Prairie Sky Quotes

Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room. Wylan laid his hand on Jesper’s shoulder. “Stop.” Jesper didn’t know if he wanted to jerk away or pull him closer. “Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady. Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled. “Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.

So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all the rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.

I thought to myself that there are surely a lot of big things in America. The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

Winter came and the city [Chicago] turned monochrome -- black trees against gray sky above white earth. Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds

The prairie skies can always make you see more than what you believe.

I walked slowly to enjoy this freedom, and when I came out of the mountains, I saw the sky over the prairie, and I thought that if heaven was real, I hoped it was a place I never had to go, for this earth was greater than any paradise.

Then the sun peeped over the edge of the prairie and the whole world glittered. Every tiniest thing glittered rosy toward the sun and pale blue toward the sky, and all along every blade of grass ran rainbow sparkles.

Who but my mother held those small pieces of my childhood? Where would they go when she was gone?

While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one’s childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.

But there were moments when she played songs that made you wonder where she learned them, where indeed she came from. Harsh-tender wandering tunes with words that smacked of pinewoods or prairie. One went: Don’t wanna sleep, Don’t wanna die, Just wanna go a-travelin’ through the pastures of the sky; and this one seemed to gratify her the most, for often she continued it long after her hair hard dried, after the sun had gone and there were lighted windows in the dusk.

There are landscapes in which we feel above us not sky but space. Something larger, deeper than sky is sensed, is seen, although in such settings the sky itself is invariably immense. There is a place between the cerebrum and the stars where sky stops and space commences, and should we find ourselves on a particular prairie or mountaintop at a particular hour, our relationship with sky thins and loosens while our connection to space becomes solid as bone.

There was something about the prairie for me—it wasn’t where I had come from, but when I moved there it just took me in and I knew I couldn’t ever stop living under that big sky.

After that hard winter, one could not get enough of the nimble air. Every morning I wakened with a fresh consciousness that winter was over. There were none of the signs of spring for which I used to watch in Virginia, no budding woods or blooming gardens. There was only—spring itself; the throb of it, the light restlessness, the vital essence of it everywhere: in the sky, in the swift clouds, in the pale sunshine, and in the warm, high wind—rising suddenly, sinking suddenly, impulsive and playful like a big puppy that pawed you and then lay down to be petted. If I had been tossed down blindfold on that red prairie, I should have known that it was spring.

My breath reeks of the loneliness of living under a bed. I confused a man for a prairie sky. Up there, in him, how I hoped to have my soured breath drained out of me!

I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.

When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else.

I slept that night in the room I used to have when I was a little boy, with the summer wind blowing in at the windows, bringing the smell of the ripe fields. I lay awake and watched the moonlight shining over the barn and the stacks and the pond, and the windmill making its old dark shadow against the blue sky.

There was only the enormous, empty prairie, with grasses blowing in waves of light and shadow across it, and the great blue sky above it, and birds flying up from it and singing with joy because the sun was rising. And on the whole enormous prairie there was no sign that any other human being had ever been there.

The prairie is one of those plainly visible things that you can’t photograph. No camera lens can take in a big enough piece of it. The prairie landscape embraces the whole of the sky. Any undistorted image is too flat to represent the impression of immersion that is central to being on the prairie. The experience is a kind of baptism.

The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

Sara," I ask finally, "what do you want from me?" "I want to look at you and remember what it used to be like," she says thickly. "I want to go back, Brian. I want you to take me back." But she is not the woman I used to know, the woman who traveled a countryside counting prairie dog holes, who read aloud the classifieds of lonely cowboys seeking women and told me, in the darkest crease of the night, that she would love me until the moon lost its footing in the sky. To be fair, I am not the same man. The one who listened. The one who believed her.

On the edge of the prairie, where the sun had gone down, the sky was turquoise blue, like a lake, with gold light throbbing in it. Higher up, in the utter clarity of the western slope, the evening star hung like a lamp suspended by silver chains -- like the lamp engraved up the title-page of old Latin texts, which is always appearing in new heavens and waking new desires in men.

I can call back the solemn twilight and mystery of the deep woods, the earthy smells, the faint odors of the wild flowers, the sheen of rain-washed foliage, the rattling clatter of drops when the wind shook the trees, the far-off hammering of wood-peckers and the muffled drumming of wood-pheasants in the remotenesses of the forest, the snap-shot glimpses of disturbed wild creatures skurrying through the grass, — I can call it all back and make it as real as it ever was, and as blessed. I can call back the prairie, and its loneliness and peace, and a vast hawk hanging motionless in the sky, with his wings spread wide and the blue of the vault showing through the fringe of their end-feathers.

I have always loved the many moods of the sky at Rocky Flats. Turquoise and teal in summer, fiery red at sunset, iron gray when snow is on the way. The land rolls in waves of tall prairie grass bowed to the wind, or sprawling mantles of white frosted with a thin sheath of ice in winter.

Beyond them the darkness was like a mist thickening over a flat, white world. Stars twinkled far away around part of its rim. Before him, the black storm climbed rapidly up the sky and in silence destroyed the stars.

LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.

As Emmett walked out the door and climbed into his bright yellow car, I thought to myself that there are surely a lot of big things in America. The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

She liked the enormous sky and the winds, and the land that you couldn’t see to the end of. Everything was so free and big and splendid.

The vast prairie was dark and still. Only the wind moved stealthily through the grass, and the large, low stars hung glittering from the great sky.

She missed the illusion of grass and sky kissing at the end of the world. She missed standing amid a rustling chorus of wind-waving grasses, the four horsemen of the tallgrass prairie--little bluestem, big bluestem, Indian grass, and switchgrass. She missed May fields dotted with black-eyed Susans, Indian blanket, and coreopsis. She missed bursts of red clay topsoil along dirt roads.

Sometimes, Laura World wasn't a realm of log cabins or prairies, it was a way of being. Really, a way of being happy. I wasn't into the flowery sayings, but I was nonetheless in love with the idea of serene rooms full of endless quiet and time, of sky in the windows, of a life comfortably cluttered and yet in some kind of perfect feng shui equilibrium, where all the days were capacious enough to bake bread and write novels and perambulate the wooded hills deep in thought (though truthfully, I'd allow for the occasional Rose-style cocktail party as well).

There were days so clear and skies so brilliant blue, with white clouds scudding across them like ships under full sail, and she felt she could lift right off the ground. One moment she was ambling down a path, and the next thing she knew, the wind would take hold of her, like a hand pushing against her back. Her feet would start running without her even willing it, even knowing it. And she would run faster and faster across the prairie, until her heart jumped like a rabbit and her breath came in deep gasps and her feet barely skimmed the ground. It felt good to spend herself this way. The air tasted fresh and delicious; it smelled like damp earth, grass, and flowers. And her body felt strong, supple, and hungry for more of everything life could serve up. She ran and felt like one of the animals, as though her feet were growing up out of the earth. And she knew what they knew, that sometimes you ran just because you could, because of the way the rush of air felt on your face and how your legs reached out, eating up longer and longer patches of ground. She ran until the blood pounded in her ears, so loud that she couldn't hear the voices that said, You're not good enough, You're not old enough, You're not beautiful or smart or loveable, and you will always be alone. She ran because there were ghosts chasing her, shadows that pursued her, heartaches she was leaving behind. She was running for her life, and those phantoms couldn't catch her, not here, not anywhere. She would outrun fear and sadness and worry and shame and all those losses that had lined up against her like a column of soldiers with their guns shouldered and ready to fire. If she had to, she would outrun death itself. She would keep on running until she dropped, exhausted. Then she would roll over onto her back and breathe in the endless sky above her, sun glinting off her face. To be an animal, to have a body like this that could taste, see hear, and fly through space, to lie down and smell the earth and feel the heat of the sun on your face was enough for her. She did not need anything else but this: just to be alive, cool air caressing her skin, dreaming of Ivy and what might be ahead.

Mother’s estate—our estate—a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind.

the sky became reality—the solidness, the wholeness—and the earth below was ethereal, shifting through veils of color, parting light with shadow and shadow with light, all the way out to the horizon where a sheet of rain slanted between Heaven and earth, its edges indistinct, swallowing prairie and sky in a motionless blue mist.

It is hypocritical to exhort the Brazilians to conserve their rainforest after we have already destroyed the grassland ecosystem that occupied half the continent when we found it. A large-scale grassland restoration project would give us some moral authority when we seek conservation abroad. I must admit that I also like the idea because it would mean a better home for pronghorn, currently pushed by agriculture into marginal habitats-The high sagebrush deserts of the West. I would love to return the speedsters to their evolutionary home, the Floor of the Sky. Imagine a huge national reserve where anyone could see what caused Lewis and Clark to write with such enthusiasm in their journals-the sea of grass and flowers dotted with massive herds of bison, accompanied by the dainty speedsters and by great herds of elk. Grizzly bears and wolves would patrol the margins of the herds and coyotes would at last be reduced to their proper place. The song of the meadowlarks would pervade the prairie and near water the spring air would ring with the eerie tremolos of snipe.

I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.

We stood at the edge of the farmer's field, squinting even though it was overcast. That's part of life on the Prairies. When the sky is more than two-thirds of your existence, there's no choice but to squint, even on an overcast day.

I wiped my hands on my apron and went to the window. Outside, the prairie reached out and touched the places where the sky came down. Though the winter was nearly over, there were patches of snow and ice everywhere. I looked at the long dirt road that crawled across the plains, remembering the morning that Mama had died, cruel and sunny. They had come for her in a wagon and taken her away to be buried. And then the cousins and aunts and uncles had come and tried to fill up the house. But they couldn’t.

When I was very young, my mother took me for walks in Humboldt Park, along the edge of the Prairie River. I have vague memories, like impressions on glass plates, of an old boathouse, a circular band shell, an arched stone bridge. The narrows of the river emptied into a wide lagoon and I saw upon its surface a singular miracle. A long curving neck rose from a dress of white plumage. Swan, my mother said, sensing my excitement. It pattered the bright water, flapping its great wings, and lifted into the sky. The word alone hardly attested to its magnificence nor conveyed the emotion it produced. The sight of it generated an urge I had no words for, a desire to speak of the swan, to say something of its whiteness, the explosive nature of its movement, and the slow beating of its wings. The swan became one with the sky. I struggled to find words to describe my own sense of it. Swan, I repeated, not entirely satisfied, and I felt a twinge, a curious yearning, imperceptible to paasersby, my mother, the trees, or the clouds.

That evening they crossed the Southern Pacific tracks just east of Pumpville Texas and made camp a half mile on the far side of the right of way. By the time they had the horses brushed and staked and a fire built it was dark. John Grady stood his saddle upright to the fire and walked out on the prairie and stood listening. He could see the Pumpville watertank against the purple sky. Beside it the horned moon. He could hear the horses cropping grass a hundred yards away. The prairie otherwise lay blue and silent all about.

Even while we whispered about it, our vision disappeared; the ball dropped and dropped until the red tip went beneath the earth. The fields below us were dark, the sky was growing pale, and that forgotten plough had sunk back to its own littleness somewhere on the prairie.

Of all the passers-through, the species that means most to me, even more than geese and cranes, is the upland plover, the drab plump grassland bird that used to remind my gentle hunting uncle of the way things once had been, as it still reminds me. It flies from the far Northern prairies to the pampas of Argentina and then back again in spring, a miracle of navigation and a tremendous journey for six or eight ounces of flesh and feathers and entrails and hollow bones, fueled with bug meat. I see them sometimes in our pastures, standing still or dashing after prey in the grass, but mainly I know their presence through the mournful yet eager quavering whistles they cast down from the night sky in passing, and it makes me think of what the whistling must have been like when the American plains were virgin and their plover came through in millions. To grow up among tradition-minded people leads one often into backward yearnings and regrets, unprofitable feelings of which I was granted my share in youth-not having been born in time to get killed fighting Yankees, for one, or not having ridden up the cattle trails. But the only such regret that has strongly endured is not to have known the land when when it was whole and sprawling and rich and fresh, and the plover that whet one's edge every spring and every fall. In recent decades it has become customary- and right, I guess, and easy enough with hindsight- to damn the ancestral frame of mind that ravaged the world so fully and so soon. What I myself seem to damn mainly, though, is just not having seen it. Without any virtuous hindsight, I would likely have helped in the ravaging as did even most of those who loved it best. But God, to have viewed it entire, the soul and guts of what we had and gone forever now, except in books and such poignant remnants as small swift birds that journey to and from the distant Argentine and call at night in the sky.

ELECTION DAY, NOVEMBER, 1884. If I should need to name, O Western World, your powerfulest scene and show, 'Twould not be you, Niagara—nor you, ye limitless prairies—nor your huge rifts of canyons, Colorado, Nor you, Yosemite—nor Yellowstone, with all its spasmic geyser- loops ascending to the skies, appearing and disappearing, Nor Oregon's white cones—nor Huron's belt of mighty lakes— nor Mississippi's stream: —This seething hemisphere's humanity, as now, I'd name—the still small voice vibrating—America's choosing day, (The heart of it not in the chosen—the act itself the main, the quadriennial choosing,) The stretch of North and South arous'd—sea-board and inland —Texas to Maine—the Prairie States—Vermont, Virginia, California, The final ballot-shower from East to West—the paradox and con- flict, The countless snow-flakes falling—(a swordless conflict, Yet more than all Rome's wars of old, or modern Napoleon's:) the peaceful choice of all, Or good or ill humanity—welcoming the darker odds, the dross: —Foams and ferments the wine? it serves to purify—while the heart pants, life glows: These stormy gusts and winds waft precious ships, Swell'd Washington's, Jefferson's, Lincoln's sails.

Grand Sky/Grand Prairie Both harbor the vastness of space. One holds the space Of starlight, thunder snow, rock and icy comets, scrolls Of clouds; the other the spaces inside see heart and ovum, Root webs, spider webs, budded blossoms. They lean together tightly day and night, pressing One into the other, each creating the horizon of the other. They exchange themselves. At evening one becomes The steady night in which the other lives. Yet witness How the moon first rises from the body of the prairie Into the height of the sky that then possesses it. Their horizons are persistent illusion.

Suddenly the skies became dark purple with flashes of light and the wind picked up and made waves on the river. It was a typical prairie storm, angry with the dryness it had been forced to endure, and everyone around me ran to take cover from the hail. I crawled under the bench and lay there, very still, and listened to the giant balls of ice pummel the wood above me. I saw gum and graffiti, even there, on the underside of the bench. Initials and hearts and curses. I thought about my aunt and my mother sliding unscathed under that massive semi truck on their bikes, coming up on the other side laughing and breathless. It must have felt amazing.

Thanksgiving List Prairie birds, the whistle of gophers, the wind blowing, the smell of grass and spicy earth, friends like Mad Dog, the cattle down in the river, water washing over their hooves, the sky so big, so full of shifting clouds, the cloud shadows creeping over the fields, Daddy’s smile, and his laugh, and his songs, Louise, food without dust, Daddy seeing to Ma’s piano, newly cleaned and tuned, the days when my hands don’t hurt at all, the thank-you note from Lucille in Moline, Kansas, the sound of rain, Daddy’s hole staying full of water as the windmill turns, the smell of green, of damp earth, of hope returning to our farm.

How many times must I tell all of you! Sky, ground, or target. Damn it, you don't point a gun at another person unless you are prepared to kill that person." He scowled at Ona. "A careless accident could cost one of you a husband. I've told you from the beginning. The Oregon men won't accept a crippled wife. They insist on brides who are healthy and whole.

But as soon as he felt the first blast of ice slap his unprotected face, Gavin thought, once more, of that girl. How many ways could he come up with to describe what happened when young, hopeful—yearning—women were frozen to death out on the prairie? Gavin looked up at the sky, hoping, to his own surprise, to see a break in the clouds, a glimpse of a fading sun. But no such break occurred.

Crossing the prairie he had learned something that he knew to be a contradiction: that a constant sound—like the slithering of wind-blown grass—can become its own silence. Here at the edge of the mountain ranges another lesson became clear: this dichotomous land had made some claim upon his soul. The plains seemed to go on forever, the gently rolling land seeming to mirror the endless sky. The vastness of it all gave him his first seed of hope. Here, in this spacious country where a man was constantly dwarfed by the grandeur of his surroundings, he might learn to burn up his past and let the sparks scatter to the stars. Under this broad Western sky there seemed to be more directions, more possibilities . . . not just about what to do with his life . . . but also what kind of man to be.

The names Dodge City and Wichita conjure visions of cowboys on horseback moving herds of cattle long distances, but as we found ourselves in the Blue Stem flint hills and tallgrass prairies we stopped the car and got out to rest. And with what felt like a cyclone trying to rip our ears off all we could see was …… nothing; Big sky, big land, unceasing horizon and cold-blooded and ruthless prairie.

When the dung beetle moves,” Hosteen Nashibitti had told him, “know that something has moved it. And know that its movement affects the flight of the sparrow, and that the raven deflects the eagle from the sky, and that the eagle’s stiff wing bends the will of the Wind People, and know that all of this affects you and me, and the flea on the prairie dog and the leaf on the cottonwood.” That had always been the point of the lesson. Interdependency of nature. Every cause has its effect. Every action its reaction. A reason for everything. In all things a pattern, and in this pattern, the beauty of harmony. Thus one learned to live with evil, by understanding it, by reading its cause. And thus one learned, gradually and methodically, if one was lucky, to always “go in beauty,” to always look for the pattern, and to find it.

So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars’ll be out, and don’t you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what’s going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

Now come days of begging, days of theft. Days of riding where there rode no soul save he. He’s left behind the pinewood country and the evening sun declines before him beyond an endless swale and dark falls here like a thunderclap and a cold wind sets the weeds to gnashing. The night sky lies so sprent with stars that there is scarcely space of black at all and they fall all night in bitter arcs and it is so that their numbers are no less. He keeps from off the king’s road for fear of citizenry. The little prairie wolves cry all night and dawn finds him in a grassy draw where he’d gone to hide from the wind. The hobbled mule stands over him and watches the east for light. The sun that rises is the color of steel. His mounted shadow falls for miles before him. He wears on his head a hat he’s made from leaves and they have dried and cracked in the sun and he looks like a raggedyman wandered from some garden where he’d used to frighten birds.

Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.

Look,” said Robinson Crusoe. “The grass.” “Look,” said Hawkeye. “The light.” The clouds had moved away from the mountains, opening a path to the sky. From where they sat, the old Indians and Coyote watched the prairies lean away and turn blue and green and gold as the edges of sunlight touched the storm. It was as if a bright fire had sprung up in the deep grass, running before the wind, seeking the world ablaze with colour. “How beautiful it was,” said the Lone Ranger. “Yes,” said Ishmael. “How beautiful it is.” “It is ever changing,” said Robinson Crusoe. “It remains the same,” said Hawkeye.

Hawk-soar, and butterflies - water trickling, and especially the night sounds: owls, and fish splashing in the creek, the invisible sound of bats over the water, and the howls of the coyotes, the silence of the stars, the sound of the wind, the cool wind: both howling blue northers in the winter, and cool southerly prairie-scented night breezes coming up from Mexico in the summer, cooling the land and bathing us in blossom scents-huisache, agarita. Fire-flies,drawing light it seemed (and blinking it through their bodies) as if fueled by the presence of joy, or happiness, somewhere in the world, and that energy has, and still is, on Prade Ranch

build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the

The more Clayton eyed the terrain of this country, the more he could believe in its prophecy. The clear streams sparkled in sunlight even in the shade of century-old cottonwoods, as if the water were privy to some source of internal light that blinked at will on its surface. The lonely rock outcrops scattered throughout the plain, broke up the grassy expanses like islands dotting the sea of prairie. To the west, the juniper-tufted cliffs rose abruptly, standing like the ramparts of a gigantic fortress that appeared to reach the sky. Each of these features was like an individual ingredient taken from an ancient recipe that existed before any man had set foot on this land.

We took the long way back toward his house and drove past the northernmost point of the ranch just as the sun was beginning to set. “That’s so pretty,” I exclaimed as I beheld the beauty of the sky. Marlboro Man slowed to a stop and put his pickup in park. “It is, isn’t it?” he replied, looking over the land on which he’d grown up. He’d lived there since he was four days old, had worked there as a child, had learned how to be a rancher from his dad and grandfather and great-grandfather. He’d learned how to build fences and handle animals and extinguish prairie fires and raise cattle of all colors, shapes, and sizes. He’d helped bury his older brother in the family cemetery near his house, and he’d learned to pick up and go on in the face of unspeakable tragedy and sadness. This ranch was a part of him. His love for it was tangible. We got out of the pickup and sat on the back, holding hands and watching every second of the magenta sunset as it slowly dissipated into the blackness underneath. The night was warm and perfectly still--so still we could hear each other breathing. And well after the sun finally dipped below the horizon and the sky grew dark, we stayed on the back of the pickup, hugging and kissing as if we hadn’t seen each other in ages. The passion I felt was immeasurable. “I have something to tell you,” I said as the butterflies in my gut kicked into overdrive.

Would a panther carry off a little girl, Pa?” “Yes,” said Pa. “And kill her and eat her, too. You and Mary must stay in the house till I shoot that panther. As soon as daylight comes I will take my gun and go after him.” All the next day Pa hunted that panther. And he hunted the next day and the next day. He found the panther’s tracks, and he found the hide and bones of an antelope that the panther had eaten, but he did not find the panther anywhere. The panther went swiftly through tree-tops, where it left no tracks. Pa said he would not stop till he killed that panther. He said, “We can’t have panthers running around in a country where there are little girls.” But he did not kill that panther, and he did stop hunting it. One day in the woods he met an Indian. They stood in the wet, cold woods and looked at each other, and they could not talk because they did not know each other’s words. But the Indian pointed to the panther’s tracks, and he made motions with his gun to show Pa that he had killed that panther. He pointed to the tree-tops and to the ground, to show that he had shot it out of a tree. And he motioned to the sky, and west and east, to say that he had killed it the day before. So that was all right. The panther was dead. Laura asked if a panther would carry off a little papoose and kill and eat her, too, and Pa said yes. Probably that was why the Indian had killed that panther.

Beyond the borders of the land that was his lay the wilderness that was its own. The upthrust stone, the shoulders of the Bighorns, reddish gray where they stood near to the homestead and blue where they stood far—bluer, dissipating veils of blue lost against an indistinct horizon. The pale gold of autumn grass like the rough hide of an animal, wind-riffled down the mountain’s flank. The low trough where the river ran, a score mark in wet clay—dark, shadow-and-green, redolent of moving water, of soil that never went dry. And the infinite sweep of the prairie, yellow shaded with folds of violet until, a hundred miles away or more, the whole plain was swallowed by color and consumed, taken up by the lower edge of a sagging purple sky.

For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said." As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee. Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'" Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation. From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together. The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on." And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.

To Anita Pollitzer Canyon, Texas 11 September 1916 Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it. But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking — The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon — Well I just sat there and had a great time all by myself — Not even many night noises — just the wind — I wondered what you are doing — It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home — I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful — Pat.

The Lone Ranger, Ishmael, Robinson Crusoe, and Hawkeye stood in the parking lot of the Blossom Lodge. Beyond the concrete and the asphalt and the cars, beneath the deep curve of the sky, the prairies waited. “Good morning,” shouted the Lone Ranger. As the old Indians watched, the universe gently tilted and the edge of the world danced in light. “Ah,” said Hawkeye. “It is beautiful.” In the east the sky softened and the sun broke free and the day rolled over and took a breath. “Okay,” said the Lone Ranger. “Did Coyote turn on the light?” “Yes,” said Robinson Crusoe. “I believe he did.” “Are we ready?” Asked Ishmael. The light ran west, flowing through the coulees and down the cutbacks and into the river. In the distance, a start settled on the horizon and waited. “Yes,” said the Lone Ranger, “it is time to begin. It is time we got started.

He told stories to help Two Mothers overcome childish fear. "Now,my son, why do you fear the storm? It is only the warriors of thunder and lightning. When you are tempted to be afraid, remember that God tells the lightning where it may go.Pretend that the noise and the light are from two warriors called Thunder and Lightning. They ride beautiful, swift ponies and carry lightning in their hands.As they race the wind,their ponies' hooves strike the clouds.That is the thunder.When they throw their lightning sticks, it flashes brightly in the sky.When God says 'Enough!' the warriors ride down to the earth, bringing the rain to water their ponies." "Have you ever seen the ponies, Father?" "Once, when I was hunting in the Black Hills, I thought I caught a glimpse of them. But before Wind and I could catch them, they rose again into the sky, taking the thunder and lightning with them to another place.

WINTER HAS settled down over the Divide again; the season in which Nature recuperates, in which she sinks to sleep between the fruitfulness of autumn and the passion of spring. The birds have gone. The teeming life that goes on down in the long grass is exterminated. The prairie-dog keeps his hole. The rabbits run shivering from one frozen garden patch to another and are hard put to it to find frost-bitten cabbage-stalks. At night the coyotes roam the wintry waste, howling for food. The variegated fields are all one color now; the pastures, the stubble, the roads, the sky are the same leaden gray. The hedgerows and trees are scarcely perceptible against the bare earth, whose slaty hue they have taken on. The ground is frozen so hard that it bruises the foot to walk in the roads or in the ploughed fields. It is like an iron country, and the spirit is oppressed by its rigor and melancholy. One could easily believe that in that dead landscape the germs of life and fruitfulness were extinct forever.

The stormy black sky had faded to dark gray, and in the distance white, billowing clouds blew across the prairie. They began racing one another, tossed by the wind, and the sun shining on them made them appear a brilliant white against the evening sky. Memories crowded about her:a French trader with laughing eyes; a long ride into Fort Kearney; and somewhere, far back,a little mound of stones receding into the wide plain as a wagon rumbled away.Then he came, a Lakota brave, one with his snow white pony. They bounded together across the sky,and with each leap Jesse's heart fluttered.She stood on the prairie,her long red braides decorated with feathers, the part dusted with ochre. She raised a trembling hand in greeting, but he was gone. Her hand fell back against the quilt, and Jesse saw the clouds again and realized it had only been a memory. She was an old woman,too tired to help with the supper,perhaps even too tired to be of use to Lisbeth. The clouds outside came closer,and the old heart fluttered at the memory of a man who rode on the wind long ago.Now it seemed that the rode again across the sky,into the room.He raised one hand in greeting. "I will ask the Father," he had said, "and I will come for you." Jesse sat up in bed,her face alive with a new light.Rides the Wind smiled and reached out to sweep her up behind him. And the Father said, "Come home. The lines are fallen unto me in pleasant places; yes,I have a goodly heritage. Psalm 16:6

I'm glad to hear you got what you came for," he drawled slowly, trying to capture Brenna's undivided attention, "but actually it's a little hard to believe. You're still empty-handed." He motioned at her hands and the small satchel she carried. "Whatever you came for must be in there? Am I right?" Her eyes narrowed. "Mr. Rose, did anyone ever tell you that curiosity killed the cat?" He let go a laugh that spooked a flock of common yellowthroats from a fir tree along the road. They swooped into the sky and Brenna's lips curled up as she watched them fly away. She was softening... "Yes, they have, Mrs. Lane," he said. "They most surely have. But I've also been told that satisfaction brought it back. What about you?

When the last Red Man and Woman have vanished with their wilderness, and their memory is only the shadow of a cloud moving across the prairie, will the shores and forest still be here? Will there be any of the spirit of my people left? My ancestors said to me, This we know: The earth does not belong to us. We belong to the earth.

There was nothing but prairie and sky, the sun by day and the stars by night, and the cattle moving westward. If I live to be a thousand years old I shall not forget the wonder and the beauty of those big longhorns, the sun glinting on their horns; most of them six or seven feet from tip to tip.

Ned was always an admirer of sunrises. From his first days in the West when he was a runaway boy, he had been gladdened by the dawn over the prairie. He loved the beauty as the day began to break, the black sky softening into gray, the faint streak of yellow light, then flash following flash of violent color - rose and purple and magenta - as far as the eye could reach. He never failed to hold his breath as the sun slid over the horizon like a giant gold watch. If he rode late at night, he waited until sunrise to bed down. And when he stayed at The Chili Queen, he sometimes rose at dawn just to watch the day begin, going back to bed only when the color in the sky faded into blue, the pale shade of a shirt that had been washed again and again. Once, when the sunrise filled the heavens with streaks of pink and orange, Ned awakened Addie to see the wonder of it, but she muttered she had never seen a sunrise that was worth missing two minutes of sleep. She'd take a sunset any day. Not Ned. Sunset was the beginning of darkness; sunrise meant a whole new, glad day ahead, filled with the gift of surprise. From the first time Ned had seen the western sunrise, with the daylight washing over the prairie, turning the brown grasses to gold, he had felt his boy's heart lift and was filled with a sense of freedom he'd never even dreamed about at his father's farm on the Mississippi.

Steep black-cindered slope, with its soft gray patches of grass, sheered down and down, and out in rolling slope to merge upon a cedar-dotted level. Nothing moved below, but a red-tailed hawk sailed across her vision. How still-how gray the desert floor as it reached away, losing its black dots, and gaining bronze spots of stone! By plain and prairie it fell away, each inch of gray in her sight magnifying into its league-long roll, On and on, and down across dark lines that were steppes, and at last blocked and changed by the meandering green thread which was the verdure of a desert river. Beyond stretched the white sand, where whirlwinds of dust sent aloft their funnel-shaped spouts; and it led up to the horizon-wide ribs and ridges of red and walls of yellow and mountains of black, to the dim mound of purple so ethereal and mystic against the deep-blue cloud-curtained band of sky.

thought to myself that there are surely a lot of big things in America. The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

Bring me the sunrise of a faraway land where the soul sings of the memories of night and the sleeping dark leaps into light.....Tell me the story of torment and delight how distant moors turn into meadows of blooms and my sobbing deeps become the prairie soul.

I ride with the dawn, on the back of my trust, Through the open plains, in the dust. My hat's brim low, against the sun's high glow, A cowboy's life is all I know. I'm a cowboy, wild and free, The endless sky, the only roof over me. With my horse and my guitar, I roam, The prairie's vast, and it's my home. The cattle call, the campfire's light, The coyote's howl, in the still of night. The leather creaks, the lasso spins, Out here, a man's tale begins. I'm a cowboy, with a heart untamed, The rugged trails, my spirit unchained. With boots in the stirrups, I ride alone, The world's my stage, the saddle's my throne. There's a code of the West, deep in my soul, A life of grit, a quest, a goal. To live by the land, to stand with pride, A cowboy's truth, I won't hide. I'm a cowboy, and I stand tall, The mountains wide, they hear my call. With the stars as my guide, I find my way, A cowboy's journey, day by day. So tip your hat, to the cowboy's song, A life of adventure, where I belong. I'll keep riding, 'til the day is done, A cowboy's heart can't be outrun.

I ride with the dawn, on the back of my trust, Through the open plains, in the dust. My hat's brim low, against the sun's high glow, A cowboy's life is all I know. I'm a cowboy, wild and free, The endless sky, the only roof over me. With my horse and my guitar, I roam, The prairie's vast, and it's my home. The cattle call, the campfire's light, The coyote's howl, in the still of night. The leather creaks, the lasso spins, Out here, a man's tale begins. I'm a cowboy, with a heart untamed, The rugged trails, my spirit unchained. With boots in the stirrups, I ride alone, The world's my stage, the saddle's my throne. There's a code of the West, deep in my soul, A life of grit, a quest, a goal. To live by the land, to stand with pride, A cowboy's truth, I won't hide. I'm a cowboy, and I stand tall, The mountains wide, they hear my call. With the stars as my guide, I find my way, A cowboy's journey, day by day. So tip your hat, to the cowboy's song, A life of adventure, where I belong. I'll keep riding, 'til the day is done, A cowboy's heart can't be outrun.

there are surely a lot of big things in America. The Empire State Building and the Statue of Liberty are big. The Mississippi River and the Grand Canyon are big. The skies over the prairie are big. But there is nothing bigger than a man’s opinion of himself.

The limitless, lowering sky, the long stretches of motionless empty prairie, the silence, complete right down to the absence of birdsong -- who knows what decides a man to leave most of his words unspoken?

As a child when I visited my grandparents near the Bighorn Mountains in Wyoming I felt claustrophobic. The mountains seemed to block the sky and my eyes were forced to stop, when they were used to looking for miles across flat fields that didn’t end, but simply rolled up into the sky.

Aubade" Beyond the limits of myself, there is you, a wind-wave of fading light on a square of cottage pane, a final mix of golden prairie in my mind. I am the impoverished heir of blackened gum quarters, your crosswalk & roofline of foul pigeons. Dear Sibilant Stir & Kick: see that tall grass on the ceiling, that burst of dusted corn, that sky advancing its phalanx of irritable clouds? I rest my hand on your thigh beneath its silk chemise, so like a mid-surge surf of turquoise sky stilled. Whichever way your shoulder moves, there's joy.

bear Indian names such as Yukon, Ontario, Manitoba, and Saskatchewan in the north, and Alabama, Mississippi, Texas, and Arizona in the south. Often these names reflect the tribal names of the people who lived in an area. Such names might be a tribe’s own name for itself, or it might be the name given them by a neighboring group. We have states named for the Dakota, the Kansa, the Massachuset, the Illini, and the Utes. Some are names that describe the land or the water. Iowa is a Siouan word for “beautiful land,” Wyoming derives from the Algonquian for a large prairie, Michigan is Ojibwa for “great water,” and Minnesota is Siouan for “waters that reflect the sky.” The original meanings are often rather straightforward, but translators and local boosters have usually worked to derive the most poetic name possible. Nebraska means “flat” or “broad river” in the Omaha language; this makes it similar in meaning but not pronunciation to the Algonquian term for “long river” that eventually became Connecticut. Ohio means “good river” in Iroquoian languages, and Oregon means “beautiful water” in Algonquian. Kentucky has one of the more mysterious meanings: “dark and bloody ground.

One way is how he soars high above the clouds. The second way is when the eagle sits on a tree branch looking over the countryside. The third way is when he grabs his prey on the prairie. The fourth wya is when his protective eyes are keeping you safe at all times. The fifth way is when the eagle lets us borrow his feathers, The sixty way is when he talks to the rest of the sacred animals so they can also keep you protected. The seventh way his how the eagle sits waiting for your own flight to the sky. (Tonia Scabby Face, student)

Heart of the USA” September 1, 2024 at 10:51 AM Verse 1: Let’s raise up our voices, let the whole world hear, The USA’s heart beats strong and sincere. We’re taking back our country, making it better each day, For we are the people, under God, the USA. Chorus: From the mountains to the prairies, to the oceans wide with pride, We’ll stand together, side by side. With freedom in our hearts and justice in our hands, We’ll fight for our land, this is our stand. Verse 2: In the dusty old towns and the cities so bright, We’ll keep on pushing, we’ll keep up the fight. With the stars and stripes waving high in the sky, We’ll never back down, we’ll never say die. Chorus: From the mountains to the prairies, to the oceans wide with pride, We’ll stand together, side by side. With freedom in our hearts and justice in our hands, We’ll fight for our land, this is our stand. Bridge: Through the trials and the troubles, we’ll find our way, With courage and honor, we’ll seize the day. For the land of the free and the home of the brave, We’ll keep on marching, our flag will wave. Chorus: From the mountains to the prairies, to the oceans wide with pride, We’ll stand together, side by side. With freedom in our hearts and justice in our hands, We’ll fight for our land, this is our stand. Outro: So let’s raise up our voices, let the whole world hear, The USA’s heart beats strong and sincere. We’re taking back our country, making it better each day, For we are the people, under God, the USA.

After graduating from Harvard College in 1880, Roosevelt won a seat in the New York assembly the next year. He spent the decade publishing a number of books, both about his adventures in the American West and on history. He adored Big Sky country; while in the Dakotas in the summer of 1886, he gave a Fourth of July address in Dickinson that weaved together his sundry passions. “Like all Americans,” he said, “I like big things; big prairies, big forests and mountains, big wheat fields, railroads, and herds of cattle, too, big factories, steamboats and everything else. But we must keep steadily in mind that no people were ever yet benefitted by riches if their prosperity corrupted their virtue.

them entertained and supplied with a surfeit of horseflesh. But none to really worry about. Their source of food and sustenance, the buffalo, roamed the plains in record numbers and still ranged into every corner of Comancheria. The tribe’s low birth rates virtually guaranteed that their nomadic life following buffalo herds was infinitely sustainable. Their world was thus suspended in what seemed to be a perfect equilibrium, a balance of earth and wind and sun and sky that would endure forever. An empire under the bright summer moon. For those who witnessed the change at a very intimate and personal level, including Cynthia Ann and her husband, the speed with which that ideal world was dismantled must have seemed scarcely believable. She herself, the daughter of pioneers who were hammering violently at the age-old Comanche barrier that had defeated all other comers, now adopted into a culture that was beginning to die, was the emblem of the change. Somehow she and her husband, Peta Nocona, survived the cataclysm. As nomads, they moved constantly. One imagines her on one of these migrations, on horseback, moving slowly across the open grassy plain with hundreds of others, warriors in the vanguard, toward a wide, hazy horizon that would have looked to white men like unalloyed emptiness. There were the long trains of heavily packed mules and horses and the ubiquitous Comanche dogs. There were horses dragging travois that carried the huge tent poles and piled buffalo hides and scored the earth as they went along—perfectly parallel lines drawn on the prairie, merging and vanishing into the pale-blue Texas sky. All trailed by the enormous horse remuda, the source of their wealth. It must have been something to behold. Cynthia Ann lived a hard life. Women did all of the brutally hard work, including most of the work that went into moving camp. They did it from dawn till dark, led brief difficult lives, and did not complain about it; they did everything except hunt and fight. Her camp locations show just how far she roamed. Pah-hah-yuco’s camps were found in 1843 north of the Red River and south of modern-day Lawton, Oklahoma, on Cache Creek (the encampment was on a creek bank on the open prairie and stretched for half a mile).25 In 1844 he was camped on the Salt Plains of present-day north-central Oklahoma, on the Salt Fork of the Arkansas River,26 well north of the Washita, where Williams found him in 1846. In 1847 his band was spotted a hundred miles north of Austin, in rolling, lightly timbered prairie, camped in a village of one hundred fifty lodges,27 and again that same year in a village in the limestone hills and mesas west of Austin. She was identified as being with the Tennawish band in 1847, who often camped with the Penateka (with whom Pah-hah-yuco was often

speak of this terrain as a primeval and unsettled wilderness—yet this continent had been continuously inhabited by human cultures for at least ten thousand years. That indigenous peoples can have gathered, hunted, fished, and settled these lands for such a tremendous span of time without severely degrading the continent’s wild integrity readily confounds the notion that humans are innately bound to ravage their earthly surroundings. In a few centuries of European settlement, however, much of the native abundance of this continent has been lost—its broad animal populations decimated, its many-voiced forests overcut and its prairies overgrazed, its rich soils depleted, its tumbling clear waters now undrinkable. European civilization’s neglect of the natural world and its needs has clearly been encouraged by a style of awareness that disparages sensorial reality, denigrating the visible and tangible order of things on behalf of some absolute source assumed to exist entirely beyond, or outside of, the bodily world. Some historians and philosophers have concluded that the Jewish and Christian traditions, with their otherworldly God, are primarily responsible for civilization’s negligent attitude toward the environing earth. They cite, as evidence, the Hebraic God’s injunction to humankind in Genesis: “Be fertile and increase, fill the earth and master it; and rule the fish of the sea, the birds of the sky, and all the living things that creep on earth.”1 Other thinkers, however, have turned toward the Greek origins of our philosophical tradition, in the Athens of Socrates and Plato, in their quest for the roots of our nature-disdain. A long line of recent philosophers, stretching from Friedrich Nietzsche down to the present, have attempted to demonstrate that Plato’s philosophical derogation of the sensible and changing forms of the world—his claim that these are mere simulacra of eternal and pure ideas existing in a nonsensorial realm beyond the apparent world—contributed profoundly to civilization’s distrust of bodily and sensorial

The drought was in its fourth year, and it was the worst in at least a generation’s time. But long dry periods were as much a part of the Great Plains as the grass itself. What was different in 1935 was that the land was naked. If the prairie had been held in place by adequate ground cover—grass, or even the matted sprouts of wheat emerging from winter dormancy—the land could never have peeled away as it did, with great strips of earth thrown to the sky.

She stood up, went to the window by the door, stared mournfully out at the day. The rain had stopped. the sun had come out, burning heat through the trees, sucking the moisture right back up into the brilliant blue prairie sky, She saw the way this fierce naked light hit the empty street. She saw the sky with its thin line of evaporating clouds and tried to think about herself in the future. But no image would come. ... Nothing. The emptiness of it all filled her with dread.

Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber

We are only little herds of buffalo left scattered; the great herds that once covered the prairies are no more. See!—the white men are like the locusts when they fly so thick that the whole sky is a snowstorm.

But when do the daydreams begin and the dreams end, and where does the sky end and the prairie grass begin? There are stars in the grass.

And the infinite sweep of the prairie, yellow shaded with folds of violet until, a hundred miles away or more, the whole plain was swallowed by color and consumed, taken up by the lower edge of a sagging purple sky.

The prairie I grew up on teaches you to notice, to pay attention. The yolk of the sun as it slides across the dome of the sky streaking the world orange and indigo. The swish of grass in afternoon breeze. The screech of a grackle. During the Golden hour on the prairie, the North Dakota palette reveals the subtle differences between ochre, umber, and sienna.

I mentioned how I had lived in the oil boom. I described the buttes of the badlands. The smell of the sage. The yolk-yellow breasts of the sage grass. How if you sat long enough, waited for the golden hour, then the entire sweep of the badlands surged into a riot of reds and purples and golds. I told him how there were ponderosa pines tucked into the southwestern pocket of North Dakota, but that they looked shrimpy compared to the ones here, in the rain-forest of the Olympics.

Some women fight and others do not. Like so many successful guerrillas in the war between the sexes, Georgia O’Keeffe seems to have been equipped early with an immutable sense of who she was and a fairly clear understanding that she would be required to prove it. On the surface her upbringing was conventional. She was a child on the Wisconsin prairie who played with China dolls and painted watercolors with cloudy skies because sunlight was too hard to paint and, with her brother and sisters, listened every night to her mother read stories of the Wild West, of Texas, of Kit Carson and Billy the Kid. She told adults that she wanted to be an artist and was embarrassed when they asked what kind of artist she wanted to be: she had no idea “what kind.” She had no idea what artists did.

And even beyond, to the endless flat forever of the untouched prairie, where a flock of blackbirds had risen, black against a gray sky, all of them twisting and turning high above the earth, a dance of gladness in the brief respite between the storm that had passed and the storm yet to come.

Between the sky and the egg-shaped, egg-smooth granite boulder that floats out in the middle of the meadow’s widest field, everything has its own green: cattails, willow leaves, the flip side of an aspen leaf, the gray-green sage, the yellow-green native pasture, the loden timber, all circling around, with that boulder at the center, as if the meadow were a green ear held up to listen to the sky’s blue, and there is an axis drawn between the boulder and the sun. Elsewhere on the mountain, most of the green stays locked in pines, the prairie is scorched yellow. But Lyle’s meadow is a hemorrhage of green, and a green clockwork of waterways and grasses, held up to the sky in its ring of ridges, held up for the sky to listen, too. The granite boulder is only there to hold it down.

... and then he was running. Running hard like the settlers on the prairie racing to pound their stake into the hard, fertile ground of the heartland, securing their place and their children’s places, the generations sprinting up under the blue sky.

I used to be like a bird imprisoned in a cage, contenting myself with seeds dropped down to me by the hands of Destiny. But today I feel like a free bird who sees the beauty of the fields and prairies and wishes to fly in the spacious sky, mingling its affections, its fancy and its hopes with the ether.