Album Drop Quotes

And the secret to my success is as boring as it is unsurprising: You show up and you lay another brick. Pissed off? Lay another brick. Bad opening weekend? Lay another brick. Album sales dropping? Get up and lay another brick. Marriage failing? Lay another brick.

I let that swim around in my aching head for a few minutes - "the arsenal of megadeath...the arsenal of megadeath" - and then, for some reason I can't quite explain, I began to write. Using a borrowed pencil and a cupcake wrapper, I wrote the first lyrics of my post-Metallica life. This song was called "Megadeth" (I dropped the second "a"), and though it would never find its way onto an album, it did serve as the basis for the song "Set the World Afire." It hadn't occured to me then that Megadeth-as used by Senator Cranston, megadeath referred to the loss of one million lives as a result of nuclear holocaust-might be a perfectly awesome name for a thrash metal band.

It was the twenty-first century. I shouldn’t have to date someone to stay relevant. But as much as I hated to admit it, he was right. There was a reason celebrities always magically entered relationships before a big album drop or movie premiere, and why unmarried politicians rarely won campaigns.

Everyone plays for someone, and Kris didn't play for the big dogs like Sabbath and Zep, she didn't play for the ones who made it, for the wizards who figured out how to turn their music into cars and cash and mansions and an endless party where no one ever gets old. She played for the losers. She played for the bands who never met their rainmaker, the musicians who drank too much and made all the wrong decisions. The singers who got shipped off to state hospitals because they couldn't handle living in the shadow of Black Iron Mountain. She played for the ones who recorded the wrong songs at the right times, and the right songs when it was wrong. The ones who blew it all recording an album that didn't fit the market, the ones who got dropped by their own labels, the singers who moved back home to live in their mom's basements.

Meekly, I had missed the value of There is a light that never goes out, and I suggested to Johnny that it shouldn’t be included on the album. He laughs a you-silly-thing warranty, and I drop the protest.

The Replacements made me feel a little less scared, because they made good imaginary friends. They looked like a band that would actually be fun to be in. Some bands just lend themselves to that fantasy, like Lynyrd Skynyrd or Earth, Wind & Fire - they looked like you could just drop in and they wouldn't even notice you were hanging around for at least two albums. Jonathan Richman once said he formed a band because he was lonely. The Replacements were imaginary friends who I could practice on while I was learning to have actual friends.

The West begins where the average annual rainfall drops below twenty inches. Water is important to people who do not have it, and the same is true of control.

she has a four-year-old named Justin. She shows you pictures; kid looks like he’ll be dropping an album if she’s not careful.

I don't want any money for it," he said. "It's a gift." Scarlett's mouth dropped open. The line was so closely, so carefully drawn where gifts from men were concerned. "Candy and flowers, dear," Ellen had said time and again, "and perhaps a book of poetry or an album or a small bottle of Florida water are the only things a lady may accept from a gentleman. Never, never any expensive gift, even from your fiance. And never any gift of jewelry or wearing apparel, not even gloves or handkerchiefs. Should you accept such gifts, men would know you were no lady and would try to take liberties.

Had I known, that last hour sitting there, talking and laughing about trivial things, that there was a clot forming like a time bomb close to his heart, ready to explode, I would surely have behaved differently, held on to him, at least thanked him for all my nineteen years of happiness and love. Not flipped over the photographs in the album, mocking bygone fashions, nor yawned halfway through, so that, sensing boredom, he let the album drop to the floor and murmured, “Don’t bother about me, pet, I’ll have a kip.

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

Entrepreneurs who kept their day jobs had 33 percent lower odds of failure than those who quit. If you’re risk averse and have some doubts about the feasibility of your ideas, it’s likely that your business will be built to last. If you’re a freewheeling gambler, your startup is far more fragile. Like the Warby Parker crew, the entrepreneurs whose companies topped Fast Company’s recent most innovative lists typically stayed in their day jobs even after they launched. Former track star Phil Knight started selling running shoes out of the trunk of his car in 1964, yet kept working as an accountant until 1969. After inventing the original Apple I computer, Steve Wozniak started the company with Steve Jobs in 1976 but continued working full time in his engineering job at Hewlett-Packard until 1977. And although Google founders Larry Page and Sergey Brin figured out how to dramatically improve internet searches in 1996, they didn’t go on leave from their graduate studies at Stanford until 1998. “We almost didn’t start Google,” Page says, because we “were too worried about dropping out of our Ph.D. program.” In 1997, concerned that their fledgling search engine was distracting them from their research, they tried to sell Google for less than $2 million in cash and stock. Luckily for them, the potential buyer rejected the offer. This habit of keeping one’s day job isn’t limited to successful entrepreneurs. Many influential creative minds have stayed in full-time employment or education even after earning income from major projects. Selma director Ava DuVernay made her first three films while working in her day job as a publicist, only pursuing filmmaking full time after working at it for four years and winning multiple awards. Brian May was in the middle of doctoral studies in astrophysics when he started playing guitar in a new band, but he didn’t drop out until several years later to go all in with Queen. Soon thereafter he wrote “We Will Rock You.” Grammy winner John Legend released his first album in 2000 but kept working as a management consultant until 2002, preparing PowerPoint presentations by day while performing at night. Thriller master Stephen King worked as a teacher, janitor, and gas station attendant for seven years after writing his first story, only quitting a year after his first novel, Carrie, was published. Dilbert author Scott Adams worked at Pacific Bell for seven years after his first comic strip hit newspapers. Why did all these originals play it safe instead of risking it all?

That night, Jas wore the only dress she owned.It was made of soft,clingy fabric.The skirt was short, showing off her now tan and muscular legs.When she came down the steps barefoot,Chase's eyes widened in surprise. "Um...what happened to your jeans?" he asked. "Never mind." Linking her arm with his,she steered him away from the kitchen door."Is Danvers here?" "In the kitchen standing very close to Miss Hahn,tasting spaghetti sauce." "Okay.Here's the plan." she lowered her voice."Call him into the living room for something. I'll run up and get the album." Chase nodded his head with utmost seriousness"And I'll drop the salad." "Right." He was bent slightly to hear her and without warning, he suddenly angled his head and kissed her. When he pulled back, he was grinning like a little kid."Sorry.I couldn't help myself. It's all this intrigue." "Right it's the intrigue," Jas repeated, too surprised to say anything else. Her heart was beating like a drum, and when he went into the kitchen, she thumped up the steps, touching her lips. Thinking to herself "Did he really just kiss me?"...........

Then the giant consolidation happens in ’98, ’99, when all the labels that were out there signing everything in the world got merged. We went from five to three pretty quickly, didn’t we? And then there were hundreds of records that never got released. Bands got dropped. You could write a book about the bands who got signed to labels and never had an album come out in ’97, ’98, ’99, 2000. That’s a whole story. So what’s really interesting is this moment that we’re talking about, for the bands we’re talking about, the evil warnings of getting swallowed by the system had actually really just happened to a bunch of artists.

For a long while I could find no game; finally, a landrail flew out of an extensive oak thicket which was completely overgrown with wormwood. I fired: the bird turned over in the air and fell. Hearing the shot, Kasyan quickly covered his face with his hand and remained stock-still until I had reloaded my gun and picked up the shot bird. Just as I was preparing to move farther on, he came up to the place where the bird had fallen, bent down to the grass which had been sprinkled with several drops of blood, gave a shake of the head and looked at me in fright. Afterwards I heard him whispering: ‘A sin! ’Tis a sin, it is, a sin!

To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!

It must be a shock to see us so old,” Hannah said. “I’m afraid I couldn’t climb a tree or shoot a marble if my life depended on it. Neither could Andrew, but I doubt he’ll admit it.” “If I put my mind to it,” Andrew said, “I could beat Drew with one hand tied behind my back. He was never any match for me.” Hannah raised her eyebrows. “It seems to me he outplayed you once.” “Pshaw. What’s one game?” If Aunt Blythe hadn’t come back just then, I’d have argued, maybe even challenged Andrew to a rematch, but instead, I smiled and leaned my head against Hannah’s shoulder, happy to feel her arm around me. This close, she still smelled like rose water. Turning the pages of the album, Hannah showed us pictures of Mama and Papa, Theo, herself--and Andrew. “These are my favorites.” She pointed to the photographs John had taken of us in the Model T. We were all smiling except Theo. He sat beside me, scowling into the camera, still angry about Mrs. Armiger and the music lessons. “We wanted Theo to come with us today,” Hannah said, “but he’s living down in Florida with his third wife--a lady half his age, I might add.” Andrew nudged me. “He sends his best, said he hopes to see you again someday.” I glanced at Aunt Blythe but she was staring at the photograph. “The resemblance is incredible. If I didn’t know better, I’d swear it was Drew.” Andrew chuckled. “Take a good look at me now. This is how the poor boy will look when he’s ninety-six.” I studied his rosy face, his white hair and mustache. His back was bent, but his eyes sparkled with mischief. Going to his side, I put my arms around him. “You’re not so bad,” I said. Dropping my voice to a whisper, I added, “I wouldn’t be surprised if you could still beat me in a game of ringer.

I nearly dropped my fork. “Say that again?” “Human servants, so we can go where—” “No, not that, the second part. The stupid part. You guys are actually Satanists? Like real, no-kidding, play your heavy metal album backward and bark at the moon Satanists?” Mack blinked. Zeke looked like he was fantasizing about killing me. “It’s not stupid,” Mack said. “We have a place of high honor awaiting us—” “Yeah, it is. It really is. So this is how Prince Malphas ropes you dopes in. Don’t suppose he’s told you that nobody’s even seen Lucifer in over a thousand years? He took a walkabout and never came back. Hell had a civil war when he left, geniuses. How do you think the whole feuding-courts thing came about?” “That’s not true,” Mack said.

For my entire career, I've been absolutely relentless. I've been committed to a work ethic of uncompromising intensity. And the secret to my success is as boring as it is unsurprising: You show up and you lay another brick. Pissed off? Lay another brick. Album sales dropping? Lay another brick. Bad opening weekend? Lay another brick.

had five straight gold albums—about a ten-year plateau—and then my sales just dropped off a steep fucking cliff. From being able to ship half a million records, suddenly I was only shipping

And you chose Machiavelli?” He chuckles, considering me from beneath the long curl of his lashes. “Remind me not to get on your bad side.” “You know much about him?” He pulls his T-shirt up from the hem, and my heart pops an artery or something because it shouldn’t be working this hard while at rest. I swallow hard at the layer of muscle wrapped around his ribs. One pectoral muscle peeks from under the shirt, tipped with the dark disc of his nipple. My mouth literally waters, and I can’t think beyond pulling it between my lips and suckling him. Hard. “Do you see it?” he asks. “Huh?” I reluctantly drag my eyes from the ladder of velvet- covered muscle and sinew to the expectant look on his face. “See what?” “The tattoo.” He runs a finger over the ink scrawled across his ribs. Makavelli. “I hate to break it to you,” I say with a smirk. “But someone stuck you with a permanent typo.” He laughs, dropping the shirt, which is really a shame because I was just learning to breathe with all that masculine beauty on display. “Bristol, stop playing. You know it’s on purpose, right?” “Oh, sure, it is, Grip.” I roll my eyes. “Nice try.” “Are you serious?” He looks at me like I’m from outer space. “You know that’s how Tupac referred to himself on his posthumous album, right? That he misspelled it on purpose?” I clear my throat and scratch at an imaginary itch on the back of my neck. “Um … yes?” His warm laughter at my expense washes over me, and it’s worth being the butt of the joke, because I get to see his face animated. He’s even more handsome when he laughs. “You’re funny.” He laughs again, more softly this time. “I didn’t expect that.

I walked across the marble star map that traces a sidereal revolution of the equinox and fixes forever, the Reclamation man had told me, for all time and for all people who can read the stars, the date the dam was dedicated. The star map, he had said, was for when we were all gone and the dam was left. I had not thought much of it when he said it, but I thought of it then, with the wind whining and the sun dropping behind a mesa with the finality of a sunset in space. Of course that was the image I had seen always, seen it without quite realizing what I saw, a dynamo finally free of man, splendid at last in its complete isolation, transmitting power and releasing water to a world where no one is.

Before joining Fleetwood Mac, Californians Stevie and Lindsey had released one album, Buckingham/Nicks (Polydor), but it quickly found its way into the cut-out bins (“We were tax write-offs,” says Lindsey) and they were dropped from the label. Emotional entanglements or not, they weren’t about to slam the door in the face of success. “Really, each one of us was way too proud and way too stubborn to walk away from it,” Stevie recalls. “I wasn’t going to leave. Lindsey wasn’t going to leave. What would we have done? Sat around L.A. and tried to start new bands? Nobody wanted to do that. We like touring. We like making money and we like being a band. It was just grit your teeth and bear it.

So Stephen’s pain is over. He is no longer trapped in the static of his mind. Tormented by stabs of clarity, like a drowning man surfacing above the waves before being engulfed again. There will be no further decline. From here on the decline will be all hers. The pain all hers. She is glad of it, deserves to endure it. It feels like penance. Penance for helping to kill Stephen? Is that right? No. Elizabeth doesn’t feel guilt at the act. She knows in her heart that it was an act of love. Joyce will know it was an act of love. Why does she worry what Joyce will think? It is penance for everything else she has done in her life. Everything that she did in her long career, without question. Everything she signed off, everything she nodded through. She is paying a tax on her sins. Stephen was sent to her, and then taken away, as a punishment. She will speak to Viktor about it; he will feel the same. However noble the causes of her career were, they weren’t noble enough to excuse the disregard for life. Day after day, mission after mission, ridding the world of evil? Waiting for the last devil to die? What a joke. New devils will always spring up, like daffodils in springtime. So what was it all for? All that blood? Stephen was too good for her tainted soul, and the world knew it, so the world took him away. But Stephen had known her, hadn’t he? Had seen her for what she was and who she was? And Stephen had still chosen her? Stephen had made her, that was the truth. Had glued her together. And here she lies. Unmade. Unglued. How will life go on now? How is that possible? She hears a car on a distant road. Why on earth is anybody driving? Where is there to go now? Why is the clock in the hall still ticking? Doesn’t it know it stopped days ago? On the way to the funeral, Joyce had sat with her in the car. They didn’t speak because there was too much to say. Elizabeth looked out of the window of the car at one point, and saw a mother pick up a soft toy her child had dropped out of its pram. Elizabeth almost burst into laughter, that life was daring to continue. Didn’t they know? Hadn’t they heard? Everything has changed, everything. And yet nothing has changed. Nothing. The day carries on as it would. An old man at a traffic light takes off his hat as the hearse passes, but, other than that, the high street is the same. How can these two realities possibly coexist? Perhaps Stephen was right about time? Outside the car window, it moved forward, marching, marching, never missing a step. But inside the car, time was already moving backward, already folding in. The life she had with Stephen will always mean more to her than the life she will now have going forward. She will spend more time there, in that past, she knows that. And, as the world races forward, she will fall further and further back. There comes a point when you look at your photograph albums more often than you watch the news. When you opt out of time, and let it carry on doing its thing while you get on with yours. You simply stop dancing to the beat of the drum. She sees it in Joyce. For all her bustle, for all her spark, there is a part of her, the most important part, locked away. There’s a part of Joyce that will always be in a tidy living room, Gerry with his feet up, and a young Joanna, face beaming as she opens presents. Living in the past. Elizabeth had never understood it, but, with intense clarity, she understands it now. Elizabeth’s past was always too dark, too unhappy. Family, school, the dangerous, compromising work, the divorces. But, as of three days ago, Stephen is her past, and that is where she will choose to live.

More than any other individual rapper, Dr. Dre deserves recognition for his role in helping turn the page on the crack epidemic. As a member of N.W.A. and producer for the group, he helped articulate the conditions of life in the ghetto on songs like “Dopeman,” “Fuck tha Police,” and “Gangsta Gangsta.” Then in 1992, three years after leaving N.W.A., Dr. Dre dropped his magnum opus, The Chronic. The album is ranked by many, including Vibe, Spin, and Rolling Stone, as one of the greatest albums of all time.

In the years that I could not see him, I came to know my father through the medium of photography. My perceptions of him were forged on black-and-white squares that stole an instant out of history and immortalized it between the pages of a family album. When I summoned up the image of the man, it came to me frozen, black-bordered, flat. He stood pale above the creases of his uniform, framed in the foamy wake of some ship, drops of sunlight caught in the buttons on his jacket. He winked at me from the liberty ports of countless exotic places. In an atrocious hand he scrawled stilted, affectionate words to the stranger that bore his name and his features, telling of adventures far away, misbehavings under suns hotter than that which shone over the Greater German Reich.

De Blasio went even further, delving back into the Target fray. The pol was a trustee of the New York City Employee Retirement System, which owned shares in Target. The left had already forced Target to cease using money in campaigns via trade associations. Yet the retailer hadn’t been able to shake the assault; activists sought to continue making an example of it. They scored a particular hit in 2011, when pop star Lady Gaga very publicly ended a deal with Target for her newest album due to its “continued political activity.” Target’s share price kept dropping.

Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock! “Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.” He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm: “But cold and dead by the sunken log, Are they who came from the town.” We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?” Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.” “Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.” The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.

We all looked at one another and immediately started to laugh. Our clothes made us look like we were all about to drop the sickest emo album this side of the island. “We look ridiculous.” Kristen giggled. “Nah, we just make the clothes look good.” Eric grinned. “Come on. Let’s go recruit some groupies or something.

My name is Paul, I’m somebody you can’t stop, wait till when my next album drops, it’ll be so hot, you’ll be trying to catch me like the cops!

To be sure, most dropouts do not become geniuses or success stories. But prominent among the dropout titans of recent history are Bill Gates (Harvard), Steve Jobs (Reed College), Mark Zuckerberg (Harvard), Elon Musk (Stanford), Bob Dylan (University of Minnesota), Lady Gaga (New York University), and Oprah Winfrey (Tennessee State). Jack Ma never went to college, and neither did Richard Branson, who dropped out of high school at age fifteen. Creative force Kanye West dropped out of Chicago State University at age twenty to pursue a musical career; six years later he released his first album to great critical acclaim and commercial success: The College Dropout (2004). The point is not to encourage dropping out but rather to observe that these transformative figures were somehow able to learn what they needed to know. Here successful people and geniuses share a common trait: most are lifelong learning addicts. It’s a good habit to have.

the survivors got a bit hardier. Kotter was like an inoculation that toughened everyone up for Olivia Newton-John, who in turn prepared the cosmos for Billy Joel. So as the music got marginally less awful, the mortality rate paradoxically dropped. And by the time they started exploring the FM frequencies, most Refined beings were ready for what they found. By then it was mid-1978. The FM dial was jammed with what we now call Classic Rock, and some stations occasionally played entire albums from start to finish. The last big die-off occurred when WPLJ broadcast both sides of Led Zeppelin IV. And anyone who survived that had what it took to safely listen to even the most stellar rock ’n’ roll.

It all culminated in the 1995 Anthology, which would have seemed like an embarrassing defeat only a few years earlier. The record company had figured out how to treat the catalog as a prestige item; the 1982 Reel Music compilation was the final U.S. release that could be described as a rip-off. The “drop-T” logo belatedly became a thing, with its elegant serifs—it never appeared on any original Beatle albums, but in the Nineties it became a brand as powerful (in a different way) as the Black Flag bars. The 1994 Live at the BBC, two CDs of radio tapes (proving, as Robert Christgau wrote, “in addition to everything else, they were the funniest rock stars ever”), was a tantalizing hint of how many goodies still remained in the vaults.

It ain't my idea to leave before dawn. My ole lady decided to visit Nana, that's why the house stinks of hairspray. You know why she's leaving early: so nobody sees her scurry through town on foot. All she wants is for them to see her arrived, all hunky-dory. Not scurrying. It's a learning I made since the car went. 'Well I just can't believe there isn't a pair of Tumbledowns around town, I mean, I'll have to try down by Nana's.' She gives off breathy noises, and flicks her fingertips through my hair. Then she takes a step back and frowns. It means goodbye. 'Promise me you won't miss your therapy.' An electric purple sky spills stars behind the pumpjack, calling home the last moths for the night. It reminds me of the morning when ole Mrs Lechuga was out here, all devastated. I try not to think about it. Instead I look ahead to today. Going to Keeter's is a smart idea; if anybody sees me out there, they'll say, 'We saw Vernon out by Keeter's,' and nobody will know if they mean the auto shop, or the piece of land. See? Vernon Gray-matter Little. In return, I've asked Fate to help me solve the cash thing. It's become clear that cash is the only way to deal with problems in life. I even scraped up a few things to pawn in town, if it comes to that. I know it'll come to that, so I have them with me in my pack – my clarinet, my skateboard, and fourteen music discs. They're in the pack with my lunchbox, which contains my sandwich, the two joints, and a piece of paper with some internet addresses on it. As for the joints and the piece of paper, I heard the voice of Jesus last night. He advised me to get wasted, fast. If at first you don't succeed, he said, get wasted off your fucken ass. My plan is to sit out at Keeter's and get some new ideas, ideas borne out of the bravery of wastedness. I ride down empty roads of frosted silver, trees overhead swish cool hints of warm panties in bedclothes. Liberty Drive is naked, save for droppings of hay, and Bar-B-Chew Barn wrappers. In this light you can't see the stains on the sidewalk by the school. As the gym building passes by, all hulky and black, I look the other way, and think of other things. Music's a crazy thing, when you think about it. Interesting how I decided which discs not to pawn. I could've kept some party music, but that would've just tried to boost me up, all this thin kind of 'Tss-tss-tss,' music. You get all boosted up, convinced you're going to win in life, then the song's over and you discover you fucken lost. That's why you end up playing those songs over and over, in case you didn't know. Cream pie, boy. I could've kept back some heavy metal too, but that's likely to drive me to fucken suicide. What I need is some Eminem, some angry poetry, but you can't buy that stuff in Martirio. Like it was an animal sex doll or something, you can't buy angry poetry. When you say gangsta around here, they still think of Bonnie & fucken Clyde. Nah, guess what: I ended up keeping my ole Country albums. Waylon Jennings, Willie Nelson, Johnny Paycheck – even my daddy's ole Hank Williams compilation. I kept them because those boys have seen some shit – hell, all they sing about is the shit they've seen; you just know they woke up plenty of times on a wooden floor somewhere, with ninety flavors of trouble riding on their ass. The slide-guitar understands your trouble. Then all you need is the beer.