Poses Small Quotes

Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.

Without thinking, I knelt in the grass, like someone meaning to pray. When I tried to stand again, I couldn't move, my legs were utterly rigid. Does grief change you like that? Through the birches, I could see the pond. The sun was cutting small white holes in the water. I got up finally; I walked down to the pond. I stood there, brushing the grass from my skirt, watching myself, like a girl after her first lover turning slowly at the bathroom mirror, naked, looking for a sign. But nakedness in women is always a pose. I was not transfigured. I would never be free.

And this, too, affords no small occasion for anxieties - if you are bent on assuming a pose and never reveal yourself to anyone frankly, in the fashion of many who live a false life that is all made up for show; for it is torturous to be constantly watching oneself and be fearful of being caught out of our usual role. And we are never free from concern if we think that every time anyone looks at us he is always taking-our measure; for many things happen that strip off our pretence against our will, and, though all this attention to self is successful, yet the life of those who live under a mask cannot be happy and without anxiety. But how much pleasure there is in simplicity that is pure, in itself unadorned, and veils no part of its character!{PlainDealer+} Yet even such a life as this does run some risk of scorn, if everything lies open to everybody; for there are those who disdain whatever has become too familiar. But neither does virtue run any risk of being despised when she is brought close to the eyes, and it is better to be scorned by reason of simplicity than tortured by perpetual pretence.

Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble

Here we are sitting at the Waldorf in a conference room... and in comes someone with long hair and wearing an outfit dripping leather. I remember whispering to Dave Connell, "How do we know that man back there isn't going to throw a bomb up here or toss a hand grenade?" Connell, always one to keep a cool head, assessed the situation with care. He discreetly turned his head toward the back and realized he recognized the tall, angular man carrying a small purse under his arm. A slight smile curled as he assured Cooney the hippie back there posed no threat. "Not likely, that's Jim Henson," he said.

Okeydokey,” I said to myself. “Provisions, check. Clothes, check. Enough explosives to pose a legitimate threat to multiple small countries-“ I eyed the duffel bags that Gazzy and Iggy had packed- “check.

From: Beth Fremont To: Jennifer Scribner-Snyder Sent: Thurs, 09/30/1999 3:42 PM Subject: If you were Superman … … and you could choose any alter ego you wanted, why the hell would you choose to spend your Clark Kent hours — which already suck because you have to wear glasses and you can’t fly — at a newspaper? Why not pose as a wealthy playboy like Batman? Or the leader of a small but important nation like Black Panther? Why would you choose to spend your days on deadline, making crap money, dealing with terminally crabby editors?

If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way. Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?

At this point there's something I should explain about myself, which is that I don't talk much, probably too little, and I think this has been detrimental to my social life. It's not that I have trouble expressing myself, or no more than people generally have when they're trying to put something complex into words. I'd even say I have less trouble than most because my long involvement with literature has given me a better-than-average capacity for handling language. But I have no gift for small talk, and there's no point trying to learn or pretend; it wouldn't be convincing. My conversational style is spasmodic (someone once described it as "hollowing"). Every sentence opens up gaps, which require new beginnings. I can't maintain any continuity. In short, I speak when I have something to say. My problem, I suppose - and this may be an effect of involvement with literature - is that I attribute too much importance to the subject. For me, it's never simply a question of "talking" but always a question of "what to talk about". And the effort of weighing up potential subjects kills the spontaneity of dialogue. In other words, when everything you say has to be "worth the effort", it's too much effort to go on talking. I envy people who can launch into a conversation with gusto and energy, and keep it going. I envy them that human contact, so full of promise, a living reality from which, in my mute isolation, I feel excluded. "But what do they talk about?" I wonder, which is obviously the wrong question to ask. The crabbed awkwardness of my social interactions is a result of this failing on my part. Looking back, I can see that it was responsible for most of my missed opportunities and almost all the woes of solitude. The older I get, the more convinced I am that this is a mutilation, for which my professional success cannot compensate, much less my "rich inner life." And I've never been able to resolve the conundrum that conversationalists pose for me: how do they keep coming up with things to talk about? I don't even wonder about it anymore, perhaps because I know there's no answer.

Men, Kellhus had once told her, were like coins: they had two sides. Where one side of them saw, the other side of them was seen, and though all men were both at once, men could only truly know the side of themselves that saw and the side of others that was seen—they could only truly know the inner half of themselves and the outer half of others. At first Esmenet thought this foolish. Was not the inner half the whole, what was only imperfectly apprehended by others? But Kellhus bid her to think of everything she’d witnessed in others. How many unwitting mistakes? How many flaws of character? Conceits couched in passing remarks. Fears posed as judgements … The shortcomings of men—their limits—were written in the eyes of those who watched them. And this was why everyone seemed so desperate to secure the good opinion of others—why everyone played the mummer. They knew without knowing that what they saw of themselves was only half of who they were. And they were desperate to be whole. The measure of wisdom, Kellhus had said, was found in the distance between these two selves. Only afterward had she thought of Kellhus in these terms. With a kind of surpriseless shock, she realized that not once—not once!—had she glimpsed shortcomings in his words or actions. And this, she understood, was why he seemed limitless, like the ground, which extended from the small circle about her feet to the great circle about the sky. He had become her horizon. For Kellhus, there was no distance between seeing and being seen. He alone was whole. And what was more, he somehow stood from without and saw from within. He made whole …

The captain frowned. ‘It’s a funny thing,’ he said, ‘but why is it that the heathens and the barbarians seem to have the best places to go when they die?’ ‘A bit of a poser, that,’ agreed the mate. ‘I s’pose it makes up for ’em … enjoying themselves all the time when they’re alive, too?’ He looked puzzled. Now that he was dead, the whole thing sounded suspicious.

It’s one thing to explain to an eleven-year-old that there’s no way to know if Anne Frank went to heaven or hell, quite another to explain why such a question might have been an inappropriate one to pose at a bridal shower in front of the church ladies. But such was the nature of my small talk. Had I inherited more of my mother’s beauty and charm or shared some of my sister’s virtue, I might have gotten away with it, but instead I struggled through the trappings of Southern religious culture where a good Christian girl is expected to at least talk about the weather or football before getting to eternal damnation.

He's not your type." Peabody's face clouded exactly as it had when Eve had rejected the perfume. "How come - I like looking at his type." "Sure, but try to have a conversation with him." Eve dipped her hands in her pockets and rocked back on her heels. "Guy's in love with himself and figures every woman who gets a load of him has to go moony eyed - just like you're doing. He'd bore you to death in ten minutes because all he'd talk about is himself - how he looks, what he does, what he likes. You'd just be his latest accessory." Peabody considered, watching as the gold-tipped Adonis posed at the check-in counter. "Okay, so we won't bother to talk. We'll just have sex." "He'd be a lousy lay - wouldn't give a damn if you got off or not." "I'm getting off just looking at him." But she sighed when he took out a small silver-backed mirror and examined his face with obvious delight. "It's times like this I hate it when you're right.

A fair portion of my anger had returned, but alongside it ran the memory of those few seconds on the yoga mat in the death pose. I felt as if I had been shown a kind of essential secret, something so subtle and quiet and small(and yet so important)that I could gone my entire adult life and never even imagined such a thing existed.

Colonel Race was not good at small talk and might indeed have posed as the model of a strong silent man so beloved by an earlier generation of novelists.

Seneca reminds us how small our bodies are and poses this question: “Is it not madness and the wildest lunacy to desire so much when you can hold so little?

He was changed as completely as Amory Blaine could ever be changed. Amory plus Beatrice plus two years in Minneapolis - these had been his ingredients when he entered St. Regis'. But the Minneapolis years were not a thick enough overlay to conceal the "Amory plus Beatrice" from the ferreting eyes of a boarding school, so St. Regis' had very painfully drilled Beatrice out of him and begun to lay down new and more conventional planking on the fundamental Amory. But both St. Regis' and Amory were unconscious of the fact that this fundamental Amory had not in himself changed. Those qualities for which he had suffered: his moodiness, his tendency to pose, his laziness, and his love of playing the fool, were now taken as a matter of course, recognized eccentricities in a star quarter-back, a clever actor, and the editor of the "St. Regis' Tattler"; it puzzled him to see impressionable small boys imitating the very vanities that had not long ago been contemptible weaknesses.

In ressentiment morality, love for the “small,” the “poor,” the “weak,” and the “oppressed” is really disguised hatred, repressed envy, an impulse to detract, etc., directed against the opposite phenomena: “wealth,” “strength,” “power,” “largesse.” When hatred does not dare to come out into the open, it can be easily expressed in the form of ostensible love—love for something which has features that are the opposite of those of the hated object. This can happen in such a way that the hatred remains secret. When we hear that falsely pious, unctuous tone (it is the tone of a certain “socially-minded” type of priest), sermonizing that love for the “small” is our first duty, love for the “humble” inspirit, since God gives “grace” to them, then it is often only hatred posing as Christian love.

That’s because checklists adapt better to change than commandments. Sailors rely on them before going to sea. Soldiers employ them in planning missions. Surgeons demand them, to make sure they’ll have the instruments they need and that they’ll leave none behind. Pilots run through them, to ensure taking off safely and landing smoothly—preferably at the intended airport. Parents deploy them against all that can go wrong in transporting small children. Checklists pose common questions in situations that may surprise: the idea is to approach these having, as much as possible, reduced the likelihood that they will.

Nora, biting her lip, pointed at the small end table on my right, where there was a black-and-white photograph in an antique silver frame. It was Olivia standing with her husband, Knightly, probably some twenty years ago. They had their arms around each other, posing beside an antique Bentley in front of a colossal country manor. They looked happy, but, of course, that didn't say much. Everyone smiles for a photograph.

Some parents have taught their small children, “Go to the manager,” but this poses the same problem of identification as with the policeman: That small name tag is several feet above the child’s eye-line. I don’t believe in teaching inflexible rules because it’s not possible to know they’ll apply in all situations. There is one, however, that reliably enhances safety: Teach children that if they are ever lost, Go to a Woman. Why? First, if your child selects a woman, it’s highly unlikely that the woman will be a sexual predator. Next, as Jan’s story illustrates, a woman approached by a lost child asking for help is likely to stop whatever she is doing, commit to that child, and not rest until the child is safe. A man approached by a small child might say, “Head over there to the manager’s desk,” whereas a woman will get involved and stay involved.

Since January 6, we had met privately several times in a town house near Capitol Hill, along with a small group of experts on authoritarianism and the rise of antidemocratic movements. We agreed that the threat posed by Donald Trump might well imperil the existence of American democracy.

Agnethe falls to her knees on the stone, the dome of her head tilted back, her arms draped out at her sides in supplication. Lisbet has never seen someone pray in such a pose. When she benders her neck to speak to God, she feels the aim is to make herself as small as possible, turning inwards to find some tiny voice that perhaps sometimes she believes is from heaven, but is more often her mother's. She fails even at carrying God inside her like others seem to. But Agnethe prays like in the holy stories, as though God is everywhere, and she is showing herself as broadly and as boldly as she can.

The irregularities and abnormalities of the trial in Jerusalem were so many, so varied, and of such legal complexity that they overshadowed during the trial, as they have in the surprisingly small amount of post-trial literature, the central moral, political, and even legal problems that the trial inevitably posed.

Masked Autistics are frequently compulsive people pleasers. We present ourselves as cheery and friendly, or nonthreatening and small. Masked Autistics are also particularly likely to engage in the trauma response that therapist Pete Walker describes as “fawning.”[53] Coping with stress doesn’t always come down to fight versus flight; fawning is a response designed to pacify anyone who poses a threat. And to masked Autistics, social threat is just about everywhere. “Fawn types avoid emotional investment and potential disappointment by barely showing themselves,” Walker writes, “by hiding behind their helpful personas, over-listening, over-eliciting or overdoing for the other.”[54]

The institutional requirements of community pose fundamental issues that neither corporate capitalism nor state socialism ever took seriously. The critical point of departure is the question: Can you have Democracy with a big D in any system if you don't have democracy with a small d in the actual experience and everyday community life of ordinary everyday citizens?

Aren’t you going to look at it, Verity?” asked Miss Deane. Slowly, I unwrapped it. I saw a small, slim girl with serious eyes and a little pointed face, wearing her second-best dress and posed stiffly beside an artificial rosebush. Standing behind her, rising out of a sort of mist, was a fair-haired young man in a white shirt. There was no doubt as to who it was. It was my half-brother Alexander, and he was smiling.

we watched them from our high window and they looked small—they might have been dolls upon a clock, or beads on trailing threads. They spilled into the yards and formed three great elliptical loops, and within a second of their doing that, I could not have said which was the first prisoner to have entered the ground, and which the last, for the loops were seamless, and the women all dressed quite alike, in frocks of brown and caps of white, and with pale blue kerchiefs knotted at their throats. It was only from their poses that I caught the humanity of them: for though they all walked at the same dull pace, there were some, I saw, with drooping heads, and some that limped; some with bodies stiff and hugged against the sudden chill, a few poor souls with faces lifted to the sky—and one, I think, who even raised her eyes to the window that we stood at, and gazed blankly at us. There were all the women of the gaol there, almost three hundred of them, ninety women to each great wheeling line. And in the corner of the yards stood a pair of dark-cloaked matrons, who must stand and watch the prisoners until the exercise is complete.

My teachers ain’t even know my name,” I say. “I go to an alternative school. It’s real small.” “Damn. Alternative schools is for bad kids. How bad was you?” She turn ‘round to face me. “I wasn’t bad,” she say. “I was at risk!” We both gotta laugh at that shit. Starting in first grade, them teachers took one look at me and started putting me in programs for at-risk kids, then at-risk boys, then at-risk teenagers. Personally, I ain’t never knew what the fuck I was s’posed to be at risk of, except growing up Black, but ain’t no program I know of gonna change that.

There is a change underway, however. Our society used to be a ladder on which people generally climbed upward. More and more now we are going to a planetary structure, in which the great dominant lower middle class, the class that determines our prevailing values and organizational structures in education, government, and most of society, are providing recruits for the other groups — sideways, up, and even down, although the movement downward is relatively small. As the workers become increasingly petty bourgeois and as middle-class bureaucratic and organizational structures increasingly govern all aspects of our society, our society is increasingly taking on the characteristics of the lower middle class, although the poverty culture is also growing. The working class is not growing. Increasingly we are doing things with engineers sitting at consoles, rather than with workers screwing nuts on wheels. The workers are a diminishing, segment of society, contrary to Marx’s prediction that the proletariat would grow and grow. I have argued elsewhere that many people today are frustrated because we are surrounded by organizational structures and artifacts. Only the petty bourgeoisie can find security and emotional satisfaction in an organizational structure, and only a middle-class person can find them in artifacts, things that men have made, such as houses, yachts, and swimming pools. But human beings who are growing up crave sensation and experience. They want contact with other people, moment-to-moment, intimate contact. I’ve discovered, however, that the intimacy really isn’t there. Young people touch each other, often in an almost ritual way; they sleep together, eat together, have sex together. But I don’t see the intimacy. There is a lot of action, of course, but not so much more than in the old days, I believe, because now there is a great deal more talk than action. This group, the lower middle class, it seems to me, holds the key to the future. I think probably they will win out. If they do, they will resolutely defend our organizational structures and artifacts. They will cling to the automobile, for instance; they will not permit us to adopt more efficient methods of moving people around. They will defend the system very much as it is and, if necessary, they will use all the force they can command. Eventually they will stop dissent altogether, whether from the intellectuals, the religious, the poor, the people who run the foundations, the Ivy League colleges, all the rest. The colleges are already becoming bureaucratized, anyway. I can’t see the big universities or the foundations as a strong progressive force. The people who run Harvard and the Ford Foundation look more and more like lower-middle-class bureaucrats who pose no threat to the established order because they are prepared to do anything to defend the system.

Beauty is the first recognition of truth, great or small; Ugliness is the villain counter-posed to eradicate the internalization and eternalization of truth." "Lonely individuals have the most fulfilling conversations upon the mutual recognition of pathos in one another’s eyes." "Rules are the first weapon of cowards, fascists, and dullards. The cunning and anarchists and steadfast use the rules only as a last resort. After reason, logic, bribery, creativity, pleas for decency, and empathy--rules are all that before one must quietly plan an disproportionate response (like automotive sabotage or murder made to look like an accident.

Sassy had worked in El Paso, Texas as a waitress in a small café, a toll-booth cashier in Houston, Texas, posed nude for magazine photos in Reno, Nevada and even was a ski instructor in Granby, Colorado for a few years. Sassy was always looking. She was looking for something that she couldn’t find. Sassy wanted to go where the road led. She walked past other people’s dreams and security and followed the twisting snake through deserts and mountains, big cities and cow towns. Sassy was on a quest and she didn’t even know it. She would take her small earnings and saddle-up, following fate or hope or desire into new horizons with new promises--a skinny green-eyed girl carrying a backpack full of her life, down the roads of America.

And here is the difficult part. However messily it is expressed, much of the criticism of our class is true. We proclaim the “net” benefits of free trade, technological advances, and immigration, safe in the knowledge that we will be among the beneficiaries. Equipped with high levels of human capital, we can flourish in a global economy. The cities we live in are zoned to protect our wealth, but deter the unskilled from sharing in it. Professional licensing and an immigration policy tilted toward the low-skilled shield us from the intense market competition faced by those in nonprofessional occupations. We proclaim the benefits of free markets but are largely insulated from the risks they can pose. Small wonder other folks can get angry.

There are a small number of debilitating conditions with a strong genetic basis, such as muscular dystrophy or Huntington’s disease. These are rare, affecting about one person in ten thousand or even fewer. They do not pose a significant threat to the survival of the species. If, however, we add up the numbers of people plagued by depression or ADD or the other common psychological problems people in this society struggle with, including alcoholism and anxiety, we will have identified no less than a third of the North American population. Genetic explanations for these conditions assume that after millions of years of evolution, nature would permit a very large number of disordered genes, handicapping a third of humankind, to pass through the screen of natural selection — a highly unlikely proposition.

I was thrown out of every game, but not before I got my five in. I still hold the Iowa state record for most technicals in a season. Look it up. We had a great team in ’57: a big Swede named Swen Vader at center; a nimble power forward named Luke Walker; Brad Darklighter was our small forward; a lightning-fast little Italian, Vinny Cithreepio, ran the point; and Lando Calrissian shot the lights out as our number two. Obiwan Kanobi, an exchange student from Japan, was always good for six points as well. We won state that year but were later disqualified, as a lot of those guys had played semi-pro ball in Brazil; some of them were in their thirties. Nowadays people check that kind of stuff out, but back then we had a lot of thirty- and forty-year-old men posing as high school students. It was just something you did.

I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.

At first Paelen remained silent. But when the man repeated the question, he thought this would be a good time to start his own investigation. Breaking his silence, he replied, 'Subject.' 'That is not your name,' the man said. 'Perhaps not,' Paelen agreed. 'However, it is the name you have given me. One name is as good as any other, is it not?' 'I didn't call you Subject.' 'Yes, you did.' 'I don't think so,' the older man said. 'But you did,' Paelen insisted. 'Just now. You were speaking into that little black box and said, "Subject has multiple broken bones, which are healing at a remarkable rate." Then you said, "Subject is strong despite his small size and youthful outward appearance." So if it pleases you to call me Subject, then that shall be my name. I am Subject.' 'I don't want to call you Subject,' the man said, becoming irritated. 'I just want to know how we address you before we start with our other questions.' Paelen noticed that this man was easily flustered. He was worse than Mercury. And Mercury was always the easiest of the Olympians to upset. Lines of frustration and anger already showed on the man's face. His lips were pressed tightly together, and his brows were knitted in a deep frown. Paelen decided to push the man a little further to test him. 'You seem confused,' he said. 'If this happens so easily over the simple issue of my name, I am certain you would be far too challenged to understand the answers to any questions you might pose.' The man shook his head in growing frustration. 'I am not confused,' he said angrily. "And I know your nae isn't Subject. Subject isn't a name. It is what you are.' 'And yet you still insist on calling me it.' Paelen lay back against the pillows, enjoying the game. 'I do not understand you. You are obviously a man of questionable intelligence. Please leave.

The problem for him in high school was that debate made you a nerd and poetry made you a pussy – even if both could help you get to the vaguely imagines East Coast city from which your experiences in Topeka would be recounted with great irony. The key was to narrate participation in debate as a form of linguistic combat; the key was to be a bully, quick and vicious and ready to spread an interlocutor with insults at the at the smallest provocation. Poetry could be excused if it upped your game, became cipher and flow, if it was part of why Amber was fucking you and not Reynolds et al. If linguistic prowess could do damage and get you laid, then it could be integrated into the adolescent social realm without entirely departing from the household values of intellect and expression. It was not a reconciliation, but a workable tension. His disastrous tonsorial compromise. The migraines. Fortunately for Adam, this shifting of aggression to the domain of language was sanctioned by one of the practices the types had appropriated: after several hours of drinking, if no fight or noise complain had broken up the party, you were likely to encounter freestyling. In many ways, this was the most shameful of all the poses, the clearest manifestation of a crisis in white masculinity and its representational regimes, a small group of privileged crackers often arrhythmically recycling the genre’s dominant and to them totally inapplicable clichés. But it was socially essential for him: the rap battle transmuted his prowess as a public speaker and aspiring poet into something cool. His luck was dizzying: that there was a rapid, ritualized poetic insult exchange bridging the gap between his Saturday afternoons in abandoned high schools and his Saturday nights in unsupervised houses, allowing him to transition from one contest to the other.

The critical infrastructure of Indigenous worlds is, fundamentally, about responsibility and being a good relative. But our responsibilities do not happen only in the realm of political transformation. Caretaking, which we address in the introduction and in Part III, is the basis, too, for vibrant economies that must work fluidly with political structures to reinforce the world we seek to build beyond capitalism. We must thus have faith in our own forms of Indigenous political economy, the critical infrastructures that Huson speaks of so eloquently. We must rigorously study, theorize, enact, and experiment with these forms. While it covers ambitious terrain, The Red Deal at its base provides a program for study, theorization, action, and experimentation. But we must do the work. And the cold, hard truth is that we must not only be willing to do the work on a small scale whenever it suits us—in our own lives, in our families, or even in The Red Nation. We must be willing, as our fearless Wet’suwet’en relatives have done, to enforce these orders on a large scale. In conversation, our The Red Nation comrade Nick Estes stated, “I don’t want to just honor the treaties. I want to enforce them.” We can and should implement these programs in our own communities to alleviate suffering and protect what lands we are still able to caretake under colonial rule. To survive extinction, however, we must enforce Indigenous orders in and amongst those who have made it clear they will not stop their plunder until we are all dead. Settler and imperial nations, military superpowers, multinational corporations, and members of the ruling class are enemies of the Earth and the greatest danger to our future. How will we enforce Indigenous political, scientific, and economic orders to successfully prevent our mass ruin? This is the challenge we confront and pose in The Red Deal, and it is the challenge that all who take up The Red Deal must also confront.

China seems to offer a much more serious challenge than Western social protestors. Despite liberalising its politics and economics, China is neither a democracy nor a truly free-market economy, which does not prevent it from becoming the economic giant of the twenty-first century. Yet this economic giant casts a very small ideological shadow. Nobody seems to know what the Chinese believe these days – including the Chinese themselves. In theory China is still communist, but in practice it is nothing of the kind. Some Chinese thinkers and leaders toy with a return to Confucianism, but that’s hardly more than a convenient facade. This ideological vacuum makes China the most promising breeding ground for the new techno-religions emerging from Silicon Valley (which we will discuss in the following chapters). But these techno-religions, with their belief in immortality and virtual paradises, will take at least a decade or two to establish themselves. Hence at present China doesn’t pose a real alternative to liberalism. For bankrupt Greeks despairing of the liberal model and searching for a substitute, ‘imitating the Chinese’ isn’t a viable option.

Louis van Gaal is generally considered the creator of a football system or machine. It might be more accurate to describe him as the originator of a new process for playing the game. His underlying tactical principles were much as those of Michels and Cruyff: relentless attack; pressing and squeezing space to make the pitch small in order to win the ball; spreading play and expanding the field in possession. By the 1990s, though, footballers had become stronger, faster and better organised than ever before. Van Gaal saw the need for a new dimension. ‘With space so congested, the most important thing is ball circulation,’ he declared. ‘The team that plays the quickest football is the best.’ His team aimed for total control of the game, maintaining the ball ‘in construction’, as he calls it, and passing and running constantly with speed and precision. Totaalvoetbal-style position switching was out, but players still had to be flexible and adaptable. Opponents were not seen as foes to be fought and beaten in battle; rather as posing a problem that had to be solved. Ajax players were required to be flexible and smart – as they ‘circulated’ the ball, the space on the field was constantly reorganised until gaps opened in the opponents’ defence.

Describe for me, if you can, the nature of this wisdom.’ Anomander snorted impatiently. ‘Wisdom is surrender.’ ‘To what?’ ‘Complexity.’ ‘To what end?’ ‘Swallow it down, spit it out in small measures, to make palatable what many may not otherwise comprehend.’ ‘An arrogant pose, First Son.’ ‘I do not claim it, Azathanai, just as I refuse for myself the notion of rule. And, in the name of worship, I am lost in doubt, if not outright disbelief.’ ‘And why is that?’ ‘Power does not confer wisdom, nor rightful authority, nor faith in either of the two. If it offers a caress, so too can it by force make one kneel. The former is by nature suspect, while the latter — well, it can at least be said that it does not disguise its truth.’ ‘You learn for liberty.’ ‘If I do, then I am the greater fool, because liberty is not in itself a virtue. It wins nothing but the false belief in one's own utterly unassailable independence. even the beasts will not plunge to that depth. No, if I yearn for anything, it is for responsibility. An end to the evasions, the lies spoken in the mind and the lies spoken to others, the endless game of deeds without blame, and all the causes of seeming justice behind which hide venal desires. I yearn for the coward's confession, and understand me well here, Caladan: we are all cowards.

Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!

Police officers today are a protected class, one no politician wants to oppose. Law enforcement interests may occasionally come up short on budgetary issues, but legislatures rarely if ever pass new laws to hold police more accountable, to restrict their powers, or to make them more transparent. In short, police today embody all of the threats the Founders feared were posed by standing armies, plus a few additional ones they couldn’t have anticipated. This isn’t to say we’re in a police state, a term that’s often misused. Generally speaking, we’re free to travel. We don’t face mass censorship. We still have habeus corpus. And the odds of any single person being victimized by a wrong-door raid, shot or beaten by a cop, or otherwise victimized by militarized police violence are slim to nil. But perhaps we have entered a police state writ small. At the individual level, a police officer’s power and authority over the people he interacts with day to day is near complete. Absent video, if the officer’s account an incident differs from that of a citizen— even several citizens— his superiors, the courts, and prosecutors will nearly always defer to the officer. If other officers are nearby, there are policies in place—official and unofficial—to encourage them to back one another up. Even if the officer does violate the citizen’s rights, the officer is protected by qualified immunity.

Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.

MRI testing again shows what may be the underlying brain mechanism. The amygdalae are two small lobes in the brain associated with fear, arousal, and emotions. When they are active, it is thought to be a sign of vigilance, meaning that the brain is wary and wants more information. A study at Massachusetts General Hospital found that when subjects looked at photographs of faces—half were white, half were black—MRI scans found high amygdala activity. This was considered to be a normal reaction to unfamiliar faces. When the subjects looked at the photographs a second time the faces were more familiar; only the other-race faces continued to provoke high amygdala activity. This was true for both blacks and whites, suggesting that encounters with people of different races keep the brain at a higher level of watchfulness. Amygdalae notice race even when a person does not. William A. Cunningham of Ohio State University showed white subjects pictures of faces for only 30 milliseconds—not long enough for the subjects to be conscious of them—but black faces triggered greater amygdala activity than white faces. When he showed faces for a half a second—long enough for people to notice race—he found that black faces prompted greater activity in the pre-frontal areas, a part of the brain associated with detecting internal conflicts and controlling conscious behavior. This suggested the subjects were trying to suppress certain feelings about blacks. Steven Neuberg of Arizona State University attributes instinctive bias to evolution during our hunter-gatherer past. “By nature, people are group-living animals—a strategy that enhances individual survival and leads to what we might call a ‘tribal psychology’, ” he says. “It was adaptive for our ancestors to be attuned to those outside the group who posed threats such as to physical security, health or economic resources.

As Wheeler explained at the time, “Nature at the quantum level is not a machine that goes its inexorable way. Instead what answer we get depends on the question we put, the experiment we arrange, the registering device we choose. We are inescapably involved in bringing about that which appears to be happening.” Posing an example, he set up a fascinating mind-experiment. Utilizing the fact that a strong mass or gravity warps space-time, he imagined a small, distant light source like a quasar, whose bits of light must traverse the vicinity of a foreground massive galaxy en route to our eyes. If the geometry is correct—if the distant quasar, the intermediate massive galaxy, and our Earth are all on a perfectly straight line—each photon’s path will be warped to pass either above or below that galaxy. (The photon cannot go straight through the foreground galaxy because the galaxy’s mass has altered the actual geometry of space-time so that the shortest “highway” from the quasar to Earth is no longer a seemingly straight line. In any case, the material in the foreground galaxy would block the quasar’s light from penetrating it, even if it tried to travel that way.) Then it will continue for billions of more years before reaching our telescopes here on Earth (see Figure 8-4). If they really had a 50/50 chance of taking either route, which path did each photon traverse? Wheeler’s conclusion: The event, billions of years ago, didn’t really happen until we observe it today. Only now will a particular photon pass above or below the foreground galaxy billions of years ago. In other words, the past isn’t something that has already irrevocably occurred. Rather, long-ago events depend on the present observer. Until they’re observed at this moment, the events didn’t really unfold, but lurked in a blurry probabilistic state, all ready to become an actual “past” occurrence only upon our current observation. This astonishing possibility is called retrocausality.

I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel. My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe. “Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it. “Whose car is this?” Kitty demands. “It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.” “It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick. “I know--I mean, it looks authentic.” “So do you,” I say. “Can I sit in it?” Kitty butts in, her hand on the passenger-side door. “Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?” Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel. John and I stand off to the side, and I ask him, “Where did you ever get that uniform?” “I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?” “No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.” He studies my face. “What about you? Do you like it?” I flush. “I do. I think you look…super.

While writing the article that reported these findings, Amos and I discovered that we enjoyed working together. Amos was always very funny, and in his presence I became funny as well, so we spent hours of solid work in continuous amusement. The pleasure we found in working together made us exceptionally patient; it is much easier to strive for perfection when you are never bored. Perhaps most important, we checked our critical weapons at the door. Both Amos and I were critical and argumentative, he even more than I, but during the years of our collaboration neither of us ever rejected out of hand anything the other said. Indeed, one of the great joys I found in the collaboration was that Amos frequently saw the point of my vague ideas much more clearly than I did. Amos was the more logical thinker, with an orientation to theory and an unfailing sense of direction. I was more intuitive and rooted in the psychology of perception, from which we borrowed many ideas. We were sufficiently similar to understand each other easily, and sufficiently different to surprise each other. We developed a routine in which we spent much of our working days together, often on long walks. For the next fourteen years our collaboration was the focus of our lives, and the work we did together during those years was the best either of us ever did. We quickly adopted a practice that we maintained for many years. Our research was a conversation, in which we invented questions and jointly examined our intuitive answers. Each question was a small experiment, and we carried out many experiments in a single day. We were not seriously looking for the correct answer to the statistical questions we posed. Our aim was to identify and analyze the intuitive answer, the first one that came to mind, the one we were tempted to make even when we knew it to be wrong. We believed—correctly, as it happened—that any intuition that the two of us shared would be shared by many other people as well, and that it would be easy to demonstrate its effects on judgments.

Try opening it.” He was doing that as she spoke, gently twisting the acorn in its cup without any success. It didn’t unscrew, so he tried harder, and then tried to pull it, but that didn’t work either. “Try twisting the other way,” said Asta. “That would just do it up tighter,” he said, but he tried, and it worked. The thread was the opposite way. “I never seen that before,” said Malcolm. “Strange.” So neatly and finely made were the threads that he had to turn it a dozen times before the two parts fell open. There was a piece of paper inside, folded up as small as it could go: that very thin kind of paper that Bibles were printed on. Malcolm and Asta looked at each other. “This is someone else’s secret,” he said. “We ought not to read it.” He opened it all the same, very carefully so as not to tear the delicate paper, but it wasn’t delicate at all: it was tough. “Anyone might have found it,” said Asta. “He’s lucky it was us.” “Luckyish,” said Malcolm. “Anyway, he’s lucky he hadn’t got it on him when he was arrested.” Written on the paper in black ink with a very fine pen were the words: We would like you to turn your attention next to another matter. You will be aware that the existence of a Rusakov field implies the existence of a related particle, but so far such a particle has eluded us. When we try measuring one way, our substance evades it and seems to prefer another, but when we try a different way, we have no more success. A suggestion from Tokojima, although rejected out of hand by most official bodies, seems to us to hold some promise, and we would like you to inquire through the alethiometer about any connection you can discover between the Rusakov field and the phenomenon unofficially called Dust. We do not have to remind you of the danger should this research attract the attention of the other side, but please be aware that they are themselves beginning a major program of inquiry into this subject. Tread carefully. “What does it mean?” said Asta. “Something to do with a field. Like a magnetic field, I s’pose. They sound like experimental theologians.” “What d’you think they mean by ‘the other side’?” “The CCD. Bound to be, since it was them chasing the man.

Not all monotheisms are exactly the same at the moment. They're all based on the same illusion. They're all plagiarisms of each other, but there is one in particular that at the moment is proposing a serious menace not just to freedom of speech and freedom of expression, but to quite a lot of other freedoms too. And this is the religion that exhibits the horrible trio of self-hatred, self-righteousness, and self-pity. I am talking about militant Islam. Globally, it's a gigantic power. It controls an enormous amount of oil wealth, several large countries and states, and with an enormous fortune it's pumping the ideologies of Wahhabism and Salafism around the world, poisoning societies where it goes, ruining the minds of children, stultifying the young in its madrassas, training people in violence, making a cult of death and suicide and murder. That's what it does globally. It's quite strong. In our societies it poses as a cringing minority, whose faith you might offend, who deserves all the protection that a small and vulnerable group might need. Now, it makes quite large claims for itself, doesn't it? It says it's the Final Revelation. It says that God spoke to one illiterate businessman in the Arabian Peninsula three times through an archangel, and that the resultant material—which as you can see as you read it is largely plagiarized ineptly from the Old and The New Testament—is to be accepted as the Final Revelation and as the final and unalterable one, and that those who do not accept this revelation are fit to be treated as cattle infidels, potential chattel, slaves and victims. Well, I tell you what, I don't think Muhammad ever heard those voices. I don't believe it. And the likelihood that I am right—as opposed to the likelihood that a businessman who couldn't read had bits of the Old and The New Testament re-dictated to him by an archangel—I think puts me much more near the position of being objectively correct. But who is the one under threat? The person who promulgates this and says I'd better listen because if I don't I'm in danger, or me who says, "No, I think this is so silly you can even publish a cartoon about it"? And up go the placards and the yells and the howls and the screams—this is in London, this is in Toronto, this is in New York, it's right in our midst now—"Behead those who cartoon Islam." Do they get arrested for hate speech? No. Might I get in trouble for saying what I just said about the prophet Muhammad? Yes, I might. Where are your priorities, ladies and gentlemen? You're giving away what is most precious in your own society, and you're giving it away without a fight, and you're even praising the people who want to deny you the right to resist it. Shame on you while you do this. Make the best use of the time you've got left.

Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.

He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul. Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt. As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles. He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them. What is best to say? “Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air. “Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.” The women do not lift their heads. They prod the sand, seemingly indifferent to what they find. Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!” [pp. 160-162]

He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.

[D]espite what our intuition tells us, changes in the world’s population are not generally neutral. They are either a good thing or a bad thing. But it is uncertain even what form a correct theory of the value of population would take. In the area of population, we are radically uncertain. We do not know what value to set on changes in the world’s population. If the population shrinks as a result of climate change, we do not know how to evaluate that change. Yet we have reason to think that changes in population may be one of the most morally significant effects of climate change. The small chance of catastrophe may be a major component in the expected value of harm caused by climate change, and the loss of population may be a major component of the badness of catastrophe. How should we cope with this new, radical sort of uncertainty? Uncertainty was the subject of chapter 7. That chapter came up with a definitive answer: we should apply expected value theory. Is that not the right answer now? Sadly it is not, because our new sort of uncertainty is particularly intractable. In most cases of uncertainty about value, expected value theory simply cannot be applied. When an event leads to uncertain results, expected value theory requires us first to assign a value to each of the possible results it may lead to. Then it requires us to calculate the weighted average value of the results, weighted by their probabilities. This gives us the event’s expected value, which we should use in our decision-making. Now we are uncertain about how to value the results of an event, rather than about what the results will be. To keep things simple, let us set aside the ordinary sort of uncertainty by assuming that we know for sure what the results of the event will be. For instance, suppose we know that a catastrophe will have the effect of halving the world’s population. Our problem is that various different moral theories of value evaluate this effect differently. How might we try to apply expected value theory to this catastrophe? We can start by evaluating the effect according to each of the different theories of value separately; there is no difficulty in principle there. We next need to assign probabilities to each of the theories; no doubt that will be difficult, but let us assume we can do it somehow. We then encounter the fundamental difficulty. Each different theory will value the change in population according to its own units of value, and those units may be incomparable with one another. Consequently, we cannot form a weighted average of them. For example, one theory of value is total utilitarianism. This theory values the collapse of population as the loss of the total well-being that will result from it. Its unit of value is well-being. Another theory is average utilitarianism. It values the collapse of population as the change of average well-being that will result from it. Its unit of value is well-being per person. We cannot take a sensible average of some amount of well-being and some amount of well-being per person. It would be like trying to take an average of a distance, whose unit is kilometers, and a speed, whose unit is kilometers per hour. Most theories of value will be incomparable in this way. Expected value theory is therefore rarely able to help with uncertainty about value. So we face a particularly intractable problem of uncertainty, which prevents us from working out what we should do. Yet we have to act; climate change will not wait while we sort ourselves out. What should we do, then, seeing as we do not know what we should do? This too is a question for moral philosophy. Even the question is paradoxical: it is asking for an answer while at the same time acknowledging that no one knows the answer. How to pose the question correctly but unparadoxically is itself a problem for moral philosophy.

he was shot by a Union soldier. Captain Zachary Degaud. That was one hundred and forty seven years ago, in 1865. It was cold comfort that the civil war had ended shortly thereafter. Actually, it was like a punch in the face. Today was his one hundred and seventieth birthday and he sat at the bar, in a dive posing as a respectable restaurant in the small southern town of Ashburton, Louisiana. The hole in the swamp where he was born a puny human being. But, the sun was shining, the liquor flowing and he was undead. Another binge drinking vampire, with an unremarkable story in the midst of the murky swampland of the South. Edward, Louis, Armand, Lestat. If these vampires existed, he hadn't met them. “Happy birthday, brother.” A man slapped him on the shoulder and sat on the neighboring

Zac was twenty-three when he died. He was a Captain in the Confederate army until he was shot by a Union soldier. Captain Zachary Degaud. That was one hundred and forty seven years ago, in 1865. It was cold comfort that the civil war had ended shortly thereafter. Actually, it was like a punch in the face. Today was his one hundred and seventieth birthday and he sat at the bar, in a dive posing as a respectable restaurant in the small southern town of Ashburton, Louisiana. The hole in the swamp where he was born a puny human being. But, the sun was shining, the liquor flowing and he was undead. Another binge drinking vampire, with an unremarkable story in the midst of the murky swampland of the South. Edward, Louis, Armand, Lestat. If these vampires existed, he hadn't met them. “Happy birthday, brother.” A man slapped him on the shoulder and sat on the neighboring

When Bindi, Robert, and I got home on the evening of Steve’s death, we encountered a strange scene that we ourselves had created. The plan had been that Steve would get back from his Ocean’s Deadlist film shoot before we got back from Tasmania. So we’d left the house with a funny surprise for him. We got large plush toys and arranged them in a grouping to look like the family. We sat one that represented me on the sofa, a teddy bear about her size for Bindi, and a plush orangutan for Robert. We dressed the smaller toys in the kids’ clothes, and the big doll in my clothes. I went to the zoo photographer and got close-up photographs of our faces that we taped onto the heads of the dolls. We posed them as if we were having dinner, and I wrote a note for Steve. “Surprise,” the note said. “We didn’t go to Tasmania! We are here waiting for you and we love you and miss you so much! We will see you soon. Love, Terri, Bindi, and Robert.” The surprise was meant for Steve when he returned and we weren’t there. Instead the dolls silently waited for us, our plush-toy doubles, ghostly reminders of a happier life. Wes, Joy, and Frank came into the house with me and the kids. We never entertained, we never had anyone over, and now suddenly our living room seemed full. Unaccustomed to company, Robert greeted each one at the door. “Take your shoes off before you come in,” he said seriously. I looked over at him. He was clearly bewildered but trying so hard to be a little man. We had to make arrangements to bring Steve home. I tried to keep things as private as possible. One of Steve’s former classmates at school ran the funeral home in Caloundra that would be handling the arrangements. He had known the Irwin family for years, and I recall thinking how hard this was going to be for him as well. Bindi approached me. “I want to say good-bye to Daddy,” she said. “You are welcome to, honey,” I said. “But you need to remember when Daddy said good-bye to his mother, that last image of her haunted him while he was awake and asleep for the rest of his life.” I suggested that perhaps Bindi would like to remember her daddy as she last saw him, standing on top of the truck next to that outback airstrip, waving good-bye with both arms and holding the note that she had given him. Bindi agreed, and I knew it was the right decision, a small step in the right direction. I knew the one thing that I had wanted to do all along was to get to Steve. I felt an urgency to continue on from the zoo and travel up to the Cape to be with him. But I knew what Steve would have said. His concern would have been getting the kids settled and in bed, not getting all tangled up in the media turmoil. Our guests decided on their own to get going and let us get on with our night. I gave the kids a bath and fixed them something to eat. I got Robert settled in bed and stayed with him until he fell asleep. Bindi looked worried. Usually I curled up with Robert in the evening, while Steve curled up with Bindi. “Don’t worry,” I said to her. “Robert’s already asleep. You can sleep in my bed with me.” Little Bindi soon dropped off to sleep, but I lay awake. It felt as though I had died and was starting over with a new life. I mentally reviewed my years as a child growing up in Oregon, as an adult running my own business, then meeting Steve, becoming his wife and the mother of our children. Now, at age forty-two, I was starting again.

In the Treatise James made an important new prediction from his electromagnetic theory-that electromagnetic waves exert a radiation pressure. Bright sunlight, he calculated, presses on the earth's surface with a force of around 4 pounds per square mile, equivalen to 7 grams per hectare. This was too tiny a value to be observable in everyday life and its detection posed a challenge to experimenters. Eventually, in 1900, the Russian physicist Pyotr Lebedev succeeded, and confirmed James' prediction. Although small on an earthly scale, radiation pressure is one of the factors that shape the universe. Without it there would be no stars like our sun-it is internal radiation pressure that stops them from collapsing under their own gravity. James' discovery also helped to explain a phebomenon that had puzzled astronomers for centuries-why comets' tails point away from the sun.

Nathan Furr and Jeff Dyer talk about this as a shift in role from “Chief Decision Maker” to “Chief Experimenter.”42 In the experiment-driven organization, leadership becomes less about making the big decisions on behalf of the organization. The role of a leader, whether CEO or head of a small team, shifts from providing the right answers to posing the right questions.

No matter how self-aware you are, memoir wrenches at your insides precisely because it makes you battle with your very self – your neat analyses and tidy excuses… Your small pieties and impenetrable, mostly unconscious poses invariably trip you up. " p. xxi

In the photo Vidor had taken during her Keystone Kops days, [Mabel Normand] had been smiling, as she always seemed to be doing, with her small feet pointed inwards, and her small fingers pointed outwards—the pose that made almost everyone who met her want to give her a great big bear hug.

Time moves through the pages of your thoughts like a history lesson posed for a self portrait in the mirror of the affected past. The pretentious showers that you washed your conscience in have now become dirty pools that you are fighting not to drown in. You installed them yourself with little understanding of the guidelines of consequence that now have you examining the small print. The distant fields look blurry in the static of your horizon where east and west toss your ego back and forth in a game of keep away.

As a child, she believed he was the kindest man she knew. But slowly over the years, Baba became a stranger and she feels nothing but a dull ache for the energetic, gleeful father she once knew. People change. Everyone. And all love ends. She knows this now. Only hardened exiles refuse to change; they dig their feet in and try to root everywhere they land, even if the soil poisons them. They hang on and on, afraid to move forward. They don't let go of dead things. They don't toss the lime juice. They hoard trinkets in ragged suitcases. They pile up photographs of long-ago days, begging their children for doubles. They build a fortress in the corner of a closet. Maybe Gui was right. You're still waiting, he said - it's true. She's so terrified of losing her every small advantage that now her own Baba poses a threat. If she had accepted Gui as her home, would she shield herself so zealously? Would she be a secure kind of woman with a dozen purses strewn everywhere, each containing an old ID or a document she once thought important - none of it vital enough to save, because her entitlement to her life isn't granted by these things, but intrinsic? No one can snatch it away. Maybe that's the difference between refugees and expats. The difference isn't Yale or naturalization papers, a fat bank account or invitations to native homes. In that way, she is the same as Mam'mad and Karim. When you learn to release that first great windfall after the long migration, when you trust that you'll still be you in a year or a decade, even without the treasures you've picked up along the way, always capable of more - when you stop carrying it all on your back - maybe that's when the refugee years end.

Consider your stock. Are your sheep or goats fast and nimble, flocking or nonflocking, spooky or accustomed to daily handling? Do you have dairy cattle or ranch cattle? Some herding breeds are suited to working cattle or hogs, while others can adapt to the variety of animals found on a small farm. Turkeys, geese, or ducks pose particular challenges.

The photograph had to be reasonably interesting. Country Life girls did not simply sit for the camera against some featureless backdrop but were pictured striking a pose in surroundings that gave an indication of their normal social milieu or talents. The daughters of major gentry—those with stately homes—might be photographed leaning against a stone pillar, the clear inference being that this was just one of the many stone pillars owned by her father; those who had no stone pillars but who had, say, a small ornamental lake, would be photographed standing in front of this. Those who worked with horses—and this was a large group—might have a hunter in the background, or at least a saddle. Dogs were a popular accoutrement, usually Labradors, who would be at the young woman’s side, ready to retrieve or flush birds, enthusiasts all, and given the same appraising scrutiny by the readers, in many cases, as the young woman herself.

Between the past and the future of an event (for example, between the past and the future for you, where you are, and in the precise moment in which you are reading), there exists an “intermediate zone,” an “extended present”; a zone that is neither past nor future. This is the discovery made with special relativity. The duration of this “intermediate zone,”* which is neither in your past nor in your future, is very small and depends on where an event takes place relative to you, as illustrated in figure 3.2: the greater the distance of the event from you, the longer the duration of the extended present. At a distance of a few meters from your nose, the duration of what for you is the “intermediate zone,” neither past nor future, is no more than a few nanoseconds: next to nothing (the number of nanoseconds in a second is the same as the number of seconds in thirty years). This is much less than we could possibly notice. On the other side of the ocean, the duration of this “intermediate zone” is a thousandth of a second, still well below the threshold of our perception of time, the minimum amount of time we perceive with our senses, which is somewhere on the order of a tenth of a second. But on the moon, the duration of the “extended present” is a few seconds, and on Mars it is a quarter of an hour. This means we can say that on Mars there are events that in this precise moment have already happened, events that are yet to happen, but also a quarter-of-an-hour of events during which things occur that are neither in our past nor in our future. They are elsewhere. We had never before been aware of this “elsewhere” because next to us this “elsewhere” is too brief; we are not quick enough to notice it. But it exists, and is real. This is why it is impossible to hold a smooth conversation between here and Mars. Say I am on Mars and you are here; I ask you a question and you reply as soon as you’ve heard what I said; your reply reaches me a quarter of an hour after I had posed the question. This quarter of an hour is time that is neither past nor future to the moment you’ve replied to me. The key fact that Einstein understood is that this quarter of an hour is inevitable: there is no way of reducing it. It is woven into the texture of the events of space and of time: we cannot abbreviate it, any more than we can send a letter to the past. It’s strange, but this is how the world happens to be.

Here’s a list of small self-care activities to get you started: Drink one glass of water in the morning Meditate for two minutes Drink your coffee while it’s hot Cook yourself a legitimate breakfast Listen to calming music Read a few pages of a book Have a good cry Take five hot cocoa breaths while seated Rest in child’s pose Color Talk to a friend Brush your hair Journal

He’d been obsessed with dying when he was a small boy. He’d banged his head against the pillow in an attempt to drive away the thoughts. How was it possible not to exist? How could he not exist? As a teenager, the preoccupation was still there, but he’d hidden it more skilfully, turning the obsession into an intellectual pose, a cloak to hide his real terror.

Sex differences are also apparent at the level of narrower ability facets. For instance, women outperform men in memory for object location -likely as a result of selection for gathering skills- and tend to use different strategies for spatial navigation and wayfinding. Another major axis of sexual differentiation is that of mechanistic versus mentalistic cognition. In general, females perform better in mentalistic tasks as decoding nonverbal behavior, interpreting emotional expressions, and attributing beliefs and other states of mind. This advantage in mentalizing -especially in one-to-one and small-group interactions- is likely due to the higher demands posed by the complexity of female competition, and women's primary role in caregiving.

It always seemed crazy to me that the act of posing in front of bubblegum pink walls and boomeranging into marshmallow-filled bathtubs was a legitimate twenty-first century career. But I had watched regular people build small empires, frame by frame, avocado toast by avocado toast.

Masked Autistics are frequently compulsive people pleasers. We present ourselves as cheery and friendly, or nonthreatening and small. Masked Autistics are also particularly likely to engage in the trauma response that therapist Pete Walker describes as “fawning.”[53] Coping with stress doesn’t always come down to fight versus flight; fawning is a response designed to pacify anyone who poses a threat. And to masked Autistics, social threat is just about everywhere.

Oi.” Christian nods at me as he walks shirtless and sweaty into my kitchen—never what you want to see from the blad who’s doing your sister. There’s a towel slung over his shoulder—a small mercy, I s’pose—as he wanders to my fridge and pulls out one of my sister’s juices like he owns the fucking place

Stiff with terror, I hold the pose as Yannie’s flashes radiate off the backdrop. I open my arms to present in second position. I throw back my head, letting my hair cascade to the small of my back. I curve sideways like the marble statue of a water nymph—Dress like a Nun—that rule has most definitely gone down. At last, the rapid-fire clicking stops. Yannie speaks in Mandarin. Sophie’s no longer smiling. “We’re done.” “Already?” “I told you. She’s got another customer in a few minutes.” I don’t budge.

Camila’s house was small and cozy. Like a real family lived there, not one who posed like they were a perfect family for Instagram.

First, this faith does indeed become a virtue, in the Christian sense. The initial reaching out in grateful response, itself precipitated by the work of the Spirit and the preaching of the Word, is the start of a lifelong reaching out, a faithfulness that, like the initial faith, is the answer to God's faithfulness in Jesus Christ and in the word of the gospel. But this lifelong faithfulness, sharing as it does the nature and character of the initial faith by which one is justified, is not (again, as in some romantic or existentialist dreamings) a matter of giving expression to how one happens to be feeling at the time. (One of the evils of our age is first to say "I feel" when we mean "I think"; then to pass, subtly, to the point where actual feelings have taken the place of actual thought; then to pass beyond that again, to the point where "feeling" automatically trumps "thinking"; then to reach the point where thought has disappeared altogether, leaving us merely with Eliot's "undisciplined squads of emotion. "35 At that point, one of the nadirs of postmodernity, we have left behind both the classical and the Christian traditions, though tragically you can see exactly this sequence worked out in various would-be Christian contexts, not least Synods.) This lifelong faithfulness is a matter of practice. It means acquiring a habit: making a thousand small decisions to trust God now, in this matter, to believe in Jesus and his death and resurrection today, to be faithful and trustworthy to him here and now, in this situation ... and so coming, by slow steps and small degrees, to the point where faith, trust, belief, and faithfulness become, as we properly say in relation to virtue, "second nature" Not "first nature;' doing what comes naturally. No: second nature, doing from the heart that which the heart has learned by practice and hard work. Christian faith thus reaches out, by Spirit-inspired and eschatologically framed moral effort, toward the telos for which we were made, that we should be image-bearers of the faithful God. This means, in the terms I have posed in this paper, that faith is indeed one of the things we learn to do in the present time that truly anticipates the full life of the coming age. This is the sense, I think, in which lifelong Christian faith, though not different in kind or content from the faith by which one is justified (but only in temporal location, i.e., ongoing rather than initial), is indeed to be reckoned among the virtues.

Understandably, given public anger at bailouts, support had been gathering from both the right and the left for breaking up the largest institutions. There were also calls to reinstate the Depression-era Glass-Steagall law, which Congress had repealed in 1999. Glass-Steagall had prohibited the combination within a single firm of commercial banking (mortgage and business lending, for example) and investment banking (such as bond underwriting). The repeal of Glass-Steagall had opened the door to the creation of “financial supermarkets,” large and complex firms that offered both commercial and investment banking services. The lack of a new Glass-Steagall provision in the administration’s plan seemed to me particularly easy to defend. A Glass-Steagall–type statute would have offered little benefit during the crisis—and in fact would have prevented the acquisition of Bear Stearns by JPMorgan and of Merrill Lynch by Bank of America, steps that helped stabilize the two endangered investment banks. More importantly, most of the institutions that became emblematic of the crisis would have faced similar problems even if Glass-Steagall had remained in effect. Wachovia and Washington Mutual, by and large, got into trouble the same way banks had gotten into trouble for generations—by making bad loans. On the other hand, Bear Stearns and Lehman Brothers were traditional Wall Street investment firms with minimal involvement in commercial banking. Glass-Steagall would not have meaningfully changed the permissible activities of any of these firms. An exception, perhaps, was Citigroup—the banking, securities, and insurance conglomerate whose formation in 1998 had lent impetus to the repeal of Glass-Steagall. With that law still in place, Citi likely could not have become as large and complex as it did. I agreed with the administration’s decision not to revive Glass-Steagall. The decision not to propose breaking up some of the largest institutions seemed to me a closer call. The truth is that we don’t have a very good understanding of the economic benefits of size in banking. No doubt, the largest firms’ profitability is enhanced to some degree by their political influence and markets’ perception that the government will protect them from collapse, which gives them an advantage over smaller firms. And a firm’s size contributes to the risk that it poses to the financial system. But surely size also has a positive economic value—for example, in the ability of a large firm to offer a wide range of services or to operate at sufficient scale to efficiently serve global nonfinancial companies. Arbitrary limits on size would risk destroying that economic value while sending jobs and profits to foreign competitors. Moreover, the size of a financial firm is far from the only factor that determines whether it poses a systemic risk. For example, Bear Stearns, which was only a quarter the size of the firm that acquired it, JPMorgan Chase, wasn’t too big to fail; it was too interconnected to fail. And severe financial crises can occur even when most financial institutions are small.

Solutions-focused therapists use a common set of techniques of discovering potencial solutions. Early in the first session, after hearing the patient explain his or her problem, the therapist poses the Miracle Question: "Can I ask you a sort of strange question? Suppose that you go to bed tonight and sleep well. Sometime, in the middle of the night, while you are sleeping, a miracle happens and all the troubles that brought you here are resolved. When you wake up in the morning, what's the first small sign you'd see that would make you think, "Well, something must have happened-the problem is gone?!

International labor mobility What’s the problem? Increased levels of migration from poor to rich countries would provide substantial benefits for the poorest people in the world, as well as substantial increases in global economic output. However, almost all developed countries pose heavy restrictions on who can enter the country to work. Scale: Very large. Eighty-five percent of the global variation in earnings is due to location rather than other factors: the extremely poor are poor simply because they don’t live in an environment that enables them to be productive. Economists Michael Clemens, Claudio Montenegro, and Lant Pritchett have estimated what they call the place premium—the wage gain for foreign workers who move to the United States. For an average person in Haiti, relocation to the United States would increase income by about 680 percent; for a Nigerian, it would increase income by 1,000 percent. Some other developing countries have comparatively lower place premiums, but they are still high enough to dramatically benefit migrants. Most migrants would also earn enough to send remittances to family members, thus helping many of those who do not migrate. An estimated six hundred million people worldwide would migrate if they were able to. Several economists have estimated that the total economic gains from free mobility of labor across borders would be greater than a 50 percent increase in world GDP. Even if these estimates were extremely optimistic, the economic gains from substantially increased immigration would be measured in trillions of dollars per year. (I discuss some objections to increased levels of immigration in the endnotes.) Neglectedness: Very neglected. Though a number of organizations work on immigration issues, very few focus on the benefits to future migrants of relaxing migration policy, instead focusing on migrants who are currently living in the United States. Tractability: Not very tractable. Increased levels of immigration are incredibly unpopular in developed countries, with the majority of people in Germany, Italy, the Netherlands, Norway, Sweden, and the United Kingdom favoring reduced immigration. Among developed countries, Canada is most sympathetic to increased levels of immigration; but even there only 20 percent of people favor increasing immigration, while 42 percent favor reducing it. This makes political change on this issue in the near term seem unlikely. What promising organizations are working on it? ImmigrationWorks (accepts donations) organizes, represents, and advocates on behalf of small-business owners who would benefit from being able to hire lower-skill migrant workers more easily, with the aim of “bringing America’s annual legal intake of foreign workers more realistically into line with the country’s labor needs.” The Center for Global Development (accepts donations) conducts policy-relevant research and policy analysis on topics relevant to improving the lives of the global poor, including on immigration reform, then makes recommendations to policy makers.

My lover’s alluring propensities took on a vivacity I had difficulty conceding. His passion magnified a thousand-fold within my consciousness as I closed my eyes to this wanton dexterity. I desired him, and he wanted me. Under this euphoric ecstasy, I relinquished my person to his coveted demands.               My Apollo, my Phoebus, who never failed to brighten my person and radiate my soul, had coiled me into his solicitous web of ardent devotion. My coverings fell away with every inhalation of his loving elixir. My lover had exposed my nakedness to the gazing eyes of the unseen voyeur and stalker. They alone were granted dispensation to witness the audacity between my lover and me.               Our fiery gazes never left or strayed from each other. Bewitched by his blueish-green eyes, my soul was bare to him. His oral stimulation had fostered me to arch my back in a balletic pose as his hands supported the small of my back. Watched through the submerged glass, we felt like Poseidon’s pleasure slaves, performing solely for his gratification. I was awed by our agility and reminded of a supple aquatic dance performance I had witnessed during my extensive travels. My former ballet training surged through me as I saw myself swirling and pirouetting across the room, and Andy’s thickness gyrated within the core of my being. The ecstasy and the agony of my dance pedagogy had transformed into the art of intercourse. The grace of movement and the beauty of love had merged into a seraphic epiphany – a unity of the Godhead within and without.               At the precise moment of our orgasmic exultations, I finally grasped my chaperone’s universal knowledge: that the divine and I are but one and the same. It was then I comprehended my guardian’s god-like comportment. Andy knew his birth-right, and he wore his divinity with pride and honour. All of that I saw in him as it came gushing to the forefront. He was indeed a Phoebus Apollo, a sun god beheld in a darkened chamber. There and then, I made a secret covenant to myself, like an apostle to the Son of God - I would follow in his footsteps.               My Valet’s sanctity swirled within me, flooding my kernel with beatific sows of celestial grace. Overjoyed by his tokens of affection, I too released my passion into his garnering gulf. Streams of my succulent splendour oozed from his enticing lips. It was only when we shared the final droplets of my luscious deposits that he liberated his engorgement from my sopping honeycomb. I supped at his dripping remains before sharing my fill with him, so we could both partake in this sexual liturgy of heavenly Eucharist.               We did not relinquish our performance after the lights and music had disappeared, but remained entwined in darkness, savouring the inseparable devotion that had once been the domain of Apollo and his beloved Hyacinth.

ONCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit’s mood — jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit’s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially — what unsavory animal — was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward’s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edward’s large and expressive ears. Each pair of well-cut pants had a small pocket for Edward’s gold pocket watch. Abilene wound this watch for him each morning.

Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The

If you cut a point from a starfish it will grow a new point. Not only that, the point will grow a whole new starfish, because the genetic imprint is contained in each and every one of its parts. I was at a holographic exhibition several years ago in which I saw an exhibit of photographs done with holography. In one of the pictures was an image of a woman standing upright. If I moved to the right of the picture the woman changed suddenly and she was now smoking a cigarette; if I moved to the left of the picture it changed again and she had her hip thrown out in a suggestive pose. If one were to drop this holographic plate onto the floor and it shattered into pieces, each piece would reveal not what you would expect to see—a piece of her shoe or dress or maybe her eye—but the image of the whole woman. And if one moved any one of the little pieces from side to side, you would still see her smoke that cigarette and throw out her hip. Every single one of the small pieces would have the whole picture contained within it.

Consider fast food, for instance. It makes sense—when the kids are starving and you’re driving home after a long day—to stop, just this once, at McDonald’s or Burger King. The meals are inexpensive. It tastes so good. After all, one dose of processed meat, salty fries, and sugary soda poses a relatively small health risk, right? It’s not like you do it all the time. But habits emerge without our permission. Studies indicate that families usually don’t intend to eat fast food on a regular basis. What happens is that a once a month pattern slowly becomes once a week, and then twice a week—as the cues and rewards create a habit—until the kids are consuming an unhealthy amount of hamburgers and fries. When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25 However, even these habits are delicate. When a fast food restaurant closes down, the families that previously ate there will often start having dinner at home, rather than seek out an alternative location. Even small shifts can end the pattern. But since we often don’t recognize these habit loops as they grow, we are blind to our ability to control them. By learning to observe the cues and rewards, though, we can change the routines.

practice power posing. Popularized by Amy Cuddy in her famous TED Talk, power posing is a simple 1-2 minute exercise that has incredible results on your confidence, happiness, and even cognitive functioning. I highly recommend that you check out her TED Talk, but if you don’t have time here is a quick primer on how to power pose. Before an event that you’re feeling nervous about, simply go somewhere quiet (like a bathroom stall) then strike and hold a power pose. A power pose is any standing position that represents a powerful stance, a classic example is the superhero pose – hands on your hips, chest out, head help high and a feeling of dominance. This may sound ridiculous, but the research behind it is outstanding. Try it just once, it only takes 1-2 minutes, and you will feel the difference instantly.   The physical space you occupy also plays a role in the impression you signal to people. You’re going to want to pay particular attention to personal space and touching. In a business setting, most people are fine with a handshake and not much more than that.

As a self-confessed Pre-Raphaelite - a term that by the 1880s was interchangeable with ‘Aesthete’ - Constance was carrying a torch whose flame had ben lit in the 1850s by a group of women associated with the founding Pre-Raphaelite Brotherhood painters. Women such as Elizabeth Siddal and Jane Morris, the wives respectively of the painter Dante Gabriel Rossetti and the poet, designer and socialist William Morris, had modelled for the Pre-Raphaelite artists, wearing loose, flowing gowns. But it was not just their depiction on canvas that sparked a new fashion among an intellectual elite. Off canvas these women also establised new liberties for women that some twenty years later were still only just being taken up by a wider female population. They pioneered new kinds of dresses, with sleeves either sewn on at the shoulder, rather than below it, or puffed and loose. While the rest of the female Victorian populace had to go about with their arms pinned to their bodies in tight, unmoving sheaths, the Pre-Raphaelite women could move their arms freely, to paint or pose or simply be comfortable. The Pre-Raphaelite girls also did away with the huge, bell-shaped crinoline skirts, held out by hoops and cages strapped on to the female undercarriage. They dispensed with tight corsets that pinched waists into hourglasses, as well as the bonnets and intricate hairstyles that added layer upon layer to a lady’s daily toilette. Their ‘Aesthetic’ dress, as it became known, was more than just a fashion; it was a statement. In seeking comfort for women it also spoke of a desire for liberation that went beyond physical ease. It was also a statement about female creative expression, which in itself was aligned to broader feminist issues. The original Pre-Raphaelite sisterhood lived unconventionally with artists, worked at their own artistic projects and became famous in the process. Those women who were Aesthetic dress in their wake tended to believe that women should have the right to a career and ultimately be enfranchised with the vote. […] And so Constance, with ‘her ugly dresses’, her schooling and her college friends, was already in some small degree a young woman going her own way. Moving away from the middle-class conventions of the past, where women were schooled by governesses at home, would dress in a particular manner and be chaperoned, Constance was already modern.

But seat-back video screens and the hard frames that surround them pose a safety challenge, partly because of the potential for injuries caused by head strikes, and partly because the computers and the electrical systems that serve them have to be both fireproof and fully isolated from the plane’s—so that crossed wires in somebody’s seat don’t allow a ten-year-old playing a video game to suddenly take control of the cockpit. Largely as a result, in-flight entertainment systems are almost unbelievably expensive. The rule of thumb, I was told, is “a thousand dollars an inch”—meaning that the small screen in the back of each economy seat can cost an airline ten thousand dollars, plus a few thousand for its handheld controller.

In one set of experiments, for example, researchers affiliated with the National Institute on Alcohol Abuse and Alcoholism trained mice to press levers in response to certain cues until the behavior became a habit. The mice were always rewarded with food. Then, the scientists poisoned the food so that it made the animals violently ill, or electrified the floor, so that when the mice walked toward their reward they received a shock. The mice knew the food and cage were dangerous—when they were offered the poisoned pellets in a bowl or saw the electrified floor panels, they stayed away. When they saw their old cues, however, they unthinkingly pressed the lever and ate the food, or they walked across the floor, even as they vomited or jumped from the electricity. The habit was so ingrained the mice couldn’t stop themselves.1.23 It’s not hard to find an analog in the human world. Consider fast food, for instance. It makes sense—when the kids are starving and you’re driving home after a long day—to stop, just this once, at McDonald’s or Burger King. The meals are inexpensive. It tastes so good. After all, one dose of processed meat, salty fries, and sugary soda poses a relatively small health risk, right? It’s not like you do it all the time. But habits emerge without our permission. Studies indicate that families usually don’t intend to eat fast food on a regular basis. What happens is that a once a month pattern slowly becomes once a week, and then twice a week—as the cues and rewards create a habit—until the kids are consuming an unhealthy amount of hamburgers and fries. When researchers at the University of North Texas and Yale tried to understand why families gradually increased their fast food consumption, they found a series of cues and rewards that most customers never knew were influencing their behaviors.1.24 They discovered the habit loop. Every McDonald’s, for instance, looks the same—the company deliberately tries to standardize stores’ architecture and what employees say to customers, so everything is a consistent cue to trigger eating routines. The foods at some chains are specifically engineered to deliver immediate rewards—the fries, for instance, are designed to begin disintegrating the moment they hit your tongue, in order to deliver a hit of salt and grease as fast as possible, causing your pleasure centers to light up and your brain to lock in the pattern. All the better for tightening the habit loop.1.25 However, even these habits are delicate. When a fast food restaurant closes down, the families that previously ate there will often start having dinner at home, rather than seek out an alternative location. Even small shifts can end the pattern. But since we often don’t recognize these habit loops as they grow, we are blind to our ability to control them. By learning to observe the cues and rewards, though, we can change the routines.

That was diverse.” Poppy looks surprised as she slides down the wall like a bird that’s forgotten how to fly, landing in a crumpled heap on the curb. “Positively Dionysian,” I manage to slur. The world is a crazed kaleidoscope. Colors fight for space, desperate to steal each other’s names. “They’re just labels!” I yell at the untidy bundle of shades and bones near my foot. “Are you talking to me?” Patterns birthed by multiple reflections coalesce into Poppy’s face. “Maybe. I think other people’s musical chi has saturated my cells.” Myriad venues and tonal flavors are scattered through my memory, like broken harmonies. “Why did I feed on so many tunes?” “You wanted filtered sounds to rain down and seep clean through, beyond blood, to the soul.” A lone streetlight flickers behind her and for a few alienating seconds she shimmers in and out of existence. “Too much.” My stomach turns over, but I manage to keep everything down. If I throw up now, nothing will come out but music. “Tonight’s orgy of sound has left us in a pure, concentrated haze of other people’s emotions,” Poppy announces proudly, unperturbed by the fact I’m squatting in a gutter. She holds out her arms to me, palms turned up. “Look, I’m full of music.” I stare at the small woman, posed like a crazed Messiah. The cat mask is still caught in her hair. A cracking sound fills the air and her face starts to fracture into pieces, like shards of a broken mirror. Closing my eyes, I take deep breaths till my head calms down. When I open them again, Poppy is gone.

police unearthed evidence that Aum were also developing a technique for enriching uranium, using laser beam equipment. Because Japan cannot eliminate the threat that this small but crazy group poses, this chapter has to question Japan's ability to deal with the much stronger one that North Korea, China,

The binary of illness/wellness is always porous, whether or not we notice. In Illness as Metaphor, Susan Sontag wrote, “Everyone who is born holds dual citizenship, in the kingdom of the well and in the kingdom of the sick.” I used to believe Sontag uncritically. Now I know that the two kingdoms don’t exist; it’s one kingdom, in a quantum state. We are all constantly both sick and well, sick/well, sick and well both, our body and immune system in conversation with a world rich in microbes, viruses, and bacteria, almost all of them either benign or beneficial, countless microbes in me here as I write and in you there as you read. The quantum state of sick/well. Let me take cancer, that disease so long synonymous with death. Cancer is not a binary. We’re willing to acknowledge this, but only when one has already crossed over into the sick category. Cancer has stages. Stage 1 cancer is still small, mostly easily treatable; stage 4 cancer is aggressive, malignant, deadly. Many prostate cancers require no intervention at all. They are subclinical. We live with them until something else kills us. Cancer is not black and white but gray, and further, there is no white to begin with. There is no absence of cancer as long as we have a body. We make cancerous cells every day our cells divide, which is to say every day. In order to keep living, and keep making—for example—new skin to push the outside world out, our cells have to divide. With each cell division, a cell will make mutations. Mutations are the raw material of cancer. Carcinogens and sunlight cause cancer because they cause mutations and damage to our DNA. But without cell division, no life. To risk cancer, to make it day by day, is to live. The absence of cancer is death. So cancerous cells are a normal part of life. In the popular imagination, we see the immune system as mainly protecting us from infectious disease, from bacteria and viruses. But just as importantly, our immune system protects us against cancer, the cells in our own body that mutate to become other, to pose a threat. At almost 40, I’ve certainly had cancerous cells in me, cells that mutate so they can divide and divide and divide. It’s my immune system that finds those cells and kills them so that I, a whole organism, can survive. But because I don’t have cancer doesn’t mean I haven’t had a cancer cell in me. I have, and survived it, so far.

Though out of character, lofty-minded Tom Johnson, at one of our meetings, posed the question, “How in the world will we ever pull this thing off?” A bunch of ideas and suggestions were offered amid a goodly portion of friendly banter. It was agreed that to sell the race, it would be necessary to get all sorts of people emotionally involved. Get them to volunteer, to buy into the race. Joe, Sr., never one to think small, brought our task down to nutshell simplicity when he stated, “We have to get the whole darn state involved.” This was our message: Look out, Alaska, here we come. We are going to buttonhole you and ask for your help. We believe in our product, now we want you to believe, too. To become involved in our dream. You, the musher, politician, lawyer, army, air force, event organizer, banker, merchant, recreationist, publicist, publisher, miner, villager, pilot, radioman, and a myriad of others, are needed. Together, we can relive our glorious past and provide something positive for Alaska’s future. Without you, all is lost and we are doomed to failure. That was our basic approach in rounding up volunteers for the first race. It was an easy sell.

Why do teenagers move on to risky business when they don’t meet resistance on the small stuff? Because teens want to know where the lines are and that they’ll be called out of bounds if they cross them. It’s daunting to be a teenager and have access to tempting but dangerous attractions; it’s terrifying to think that no one is watching. As one of my clinical colleagues commented, when teens like Veronica act out, they are posing the question, “So what does a girl have to do around here to get the grown-ups to act like grown-ups?

She was so small and delicate. So easy for him to hurt and he didn’t want to hurt her. He shouldn’t want to mate a weak creature. He should search for the strongest, the most powerful, the best. Someone he couldn’t best or overcome in a fight. The People of Water valued strength, not delicacy. So while she turned her attention to stopping the alarm and freeing them from that gods awful noise, he’d fled. He couldn’t look at her when he feared what he might do if he stayed for even a moment longer. What if, for the briefest of moments, he fell to weakness like he had before? Daios had spent his entire life knowing that he was a weapon. He was proud of the danger that his body posed for almost anyone who was around him. That was his role.

Joshua took another small sip from his wine glass as his gaze and his thoughts drifted away from the flat-screen television mounted above the marbled fireplace to ponder a roomful of sports jackets and pantsuits and in some cases cocktail dresses but only of neutral tones and minimal detailing if for no other reason than to avoid becoming the subject of the next petty scandal that would nevertheless send shockwaves through their haughty and insular world. The way they stood in their intimate clusters. Their drink glasses held in various poses of sophistication. And whenever they did bring glass to mouth in accordance with judiciously preset intervals it was also for show, as he believed was true of their subdued conversations, which, from where he was sitting, appeared to be nothing more than the unintelligible murmurings of barely moving lips. A whole list of observations came to mind. Not one of them flattering in any way. The atmosphere thick with that certain stuffiness and elitist redolence of an ivy league alumni fundraising gala. Of course, he readily admitted to himself that out of everyone in the room he was very likely the most materially bereft and least credentialed and that this stinging truth undoubtedly inflamed his plebeian impulse. But that’s not what was bugging him.

Only then Roma leaned into the blade instead, until the metal was pressed right into his neck, one hairsbreadth away from breaking skin and drawing blood. “Then do it,” Roma hissed. He sounded angry. . . . He sounded pained. “Kill me.” Juliette did not move. She must have hesitated for a fraction too long, because Roma’s expression morphed into a sneer. “Why do you pause?” he taunted. The taste of blood was still pungent inside her mouth. In a blur, Juliette flipped the blade onto its blunt end and slammed the handle to Roma’s temple. He blinked and dropped like a rock, but Juliette threw the weapon away and lunged to break his fall. As soon as her hands slid around him, she let out a small exhale of relief, stopping Roma just before his head could hit the hard floor. Juliette sighed. In her arms, he felt so solid, more real than ever. His safety was an abstract concept when he was at a distance, far from the threats that her Scarlets posed to him. But here, with his pulse thudding through his chest and beating an even rhythm onto hers, he was just a boy, just a bloody, beating heart that could be cut out at any moment by any blade sharp enough. “Why do you pause?” Juliette mimicked bitterly. Softly, she set him down, brushing his mussed hair out of his face. “Because even if you hate me, Roma Montagov, I still love you.

Shiva raised both his arms in an elegant circular movement to the sides to bring them in line with his shoulder. His right hand was holding an imaginary dumru, a small, handheld percussion instrument. His left hand was open with its palm facing upward, almost like it was receiving some divine energy. He held this pose for some time; his glowing face indicated that Shiva was withdrawing into his inner world. His right hand then moved effortlessly forward, almost as if it had a mind of its own. Its palm was now open and facing the audience. Somehow, the posture seemed to convey a feeling of protectiveness to a very surprised Sati. Almost languidly, his left arm glided at shoulder height and came to rest with the palm facing downwards and pointing at the left foot. Shiva held this pose for some time. And then began the dance. Sati stared in wonder at Shiva. He was performing the same steps as her. Yet it looked like a completely different dance. His lyrical hand movements graced the mystical motion of his body. How could a body this muscular also be so flexible? The Guruji tried helplessly to get his dhol to give Shiva the beats. But clearly that wasn’t necessary. As it was Shiva’s feet which were leading the beat for the dhol! The dance conveyed the various emotions of a woman. In the beginning it conveyed her feelings of joy and lust as she cavorted with her husband. The next emotion was anger and pain at the treacherous killing of her mate. Despite his rough masculine body, Shiva managed to convey the tender yet strong emotions of a grieving woman. Shiva’s eyes were open. But the audience realised that he was oblivious to them. Shiva was in his own world. He did not dance for the audience. He did not dance for appreciation. He did not dance for the music. He danced only for himself. In fact, it almost seemed like his dance was guided by a celestial force. Sati realised that Shiva was right. He had opened himself and the dance had come to him. After what seemed like an eternity the dance came to an end, with Shiva’s eyes firmly shut. He held the final pose for a long time as the glow slowly left him. It was almost as if he was returning to this world. Shiva gradually opened his eyes to find Sati, Krittika and the Guruji gaping at him wonder-struck.

Your small pieties and impenetrable, mostly unconscious poses invariably trip you up.

Other philosophers asked questions like: Is Truth Beauty, and is Beauty Truth? and: Is Reality Created by the Observer? But Didactylos posed the famous philosophical conundrum: "Yes, But What's It Really All About, Then, When You Get Right Down To It, I Mean Really!

The invitation came from Studio Morra in Naples: Come and perform whatever you want. It was early 1975. With the scandalized reactions of the Belgrade press fresh in my mind, I planned a piece in which the audience would provide the action. I would merely be the object, the receptacle. My plan was to go to the gallery and just stand there, in black trousers and a black T-shirt, behind a table containing seventy-two objects: A hammer. A saw. A feather. A fork. A bottle of perfume. A bowler hat. An ax. A rose. A bell. Scissors. Needles. A pen. Honey. A lamb bone. A carving knife. A mirror. A newspaper. A shawl. Pins. Lipstick. Sugar. A Polaroid camera. Various other things. And a pistol, and one bullet lying next to it. When a big crowd had gathered at eight P.M., they found these instructions on the table: There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility. Duration: 6 hours (8pm - 2am) Slowly at first and then quickly, things began to happen. It was very interesting: for the most part, the women in the gallery would tell the men what to do to me, rather than do it themselves (although later on, when someone stuck a pin into me, one woman wiped the tears from my eyes). For the most part, these were just normal members of the Italian art establishment and their wives. Ultimately I think the reason I wasn’t raped was that the wives were there. As evening turned into late night, a certain air of sexuality arose in the room. This came not from me but from the audience. We were in southern Italy, where the Catholic Church was so powerful, and there was this strong Madonna/whore dichotomy in attitudes toward women. After three hours, one man cut my shirt apart with the scissors and took it off. People manipulated me into various poses. If they turned my head down, I kept it down; if they turned it up, I kept it that way. I was a puppet—entirely passive. Bare-breasted, I stood there, and someone put the bowler hat on my head. With the lipstick, someone else wrote IO SONO LIBERO—“I am free”—on the mirror and stuck it in my hand. Someone else took the lipstick and wrote END across my forehead. A guy took Polaroids of me and stuck them in my hand, like playing cards. Things got more intense. A couple of people picked me up and carried me around. They put me on the table, spread my legs, stuck the knife in the table close to my crotch. Someone stuck pins into me. Someone else slowly poured a glass of water over my head. Someone cut my neck with the knife and sucked the blood. I still have the scar. There was one man—a very small man—who just stood very close to me, breathing heavily. This man scared me. Nobody else, nothing else, did. But he did. After a while, he put the bullet in the pistol and put the pistol in my right hand. He moved the pistol toward my neck and touched the trigger. There was a murmur in the crowd, and someone grabbed him. A scuffle broke out. Some of the audience obviously wanted to protect me; others wanted the performance to continue. This being southern Italy, voices were raised; tempers flared. The little man was hustled out of the gallery and the piece continued. In fact, the audience became more and more active, as if in a trance. And then, at two A.M., the gallerist came and told me the six hours were up. I stopped staring and looked directly at the audience. “The performance is over,” the gallerist said. “Thank you.” I looked like hell. I was half naked and bleeding; my hair was wet. And a strange thing happened: at this moment, the people who were still there suddenly became afraid of me. As I walked toward them, they ran out of the gallery.