Pool Cue Quotes

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Short of a shotgun, a pool cue is the best barroom weapon ever invented. Short enough to be handy, long enough to be useful, made out of fine hardwood and nicely weighted with lead.
Lee Child (Echo Burning (Jack Reacher, #5))
Somedays you're the cue ball, somedays you are the eight ball
Pablo
You got me. I stole it." He pulls at the other end of the pool cue, shaking his head. "Nah, you gave it a better home.
Rachael Lippincott (Five Feet Apart)
All they needed was a title. Carmack had the idea. It was taken from The Color of Money, the 1986 Martin Scorsese film in which Tom Cruise played a brash young pool hustler. In one scene Cruise saunters into a billiards hall carrying his favorite pool cue in a stealth black case. “What you got in there?” another player asks. Cruise smiles devilishly, because he knows what fate he is about to spring upon this player, just as, Carmack thought, id had once sprung upon Softdisk and as, with this next game, they might spring upon the world. “In here?” Cruise replies, flipping open the case. “Doom.
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.
Robert Dugoni (The Extraordinary Life of Sam Hell)
(She holds up the pool cue defiantly, fighting for every one of us.) I'm stealing three hundred & four point eight millimeters. Twelve whole inches. One fucking foot of space, distance, length.
Rachael Lippincott (Five Feet Apart)
Stretched and skewed Tap of the 8-ball and the cue Scratches fall through They are the scars of you
Criss Jami (Salomé: In Every Inch In Every Mile)
In Ecuador the Indian mate was too poor to buy Polaroid glasses but he saw the caudal fins of marlin long before my perfect eyes noticed anything. Benny played pool as if the cue stick emerged from his body. Not my alcohol & geometry. She was an asshole and I couldn't have loved her at gunpoint.
Jim Harrison (A Good Day to Die)
When you lose, let that be a lesson to you. When you win - you don't learn anything.
Allan P. Sand
You got me. I stole it." He pulls at the other end of the pool cue, shaking his head. "Nah, you gave it a better home.
Mikki Daughtry (Five Feet Apart)
Elif remained standing. “And what about the pool cue?
Alex Michaelides (The Silent Patient)
Her continued devotion in the face of all that had happened amazed me, but at this point I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball.
Robert Dugoni (The Extraordinary Life of Sam Hell)
... [O]ne of the most influential approaches to thinking about memory in recent years, known as connectionism, has abandoned the idea that a memory is an activated picture of a past event. Connectionist or neural network models are based on the principle that the brain stores engrams by increasing the strength of connections between different neurons that participate in encoding an experience. When we encode an experience, connections between active neurons become stronger, and this specific pattern of brain activity constitutes the engram. Later, as we try to remember the experience, a retrieval cue will induce another pattern of activity in the brain. If this pattern is similar enough to a previously encoded pattern, remembering will occur. The "memory" in a neural network model is not simply an activated engram, however. It is a unique pattern that emerges from the pooled contributions of the cue and the engram. A neural network combines information in the present environment with patterns that have been stored in the past, and the resulting mixture of the two is what the network remembers... When we remember, we complete a pattern with the best match available in memory; we do not shine a spotlight on a stored picture.
Daniel L. Schacter (Searching for Memory: The Brain, the Mind, and the Past)
She walked around the edge of the table to position her next shot. As she pulled her cue back she was confident that she would only need one more shot after this. But as she started her forward motion, Ben leaned over. "Look at this picture," he said softly. "A long stick, hard balls, you bent over the table..." She missed.
Erin Nicholas (Just Right (Just Everyday Heroes: Day Shift, #1))
Darren was without his usual baseball cap; his flat, fair hair looked like a circle of lawn that had been trapped and left to die under a kiddie pool. Finally he read a prepared statement: “I’d just like to say that I, Darren Scott Tinzler, class of 2007, a communications major from Kissimmee, Florida, am apparently kind of bad at reading signals from the opposite sex. I’m very ashamed right now, and I apologize for my own repeated misunderstanding of social cues.
Meg Wolitzer (The Female Persuasion)
probably could, but they fight dirty.” “Not as dirty as my brother fights,” Jhahnahkan stopped and thought real hard for a moment, “I remember! I remember I have a brother!” he exclaimed, “But that is all I remember, and that I took him in a fight recently, It is just a blur...” “Take it easy there mister. You don’t need to get another blow to yer head,” Rex said with a reassuring voice, “If ya are startin’ ta remember things, just sit here and relax for a spell while we wait for Katie to get here.” “I know you are right, but I do not like to see them acting this way. I will deal with them soon.” The two brothers noticed Jhahnahkan looking their way, “Hey! Whatta you lookin’ at?” Chuck yelled across the bar, “Didn’t ya take notice we don’ take kindly to bein’ stared at?” Rex pulled Jhahnahkan close to his mouth, and he whispered, “Now ya done it. We’re in big trouble now.” “Relax Rex, it will be fine,” Jhahnahkan motioned with his hand as he got up and walked over to the Russell brothers. “Yeah, you better come over here so we can whip ya ass all over the floor,” Tim said as he set his pool cue down. Jhahnahkan said no words
Brian K. Larson (Secret of the Crystal (Time Travel))
Steady there,” he whispered, his lips brushing past my ear as he eased up behind me. His hands settled on my hips, fingers toying with the hem of my shirt. “Focus, Duffy. Are you focusing?” He was trying to distract me. And shit, it was working. I jerked away from him, trying to thrust the back of my pool stick into his gut. But of course he dodged, and I succeeded only in knocking the cue ball in the opposite direction of what I’d intended, sending it right into one of the corner pockets. “Scratch,” Wesley announced. “Damn it!” I whirled around to face him. “That shouldn’t count!” “But it does.” He took the white ball out of the hole and placed it carefully at the end of the table. “All’s fair in love and pool.” “War,” I corrected. “Same thing.” He eased the stick back, staring straight ahead, before shooting it forward again. Half a second later, the eight ball sailed into a pocket. The winning shot. “Asshole,” I hissed. “Don’t be a sore loser,” he said, leaning his stick against the wall. “What did you really expect? I’m obviously amazing at everything.” He grinned. “But, hey, you can’t hold it against me, right? We can’t help the way God makes us.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
A pool game mixes ritual with geometry. The slow spaciousness of the green felt mirrors some internal state you get to after a few beers. Back at school, I’d been trying to read the philosophy of art, which I was grotesquely unequipped to do but nonetheless stuck on. I loved the idea that looking at a painting or listening to a concerto could make you somehow “transcend” the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger. In those days the drug culture was pimping “expanded consciousness,” a lie that partly descended from the old postindustrial lie of progress: any change in how your head normally worked must count as an improvement. Maybe my faith in that lie slid me toward an altered state that day. Or maybe it was just the beer, which I rarely drank. In any case, walking around the pool table, I felt borne forward by some internal force or fire. My first shot sank a ball. Then I made the most unlikely bank shot in history to drop two balls at once after a wild V trajectory. Daddy whistled. The sky through the window had gone the exact blue of the chalk I was digging my cue stick in, a shade solid and luminous at once, like the sheer turquoise used for the Madonna’s robe in Renaissance paintings. Slides from art history class flashed through my head. For a second, I lent that color some credit, as if it meant something that made my mind more buoyant. But that was crazy.
Mary Karr (The Liars' Club)
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
In Britain, it’s kind of an old-guy thing to do,” I explain as she gleefully chalks up a cue stick. “You’re kidding! We have them in all the bars where I live.” She pantomimes a big theatrical wink. “Not that I’ve been in any, of course. Here, I’ll teach you to play pool. Though ‘snooker’ is a really cool word. Snooker!” she says, and it sounds hilarious in her accent. Who’d have thought it--me and Paige. If not BFFs, we’re certainly BFTs. Best Temporary Friends. I certainly didn’t see that coming. But we’re united, at least, in refusing to withdraw into the kind of slump that both Kendra and Kelly are indulging in. It may be unfair of me, but I think it’s selfish of them. We’re all in this together, away from home, and though the group could cope with one of the four throwing a wobbly, two is unquestionably a downer. Thank goodness, Paige teaching me pool is a lot of fun, especially as she keeps showing me how guys put their arms around girls from behind to do what I call copping a feel and she calls doing a booty rub. We laugh, a lot. We laugh so much that Paige’s mobile rings four times before we hear it, and she only just answers it before it goes to voice mail. “Hey, Ev! No, I wasn’t ignoring you--Violet and I were playing pool. She calls it snooker! Isn’t that such a great word?
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Cassie got in her truck.She didnt own much , but it was all there with her.A vintage Balabushka pool cue won fair & square; a backpackfrom a Boy Scout packed with Laura,s letters.a phone number in Biloxi.Her tools ,her boots ,her clothes,some books;she had a .22 pistol ,a Ruger Single-Six,strapped to her ankle.She had three hundred thousand in cash in a metal box behind her seat . She drove away .
Haven Kimmel (Something Rising)
So believe me when I say that the arc of the pool cue slicing through the air towards my head was a thing of beauty,
Ian Loome (Quinn Checks In (Liam Quinn Mysteries #1))
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Pool Cue Guide
The officers had a ghoul pool, in which they bet on how many bodies eventually would be recovered. The estimates ranged from five to twenty-four. Everyone was low. Taking a cue from a movie just opening in Chicago theaters, they got themselves T-shirts emblazoned with “The Body Snatchers, No. 803640,” the six digits referring to the case number, with large numerals “27,” signifying the body count, on the other side. (That number also proved low.)
Terry Sullivan (Killer Clown:The John Wayne Gacy Murders)
Do you know how to use a pool cue?" Paul asked her. "To play pool or to fight?" she asked as Paul pulled the door open and Allan went in first. "Balls are my specialty.
Terry Spear (SEAL Wolf Hunting (Heart of the Wolf, #16))
Pool cue
Lauren Blakely (Sinful Desire (Sinful Nights, #2))
Ladies first.” I couldn’t wait for this game to be over so I could teach her how to break properly. Images of her body pressed against mine, bending over the table, caused my jeans to get tighter. “Your funeral,” she sang and my lips turned up at her flash of confidence. Echo twirled her pool cue like a warrior going into battle, never once taking her eyes off the cue ball. She leaned over the table. I focused on her tight ass. My siren ate me alive with every movement. As she took aim, she no longer resembled the fragile girl at school, but a sniper. The quick and thunderous cracking of balls caught me off guard. The balls fell into the pockets in such rapid succession, I lost count. Echo rounded the table, once again twirling the cue, studying the remaining balls like a four-star general would a map. Damn—the girl knew how to play.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Jay bent over the table, and the muscles in his arm stood proud as he drew the cue back. In one swift motion, he sent it cracking into the white, the other balls soon spinning across the green felt. “Your turn,” he handed her the cue, eyes glinting wickedly. “Need me to look after your end? Of the pool cue, I mean.” “I'm quite capable of looking after my own end, thanks,” Kayla replied archly, and quickly ran the chalk over her cue. “I know the importance of taking care of the tip.
Libby Cole (Hawaiian Heartbreak (Hawaiian Heartbreak, #1))
In the plain ordinary hustle you hide your true speed; in the psychological hustle you try to drive your opponent out of his fucking skull... There is a small-time pool player in San Francisco called Snakeface who pretends that if he gets beat he might go crazy or get a heart attack. He's no youngster, but when he misses a shot or gets a bad break he jumps back, swings his cue in a circle, cusses with all his strength, and turns beet red. Years ago he used to put his head down and run himself into the wall, but he gave that up. This act puts quite a bit of pressure on the guy he is playing, who may not want to kill an old man for two dollars.
Danny McGoorty (McGoorty: A Billiard Hustler's Life)
I was already crouched, so it made sense to throw the uppercut. It’s never been my strongest punch – I’m more a stick-and-move guy, despite being close to a heavyweight, so I favor my hook. But I had a substantial tactical advantage, and I came up hard, nailing him with my right hand pretty much flush on the button, that helpful cluster of nerves at the end of the chin. His knees buckled, his eyes rolled backwards, and he crumpled like a pup tent in heavy wind, the pool cue clattering to the ground and rolling away. It hadn’t taken more than about fifteen seconds for the whole fight, including the time it had taken me to tap the cue swinger on the shoulder. But everyone in the dingy pool hall had stopped to stare, and the only sound was the blaring tune. Light streamed into the room from the wall of windows overlooking the strip
Ian Loome (Quinn Checks In (Liam Quinn Mysteries #1))
Once upon a time my father taught me.” I failed to share my family history with Captain Rye, but my father put the working half of a cue in my hand the day I could stand upright on my own. Our pool table presided over the dining room, and Daddy would drag a chair around for me to stand on until I was tall enough to reach over the rail.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
The room we entered housed a large TV, a pool table, and a few other games for the inmates to enjoy, including a collapsible table tennis set that had been folded in half with someone still inside it, crushing the man to death. Three massive couches had been upturned and thrown to the sides, exposing a large, empty section of floor. A lone arm, torn off from the shoulder, sat in the very center in a pool of blood. At the far end of the room, the TV had been torn from the wall and tossed aside. In its place was a body. Or at least the remains of one. Two pool cue ends protruded out of his chest, and blood had sprayed from his torso where his arms should have been, drenching the wall in red on either side of him. Identification would be difficult since the victim’s head was missing. “What the fuck happened here?” I asked, not sure if I wanted to know. Olivia turned away from talking to one of her agents. “The best Doctor Grayson can determine is that Neil was nailed to the wall by those pool cues after having his arms and his head ripped off and thrown into the nearest bin.” “That’s Neil Hatchell?” Olivia nodded.
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
You look tired,” Marshall said. I jumped. He was leaning against one of the pool tables, cue in hand. What was he still doing here? “Thanks. You look deranged, so I guess we both need work.
Chanelle Gray (My Heart Be Damned)
Self-defense is when you didn't help develop the conflict, but violence was aimed at you anyway. An easy way to say it, but one many people fuck up the execution of, is: Self-defense is after you've done everything in your power to avoid it, the guy still attacked you and you did what you had to do to stop him.
Marc MacYoung (Pool Cues, Beer Bottles, and Baseball Bats: Animal's Guide to Improvised Weapons for Self-Defense and Survival Third Edition)
Sandra shook her head. “He was murdered. With a pool cue. In the games room.” It sounded very much as if she were playing a game of Clue. But her demeanor suggested that she was a lot more upset than her words indicated.
Elizabeth Spann Craig (Quilt-Ridden (A Southern Quilting Mystery, #14))
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)
How do I apply Watashi’s wisdom today? If I don’t “feel” like getting out of bed in the morning, I hear and see a Little Watashi in my mind’s eye. I dismiss that “feeling” and get up. I dismiss positive feelings too, at least as they affect work. If I’m self-satisfied or in soaring good spirits and want to celebrate or take the day off, I place those feelings as well in quotation marks. I have internalized Watashi and even, in my imagination, his pool cue.
Steven Pressfield (Put Your Ass Where Your Heart Wants to Be)
Once is interesting. Twice is happenstance. Three times, it's a game. Patterns are things that happen that you really couldn't prove in court, but damn it, you know they happen!
Marc MacYoung (Pool Cues, Beer Bottles, and Baseball Bats: Animal's Guide to Improvised Weapons for Self-defense and Survival)
The Duelists.
Marc MacYoung (Pool Cues, Beer Bottles, and Baseball Bats: Animal's Guide to Improvised Weapons for Self-defense and Survival)
games room playing pool with Geranium (she used a special pool cue attached to her nose and she prowled over the pool table to take her shots). Buster was lying on a sofa near the TV, but he wasn’t really watching it. He was more interested in a history book open before him. He was always very interested
Neil McFarlane (Buster the Superdog Saves the Doggone World!: Me Tawk Funny 4)
But it was Ireland’s mercurial folklore that supplied Bax with the dominant voice in his compositions. Beginning with Cathaleen-na-Hoolihan (1905), written three years after encountering Yeats, the list of his tone poems (spanning the years 1909–31) reads like the contents of an Arts and Crafts compendium of decadent fairy tales: In the Faery Hills, Rosc-catha, Spring Fire, Nympholept, The Garden of Fand, November Woods, Tintagel, The Happy Forest, The Tale the Pine Trees Knew. A sensualist and erotic adventurer (in 1910 he pursued a ukrainian girl he was infatuated with from St Petersburg to Kiev), Bax created lush, richly foliated sound-forests that attempted to conjure up a sense of narcotic abandon and the intoxicating conjunction of myth and landscape. In the Faery Hills (1909) takes its cue from a section in Yeats’s Wanderings of Oisin in which the Sídhe force a troubadour to sing them a song. Aware of their reputation as festive types, Oisin launches into his most joyous ditty. To the Sídhe, it still sounds like the most depressing dirge they’ve ever heard, so they toss his harp into a pool and whisk him away to show him how to party like it’s AD 99. Bax claimed to have been ‘possessed by Kerry’s self’5 while writing it.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
My pool table!” Orion shrieked. “I never even got to use it!” The chandelier in the room, weakened by the blast, dropped from the ceiling and shattered in the wreckage. The fallen chandelier was the size of a minivan, big enough to give us some cover. We dashed into the next room before Joshua or Dane could fire again, though Erica stopped just long enough to snatch a pool ball and half a busted pool cue off the floor. “We lost the flash drive!” Zoe exclaimed. “And my pizza!” Murray wailed.
Stuart Gibbs (Spy School British Invasion)
Sawyer: Are you at home? I slowly lifted my eyes to meet Beau’s. “It’s Sawyer asking if I’m at home.” Beau put his cue stick up and reached for mine. “Tell him I’m taking you home now.” I didn’t want to go home right then, but there was no other explanation I could give Sawyer. I texted him back. “Beau’s taking me home now.” Beau nodded toward the door. “Come on, let’s go.” He didn’t reach for my hand or touch my back the way he used to when we left the bar. Instead he walked beside me, not touching me or looking at me. I got another text message. Sawyer: Tell him to bring you to my house. Everyone’s in bed, and I’m in the pool house. Come see me. I’ll take you home. That wasn’t something I could ask Beau to do. He’d been wonderful after our fight tonight. Asking him to drop me off at Sawyer’s was too much. Once we were in the truck, I fiddled with my phone, trying to decide what to tell Sawyer. “What is it, Ash? What did he say to make you start chewing your bottom lip?” I sighed and kept my eyes on the phone in my lap. “He wants you to bring me to his pool house. I don’t want you to do that.” Beau pulled the truck off the side of the road and then turned to look at me. “Why?” I glanced up at him. “Because,” I replied. Beau let out a growl and slammed his palms against the steering wheel, causing me to jump. “I can’t do this, Ash. It’s killing me. Having you this close and not touching you is driving me insane. You’re his, Ash. You’re his. You made your choice, and I understand why you chose him. I don’t hold it against you, but dammit, Ash, it hurts.” My chest felt as if it had been ripped open again. “I’m so sorry, Beau. I’m sorry I did this to you. I’m sorry for everything. I’m sorry I can’t make it better. I’m sorry.” “Stop it, Ash. You got nothing to be sorry for. I started this, and I’m the one who needs to end it. I just can’t seem to bring myself to stay away from you.” I slid over and straddled the stick shift and laid my head on his shoulder. He slipped his arm around me and pulled me tight up against him. I closed my eyes as he kissed the top of my head. Neither of us knew what to say. We sat in silence, holding each other until my phone alerted us of another text message. I started to pull away, but Beau held me against his side and cranked the truck. “Just let me hold you a little longer,” he whispered hoarsely as he pulled back onto the road. When we pulled onto Sawyer’s street, Beau kissed my head one more time. “You better move over now.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))