Poker Cards Quotes

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God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Life is not always a matter of holding good cards, but sometimes, playing a poor hand well.
Jack London
Abs? What are you, a workout video?" he sneered. "Pigeon?" I said with the same amount of disdain. "An annoying bird that craps all over the sidewalk?" "You like Pigeon," he said defensively. "It's a dove, an attractive girl, a winning card in poker, take your pick. You're my Pigeon.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I stayed up all night playing poker with tarot cards. I got a full house and four people died.
Steven Wright
But home isn't where you land; home is where you launch. You can't pick your home any more than you can choose your family. In poker, you get five cards. Three of them you can swap out, but two are yours to keep: family and native land.
Tayari Jones (An American Marriage)
I feel like I am involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a dealer who won't tell me the rules, and who smiles all the time.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
It’s a dove, an attractive girl, a winning card in poker, take your pick. You’re my Pigeon.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
It doesn't matter what has happened to you, it matters what you do with what has happened to you. Life is like a poker game. You don't get to choose the cards you are dealt, but it's entirely up to you how to play the hand.
Regina Brett (God Never Blinks: 50 Lessons for Life's Little Detours)
What is "poker"? A card game where abler liars take money off less able liars.
David Mitchell (Cloud Atlas)
But home isn’t where you land; home is where you launch. You can’t pick your home any more than you can choose your family. In poker, you get five cards. Three of them you can swap out, but two are yours to keep: family and native land.
Tayari Jones (An American Marriage)
The way he saw it, poker and life had a lot in common. You played the cards you were dealt, figured the odds, took the gamble or not. And when your cards were shit, you bluffed if the pot was worth it, and if you had balls.
Nora Roberts
Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testaments in 1654, which suggested that the Heaven and the Earth were created in 4004 B.C. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004 B.C., at exactly 9:00 A.M., because God liked to get work done early in the morning while he was feeling fresh. This too was incorrect. By almost a quarter of an hour. The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet. This proves two things: Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time. Secondly, the Earth's a Libra.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Life may deal you a bad hand or take away a good hand you were already dealt. The way you play the hand is how your life is defined. Just like in poker you can end up winning no matter how bad the cards are you have.
Benjamin Bayani (The Nation)
Life! What Inscrutable Card Shall Ye Throw Next Upon the Soft Felt of Our Days?
Colson Whitehead
A good lawyer, just like a good poker player, must always keep his cards close to his chest.
Mallika Nawal (I'm a Woman & I'm on SALE (I'm a Woman, #1))
We’re over at Dad’s. James just won another hand of poker. I’m starting to worry.” “He’s your son, Pidge. Does it surprise you that he’s good at cards?
Jamie McGuire (Walking Disaster (Beautiful, #2))
It was easy to be great. Every entertainer has a night when everything is clicking. These nights are accidental and statistical: Like lucky cards in poker, you can count on them occurring over time. What was hard was to be good, consistently good, night after night, no matter what the abominable circumstances.
Steve Martin (Born Standing Up: A Comic's Life)
You like Pigeon,” he said defensively. “It’s a dove, an attractive girl, a winning card in poker, take your pick. You’re my Pigeon.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The Viscount stepped into the room. "Came to see if you was dead," he said. "Laid Pom odds you weren't." Lethbridge passed his hand across his eyes. "I'm not," he replied in a faint voice. "No. I'm sorry," said the Viscount simply. He wandered over to the table and sat down. "Horry said she killed you, Pom said So she might, I said No. Nonsense." Lethbridge still holding a hand to his aching head tried to pull himself together. "Did you?" he said. His eyes ran over his self invited guest. "I see. Let me assure you once more that I am very much alive." "Well I wish you'd put your wig on," complained the Viscount. "What I want to know is why did Horry hit you on the head with a poker?" Lethbridge gingerly felt his bruised scalp. "With a poker was it? Pray ask her, though I doubt if she will tell you." "You shouldn't keep the front door open," said the Viscount. "What's to stop people coming in and hitting you over the head? It's preposterous." "I wish you'd go home," said Lethbridge wearily. The Viscount surveyed the supper-table with a knowing eye. "Card-party?" he inquired.
Georgette Heyer (The Convenient Marriage)
I think," Nick snarled, "that the stupid bastard isn't smart enough to win a poker hand with a deck of marked cards.
Judith McNaught (Double Standards)
I'm going to be frank, Max..." "Of course. All cards on the table." But he gave me a poker smile.
Alfred Alcorn (The Counterfeit Murder in the Museum of Man (Norman de Ratour, #3))
I am not a pacifist. The main lesson I have learned in my dealings with Hitler is that one simply can’t play poker with a gangster if one has no cards in one’s hand.
Robert Harris (Munich)
Their journey wasn’t complete. If their relationship had been a poker tournament, unquestionably, they’d not been dealt the best cards. When faced with the same odds, as Tony and Claire, many players would have folded and walked away. They hadn’t—they’d continued to play. In the process they’d grown and changed. At one time, they were opponents, strategizing against one another, now they were teammates, yet their tournament wasn’t over. It was too early to declare the winner. They both knew there were more cards to be revealed.
Aleatha Romig (Convicted (Consequences, #3))
God and Satan play poker with Tarot cards for the soul of an alcoholic sandwich-bag salesman obsessed with Bernini’s ‘The Ecstasy of St. Teresa.
David Foster Wallace (Infinite Jest)
Something as superfluous as "play" is also an essential feature of our consciousness. If you ask children why they like to play, they will say, "Because it's fun." But that invites the next question: What is fun? Actually, when children play, they are often trying to reenact complex human interactions in simplified form. Human society is extremely sophisticated, much too involved for the developing brains of young children, so children run simplified simulations of adult society, playing games such as doctor, cops and robber, and school. Each game is a model that allows children to experiment with a small segment of adult behavior and then run simulations into the future. (Similarly, when adults engage in play, such as a game of poker, the brain constantly creates a model of what cards the various players possess, and then projects that model into the future, using previous data about people's personality, ability to bluff, etc. The key to games like chess, cards, and gambling is the ability to simulate the future. Animals, which live largely in the present, are not as good at games as humans are, especially if they involve planning. Infant mammals do engage in a form of play, but this is more for exercise, testing one another, practicing future battles, and establishing the coming social pecking order rather than simulating the future.)
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
Hey, Tink," Reed called to his wife. He'd given up on the poker game and was cradling the little pink handle that was Mariah Savage in his arms. "Look how cute she is. I think I want one. S'pose we can stop by Walmart and pick up one just like her.?" Chrystal glanced up from her cards and gave her husband a look. "Three o'clock feedings. Smelly diapers. Responsability." "Oh. Right. I'd have to grow up.
Cindy Gerard (With No Remorse (Black Ops Inc., #6))
Poker isn't all about the cards. Poker's mostly about attention. You got a woman whose legs are like yours, tits are like yours, hair is like yours and ass is like yours, all she's gotta do for me is sit there and half the men at the table won't be concentrating on their cards. They'll be thinking about your legs, tits, hair and ass, how much they want 'em and just what they'd do to get 'em." "I appreciate the compliment, Ty, but I don't think I'm all that." "You got a dick?" I felt my mouth twitch. Then I answered, "No." "Trust me
Kristen Ashley
With words as valueless as poker chips, we play games whose object it is to keep us from seeing each other's cards.
Frederick Buechner
They're holding flushes of face cards, and I think we're the pot.
Howard Tayler (Emperor Pius Dei (Schlock Mercenary, #7))
Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Brad pulls out the chair next to him while Darin begins shuffling a deck of cards. "Have a seat, Lily. One of our friends decided to be an idiot and get married last week, and now his wife won't let him come to poker night anymore. You can be his fill-in until he gets a divorce.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Think about it. Why does one eat a snack? Why is a snack necessary? The answer—and we’ve done a million studies on this—is because our lives are filled with tedium and drudgery and endless toil and we need a tiny blip of pleasure to repel the gathering darkness. Thus, we give ourselves a treat. “But here’s the thing,” Periwinkle continues, his eyes all aglow, “even the things we do to break the routine become routine. Even the things we do to escape the sadness of our lives have themselves become sad. What this ad acknowledges is that you’ve been eating all these snacks and yet you are not happy, and you’ve been watching all these shows and yet you still feel lonely, and you’ve been seeing all this news and yet the world makes no sense, and you’ve been playing all these games and yet the melancholy sinks deeper and deeper into you. How do you escape?” “You buy a new chip.” “You buy a missile-shaped chip! That’s the answer. What this ad does is admit something you already deeply suspect and existentially fear: that consumerism is a failure and you will never find any meaning there no matter how much money you spend. So the great challenge for people like me is to convince people like you that the problem is not systemic. It’s not that snacks leave you feeling empty, it’s that you haven’t found the right snack yet. It’s not that TV turns out to be a poor substitute for human connection, it’s that you haven’t found the right show yet. It’s not that politics are hopelessly bankrupt, it’s that you haven’t found the right politician yet. And this ad just comes right out and says it. I swear to god it’s like playing poker against someone who’s showing his cards and yet still bluffing by force of personality.
Nathan Hill (The Nix)
Fold or Make them fold. Don't show all your cards in each game.
Pooja Garg
What is “poker”? A card game where abler liars take money off less able liars.
David Mitchell (Cloud Atlas)
There were none of the card games marines usually played in downtimes. They were too tired to concentrate, and poker was serious business.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
Life is just like the game of poker, you never know what cards you will get. Sitting against the people, you can either win with the king or live on a joker. Many times in life you are forced to play the blind bet, and achieve overwhelming success, with loads of cash in your pocket or you may reach disastrous conclusions, losing everything you have got. That’s the reason I love playing poker.
Prerna Varma (The Dumb and the Dumbfounded)
She pulled a deck from a drawer and sat across from Tyler. "What would you like to play?" She looked at Tyler. "Strip poker?" Carlie started to rise, her mouth drawn in annoyance, but Tyler stopped her. He was laughing. "Okay, okay. Bad jest. Sorry." She nodded grudgingly. "So. What should we play?" With a twinkle in his eyes, he asked innocently, "Old maid?" She threw the cards at him, then sat there glaring. "Well, I suppose that decides it." He grinned wryly, a card sitting on top of his head, the rest scattered in his lap and on the floor. "Fifty-two pickup it is." -Carlie and Tyler
Lori Foster (Impetuous)
I see life in the same terms. We all get dealt cards. Some of us get better cards than others. And while it’s easy to get hung up on our cards, and feel we got screwed over, the real game lies in the choices we make with those cards, the risks we decide to take, and the consequences we choose to live with. People who consistently make the best choices in the situations they’re given are the ones who eventually come out ahead in poker, just as in life. And it’s not necessarily the people with the best cards.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
They migrated to the usual room on the second floor. Heywood Broun was there by the door, setting up bottles of gin, scotch and beer. Alexander Woollcott sat ensconced behind the round table (not THE Round Table). He shuffled the cards and stacked up poker chips. Dorothy stopped in the doorway and watched what they were doing. 'You boys sure know how to treat a woman,' she said. 'Liquor in the front and poker in the rear.
J.J. Murphy (Murder Your Darlings (Algonquin Round Table #1))
If you come with me you’re signing on for all of me, Brynne. I don’t know any other way to be with you. It’s all in for me. And I want it to be all in for you too.” “All in?” She brought her palm to my cheek and held it there, her questioning look so genuine. I turned my lips to press them into the palm of her hand as she held my face. “A poker term. Means to bet everything you have on the cards you’re holding. You’re what I’m holding.
Raine Miller (All In (The Blackstone Affair, #2))
Life is just a big game of Texas hold'em, unexpected things may arise that may suite you or destroy you. You gotta make the best of the cards your dealt, adjust accordingly, and always understand that you control your decisions.
Mustafa Said
Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time. Secondly, the Earth’s a Libra.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Look. You are playing poker (I assume you know poker, or at least—like a lot of people—anyway play it.) You draw cards. When you do that, you affirm two things: either that you have something to draw to, or are willing to support to your last cent the fact that you have not. You dont draw and then throw the cards in because they are not what you wanted, expected, hoped for; not just for the sake of your own soul and pocket-book, but for the sake of the others in the game, who have likewise assumed that unspoken obligation.
William Faulkner (Knight's Gambit)
Graciella’s frown was there and gone in an instant. He didn’t know how to interpret that. If they were playing poker, it would have telegraphed that she’d picked a bad card, and he would have bet against her. But in the game of Real Women, he was forever a novice.
Daryl Gregory (Spoonbenders)
Ace-king is a fine hand. Ace-queen is a little weaker, but still good. With ace-jack, you're already sliding rapidly down a slippery slope. With ace-ten, you've slid down the slope, fallen off the cliff, and lie in wreckage at the bottom with hands like ace-five and ace-six.
Dan Harrington (Harrington on Hold 'em: Expert Strategy for No-Limit Tournaments, Volume I: Strategic Play)
God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
You mean something like ‘truth or dare’? I haven’t played that in a long time.” She didn’t think he would ever get himself entangled in a game like that, but it was addictive, a compromising icebreaker featuring all the strategy of Poker, minus the cards, mixed with a dash of danger from Russian Roulette, without the revolver.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Whenever Solomon played cards, he felt strong and smooth, like he couldn't lose; he wondered if he felt this way because he didn't care about the money.
Min Jin Lee (Pachinko)
One of the morals to the story: Don't just study your cards... study the players.
Niedria Kenny (Order in the Courtroom: The Tale of a Texas Poker Player)
Categories No. 4 and No. 5: Three small cards to a straight and two small cards with an ace.
Ray Zee (High-Low-Split Poker, Seven-Card Stud and Omaha Eight-or-better for Advan (Advance Player))
Category No. 3: Two aces with a low card.
Ray Zee (High-Low-Split Poker, Seven-Card Stud and Omaha Eight-or-better for Advan (Advance Player))
Categories No. 1 and No. 2: Rolled-up trips and three cards to a low straight flush.
Ray Zee (High-Low-Split Poker, Seven-Card Stud and Omaha Eight-or-better for Advan (Advance Player))
A girl's gotta have her Mystery. You can hardly win at poker if your cards lay bare on the table for all to see... One need be Strategic...
Daleen Van Tonder
Investing without research is like playing stud poker and never looking at the cards. For some reason the whole business
Peter Lynch (One Up on Wall Street: How To Use What You Already Know To Make Money in the Market)
OSCAR. (Sitting at table.) My friend Murray the Cop is right. Let's just play cards. And please hold them up, I can't see where I marked them.
Neil Simon (The Odd Couple)
One time, a Soviet agent was sent to the UK and he ran out of money. He was introduced into a poker-playing circle and he decided to play to save his situation. He noticed that when you play poker in the UK, your cards are not normally checked or shown. Everyone takes you at your word as a gentleman. He began to win, because no one was checking his cards. He was winning big money. It’s the same situation here.
Catherine Belton (Putin's People: How the KGB Took Back Russia and Then Took On the West)
Jack just needed to play his cards right. What was it Penny had said? The Meyers would be incomparable poker players, if only they gambled. Well, Jack was gambling, all right. Reuben could only hope he was good enough.
Trenton Lee Stewart (The Secret Keepers)
The NSA may be spying on our every word, but to judge by the repeated failures of American foreign policy, nobody in Washington knows what to do with all the data. Never in history did a government know so much about what’s going on in the world – yet few empires have botched things up as clumsily as the contemporary United States. It’s like a poker player who knows what cards his opponents hold, yet somehow still manages to lose round after round.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Well, you played me, Rabbit. You played me, and it worked, and I’m not the kind of person to make the same mistake twice. Your whole life is a game, but you know what? I already have a life. Poker’s nothing to me but a goddamn deck of cards.
Elle Lothlorien (Alice in Wonderland)
Through that journey, I hoped to learn how to make the best decisions I possibly could, not just at the card table but in the world. Through poker, I wanted to tame luck—to learn to make a difference even when the deck seemed stacked against me.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Take Control and Win)
What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante. What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff. There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.
Tim Harford (The Logic of Life: The Rational Economics of an Irrational World)
Many of your opponents will put a great deal of emphasis on three low cards to a straight. These hands are very strong and they do scoop a lot of pots. However, they do best in multiway pots when the cards needed to fill the open ends are very live and when these hands
Ray Zee (High-Low-Split Poker, Seven-Card Stud and Omaha Eight-or-better for Advan (Advance Player))
Never in history did a government know so much about what’s going on in the world – yet few empires have botched things up as clumsily as the contemporary United States. It’s like a poker player who knows what cards his opponents hold, yet somehow still manages to lose round after round.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
I'd been so tired of 'strong female characters' for so long by then. I was so tired of the way female strength was made to look cold and humorless; the way it was characterized as deviant and 'unnatural' and always lonely and exceptional. I was tired of the grim undertone of tragedy that lurked under its surface. 'Strong female characters' were never funny, and they never had any fun, either. More often than not, they were celibate, friendless, and clinically depressed. Their monomaniacal devotion to crime fighting made them lean, cranky, and impatient. Naturally, they had axes to grind: they were avenging brides, poker-faced assassins, gloomy ninjas with commitment issues. Who were these characters? What were they trying to tell us? Why didn't they ever say goodbye before hanging up the phone? And why were they always being reborn or remade as killing machines after losing everything they held dear? ...I don't want to see another symbolic woman start all over again. I want to see the symbolic world change to acknowledge her existence. I don't want to see a young girl get a makeover or go shopping with her boyfriend's credit card. I want to watch her blow up the Death Star - metaphorically, of course.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
As it turned out, one aspect of my personality would help me in my odyssey: I was a bider. Temperamentally suited to hold out for good cards, well accustomed to waiting. We Anhedonians have adapted to long periods between good news. Our national animal is the hope camel. We have no national bird. All the birds are dead.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a dealer who won’t tell you the rules, and who smiles all the time
Neil Gaiman
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens)
It occurred to me that everything I was doing in Indonesia was more like a game than reality. It was as though we were playing a game of poker. We kept our cards hidden. We could not trust each other or count on the reliability of the information we shared. Yet, this game was deadly serious, and its outcome would impact millions of lives for decades to come.
John Perkins (Confessions of an Economic Hit Man)
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
John Henry Holliday believed in science, in rationality, and in free will. He believed in study, in the methodical acquisition and accumulation of useful skills. He believed that he could homestead his future with planning and preparation: sending scouts ahead and settling it with pioneering effort. Above all, he believed in practice, which increased predictability and reduced the element of chance in any situation. The very word made him feel calm. Piano practice. Dental practice. Pistol practice, poker practice. Practice was power. Practice was authority over his own destiny. Luck? That was what fools called ignorance and laziness and despair when they gave themselves up to the turn of a card, and lost, and lost, and lost …
Mary Doria Russell (Doc)
As you know, the International Poker Tour, by its own admission, knows very little about poker games, one of which ended tragically last week when an IPT-sanctioned tournament aboard a yacht in Australia accidentally used tarot cards instead of playing cards. That’s right, it’s true! Apparently no one noticed until someone laid down a full house and the dealer died.
Elle Lothlorien (Alice in Wonderland)
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time. Secondly,
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players,* to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other playersfn1, to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won’t tell you the rules, and who smiles all the time.
Terry Pratchett (Good Omens)
I tend to believe that the place into which fate decides to drop us doesn't really say much about us. It certainly does not make us better or worse. At best, it just seems to provide a set of circumstances and a hand of cards with which to engage in the poker game of life. We forge our own identity, our worth or shame, as we go, as we play the cards and try to become a fairly decent version of ourselves. The train is the same for us all; we just get on at different stations.
Carlos Ruiz Zafón (Marina)
Poker is a shifty game played by shifty characters. Outside the two official card rooms in London, most games take place in illegal spielers with heavy rake money. Debts and revenges are rife, names are changed, multiple passports are not unheard of. The majority of regular players have no interest in advertising their lifestyle, their whereabouts or even their existence to tax inspectors, thieves, neighbours, creditors or old enemies. Television? You’d have to be a complete ice cream.
Victoria Coren (For Richer, For Poorer: A Love Affair with Poker)
Some religions say that the universe was started with a word, a song, a dance, a piece of music. The Listening Monks of the Ramtops have trained their hearing until they can tell the value of a playing card by listening to it, and have made it their task to listen intently to the subtle sounds of the universe to piece together, from the fossil echoes, the very first noises. There was certainly, they say, a very strange noise at the beginning of everything. But the keenest ears (the ones who win most at poker), who listen to the frozen echoes in ammonites and amber, swear they can detect some tiny sounds before that. It sounded, they say, like someone counting: One, Two, Three, Four. The very best one, who listened to basalt, said he thought he could make out, very faintly, some numbers that came even earlier. When they asked him what it was, he said: “It sounds like One, Two.” No one ever asked what, if there was a sound that called the universe into being, what happened to it afterward. It’s mythology. You’re not supposed to ask that kind of question.
Terry Pratchett (Soul Music (Discworld #16))
Still, it was tempting to tell him to quit looking at the scratch. It hadn’t changed or gotten worse since the last time he’d examined it. The thing to do with wounds was ignore them, like your hole cards in a game of stud poker, which also never changed, no matter how many times you looked at them. Like Sully’s knee, which he allowed himself to examine once, first thing in the morning, and which he then ignored the rest of the day. Like all the mistakes a man made in his life, which could be worried and picked at like scabs but were better left alone.
Richard Russo (Nobody's Fool (Sully #1))
audience, not interrupting once, only darting a few disbelieving looks at him. ‘God Almighty,’ Painter said when Ryan finished. Davenport just stared poker-faced as he contemplated the possibility of examining a Soviet missile sub from the inside. Jack decided he’d be a formidable opponent over cards. Painter went on, ‘Do you really believe this?’ ‘Yes, sir, I do.’ Ryan poured himself another cup of coffee. He would have preferred a beer to go with his corned beef. It hadn’t been bad at all, and good kosher corned beef was something he’d been unable to find in London. Painter leaned back and looked at Davenport. ‘Charlie, you tell Greer to teach this lad a few lessons – like how a bureaucrat ain’t supposed to stick his neck this far out on the block. Don’t you think this is a little far-fetched?’ ‘Josh, Ryan here’s the guy who did the report last June on Soviet missile-sub patrol patterns.’ ‘Oh? That was a nice piece of work. It confirmed something I’ve been saying for two or three years.’ Painter rose and walked to the corner to look out at the stormy sea. ‘So, what are we supposed to do about all this?
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
The problem in these instances is mediocre comfort—enough of it that it prevents you from getting up off the nail. The nice car, the regular paycheck, the fun weekend of football games—all of it keeps you at the poker table with the same strategy, the same bets, and the same cards. In the end, nothing changes but the passage of time. At some point, you have to decide: What’s more important? Your UNSCRIPTED dreams? Or watching the Yankees third game on a ten-game home stand? Your long-term happiness? Or your drunken stupors at the lake on Saturday afternoon?
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
We cannot make ourselves known to each other; we are not healed and forgiven by each other’s presence. With words as valueless as poker chips, we play games whose object it is to keep us from seeing each other’s cards. Chit-chat games in which “How are you?” means “Don’t tell me who you are,” and “I’m alone and scared” becomes “Fine thanks.” Games where the players create the illusion of being in the same room but where the reality of it is that each is alone inside a skin in that room, like bathyspheres at the bottom of the sea. Blind man’s buff games where everyone is blind.
Frederick Buechner (The Alphabet of Grace)
Sloane looked on from behind a veritable mountain of Oreos. “I’ll sit this one out,” she said. “Also, I’m entertaining the idea of eating some of my poker chips. Can we agree that an Oreo missing its frosting is worth two-thirds of its normal amount?” “Just eat the cookies,” I told her, eyeing her pile mournfully—and only partially joking. “You have plenty to spare.” Before joining the Naturals program, Sloane had been Las Vegas born and raised. She’d been counting cards since she’d learned to count. She sat out about a third of the hands, but won every single hand she played.
Jennifer Lynn Barnes (Killer Instinct (The Naturals, #2))
Poker is a fun game, but it is just a game. It is a game of some information, not total information. It is a game of some luck, but not total luck. It is a game of some skill, but not total skill. It is a game of hustling that doesn't always reward the hustler. It is a card game that steals from the artists to give to the scientists who then get robbed by the hustlers, before they give it back to the artists again. It is hilariously broken. You will die 500 years before your luck catches up to you. No game contains your redemption, so look not for it here. It is beautiful because it is so meaningless.
Alexander Fitzgerald (Exploitative Play in Live Poker: How to Manipulate your Opponents into Making Mistakes)
Environmental cues associated with drug use—paraphernalia, people, places, and situations—are all powerful triggers for repeated use and for relapse, because they themselves trigger dopamine release. People trying to quit smoking, for example, are advised to avoid poker if they are used to having a cigarette while playing cards. Unless they move to a different area of town or to a recovery home, my Downtown Eastside patients find it virtually impossible to stop drug use, even when they form a strong intention to do so. Not only are drugs readily available, but everything and everyone in the environment reminds them of their habit.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
Well, imagine you are alone in a room. The lights are down low, you’ve got some scented candles going. Soothing New Age tunes, nothing too druid-chanty, seep out of the hi-fi to gently massage your cerebral cortex. Feel good? Are you the best, most special person in the room right now? Yes. That’s the gift of being alone. Then a bozo in a CAT Diesel Power cap barges in. What’s the chance that you are the best, most special person in the room now? Fifty-fifty. If you both were dealt two cards, those would be your odds of holding the winning hand. Now imagine ten people are in the room. It’s cramped. You’re elbow to elbow, aerosolized dandruff floats in the air, and the candle’s lavender scent is complicated by BO tones, with a tuna sandwich finish. What are the chances you’re the best, most special person in the room? If you were handed cards, you might expect to be crowned one time out of ten. People, as ever, are the problem. The more people there are, the tougher you have it. Just by sitting next to you, they fuck you up, as if life were nothing more than a bus ride to hell (which it is). But what if you moved to another seat? Changed position? Your seat is everything. It can give you room to relax, to contemplate your next move. Or it might instigate your unraveling.
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/body/spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/body/spirit beingness totality.
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
They’d been sitting on the couch for a few hours trying to find something to watch. Cop and military type shows were out—too much like real life. The Walking Dead marathon was out, because people you liked always died on that show—too much like what they feared life might become. Ike had suggested the World Series of Poker, but Jess thought watching people play cards was boring. She’d suggested a dancing reality show, but Ike put the kibosh on that idea with a single look. Ike’s desire to put off sleeping alone again had him finally agreeing to a house hunting show Jess liked where the couple saw three houses and had to decide which to buy. Ike’s conclusion: people were idiots sometimes. “Should’ve picked the older house. More character,” he said. “Right?” Jess said, smiling. “You can fix up an older house, but it’s harder to give a newer house that kind of character.” “I knew I liked you for a reason,” he said, giving her a wink. “Because I’m awesome.” She turned toward him on the couch and propped her elbow on the back of the couch.
Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
For in America this season is decreed “family season”. (Eat your hearts out, you pitiable loners who don’t have families!) Melancholy as Thanksgiving is, the Christmas-New year’s season is far worse and lasts far longer, providing rich fund of opportunities for self-medicating, mental collapse, suicide and public mayhem with firearms. In fact it might be argued that the Christmas-New year’s season which begins abruptly after Thanksgiving is now the core-sason of American life itself, the meaning of American life„ the brute existencial point of it. How without families must envy us who bask in parental love, in the glow of yule-logs burning in fireplaces stoked by our daddie’s robust pokers, we who are stuffed to bursting with our mummie’s frantic holiday cooking; how you wish you could be us, pampered/protected kids tearing expensive foil wrappings off too many packages to count, gathered about the Christmas tree on Christmas morning as Mummy gently chided: “Skyler! Bliss! Show Daddy and Mummy what you’ve just opened, please! And save the little cards, so you know who gave such nice things to you
Joyce Carol Oates (My Sister, My Love)
For in America this season is decreed “family season”. (Eat your hearts out, you pitiable loners who don’t have families!) Melancholy as Thanksgiving is, the Christmas-New year’s season is far worse and lasts far longer, providing rich fund of opportunities for self-medicating, mental collapse, suicide and public mayhem with firearms. In fact it might be argued that the Christmas-New year’s season which begins abruptly after Thanksgiving is now the core-sason of American life itself, the meaning of American life„ the brute existencial point of it. How without families must envy us who bask in parental love, in the glow of yule-logs burning in fireplaces stoked by our daddie’s robust pokers, we who are stuffed to bursting with our mummie’s frantic holiday cooking; how you wish you could be us, pampered/protected kids tearing expensive foil wrappings off too many packages to count, gathered about the Christmas tree on Christmas morning as Mummy gently chided: “Skyler! Bliss! Show Daddy and Mummy what you’ve just opened, please! And save the little cards, so you know who gave such nice things to you”.
Joyce Carol Oates
Jesus Hollywood believed in a lot of things. He believed that the stars in the sky were only ghostly images of dead things. He believed in the grass on the side of the highway as he whipped by. He believed in the sound of a gun cocking. He believed that the heart gave up long before it stopped beating. He believed last words and bedside confessions were only half-assed last-ditch efforts at Redemption signalling imminent death. He believed in lust and rage and that pain is the only proof that one is alive. Jesus Hollywood believed that there was no God, no gods, no Divine Being and he certainly believed that Heaven was only a placating fabrication. He believed Love At First Sight was a myth; that Love was masquerading as Lust. He believed Karma was for those too afraid to be selfish. He believed that Luck and Chance, along with Fate and Destiny, were words the weak used to explain away their inaction. He believed that if you wore a long-sleeved shirt, you could win every game of cards with the right poker face and a few extra cards stashed up your sleeves. Jesus Hollywood certainly did not believe in love. And now, Jesus Hollywood believed he was fucked.
Shannon Noelle Long (Second Coming)
I remember, one week, we all started playing strip poker. This is more like it, I thought. It wasn’t really even poker, but was more like: pick an ace and lose an item of clothing. I tried one night to rig the cards so that I could end up naked with Stephie, this girl I really fancied. I carefully counted out the cards and the aces, and rather unsubtly made sure I was sitting next to her, when we started playing. Annoyingly, she then swapped places when someone else came to join us and I ended naked next to Mick, embarrassed and self-conscious. (That will teach me to cheat.) Most of the time my attempts to get a girl fell pretty flat. In fact, whenever I really liked a girl I would always end up losing her to someone else, mainly because I found it so hard to make my feelings known and to pluck up the courage just to ask her out. I remember a friend coming down to the island to stay at the end of one summer, and within twenty-four hours he was in bed with the girl I had been chasing all holidays! I couldn’t believe it. What the hell did he have that I didn’t? I noticed that he wore these brown suede cowboy boots, so I went out and bought a secondhand pair, but I just looked stupid in them. To make matters worse, this friend then went on to describe to me in great detail what they had got up to in that bed. Aarrgh. It kind of summed up my attempts at womanizing.
Bear Grylls (Mud, Sweat and Tears)
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(50.7) Questioner Thank you. Can you expand on the concept which is this: that it is necessary for an entity to, during incarnation in the physical, as we call it, become polarized or interact properly with other entities, and why this isn’t possible in between incarnations when he is aware of what he wants to do, but why must he come into an incarnation and lose memory, conscious memory, of what he wants to do and then act in a way that he hopes to act? Could you expand on that please? Ra I am Ra. Let us give the example of the man who sees all the poker hands. He then knows the game. It is but child’s play to gamble, for it is no risk. The other hands are known. The possibilities are known and the hand will be played correctly but with no interest. In time/ space and in the true-color green density, the hands of all are open to the eye. The thoughts, the feelings, the troubles: all these may be seen. There is no deception and no desire for deception. Thus much may be accomplished in harmony, but the mind/ body/ spirit gains little polarity from this interaction. Let us re-examine this metaphor and multiply it into the longest poker game you can imagine: a lifetime. The cards are love, dislike, limitation, unhappiness, pleasure, etc. They are dealt, and re-dealt, and re-dealt continuously. You may, during this incarnation begin—and we stress begin—to know your own cards. You may begin to find the love within you. You may begin to balance your pleasure, your limitations, etc. However, your only indication of other-selves’ cards is to look into the eyes. You cannot remember your hand, their hands, perhaps even the rules of this game. This game can only be won by those who lose their cards in the melting influence of love; can only be won by those who lay their pleasures, their limitations, their all upon the table face up and say inwardly: “All, all of you players, each other-self, whatever your hand, I love you.” This is the game: to know, to accept, to forgive, to balance, and to open the self in love. This cannot be done without the forgetting, for it would carry no weight in the life of the mind/ body/ spirit beingness totality.
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
When a Single Glance Can Cost a Million Dollars Under conditions of stress, the human body responds in predictable ways: increased heart rate, pupil dilation, perspiration, fine motor tremors, tics. In high-pressure situations, such as negotiating an employment package or being cross-examined under oath, no matter how we might try to play it cool, our bodies give us away. We broadcast our emotional state, just as Marilyn Monroe broadcast her lust for President Kennedy. We each exhibit a unique and consistent pattern of stress signals. For those who know how to read such cues, we’re essentially handing over a dictionary to our body language. Those closest to us probably already recognize a few of our cues, but an expert can take it one step further, and closely predict our actions. Jeff “Happy” Shulman is one such expert. Happy is a world-class poker player. To achieve his impressive winnings, he’s spent much of his life mastering mystique. At the highest level of play, winning depends not merely on skill, experience, statistics, or even luck with the cards, but also on an intimate understanding of human nature. In poker, the truth isn’t written just all over your face. The truth is written all over your body. Drops of Sweat, a Nervous Blink, and Other “Tells” Tournament poker is no longer a game of cards, but a game of interpretation, deception, and self-control. In an interview, Happy says that memorizing and recognizing your opponent’s nuances can be more decisive than luck or skill. Imperceptible gestures can reveal a million dollars’ worth of information. Players call these gestures “tells.” With a tell, a player unintentionally exposes his thoughts and intentions to the rest of the table. The ability to hide one’s tells—and conversely, to read the other players’ tells—offers a distinct advantage. At the amateur level, tells are simpler. Feet and legs are the biggest moving parts of your body, so skittish tapping is a dead giveaway. So is looking at a hand of cards and smiling, or rearranging cards with quivering fingertips. But at the professional level, tells would be almost impossible for you or me to read. Happy spent his career learning how to read these tells. “If you know what the other player is going to do, it’s easier to defend against it.” Like others competing at his level, Happy might prepare for a major tournament by spending hours reviewing tapes of his competitors’ previous games in order to instantly translate their tells during live competition.
Sally Hogshead (Fascinate: Your 7 Triggers to Persuasion and Captivation)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
Maurice laid down all of his cards, then said, Gin. Reginald looked up into Maurice's face and said, I thought we were playing poker and Maurice replied, That's your problem.
Johnny B. Truant (Survival of the Fattest (Fat Vampire, #6))