Poster With Inspirational Quotes

guys have feelings too. But like...who cares? -Inspirational poster

Posterity -- you will never know how much it has cost my generation to preserve your freedom. I hope you will make good use of it.

Happiness is not fame or riches or heroic virtues, but a state that will inspire posterity to think in reflecting upon our life, that it was the life they would wish to live.

Individuals often turn to poetry, not only to glean strength and perspective from the words of others, but to give birth to their own poetic voices and to hold history accountable for the catastrophes rearranging their lives.

Poetry empowers the simplest of lives to confront the most extreme sorrows with courage, and motivates the mightiest of offices to humbly heed lessons in compassion.

There's a poster with Thomas Edison's quote: GENIUS IS 1 PERCENT INSPIRATION AND 99 PERCENT PERSPIRATION.

Posterity: you will never know how much it has cost my generation to preserve your freedom. I hope you will make good use of it.

This is poetry, but it is not delicate and fragile, a placid ocean beneath a Bible vese on an inspirational poster. This poetry had testicles. It's rougher than a rodeo. Which is why the cliffs are crowded with spectators

Life is a beach. Don’t make spelling errors.

12   Life is short. Buy the shoes. —INSPIRATIONAL POSTER

No throne in the world can substitute a beach chair.

Infinity is my spiritual horizon.

Apparently, anxious people high on neuroticism are using the self-affirmations and inspirational messages of posters to regulate their tendency to worry about things and become blue. The posters are a visual form of self-medication.

Wild beach is my primordial address.

Your thought should be creative and not destructive; it should be full of hope and faith for a more excellent future.

I stare past her at the inspirational kitten posters. There's one of a soaking-wet kitten climbing out of a toilet with the caption "it could be worse!" "Just tell me whatever it is you're thinking," Mrs. Paulsen says. "Whatever is going through your mind right now." "I hope they didn't actually drop a cat in the toilet to get that picture," I choke out. "...Pardon?" "Nothing. Sorry.

Most people, when directly confronted by evidence that they are wrong, do not change their point of view or course of action but justify it even more tenaciously. Even irrefutable evidence is rarely enough to pierce the mental armor of self-justification. When we began working on this book, the poster boy for "tenacious clinging to a discredited belief" was George W. Bush. Bush was wrong in his claim that Saddam Hussein had weapons of mass destruction, he was wrong in claiming that Saddam was linked with Al Qaeda, he was wrong in predicting that Iraqis would be dancing joyfully in the streets to receive the American soldiers, he was wrong in predicting that the conflict would be over quickly, he was wrong in his gross underestimate of the financial cost of the war, and he was most famously wrong in his photo-op speech six weeks after the invasion began, when he announced (under a banner reading MISSION ACCOMPLISHED) that "major combat operations in Iraq have ended.

Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).

In actual operation Nature is cruel and merciless to men, as to all other beings. Let a tribe of human animals live a rational life, Nature will smile upon them and their posterity; but let them attempt to organize an unnatural mode of existence an equality elysium, and they will be punished even to the point of extermination.

On the road to liberation, learn to press Next. Even if there is no such an option.

The spoken word is fleeting. That’s why novelists are so essential: we record everything we see, we dissect and analyze and reproduce the essence of what matters, for posterity.

Think free to smell your wild beach within.

Your beliefs are your power. Your beliefs are your ghost.

It’s amazing how inspirational posters and “soothing” music can make you want to punch yourself in the face.

There is a third form of possession or madness, of which the Muses are the source. This seizes a tender, virgin soul and stimulates it to rapt passionate expression, especially in lyric poetry, glorifying the countless mighty deeds of ancient times for the instruction of posterity. But if any man comes to the gates of poetry without the madness of the Muses, persuaded that skill alone will make him a good poet, then shall he and his works of sanity with him be brought to nought by the poetry of madness, and behold, their place is nowhere to be found.

Tomorrow is an exotic demo version.

Like in a movie another bus appears, another poster for Les Misérables replaces the word—not the same bus because someone has written the word DYKE over Eponine’s face.

To expand the definition of freedom you have to keep on setting something free…

Expect the worst, hope for the best.” “Can I get that on an inspirational poster?” “I’ll tattoo it across yer arse, how’s that?

How far you go in life and in your career is dependent on how far you can think good thoughts!

You are the guardian and custodian of your heart, remember this always!

You can use songs, scriptures and godly pictures to chart your thought-course in the right direction.

Your future is dependent on your thought today, therefore think good and lovely thoughts now!

When your thought is right, your imaginations will be colourful; you will then dream and not have nightmares!

Your thought is so important because it has the ability to make or mar you. Your thought will either move you forward or set you backwards.

The positioning of the mind is what makes the difference between the failures and the successes.

Think on blessings and not curses, beauty not ugliness, health not sickness. Meditate on wealth not poverty, success not failure, grace not disgrace!

Always set your mind to think thoughts of victory even before the battle begins, this way you will experience limitless possibilities.

A writer observes. A writer records for posterity. The moments in the transience of the labyrinth of time that would go unrecorded otherwise! A writer records for value. A writer records for sentimentalism. A writer tries in earnest to carry the emotions and sentiments that make us what we ultimately are. For what are we? Empty spaces in an atom!

I think of published poets that you could know of...I think [Rainer Maria Rilke] probably has the most great published poems of any poet [...] but Rilke himself was an asshole. If you look at his biography, he was probably misogynist; he was a liar, a cheat; he was a terrible father; he was selfish; he put people down; he had no consideration for anyone [...] yet, he transcends that in his greatest poems. There's that ineffable, spiritual quality - that he himself couldn't reach! But somewhere underneath that reptilian exterior, that asshole exterior of Rainer Maria Rilke, there was some good that came through – like these little sunbursts coming through clouds – that had that moment. And he'd write the Duino Elegies, he'd write the New Poems, and somewhere, that came through. And that's an amazing thing: you can have a lot of great people who are great individuals, who are loving and caring – and they can't do that. And that's not to say that their lives are meaningless, but they will never be able to affect anyone past the propinquity of their existence. They are never going to be able to affect someone in China; they are never going to be able to affect someone in 2132 the way Rilke can. And that specialness needs to be acknowledged; that specialness needs to be upheld; it needs to be rewarded, and people need to say, 'Goddamn – that's a good thing! It's a good thing that people make art!

Why would God have inspired the words of the Bible if he chose not to preserve these words for posterity? Put differently, what should make me think he had inspired the words in the first place if I knew for certain (as I did) that he had not preserved them? This became a major problem for me in trying to figure out which Bible I thought was inspired. Another big problem is one that I don’t deal with in Misquoting Jesus. If God inspired certain books in the decades after Jesus died, how do I know that the later church fathers chose the right books to be included in the Bible? I could accept it on faith—surely God would not allow noninspired books in the canon of Scripture. But as I engaged in more historical study of the early Christian movement, I began to realize that there were lots of Christians in lots of places who fully believed that other books were to be accepted as Scripture; conversely, some of the books that eventually made it into the canon were rejected by church leaders in different parts of the church, sometimes for centuries. In some parts of the church, the Apocalypse of John (the book of Revelation) was flat out rejected as containing false teaching, whereas the Apocalypse of Peter, which eventually did not make it in, was accepted. There were some Christians who accepted the Gospel of Peter and some who rejected the Gospel of John. There were some Christians who accepted a truncated version of the Gospel of Luke (without its first two chapters), and others who accepted the now noncanonical Gospel of Thomas. Some Christians rejected the three Pastoral Epistles of 1 and 2 Timothy and Titus, which eventually made it in, and others accepted the Epistle of Barnabas, which did not. If God was making sure that his church would have the inspired books of Scripture, and only those books, why were there such heated debates and disagreements that took place over three hundred years? Why didn’t God just make sure that these debates lasted weeks, with assured results, rather than centuries?1

Part of me, Adventurous Mia, Brave Mia, F.O.U.N.D. Field Department Poster Girl Mia wants to leave immediately-right-now to get this done and over with, rip it off like a Band-Aid. The other part of me, Scared Teenage Soon-to-be-Senior Mia doesn’t know what she wants. She sure as hell doesn’t want to run headfirst into a mess bigger than anything she’s ever faced in her entire life, but she also loves Dave. Both of the Mias do. They would do anything for him. I would do anything for him, even if it means dying to try to protect him. That’s what scares me the most.

that a statesman should devote his life to studying “the science of politics, in order to acquire in advance all the knowledge that it may be necessary for him to use at some future time”; that authority in a state must always be divided; and that of the three known forms of government—monarchy, aristocracy and people—the best is a mixture of all three, for each one taken on its own can lead to disaster: kings can be capricious, aristocrats self-interested, and “an unbridled multitude enjoying unwonted power more terrifying than a conflagration or a raging sea.” Often today I reread On the Republic, and always I am moved, especially by the passage at the end of book six, when Scipio describes how his grandfather appears to him in a dream and takes him up into the heavens to show him the smallness of the earth in comparison to the grandeur of the Milky Way, where the spirits of dead statesmen dwell as stars. The description was inspired by the vast, clear night skies above the Bay of Naples: I gazed in every direction and all appeared wonderfully beautiful. There were stars which we never see from earth, and they were all larger than we have ever imagined. The starry spheres were much greater than the earth; indeed the earth itself seemed to me so small that I was scornful of our empire, which covers only a single point, as it were, upon its surface. “If only you will look on high,” the old man tells Scipio, “and contemplate this eternal home and resting place, you will no longer bother with the gossip of the common herd or put your trust in human reward for your exploits. Nor will any man’s reputation endure very long, for what men say dies with them and is blotted out with the forgetfulness of posterity.

Didn’t he start doing a portrait of you, Oriane?” inquired the Princess of Parma. “Indeed he did. He painted me as red as a beet. It’s not the sort of thing that’s going to set him down for posterity. It’s ghastly. Basin wanted to destroy it.” This last statement was one that Mme de Guermantes was always making. But at other times she chose to judge differently: “I don’t care for his work, but he did once do a good portrait of me.” The first of these judgments was usually addressed to people who asked the Duchesse about her portrait, the second to those who did not mention it and whom she was anxious to apprise of its existence. The first was inspired by concern with her appearance, the second by vanity.

I had to warn followers repeatedly against these German folklore-ish wandering scholars who never accomplished anything positive or practical, except to cultivate their own overflowing self-conceit. A new movement must guard itself against an influx of people whose only recommendation is their own declaration... It's typical of such people that they rant about ancient Teutonic heroes of the dim and distant ages, stone axes, battle spears, and shields; whereas in reality they themselves are the biggest cowards imaginable. Those very same people who brandish Teutonic tin swords and wear tanned bearskins, with ox horns mounted over their bearded faces... scatter when the first communist cudgel appears. Posterity will have little occasion to write a new epic about their heroic existence...And yet these comedians are extremely proud of themselves. Notwithstanding their proven incompetence, they pretend to know everything better than other people-so much so that they become a real plague to all sincere and honest patriots, to whom not only the heroism of the past is worthy of honor, but who also feel bound to leave examples of their own work for the inspiration of posterity.

A reply dated 13 May finally arrived from the town clerk. Mr Mottershead could open the zoo subject to: 1) the type of animals being limited to those already described in previous correspondence; 2) the estate should not be used as an amusement park, racing track or public dance hall; and 3) no animals were to be kept within a distance of a hundred feet from the existing road. This necessitated the purchase of an additional strip of land between the road and the estate, which would have to be securely enclosed, but which couldn't be used for animals. (First it was used as a children's playground and later became a self-service cafe.) Somehow my dad managed to get a further mortgage of £350 to pay for the land and fencing. Of all the conditions, the most damaging in the long term was the last: the zoo was allowed 'no advertisement, sign or noticeboard which can be seen from the road above-mentioned'. Only a small sign at the entrance to the estate would be permitted, which meant the lodge, which was a good twenty-five yards from the road was completely invisible to any passing car. This would remain a problem for a very long time. For many years, the night before bank holidays, Dad and his friends would have to go out and hang temporary posters under the official road signs on the Chester bypass. The police turned a blind eye as long as they were taken down shortly afterwards.

The other strikingly modern feature of the type of poet which Euripides now introduced into the history of literature is his apparently voluntary refusal to take any part whatever in public life. Euripides was not a soldier as Aeschylus was, nor a priestly dignitary as Sophocles was, but, on the other hand, he is the very first poet who is reported to have possessed a library, and he appears to be also the first poet to lead the life of a scholar in complete retirement from the world. If the bust of him, with its tousled hair, its tired eyes and the embittered lines round the mouth, is a true portrait, and if we are right in seeing in it a discrepancy between body and spirit, and the expression of a restless and dissatisfied life, then we may say that Euripides was the first unhappy poet, the first whose poetry brought him suffering. The notion of genius in the modern sense is not merely completely strange to the ancient world; its poets and artists have nothing of the genius about them. The rational and craftsmanlike elements in art are far more important for them than the irrational and intuitive. Plato’s doctrine of enthusiasm emphasized, indeed, that poets owed their work to divine inspiration and not to mere technical ability, but this idea by no means leads to the exaltation of the poet; it only increases the gulf between him and his work, and makes of him a mere instrument of the divine purpose. It is, however, of the essence of the modern notion of genius that there is no gulf between the artist and his work, or, if such a gulf is admitted, that the genius is far greater than any of his works and can never be adequately expressed in them. So genius connotes for us a tragic loneliness and inability to make itself fully understood. But the ancient world knows nothing of this or of the other tragic feature of the modern artist—his lack of recognition by his own contemporaries and his despairing appeals to a remote posterity. There is not a trace of all this—at least before Euripides. Euripides’ lack of success was mainly due to the fact that there was nothing in classical times that could be called an educated middle class. The old aristocracy took no pleasure in his plays, owing to their different outlook on life, and the new bourgeois public could not enjoy them either, owing to its lack of education. With his philosophical radicalism, Euripides is a unique pheno menon, even among the poets of his age, for these are in general as conservative in their outlook as were those of the classical age —in spite of a naturalism of style which was derived from the urban and commercial society they lived in, and which had reached a point at which it was really incompatible with political conservatism. As politicians and partisans these poets hold to their conservative doctrines, but as artists they are swept along in the progressive stream of their times. This inner contradiction in their work is a completely new phenomenon in the social history of art.

I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore. But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

Real problems can't be fixed with a motivational poster, a cute quote or a pat on the back.

The testimony is followed by another montage of Team Impact feats of strength. “Ladies and Gentlemen,” an amped up announcer voice a la Monster Truck Rally proclaims, “We are Team Impaaaaact. Standing on faith tonight let’s give it up for the King of Kings and Lord of Lords, the one, the only, the Risen Warrioooooor!” Are they talking about Jesus? Is he a cage fighter or the Lamb of God? If ever there was a cross-denying tribute to a theology of glory, it would be Team Impact. As is the case with the rest of TBN, the scandal of Jesus’ birth, life, teachings, death, and resurrection are ignored entirely in favor of a Jesus-as-Rambo theology; here the Lord just kicks ass and takes names, much like the freakishly muscular Team Impact guys. Taking one’s Christology from a couple of chapters of Revelation (ignoring the central Christ image, that of the Lamb who was slain) rather than the gospels is baffling to me. I recently saw an “inspirational” self-mocking emerging church poster. The word “incarnational” rested below an image of a heavily tattooed guy wearing a crown of thorns made of barbed wire. The caption read “What would Jesus do? I’m pretty sure he’d do stuff I think is cool.” We all wish to make Christ in our own image because the truth of a God who dies is too much. We’ll believe anything but that, and if that anything happens to bring us power and victory and glory then all the better.

He be, not here for I, but for posterity.

One side will have before its eyes the blessings of the past and the hope of similar joy in the future; their thoughts will dwell less on the comparatively brief pain of battle than on what they may have to endure forever, they, their children, and all their posterity. The other side has nothing to inspire it with courage except the weak urge of greed, which fades before danger and which can never be so keen, it seems to me, that it will not be dismayed by the least drop of blood from wounds.

Courage is a spiritual style.

immortal words of Lincoln nurtured and guarded by a grateful people, this spot for all time to come cannot be other than the nation’s shrine of American virtue, valor and freedom. Here will posterity receive the same inspiration that prompted their ancestors to dare, to do and to die, for the perpetuity of the inestimable blessings that shall have come down to them.

Even those who have never interacted with X will hear through the grapevine that X is abusive, unscrupulous, dishonest, or whatever the problem might be. If such behavior goes unaddressed—or even worse, if it is rewarded with a promotion for delivering strong business results—people across the company will conclude that the values and the inspirational posters are bullshit. Everyone will know that the real, unspoken culture is “Do whatever you want, as long as you make your numbers.

It paid off in two immediate ways. First, Think Different started a process of bringing pride back to Apple’s employees. Billboards and posters went up across the Cupertino campus. Steve’s narrated version was featured in a video promoting the whole campaign inside the company, and later, after Apple won the Emmy Award for the best television ad campaign for 1998, the company gave a fifty-page commemorative book to all its employees. “Our audience was the employees as much as anyone else,” says Clow. Inspiring them was challenging, especially when Steve was shuttering divisions of the company and laying off thousands of workers. But Think Different gave the surviving employees a sense that they might see better days ahead, for the first time in years.

Some Words Look Nice Until You Try Them On the children at the poor school were given encouraging posters. they were given uplifting talks. empowerment seminars. (they were not given money.) dear god, i’ll never understand how some people meet a drowning person & offer INSPIRATIONAL advice instead of offering a hand or rope.

Max didn’t agree. “You don’t get to the top of the mountain if you’re satisfied with life at base camp.” “You sound like one of those inspirational posters with an eagle on it.” He

Which would seem to be a good thing—proposing a solution to a problem that people are hungry to solve—except that my view of silos might not be what some leaders expect to hear. That’s because many executives I’ve worked with who struggle with silos are inclined to look down into their organizations and wonder, “Why don’t those employees just learn to get along better with people in other departments? Don’t they know we’re all on the same team?” All too often this sets off a well-intentioned but ill-advised series of actions—training programs, memos, posters—designed to inspire people to work better together. But these initiatives only provoke cynicism among employees—who would love nothing more than to eliminate the turf wars and departmental politics that often make their work lives miserable. The problem is, they can’t do anything about it. Not without help from their leaders. And while the first step those leaders need to take is to address any behavioral problems that might be preventing executive team members from working well with one another—that was the thrust of my book The Five Dysfunctions of a Team—even behaviorally cohesive teams can struggle with silos. (Which is particularly frustrating and tragic because it leads well-intentioned and otherwise functional team members to inappropriately question one another’s trust and commitment to the team.) To tear

Brotherhood-inspired surfer scammers were captured for posterity in a pseudo documentary film produced by Warner Brothers called Rainbow Bridge. Shot in Maui and featuring one of Jimi Hendrix’s final concerts, the film is a remarkable snapshot of the counterculture’s elite grappling with the death of the 1960s. In the most relevant scene, surfers Les Potts and Mike Hynson are sitting inside their surfboard-strewn house in Maui when a bearded friend carrying a Pan Am flight bag and an elaborately airbrushed

The problem is, according to research, your explanation is probably going to be total bullshit. Tim Wilson at the University of Virginia demonstrated this in 1990 with the Poster Test. He brought a group of students into a room and showed them a series of posters. The students were told they could take any one they wanted as a gift and keep it. He then brought in another group and told them the same thing, but this time they had to explain why they wanted the poster they each picked. Wilson then waited six months and asked the two groups what they thought of their choices. The first group, the ones who just got to grab a poster and leave, all loved their choice. The second group, the ones who had to write out why they were choosing one over the others, hated theirs. The first group, the grab-and-go people, usually picked a nice, fancy painting. The second group, the ones who had to explain their choice, usually picked an inspirational poster with a cat clinging to a rope

If all mankind minus one were of one opinion, and only one person were of the contrary opinion, mankind would be no more justified in silencing that one person than he, if he had the power, would be justified in silencing mankind. Were an opinion a personal possession of no value except to the owner, if to be obstructed in the enjoyment of it were simply a private injury, it would make some difference whether the injury was inflicted only on a few persons or on many. But the peculiar evil of silencing the expression of an opinion is that it is robbing the human race, posterity as well as the existing generation-- those who dissent from the opinion, still more than those who hold it.

Guys have feelings, too. But like … who cares?

The words of God’s messengers are treasured by the community to which they are given, perhaps more in later years than when the messenger was alive. In order to preserve the memory for posterity, editors – under the direction of the Spirit – compiled and published new editions of the messenger’s words and works. Sometimes, as in the book of Jeremiah, they placed the messenger’s own words within a historical framework, providing a kind of “glue” that gives consistency to the whole.

GODMAN QUOTES 3 ***A fight to finish*** Contentment is the key to self discipline. In striving for the better the best knocks your way. Know the difference between patience and wasting of time. The trickish says the future is female…a wise man gives them a chance. A good turn deserves another, when it goes around you have a turn around. In posterity you are paid in future currency. Your tears doesn’t matter when your values doesn’t count. If you fear the loss you end up losing the more. Without the freedom to know it your liberty is incarcerated. If you are not ready to fight don’t bother to be called a warrior.

GODMAN QUOTES 12 ***Myths of our soul*** It’s good to cry sometimes, tell nature how weak you are, to your own strength. Seek wisdom and knowledge will find you. In posterity place your judgment when it has no certainty. What we mistakenly lost to piper, is found in music…let variety rule your taste. The longest bridge in life is that without destination. Carve your life with the best wood, for the best trees come from the best seed. Give your sight to the see, and relieve your eye from the sleep. All destinations in life bring to the grave. All pressure presses us to haste… endurance calls for patience. To a secret is meant for the hidden.

The third type of possession and madness is possession by the Muses. When this seizes upon a gentle and virgin soul it rouses it to inspired expression in lyric and other sorts of poetry, and glorifies countless deeds of the heroes of old for the instruction of posterity. But if a man comes to the door of poetry untouched by the madness of the Muses, believing that technique alone will make him a good poet, he and his sane compositions never reach perfection, but are utterly eclipsed by the performances of the inspired madman.  

All these acute observers wondered at the horror that had, wrote Ibn Khaldun, ‘swallowed many of the good things of civilization and wiped them out’. Petrarch asked, ‘How will posterity believe that there has been a time when…well nigh the whole globe remained without inhabitants? Houses vacant, cities deserted, countryside neglected and a fearful and universal solitude over the whole earth?…Oh happy people of the future, who haven’t known these miseries and perchance will class our testimony with the fables.’ The Destructive Death inspired a new sense of God’s higher power, but also an appreciation of the value of humanity itself, God’s greatest creation. Petrarch, looking back at the light of classical culture, called the intervening centuries ‘the Dark Ages’. He was heralding a new lightness – the celebration of learning and beauty, including that of the human body, that became the Renaissance.

Bridges Life did not appear to breathe here, It was covered in endless rounds of thread of fear, So it tread quietly along the fringes, Scared that it might be the cause of collapsing bridges, Bridges that connected life with hope, And it watched these bridges from a distance placing itself on a discreet slope, But it dared not cross them, none of them, It looked at them in desperation, especially some, For it often crossed them to renew its reserves of liveliness, But now it feels pervaded by a deep feeling of sadness, Life here seems to be a part of some sort of purgatory, Waiting to cross over and leave behind this existence derogatory, It may not be a perspicuous show of feelings, But here these are life’s daily dealings, And I wonder what about life’s own posterity, Because in this land of death life somehow loses all its virility, Tamed by some obnoxious devil, Who has had a diabolic conception and then raised by some heinous evil, Maybe that is why the bridges look so frail and hopeless themselves, Bearing stacks of hopelessness displayed on hope’s own shelves, For when life does not cross the bridges of hope, It is death that forsakes life and then time withdraws its rope, That maintains the perfect cohesion, Between beginnings and ends , between fission and fusion, And when this balance is lost anywhere, Life is cast into a place where there exists life everywhere, But nothing else nowhere, Just life, no hopes, no beauty, no bliss, no summer, a life that becomes its own prisoner in this infinity somewhere, However, now the bridges have fallen, but few still stand, And life that is tired of living without hope, feels the dying hope’s hand, And like the rope of time it pulls it unto itself, and makes life cross the bridge, Thus, life once again walks on the happy ridge, Hoping to live another day, feel life in a better and different way, For living the same moment of time begets no joy, if it is lived the same way everyday, And time weaves its threads of mystery and surprises around it, Then death too gets woven somewhere in this loop of time, and life finally says, “so be it!” And it jumps into the sea of time and collects its moments of myriad experiences, While time registers all these instances, And when the loop of death unwinds, In it a new loop of life it always finds, Now, even if the bridges may fall and time may end, Life has learned to create moments of happiness that never end!

Can I get that on an inspirational poster?” “I’ll tattoo it across yer arse, how’s that?

Tom Durrie (b. 1931) is a school critic, a nonagenarian giant, and a poster boy for longevity and vitality of a happy brain. His biography is rich beyond description, and reflects Durrie's infinite passion for life. His CV would suffice to fill in a few lifetimes, and is the best testimony that a rich and productive life is a self-sustaining process. Inspired by A.S. Neill (Summerhill 1960), Durrie found his own formula for free learning. Durrie has tried teaching in traditional and in alternative schools (for a sum total of over a decade). He was also a headmaster of a free school for a while. In 1966, the analysis of his teaching experience provides a unique insight into the impact of freedom on behavior and mental health of students. His text, published 54 years late (2020), can be found here: "Free learning in a public school". Durrie's three successful children received minimal schooling. None attended high school. Over decades of his analysis and interests, Durrie noticed cyclical processes, in which the school system tightens its grip on children and then enters a period of rebellion, and seeking new solutions only to fall back again into its hungry propensity for limiting child freedoms.

Your negative emotions can also be controlled and directed. PMA and self-discipline can remove their harmful effects and make them serve constructive purposes. Sometimes fear and anger will inspire intense action. But you must always submit your negative emotions--and you positive ones--to the examination of your reason before releasing them. Emotion without reason is a dreadful enemy. 카톡☛ppt33☚ 〓 라인☛pxp32☚ 홈피는 친추로 연락주세요 팔팔정판매,팔팔정파는곳,팔팔정가격,팔팔정후기,팔팔정구입방법,팔팔정복용법,팔팔정부작용,팔팔정구입사이트,팔팔정구매사이트,팔팔정판매사이트 구구정가격,비아그라가격,시알리스가격,레비트라가격,아드레닌가격,센돔가격,비닉스가격,센트립가격 What faculty provides the crucial balance between emotions and reason? It is your willpower, or ego, a subject which will be explored in more detail below. Self-discipline will teach you to throw your willpower behind either reason or emotion and amplify the intensity of their expression. There are now even whole sections of bookshops given over to the new genre of "supernatural romance". Maybe it was ever thus. Dr Polidori, who wrote the very first vampire novel, The Vampyr, based his central character very much on his chief patient, Lord Byron, and the Byronic "mad, bad and dangerous to know" archetype has been at the centre of both romantic and blood-sucking fiction ever since. Dracula, Heathcliffe, Rochester, Darcy and not to mention chief vampire Bill in Channel 4's new series True Blood are all cut from the same cloth. Meyer even claims that she based her first Twilight book on Pride and Prejudice, although Robert Pattinson, who plays the lead in the movie version, looks like James Dean in Rebel Without A Cause. Either way, vampire = sexy rebel. No zombie is ever going to be a pinup on some young girl's wall. Just as Pattinson and all the Darcy-alikes will never find space on any teenage boy's bedroom walls – every inch will be plastered with revolting posters of zombies. There are no levels of Freudian undertone to zombies. Like boys, they're not subtle. There's nothing sexual about them, and nothing sexy either.

In passing the sentence, Judge W.D. Shipman, in the course of his address to the prisoner Nathaniel Gordon said: Let me implore you to seek the spiritual guidance of the ministers of religion; and let your repentance be as humble and thorough as your crime was great. Do not attempt to hide its enormity from yourself; think of the cruelty and wickedness of seizing nearly a thousand fellow beings, who never did you harm, and thrusting them beneath the decks of a small ship, beneath a burning tropical sun, to die in of disease or suffocation, or be transported to distant lands, and be consigned, they and their posterity, to a fate far more cruel than death. Think of the sufferings of the unhappy beings whom you crowded on the Erie; of their helpless agony and terror as you took them from their native land; and especially of their miseries on the ---- ----- place of your capture to Monrovia! Remember that you showed mercy to none, carrying off as you did not only those of your own sex, but women and helpless children. Do not flatter yourself that because they belonged to a different race from yourself, your guilt is therefore lessened – rather fear that it is increased. In the just and generous heart, the humble and the weak inspire compassion, and call for pity and forbearance. As you are soon to pass into the presence of that God of the black man as well as the white man, who is no respecter of persons, do not indulge for a moment the thought that he hears with indifference the cry of the humblest of his children. Do not imagine that because others shared in the guilt of this enterprise, yours, is thereby diminished; but remember the awful admonition of your Bible, "Though hand joined in hand, the wicked shall not go unpunished." — Worcester Aegis and Transcript; December 7, 1861; pg. 1, col. 6.

But the lie often repeated becomes history, and the snake-oil pitchman's forgery of yore becomes the inspirational gospel of a posterity that sees itself as worldly and wise.

Truth is a sport, and winner takes it all.

Doctor,” my mother was saying, “all the other boys, Arnold’s friends, when I go to their homes, they have girls hanging on their walls. Posters, magazines, colored pictures of girls. And look at him. Naked men.” “Frau Schwarzenegger,” said the doctor, “there is nothing wrong. Boys always need inspiration. They will look to their father, and many times this is not enough because he’s the father, so they will look also to other men. This is actually good; nothing for you to worry about.

Having empathy makes you a better person.” “Really? Really, Joe? Think about this; if Genghis Khan had worried about ‘empathy’,” he pronounced the word with disgust, “would he have conquered most of Eurasia? I don’t think so.” “Um, laying waste to half the world is maybe not the best criteria for-” “He was living up to his potential, Joe. Being the best bloodthirsty barbarian he could be. Isn’t that people are supposed to do, become the best version of themselves? I saw that bullshit on an inspirational poster somewhere.

Right or wrong, do it right for posterity to thrive on your dexterity

Right or wrong, do it right for posterity to thrive on your dexterity.

Aside from military calculations, Hitler was counting on a great mythical sacrifice that would inspire the remaining German armies and restore flagging morale on the Eastern Front. Again, Hitler’s sense of the psychology of the moment was more acute than posterity has generally credited him. As Gerd Ueberschar argues: ‘Stalingrad provided a foretaste of the brutal, senseless fighting that would be continued right to the bitter end of total defeat in May 1945’ (Muller and Ueberschar, 1997, p.118). It is often asked why the Wehrmacht did not collapse as it retreated to Berlin in 1943–5 and why, with no prospect of anything except death and defeat, the great mass of German soldiers fought to the very end. Part of the answer lies in the inspiration provided by the sacrifice of their comrades in the 6th Army at Stalingrad.

Learn to live from inside to outside, bring out those magnificent estates within you and live in them.

Live on your good thoughts and they will manifest outwardly.

Kind and lovely thought originate from God while evil and revengeful thoughts are initiated by the devil.

Wrong thoughts pattern your life towards it for we live our thoughts.

Your life today and tomorrow is patterned alongside your thoughts. You are therefore advised to create good and wonderful thoughts today so they will deliver a beautiful tomorrow for you.

You can cream your dream by enriching your thought with clean and desirable things.

Your future will definitely head to the same direction with your thoughts; this is why planning your thought is so important.

You cannot be different from your thought!

We are advised to meditate on things that are true, lovely, noble, gracious and bring good report. These should form the basis of our thought pattern.

Structure your thought pattern to what you want to achieve and who you want to become.

Use the powerful tool of thought and develop your mindset to believing and knowing you can change anything to your favour; yes, you have God`s Word so fashion your thought according to God`s Word.

You create and plan your thought by seeing, reading and hearing the right things.

Choose your thoughts, carve them in your mind and fix your gaze on them always.

Wrong thinking will take your life the wrong way, channeling your thoughts to the right direction will cause you to soar in life.

Our thoughts create our lifestyle, if you live healthy, it means you think healthy thoughts and if you think unhealthy thoughts, it will reflect in your health and lifestyle too.

Those who do not give back to the source, stand the chance of loosing all including themselves to posterity !!! Chukuma, October 2021