bit by bit, it has sunk in. To my wife, I’m Superman, and it makes me feel like a man in a way nothing else could.

The result of these shared experiences was a closeness unknown to all outsiders. Comrades are closer than friends, closer than brothers. Their relationship is different from that of lovers. Their trust in, and knowledge of, each other is total. They got to know each other's life stories, what they did before they came into the Army, where and why they volunteered, what they liked to eat and drink, what their capabilities were. On a night march they would hear a cough and know who it was; on a night maneuver they would see someone sneaking through the woods and know who it was from his silhouette.

Drat.” She dropped the crowbar to the floor and marched over to the box of face masks. Ripping it open, she tugged a white mask from inside. It tore from the force of her pull. “Drat!” Kaine threw it aside and yanked on another one. This time the rubber band for securing it around the wearer’s head snapped from the side of the mask. “Are you kidding me?” she growled at the empty room. Kaine sent the second

(Ali was horrified and enraged when in March of 2001 the Taliban dynamited the stone Buddhas that had stood watch over the town for centuries. What man had the right to write the future by blowing up the past?)

I, for instance, was triumphant over everyone; everyone, of course, was in dust and ashes, and was forced spontaneously to recognise my superiority, and I forgave them all. I was a poet and a grand gentleman, I fell in love; I came in for countless millions and immediately devoted them to humanity, and at the same time I confessed before all the people my shameful deeds, which, of course, were not merely shameful, but had in them much that was "sublime and beautiful" something in the Manfred style. Everyone would kiss me and weep (what idiots they would be if they did not), while I should go barefoot and hungry preaching new ideas and fighting a victorious Austerlitz against the obscurantists. Then the band would play a march, an amnesty would be declared, the Pope would agree to retire from Rome to Brazil; then there would be a ball for the whole of Italy at the Villa Borghese on the shores of Lake Como, Lake Como being for that purpose transferred to the neighbourhood of Rome; then would come a scene in the bushes, and so on, and so on — as though you did not know all about it?

Benjamin Lassiter was coming to the unavoidable conclusion that the woman who had written A Walking Tour of the British Coastline, the book he was carrying in his backpack, had never been on a walking tour of any kind, and would probably not recognize the British coastline if it were to dance through her bedroom at the head of a marching band, singing “I’m the British Coastline” in a loud and cheerful voice while accompanying itself on the kazoo.

Let me first establish—on your behalf—feelings of animosity and disgust at the mendacity inherent in this concept of "cartoon." Whenever someone hits you with a conversational shot that is crude or is intended to hurt, and you bristle, the shooter quickly throws up his/her hands and tries to get you to believe, "I was only kidding. It was all in fun. Boy, are you overreacting. You musn't take it seriously, it was just a joke." Well, we know it wasn't any such thing. It was a snippet of truth slipping past the cultural safeguards that keep us dealing with one another with civility. It was for real. Similarly, when such films as Streets of Fire and Gremlins and Temple of Doom are made, we are expected to take them seriously enough to plonk down five bucks for a ticket. When they fail to deliver what they've promised in all those tv clips, and we express our anger at having been fleeced, the shooters tell us we're overreacting and we should feel a lot better about losing our five or ten or whatever amount they got out of us, because it was all a gag. I wonder how well they'd take the gag if we paid for the tickets with counterfeit bills. Or pried open the firedoor at the theater and sneaked in with the entire Duke University Marching Band. "It was all a joke, fellahs; don't take it so seriously; gawd, are you overreacting!" No, they cannot have that cake and eat it, too.

Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens. It proved to be a woman’s skirt. The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too. She’s altogether too shiny for a woman, he decided, and began to turn away. Which was when she tipped her face up into the light. Everything stopped. The beat of his heart, the pump of his lungs, the march of time. Seconds later, thankfully, it all resumed. Much more violently than previously. And then absurd notions roman-candled in his mind. His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.” Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.

In front of the reviewing stand, she presented Joseph with a twenty-six-star, handcrafted silk American flag, sewn for the occasion by the ladies of Nauvoo. Then the officers, the honored guests, and the twenty members of the Legion marching band assembled for the procession to the temple site. Joseph had assigned special places on the reviewing stand to the Sauk Indian chief Keokuk and his entourage, who had crossed over from Iowa to partake in the festivities.

No, I’m talking about the aliens inside our own heads. The ones we made up, the ones we’ve been making up since we realized those glittering lights in the sky were suns like ours and probably had planets like ours spinning around them. You know, the aliens we imagine, the kind of aliens we’d like to attack us, human aliens. You’ve seen them a million times. They swoop down from the sky in their flying saucers to level New York and Tokyo and London, or they march across the countryside in huge machines that look like mechanical spiders, ray guns blasting away, and always, always, humanity sets aside its differences and bands together to defeat the alien horde. David slays Goliath, and everybody (except Goliath) goes home happy. What crap.

My Chemical Romance was on Conan. They had rings in their lips and eyebrows, their hair done up in spikes, but beneath the white pancake makeup and black lipstick they looked like a collection of chubby kids who had probably been in their high-school marching band a few years earlier. They leaped around, falling into each other, as if the stage beneath them were an electrified plate. They played frantically, pissing themselves with fear. Jude liked them. He wondered which of them would die first.

Sometimes I dream of revolution, a bloody coup d’etat by the second rank—troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men—I dream of champions chopped down by rabbit-punching sparring partners while eternal bridesmaids turn and rape the bridegrooms over the sausage rolls and parliamentary private secretaries plant bombs in the Minister’s Humber—comedians die on provincial stages, robbed of their feeds by mutely triumphant stooges— —and—march— —an army of assistants and deputies, the seconds-in-command, the runners-up, the right-handmen—storming the palace gates wherein the second son has already mounted the throne having committed regicide with a croquet-mallet—stand-ins of the world stand up!—

Here's my bright idea for life on earth: better management. The CEO has lost touch with the details. I'm worth as much, but I care; I come down here, I show my face, I'm a real regular. A toast: To our boys and girls in the war, grinding through sand, to everybody here, our host who's mostly mist, like methane rising from retreating ice shelves. Put me in command. For every town, we'll have a marching band. For each thoroughbred, a comfortable stable; for each worker, a place beneath the table. For every forward step a stumbling. A shadow over every starlit thing.

He said, “Son, life’s like this marching band.” And I, who was expecting something more profound, inquired as to what in the seven hells he meant. “Look closely,” he said. “They’re going to start with numbers that they’re really good at. Things they’ve practiced; things they know they can’t screw up. Then they start getting ambitious; they might pull off a few good riffs here and there. And then the crowd cheers them on, and they get really ambitious, and they go straight into a number way beyond their competence. And you know what that leaves? A sour taste in the mouth.

High school marching band was its own little microcosm of the world. More a study in sociology than in woodwinds and brass: There were the band geeks, pimply and a tad too greasy, making out with one another every chance they got. There were the no-nonsense go-getters, eager to fill a line on their college applications, marching without rhythm or passion. There was the percussion section, hipsters-to-be whose arms would be full of tattoos in a few years’ time. And there were the tuba players, chunky and asexual, as if they were slowly morphing into their instrument of choice.

In stories there were marches without weeping foot sores, swordfights without septic wounds that killed heroes in their sleep. In stories, when a giant was slain, it toppled thunderously to the ground. In reality, a giant died much the same way anything else did: screaming and shitting itself.

Children and adults alike need to experience how rewarding it is to work at the edge of their abilities. Resilience is the product of agency: knowing that what you do can make a difference. Many of us remember what playing team sports, singing in the school choir, or playing in the marching band meant to us, especially if we had coaches or directors who believed in us, pushed us to excel, and taught us we could be better than we thought was possible. The children we reach need this experience. Athletics, playing music, dancing, and theatrical performances all promote agency and community.

The whirligig featured a drummer, a trumpet player, a clarinetist, and a man with a trombone. It was a leap beyond the spouting whale, with more figures, a six-bladed propeller, and a much more complex system of rods and pivots that made the instruments dip and rise as if the musicians were marching.

She had lived in eight different countries growing up and had visited dozens of others. To most people, this sounded cool, and in some ways, Ayers knows, it was cool, or parts of it were. But since humans are inclined to want what they don't have, she longed to live in America, preferably the solid, unchanging, undramatic Midwest, and attend a real high school, the kind shown in movies, complete with a football team, cheerleaders, pep rallies, chemistry labs, summer reading lists, hall passes, proms, detentions, assemblies, fund-raisers, lockers, Spanish clubs, marching bands, and the dismissal bell.

More popular than Jesus "More popular than Jesus" is part of a remark made by John Lennon of the Beatles in a March 1966 interview, in which he argued that the public were more infatuated with the band than with Jesus, and that Christian faith was declining to the extent that it might be outlasted by rock music. Wikipedia

Then the ’60s had gotten angry. Those other ’60s, the later ’60s, were not about marching forward, but fighting back. Segregation, determination, demonstration, integration, aggravation, humiliation, obligation to the nation, they had exploded in a ball of confusion, riot, and rage that burned halfway through the next decade. And the band played on.

In America, straightforward talk about class inequality is all but impossible, indeed taboo. Political appeals to the economic self-interest of ordinary voters, as distinct from their wealthy compatriots, court instant branding and disfigurement in the press as divisive “economic populism” or even “class warfare.”39 On the other hand, divisive political appeals composed in a different register, sometimes called “cultural populism,” enlist voters’ self-concept in place of their self-interest; appealing, in other words, to who they are and are not, rather than to what they require and why. Thus, the policies of the 1980s radically redistributed income upward. Then, with “economic populism” shooed from the public arena, “cultural populism” fielded something akin to a marching band. It had a simple melody about the need to enrich the “investing” classes (said to “create jobs”), and an encoded percussion: “culture wars”; “welfare mothers”; “underclass”; “race-and-IQ”; “black-on-black crime”; “criminal gene”; on and on.40 Halfway through the decade, as the band played on, a huge economic revolution from above had got well under way. The poorest 40 percent of American families were sharing 15.5 percent of household income, while the share of the richest 20 percent of families had risen to a record 43.7 percent, and the trend appeared to be (and has turned out to be) more and more of the same.41 The

Unfortunately grown-ups don’t behave any better. Especially when they have nothing else to do or are having a hard time – or, sometimes, when they just think they are having a hard time. They band together with other real or supposed companions in misfortune and take to the streets, marching in step and parroting mindless slogans, filled with their own importance.

In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.

A furtive light knifed through the fog to reveal a singular mirage: the marching cavalry appeared suspended between earth and sky. Libbie Custer shivered with a presentiment of tragedy. “The future of the heroic band seemed revealed, and already there seemed a premonition in the supernatural translation as their forms were reflected from the opaque mist of the early dawn.

Around the same time, the president-elect opened an equally chilling letter from yet another anonymous enemy in Washington: “Caesar had his Brutus. Charles the First his Cromwell. And the President may profit by their example.” The letter was signed “Vindex”—the name of the first Roman governor to rebel against Nero—“one of a sworn band of 10, who have resolved to shoot you in the inaugural procession on the 4th of March, 1861.

For all his faults, Captain Sobel had seen that the men were highly proficient in conducting nocturnal patrols and movement. The problems associated with forced marches across country, through woods, night compass problems, errors in celestial navigation, had all been overcome in the months preceding D-Day. Prior to the invasion, Easy Company had experienced every conceivable problem of troop movement under conditions of limited visibility.

And now every April I sit on my porch And I watch the parade pass before me I see my old comrades, how proudly they march Reliving the dreams of past glory I see the old men all twisted and torn The forgotten heroes of a forgotten war And the young people ask me, "What are they marching for?" And I ask myself the same question And the band plays Waltzing Matilda And the old men still answer the call But year after year their numbers get fewer Some day no one will march there at all

- Lorsque tu mourras, grand chef, il faudra abattre une forêt entière pour dresser le tien. - Je crains que tu te leurres. Un chef thül qui laisse mourir la totalité des hommes qu'il était censé protéger ne mérite pas d'entrer dans le livre des légendes. - Et un héros thül capable de courir pendant des jours, d'affronter une bande d'impitoyables mercenaires puis de les vaincre au péril de sa vie pour remplir la mission qui lui avait été confiée ? - C'est juste un thül qui a fait son devoir.

The force that directs these things in us higher beings and brings together lovers to bear the genius that will lead the world a step or two of the slow march toward its perfection, or find the note that will reach the ear of the banded multitude and encourage it to take that step, had come across with a Georgie instead, and with us. We were far from having the stuff in us that she must have wanted. Our parentage needn’t have mattered so much, and it wasn’t just a question of high or even legal birth. Fouché got as far as Talleyrand.

Good Mistake" Blood on your hands And your hands still roam But your secret is safe with the garden gnome Those marks on your neck never seem to fade Bring a marching band For the masquerade Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me Blow out the candles on your cake It's another year due with the same mistakes Blind like a bat When you hit that wall Now who's gonna come Who you gonna call Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me I can see you run I can see you're undone Shadow to the sun Shadow to the sun See a rule to break See another rule to make It's a good mistake Shadow next to none Broken bones in a walking man It's a trick to the eye It's a rubber band Don't let it go Let it fall a part It's a heavy load For a tender heart

You know, the aliens we imagine, the kind of aliens we’d like to attack us, human aliens. You’ve seen them a million times. They swoop down from the sky in their flying saucers to level New York and Tokyo and London, or they march across the countryside in huge machines that look like mechanical spiders, ray guns blasting away, and always, always, humanity sets aside its differences and bands together to defeat the alien horde. David slays Goliath, and everybody (except Goliath) goes home happy. What crap. It’s like a cockroach working up a plan to defeat the shoe on its way down to crush it.

I always refrained from speaking words of affection. Ever since, I was a child, I used to call my parents by their first names and never quite knew what to respond when they used to bathe me with their I love yous. I used to avoid words of love at any cost. Out of tremendous fear and out of the obligation of reciprocity, I chose my words very carefully. But these words sometimes betrayed me. They bathed in my eyes and in my gaze that caressed the wind, even in those fleeting moments when I used to look away into the horizon and especially in those moments where I did. I refrained from engaging. I refrained from reciprocating. I refrained from running towards. I refrained from opening my arms wide open. I refrained from screaming "Stay here." Instead, I fled. I dwelled in silence. I escaped. I stared into the void. I stared within. And I ran inwards. But when my alphabet stumbled upon your name, the lump in my throat dissipated. The weight that lays heavily on my chest vanished. You see, there are millions of children in my heart that scream: I love you. There is a marching band in my heart that chants your name. You'll never hear them but they do. And I laugh at the madness I have become.

Among those troops that I had joined were plenty of regular units with reliable officers, crowds of restless adventurers on the lookout for a fight and with it the chances of loot and relaxation of ordinary rules of conduct. Patriots could not bear the idea of break down of law and order at home and wish to guard the frontiers from the incursion of the Red Flood. There was the Baltic Landswehr, recruited from the local gentry who were determined at all cost to save their 700 year old traditions, their noble and vigorous yet fastidious culture, the Eastern bulwark of German civilization. And there were German battalions consisting of men who wanted to settle in the country who were hungering for land. Of troops desiring to fight for the existing government there were none. The like-minded ones were soon dissociated from general mass which was swept eastwards by crash of Western front. We seemed suddenly to have collected as if a secret signal. We found ourselves apart from the crowd. Knowing neither what we are we sought not gold. The blood suddenly ran hotly through our veins and called us to adventure and hazard. Drove us to wandering and danger. And herded together those of us who realized our profound kinship with one another. We were a band of warriors, extravagant in our demands, triumphantly definite in our decisions. What we wanted we did not know, but what we knew we did not want. To force our way through the prisoning walls of the world. To march over burning field, to stamp over ruins and scattered ashes, to dash recklessly through wild forests, over blasted heaps to push, conquer, eat our way towards the East, to the white hot dark cold land that stretched between ourselves and Asia. Was that what we wanted? I do not know if that was our desire and they was what we did. And the search for reasons why was lost in the tumult of the continuous fighting.

Perjuangan Remaja Bontang Menggapai 12 menit sebagai Sejarah. Melihat judul buku 12 menit. Tentu kita sudah dibawa pertanyaan, apakah maksud dari 12 menit itu. Tentu banyak arti dengan 12 menit ini. Tapi dalam novel ini digambarkan 12 menit harus diraih dengan syarat yang tidak mudah, melalui pengorbanan yang tidak sedikit. Perjuangan keras para generasi remaja bontang untuk meraih kesuksean. Bisa dibilang, 12 menit ini awal dari sejarah besar untuk kota kecil di Kalimantan Timur. Sebuah novel fiksi yang syarat dengan makna, yang patut di miliki oleh semua golongan usia. Novel karya Oka Aorora dengan tebal 343 halaman menggambarkan bagaimana sebuah kesuksesan tidak dapat diraih dengan instan, tetapi harus dengan perjuangan yang sangat keras. Apapun resiko yang dihadapi, menyulutkan semangat baja yang tidak mengenal rasa takut, lelah, dan tekat harus terus di pupuk agar lebih subur. Cara pengarang mendiskripsikan tokoh dalam cerita ini sungguh unik. Terdapat 4 tokoh yang digambarkan dalam novel ini. Seperti Rene, pelatih alumni sebuah universitas di Amerika memiliki karakter yang sangat kuat, disiplin tinggi, keras, tapi juga lembut hatinya, ini digambarkan bagaimana dia mempertahankan satu persatu tim nya yang mengalami down dan masalah pelik dalam latihan. Dia juga tidak segan-segan meminta maaf kepada anak dididiknya ketika dia merasa bersalah. Tokoh kedua adalah Elaine. Putri semata wayang dari bos besar sebuah perusahaan yang dikenal sangat cerdas, berbakat dan dianugrahi perawakan yang elok. Dia mempunyai sifat ramah, yang pada akhirnya bagaimana dia harus bisa meyakinkan ayahnya untuk ikut menyutujui pilihan hidupnya. Tara gadis berjilbab yang pawai bermain drum ini memiliki keterbatasan pada pendengarannya. Sehingga untuk mendengar diperlukan alat bantu khusus. Bagaimana perjuangannya untuk bisa bangkit dari trauma masa lalu saat terjadi kecelakaan yang mengakibatkan ayah yang dicintainya pergi untuk selamanya, selain itu akibat lain dia harus kehilangan 80% dari pendengarannya. Lahang, seorang pemuda dari pesisir pantai yang berusaha mewujudkan mimipi almh. Ibunya untuk bisa melihat monas, tetapi dia dihadapakan pada pilihan paling sulit antara mimpinya atau menemani ayahnya yang sakit kanker otak stadium lanjut. Semua tokoh dalam novel ini dikemas dengan sangat apik dan ringan, sehingga ketika kita membacanya, pembaca seolah-olah ikut merasakan beban dan sulitnya hidup yang dialami oleh tokoh-tokoh tersebut. Bahasa yang digunakan pun sangat sederhana, dan mudah di pahami oleh pembaca, tidak njilmet, tetapi bisa memberi kobaran api yang menyala besar. Kelebihan dalam novel ini ke 4 tokoh memiliki karakter yang sama, yaitu keinginan yang kuat untuk membawa marching band bontang pupuk Kalimantan timur menjadi juara umum di GMPB. Terwujudkah mimpi anak negeri terpencil itu?Dreaming is believing. Meski harus dilalui dengan jerih payah tim yang luar biasa. Perbedaan masalah setiap tokoh membawa mereka pada jalan keberhasilan, penulis menggambarkan bagaimana seorang rene yang tidak hanya menjadi pelatih di lapangan. Tetapi dia bisa sebagai sahabat, saudara untuk tempat bercerita. Semisal ketika dia membantu Elaine mengalami dilema diantara dua pilhan antara mengikuti olimpiade fisika, atau terus berjuang dimarching band, dan perjuangannya menghadapi larangan keras dari ayahnya. Tara seorang gadis pendiam yang hampir berputus asa dan sempat keluar dari tim inti. Tetapi rene sebagai pelatih tidak tinggal diam, di semangati tara dan dibantu kakek neneknya, akhirnya membawa tara kembali dan meraih keberhasilan. Lahang pemuda dengan persolan pelik, ayahnya menderita sakit yang parah. Rene sempat menawarkan bantuan tetapi ditolaknya, ketika perjuangan tinggal selangkah lagi dia hampir putus asa karena ayahnya telah pergi ke Rahmatulloh. Kata-kata dari Rene meyakinkan lahang utnuk terus berjuang meski peri

Hope is what led a band of colonists to rise up against an empire; what led the greatest of generations to free a continent and heal a nation; what led young women and young men to sit at lunch counters and brave fire hoses and march through Selma and Montgomery for freedom's cause. Hope is what led me here today -- with a father from Kenya, a mother from Kansas; and a story that could only happen in the United States of America. Hope is the bedrock of this nation; the belief that our destiny will not be written for us, but by us; by all those men and women who are not content to settle for the world as it is; who have courage to remake the world as it should be. [January 3, 2008]

Sometimes I dream of revolution, a bloody coup d’etat by the second rank—troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men—I dream of champions chopped down by rabbit-punching sparring partners while eternal bridesmaids turn and rape the bridegrooms over the sausage rolls and parliamentary private secretaries plant bombs in the Minister’s Humber—comedians die on provincial stages, robbed of their feeds by mutely triumphant stooges— —and—march— —an army of assistants and deputies, the seconds-in-command, the runners-up, the right-handmen—storming the palace gates wherein the second son has already mounted the throne having committed regicide with a croquet-mallet—stand-ins

What is life? It is a series of arrangements that each of us makes in order to slow down the deterioration process as much as possible. Everybody faces the same decisions as they advance in age—behavior that was fun when you were younger (excessive drug and alcohol intake, indiscriminate sexual encounters with the powerfully magnetic and questionably sane, residing in shitholes with hygiene-averse scumbags) can’t continue when you get older or else the death march gets accelerated. Mature people learn over time how to structure their lives in such a way that the likelihood of dying is minimized. Eventually the menu of fun items that won’t instantly kill you is reduced to a small selection of spicy entrees, then a zesty appetizer or two, then a glass of water and a spoon (because forks and knives could cut your terrifyingly translucent skin, you decrepit old coot). I

Lester.” Reyna sighed. “What in Tartarus are you saying? I’m not in the mood for riddles.” “That maybe I’m the answer,” I blurted. “To healing your heart. I could…you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like…yeah.” I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of “You’re a Grand Old Flag.” Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse—Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a creek bed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree, and looked at her dogs as if to share the joke. “Oh…my…gods,” she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. “You. Me? HA-HA-HA-HA-HA-HA-HA.

Jolly Marchers by Maisie Aletha Smikle Dam Dam Didley Doe Dee Daw Didley Doe Dee Dam Doe Fa So La Ti Doe Animals in a row Prancing as they go Jiggling and Wiggling Tails and head bobbing Mice on drums Elephants on flute Zebras blare the trumpets Squirrels blow trombones Skunks get funky on clarinets Bees on violins Hogs on guitar Parrots and crickets sing Aha Aha Vultures cheer Mosquitoes twirl Wings clapping and flapping Heads go up and down bobbing Marching and skanking Rocking and bobbing Wiggling and singing Dee Daw Didley Doe This is not a circus There are no clowns There is not a palace There are no crowns On and on they go Monkeys in tow Tigers in bow Onlookers stare and glow Donkey takes the podium As conductor of the band Waving his marching wand The band comes to a stand Mule takes a stool And sits in the cool They have reached the bend Where the march ends The ants were nesting So they missed the fest Some got on tambourines And insist they must join in The ants jiggle and wiggle Some play the fiddle Dancing and singing Didley Dam Didley Doe

Business leadership is based on two elements: vision and technical competence. Top people in a given industry always embody at least one of those two elements. Sometimes, but rarely, they embody both of them. Simply put, vision is the ability to see what other people don’t. It’s a Ford executive named Lee Iacocca realizing that a market existed for an automobile that was both a racing car and a street vehicle—and coming up with the Mustang. It’s Steven Jobs realizing that computers needed to be sold in a single box, like a television sets, instead of piece by piece. About one hundred years ago, Walter Chrysler was a plant manager for a locomotive company. Then he decided to go into the car business, which was a hot new industry at the time. The trouble was, Walter Chrysler didn’t know a lot about cars, except that they were beginning to outnumber horses on the public roadways. To remedy this problem, Chrysler bought one of the Model T Fords that were becoming so popular. To learn how it worked, he took it apart and put it back together. Then, just to be sure he understood everything, he repeated this. Then, to be absolutely certain he knew what made a car work, he took it apart and put it together forty-eight more times, for a grand total of fifty. By the time he was finished, Chrysler not only had a vision of thousands of cars on American highways, he also had the mechanical details of those cars engraved in his consciousness. Perhaps you’ve seen the play called The Music Man. It’s about a fast-talking man who arrives in a small town with the intention of hugely upgrading a marching band. However, he can’t play any instruments, doesn’t know how to lead a band, and doesn’t really have any musical skills whatsoever. The Music Man is a comedy, but it’s not totally unrealistic. Some managers in the computer industry don’t know how to format a document. Some automobile executives could not change a tire. There was once even a vice president who couldn’t spell potato. It’s not a good idea to lack the fundamental technical skills of your industry, and it’s really not a good idea to get caught lacking them. So let’s see what you can do to avoid those problems.

It’ll Get Worse Before It Gets Worse" For Alexander Moysaenko The black heart of the moon’s visible through the trees from here. Where are you? I’m alone on the road with a dead phone. The birds are flapping overhead but there’s not much light to be guided by. If any horizon becomes visible enough to follow. Forget the rain’s smear, the chafe of fabric at the calf. The money ran out. The diners are stuffed and back for more. Each terrible thing I said to the child will get repeated hopefully as a joke. And like language, these gestures, or a certain way of nodding one’s head, it all eases in with less than a breath. Forget the song’s words, the order of the band’s set tonight. The black moon’s heart’s got that sinister bent and I want to get touched at by the snakes. One of the students in my class used to go bear hunting with his two uncles. They played recordings of distressed animals to lure in tentative animals to kill. This practice is illegal in many places. Because it’s so very effective. I split open the apple and hand the good half to a child on the bus nestled in under the arm of her sleeping mother. Love from here is a long way to go. Get on your bike and ride through the lights. Poetry (March 2019)

Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861

Well, now it looks as if the time’s come for witchers. You’re reading Roderick de Novembre? As far as I remember, there are mentions of witchers there, of the first ones who started work some three hundred years ago. In the days when the peasants used to go to reap the harvest in armed bands, when villages were surrounded by a triple stockade, when merchant caravans looked like the march of regular troops, and loaded catapults stood on the ramparts of the few towns night and day. Because it was us, human beings, who were the intruders here. This land was ruled by dragons, manticores, griffins and amphisboenas, vampires and werewolves, striga, kikimoras, chimera and flying drakes. And this land had to be taken from them bit by bit, every valley, every mountain pass, every forest and every meadow. And we didn’t manage that without the invaluable help of witchers. But those times have gone, Geralt, irrevocably gone. The baron won’t allow a forktail to be killed because it’s the last draconid for a thousand miles and no longer gives rise to fear but rather to compassion and nostalgia for times passed. The troll under the bridge gets on with people. He’s not a monster used to frighten children. He’s a relic and a local attraction -- and a useful one at that. And chimera, manticores and amphisboenas? They dwell in virgin forests and inaccessible mountains--

It is recorded that during the long winter after the Battle of Fredericksburg, when the two rival armies were camped on opposite sides of the Rappahannock, with the boys on the opposing picket posts daily swapping coffee for tobacco and comparing notes on their generals, their rations, and other matters, and with each camp in full sight and hearing of the other, one evening massed Union bands came down to the river bank to play all of the old songs, plus the more rousing tunes like "John Brown's Body," "The Battle Cry of Freedom," and "Tramp, Tramp, Tramp, the Boys Are Marching." Northerners and Southerners, the soldiers sang those songs or sat and listened to them, massed in their thousands on the hillsides, while the darkness came down to fill the river valley and the light of the campfires glinted off the black water. Finally the Southerners called across, "Now play some of ours," so without pause the Yankee bands swung into "Dixie" and "The Bonnie Blue Flag" and "Maryland, My Maryland," and then at last the massed bands played "Home, Sweet Home," and 150,000 fighting men tried to sing it and choked up and just sat there, silent, staring off into the darkness; and at last the music died away and the bandsmen put up their instruments and both armies went to bed. A few weeks later they were tearing each other apart in the lonely thickets around Chancellorsville.

In spring that year (1930), by a symbolic act whose significance I myself did not grasp, a march through the stifling heat to the sea with a little band of followers to make illegal salt, Gandhi had aroused the Indian people from the lethargy into which they had long sunk after nearly three centuries of British rule, if you counted the incredible period when they were governed for two hundred years not by a foreign country but by a bizarre band of traders greedy for profit, the honourable members and agents of the East India Company. These hustlers had first came out from England early in the seventeenth century, found the pickings beyond their fondest dreams, and by hook and by crook and by armed might, had stolen the country from the Indians. It was the only instance in history, I believe, of a private commercial enterprise taking over a vast, heavily populated subcontinent, ruling it with an iron hand and exploiting it for private profit. Probably only the British, with their odd assortment of talents, their great entrepreneurial drive, their ingrained feeling of racial superiority, of which Rudyard Kipling would sing so shrilly, their guile in dividing the natives and turning them against one another, and their ruthlessness in putting down all who threatened their rule and their profits, could have done it, and got away with it so long. Perhaps only the Indians, divided as they were after the decay of the Mughal Empire into dozens of quarrelling, warring states, great and small, could have succumbed so easily and so quickly to the aggression of a handful determined merchants, backed by a small handful of British troops in the service of the Company, and remained so long in abject subjection. As Radhakrishnan, the great Hindu philosopher, put it in our own time: "The day India lost her freedom, a great curse fell on her and she became petrified.

The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.

There are two ways in which the human machine goes wrong. One is when human individuals drift apart from one another, or else collide with one another and do one another damage, by cheating or bullying. The other is when things go wrong inside the individual—when the different parts of him (his different faculties and desires and so on) either drift apart or interfere with one another. You can get the idea plain if you think of us as a fleet of ships sailing in formation. The voyage will be a success only, in the first place, if the ships do not collide and get in one another’s way; and, secondly, if each ship is seaworthy and has her engines in good order. As a matter of fact, you cannot have either of these two things without the other. If the ships keep on having collisions they will not remain seaworthy very long. On the other hand, if their steering gears are out of order they will not be able to avoid collisions. Or, if you like, think of humanity as a band playing a tune. To get a good result, you need two things. Each player’s individual instrument must be in tune and also each must come in at the right moment so as to combine with all the others. But there is one thing we have not yet taken into account. We have not asked where the fleet is trying to get to, or what piece of music the band is trying to play. The instruments might be all in tune and might all come in at the right moment, but even so the performance would not be a success if they had been engaged to provide dance music and actually played nothing but Dead Marches. And however well the fleet sailed, its voyage would be a failure if it were meant to reach New York and actually arrived at Calcutta. Morality, then, seems to be concerned with three things. Firstly, with fair play and harmony between individuals. Secondly, with what might be called tidying up or harmonising the things inside each individual. Thirdly, with the general purpose of human life as a whole: what man was made for: what course the whole fleet ought to be on: what tune the conductor of the band wants it to play. You

Followed like a goat on a halter, hungry dog closing on his just-filled dinner bowl, water-bottle and towel carrier behind the tuba section of a marching band.

An election year in the U.S., as if you needed to be reminded, the vituperative tunes of the Ayn Rand Marching Band bleating from the airwaves.

Manzarek and Jim Morrison were film students at UCLA when they met. They both had an abiding interest in film and the past masters as well as creating a new cinema. Through The Doors they did create cinema. At first, one strictly of The Doors, but as their influence and legend spread through culture they, in turn, inspired those that were creating movies.   The Doors Film Feast of Friends Late in March 1968 (the exact date is unknown) The Doors decided to film a documentary of their forthcoming tour. The idea may have come about because Bobby Neuwirth, who was hired to hang out with Jim and try to direct his energies to more productive pursuits than drinking, produced a film Not to Touch the Earth that utilized behind the scenes film of The Doors. The band set up an initial budget of $20,000 for the project. Former UCLA film students Jim Morrison and Ray Manzarek hired film school friends Paul Ferrara as director of photography, Frank Lisciandro as editor, and Morrison friend Babe Hill as the sound recorder.

At their invitation we crowded into the spacious control cabin of the great airship, where scientific gear occupied every available cubic—perhaps hypercubic—inch. Among the fantastical glass envelopes and knottings of gold wire as unreadable to us as the ebonite control panels scrupulously polished and reflecting the Arctic sky, we were able here and there to recognize more mundane items—here Manganin resistance-boxes and Tesla coils, there Leclanché cells and solenoidal magnets, with electrical cables sheathed in commercial-grade Gutta Percha running everywhere. Inside, the overhead was much higher than expected, and the bulkheads could scarcely be made out in the muted light through three hanging Fresnel lenses, the mantle behind each glowing a different primary color, from sensitive-flames which hissed at different frequencies. Strange sounds, complex harmonies and dissonances, resonant, sibilant, and percussive at once, being monitored from someplace far Exterior to this, issued from a large brass speaking-trumpet, with brass tubing and valvework elaborate as any to be found in an American marching band running back from it and into an extensive control panel on which various metering gauges were ranked, their pointers, with exquisite Breguet-style arrowheads, trembling in their rise and fall along the arcs of italic numerals. The glow of electrical coils seeped beyond the glass cylinders which enclosed them, and anyone’s hands that came near seemed dipped in blue chalk-dust. A Poulsen’s Telegraphone, recording the data being received, moved constantly to and fro along a length of shining steel wire which periodically was removed and replaced. “Ætheric impulses,” Dr. Counterfly was explaining. “For vortex stabilization we need a membrane sensitive enough to respond to the slightest eddies. We use a human caul—a ‘veil,’ as some say.” “Isn’t a child born with a veil believed to have powers of second sight?” Dr. Vormance inquired. “Correct. And a ship with a veil aboard it will never sink—or, in our case, crash.” “Things have been done to obtain a veil,” darkly added a junior officer, Mr. Suckling, “that may not even be talked about.

He was hired at WOR in March 1925 and a few months later was asked to fill in for Bernarr MacFadden, who had a calisthentics program. Gambling’s smooth baritone voice contrasted well with MacFadden’s gravelly, authoritarian approach, and he got the job permanently when MacFadden left the station a few months later. The original show was 90 minutes long, beginning at 6:30 A.M. Colgate Toothpaste became a sponsor soon after Gambling took over, and in 1927 he interspersed some husband-wife chatter. He missed being the first such breakfast show only by the fact that he was not married to the actress who played his opposite. The skits were scripted, thus fictitious. In the late 1920s he was joined by Vincent Sorey’s three-piece band. Later his permanent musicians were Sorey on violin, Michael Rosco (“Rudolph” on the air) on piano, Pietra “Froz” Frosini on accordion, and Louis Biamonte on saxophone and other instruments. The physical fitness craze ended in the mid-1930s; Gambling then concentrated on talk.

Thirteen Reasons I Don’t Go to Sporting Events Anymore 1. Every time I went, they asked me for money. 2. The people sitting in my row didn’t seem very friendly. 3. The seats were very hard. 4. The coach never came to visit me. 5. The referees made a decision I didn’t agree with. 6. I was sitting with hypocrites—they only came to see what others were wearing! 7. Some games went into overtime, and I was late getting home. 8. The marching band played some songs I had never heard before. 9. The games are scheduled on my only day to sleep in and run errands. 10. My parents took me to too many games when I was growing up. 11. Since I read a book on sports, I feel that I know more than the coaches anyway. 12. I don’t want to take my children because I want them to choose for themselves what sport they like best. 13. I can play sports anywhere, I don’t need to go to a stadium. Do these reasons sound familiar? Have you lost your passion for local church ministry? Are you treating Jesus’ bride like a social club or an extra-curricular activity?

Most of the theaters in Jersey City and the surrounding area have been closed, demolished, renovated or restored, but nothing remained the same. The Stanley Theatre still stands in Journal Square, completely restored as a Jehovah’s Witnesses Assembly Hall. Originally built as a vaudeville and movie theater, having 4,300 seats, it opened on March 22, 1928 as the second largest theater in the United States. With only Radio City Music Hall in Manhattan across the Hudson River being larger, many celebrities attended the gala occasion. The well liked but notorious Mayor Hague was present to cut the ribbon. Famous and not-so-famous headline acts performed here, including the Three Stooges, Jimmy Durante, Tony Bennett and Janis Joplin. It was here at the Stanley Theatre that Frank Sinatra was inspired to become a professional performer. Being part of the audience, he watched Bing Crosby doing a Christmas performance. By the time the show was over, Sinatra had decided on the path he would follow. In 1933 Frank’s mother got him together with a group called the “Three Flashes.” They changed their name to the “Hoboken Four” and won first prize performing on the Major Bowes Amateur Hour show. Frank worked locally until June of 1939, when Harry James hired him for a one-year contract, paying only $75 a week. That December, Sinatra joined Tommy Dorsey’s band as a replacement vocalist for Jack Leonard, and the rest is history!

I’m basically a nobody in the trumpet section. I like it that way. I hate being in front of people. I think I’m too nervous, or anxious, or something. The only time I ever played a solo was that time during concert band that I accidentally played during a rest. The whole band was silent and I honked out a right note at the wrong time. I was so embarrassed that I wanted to hide in my band locker. - Rigby Raines

I like watching from inside, as if locked away and stealing the distinct pleasure of a high school marching band drum section’s pure perfection. How stoically they play in the exhaust of a fire engine’s wake.

She retired early and, consequently, was in ignorance of the receipt of a telegram by Sylvanus Starr announcing the return of Andy P. Symes and the complete success of his eastern mission. So when she was awakened the next morning by a conflict of sounds which resembled the efforts of a Chinese orchestra and raised the shade to see the newly organized Cowboy band making superhuman endeavors to march and yet produce a sufficiently correct number of notes from the score of "A Hot Time in the Old Town" to make that American warcry recognizable, she knew that something unusual had developed in the interim of her long sleep. It

When he wasn't making quirky jokes about his mother like this—it happened more than once—he mainly spoke at me, about his job and about his band, Jettisoned Airplane, an electronic music duo, which had been formed in March, inspired by the plane that had gone missing and not yet been found.

You can scare yourself into stuckness by assuming you have to make radical life changes in order to make progress. You don’t. Real change is practically invisible as it’s happening. No trumpets sound. A marching band will not play at your door. Meaningful progress doesn’t feel particularly exciting. Most days, it feels like work. You show up, grind it out (sometimes joyfully, sometimes not), and repeat.

Adolescents can divert this hatred from their parents if they are given a clear-cut enemy whom they are permitted to hate freely and with impunity. This may be why so many young painters and writers volunteered for the front in World War I. The hope of freeing themselves from the constraints imposed by their family enabled them to take pleasure in marching to the music of a military band. One of heroin’s roles is to replace this function, with the difference that in the case of drugs the destructive rage is directed against one’s own body and self.

Adolescents can divert this hatred from their parents if they are given a clear-cut enemy whom they are permitted to hate freely and with impunity. This may be why so many young painters and writers volunteered for the front in World War I. The hope of freeing themselves from the constraints imposed by their family enabled them to take pleasure in marching to the music of a military band.

Traditionally in American schools music has been strongest at the high school level, where a marching band was needed to send off the football team.

Children and adults alike need to experience how rewarding it is to work at the edge of their abilities. Resilience is the product of agency: knowing that what you do can make a difference. Many of us remember what playing team sports, singing in the school choir, or playing in the marching band meant to us, especially if we had coaches or directors who believed in us, pushed us to excel, and taught us we could be better than we thought was possible. The children we reach need this experience.