Forever Is Composed Of Nows Quotes

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Forever is composed of nows.
Emily Dickinson
What about the rest of your life?" She shrugged. "What about it?" "Aren't you worried about, like, forever?" "Forever is composed of nows," she says.
John Green (Paper Towns)
Forever is composed of nows..
Emily Dickinson
Forever – is composed of Nows – (690) Forever – is composed of Nows – ‘Tis not a different time – Except for Infiniteness – And Latitude of Home – From this – experienced Here – Remove the Dates – to These – Let Months dissolve in further Months – And Years – exhale in Years – Without Debate – or Pause – Or Celebrated Days – No different Our Years would be From Anno Dominies –
Emily Dickinson (The Poems of Emily Dickinson)
The longer you live, the harder it becomes. To grab them. Each little moment as it arrives. To be living in something other than the past or the future. To be actually here. Forever, Emily Dickinson said, is composed of nows. But how do you inhabit the now you are in? How do you stop the ghosts of all the other nows from getting in? How, in short, do you live?
Matt Haig (How to Stop Time)
Forever is composed of nows. Das 'Für immer' besteht aus vielen 'jetzt'.
Emily Dickinson
Forever is composed of nows.
null
Forever, Emily Dickinson said, is composed of nows. But how do you inhabit the now you are in? How do you stop the ghosts of all the other nows from getting in? How, in short, do you live?
Matt Haig (How To Stop Time: A Novel)
Forever – is composed of Nows – ‘Tis not a different time – Except for Infiniteness – And Latitude of Home –
Emily Dickinson (The Collected Poems of Emily Dickinson)
Forever—is composed of—Nows.
Alice Hoffman (The Rules of Magic)
Forever—is composed of Nows— EMILY DICKINSON
Kerstin Gier (Emerald Green (Precious Stone Trilogy, #3))
Forever is composed of nows.
Tessa Bailey (The Au Pair Affair (Big Shots, #2))
Forever is composed of nows
Emily Dickinson
Forever is composed of nows,” she says.
John Green (Paper Towns)
Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Aren't you worried about, like forever?" "Forever is composed of nows," she says.
John Green (Paper Towns)
Forever is composed of nows,
John Green (Paper Towns)
Maybe happiness is about what we can give. Maybe happiness is not a butterfly we can catch with a net. Maybe there is no certain way to be happy. Maybe there are only maybes. If (as Emily Dickinson said) “Forever—is composed of Nows—,” maybe the nows are made of maybes. Maybe the point of life is to give up certainty and to embrace life’s beautiful uncertainty
Matt Haig (Notes on a Nervous Planet)
Good morning on the 7th of July. while still in bed my thoughts turn towards you my Immortal Beloved, now and then happy, then sad again, waiting whether Fate might answer us. – I can only live either wholly with you or not at all, yes, I have resolved to stray about far away until I can fly into your arms, and feel at home with you, and send my soul embraced by you into the realm of the Spirits. – Yes, unfortunately it must be. – You will compose yourself, all the more since you know my faithfulness to you, never can another own my heart, never – never. – Oh God why do I have to separate from someone whom I love so much, and yet my life in V[ienna] as it is now is a miserable life. – Your love makes me at once most happy and most unhappy. – At my age, I would now need some conformity regularity in my life – can this exist in our relationship? – Angel, I just learned that the post goes every day – and I must therefore conclude so that you get the l[etter] straightway – be patient, only through quiet contemplation of our existence can we achieve our purpose to live together – be calm – love me – today – yesterday. – What yearning with tears for you – you – you – my life – my everything – farewell – oh continue to love me – never misjudge the most faithful heart of your Beloved L. Forever thine forever mine forever us.
Ludwig van Beethoven
Forever - is composed of Nows - 'Tis not a different time - Except for Infiniteness - And Latitude of Home - From this - experienced Here - Remove the Dates - to These - Let Months dissolve in further Months - And Years - exhale in Years -
Emily Dickinson
Forever is composed of nows,” she says. I have nothing to say to that; I am just chewing through it when Margo says, “Emily Dickinson. Like I said, I’m doing a lot of reading.” I think the future deserves our faith. But it is hard to argue with Emily Dickinson.
John Green (Paper Towns)
Maybe Maybe happiness is not about us, as individuals. Maybe it is not something that arrives into us. Maybe happiness is felt heading out, not in. Maybe happiness is not about what we deserve ‘because we’re worth it’. Maybe happiness is not about what we can get. Maybe happiness is about what we already have. Maybe happiness is about what we can give. Maybe happiness is not a butterfly we can catch with a net. Maybe there is no certain way to be happy. Maybe there are only maybes. If (as Emily Dickinson said) ‘Forever – is composed of Nows –’, maybe the nows are made of maybes. Maybe the point of life is to give up certainty and to embrace life’s beautiful uncertainty.
Matt Haig (Notes on a Nervous Planet)
And yet from what is to what could be you cross a bridge that takes you, no more, no less, from Hell to Paradise. And more bizarre: a Paradise composed of the exact same material as Hell. The only difference is our perception of the material’s arrangement – more easily understood by imagining it applied to ethical and emotional architectures – yet it’s enough to pinpoint the immeasurable difference. If the reality created by people whose half-mast emotions and sensations disallow, now and perhaps forever, the other architecture or, in other words, the revolutionary re-synthesis, then, to my thinking, only the spirit is free and able to take it on.
Odysseas Elytis (Open Papers - Selected Essays)
Nothing lasts forever. But there is new life; new colours, fresh words, new tunes to compose. There is now; time present, time future. We build with new bricks and hope our voices are heard, our music is sung and our love cherished for as long as it is offered.
Carol Drinkwater (Hotel Paradise (Kindle Single))
Maybe happiness is not about what we can get. Maybe happiness is about what we already have. Maybe happiness is about what we can give. Maybe happiness is not a butterfly we can catch with a net. Maybe there is no certain way to be happy. Maybe there are only maybes. If (as Emily Dickinson said) “Forever—is composed of Nows—,” maybe the nows are made of maybes. Maybe the point of life is to give up certainty and to embrace life’s beautiful uncertainty.
Matt Haig (Notes on a Nervous Planet)
If ever, my dear Hawthorne, in the eternal times that are to come, you and I shall sit down in Paradise, in some little shady corner by ourselves; and if we shall by any means be able to smuggle a basket of champagne there (I won't believe in a Temperance Heaven), and if we shall then cross our celestial legs in the celestial grass that is forever tropical, and strike our glasses and our heads together, till both musically ring in concert,—then, O my dear fellow-mortal, how shall we pleasantly discourse of all the things manifold which now so distress us,—when all the earth shall be but a reminiscence, yea, its final dissolution an antiquity. Then shall songs be composed as when wars are over; humorous, comic songs,—“Oh, when I lived in that queer little hole called the world,” or, “Oh, when I toiled and sweated below,” or, “Oh, when I knocked and was knocked in the fight”—yes, let us look forward to such things. Let us swear that, though now we sweat, yet it is because of the dry heat which is indispensable to the nourishment of the vine which is to bear the grapes that are to give us the champagne hereafter.
Herman Melville (Moby-Dick)
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
Amanda Gorman
Jet’s hair was so tangled a brush would no longer go through it. She didn’t bathe and ate only crackers and ginger ale. She slept with the edition of Emily Dickinson that Levi had given her. Inside he had written Forever—is composed of—Nows.
Alice Hoffman (The Rules of Magic)
Forever is composed of nows.
― Emily Dickinson
(as Emily Dickinson said) “Forever—is composed of Nows—,” maybe the nows are made of maybes. Maybe the point of life is to give up certainty and to embrace life’s beautiful uncertainty.
Matt Haig (Notes on a Nervous Planet)
It is no longer possible for us to carry out the ceremony, as once we did, wrapped in the shining belt of the galaxy; but to achieve the effect as nearly as possible, Urth’s attractive field was excluded from the basilica. It was a novel sensation for me, and though I was unafraid, I was reminded again of that night I spent among the mountains when I felt myself on the point of falling off the world—something I will undergo in sober earnest tomorrow. At times the ceiling seemed a floor, or (what was to me far more disturbing) a wall became the ceiling, so that one looked upward through its open windows to see a mountainside of grass that lifted itself forever into the sky. Startling as it was, this vision was no less true than that we commonly see. Each of us became a sun; the circling, ivory skulls were our planets. I said we had dispensed with music, yet that was not entirely true, for as they swung about us there came a faint, sweet humming and whistling, caused by the flow of air through their eye sockets and teeth; those in nearly circular orbits maintained an almost steady note, varying only slightly as they rotated on their axes; the songs of those in elliptical orbits waxed and waned, rising as they approached me, sinking to a moan as they receded. How foolish we are to see in those hollow eyes and marble calottes only death. How many friends are among them! The brown book, which I carried so far, the only one of the possessions I took from the Matachin Tower that still remains with me, was sewn and printed and composed by men and women with those bony faces; and we, engulfed by their voices, now on behalf of those who are the past, offered ourselves and the present to the fulgurant light of the New Sun.
Gene Wolfe (Sword & Citadel (The Book of the New Sun, #3-4))
She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.
Shannon Hale (Austenland (Austenland, #1))
He slid his hands under Avery's jacket, pushing it from his shoulders. The composed, elegant Kane wasted no time unwrapping Avery from his clothing like an eager child on Christmas morning revealing a long-awaited toy. Somewhere in the last thirty seconds, they had switched places and Avery could barely keep up. "I can't believe I fell asleep before I got my turn last night," Kane said, shoving Avery's undershirt and sweater over his head before letting it fall to floor. "You were drunk," Avery said. He tried to undress Kane, but he couldn't seem to gain control for even a minute. Kane was a man on a mission. "You're pretty tipsy, now," Kane said as he shoved Avery's slacks and underwear down until they fell freely to the floor.
Kindle Alexander (Always (Always & Forever #1))
Forever—is composed of Nows. But Dickinson got it wrong. Forever is composed of contradictions.
Madeline Kay Sneed (Today Tonight Forever)
Forever is composed of nows,
Tessa Bailey (The Au Pair Affair (Big Shots, #2))
Forever – is composed of Nows
Lindsey Kelk (In Case You Missed It)
What do you want?" I demanded finally. He tilted his head. "What do you want?" His face was pale and composed, his pupils narrowed to threadlike slits; there was no hint of hesitation in his body. It came over me again, the knowledge of how little he was human. He had clung to me in the night. He had saved my life twice. He had seen me, in all my ugliness, and never hated me; and in that moment, nothing else mattered. "I want my world to be free." I stepped toward him. "I want my sister never to have been hurt by me." I took his hands. "And I want you to say that you love me again." His hands tightened around mine. "I love you," he said. "I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?" I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of the Earth. Except that the sunlight was false, and his love was real. It was real. Very deliberately, I pulled my hands out of his. "You're a demon," I said, staring at the ground. "Most likely." "I know what you've done." "The exciting parts, anyway." "And I still don't know your name." My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. "But I know you're my husband." The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I were a bird that might be startled into flight. Finally I met his eyes. "And," I said. "I suppose I do love you." Then he pulled me in his arms.
Rosamund Hodge (Cruel Beauty)
Forever, Emily Dickinson said, is composed of nows. But how do you inhabit the now you are in? How do you stop the ghosts of all the other nows from getting in? How, in short, do you live? I am drifting away.
Matt Haig (How to Stop Time)
She smiles at me. She clicks the top of her pen. Then clicks it again. Each one is a moment. The first click, the pause between the click, and the second click. The longer you live, the harder it becomes. To grab them. Each little moment as it arrives. To be living in something other than the past or the future. To be actually here. Forever, Emily Dickinson said, is composed of nows. But how do you inhabit the now you are in? How do you stop the ghosts of all the other nows from getting in? How, in short, do you live?
Matt Haig (How to Stop Time)
Our national anthem is the symbols of our country. it represents the tradition, history, and beliefs of our nation and its people. We South Sudanese do not need President Kiir's presence to sing it. Oh God we Praise and Glorify you For your grace on South Sudan Land of great abundance Uphold us United in Peace and Harmony Whenever we are singing our national anthem with our chest up and our eyes in the sky, we feel the unity, love, peace and togetherness among us as Citizens of South Sudan. Oh! Motherland Arise, raise your flag with the guiding star And sing-song of freedom with joy For justice, Liberty and prosperity shall forever reign, The national anthem reminds Us of Our nation’s glory, beauty, rich heritage, and most importantly it is about us, and our martyrs who sacrificed their lives for our beautiful country South Sudan but not for only you Mr President. Oh! great patriots Let us stand up in silence and respect saluting our martyrs whose blood Cemented our national foundation, we protect our nation oh God blessed South Sudan The national anthem helps evoke feelings of patriotism among us South Sudanese It also helps us South Sudan united in peace and harmony by singing it. The questions are: Who is President Kiir to deny us this feeling of Patriotism? Does president Kiir's presence anywhere install that feeling in our heart? Does Sudan Sudan mean President Kiir? Was the national anthem composed for Mr President or for our nation, its heroes, heroines, martyrs and its people who you forbid from singing it today? Therefore, we all feel the enthusiasm when we sing.. and we don't need your permission, Mr President. Despite the tribal and ethnic differences, we rise in Unison and Listen or Sing the national anthem with great enthusiasm. Your Government took away our basic rights and gave us tribalism and hatred. Now Mr. president you want to take away the only things that united us. Therefore, we all feel the enthusiasm when we sing our national anthem and we don't need your permission, Mr President. Note: People of South Sudan. Kiir and his government want to rewrite our history into Kiir story! Don't let them. we vow to protect our nation not Kiir and now is the time for us Citizens of South Sudan to stand up for our country.
Abuzik Ibni Farajalla
Forever is composed of nows. Dickinson said that.
Tessa Bailey (The Au Pair Affair (Big Shots, #2))