Poster Book Quotes

Hell hath no fury like a woman scorned, and all that jazz. Anna use to be the abstinence poster girl, but post-Shaw you could write a comic book about the many adventures of her vagina. It could wear a cape.

I can see why you like it here," he said,making a sweeping gesture that encompassed Kyle's collection of movie posters and science fiction books. "There's a thin layer of nerd all over everything." said Jace. "Thanks. I appreciate that." Simon gave Jace a hard look.

And I despise your books, I despise wisdom and the blessings of this world. It is all worthless, fleeting, illusory, and deceptive, like a mirage. You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your posterity, your history, your immortal geniuses will burn or freeze together with the earthly globe.

You stand before a god! Speak your eloquence for all posterity. Be Profound!" "Profound ... huh." Temper was silent for a long moment, studying the cobbles of the alley mouth. And then he lifted his helmed head faced Shadowthrone, and said "Fuck off.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting

The filigreed iron gates of the Navy Yard were open wide between two pillars that featured large spread-winged eagles on orbs. Men were standing around as women came out together in their overalls after their shifts. Before the war women didn’t work at the Navy Yard, but with men joining up or drafted and a new campaign with a poster of 'Rosie the Riveter' it did its job encouraging woman to work outside the home for the war effort.

For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught—nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!

I myself am convinced that the theory of evolution, especially to the extent to which it has been applied, will be one of the greatest jokes in the history books of the future. Posterity will marvel that so very flimsy and dubious an hypothesis could be accepted with the incredible credulity it has.

Books are the legacies that a great genius leaves to mankind, which are delivered down from generation to generation as presents to the posterity of those who are yet unborn

The school board banned one of Maya Angelou's books, so the librarian had to take down her poster. I fished it out of the trash. She must be a great writer if the school board is scared of her.

Happiness is not fame or riches or heroic virtues, but a state that will inspire posterity to think in reflecting upon our life, that it was the life they would wish to live.

Called her a whore and attacked her walls, tearing down her posters and throwing her books everywhere. I found out because some whitegirl ran up and said, Excuse me, but your stupid roommate is going insane, and I had to bolt upstairs and put him in a headlock.

The Universe said, ‘Let me show your soul something beautiful.

The gentle pulsing and flickering of stars and nebulae made a kind of music, a sweet easy mesh of whispered tones and sighing harmonies that held him in its force like the earth [holding] the moon.

Anna used to be the abstinence poster girl, but you could write a comic book about the many adventures of her vagina. It could wear a cape.

There's a quote from 'The Breakfast Club' that goes "We're all pretty bizarre. Some of us are just better at hiding it." I have it on a poster but I took a Sharpie to it and scratched out the word "hiding" because it reminds me that there's a certain pride and freedom that comes from wearing your unique bizarreness like a badge of honor.

We may be sure that the characteristic blindness of the twentieth century - the blindness about which posterity will ask, "But how could they have thought that?" - lies where we have never suspected it... None of us can fully escape this blindness, but we shall certainly increase it, and weaken our guard against it, if we read only modern books. Where they are true they will give us truths which we half knew already. Where they are false they will aggravate the error with which we are already dangerously ill. The only palliative is to keep the clean sea breeze of the centuries blowing through our minds, and this can be done only by reading old books.

Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.

I blame the Internet. Its inconsiderate inclusion of everything.Success is transparent and accessible, hanging down where it can tease but not touch us. We talk into these scratchy microphones and take extra photographs but I still feel like there are just SO MANY PEOPLE. Every day, 1,035.6 books are published; sixty-six million people update their status each morning. At night, aimlessly scrolling, I remind myself of elementary school murals. One person can make a difference! But the people asking me what I want to be when I grow up don't want me to make a poster anymore. They want me to fill out forms and hand them rectangular cards that say HELLO THIS IS WHAT I DO.

Historic figures have homes to visit for posterity; the Lord of history left no home. Luminaries leave libraries and write their memoirs; He left one book, penned by ordinary people. Deliverers speak of winning through might and conquest; He spoke of a place in the heart.

A book is a product of a pact with the Devil that inverts the Faustian contract, he'd told Allie. Dr Faustus sacrificed eternity in return for two dozen years of power; the writer agrees to the ruination of his life, and gains (but only if he's lucky) maybe not eternity, but posterity, at least. Either way (this was Jumpy's point) it's the Devil who wins.

It had not been science that Lydia had loved. And then, as if the tears are telescopes, she begins to see more clearly: the shredded posters and pictures, the rubble of books, the shelf prostrate at her feet. Everything that she had wanted for Lydia, which Lydia had never wanted but had embraced anyway. A dull chill creeps over her. Perhaps—and this thought chokes her—that had dragged Lydia underwater at last.

I wish that I could put up yesterday’s evening sky for all posterity, could preserve a night of love, the sound of a mountain stream, a realization as it sets my mind afire, a dance, a day of harmony, ten thousand glorious days of clouds that will instead vanish and never be seen again, line them up in jars where they might be admired in the interim and tasted again as needed.

He checked out his surrounding. More books. A drinking fountain. A poster showing a guy slam-dunking a basketball with one hand and holding a book in the other, urging kids to READ! Weird, thought Steve. How can he even see the hoop? ... You see, Steven, Librarians are the most elite, best trained secret force in the United States of America. Probably in the world." "No way." "Yes way." "What about the FBI?" "Featherweights." "The CIA?" Mackintosh snorted. "Don't make me laugh. Those guys can't even dunk a basketball andd read a book at the same time.

When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.

Why should people in one part of the globe have developed collectivist cultures, while others went individualist? The United States is the individualism poster child for at least two reasons. First there's immigration. Currently, 12 percent of Americans are immigrants, another 12 percent are children of immigrants, and everyone else except for the 0.9 percent pure Native Americans descend from people who emigrated within the last five hundred years. And who were the immigrants? Those in the settled world who were cranks, malcontents, restless, heretical, black sheep, hyperactive, hypomanic, misanthropic, itchy, unconventional, yearning to be rich, yearning to be out of their damn boring repressive little hamlet, yearning. Couple that with the second reason - for the majority of its colonial and independent history, America has had a moving frontier luring those whose extreme prickly optimism made merely booking passage to the New World insufficiently novel - and you've got America the individualistic. Why has East Asia provided textbook examples of collectivism? The key is how culture is shaped by the way people traditionally made a living, which in turn is shaped by ecology. And in East Asia it's all about rice. Rice, which was domesticated there roughly ten thousand years ago, requires massive amounts of communal work. Not just backbreaking planting and harvesting, which are done in rotation because the entire village is needed to harvest each family's rice. The United States was not without labor-intensive agriculture historically. But rather than solving that with collectivism, it solved it withe slavery.

But hereby resolve to write in this book at least twenty minutes a night. (If discouraged, just think of how much will have been recorded for posterity after one mere year!) (September 5) Oops. Missed a day.

Art, to be fully appreciated, must be true to contemporaneous life. It is not that we should ignore the claims of posterity, but that we should seek to enjoy the present more. It is not that we should disregard the creations of the past, but that we should try to assimilate them into our consciousness.

Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.

Love, frail as gossamer, stitched together from a thousand songs and a thousand comic books, made of the dialogue spoken in films and the posters designed by ad agencies: love was what she lived for.

Most people, when directly confronted by evidence that they are wrong, do not change their point of view or course of action but justify it even more tenaciously. Even irrefutable evidence is rarely enough to pierce the mental armor of self-justification. When we began working on this book, the poster boy for "tenacious clinging to a discredited belief" was George W. Bush. Bush was wrong in his claim that Saddam Hussein had weapons of mass destruction, he was wrong in claiming that Saddam was linked with Al Qaeda, he was wrong in predicting that Iraqis would be dancing joyfully in the streets to receive the American soldiers, he was wrong in predicting that the conflict would be over quickly, he was wrong in his gross underestimate of the financial cost of the war, and he was most famously wrong in his photo-op speech six weeks after the invasion began, when he announced (under a banner reading MISSION ACCOMPLISHED) that "major combat operations in Iraq have ended.

Writing is for stories to be read, books to be published, poems to be recited, plays to be acted, songs to be sung, newspapers to be shared, letters to be mailed, jokes to be told, notes to be passed, recipes to be cooked, messages to be exchanged, memos to be circulated, announcements to be posted, bills to be collected, posters to be displayed and diaries to be concealed. Writing is for ideas, action, reflection, and experience. It is not for having your ignorance exposed, your sensitivity destroyed, or your ability assessed.

Your thought should be creative and not destructive; it should be full of hope and faith for a more excellent future.

Now because 18 months ago the first dawn, 3 months ago broad daylight but a very few days ago the full sun of the most highly remarkable spectacle has risen — nothing holds me back. I can give myself up to the sacred frenzy, I can have the insolence to make a full confession to mortal men that I have stolen the golden vessel of the Egyptians to make from them a tabernacle for my God far from the confines of the land of Egypt. If you forgive me I shall rejoice; if you are angry, I shall bear it; I am indeed casting the die and writing the book, either for my contemporaries or for posterity to read, it matters not which: let the book await its reader for a hundred years; God himself has waited six thousand years for his work to be seen.

I could still feel the glare of his eyes, and the image of them was seared so firmly into my brain that it seemed like my neurotransmitters had gone and printed propaganda posters of him to hang up around the place. Washington, Jane (2015-09-14). Charcoal Tears (Seraph Black Book 1) (Kindle Locations 130-132). . Kindle Edition.

It's said that one must sink all execrable things Closed in a sepulchre, deep in oblivion, And that by written works, evil brought back to life Will taint the moral will of our posterity. But vice is mothered not by Knowledge, not at all, And Virtue's surely not the child of Ignorance.

The way people behave. They refuse to admire their contemporaries, the people whose lives they share. No, but to be admired by Posterity -- people they've never met and never will -- that's what they set their hearts on. You might as well be upset at not being a hero to your great-grandfather.

A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers

My father was too distracted to see anything in this. Mimicking my mother, he taped it to the fridge in the same place Buckley's long-forgotten drawing of the Inbetween had been. But my brother knew something was wrong with his story. Knew it by how his teacher reacted, doing a double take like they did in his comic books. He took the story down and brought it to my old room while Grandma Lynn was downstairs. He folded it into a tiny square and put it inside the now-empty insides of my four poster bed. ~pgs 217-218; Buckley's childhood

The biggest spur to my interest in art came when I played van Gogh in the biographical film Lust For Life. The role affected me deeply. I was haunted by this talented genius who took his own life, thinking he was a failure. How terrible to paint pictures and feel that no one wants them. How awful it would be to write music that no one wants to hear. Books that no one wants to read. And how would you like to be an actor with no part to play, and no audience to watch you. Poor Vincent—he wrestled with his soul in the wheat field of Auvers-sur-Oise, stacks of his unsold paintings collecting dust in his brother's house. It was all too much for him, and he pulled the trigger and ended it all. My heart ached for van Gogh the afternoon that I played that scene. As I write this, I look up at a poster of his "Irises"—a poster from the Getty Museum. It's a beautiful piece of art with one white iris sticking up among a field of blue ones. They paid a fortune for it, reportedly $53 million. And poor Vincent, in his lifetime, sold only one painting for 400 francs or $80 dollars today. This is what stimulated my interest in buying works of art from living artists. I want them to know while they are alive that I enjoy their paintings hanging on my walls, or their sculptures decorating my garden

In the school library there’s an old Book Week poster that says ‘Get Lost in a Book.’ Well, we do that. We lose ourselves in books for hours and hours—books about all kinds of people and tons of different places. Then we come back, and we bring things with us. When we get lost like that, I think we find all kinds of cool stuff.

She looked around and saw thousands of books in rows of shelves. There were posters on the wall and signs pointing to various sections. It was, well, a library. But when she turned to Jasper, she realized he saw something completely different. His gaze was slightly unfocused as if instead of books, he saw journeys and possibilities.

There's a quote from 'The Breakfast Club' that goes "We're all pretty bizarre. Some of us are just better at hiding it." I have it on a poster but I took a Sharpie to it and scratched out the word "hiding" because it reminds me that there's a certain pride and freedom that comes from wearing your unique bizarreness like a badge of honor.

Not all days in the field were unhappy ones. You had to have fun sometimes or you would go crazy.

Your future is dependent on your thought today, therefore think good and lovely thoughts now!

The positioning of the mind is what makes the difference between the failures and the successes.

How far you go in life and in your career is dependent on how far you can think good thoughts!

Always set your mind to think thoughts of victory even before the battle begins, this way you will experience limitless possibilities.

Think on blessings and not curses, beauty not ugliness, health not sickness. Meditate on wealth not poverty, success not failure, grace not disgrace!

You are the guardian and custodian of your heart, remember this always!

When your thought is right, your imaginations will be colourful; you will then dream and not have nightmares!

You can use songs, scriptures and godly pictures to chart your thought-course in the right direction.

Your thought is so important because it has the ability to make or mar you. Your thought will either move you forward or set you backwards.

We read privately, mentally listening to the writer’s voice and translating the writer’s thoughts. The book remains static and fixed; the reader journeys through it. Picking up the book in the first place entails an active pursuit of understanding. Holding the book, we are aware of posterity and continuity. Knowing that the printed word is always edited, typeset and proof-read before it reaches us, we appreciate its literary authority. Having paid money for it (often), we have a sense of investment and a pride of ownership, not to mention a feeling of general virtue.

Think of your windshield as an energy source for your brain. Use pictures (the walls of many talent hotbeds are cluttered with photos and posters of their stars) or, better, video. One idea: Bookmark a few YouTube videos, and watch them before you practice, or at night before you go to bed.

The bookstore itself was cozy but not crowded, with posters of classic novels framed and hung on the walls. And it was filled with that wonderful book smell that anyone who's ever even been near a book will recognize. It's more than the smell of paper; it's the smell of the high seas and adventure and far off worlds. It's the smell of a billion billion worlds, each a portal to somewhere new.

Some writers refuse to lay their heads peaceably on the pillow of literary history in order to give posterity good dreams." -- review in London Review of Books, of the works of Knut Hamsun (26 nov 1998)

Our ancestors established the intelligent and useful practice of transmitting their thoughts to future generations in the form of bodies of notes so they would not be lost but, growing generation by generation once they had been published as books, they would gradually arrive at the highest level of scientific development in the course of time. So for this we owe them no half-hearted thanks but infinite gratitude, because they did not jealousy pass over these matters in silence but took great care to hand on to posterity their insights of all kinds in written form.

On coins, on stamps, on the covers of books, on banners, on posters, and on the wrapping of a cigarette packet - everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed - no escape. Nothing was your own except the few cubic centimeters inside your skull.

Some single trees, wholly bright scarlet, seen against others of their kind still freshly green, or against evergreens, are more memorable than whole groves will be by-and-by. How beautiful, when a whole tree is like one great scarlet fruit full of ripe juices, every leaf, from lowest limb to topmost spire, all aglow, especially if you look toward the sun! What more remarkable object can there be in the landscape? Visible for miles, too fair to be believed. If such a phenomenon occurred but once, it would be handed down by tradition to posterity, and get into the mythology at last.

Have you ever noticed that all of the stuff on the posters of what you can’t bring into the airport terminal is pretty much exactly the same stuff that would come in really handy if a zombie apocalypse broke out? Swords, guns, grenades, meat cleavers, fire, disinfectant, booze, chain saws: these are all things I’d want on me if there were a zombie epidemic in Terminal B. Basically, if we get attacked inside the airport we’re all fucked, so maybe people are just scared because they’ve been disarmed. Even the phrasing of where you’re headed (the “terminal”) is another word for “approaching immediate death.

To do exciting, empowering research and leave it in academic journals and university libraries is like manufacturing unaffordable medicines for deadly diseases. We need to share our work in ways that people can assimilate, not in the private languages and forms of scholars...Those who are hungriest for what we dig up don't read scholarly journals and shouldn't have to. As historians we need to either be artists and community educations or find people who are and figure out how to collaborate with them. We can work with community groups to create original public history projects that really involved people. We can see to it that our work gets into at least the local popular culture through theater, murals, historical novels, posters, films, children's books, or a hundred other art forms. We can work with elementary and high school teachers to create curricula. Medicinal history is a form of healing and its purposes are conscious and overt.

At fifth grade, I visit the school library. On a wall by the door, a poster claims, “If you read books, you live more than one life.” Now I’m thirty and whenever I look at faces around me, old or young, on each forehead I read: “If you live in Gaza, you die several times.

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

Almost I feel the pulsebeat of the ages, Now swift, now slow, beneath my fingertips. The heartthrobs of the prophets and the sages Beat through these bindings; and my quick hand slips Old books from dusty shelves, in eager seeking For truths the flaming tongues of the ancients tell; For the words of wisdom that they still are speaking As clearly as an echoing silver bell. Here is the melody that lies forever At the deep heart of living; here we keep The accurate recorded discs that never Can be quite silenced, though their makers sleep The still deep sleep, so long as a seeker finds The indelible imprint of their moving minds.

I kept wishing with real regret that I were capable of living in such continued simplicity. But I am not. Sometimes I honestly want to live in a plain room with a narrow bed, a chair, a table. But then I would need a bookcase. I would see a poster I must put on the wall. I would pick up a shell here, a bowl or vase there, another poster, enough books for two bookcases, a soft rug someone might give me--and where would the first plainness be? I cannot fight too hard against it, but I regret it.

There are, no doubt, lessons here for the contemporary reader. The changing character of the native population, brought about through unremarked pressures on porous borders; the creation of an increasingly unwieldy and rigid bureaucracy, whose own survival becomes its overriding goal; the despising of the military and the avoidance of its service by established families, while its offices present unprecedented opportunity for marginal men to whom its ranks had once been closed; the lip service paid to values long dead; the pretense that we still are what we once were; the increasing concentrations of the populace into richer and poorer by way of a corrupt tax system, and the desperation that inevitably follows; the aggrandizement of executive power at the expense of the legislature; ineffectual legislation promulgated with great show; the moral vocation of the man at the top to maintain order at all costs, while growing blind to the cruel dilemmas of ordinary life—these are all themes with which our world is familiar, nor are they the God-given property of any party or political point of view, even though we often act as if they were. At least, the emperor could not heap his economic burdens on posterity by creating long-term public debt, for floating capital had not yet been conceptualized. The only kinds of wealth worth speaking of were the fruits of the earth.

Colorful posters with appealing statements like "Get into a good book this summer" and "We are going to force you into a good book this summer" and "You are going to get inside this book and we are going to close it on you and there is nothing you can do about it" have appeared overnight around the library entrance and in local shops and businesses...

Wrong thinking will take your life the wrong way, channeling your thoughts to the right direction will cause you to soar in life.

You create and plan your thought by seeing, reading and hearing the right things.

Our thoughts create our lifestyle, if you live healthy, it means you think healthy thoughts and if you think unhealthy thoughts, it will reflect in your health and lifestyle too.

Learn to live from inside to outside, bring out those magnificent estates within you and live in them.

You can cream your dream by enriching your thought with clean and desirable things.

We are advised to meditate on things that are true, lovely, noble, gracious and bring good report. These should form the basis of our thought pattern.

Your future will definitely head to the same direction with your thoughts; this is why planning your thought is so important.

Wrong thoughts pattern your life towards it for we live our thoughts.

Live on your good thoughts and they will manifest outwardly.

Choose your thoughts, carve them in your mind and fix your gaze on them always.

You cannot be different from your thought!

Structure your thought pattern to what you want to achieve and who you want to become.

This process of con- tinuous alteration was applied not only to newspapers, but to books, periodicals, pamphlets, posters, leaflets, films, sound-tracks, cartoons, photographs—to every kind of lit- erature or documentation which might conceivably hold any political or ideological significance. Day by day and almost minute by minute the past was brought up to date.

Television cabinets are a poster boy example. They can be made locally of metal, glass fiberglass-glass composites, cast basalt, ceramic or combinations thereof. In doing so frontier industrial designers can determine the finish styling. But we challenge them to come up with cabinets and casings that can both stand as made, but also support after-market customization.

Your life today and tomorrow is patterned alongside your thoughts. You are therefore advised to create good and wonderful thoughts today so they will deliver a beautiful tomorrow for you.

In fact, world-renowned British writer and philosopher Malcolm Muggeridge, who was an atheist defending evolution for some 60 years, but who subsequently realized the truth, reveals the position in which the theory of evolution would find itself in the near future in these terms: I myself am convinced that the theory of evolution, especially the extent to which it's been applied, will be one of the great jokes in the history books in the future. Posterity will marvel that so very flimsy and dubious an hypothesis could be accepted with the incredible credulity that it has.

Use the powerful tool of thought and develop your mindset to believing and knowing you can change anything to your favour; yes, you have God`s Word so fashion your thought according to God`s Word.

In the Soviet Union under the rule of Joseph Stalin, prosperous farmers were portrayed on propaganda posters as pigs—a dehumanization that in a rural setting clearly suggests slaughter. This was in the early 1930s, as the Soviet state tried to master the countryside and extract capital for crash industrialization. The peasants who had more land or livestock than others were the first to lose what they had.

But I now leave my cetological System standing thus unfinished, even as the great Cathedral of Cologne was left, with the crane still standing upon the top of the uncompleted tower. For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught—nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!

Andrea Meyer: What do you think your films offer to people today? Agnès Varda: I would say energy. I would say love for filming, intuition. I mean, a woman working with her intuition and trying to be intelligent. It's like a stream of feelings, intuition, and joy of discovering things. Finding beauty where it's maybe not. Seeing. And, on the other hand, trying to be structural, organized; trying to be clever. And doing what I believe is cinécriture, what I always call cine-writing. Which is not a screenplay. Which is not only the narration words. It's choosing the subject, choosing the place, the season, the crew, choosing the shots, the place, the lens, the light. Choosing your attitude towards people, towards actors. Then choosing the editing, the music. Choosing contemporary musicians. Choosing the tune of the mixing. Choosing the publicity material, the press book, the poster. You know, it's a handmade work of filmmaking - that I really believe. And I call that cine-writing.

Magnetism is, of course, not the same as gravity, but Kepler’s fundamental innovation here is nothing short of breathtaking: he proposed that quantitative physical laws that apply to the Earth are also the underpinnings of quantitative physical laws that govern the heavens. It was the first nonmystical explanation of motion in the heavens; it made the Earth a province of the Cosmos. “Astronomy,” he said, “is part of physics.” Kepler stood at a cusp in history; the last scientific astrologer was the first astrophysicist. Not given to quiet understatement, Kepler assessed his discoveries in these words: With this symphony of voices man can play through the eternity of time in less than an hour, and can taste in small measure the delight of God, the Supreme Artist … I yield freely to the sacred frenzy … the die is cast, and I am writing the book—to be read either now or by posterity, it matters not. It can wait a century for a reader, as God Himself has waited 6,000 years for a witness.

Art, to be fully appreciated, must be true to contemporaneous life. It is not that we should ignore the claims of posterity, but that we should seek to enjoy the present more. It is not that we should disregard the creations of the past, but that we should try to assimilate them into our consciousness. Slavish conformity to traditions and formulas fetters the expression of individuality in architecture. We can but weep over the senseless imitations of European buildings which one beholds in modern Japan.

In order to protect their good names for posterity, many writers never wrote what they thought or the truth as it stood. That's why truth still lies hidden in matters of power, sex and religion. No wonder they chose to do so, many who dared paid with their heads

I slowly dug a stand-up foxhole up to my neck using my helmet. I don’t think any of us slept that night. It was the first time in my tour when I wasn’t sure I would make it. I’m not ashamed to say I did a lot of thinking about home and a lot of praying to the man upstairs.

For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught – nay, but the draught of a draughts. Oh, Time, Strength, Cash, and Patience!

It's a terrible mistake to let the perfect get in the way of the good. If you wait to publish until you have written a great book, you will never publish anything. Great books happen by chance, not by design. The wise writer writes the best he can and leaves it to posterity to decide about greatness.

It is screwed to the wall, so I cover it with a poster of Maya Angelou that the librarian gave me. She said Mrs. Angelou is one of the greatest American writers. The poster was coming down because the school board banned on of her books. She must be a great writer if the school board is afraid of her.

Success is transparent and accessible, hanging down where it can tease but not touch us. We talk into these scratchy microphones and take extra photographs but I still feel like there are just SO MANY PEOPLE. Every day, 1,035.6 books are published; sixty-six million people update their status each morning. At night, aimlessly scrolling, I remind myself of elementary school murals. One person can make a difference! But the people asking me what I want to be when I grow up don’t want me to make a poster anymore. They want me to fill out forms and hand them rectangular cards that say HELLO THIS IS WHAT I DO.

summed up Zuckerberg’s attitude perfectly, noting, “Between speech and truth, he chose speech. Between speed and perfection, he chose speed. Between scale and safety, he chose scale.” That idea of “mistakes were made” in service to the bigger idea would carry throughout Zuckerberg’s career and bleed into Facebook’s culture. This approach was distilled in the “Move fast and break things” posters that adorned the company headquarters early on. While this motto was a geek coding reference to software, it was a telling choice. The aim was to “break things” instead of “change things” or “fix things” or “improve things.

Betty once had self-image problems, but she overcame them. A Morninglight poster decorates her wall. Much-read pamphlets sit in her bathroom. Philip Marquard's audio book on self-actualisation plays in her earphones. Fresh signatures fill the forms on her clipboard. Bottles of Morninglight dietary supplements and nutrient pills fill her medicine cabinet. By her bed is an autographed picture of Philip Marquard, the one she secretly kisses before going to sleep. Every night she dreams of freeing herself from her mortal shell and ascending into the cosmos to soar with the whale-mollusc gods. There are new recruits chained to Betty's walls. She has their signatures. They tested as having self-image problems, as she once had. Smiling, she tells them they are all beautiful. She opens them with a knife, shows them the beauty inside. "Look!" she says, tears streaming. "We are all made of stars!" Then she practises eating stars, waiting for enlightenment to take hold.

Listen Peter,’ he said seriously. ‘What I'm about to say is extremely important, not only for your own good, but for the good of everybody. You've certainly seen the war posters about careless talk costing lives.’ I nodded. ‘What you've just said is an example of careless talk. It's very dangerous. It could even cost your own life.

While she eventually adjusts to the faded motivational posters featuring long-dead baby animals and the fifties-era reading books whose soporific effects have intensified with each decade of use she can't get it out of of her head that while she is speeding around in circles waiting to be told when to stop other kids are flying to the moon.

I believe war should be the last result, but I do believe that when we find ourselves at war, we should unite as a people and not do anything to aid or encourage the enemy. We should stay the course and remember that the people we are defending, though they may not always be Americans, are people dependent upon us to see the conflict through to an end.

Provided that a writer of almanacs has already gained enough authority for people to bother to read his books, examining his words for implications and shades of meaning, he can be made to say anything whatever – like Sybils. There are so many ways of taking anything, that it is hard for a clever mind not to find in almost any subject something or other which appears to serve his point, directly or indirectly. [C] That explains why an opaque, ambiguous style has been so long in vogue. All an author needs to do is to attract the concern and attention of posterity. (He may achieve that not so much by merit as by some chance interest in his subject-matter.) Then, whether out of subtlety or stupidity, he can contradict himself or express himself obscurely: no matter! Numerous minds will get out their sieves, sifting and forcing any number of ideas through them, some of them relevant, some off the point, some flat contradictory to his intentions, but all of them doing him honour. He will grow rich out of his students’ resources – like dons being paid their midsummer fees at the Lendit fair.

We make a right down a smaller corridor and head to the very last door on the left. He grips the handle and swings it open, revealing a bedroom beyond, lit only by the moonlight streaming through the window. If I thought my room was magnificent, it pales in comparison to this. It's easily twice the size of my own, making it seem more like a house than a single bedroom. Though it's filled with a four-poster bed, dresser, and a desk-just as mine is-this room seems lived in. The shelf is overflowing, books stacked at odd angles to make them fit. Several of their worn covers tell me they consist of strategy, combat, and...poetry. Interesting. Everything filling this room is nicer than my own, yet used and worn. This is his room-his real room.

Daniel: What do you think of the idea? Sternlight: I’ll tell you man, I think it’s a fantastic idea. Fuck me if I’m consistent. I told your sister if she had all that bread to pass on for a bail fund or a free school or any good shit like that, I would retract everything I said about your parents. Not only that, I would actually change my opinion. I would think differently. OK? Daniel: OK. Sternlight: discards the poster. Sternlight: That’s the one question you shouldn’t have asked. Daniel: Maybe so. Sternlight: And I’ve been pretty easy on you, too. Susan never mentioned you. Except once. She said she had a brother who was politically undeveloped. She made it sound like undescended tesicles. Baby: Come on, Artie. Sternlight: gets up, turns on the television squats in front of it.

Why would God have inspired the words of the Bible if he chose not to preserve these words for posterity? Put differently, what should make me think he had inspired the words in the first place if I knew for certain (as I did) that he had not preserved them? This became a major problem for me in trying to figure out which Bible I thought was inspired. Another big problem is one that I don’t deal with in Misquoting Jesus. If God inspired certain books in the decades after Jesus died, how do I know that the later church fathers chose the right books to be included in the Bible? I could accept it on faith—surely God would not allow noninspired books in the canon of Scripture. But as I engaged in more historical study of the early Christian movement, I began to realize that there were lots of Christians in lots of places who fully believed that other books were to be accepted as Scripture; conversely, some of the books that eventually made it into the canon were rejected by church leaders in different parts of the church, sometimes for centuries. In some parts of the church, the Apocalypse of John (the book of Revelation) was flat out rejected as containing false teaching, whereas the Apocalypse of Peter, which eventually did not make it in, was accepted. There were some Christians who accepted the Gospel of Peter and some who rejected the Gospel of John. There were some Christians who accepted a truncated version of the Gospel of Luke (without its first two chapters), and others who accepted the now noncanonical Gospel of Thomas. Some Christians rejected the three Pastoral Epistles of 1 and 2 Timothy and Titus, which eventually made it in, and others accepted the Epistle of Barnabas, which did not. If God was making sure that his church would have the inspired books of Scripture, and only those books, why were there such heated debates and disagreements that took place over three hundred years? Why didn’t God just make sure that these debates lasted weeks, with assured results, rather than centuries?1

Thus I left instructions that upon my death my poems were to be buried with me, unpublished, and that only when posterity realized my genius, realized that hundreds of my verses had been lost—lost!—only then was my coffin to be disinterred, only then could my poems be removed from my cold dead hand, to finally be published to the approbation and delight of all. It is a terrible thing to be ahead of your time.

There are really only two kinds of monsters in the world, which you already know if you've been watching horror movies: Breeders and Non-breeders. So for instance, Frankenstein’s monster would fall into the second category if he was real. He’s a freak, a singular being and once you kill him, he’s gone. Problem solved. The Breeders are an exponentially bigger problem. Within that group you've got slow breeders like vampires (if they were real, which they’re not) which breed in a small-scale controlled way, but mainly to avoid extinction rather than spread. But then you've got the fast breeders, like zombies (if they existed, which they don’t) where breeding is all they do. They are basically walking epidemics, and are the worst of the worst-case scenarios, because such a creature could, hypothetically, wipe out civilization. This is humanity’s greatest fear, which is why at the moment half of the world’s horror novels, movie posters and video games have zombies on the cover. So in any situation like this, step one is to find out what category of creature you’re dealing with. Step two is to anticipate what the creature is going to do next, based on what you determined in step one. Then step three is you find out if the thing can be killed with a chainsaw.

Nature, in her wisdom, seems to have arranged it so that men's stupidities should be ephemeral, and books make them immortal. A fool ought to be content with having exasperated everyone around him, but he insists on tormenting future generations; he wants his foolishness to overcome the oblivion which he might have enjoyed like a tomb; he wants posterity to be informed that he existed, and to be aware for ever that he was a fool.

As no air-pump can by any means make a perfect vacuum, so neither can any artist entirely exclude the conventional, the local, the perishable from his book, or write a book of pure thought, that shall be as efficient, in all respects, to a remote posterity, as to contemporaries, or rather to the second age. Each age, it is found, must write its owns books; or rather, each generation for the next succeeding. The books of an older period will not fit this.

Well, I can’t really talk about it, but we’ve recently acquired a very promising new author who specialises in high-concept science fiction. And it got a starred review in Publishers Weekly and everything, and there were some wonderful pull quotes and the one we decided to run with especially recommended it to fans of another, more famous author of high-concept science fiction. So we put it on all the posters and there’s big campaign all over the Underground and it’s on the front of the book and it’s too late to change any of it.” Oliver was looking perplexed in a way that made me want to hug him. “That seems unalloyedly positive, Bridget.” “It would be.” She threw herself into the nearest free chair. “Except the more famous author in question was Philip K. Dick. And the pull quote was, ‘If you like Dick, you’ll love this.’ And no one spotted it until we started getting extremely disappointed reviews on Amazon.

The central fact of biblical history, the birth of the Messiah, more than any other, presupposes the design of Providence in the selecting and uniting of successive producers, and the real, paramount interest of the biblical narratives is concentrated on the various and wondrous fates, by which are arranged the births and combinations of the 'fathers of God.' But in all this complicated system of means, having determined in the order of historical phenomena the birth of the Messiah, there was no room for love in the proper meaning of the word. Love is, of course, encountered in the Bible, but only as an independent fact and not as an instrument in the process of the genealogy of Christ. The sacred book does not say that Abram took Sarai to wife by force of an ardent love, and in any case Providence must have waited until this love had grown completely cool for the centenarian progenitors to produce a child of faith, not of love. Isaac married Rebekah not for love but in accordance with an earlier formed resolution and the design of his father. Jacob loved Rachel, but this love turned out to be unnecessary for the origin of the Messiah. He was indeed to be born of a son of Jacob - Judah - but the latter was the offspring, not of Rachel but of the unloved wife, Leah. For the production in the given generation of the ancestor of the Messiah, what was necessary was the union of Jacob precisely with Leah; but to attain this union Providence did not awaken in Jacob any powerful passion of love for the future mother of the 'father of God' - Judah. Not infringing the liberty of Jacob's heartfelt feeling, the higher power permitted him to love Rachel, but for his necessary union with Leah it made use of means of quite a different kind: the mercenary cunning of a third person - devoted to his own domestic and economic interests - Laban. Judah himself, for the production of the remote ancestors of the Messiah, besides his legitimate posterity, had in his old age to marry his daughter-in-law Tamar. Seeing that such a union was not at all in the natural order of things, and indeed could not take place under ordinary conditions, that end was attained by means of an extremely strange occurrence very seductive to superficial readers of the Bible. Nor in such an occurrence could there be any talk of love. It was not love which combined the priestly harlot Rahab with the Hebrew stranger; she yielded herself to him at first in the course of her profession, and afterwards the casual bond was strengthened by her faith in the power of the new God and in the desire for his patronage for herself and her family. It was not love which united David's great-grandfather, the aged Boaz, with the youthful Moabitess Ruth, and Solomon was begotten not from genuine, profound love, but only from the casual, sinful caprice of a sovereign who was growing old.

In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.

electrical wires dragged down by the weight of the ice and flickering balefully, a row of sleet-covered planes stranded in an airport, a huge truck that’s jackknifed and tipped over and is lying on its side with smoke coming out. An ambulance is on the scene, a fire truck, a huddle of raingear-clad operatives: someone’s been injured, always a sight to make the heart beat faster. A policeman appears, crystals of ice whitening his moustache; he pleads sternly with people to stay inside. It’s no joke, he tells the viewers. Don’t think you can brave the elements! His frowning, frosted eyebrows are noble, like those on the wartime bond-drive posters from the 1940s. Constance remembers those, or believes she does. But she may just be remembering history books or museum displays or documentary films: so hard, sometimes, to tag those memories accurately. Finally, a minor touch of pathos: a stray dog is displayed, semi-frozen, wrapped in a child’s pink nap blanket. A gelid baby

The Wanted poster had been based on the Westhofen intake records of December ’34, with the exception of the description of the clothing. But except for the jacket, the guard thought, nothing about this man coincided with the specifications he’d been given. This fellow could have been the fugitive’s father; the wanted man in the picture was his own age, a young fellow with a smooth, bold face, while this man here had a flat face with a thick nose and puffy lips. He waved them on. “Heil Hitler!

assure you that I think it is essential for you as well as me, and no more than our right, too, to always have a louis or two in our pockets, and some stock of goods to do business with. But my idea is that in the end we shall have founded and left to posterity a studio where one’s successor could live. I do not know if I explain myself clearly enough, but in other words we are working for an art and for a business method that will not only last our lifetime, but can still be carried on by others after us.

Ben was a big fan of the summer reading program. You got a map of the United States when you signed up. Then, for every book you read and made a report on, you got a state sticker to lick and put on your map. The sticker came complete with info like the state bird, the state flower, the year admitted to the Union, and what presidents, if any, had ever come from that state. When you got all forty-eight stuck on your map, you got a free book. Helluva good deal. Ben planned to do just as the poster suggested: “Waste no time, sign up today.

He took a twenty-five cent piece out of his pocket. There, too, in tiny clear lettering, the same slogans were inscribed, and on the other face of the coin the head of Big Brother. Even from the coin the eyes pursued you. On coins, on stamps, on the covers of books, on banners, on posters, and on the wrappings of a cigarette packet—everywhere. Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed—no escape. Nothing was your own except the few cubic centimetres inside your skull.

Although reading is a private activity, leaving little trace on the historical record, its importance has led scholars to investigate the evidence that remains. Letters and diaries sometimes yield valuable insights into the response of actual readers. Another source for the responses of early-modern readers is the commonplace book and more generally the copying practice known as ‘commonplacing’. H. J. Jackson has demonstrated how scholars can use the notes made by readers who used the margins of a book to converse with the author and (as it happens) with posterity.

that a statesman should devote his life to studying “the science of politics, in order to acquire in advance all the knowledge that it may be necessary for him to use at some future time”; that authority in a state must always be divided; and that of the three known forms of government—monarchy, aristocracy and people—the best is a mixture of all three, for each one taken on its own can lead to disaster: kings can be capricious, aristocrats self-interested, and “an unbridled multitude enjoying unwonted power more terrifying than a conflagration or a raging sea.” Often today I reread On the Republic, and always I am moved, especially by the passage at the end of book six, when Scipio describes how his grandfather appears to him in a dream and takes him up into the heavens to show him the smallness of the earth in comparison to the grandeur of the Milky Way, where the spirits of dead statesmen dwell as stars. The description was inspired by the vast, clear night skies above the Bay of Naples: I gazed in every direction and all appeared wonderfully beautiful. There were stars which we never see from earth, and they were all larger than we have ever imagined. The starry spheres were much greater than the earth; indeed the earth itself seemed to me so small that I was scornful of our empire, which covers only a single point, as it were, upon its surface. “If only you will look on high,” the old man tells Scipio, “and contemplate this eternal home and resting place, you will no longer bother with the gossip of the common herd or put your trust in human reward for your exploits. Nor will any man’s reputation endure very long, for what men say dies with them and is blotted out with the forgetfulness of posterity.

O man, whatever country you may belong to, whatever your opinions may be, attend to my words; you shall hear your history such as I think I have read it, not in books composed by those like you, for they are liars, but in the book of nature which never lies. All that I shall repeat after her, must be true, without any intermixture of falsehood, but where I may happen, without intending it, to introduce my own conceits. The times I am going to speak of are very remote. How much you are changed from what you once were! 'Tis in a manner the life of your species that I am going to write, from the qualities which you have received, and which your education and your habits could deprave, but could not destroy. There is, I am sensible, an age at which every individual of you would choose to stop; and you will look out for the age at which, had you your wish, your species had stopped. Uneasy at your present condition for reasons which threaten your unhappy posterity with still greater uneasiness, you will perhaps wish it were in your power to go back; and this sentiment ought to be considered, as the panegyric of your first parents, the condemnation of your contemporaries, and a source of terror to all those who may have the misfortune of succeeding you.

A VALEDICTION: OF THE BOOK I'll tell thee now (dear love) what thou shalt do To anger destiny, as she doth us; How I shall stay, though she eloign me thus, And how posterity shall know it too; How thine may out-endure Sibyl's glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name. Study our manuscripts, those myriads Of letters, which have past 'twixt thee and me; Thence write our annals, and in them will be To all whom love's subliming fire invades, Rule and example found; There the faith of any ground No schismatic will dare to wound, That sees, how Love this grace to us affords, To make, to keep, to use, to be these his records. This book, as long-lived as the elements, Or as the world's form, this all-graved tome In cypher writ, or new made idiom; We for Love's clergy only are instruments; When this book is made thus, Should again the ravenous Vandals and Goths invade us, Learning were safe; in this our universe, Schools might learn sciences, spheres music, angels verse. Here Love's divines—since all divinity Is love or wonder—may find all they seek, Whether abstract spiritual love they like, Their souls exhaled with what they do not see; Or, loth so to amuse Faith's infirmity, they choose Something which they may see and use; For, though mind be the heaven, where love doth sit, Beauty a convenient type may be to figure it. Here more than in their books may lawyers find, Both by what titles mistresses are ours, And how prerogative these states devours, Transferred from Love himself, to womankind; Who, though from heart and eyes, They exact great subsidies, Forsake him who on them relies; And for the cause, honour, or conscience give; Chimeras vain as they or their prerogative. Here statesmen, (or of them, they which can read) May of their occupation find the grounds; Love, and their art, alike it deadly wounds, If to consider what 'tis, one proceed. In both they do excel Who the present govern well, Whose weakness none doth, or dares tell; In this thy book, such will there something see, As in the Bible some can find out alchemy. Thus vent thy thoughts; abroad I'll study thee, As he removes far off, that great heights takes; How great love is, presence best trial makes, But absence tries how long this love will be; To take a latitude Sun, or stars, are fitliest viewed At their brightest, but to conclude Of longitudes, what other way have we, But to mark when and where the dark eclipses be?

Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.

Louis XIV was a very proud and self-confident man. He had such and such mistresses, and such and such ministers, and he governed France badly. The heirs of Louis XIV were also weak men, and also governed France badly. They also had such and such favourites and such and such mistresses. Besides which, certain persons were at this time writing books. By the end of the eighteenth century there gathered in Paris two dozen or so persons who started saying that all men were free and equal. Because of this in the whole of France people began to slaughter and drown each other. These people killed the king and a good many others. At this time there was a man of genius in France – Napoleon. He conquered everyone everywhere, i.e. killed a great many people because he was a great genius; and, for some reason, he went off to kill Africans, and killed them so well, and was so clever and cunning, that, having arrived in France, he ordered everyone to obey him, which they did. Having made himself Emperor he again went to kill masses of people in Italy, Austria and Prussia. And there too he killed a great many. Now in Russia there was the Emperor Alexander, who decided to reestablish order in Europe, and therefore fought wars with Napoleon. But in the year ’07 he suddenly made friends with him, and in the year ’11 quarrelled with him again, and they both again began to kill a great many people. And Napoleon brought six hundred thousand men to Russia and conquered Moscow. But then he suddenly ran away from Moscow, and then the Emperor Alexander, aided by the advice of Stein and others, united Europe to raise an army against the disturber of her peace. All Napoleon’s allies suddenly became his enemies; and this army marched against Napoleon, who had gathered new forces. The allies conquered Napoleon, entered Paris, forced Napoleon to renounce the throne, and sent him to the island of Elba, without, however, depriving him of the title of Emperor, and showing him all respect, in spite of the fact that five years before, and a year after, everyone considered him a brigand and beyond the law. Thereupon Louis XVIII, who until then had been an object of mere ridicule to both Frenchmen and the allies, began to reign. As for Napoleon, after shedding tears before the Old Guard, he gave up his throne, and went into exile. Then astute statesmen and diplomats, in particular Talleyrand, who had managed to sit down before anyone else in the famous armchair1 and thereby to extend the frontiers of France, talked in Vienna, and by means of such talk made peoples happy or unhappy. Suddenly the diplomats and monarchs almost came to blows. They were almost ready to order their troops once again to kill each other; but at this moment Napoleon arrived in France with a battalion, and the French, who hated him, all immediately submitted to him. But this annoyed the allied monarchs very much and they again went to war with the French. And the genius Napoleon was defeated and taken to the island of St Helena, having suddenly been discovered to be an outlaw. Whereupon the exile, parted from his dear ones and his beloved France, died a slow death on a rock, and bequeathed his great deeds to posterity. As for Europe, a reaction occurred there, and all the princes began to treat their peoples badly once again.

Charlotte was used to all the marks of war: the shabbiness of things, bad food, shop queues, posters about the war effort, people with worried faces, people dressed in black. She was used to seeing the wounded men from the hospital with their bright blue uniforms and bright red ties, the colours, she thought, if not the clothes of Arthur's soldiers. Such things did not disturb her, and the war seemed quite remote. But this disturbed her, the grotesque kind of circus that came now. It did not seem remote at all, nor did it fit with her vague ideas of war gained from those books of Arthur's she had read, with their flags and glory and brave drummer boys. How could you dare to become a soldier, knowing that you might end like this? There were men like clowns with white heads, white arms, white legs, men with crutches, slings, and bloodied bandages, and all so distressingly like men you would expect to see walking down the street, two armed, two legged, in hats instead of bandages and suits of black not battered khaki. Some came on stretchers borne by whole and ordinary men, some hobbled and leaned on whole ordinary arms. Most had mud dried thick across their clothes, and all came from the dark station's mouth with the spewings of trains behind, the clankings, thumpings, grindings, the sounds like great devils taking in breaths and blowing them out again.

Incomprehensible is the height of your spirit both in heroical resolution and matters of conceit. Unreprievably perishes that book whatsoever to wastepaper, which on the diamond rock of your judgement disasterly chances to be shipwrecked. A dear lover and cherisher you are, as well of the lovers of Poets, as of Poets themselves. Amongst their sacred number I dare not ascribe myself, though now and then I speak English: that small brain I have to no further use I convert, save to be kind to my friends and fatal to my enemies. A new brain, a new wit, a new style, a new soul will I get me, to canonize your name to posterity, if in this my first attempt I be not taxed of presumption.

I always loved Woolworth’s because of the pick ’n’ mix; the memory of all those cola bottles, cherry lips, and flying saucers still makes me smile. Lily’s favorite shops were Our Price, where she went to buy the latest cassettes and music posters, and Tammy Girl and C&A, where she and Rose shopped for clothes. I always enjoyed our trips to Blockbuster Video—even if I was rarely allowed to choose which film we would rent—and visits to the little independent bookshop with Nana were my favorite outings. Buying books was the only form of shopping she ever enjoyed. It makes me sad to realize that none of those shops exist now. So many high streets are more like ghost towns these days.

Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.

The malicious erasure of women’s names from the historical record began two or three thousand years ago and continues into our own period. Women take as great a risk of anonymity when they merge their names with men in literary collaboration as when they merge in matrimony. The Lynds, for example, devoted equal time, thought, and effort to the writing of Middletown, but today it is Robert Lynd’s book. Dr. Mary Leakey made the important paleontological discoveries in Africa, but Dr. Louis Leakey gets all the credit. Mary Beard did a large part of the work on America in Midpassage, yet Charles Beard is the great social historian. The insidious process is now at work on Eve Curie. A recent book written for young people states that radium was discovered by Pierre Curie with the help of his assistant, Eve, who later became his wife. Aspasia wrote the famous oration to the Athenians, as Socrates knew, but in all the history books it is Pericles’ oration. Corinna taught Pindar and polished his poems for posterity; but who ever heard of Corinna? Peter Abelard got his best ideas from Heloise, his acknowledged intellectual superior, yet Abelard is the great medieval scholar and philosopher. Mary Sidney probably wrote Sir Philip Sidney’s Arcadia; Nausicaa wrote the Odyssey, as Samuel Butler proves in his book The Authoress of the Odyssey, at least to the satisfaction of this writer and of Robert Graves, who comment, “no other alternative makes much sense.

Censorship diminished, and copyright was originated. Moreover, the early years of the eighteenth century gave rise to a galaxy of new phenomena that included the printed handbill, printed receipts, printed tickets, printed advertisements, and posters. At the same time there was a surge in the production of political pamphlets, broadsides, books for children, and even street maps. Alexander Pope satirized the rage for print in his poem The Dunciad (1728–43); he mockingly suggested that its democratizing power had brought ‘the Smithfield Muses to the Ear of Kings’. Johnson echoed Pope’s sentiments, complaining that ‘so widely is spread the itch of literary praise, that almost every man is an author, either in act or in purpose’.3

Daniel: What do you think of the idea? Sternlight: I’ll tell you man, I think it’s a fantastic idea. Fuck me if I’m consistent. I told your sister if she had all that bread to pass on for a bail fund or a free school or any good shit like that, I would retract everything I said about your parents. Not only that, I would actually change my opinion. I would think differently. OK? Daniel: OK. Sternlight: discards the poster. Sternlight: That’s the one question you shouldn’t have asked. Daniel: Maybe so. Sternlight: And I’ve been pretty easy on you, too. Susan never mentioned you. Except once. She said she had a brother who was politically undeveloped. She made it sound like undescended testicles. Baby: Come on, Artie. Sternlight: gets up, turns on the television squats in front of it.

Last week posters appeared up and down the street which said "GIVE A GOOD BOOK IN AID OF THE RED CROSS". I was pleased when I saw them, for I thought it must mean books of a religious nature were needed, and as I haven't got any it absolved me from all responsibility. To part with even one of the tattered and incongruous volume which form what I am pleased to call my library is, for me, worse than losing a front tooth. Sometimes I wake in the night and writhe to think of the books I have lent to people and never seen again. Once I groaned aloud and woke Charles. "What is the matter Henrietta?" he said, "Have you got a pain?" "No, Charles, but I keep thinking of that copy of Barchester Towers which I lent somebody and never got back." "For crying out loud!" said Charles, and went to sleep again.

I loooves free,” Ethan said. “Don’t we all, man,” Mac said. He looked at me, rubbing his fingers together. “Until we make the majors, we’re poor.” “Aren’t most college students?” I asked. “Yep. So we have movies, free music, what else?” “Library, free books,” I offered. All the guys laughed really loudly, like that was the funniest thing they’d ever heard. But it was a good-natured laugh, not like they were making fun of me. Like maybe they thought I was really clever to offer free books. “My kid sister has this book called Free Stuff,” Mac said. “She sends away for all this junk: stickers, posters, booklets. She just loves getting mail.” “You guys must miss your families in the summer.” “Miss ’em all the time.” I didn’t ask why they didn’t go home for summer because I knew the answer: They loooves baseball.

With this symphony of voices man can play through the eternity of time in less than an hour, and can taste in small measure the delight of God, the Supreme Artist … I yield freely to the sacred frenzy … the die is cast, and I am writing the book—to be read either now or by posterity, it matters not. It can wait a century for a reader, as God Himself has waited 6,000 years for a witness. Within the “symphony of voices,” Kepler believed that the speed of each planet corresponds to certain notes in the Latinate musical scale popular in his day—do, re, mi, fa, sol, la, ti, do. He claimed that in the harmony of the spheres, the tones of Earth are fa and mi, that the Earth is forever humming fa and mi, and that they stand in a straightforward way for the Latin word for famine. He argued, not unsuccessfully, that the Earth was best described by that single doleful word.

Only in the four-poster of the chief spare room did she say to Hubert: “I’ve been up and seen him. D’you know, Hubert, I really believe Dinny will be all right. He’s got charm.” “What on earth,” said Hubert, turning on his elbow, “has that to do with it?” “A lot,” said Jean. “Give me a kiss, and don’t argue . . .” When his strange young visitor had gone, Wilfrid flung himself on the divan and stared at the ceiling. He felt like a general who has won a ‘victory’— the more embarrassed. Having lived for thirty-five years, owing to a variety of circumstances, in a condition of marked egoism, he was unaccustomed to the feelings which Dinny from the first had roused within him. The old-fashioned word ‘worship’ was hardly admissible, but no other adequately replaced it. When with her his sensations were so restful and refreshed that when not with her he felt like one who had taken off his soul and hung it up.

It has been noted in various quarters that the half-illiterate Italian violin maker Antonio Stradivari never recorded the exact plans or dimensions for how to make one of his famous instruments. This might have been a commercial decision (during the earliest years of the 1700s, Stradivari’s violins were in high demand and open to being copied by other luthiers). But it might also have been because, well, Stradivari didn’t know exactly how to record its dimensions, its weight, and its balance. I mean, he knew how to create a violin with his hands and his fingers but maybe not in figures he kept in his head. Today, those violins, named after the Latinized form of his name, Stradivarius, are considered priceless. It is believed there are only around five hundred of them still in existence, some of which have been submitted to the most intense scientific examination in an attempt to reproduce their extraordinary sound quality. But no one has been able to replicate Stradivari’s craftsmanship. They’ve worked out that he used spruce for the top, willow for the internal blocks and linings, and maple for the back, ribs, and neck. They’ve figured out that he also treated the wood with several types of minerals, including potassium borate, sodium and potassium silicate, as well as a handmade varnish that appears to have been composed of gum arabic, honey, and egg white. But they still can’t replicate a Stradivarius. The genius craftsman never once recorded his technique for posterity. Instead, he passed on his knowledge to a number of his apprentices through what the philosopher Michael Polyani called “elbow learning.” This is the process where a protégé is trained in a new art or skill by sitting at the elbow of a master and by learning the craft through doing it, copying it, not simply by reading about it. The apprentices of the great Stradivari didn’t learn their craft from books or manuals but by sitting at his elbow and feeling the wood as he felt it to assess its length, its balance, and its timbre right there in their fingertips. All the learning happened at his elbow, and all the knowledge was contained in his fingers. In his book Personal Knowledge, Polyani wrote, “Practical wisdom is more truly embodied in action than expressed in rules of action.”1 By that he meant that we learn as Stradivari’s protégés did, by feeling the weight of a piece of wood, not by reading the prescribed measurements in a manual. Polyani continues, To learn by example is to submit to authority. You follow your master because you trust his manner of doing things even when you cannot analyze and account in detail for its effectiveness. By watching the master and emulating his efforts in the presence of his example, the apprentice unconsciously picks up the rules of the art, including those which are not explicitly known to the master himself. These hidden rules can be assimilated only by a person who surrenders himself to that extent uncritically to the imitation of another.

Let every American, every lover of liberty, every well-wisher to his posterity, swear by the blood of the Revolution never to violate in the least particular the laws of the country, and never to tolerate their violation by others. As the patriots of seventy-six did to the support of the Declaration of Independence, so to the support of the Constitution and the Laws let every American pledge his life, his property, and his sacred honour; let every man remember that to violate the law is to trample on the blood of his father, and to tear the charter of his own and his children's liberty. Let reverence for the laws be breathed by every American mother to the lisping babe that prattles on her lap. Let it be taught in schools, in seminaries, and in colleges. Let it be written in primers, spelling-books, and in almanacs. Let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation. When

Personally, I would agitate quite adamantly if I suspected that anyone were attempting to help me upward toward the middle class. I would agitate against the bemused person who was attempting to help me upward, that is. The agitation would take the form of many protest marches complete with the traditional banners and posters, but these would say, “End the Middle Class,” “The Middle Class Must Go.” I am not above tossing a small Molotov cocktail or two, either. In addition, I would studiously avoid sitting near the middle class in lunch counters and on public transportation, maintaining the intrinsic honesty and grandeur of my being. If a middle-class white were suicidal enough to sit next to me, I imagine that I would beat him soundly about the head and shoulders with one great hand, tossing, quite deftly, one of my Molotov cocktails into a passing bus jammed with middle-class whites with the other hand. Whether my siege were to last a month or a year, I am certain that ultimately everyone would let me alone after the total carnage and destruction of property had been evaluated.

Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.

8 ETHIOPIA Lucy Welcomes You Home —National Museum of Ethiopia poster Many things come from Ethiopia—for example, humans. A long time ago, in the Awash Valley, a humanlike ape hominin lived. She could walk on two legs but also hung out in trees; indeed, a fall from one may have caused her demise. Some 3.2 million years later, in 1974, one of her descendants, the paleoanthropologist Donald Johanson, came across her skeleton, and subsequent research suggested that this may be the region from where we all originated. Our ancestor was named Lucy due to the Beatles song “Lucy in the Sky with Diamonds,” which played at Johanson’s campsite that night. It certainly catches our imagination better than her scientific name: AL 288-1. The National Museum of Ethiopia’s poster “Lucy Welcomes You Home” is a clever piece of marketing, as is the national tourism slogan “Land of Origins,” which has helped boost visitor numbers in a country putting itself on the map in many ways. Tourism accounts for almost 10 percent of Ethiopia’s GDP, with close to 1 million people a year venturing into an epic landscape of high mountains, tropical forests, burning deserts, nine World Heritage sites, including thousand-year-old churches hewn out of solid rock, and breathtaking waterfalls.

I’m tired of thinking about Agatha. Well, not about her, but about my loss of her. Today I went through some old boxes of mine and found some journal entries I wrote in the second grade. One was about the loss of a girl, the S name on my list, so I’ll copy and paste it for posterity: Today was a bad day. Stephany broke up with me for Tommy. I don’t like that slimy Tommy. Tommy is a turtle. I used to like turtles but now I like warm blooded creetures. Maybe Stephany is a reptile disguised as a human jerkface. I won’t cry because I am a soldier. Soldiers do not dispense tears. Soldiers kill their enemies. Tommy is my enemy. But the code of the moose says a warrior must eat what he kills. Does this mean I should have eaten my neighbors cat? I will not cry today or ever. I am fearless like my dad. My dad is a superhero. He is courageous and invisible. I haven’t seen him in four years. When I see him next he’ll probably tell me I am taller. Maybe I will tell him he is shorter. And fatter and balder. Maybe he will appear again and I can be normal. I would very much like to not wear wooden shoes anymore. Cats tongues are rough like sandpaper. Cats must never lick my shoes. Nobody licked my shoes the way Stephany did. I will miss her and her early-onset male pattern baldness.

There are, no doubt, lessons here for the contemporary reader. The changing character of the native population, brought about through unremarked pressures on porous borders; the creation of an increasingly unwieldy and rigid bureaucracy, whose own survival becomes its overriding goal; the despising of the military and the avoidance of its service by established families, while its offices present unprecedented opportunity for marginal men to whom its ranks had once been closed; the lip service paid to values long dead; the pretense that we still are what we once were; the increasing concentrations of the populace into richer and poorer by way of a corrupt tax system, and the desperation that inevitably follows; the aggrandizement of executive power at the expense of the legislature; ineffectual legislation promulgated with great show; the moral vocation of the man at the top to maintain order at all costs, while growing blind to the cruel dilemmas of ordinary life—these are all themes with which our world is familiar, nor are they the God-given property of any party or political point of view, even though we often act as if they were. At least, the emperor could not heap his economic burdens on posterity by creating long-term public debt, for floating capital had not yet been conceptualized.

Which would seem to be a good thing—proposing a solution to a problem that people are hungry to solve—except that my view of silos might not be what some leaders expect to hear. That’s because many executives I’ve worked with who struggle with silos are inclined to look down into their organizations and wonder, “Why don’t those employees just learn to get along better with people in other departments? Don’t they know we’re all on the same team?” All too often this sets off a well-intentioned but ill-advised series of actions—training programs, memos, posters—designed to inspire people to work better together. But these initiatives only provoke cynicism among employees—who would love nothing more than to eliminate the turf wars and departmental politics that often make their work lives miserable. The problem is, they can’t do anything about it. Not without help from their leaders. And while the first step those leaders need to take is to address any behavioral problems that might be preventing executive team members from working well with one another—that was the thrust of my book The Five Dysfunctions of a Team—even behaviorally cohesive teams can struggle with silos. (Which is particularly frustrating and tragic because it leads well-intentioned and otherwise functional team members to inappropriately question one another’s trust and commitment to the team.) To tear

Rejoice, O father Adam, and exult yet more, O mother Eve—you who, though the parents of all, were their destroyers even before you became their parents. Be consoled now in your daughter, and in such a daughter! you especially, O Eve, from whom the evil first originated, and whose reproach passed as a disgraceful legacy to womanhood. The time is at hand when that reproach shall be taken away. Wherefore, O Eve, hasten to Mary; hasten, O Mother, to your daughter. Let the daughter answer for the mother; let her take away her mother’s reproach; let her satisfy also for her father Adam, for if he fell by a woman, behold, he is now raised up by a woman. God gave a woman in exchange for a woman; a prudent woman for one that was foolish; a humble woman for one who was proud; one who, instead of the fruit of death, shall give you to eat of the tree of life, and who, in place of the poisoned food of bitterness, will bring forth the fruit of everlasting sweetness. Change now, O Adam, your wicked words of excuse to the song of endless thanksgiving, and say: “O Lord, the woman whom thou hast given me, gave me of the tree of life; and I have eaten, and its fruit has been sweeter than honey to my mouth, and by it thou hast given me life.” This is why the angel was sent to the Virgin. O wondrous and most honourable Virgin! O woman singularly venerable! admirable among all women! thou who hast satisfied for thy parents, and restored life to their posterity.

Penetrating the literary inferno, you will come to learn its artifices and its arsenic; shielded from the immediate, that caricature of yourself, you will no longer have any but formal experiences, indirect experiences; you will vanish into the Word. Books will be the sole object of your discussions. As for literary people, you will derive no benefit from them. But you will find this out too late, after having wasted your best years in a milieu without density or substance. The literary man? An indiscreet man, who devaluates his miseries, divulges them, tells them like so many beads: immodesty - the sideshow of second-thoughts - is his rule; he offers himself. Every form of talent involves a certain shamelessness. Only sterility is truly distinguished - the man who effaces himself along with his secret, because he disdains to parade it: sentiments expressed are an agony for irony, a slap at humor. To keep one's secret is the most fruitful of activities. It torments, erodes, threatens you. Even when confession is addressed to God, it is an outrage against ourselves, against the mainspring of our being. The apprehensions, shames, fears from which both religious and profane therapeutics would deliver us constitute a patrimony we should not allow ourselves to be dispossessed of, at any cost. We must defend ourselves against our healers and, even if we die for it, preserve our sickness and our sins. The confessional? a rape of conscience perpetrated in the name of heaven. And that other rape, psychological analysis! Secularized, prostituted, the confessional will soon be installed on our street corners: except for a couple of criminals, everyone aspires to have a public soul, a poster soul.

It is important to record that the ‘Keep Calm and Carry On’ poster was never mass-produced until 2008. It is a historical object of a very peculiar sort. By 2009, when it had first become hugely popular, it seemed to respond to a particularly English malaise, one connected directly with the way Britain reacted to the credit crunch and the banking crash. From this moment of crisis, it tapped into an already established narrative about Britain’s ‘finest hour’ – the aerial Battle of Britain in 1940–41 – when it was the only country left fighting the Third Reich. This was a moment of entirely indisputable – and apparently uncomplicated – national heroism, one which Britain has clung to through thick and thin. Even during the height of the boom, as the critical theorist Paul Gilroy spotted in his 2004 book After Empire, the Blitz and the Victory were frequently invoked, made necessary by ‘the need to get back to the place or moment before the country lost its moral and cultural bearings’. ‘1940’ and ‘1945’ were ‘obsessive repetitions’, ‘anxious and melancholic’, morbid fetishes, clung to as a means of not thinking about other aspects of recent British history – most obviously, its Empire. This has only intensified since the financial crisis began. The ‘Blitz spirit’ has been exploited by politicians largely since 1979. When Thatcherites and Blairites spoke of ‘hard choices’ and ‘muddling through’, they often evoked the memories of 1941. It served to legitimate regimes which constantly argued that, despite appearances to the contrary, resources were scarce and there wasn’t enough money to go around; the most persuasive way of explaining why someone (else) was inevitably going to suffer. Ironically, however, this rhetoric of sacrifice was often combined with a demand that the consumers enrich themselves – buy their house, get a new car, make something of themselves, ‘aspire’.

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

More to the point, one cannot understand The Holocaust without understanding the intentions, ideology, and mechanisms that were put in place in 1933. The eugenics movement may have come to a catastrophic crescendo with the Hitler regime, but the political movement, the world-view, the ideology, and the science that aspired to breed humans like prized horses began almost 100 years earlier. More poignantly, the ideology and those legal and governmental mechanisms of a eugenic world-view inevitably lead back to the British and American counterparts that Hitler’s scientists collaborated with. Posterity must gain understanding of the players that made eugenics a respectable scientific and political movement, as Hitler’s regime was able to evade wholesale condemnation in those critical years between 1933 and 1943 precisely because eugenics had gained international acceptance. As this book will evidence, Hitler’s infamous 1933 laws mimicked those already in place in the United States, Britain, Norway, Sweden, Finland, and Canada. So what is this scientific and political movement that for 100 years aspired to breed humans like dogs or horses? Eugenics is quite literally, as defined by its principal proponents, an attempt at “directing evolution” by controlling any aspect of human existence that affects human heredity. From its onset, Francis Galton, the cousin of Charles Darwin and the man credited with the creation of the science of eugenics, knew that the cause of eugenics had to be observed with religious fervor and dedication. As the quote on the opening pages of this book illustrates, a eugenicist must “intrude, intrude, intrude.” A vigilant control over anything and everything that affects the gene pool is essential to eugenics. The policies could not allow for the individual to enjoy self-government or self-determination any more than a horse breeder can allow the animals to determine whom to breed with. One simply cannot breed humans like horses without imbuing the state with the level of control a farmer has over its livestock, not only controlling procreation, but also the diet, access to medical services, and living conditions.

I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore. But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.

In the summer of 2002, I embarked on a mission that had been a goal of mine for many years. That mission was to write about a group of American servicemen who fought for our country. I was naturally drawn to WWII as a subject. I had read numerous accounts of how America led the effort to defeat the twin evils of Hitler’s Germany and Tojo’s Japan. A visit to a local bookstore, however, opened my eyes to two realities: 1) many books have been written about the heroes of WWII; 2) few books have been written about the heroes of the Vietnam War. The reasons for this discrepancy were obvious to me. Conventional wisdom tells us that the men and women of WWII were heroes who won our last great war. The deeds of our heroes should be recorded for posterity. Conventional wisdom is correct. Yet, that same “wisdom” has two faces. The men of WWII were treated as heroes. The men of the Vietnam War were not. Instead of receiving ticker tape parades, many were greeted with shouts of “baby killer” and “war monger”. Thrown tomatoes, rocks, profanities and,in some cases, being spat on by fellow Americans was a common occurrence. That “wisdom” tells us that the men and women who fought in Vietnam were not heroes. They fought an immoral war, a war which they did not “win”. Not only were they immoral, they were losers as well. The conventional wisdom about the men and women who fought in Vietnam could not be more wrong. The heroes of Vietnam fought for the same reasons as every other American in every other war: for freedom, for country, for family and for the buddy holding the line next to him. That visit to the bookstore opened my eyes. My mission was crystal clear: I was to write a book about the heroes of the Vietnam War. That book was to tell a true account of combat, an account that had been ignored by historians up to that point. I wanted to tell a story that might be lost to posterity forever but for my efforts. The book was to set the record of “conventional wisdom” straight for good: that the men and women of Vietnam were and are heroes who won the war they were told to fight. That, as heroes, their deeds should be recorded for posterity. Conventional wisdom should get it right. Lions of Medina is a true account of Marine courage at its best. Courage in the face of overwhelming odds. Courage that defined the generation of men and women who fought in Vietnam. This book is a tribute to those who fought the Vietnam War, a reminder that freedom is never free, and a testament to the valor of the American soul. Doyle D. Glass May, 2007 Acknowledgments Lions of Medina would not have been possible without the contributions of many dedicated individuals.

And, furthermore, I tell you frankly that I don’t resign myself to unhappiness, nor do I bow my head to destiny, nor do I come to terms with it, as other men do; and I dare desire death, and desire it above everything else, with such ardor and such sincerity as I believe it is desired in this world only by a very few. I would not speak to you in this manner if I were not completely certain that, when the hour comes, the facts will not belie my words; for, although I don’t see yet an end to my life, I have a profound feeling which almost assures me that this hour is not far off. I am too ripe for death; and I think it to be too absurd and incredible for me—so dead I am spiritually, so altogether concluded as the fable of life is for me in all its parts—to have to last for another forty or fifty years, that is as many as Nature threatens me with. At the mere thought of this I shudder. But as happens with all those, evils, which go beyond, so the speak, the power of imagination, so this seems to be like a dream and an illusion, impossible to realize. Indeed, if someone talks to me about the distant future as of something belonging to me, I can’t help but smile to myself—so confident am I that the space of life remaining to me is not long. And this, I can say, it is the only thought that sustains me. Books and studies, which I am often surprised I have loved so much, projects of great deeds, and hopes of glory and immortality are all things at which I can no longer even laugh. At the hopes and the projects of this century I don’t laugh; with all my soul I wish them the greatest possible success, and highly and most sincerely do I praise, admire and honor their good intentions; however, I don’t envy posterity, nor those who still have long to live. In the past I used to envy the fools and the stupid, and those who have a high opinion of themselves; and I would have gladly changed places with one of them. Now I envy neither the stupid nor the wise, neither the great nor the small, neither the weak nor the powerful. I envy the dead, and only with them I would change places. Every pleasant fantasy, every thought of the future in which I indulge, as happens, in my solitude, and with which I spend my time, consists of death, and nothing else. And in this desire I am no longer troubled, as I used to be, by the memory of dreams of my early age and by the thought of having lived in vain. If I obtain death, I will die so peaceful and so content as if I had never hoped for, or desired, anything else in the world. This is the only good that can reconcile me with destiny. If I were offered, on one hand, the fortune and the fame of Caesar or Alexander, pure of all stains, and, on the other, to die today, and if I were to make a choice, I would say, to die today, and I would not want to think it over.

In their eagerness to eliminate from history any reference to individuais and individual events, collectivist authors resorted to a chimerical construction, the group mind or social mind. At the end of the eighteenth and beginning of the nineteenth centuries German philologists began to study German medieval poetry, which had long since fallen into oblivion. Most of the epics they edited from old manuscripts were imitations of French works. The names of their authors—most of them knightly warriors in the service of dukes or counts—were known. These epics were not much to boast of. But there were two epics of a quite different character, genuinely original works of high literary value, far surpassing the conventional products of the courtiers: the Nibelungenlied and the Gudrun. The former is one of the great books of world literature and undoubtedly the outstanding poem Germany produced before the days of Goethe and Schiller. The names of the authors of these masterpieces were not handed down to posterity. Perhaps the poets belonged to the class of professional entertainers (Spielleute), who not only were snubbed by the nobility but had to endure mortifying legal disabilities. Perhaps they were heretical or Jewish, and the clergy was eager to make people forget them. At any rate the philologists called these two works "people's epics" (Volksepen). This term suggested to naive minds the idea that they were written not by individual authors but by the "people." The same mythical authorship was attributed to popular songs (Volkslieder) whose authors were unknown. Again in Germany, in the years following the Napoleonic wars, the problem of comprehensive legislative codification was brought up for discussion. In this controversy the historical school of jurisprudence, led by Savigny, denied the competence of any age and any persons to write legislation. Like the Volksepen and the Volkslieder, a nation s laws, they declared, are a spontaneous emanation of the Volksgeist, the nations spirit and peculiar character. Genuine laws are not arbitrarily written by legislators; they spring up and thrive organically from the Volksgeist. This Volksgeist doctrine was devised in Germany as a conscious reaction against the ideas of natural law and the "unGerman" spirit of the French Revolution. But it was further developed and elevated to the dignity of a comprehensive social doctrine by the French positivists, many of whom not only were committed to the principies of the most radical among the revolutionary leaders but aimed at completing the "unfinished revolution" by a violent overthrow of the capitalistic mode of production. Émile Durkheim and his school deal with the group mind as if it were a real phenomenon, a distinct agency, thinking and acting. As they see it, not individuais but the group is the subject of history. As a corrective of these fancies the truism must be stressed that only individuais think and act. In dealing with the thoughts and actions of individuais the historian establishes the fact that some individuais influence one another in their thinking and acting more strongly than they influence and are influenced by other individuais. He observes that cooperation and division of labor exist among some, while existing to a lesser extent or not at ali among others. He employs the term "group" to signify an aggregation of individuais who cooperate together more closely.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

As I have tried to show throughout this book, white people raised in Western society are conditioned into a white supremacist worldview because it is the bedrock of our society and its institutions. Regardless of whether a parent told you that everyone was equal, or the poster in the hall of your white suburban school proclaimed the value of diversity, or you have traveled abroad, or you have people of color in your workplace or family, the ubiquitous socializing power of white supremacy cannot be avoided. The messages circulate 24-7 and have little or nothing to do with intentions, awareness, or agreement. Entering the conversation with this understanding is freeing because it allows us to focus on how—rather than if—our racism is manifest. When we move beyond the good/bad binary, we can become eager to identify our racist patterns because interrupting those patterns becomes more important than managing how we think we look to others.

One thing more makes these men and women from the age of wigs, swords, and stagecoaches seem surprisingly contemporary. This small group of people not only helped to end one of the worst of human injustices in the most powerful empire of its time; they also forged virtually every important tool used by citizens’ movements in democratic countries today. Think of what you’re likely to find in your mailbox—or electronic mailbox—over a month or two. An invitation to join the local chapter of a national environmental group. If you say yes, a logo to put on your car bumper. A flier asking you to boycott California grapes or Guatemalan coffee. A poster to put in your window promoting this campaign. A notice that a prominent social activist will be reading from her new book at your local bookstore. A plea that you write your representative in Congress or Parliament, to vote for that Guatemalan coffee boycott bill. A “report card” on how your legislators have voted on these and similar issues. A newsletter from the group organizing support for the grape pickers or the coffee workers. Each of these tools, from the poster to the political book tour, from the consumer boycott to investigative reporting designed to stir people to action, is part of what we take for granted in a democracy. Two and a half centuries ago, few people assumed this. When we wield any of these tools today, we are using techniques devised or perfected by the campaign that held its first meeting at 2 George Yard in 1787. From their successful crusade we still have much to learn. If, early that year, you had stood on a London street corner and insisted that slavery was morally wrong and should be stopped, nine out of ten listeners would have laughed you off as a crackpot. The tenth might have agreed with you in principle, but assured you that ending slavery was wildly impractical: the British Empire’s economy would collapse. The parliamentarian Edmund Burke, for example, opposed slavery but thought that the prospect of ending even just the Atlantic slave trade was “chimerical.” Within a few short years, however, the issue of slavery had moved to center stage in British political life. There was an abolition committee in every major city or town in touch with a central committee in London. More than 300,000 Britons were refusing to eat slave-grown sugar. Parliament was flooded with far more signatures on abolition petitions than it had ever received on any other subject. And in 1792, the House of Commons passed the first law banning the slave trade. For reasons we will see, a ban did not take effect for some years to come, and British slaves were not finally freed until long after that. But there was no mistaking something crucial: in an astonishingly short period of time, public opinion in Europe’s most powerful nation had undergone a sea change. From this unexpected transformation there would be no going back.

I am a steadfastly 20th-century guy. I've always been pathologically au courant. Even today I can tell you the length of Justin Bieber's hair. But it has now reduced society to such a trivial, crippled form, that it is beyond my notice. I look at things like Twitter and Facebook, and "reality TV" – which is one of the great frauds of our time, an oxymoron like "giant shrimp" – and I look at it all, and I say, these people do not really know what the good life is. I look at the parched lives that so many people live, the desperation that underlies their every action, and I say, this has all been brought about by the electronic media. And I do not envy them. I do not wish to partake of it, and I am steadfastly in the 20th century. I do not own a handheld device. Mine is an old dial-up laptop computer, which I barely can use – barely. I still write on a manual typewriter. Not even an electronic typewriter, but a manual. My books keep coming out. I have over 100 books published now, and I've reached as close to posterity as a poor broken vessel such as I am entitled to reach.

Public meetings, business meetings, encounters on the street, conversations, even posters on the wall all get wrapped up in an official language that doesn't contain a single word of truth. People in the West can't possibly understand what it is really like to lose the right to say what you think for years on end, and the way you have to repress the tiniest "illegal" thought you might have and stay silent as the tomb. That sort of pressure breaks something inside people.

The greatest events of history are insig- nificant beside the bill of fare. The greatest men that ever lived serve to pass an idle hour. tremendous crash of the Roman Empire is scarcely heard outside the schools and colleges. The past is insulted as much by what is remembered as by what is altogether forgotten. Yet- since the desire to live extends beyond the span of life, and men long for a refuge in memory, when the world shall have slipped from beneath their feet like a trapdoor; since we may credit ourselves with the sympathy posterity will continue to owe ; and since some chroniclers, desiring in a distant age to write for his present a history of our past, may, rummaging among old books, find this- I have set forth in the expression of the times a true and impartial account of events which, though they will be forgotten in a century, nevertheless extended over thirteen years of strife and involved. the untimely destruction of three hundred thousand human lives.

In February 1948, the Communist leader Klement Gottwald stepped out on the balcony of a Baroque palace in Prague to harangue hundreds of thousands of citizens massed in Old Town Square. That was a great turning point in the history of Bohemia. A fate­ful moment of the kind that occurs only once or twice a millennium. Gottwald was flanked by his comrades, with Clementis standing close to him. It was snowing and cold, and Gottwald was bareheaded. Bursting with solicitude, Clementis took off his fur hat and set it on Gottwald's head. The propaganda section made hundreds of thou­sands of copies of the photograph taken on the balcony where Gottwald, in a fur hat and surrounded by his comrades, spoke to the people. On that balcony the history of Communist Bohemia began. Every child knew that photograph, from seeing it on posters and in schoolbooks and museums. Four years later, Clementis was charged with trea­son and hanged. The propaganda section immediately made him vanish from history and, of course, from all photographs. Ever since, Gottwald has been alone on the balcony. Where Clementis stood, there is only the bare palace wall. Nothing remains of Clementis but the fur hat on Gottwald's head.

The oral (agraphous) traditions of the papists, for they speak diversely of them. Sometimes tradition is used by them for the 'act of tradition' by which the sacred books were preserved by the church in an uninterrupted series of time (also a perpetual succession) and delivered to posterity. This is formal tradition and in this sense Origen says 'they learned by tradition that the four gospels were unquestioned in the church universal.' Second, it is often taken for the written doctrine which, being at first oral, was afterward committed to writing. Thus Cyprian says, 'Sacred tradition will preserve whatever is taught in the gospels or is found in the epistles of the apostles or in the Acts' (Epistle 74 'To Pompey'). Third, it is taken for a doctrine which does not exist in the Scriptures in so many words, but may be deduced thence by just and necessary consequence; in opposition to those who bound themselves to the express word of the Scriptures and would not admit the word homoousion because it did not occur verbatim there. Thus Basil denies that the profession of faith which we make in the Father, Son and Holy Spirit can be found in the Scriptures meaning the Apostles’ Creed, whose articles nevertheless are contained in the Scriptures as to sense (On the Spirit 8:41, 43). Fourth, it is taken for the doctrine of rites and ceremonies called 'ritual tradition.' Fifth, it is taken for the harmony of the old teachers of the church in the exposition of any passage of Scripture which, received from their ancestors, they retained out of a modest regard for antiquity because it agreed with the Scriptures. This may be called 'tradition of sense' or exegetical tradition (of which Irenaeus speaks, Against Heresies 3.3, and Tertullian often as well, Prescription Against Heretics 3:243–65). Sixth, they used the word tradition ad hominem in disputing with heretics who appealed to them not because all they approved of could not be found equally as well in the Scriptures, but because the heretics with whom they disputed did not admit the Scriptures; as Irenaeus says, 'When they perceived that they were confused by the Scriptures, they turned around to accuse them' (Against Heresies, 3.2). They dispute therefore at an advantage from the consent of tradition with the Scriptures, just as we now do from the fathers against the papists, but not because they acknowledged any doctrinal tradition besides the Scriptures. As Jerome testifies, 'The sword of God smites whatever they draw and forges from a pretended apostolic tradition, without the authority and testimony of the Scriptures' (Commentarii in prophetas: Aggaeum 1:11).

As I have tried to show throughout this book, white people raised in Western society are conditioned into a white supremacist worldview because it is the bedrock of our society and its institutions. Regardless of whether a parent told you that everyone was equal, or the poster in the hall of your white suburban school proclaimed the value of diversity, or you have traveled abroad, or you have people of color in your workplace or family, the ubiquitous socializing power of white supremacy cannot be avoided. The messages circulate 24-7 and have little or nothing to do with intentions, awareness, or agreement. Entering the conversation with this understanding is freeing because it allows us to focus on how—rather than if—our racism is manifest

Ned’s bedroom was a museum. It was hard to look at any one thing. There were shelves and shelves of books; of stacked white cardboard boxes he’d labeled, in as many colored markers and fancy letters as there were boxes, COMIX; posters for things Dorry had never heard of, and didn’t know if they were comics or movies or what, but one—her head went light—she did: Sandman; and one wall, the entire wall, floor to ceiling around two windows, was a painting of the tops of the houses across the street, the edge of a tree in full summer leaf, birds, a cat watching from a high balcony, as though the wall itself were one huge window. “I do a new one every year,” Ned said. “This was my first tramp loyal,” and Dorry spent a good hour that night online, figuring out that he was saying trompe l’oeil.

Ambedkar’s dislike for Gandhi was intense. In 1946, his Bombay publishers,Thackers and Co. brought out a book by the Gandhi-worshipping journalist Krishnalal Shridharani, entitled The Mahatma and the World. Climbing the stairs to his publisher’s office, Ambedkar was outraged to see a poster advertising this book. ‘The number of books that people write on this old man takes my breath away,’ he grumbled, pointing at the display board. Not long afterwards, he met the journalist Vincent Sheen, and told him that if Americans loved Gandhi so much, they should import him to the United States so that Indians would at last be rid of him.

The wind always perks up at midnight. The houses buzz. The posters from last year’s movies flutter on the walls

Whoever came up with the idea to replace cover art with whats basically a movie poster should be exiled to Mars.

This process of continuous alteration was applied not only to newspapers, but to books, periodicals, pamphlets, posters, leaflets, films, sound-tracks, cartoons, photographs—to every kind of literature or documentation which might conceivably hold any political or ideological significance. Day by day and almost minute by minute the past was brought up to date. In this way every prediction made by the Party could be shown by documentary evidence to have been correct; nor was any item of news, or any expression of opinion, which conflicted with the needs of the moment, ever allowed to remain on record.

This process of continuous alteration was applied not only to newspapers, but to books, periodicals, pamphlets, posters, leaflets, films, sound-tracks, cartoons,

The smell of paper is comforting and the books absorb the sound of the traffic outside. I feel like I'm back in the school library, taking refuge from the popular girls who'd tease me about how pale and strange I was. Familiar friends sit on these shelves, many boasting new jackets in the latest styles. I say hello and silently apologise to the few that are now wearing movie poster covers. No book deserves that.

Dad’s out and Chico’s in, I’m like, fuck this. And she’s like watch your mouth and show adults respect. I pay the rent here. So I start staying out with my friends and skipping school just ’cause I feel like it and my teachers say, oh yeah, well here’s to your grades plummeting, and then I’m like, so what, and then they say one more semester and it’s over, you’re so out of here, and I’m like shit, no, they’ll send me to school with remedial kids. My little brother Peanut is gloating cause he’s at Bronx Science and thinks he’s the next Steve Jobs. That’s when I hit the books and school again. I cannot, will not, be showed up by Peanut. And that’s when I see the poster about the playwriting contest and Professor Bass, who is too old to be teaching high school but the damn union can’t fire him, says, you could probably write something decent if you weren’t so arrogant. He says half the students in the school don’t deserve to be here. And I roll my eyes and say well what, if you were

Do not despair, my friend. Today is theirs, but the future is ours.

Had not the guilt of Adam’s offense been charged to his posterity, none would die in infancy. Yet it does not necessarily follow that any who expire in early childhood are eternally lost. That they are born into this world spiritually dead, alienated from the life of God, is clear; but whether they die eternally, or are saved by sovereign grace, is probably one of those secret things which belong to the Lord.

Needing a new way to regain attention for Joséphine, she and Pepito announced that they had married at the American embassy on her 21st birthday. The marriage was as phony as Pepito’s title of Count. But Derval capitalized on the sham marriage by placing posters all over town claiming Joséphine was now a countess. She played her part well, acting the bubbly, giddy bride at a press conference: “I’m just as happy as I can be. I didn’t have any idea that getting married was exciting

Plainly, by the turn of the century, the Marines' combatant image was etched onto the imaginations of the American people. The recruiting posters told the story. In 1907, when Army posters said, "Join the Army and Learn a Trade," and Navy posters said, "Join the Navy and See the World," the Marine posters came to the point with disarming simplicity, "First to Fight.

Some say the sons of God were the descendants of Seth and the daughters of men were the posterity of Cain and that the progeny of Seth procreated with the daughters of Cain to produce these famous heroes of old. From the mainstream Christian point of view, this makes perfect sense—end of story.

Let us begin with summarizing Genesis’s account of the posterity of Cain. Cain bore a son, Enoch, and Cain named the city he built after him. Enoch bore Irad, who bore Mehujael, who bore Methushal, who was the father of Lamech.

The propaganda section made hundreds of thousands of copies of the photograph taken on the balcony where Gottwald, in a fur hat and surrounded by his comrades, spoke to the people. On that balcony the history of Communist Bohemia began. Every child knew that photograph, from seeing it on posters and in schoolbooks and museums.

Why should I write to the newspapers instead of to the machines themselves, why not summon a monster meeting of machines, place the steam engine in the chair, and hold a council of war?” asked the anonymous “mad correspondent.” “I answer, the time is not yet ripe for this. . . . Our plan is to turn man’s besotted enthusiasm to our own advantage, to make him develop us to the utmost, and find himself enslaved unawares. “My object is to do my humble share towards pointing out what is the ultimatum, the ne plus ultra of perfection in mechanized development,” the writer continued, “even though that end be so far off that only a Darwinian posterity can arrive at it. I therefore venture to suggest that we declare machinery and the general development of the human race to be well and effectually completed when—when—when—Like the woman in white, I had almost committed myself of my secret. Nay, this is telling too much. I must content myself with disclosing something less than the whole. I will give a great step, but not the last. We will say then that a considerable advance has been made in mechanical development, when all men, in all places, without any loss of time, are cognizant through their senses, of all that they desire to be cognizant of in all other places, at a low rate of charge, so that the back country squatter may hear his wool sold in London and deal with the buyer himself—may sit in his own chair in a back country hut and hear the performance of Israel in Ægypt at Exeter Hall—may taste an ice on the Rakaia, which he is paying for and receiving in the Italian opera house Covent garden. Multiply instance ad libitum—this is the grand annihilation of time and place which we are all striving for, and which in one small part we have been permitted to see actually realised.”67 This letter, bearing the stamp of Samuel Butler in style if not in name, was signed “Lunaticus.” One hundred years after Erasmus Darwin gathered his circle of Lunaticks in the English Midlands, a strand of telegraph wire was uncoiled at the antipodes of the earth. Sparked by the transit of a few pulses of electromagnetic code over this embryonic fragment of a net, Samuel Butler foresaw the evolution, perhaps not so far off as he imagined, of that phenomenon, somewhere between mechanism and organism, now manifested as the World Wide Web.

He spent the last four years of his life there engaged in practice of Zazen (meditation), painting, and joining tea ceremonies and poetry gatherings with the domain’s elite. Many of Musashi’s famous ink paintings were created during this period of intense personal reflection. By this time, Japan had become politically stable and war was now a distant memory. Musashi, being among the last generations who had personally experienced conflict, sensed that samurai were losing their sense of identity. He resolved to make a pilgrimage to Reigandō Cave43 in 1643 and started writing Gorin-no-sho there, hoping to preserve for posterity his Way, and what he believed to be the very essence of warriorship. A year later he fell ill, and the domain elders encouraged him to return to Kumamoto to be cared for. He continued working on his treatise for five or six months. On the twelfth day of the fifth month of 1645, he passed the not quite finished manuscript to his student Magonojō. He gave away all his worldly possessions, and then wrote Dokkōdō, a brief list of twenty-one precepts that summed up his principles shaped over a lifetime of austere training. He died on the nineteenth day of the fifth month of 1645. It is said that he had taken ill with “dysphagia,” which suggests perhaps that he had terminal stomach cancer. Some say he died of lung cancer. In Bukōden, it is recorded that Musashi was laid in his coffin dressed in full armor and with all his weapons. It evokes a powerful image of a man who had dedicated his whole life to understanding the mind of combat and strategy. As testament once again to the conspiracy theories surrounding Musashi’s life, I am reminded of a bizarre book titled Was Musashi Murdered and Other Questions of Japanese History by Fudo Yamato (Zensho Communications, 1987). In it the author postulates that Musashi’s death was actually assassination through poisoning. The author argues that Musashi and many of his contemporaries such as the priest Takuan, Hosokawa Tadaoki (Tadatoshi’s father) who was suspected of “Christian sympathies,” and even Yagyū Munenori were all viewed with suspicion by the shogunate. He goes so far as to hypothesize that the phrase found at the end of Musashi’s Combat Strategy in 35 Articles “Should there be any entries you are unsure of, please allow me to explain in person…” was actually interpreted by the government as a call for those with anti-shogunate sentiments to gather in order to hatch a seditious plot (p. 20). This is why, Fudo Yamato argues, Musashi and these other notable men of his age all died mysteriously at around the same time.

Oh no, I seem to have left the record book at home. Whatever will we do if your objections can’t be recorded for posterity?

I had been driven into nonfiction against my wishes. I wanted to read fiction, but I had learned to be cautious about it. “When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one. The

Living through the Blitz, edited by MO’s Tom Harrisson, makes clear just how much the ‘1945’ we now consume is a construct, a convenient fairy tale built up piece by piece several generations later. Most interesting for our purposes is its plentiful evidence that the imperative (in rhetoric, if not in the specific form of the unprinted poster) to ‘Keep Calm and Carry On’ actually had much the opposite effect. The patronising message infuriated most of the scores of mostly working-class diarists and interviewees whose materials make up the book. And rather than an alliance between the ‘decent’ people and their ‘decent’, benevolent public servants, Living through the Blitz finds a total divorce between the interests of each, with the civil service and local government desperately scared of the workers they were supposed to be sheltering from bombs. For example, while the Labour left and radical architects were advocating communal shelters, central government had a firm preference for the privatisation of bomb protection. ‘Whitehall’, Harrisson writes, ‘had long declared that there must be no “shelter mentality”. If big, safe, deep shelters were established, people would simply lie in them and do no work. Worse, such concentrations of proletarians could be breeding grounds for mass hysteria, even subversion. The answer was the Anderson shelter.’2 That is, private shelters in back gardens, not necessarily safer, but less likely to encourage sedition.

The words of God’s messengers are treasured by the community to which they are given, perhaps more in later years than when the messenger was alive. In order to preserve the memory for posterity, editors – under the direction of the Spirit – compiled and published new editions of the messenger’s words and works. Sometimes, as in the book of Jeremiah, they placed the messenger’s own words within a historical framework, providing a kind of “glue” that gives consistency to the whole.

The first basic income pilot in a developing country was implemented in the small Namibian village of Otjivero-Omitara in 2008–9, covering about 1,000 people.40 The study was carried out by the Namibian Basic Income Grant Coalition, with money raised from foundations and individual donations. Everyone in the village, including children but excluding over-sixties already receiving a social pension, was given a very small basic income of N$100 a month (worth US$12 at the time or about a third of the poverty line), and the outcomes compared with the previous situation. The results included better nutrition, particularly among children, improved health and greater use of the local primary healthcare centre, higher school attendance, increased economic activity and enhanced women’s status.41 The methodology would not have satisfied those favouring randomized control trials that were coming into vogue at the time. No control village was chosen to allow for the effects of external factors, in the country or economy, because those directing the pilot felt it was immoral to impose demands, in the form of lengthy surveys, on people who were being denied the benefit of the basic income grants. However, there were no reported changes in policy or outside interventions during the period covered by the pilot, and confidence in the results is justified both by the observed behaviour, and by recipients’ opinions in successive surveys. School attendance went up sharply, though there was no pressure on parents to send their children to school. The dynamics were revealing. Although the primary school was a state school, parents were required to pay a small fee for each child. Before the pilot, registration and attendance were low, and the school had too little income from fees to pay for basics, which made the school unattractive and lowered teachers’ morale. Once the cash transfers started, parents had enough money to pay school fees, and teachers had money to buy paper, pens, books, posters, paints and brushes, making the school more attractive to parents and children and raising the morale and, probably, the capacity of its teachers. There was also a substantial fall in petty economic crime such as stealing vegetables and killing small livestock for food. This encouraged villagers to plant more vegetables, buy more fertilizer and rear more livestock. These dynamic community-wide economic effects are usually overlooked in conventional evaluations, and would not be spotted if cash was given only to a random selection of individuals or households and evaluated as a randomized control trial. Another outcome, unplanned and unanticipated, was that villagers voluntarily set up a Basic Income Advisory Committee, led by the local primary school teacher and the village nurse, to advise people on how to spend or save their basic income money. The universal basic income thus induced collective action, and there was no doubt that this community activism increased the effectiveness of the basic incomes.

Did it have a name, this project?” “Yes. The books and posters are called MAGIC CIRCLE OF SAFETY, but she said I’d find it in the stacks under a very strange reference—KGB.2.YA—what’s so funny? Bob? Are you choking? Bob? Bob? Do you need help?” Kiss Good-Bye 2 Your Ass: I love the Laundry sense of humor.

We don’t have to wait until something is lost or ending to enjoy it now. We can find reminders to help us pause and savor. I like to use pictures or quotes in my office or on my bathroom mirror, file cabinet, or refrigerator. It could be a ring you wear or a special coin you keep in your pocket. Maybe it’s a book, card, or poster that helps you pause and reflect.

Schoolchildren were asked to collect propaganda posters and caricatures ‘for your race book and arrange them according to racial schemes’.

Kind and lovely thought originate from God while evil and revengeful thoughts are initiated by the devil.

What I am trying to tell you,” Trinka said softly, looking back at him, “is that there are good ways to live, and bad ones. This is not a matter of opinion; it is objective truth. The Empire fights the Wilders because we need their land; that’s true. But there are other reasons. We fight them because they are unworthy. They are not fit to share this world – this divine gift – with folk who do not murder children. With people who do not rape women, or make slaves of the weak. The Wilders are undeserving of the gift of life, of divine choice. They are not fit to be called Children of Bræa. Their way of life is a blight upon the earth. They may look like men, but they live, and behave, like beasts. “If they were able to learn to live like civilized folk,” she sighed, “then we would make it our business to teach them; indeed, I would account it our duty to bring them into the light. We have tried. It has been more than a century since we first began settling the frontiers beyond the mountains, and in the three-score years since Duncala, we have tried many times to bring them the gift of civilization. But if they will not learn to act like civilized men, then civilized men are not obliged to tolerate them. The whole of Bræa’s creation, her divine intent, and her gift of choice to all of us – the gift of choice that grants us the possibility, and therefore the obligation, of bettering ourselves! – cries out against tolerating what by any reasoned definition is utter, bestial depravity. “We are Bræa’s heirs, the inheritors of her divine design. We are not obliged to endure depravity,” she said gravely. “We are obliged to redeem it, if we can; but if we cannot, then our obligation – to ourselves, our posterity, and the Holy Mother’s design – is to end it.” She cocked her head. “In this wise, it might help to think of the Wilders as little different from the hordes of Bardan, whose legacy of death and devastation ended the ancient world, and plunged all into darkness for twice a thousand years.” Her fist clenched involuntarily. “We will not suffer the darkness again, Esuric Mason. My brothers...my former comrades, I mean...they will not allow it.” She looked down at her hands. For a wonder, they were steady. “I will not allow it,” she whispered. - The Wizard's Eye (Hallow's Heart, Book II; Forthcoming)

Melchizedek picked up one of the clay tablets. “These are the toledoth tablets,” he explained. “They contain the generations of your family, all the way back to Adam.” Abram looked at it. He already had some genealogy tablets he had received from Noah. But they were not as complete as these. He could see these tablets also contained stories of his forefathers that he would one day pass down to his posterity as well. Abram stared into Melchizedek’s eyes with intense curiosity. “How old are you?” he asked. Melchizedek hesitated, as if not sure he should answer. “Too old to remember.” “Last of the old-timers,

In the days leading up to the war with Germany, the British government commissioned a series of posters. The idea was to capture encouraging slogans on paper and distribute them about the country. Capital letters in a distinct typeface were used, and a simple two-color format was selected. The only graphic was the crown of King George VI. The first poster was distributed in September of 1939: YOUR COURAGE YOUR CHEERFULNESS YOUR RESOLUTION WILL BRING US VICTORY Soon thereafter a second poster was produced: FREEDOM IS IN PERIL DEFEND IT WITH ALL YOUR MIGHT These two posters appeared up and down the British countryside. On railroad platforms and in pubs, stores, and restaurants. They were everywhere. A third poster was created yet never distributed. More than 2.5 million copies were printed yet never seen until nearly sixty years later when a bookstore owner in northeast England discovered one in a box of old books he had purchased at an auction. It read: KEEP CALM AND CARRY ON The poster bore the same crown and style of the first two posters. It was never released to the public, however, but was held in reserve for an extreme crisis, such as invasion by Germany. The bookstore owner framed it and hung it on the wall. It became so popular that the bookstore began producing identical images of the original design on coffee mugs, postcards, and posters. Everyone, it seems, appreciated the reminder from another generation to keep calm and carry on.1

pring is a great time to introduce your children to the wonders of God's creation. Take them to a garden center and let them pick out a tree to be planted in your yard. Let them help dig the hole, add soil amendments, and place the tree. As they fill the hole around the tree, talk about how amazing God was when creating the world. Your children will love watching the tree grow through the years... as they grow with it. And remember when you used to press flowers in a scrapbook? Why not do it again? Use the pages of your phone book or apply heavy weight as you press and dry the flowers. When they're completely dry, use a tiny bit of glue to arrange them on colorful or white poster board. Add lace and ribbon, and you've got a perfect pressed flower arrangement. Or make it more masculine by adding graphics of sports, animals, cars, or trucks. ere's a tip that'll help in the dilemma of what to do with your various collections. Always arrange them in odd-numbered groupings. Three is a magic number. Cluster things that have differing shapes, but keep a theme going. ho is your best friend? Who is your second best friend? Now think about it. Is there really such a thing as a "bad" friend? Not all friendships are alike, to be sure. Some are casual and relaxing. Others are intense and stimulating. And some surprise us by seeming to come out of nowhere. Some friendships will fade ...a truth we have to accept. I have several "friends of the heart." These people aren't necessarily "best friends" because

would not be joining the family festivities at their six-thousand-square-foot home in Greenwich, Connecticut. Claire’s sister Abby would be going, of course, with her perfect husband Andrew and her two perfect children, four-year-old Andrew Junior, nicknamed Drew Drew, and six-year-old Skylar. Claire could picture them now; Drew Drew in his Rachel Riley polo shirt and crisp khakis, Skylar in Lily Pulitzer. The beautiful, perfect family, poster children for prosperity and happiness. Claire didn’t want to be around all the glossy perfection, not when she fell so short of the mark. So, she’d hole up in Ledstow, in Yorkshire, reading books and marking essays, enjoying the luxuries of solitude and quiet, a bottle of wine, and a roaring fire. It sounded like bliss. It also sounded like

There’s a primer,” continued Lightfoote. “I know it. I just can’t figure it out. There’s a measuring stick in this mess!” Lopez sighed. “So you’ve been saying since dawn. But it’s a quarter to five and there hasn’t been anything more. Don’t you get hangovers?” “Cyborg.” “Right. I’d forgotten.” They’d been staring at the reconstructed image for hours, assembled on the computer from several photos Houston had taken, completing the half obtained from Fawkes’s file. “What do you make of it, Francisco?” Houston had asked after they stitched the images together. “Nothing,” he’d sighed. “Just more crazy.” But from early on Lightfoote had disagreed. As the night had limped by, she continued staring at the news clippings, scrap paper, words and diagrams, equations and images John Nash had taped and pinned together across the giant poster board. “Look. This isn’t coincidence. Numbers!” she gestured to

She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

It paid off in two immediate ways. First, Think Different started a process of bringing pride back to Apple’s employees. Billboards and posters went up across the Cupertino campus. Steve’s narrated version was featured in a video promoting the whole campaign inside the company, and later, after Apple won the Emmy Award for the best television ad campaign for 1998, the company gave a fifty-page commemorative book to all its employees. “Our audience was the employees as much as anyone else,” says Clow. Inspiring them was challenging, especially when Steve was shuttering divisions of the company and laying off thousands of workers. But Think Different gave the surviving employees a sense that they might see better days ahead, for the first time in years.

I say, too, that when a painter desires to become famous in his art he endeavours to copy the originals of the rarest painters that he knows; and the same rule holds good for all the most important crafts and callings that serve to adorn a state; thus must he who would be esteemed prudent and patient imitate Ulysses, in whose person and labours Homer presents to us a lively picture of prudence and patience; as Virgil, too, shows us in the person of AEneas the virtue of a pious son and the sagacity of a brave and skilful captain; not representing or describing them as they were, but as they ought to be, so as to leave the example of their virtues to posterity.

Whole Body Vibration Training Basics Goals ♦ Minimum recommended usage (but work up to this slowly): five to ten minutes of vibration at mid-level frequency each day, but it is not a problem if you miss some days. It is great if you can work up to doing twenty minutes per day. ♦ Maximum recommended usage: twenty to thirty minutes of vibration per day. Basics ♦​To target different muscle groups, choose different positions from the pictures in this book or from the poster found on my website. ♦​Do each exercise position for thirty seconds to one minute, either holding the position (static, or isometric) or moving in and out of it (dynamic, or kinetic). ♦​Many benefits are achieved even if you only stand on the machine. In fact, standing upright on the plate is a great position for increasing bone density, as it helps to transmit the vibration throughout your body. So, even if you are too tired to work out, do stand or sit on your plate—relax and vibrate! ♦​Mid-level speed settings are optimal for muscle strengthening exercises. Higher speed settings are better for stretching and massage. The most important thing is just to do some vibration! Remember that all vibration works for strengthening, stretching and massage, lymphatic drainage, and other health benefits.

The Kitten poster reminds me of Blake Snyder’s SAVE THE CAT! The Last Book on Screenwriting That You’ll Ever Need, which has a cover with a similar image. I hope the kitten falls to its death. This hope is not born out of maliciousness, but sympathy. What's the point of hanging in there if no one's going to save you? The little fucker can only hang on for so long.

Said Carpenter: “Do you know what a book is? One of your poets has described it as the precious life-blood of a great spirit, embalmed and preserved to all posterity.

I suppose I wrote a book in the vain attempt to leave one faint footprint in the sands of time,