“
We search for happiness everywhere, but we are like Tolstoy's fabled beggar who spent his life sitting on a pot of gold, under him the whole time. Your treasure--your perfection--is within you already. But to claim it, you must leave the buy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart.
”
”
Elizabeth Gilbert (Eat, Pray, Love: One Woman's Search for Everything)
“
Love is the very essence of life. It is the pot of gold at the end of the rainbow. Yet it is not found only at the end of the rainbow. Love is at the beginning also, and from it springs the beauty that arched across the sky on a stormy day. Love is the security for which children weep, the yearning of youth, the adhesive that binds marriage, and the lubricant that prevents devastating friction in the home; it is the peace of old age, the sunlight of hope shining through death. How rich are those who enjoy it in their associations with family, friends, and neighbors! Love, like faith, is a gift of God. It is also the most enduring and most powerful virtue.
”
”
Gordon B. Hinckley (Standing for Something: Ten Neglected Virtues That Will Heal Our Hearts and Homes)
“
At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamer-and gold weighed a ton-and since the world began, gold was the reason to do most anything.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
Thankfully the rest of the world assumed that the Irish were crazy, a theory that the Irish themselves did nothing to debunk. They had somehow got it into their heads that each fairy lugged around a pot of gold with him wherever he went. While it was true that LEP had a ransom fund, because of its officers' high-risk occupation, no human had ever taken a chunk of it yet. This didn't stop the Irish population in general from skulking around rainbows, hoping to win the supernatural lottery.
”
”
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
“
Gratitude is the real treasure God wants us to find, because it isn't the pot of gold but the rainbow that colors our world.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Sometimes it's important to work for that pot of gold. But other times it's essential to take time off and to make sure that your most important decision in the day simply consists of choosing which color to slide down on the rainbow.
”
”
Douglas Pagels (These Are the Gifts I'd Like to Give to You: A Sourcebook of Joy and Encouragement)
“
It’s mind-blowing and delicious and better
than finding a pot of gold, a unicorn, and a leprechaun who shits diamonds at
the end of a rainbow.
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
Place a beehive on my grave
And let the honey soak through.
When I'm dead and gone,
That's what I want from you.
The streets of heaven are gold and sunny,
But I'll stick with my plot and a pot of honey.
Place a beehive on my grave
And let the honey soak through.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
Leroy bet me I couldn’t find a pot of gold at the end, and I told him that was a stupid bet because the rainbow was enough.
”
”
Rita Mae Brown (Rubyfruit Jungle)
“
Be conscious of your decisions. More importantly, take responsibility for the consequences they bring. When struggling with your passions and goals, be patient and never bail out! You'll eventually get your shot. Remember that only the strong will survive. Be willing to sacrifice things you love to acheive your dream. Expect disappointments, because they will happen over and over again. Just never forget that there is definitely a pot of gold at the end of that rainbow- it's just a son of a bitch getting there!
”
”
Sully Erna (The Paths We Choose: A Memoir)
“
Another tip you picked up from my books?”
“Those things are like a treasure map. Just follow the tabs and highlights to find the pot of gold.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
When the sunlight strikes raindrops in the air, they act like a prism and form a rainbow. The rainbow is a division of white light into many beautiful colors. These take the shape of a long round arch, with it’s path high above, and it’s two ends apparently beyond the horizon. There is, according to legend, a boiling pot of a gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow.
”
”
Hayley Williams
“
You want waffles?” I tried to keep the skepticism from my voice. “No firstborn or a pot of gold?”
“I’m not a leprechaun, Sam. And what would I do with a baby?” Her eyebrow shot back up, and she crossed her arms. “I want waffles. Take it or leave it.”
I glanced at Brid, who was staring at Ashley shrewdly.
“Let’s talk numbers,” she said. “Are we talking, like, twenty waffles all at once? Or a waffle a week for six months? What?”
“Every day for two years,” Ashley said.
“That’s outrageous,” Brid sputtered.
”
”
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
“
This man didn't sweeten his words to get to the pot of gold at the end of a rainbow. Instead he rode the colorful rays at his own pace, made the sky his bitch and took everything he wanted when he was good and ready.
”
”
Aline Hunter (Make Me Shiver (Just Make Me, #1))
“
I shall ne'er chase rainbows again,
Knowing no pot o' gold awaits at the end.
My Irish treasure is not there.
For ye, my love, abide with me here.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
She’d painted her nails with rainbow stripes and it occurred to him that Vicki was just as beautiful and mysterious as a rainbow.
One he’d been chasing for years without ever coming close to reaching the pot of gold at the end.
”
”
Bella Andre (Let Me Be the One (San Francisco Sullivans, #6; The Sullivans, #6))
“
Love is the very essence of life. It is the pot of gold at the end of the rainbow. Yet it is more than the end of the rainbow. Love is the security for which children weep, the yearning of youth, the adhesive that binds marriage, and the lubricant that prevents devastating friction in the home; it is the peace of old age, the sunlight of hope shinning through death.
”
”
Gordon B. Hinckley
“
Place a beehive on my grave and let the honey soak through, when I am dead and gone that's what I want from you. The streets of heaven are gold and sunny, but I'll stick with my plot and a pot of honey. Place a beehive on my grave and let the honey soak through.
”
”
Sue Monk Kidd
“
Love is a fiction, a fable, an ode spun by poets and drunks, a fantastical tale told across one thousand and one nights, it is the genie in the bottle, it is the pot of gold at the end of the rainbow, it's the lie designed to seduce you.
”
”
Lauren Blakely (The Thrill of It (No Regrets, #2))
“
We are like Tolstoy’s fabled beggar who spent his life sitting on a pot of gold, begging for pennies from every passerby, unaware that his fortune was right under him the whole time. Your treasure – your perfection – is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamer—and gold weighed a ton—and since the world began, gold was the reason to do most anything.
”
”
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
“
You have read some books,
I am sure
Many of which, like a rainbow,
hide their pot of gold, around the end
But my good colors,
uncontrollably spill everywhere:
‘Waking up,
is dreaming,
for those
who love beginning now
”
”
S.B. Joon (Not Knot Naught)
“
Tired of dancing on a pot of gold flake paint
”
”
Elliott Smith
“
And in those first fifty years I believed there was a pot of gold at the end of the rainbow, and it was my goal to find that pot of gold. Now I realize that we are the rainbow, the pot of gold is love, and that is what we actually are.
”
”
Gerald G. Jampolsky (Love Is Letting Go of Fear, Third Edition)
“
Every new search is a voyage to the Indies, a quest for buried treasure, a journey to the end of the rainbow; and whether or not at the end there shall be turned up a pot of gold or merely a delightful volume, there are always wonders along the way.
”
”
Vincent Starrett (Penny Wise & Book Foolish)
“
After all, what is money apart from what it can buy?
”
”
Plautus (The Pot of Gold and Other Plays)
“
They call it kintsugi. The pot is shattered, then carefully reassembled with a resin mixed with gold. It symbolizes how we must incorporate our wounds into who we are, rather than try to merely repair and forget them.
”
”
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
“
Was it a miracle? It was as if they had dreamt of a pot of gold and woken to find it on their pillow. As if they had told a tale of a fairy princess and finished it only to find her sitting in a corner of the room, listening.
”
”
Diane Setterfield (Once Upon a River)
“
You are a pot of gold, don't think I don' realize it.
”
”
Allen Ginsberg (Jack Kerouac and Allen Ginsberg: The Letters)
“
In human language, selling a smoking pot for three gold pieces is called a 'swindle,'" the man said, narrowly escaping a kick in the shins.
"In Elfish language it's called 'genius,'" the little elf replied cheerfully...
”
”
Silvana De Mari (The Last Dragon)
“
Let me speak to your boss" I said. Six magic words that roil deep in the bowels of anymore collecting a paycheck on a biweekly basis. It's like winking at a leprechaun: he has to give up his pot of gold, and yet no one knows why.
”
”
Walter Mosley (The Long Fall (Leonid McGill, #1))
“
When I was growing up, my mom used to tell my sister and me about a leprechaun with a pot of gold at the end of a rainbow. But she never mentioned a Russian Neanderthal with a bag of diamonds at the end of a bloody trail in a train station
”
”
James Patterson (Kill Me If You Can)
“
it seems that man has learned
not to see
not to know
for he's found the pot
of gold
but lost the rainbow...
”
”
Barry DeCarli
“
I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace.
The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again.
I am thankful to call myself a true addict to hope's mind altering panacea. Its blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind its true magic.
To the hope that resides in the depths of my being, thank you.
”
”
Ivan Rusilko (Entrée (The Winemaker's Dinner, #2))
“
I'll not be lyin' if I tell ya that I fancy ya a bit myself."
"The fancy feelings are mutual."
A grin curved her lips right before Declan pressed a kiss to them.
”
”
Sara Humphreys (Luck of the Irish (Leprechaun's Gold, #1))
“
Every sacrifice is another colour of your Rainbow!
”
”
Cass van Krah
“
Are ya trying' to kill me, lass?"
"Kill you? No." Maggie leaned closer, her hands drifting up and cradling his face as she rolled her hips again in one wicked pass. "Torture you? Maybe.
”
”
Sara Humphreys (Luck of the Irish (Leprechaun's Gold, #1))
“
The road of life is paved with daily successes, a great number of them penny and nickle triumphs. Sadly, these little feats are often seen as worthless―even failures―because we dream of greater gain. Our greed keeps us focused on a gleaming pot of gold waiting at the end of some elusive rainbow. And, despairing a big loss, we fail to see the value in small achievements.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
What is hope? Is it the ambition of discovering for the first time what the carnal definition of physical love is without understanding the concept of true passion? Or is it imagination running wild and free fueled by the dram that tonight will last forever and tomorrows will always come as you are blinded by the brilliance of another's smile?
Is it a theory of inevitability that relies on fate or destiny bringing two souls together for their one shot at true and unbridled happiness? Or is it a plea to erase a past that used to hold the potential for limitless smiles and endless laughs?
I define hope as a narcotic.
It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today, but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace.
The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again.
I am thankful to call myself a true addict to hope's mind altering panacea. It's blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind it's true magic.
To the hope that resides in the depths of my being, thank you.......
”
”
Ivan Rusilko (Entrée (The Winemaker's Dinner, #2))
“
I don’t want to be demure or respectable.
I was that way, asleep, for years.
That way, you forget too many important things.
How the little stones, even if you can’t hear them,
are singing.
How the river can’t wait to get to the ocean and
the sky, it’s been there before.
What traveling is that!
It is a joy to imagine such distances.
I could skip sleep for the next hundred years.
There is a fire in the lashes of my eyes.
It doesn’t matter where I am, it could be a small room.
The glimmer of gold Böhme saw on the kitchen pot
was missed by everyone else in the house.
Maybe the fire in my lashes is a reflection of that.
Who do I have so many thoughts, they are driving me
crazy.
Why am I always going anywhere, instead of
somewhere?
Listen to me or not, it hardly matters.
I’m not trying to be wise, that would be foolish.
I’m just chattering.
”
”
Mary Oliver (Blue Horses)
“
So perhaps we need to consider how to turn the idea of the pursuit of happiness into the happiness of the pursuit. People on a quest for something they find meaningful - whether that is building a boat or growing the perfect tomato - tend to be happier; they know that happiness is the by-product of the process and not a pot of gold at the finish line.
”
”
Meik Wiking (The Little Book of Lykke: The Danish Search for the World's Happiest People)
“
Mirror, mirror on the wall, who's the hottest bitch of all?
”
”
Sara Humphreys (Luck of the Irish (Leprechaun's Gold, #1))
“
You might be a fairy tale leprechaun man but at the heart of it you're still a man who won't talk about anything.
”
”
Sara Humphreys (Luck of the Irish (Leprechaun's Gold, #1))
“
The rainbow is the pot of gold to those who observe.
”
”
Thomas F. Shubnell
“
A pot of gold does not give the food a better taste than a crock.
”
”
Dario de Judicibus
“
Another tip you picked up from my books?” “Those things are like a treasure map. Just follow the tabs and highlights to find the pot of gold.
”
”
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
“
Asking a Southern woman for plain hospitality was like winking at a leprechaun: She had to give up her pot of gold no matter what.
”
”
Walter Mosley (Little Green (Easy Rawlins #12))
“
We will continue to chase rainbows unless we recognize that they are rainbows and there is no pot of gold at the end of them.
”
”
Diane Ravitch
“
Ignorance is not a virtue, nor empty thoughts a pot of gold.
”
”
Patrick Brigham
“
She doesn't give directions but there is a pot of gold at the end of her rainbow...Find it. If you can.
”
”
Donna Lynn Hope
“
happiness is the by-product of the process and not a pot of gold at the finish line.
”
”
Meik Wiking (The Little Book of Lykke: Secrets of the World's Happiest People (The Happiness Institute Series))
“
The sunlight had broken through the trees and landed on her like a pot of gold at the end of a rainbow.
”
”
Debbie Macomber (Alaskan Holiday)
“
Don't turn around. Don't look back. Keep moving forward. Keep pushing. The pot of gold is at the end of the rainbow, not the beginning
”
”
Ziad K. Abdelnour
“
John," I murmured, rising from the bed and going to stand by the table, staring down in astonishment at the gold-rimmed china plates and intricately embroidered napkins in sapphire rings. "How did all of this get here?"
"Oh," he said casually. "It just does. Coffee?" He lifted a gleaming silver pot. "Or do I seem to remember you being more partial to tea?" His grin was wicked.
I gave him a sarcastic look-it was a cup of tea I'd thrown into his face to escape from the Underworld the last time-then sank down into the chair where the bird was perched.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I define hope as a narcotic. It courses through our vei s, igniti.g ideas and feelings and emotions that all work in collaboration to produce a better to.orrow, while leaving today but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiati g grace.
The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again.
I am thankful to call myself a true addict to hope's mind altering panacra. Its blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind its true magic.
To the hope that resides in the depths of my being, thank you.
”
”
Ivan Rusilko (Entrée (The Winemaker's Dinner, #2))
“
In my yellow room,
Sunflowers with purple eyes stands out on a yellow background.
They bath their stems in a yellow pot, on a yellow table.
In a corner of the painting, the signature of the painter: Vincent.
And the yellow sun that passes through the yellow curtains of my room floods all this fluorescence with gold.
And in the morning upon awakening, from my bed,
I imagin that all this smells very good.
Oh yes! He loved yellow, this good Vincent, this painter from holland.
Those glimmers of sunlight rekindled his soul
That abhorred the fog, that needed the warmth.
When two of us were together in arles, both of us mad and at constant war over the beauty of color, me, i loved the color red,
Where to find a perfect vermilion?
He traced with his most yellow brush on the wall,
Suddenly turned violet.
Je suis saint esprit
Je suis sain d'espri.
Paul gauguin, 1894.
”
”
Paul Gauguin
“
She's a bright girl. She learned in her thirteenth year that you can get old films of Mae West or Marlene Dietrich (who is a Vulcan; look at the eyebrows) after midnight on UHF if you know where to look, at fourteen that pot helps, at fifteen that reading's even better. She learned, wearing her rimless glasses, that the world is full of intelligent, attractive, talented women who manage to combine careers with their primary responsibilities as wives and mothers and whose husbands beat them. She's put a gold circle pin on her shirt as a concession to club day. She loves her father and once is enough. Everyone knows that much as women want to be scientists and engineers, they want foremost to be womanly companions to men (what?) and caretakers of childhood; everyone knows that a large part of a woman's identity inheres in the style of her attractiveness. Laur is daydreaming. She looks straight before her, blushes, smiles, and doesn't see a thing... Laur is daydreaming that she's Genghis Khan.
”
”
Joanna Russ (The Female Man)
“
When the gold was half-melted and starting to run, Drogo reached into the flames, snatched out the pot. “Crown!” he roared. “Here. A crown for Cart King!” And upended the pot over the head of the man who had been her brother.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Self love begins deep within you, you, and only you. Make celebrating your legacy a healthy act of self-love...and become your own pot of gold today; let God who is Love pour His Rainbow through your overhead clouds. -
TraceyBond007.com
”
”
Dr Tracey Bond
“
Imagine your husband cheated on you; what do you bake? Pies are too cheerful, cookies too festive, chocolate mousse too sensual-- you probably decide on jam. Something to pulverize. Blackberry jam, to be specific, made straight from the gnarled bush that has overtaken your potting shed in the back-- the bush, heavy with berries, that your lying husband promised to prune but never did.
”
”
Jennifer Gold (The Ingredients of Us)
“
Me father always said if ya can find a lass who's brilliant in the kitchen and in the bed ya best not let her go.
”
”
Sara Humphreys (Luck of the Irish (Leprechaun's Gold, #1))
“
Wait," she whispered breathlessly.
"I want us to come together."
"What's wrong with you comin' twice, luv?
”
”
Ashlyn Chase (I Dream of Dragons (Boston Dragons, #1))
“
The yellow brick road is paved with heartbreak — with a few crumbs of victory sprinkled along the way.
”
”
Vanessa de Largie
“
It is better to be wise for one day than to be intelligent for a thousand.
It is better to know yourself than to understand your enemies.
It is better to find yourself than to find a thousand pots of gold.
It is better to rule your mind than to rule the world.
It is better to fight for justice than to give into tyranny.
It is better to live in a pure mind than to reside in a darkened soul.
It is better to be remembered as a coward than as a fool.
It is better to study yourself than to examine your enemies.
It is better to teach young children than to instruct old fools.
It is better to strengthen your weaknesses than to celebrate your strengths.
It is better to fight your fears than to harbour your anxieties.
It is better to win hearts than to ruin souls.
It is better to think your highest than to act your lowest.
It is better to learn from fools than to ignore the wise.
It is better to learn from your mistakes than to celebrate your success.
It is better to think for yourself than to allow intellectuals to think for you.
It is better to be wise and poor than to be rich and ignorant.
It is better to learn from children than to teach the wise.
It is better to learn truth from your enemies than lies from your friends.
It is better to be ostracized for who you are than to be embraced for who you are not.
It is better to be hated for your virtues than to be loved for your vices.
It is better to learn from the wise than to teach the foolish.
It is better to discover your weaknesses than to glorify your strengths.
It is better to heal yourself than to harm your enemies.
It is better to love your enemies than to harm your friends.
It is better to help the weak than to conquer the strong.
”
”
Matshona Dhliwayo
“
Now rainbows, as you probably know, are bridges between the worlds. Which is why, whenever you see a rainbow, you can never really tell where it ends. It ends in another world. The rumor that there is a pot of gold at the end of a rainbow was started by trolls in order to lure beings from different dimensions into their own- where they would promptly mug them- thus creating their own pot of gold.
”
”
Livi Michael
“
Yes. It took four men, all four ablaze with gorgeous decoration, and the Chief of them unable to exist with fewer than two gold watches in his pocket, emulative of the noble and chaste fashion set by Monseigneur, to conduct the happy chocolate to Monseigneur's lips. One lacquey carried the chocolate-pot into the sacred presence; a second, milled and frothed the chocolate with the little instrument he bore for that function; a third, presented the favoured napkin; a fourth (he of the two gold watches), poured the chocolate out. It was impossible for Monseigneur to dispense with one of these attendants on the chocolate and hold his high place under the admiring Heavens. Deep would have been the blot upon his escutcheon if his chocolate had been ignobly waited on by only three men; he must have died of two.
”
”
Charles Dickens (A Tale of Two Cities)
“
It was a generation growing in its disillusionment about the deepening recession and the backroom handshakes and greedy deals for private little pots of gold that created the largest financial meltdown since the Great Depression. As heirs to the throne, we all knew, of course, how bad the economy was, and our dreams, the ones we were told were all right to dream, were teetering gradually toward disintegration. However, on that night, everyone seemed physically at ease and exempt from life’s worries with final exams over and bar class a distant dream with a week before the first lecture, and as I looked around at the jubilant faces and loud voices, if you listened carefully enough you could almost hear the culmination of three years in the breath of the night gasp in an exultant sigh as if to say, “Law school was over at last!
”
”
Daniel Amory (Minor Snobs)
“
And then, suddenly, there's something else. When you least expect it. Suddenly there's an opportunity, an opening, a person or people you couldn't have imagined, and - elation!-it feels as though you've found the pot of gold, when you'd thought all the gilt was gone from this world forever. It's enough, for a time - maybe even for a long time - to make you forget that you were ever angry, that you ever knew what anger was at all.
”
”
Claire Messud (The Woman Upstairs)
“
Did you know #Leprechauns didn't start out in Ireland as those short little redheaded guys sporting green felt suits?
#Leprechauns were once fierce warriors who protected the coast from marauders and defended the land. Then Christianity showed up and decided to do away with all that, and they downplayed the heroic actions of those warriors to the extent that we see them as the iconic little guys with pots of gold today. Nothing quite like a group of gossiping Christians to turn the tide on historical events, huh?
Have a look at my story and see how magic reveals the true nature of one Michael McKnight, the #Leprechaun of Three Wishes.
Treat yourself to a St. Patrick's Day Lunchbox Romance
”
”
Paula Millhouse
“
Consumable commodities, it is said, are soon destroyed; whereas gold and silver are of a more durable nature, and, were it not for this continual exportation, might be accumulated for ages together, to the incredible augmentation of the real wealth of the country. Nothing, therefore, it is pretended, can be more disadvantageous to any country, than the trade which consists in the exchange of such lasting for such perishable commodities. We do not, however, reckon that trade disadvantageous which consists in the exchange of the hard-ware of England for the wines of France; and yet hard-ware is a very durable commodity, and were it not for this continual exportation, might too be accumulated for ages together, to the incredible augmentation of the pots and pans of the country.
”
”
Adam Smith (Wealth of Nations: Full and Fine Text of 1776 Edition)
“
Place a beehive on my grave
and let the honey soak through.
When I’m dead and gone,
that’s what I want from you.
The streets of heaven are gold and sunny,
but I’ll stick with my plot and a pot of honey.
Place a beehive on my grave
and let the honey soak through.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
People who collect books, and categorize them by Roy G. Biv instead of alphabetically, are displaying the fact that their books aren't meant to be read, but merely looked at. And while they are busy looking at the rainbow of books, they're missing the pots of gold inside.
”
”
Jarod Kintz (This Book is Not for Sale)
“
In St. Patrick Town, we find the stubborn, sprightly residents all awake--the leprechaun I spoke to days before still in search of his lost pot of gold in the glen, rain clouds heavy in the distance, and rainbows gleaming above the treetops.
In Valentine's Town, Queen Ruby is bustling through the streets, making sure the chocolatiers are busy crafting their confections of black velvet truffles and cherry macaroons, trying to make up for lost time, while her cupids still flock through town, wild and restless.
The rabbits have resumed painting their pastel eggs in Easter Town. The townsfolk in Fourth of July Town are testing new rainbow sparklers and fireworks that explode in the formation of a queen's crown, in honor of the Pumpkin Queen who saved them all from a life of dreamless sleep. In Thanksgiving Town, everyone is preparing for the feast in the coming season, and the elves in Christmas Town have resumed assembling presents and baking powdered-sugar gingerbread cookies.
And in Halloween Town, we have just enough time to finish preparations for the holiday: cobwebs woven together, pumpkins carved, and black tar-wax candles lit.
”
”
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
“
I spend the morning in the local grocers, bringing in the Christmas provisions: Stilton, ham, Brussels sprouts, a capon of terrifying dimensions. Unfathomable quantities of potatoes. Red wine and white, a bottle of Marsala. Turkish delight and cherry liqueur chocolates. A bag of satsumas, some wrapped in blue and gold paper. Several pots of cream, just in case.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Unfortunately, the mysterious gold does not come from the moon, but from the pocket of a blacksmith, or a nail-smith, or a cartwright, or a farrier, or a laborer, or a shipwright; in a word, from John Q. Citizen, who gives it now without receiving a grain more of iron than when he was paying ten francs. Thus, we can see at a glance that this very much alters the state of the case; for it is very evident that Mr. Protectionist’s profit is compensated by John Q. Citizen’s loss, and all that Mr. Protectionist can do with the pot of gold, for the encouragement of national labor, John Q. Citizen might have done himself. The stone has only been thrown upon one part of the lake, because the law has prevented it from being thrown upon another.
”
”
Frédéric Bastiat (The Bastiat Collection (LvMI))
“
But what does that say about aspirational living? Hey, you moved into a big house and you made it...except you didn't. There's this idea that you will be safe if you just get famous enough, successful enough, pull yourself up by your bootstraps, move into the right neighborhood, do all these things to fully assimilate into the America people have been sold on. We all bought in, and we keep thinking if we just get over this mountain of assimilation, on the other side is a pot of gold. Or maybe a unicorn, perhaps a leprechaun. Any of those is as plausible as the acceptance of the wholeness of me. But there's just another mountain on the other side. And someone will be ready to tell you, "Don't be breathing hard. You need to make this look easy.
”
”
Gabrielle Union (We're Going to Need More Wine)
“
Late one night, during a toss-and-turn fretful sleep, I pondered my crisis. No solutions were on the horizon. I, again, wasted my psychic energy with prayer. Nothing. No angel on a white cloud. No rainbow’s pot of gold. No way to control the people I loved. As I rolled over and put the pillow over my head attempting to block all that was negative, I silently screamed for rescue. Then, in a far away and distinct part of my brain, a small voice said, “You have to do this on your own.”
I thought, “Was that the best You can do?” This god, to whom I was desperately sending burnt offerings of my own humiliation, couldn’t send an avenging angel or a wise man imparting wisdom? All You can give me is this feeble message of abandonment? At that moment, I quit believing in that god.
”
”
David Walton Earle
“
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets!
Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability
He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
”
”
M. John Harrison (Viriconium (Viriconium, #1-4))
“
But at night came his revelry: at night he closed his shutters, and made fast his doors, and drew forth his gold. Long ago the heap of coins had become too large for the iron pot to hold them, and he had made for them two thick leather bags, which wasted no room in their resting-place, but lent themselves flexibly to every corner. How the guineas shone as they came pouring out of the dark leather mouths!
”
”
George Eliot (Complete Works of George Eliot)
“
Martin got up and brushed off the seat of his pants with his hat. He put his hat on his head and started back toward the path. For when you woke from a long dream, into the new morning, then try as you might you couldn't not hear, beyond your door, the sounds of the new day, the drawer opening in your father's bureau, the bang of a pot, you couldn't not see, through your trembling lashes, the stripe of light on the bedroom wall. Boys shouted in the park, on a sunny tree-root he saw a cigar band, red and gold. One of these days he might find something to do in a cigar store, after all he still knew his tobacco, you never forgot a thing like that. But not just yet. Boats moved on the river, somewhere a car horn sounded, on the path a piece of broken glass glowed in a patch of sun as if at any second it would burst into flame. Everything stood out sharply: the red stem of a green leaf, horse clops and the distant clatter of a pneumatic drill, a smell of riverwater and asphalt. Martin felt hungry: chops and beer in a little he remembered on Columbus Avenue. But not yet. For the time being he would just walk along, keeping a little out of the way of things, admiring the view. It was a warm day. He was in no hurry.
”
”
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
“
You don’t believe in leprechauns.
A myth you say they be.
You don’t believe in pots-o-gold,
or four-leaf-clover tea.
You don’t believe the rainbow’s end
alights on treasured finds.
They are illusions meant for fools
you say ‘ave lost their minds.
You don’t believe in whispering
your wishes to the wind,
where on St. Patrick’s holiday
they blow t’wards Ireland.
You don’t believe in magic spells
or longings coming true.
Yet, head-to-toe you dress in green
on Patty’s Day, you do.
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
Maybe someday I can find the pot of gold at the end of the rainbow, but will lack the strength to lift it anymore. Then, I will think to empty the coin from the pot, but will lack the genius to carry out the said act. Later, I will be approached by someone who will ask me about the story of the pot of gold. I will attempt to explain the story to them in the best way that I can.
The person might then ask me, “How much of it was true?” and to them I shall respond with a question.
“How much do you have believed of it to be of truth and be not farce?”
They will ponder over what has been asked of them. They will solemnly look first to the ground, and then to the sky, seeking the divine answer to disarm, or perhaps the answer to their own question. After much time spent rehearsing the question and answer in their head, they will have finally reached the answer.
“Half—half of it I believe were true.” They will say to me with complete confidence, and then that confidence will subside assertively into a question. Feeling flustered and unsure of themselves, with their face representing melting wax, they will again look to me for an answer.
“Half of it was true then,” I will reply to them with my assertiveness.
Puzzled and dumbfounded, the person will ask me, “How was half of it true then?”
I will reply to this person in a sincere attempt to gain their confidence and instill wisdom in them.
“I cannot tell you what is right or wrong, only what I think is right or wrong. If you believe that half were true, then half were true. If you believe that all of it lies in truth, then all of it were divinely true. If you find that it is absurd and could not share any truth, then there be no truth in the matter. It is your perception that has brought you to your conclusion, not mine. For clearly, if you are thinking about what be true and what be not true, then I have done my job in giving you something to think about, but I cannot think or decide for you.
”
”
Phil Volatile (My Mind's Abyss)
“
Breakfast was Bond’s favourite meal of the day. When he was stationed in London it was always the same. It consisted of very strong coffee, from De Bry in New Oxford Street, brewed in an American Chemex, of which he drank two large cups, black and without sugar. The single egg, in the dark blue egg-cup with a gold ring round the top, was boiled for three and a third minutes. It was a very fresh, speckled brown egg from French Marans hens owned by some friend of May in the country. (Bond disliked white eggs and, faddish as he was in many small things, it amused him to maintain that there was such a thing as the perfect boiled egg.) Then there were two thick slices of wholewheat toast, a large pat of deep yellow Jersey butter and three squat glass jars containing Tiptree ‘Little Scarlet’ strawberry jam; Cooper’s Vintage Oxford marmalade and Norwegian Heather Honey from Fortnum’s. The coffee pot and the silver on the tray were Queen Anne, and the china was Minton, of the same dark blue and gold and white as the egg-cup.
”
”
Ian Fleming (From Russia With Love (James Bond, #5))
“
There was a street market on the curb. Swarms of old women in black cloaks jostling along like bugs in a crack. Stalls covered with blue-silver shining pots, ice-white jugs, heaps of fish, white-silver, white-green, and kipper gold; forests of cabbage; green as the Atlantic, and rucked all over in permanent waves. Works of passion and imagination. Somebody’s dream girls. Somebody’s dream pots, jugs, fish. Somebody’s love supper. Somebody’s old girl chasing up a tidbit for the old china. The world of imagination is the world of eternity.
”
”
Joyce Cary (The Horse's Mouth (First Trilogy Book 3))
“
Bird was watering the pots. She stood still for a moment and watched him. The spray of the water made rainbows in the low, afternoon light, and the leaves of the chard glowed emerald and ruby. And how could she distinguish him from her, or her from the garden, when it was all light, colors playing against one another, wrapped in scent, rich earth and citrus? Bird himself was merely a sphere of turquoise and gold, laced with darker streaks. Musk and sweat and sun-warmed skin. She inhaled, wondering what elixir she could brew from this moment of perfect beauty.
”
”
Starhawk (City of Refuge (Maya Greenwood, #3))
“
It was all still there, an immense quilt of bold, fantastical human will: the faded tawny golds and grays of the descending rooftops and scorched chimney pots, the cold steel-blue river with its fabled Left and Right Banks, the towers and steeples and crooked cobblestone streets, bisected by wide, brutish boulevards. As seductive as a mirage, but every slab of stone, every silent or uproarious inch of it, real. She had not returned triumphant as a brilliant painter or a self-made woman whose only worry about money was how to spend it ... but she had come back to Paris anyway. It was hard to imagine being unhappy here.
”
”
Christine Sneed (Paris, He Said)
“
One day he said: 'In Japan they'll mend a broken pot with drops of molten gold. What a thing it would be: to have me break you, and mend your wounds with gold.' But she'd been seventeen, and armour-clad with youth, and never felt the blade go in: she'd laughed, and so had he. On her nineteenth birthday, she exchanged birdsong for feathered fans, crickets in the long grass for a jacket dotted with beetles' wings; she was bound by whalebone, pierced with ivory, pinned by the hair with tortoiseshell. Her speech grew languid to conceal its stumble; she walked nowhere. He gave her a gold ring which was too small - a year later another, and it was smaller still.
”
”
Sarah Perry (The Essex Serpent)
“
The Drunken Fisherman"
Wallowing in this bloody sty,
I cast for fish that pleased my eye
(Truly Jehovah's bow suspends
No pots of gold to weight its ends);
Only the blood-mouthed rainbow trout
Rose to my bait. They flopped about
My canvas creel until the moth
Corrupted its unstable cloth.
A calendar to tell the day;
A handkerchief to wave away
The gnats; a couch unstuffed with storm
Pouching a bottle in one arm;
A whiskey bottle full of worms;
And bedroom slacks: are these fit terms
To mete the worm whose molten rage
Boils in the belly of old age?
Once fishing was a rabbit's foot--
O wind blow cold, O wind blow hot,
Let suns stay in or suns step out:
Life danced a jig on the sperm-whale's spout--
The fisher's fluent and obscene
Catches kept his conscience clean.
Children, the raging memory drools
Over the glory of past pools.
Now the hot river, ebbing, hauls
Its bloody waters into holes;
A grain of sand inside my shoe
Mimics the moon that might undo
Man and Creation too; remorse,
Stinking, has puddled up its source;
Here tantrums thrash to a whale's rage.
This is the pot-hole of old age.
Is there no way to cast my hook
Out of this dynamited brook?
The Fisher's sons must cast about
When shallow waters peter out.
I will catch Christ with a greased worm,
And when the Prince of Darkness stalks
My bloodstream to its Stygian term . . .
On water the Man-Fisher walks.
”
”
Robert Lowell
“
He looks forlornly ahead of him, gazing at the road but looking at nothing in particular. The whole world is one big giant ball of light to him, and he feels like a bug inside it, waiting to be squashed. He feels like there is no sense of purpose, no direction. There is nothing waiting for him at the end of the rainbow. No pot of gold for all the pain he is feeling now, or the pain he has felt before. He just feels empty and lost, as if he is looking for something that can never be found. He feels lost that he can’t explain it to anyone and that no one will understand. He feels left out, standing alone, waiting endlessly for a ray of hope which never comes. He has suffered through this before, lurking in the shadows of his own despair, fighting for his life and losing the battle. But nothing ever makes this pain go away. Or the fear. He doesn’t fear what people fear. Not the loss of life or riches—Roman fears losing himself in this swamp called existence. He fears becoming the person he doesn’t want to become, and most of all, he fears himself. Fears his own potential to destroy and destruct. To obliterate. To suffocate his own life. He fears all that and he is afraid no one will ever know what his heart aches for, or how bad he has it. At times he feels the urge to tell this to someone, but other times he just enjoys being silent, watching on like a passerby at his own life, an observer rather than someone who’s actually living it.
”
”
Sam Hunter (The Devil's Breath)
“
A donkey?” the poor man wailed. “What do I want with a donkey? I cannot even feed a donkey.” “No matter,” replied the donkey. “Reach into my left ear.” The poor man, though shocked that the donkey could talk, nonetheless reached into the donkey’s ear and pulled out a sack of feed. “Well, now,” the poor man said. “That’s a mighty handy ear. I wish it had food for me as well.” “Reach into my right ear,” the donkey said. And so the poor man reached into the donkey’s right ear and pulled out a loaf of bread, a pot of butter, and a meat pie. Joe went on like this, spinning out the tale, with the poor man pulling all sorts of things out of the donkey’s ears: a stool, a pillow, a blanket, and, finally, a sack of gold. I loved this story, but I always listened uneasily, fearing that something bad would be pulled from the donkey’s ears. Even after I’d heard the tale many times, always the same, I still worried that the poor man might reach in and pull out a snapping turtle or an alligator or something equally unpleasant and unexpected. Sensing my fear, Joe would say, “It’s only a story, Naomi, only a story.” He suggested that I say to myself, “I’m not in the story, I’m not in the story”—a refrain I could repeat so that I would feel less anxious. And so each time the poor man would reach into the donkey’s ears, I would tell myself, I’m not in the story, I’m not in the story, but it didn’t help because a story was only interesting if I was in the story.
”
”
Sharon Creech (The Great Unexpected)
“
I plucked a sprig of rosemary from the pot in the windowsill, and as I inhaled its fresh scent, something flashed in my mind.
I went to the pantry and took out a jar of wildflower honey. I held it up to make sure I had enough, and the sun lit it up like a jar of gold. There was that flash again- I almost had it, but it slipped away.
I preheated the oven and mixed my ingredients. I sprinkled in the fragrant rosemary. Remember, Mimi. What have you forgotten?
By the time I got the pan in the oven, Dad had come downstairs. He sniffed the air. "Rosemary, huh? What are you making?"
"Rosemary-honey-olive oil muffins."
"Did you add white pepper, like we talked about last time?"
I grinned. "A tiny bit. Next time, do you think we should try it with goat's milk?
”
”
Rajani LaRocca (Midsummer's Mayhem)
“
CLOSE
is what we almost always are: close to happiness, close to another, close to leaving, close to tears, close to God, close to losing faith, close to being done, close to saying something, or close to success, and even, with the greatest sense of satisfaction, close to giving the whole thing up.
Our human essence lies not in arrival, but in being almost there, we are creatures who are on the way, our journey a series of impending anticipated arrivals. We live by unconsciously measuring the inverse distances of our proximity: an intimacy calibrated by the vulnerability we feel in giving up our sense of separation.
To go beyond our normal identities and become closer than close is to lose our sense of self in temporary joy, a form of arrival that only opens us to deeper forms of intimacy that blur our fixed, controlling, surface identity.
To consciously become close is a courageous form of unilateral disarmament, a chancing of our arm and our love, a willingness to hazard our affections and an unconscious declaration that we might be equal to the inevitable loss that the vulnerability of being close will bring.
Human beings do not find their essence through fulfillment or eventual arrival but by staying close to the way they like to travel, to the way they hold the conversation between the ground on which they stand and the horizon to which they go. What makes the rainbow beautiful, is not the pot of gold at its end, but the arc of its journey between here and there, between now and then, between where we are now and where we want to go, illustrated above our unconscious heads in primary colour.
We are in effect, always, close; always close to the ultimate secret: that we are more real in our simple wish to find a way than any destination we could reach: the step between not understanding that and understanding that, is as close as we get to happiness.
”
”
David Whyte (Consolations: The Solace, Nourishment and Underlying Meaning of Everyday Words)
“
I like rainbows.
We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction…
Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge.
...
…We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall.
Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall.
Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall.
“It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots.
Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical.
Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light.
In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
”
”
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
“
My dear Marwan,
in the long summers of childhood,
when I was a boy the age you are now,
your uncles and I
spread our mattress on the roof
of your grandfathers’ farmhouse
outside of Hom.
We woke in the mornings
to the stirring of olive trees in the breeze,
to the bleating of your grandmother's goat,
the clanking of her cooking pots,
the air cool and the sun
a pale rim of persimmon to the east.
We took you there when you were a toddler.
I have a sharply etched memory
of your mother from that trip.
I wish you hadn’t been so young.
You wouldn't have forgotten the farmhouse,
the soot of its stone walls,
the creek where your uncles and I built
a thousand boyhood dams.
I wish you remembered Homs as I do, Marwan.
In its bustling Old City,
a mosque for us Muslims,
a church for our Christian neighbours,
and a grand souk for us all
to haggle over gold pendants and
fresh produce and bridal dresses.
I wish you remembered
the crowded lanes smelling of fried kibbeh
and the evening walks we took
with your mother
around Clock Tower Square.
But that life, that time,
seems like a dream now,
even to me,
like some long-dissolved rumour.
First came the protests.
Then the siege.
The skies spitting bombs.
Starvation.
Burials.
These are the things you know
You know a bomb crater
can be made into a swimming hole.
You have learned
dark blood is better news
than bright.
You have learned that mothers and
sisters and classmates can be found
in narrow gaps between concrete,
bricks and exposed beams,
little patches of sunlit skin
shining in the dark.
Your mother is here tonight, Marwan,
with us, on this cold and moonlit beach,
among the crying babies and
the women worrying
in tongues we don’t speak.
Afghans and Somalis and Iraqis and
Eritreans and Syrians.
All of us impatient for sunrise,
all of us in dread of it.
All of us in search of home.
I have heard it said we are the uninvited.
We are the unwelcome.
We should take our misfortune elsewhere.
But I hear your mother's voice,
over the tide,
and she whispers in my ear,
‘Oh, but if they saw, my darling.
Even half of what you have.
If only they saw.
They would say kinder things, surely.'
In the glow of this three-quarter moon,
my boy, your eyelashes like calligraphy,
closed in guileless sleep.
I said to you,
‘Hold my hand.
Nothing bad will happen.'
These are only words.
A father's tricks.
It slays your father,
your faith in him.
Because all I can think tonight is
how deep the sea,
and how powerless I am to protect you from it.
Pray God steers the vessel true,
when the shores slip out of eyeshot
and we are in the heaving waters, pitching and tilting,
easily swallowed.
Because you,
you are precious cargo, Marwan,
the most precious there ever was.
I pray the sea knows this.
Inshallah.
How I pray the sea knows this.
”
”
Khaled Hosseini (Sea Prayer)
“
It is better to find yourself than to find a thousand pots of gold.
”
”
Matshona Dhliwayo
“
They were great philosophies, simple philosophies. That everybody had a heart, everyone had a brain, everyone had courage, these were the gifts that were given to you; and if you use them properly, you reach the pot of gold at the end of the rainbow. And that pot of gold is home. And home is not a house or a boat, it's the people who love you. And the people you love.
”
”
Ray Bolger
“
the trio showed the appropriate level of reverence as the waitress carried the steaming caquelon pot to their table and proudly placed it on the cast iron stand over the flame. They appreciatively inhaled its pungent, cheesy fumes and the waitress wished them bon appétit. The ritual thus complete, and mindful that a fondue cannot be kept waiting, they quickly tore at the crusty bread, stuck chunks on the long forks provided and dipped, twisted and turned them in the liquid-gold.
”
”
Kathryn Adams Death in Grondère
“
As rainbow circles has no ends, the pot of gold is on the journey
”
”
Dia Nora
“
We will not find a pot of gold at the end of ignorance!
”
”
self
“
could have sworn that she saw the tip of Douglas’s tail wag. She left Bomber to his odious sister and tripped downstairs into the bright afternoon sunshine. The last thing she heard as she closed the door behind her was from Portia, in an altogether changed, but still unpleasant, wheedling tone: ‘Now, darling, when are you going to publish my book?’ At the corner of Great Russell Street she stopped for a moment, remembering the man she had smiled at. She hoped that the person he was meeting hadn’t left him waiting for too long. Just then, in amongst the dust and dirt at her feet, the glint of gold and glass caught her eye. She stooped down, rescued the small, round object from the gutter and slipped it safely into her pocket. Chapter 4 It was always the same. Looking down and never turning his face to the sky, he searched the pavements and gutters. His back burned and his eyes watered, full of grit and tears. And then he fell; back through the black into the damp and twisted sheets of his own bed. The dream was always the same. Endlessly searching and never finding the one thing that would finally bring him peace. The house was filled with the deep, soft darkness of a summer night. Anthony swung his weary legs out of bed and sat shrugging the stubborn scraps of dream from his head. He would have to get up. Sleep would not return tonight. He padded down the stairs, their creaking wood echoing his aching bones. No light was needed until he reached the kitchen. He made a pot of tea, finding more comfort in the making than the drinking, and took it through to the study. Pale moonlight skimmed across the edges of the shelves and pooled in the centre of the mahogany table. High on a shelf in the corner, the gold lid of the biscuit tin winked at him as he crossed the room. He took it down carefully and set it in the shimmering circle of light on the table. Of all the things that he had ever found, this troubled him the most. Because it was not a ‘something’ but a ‘someone’; of that he was unreasonably sure. Once again, he removed the lid and inspected the contents, as he had done every day for the past week since bringing it home. He had already repositioned the tin in the study several times, placing it higher up or hidden from sight, but its draw remained irresistible. He couldn’t leave it alone. He dipped his hand into the tin and gently rolled the coarse, grey grains across his fingertips. The memory swept through him, snatching his breath and winding him as surely as any punch to the gut. Once again, he was holding death in his hands. The life they could have had together was a self-harming fantasy in which Anthony rarely indulged. They might have been grandparents by now. Therese had never spoken about wanting children, but then they had both assumed that they had
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Ruth Hogan (The Keeper of Lost Things)