Forced Vengeance Quotes

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If man had his way, the plan of redemption would be an endless and bloody conflict. In reality, salvation was bought not by Jesus' fist, but by His nail-pierced hands; not by muscle but by love; not by vengeance but by forgiveness; not by force but by sacrifice. Jesus Christ our Lord surrendered in order that He might win; He destroyed His enemies by dying for them and conquered death by allowing death to conquer Him.
A.W. Tozer (Preparing for Jesus' Return: Daily Live the Blessed Hope)
There exists a limit to the force even the most powerful may apply without destroying themselves. Judging this limit is the true artistry of government. Misuse of power is the fatal sin. The law cannot be a tool of vengeance, never a hostage, nor a fortification against the martyrs it has created. You cannot threaten any individual and escape the consequences.
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
How insane we are as humans when having received a nasty offense we return the same awful offense. If given an apple found to be rotten and wormy, would we not toss it aside rather than force a soul to eat it? Offenses should be discarded, not returned.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Nature is pitiless; she never withdraws her flowers, her music, her fragrance and her sunlight, from before human cruelty or suffering. She overwhelms man by the contrast between divine beauty and social hideousness. She spares him nothing of her loveliness, neither wing or butterfly, nor song of bird; in the midst of murder, vengeance, barbarism, he must feel himself watched by holy things; he cannot escape the immense reproach of universal nature and the implacable serenity of the sky. The deformity of human laws is forced to exhibit itself naked amidst the dazzling rays of eternal beauty. Man breaks and destroys; man lays waste; man kills; but the summer remains summer; the lily remains the lily; and the star remains the star. ... As though it said to man, 'Behold my work. and yours.
Victor Hugo (Ninety-Three)
Perhaps when we're forced to forfeit what we own, we lose any sentimental associations. Perhaps pawning our valuables frees us in the same way a house fire destroys not only our worldly goods, but our attachment to what's gone.
Sue Grafton (V is for Vengeance (Kinsey Millhone, #22))
Reluctantly he realized some forces could not be conquered and some vengeances can never be sated.
Bill Willingham (Fables: 1001 Nights of Snowfall)
The difference between a criminal and an outlaw is that while criminals frequently are victims, outlaws never are. Indeed, the first step toward becoming a true outlaw is the refusal to be victimized. All people who live subject to other people's laws are victims. People who break laws out of greed, frustration, or vengeance are victims. People who overturn laws in order to replace them with their own laws are victims. ( I am speaking here of revolutionaries.) We outlaws, however, live beyond the law. We don't merely live beyond the letter of the law-many businessmen, most politicians, and all cops do that-we live beyond the spirit of the law. In a sense, then, we live beyond society. Have we a common goal, that goal is to turn the tables on the 'nature' of society. When we succeed, we raise the exhilaration content of the universe. We even raise it a little bit when we fail. When war turns whole populations into sleepwalkers, outlaws don't join forces with alarm clocks. Outlaws, like poets, rearrange the nightmare. The trite mythos of the outlaw; the self-conscious romanticism of the outlaw; the black wardrobe of the outlaw; the fey smile of the outlaw; the tequila of the outlaw and the beans of the outlaw; respectable men sneer and say 'outlaw'; young women palpitate and say 'outlaw'. The outlaw boat sails against the flow; outlaws toilet where badgers toilet. All outlaws are photogenic. 'When freedom is outlawed, only outlaws will be free.' There are outlaw maps that lead to outlaw treasures. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here. Outlaws are can openers in the supermarket of life.
Tom Robbins (Still Life with Woodpecker)
Life was taking its vengeance on me, and that vengeance consisted merely in coming back, nothing more. Every case of madness involves something coming back. People who are possessed are not possessed by something that just comes but instead by something that comes back. Sometimes life comes back. If in me everything crumbled before that power, it is not because that power was itself necessarily an overwhelming one: it in fact had only to come, since it had already become too full-flowing a force to be controlled or contained - when it appeared it overran everything. And then, like after a flood, there floated a wardrobe, a person, a loose window, three suitcases. And that seemed like Hell to me, that destruction of layers and layers of human archaeology.
Clarice Lispector (The Passion According to G.H.)
(..)Fate has al­ways been a po­tent force in Rus­sia, where, for gen­er­ations, cit­izens have had lit­tle con­trol over their own des­tinies. Fate can be a bitch, but, as Za­it­sev, Dvornik, and Onofre­cuk had dis­cov­ered, it can al­so be a tiger.
John Vaillant (The Tiger: A True Story of Vengeance and Survival)
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
You talk about vengeance. Is vengeance going to bring your son back to you or my boy to me? I forgo the vengeance of my son. But I have selfish reasons, my youngest son was forced to leave this country because of this Sollozzo business. All right, now I have to make arrangements to bring him back here safely cleared of all these false charges. But I'm a superstitious man and if some unlucky accident should befall him, if he should get shot in the head by a police officer, or if should hang himself in his jail cell, or if he's struck by a bolt of lightening, then I'm going to blame some of the people in this room, and that I do not forgive. But, that aside, let me say that I swear, on the souls of my grandchildren, that I will not be the one to break the peace we have made here today.
Mario Puzo (The Godfather (The Godfather, #1))
He wished he could rescue her, that it was within his power to rescue her and make her life less hard. But it was only love which could accomplish the miracle of making a life bearable -- only love, and love itself mostly failed; and he had never loved her. He had used her to find out something about himself. And even this was not true. He had used her in the hope of avoiding a confrontation with himself which he had, nevertheless, and with a vengeance, been forced to endure.
James Baldwin (Another Country)
No one will touch you.” Not ever. Even after death he would protect his woman with the sheer force of his motherfucking will. “Tell me what scares you and I will eliminate it, no matter what it is.
Shara Azod (Vengeance)
After half an hour of forced family fun, in which I score fifty points and take out at least seventy-five percent of my anger trying to blast Frankie with the ball, our game is cut short. Princess gets stung on the top of her foot by a teeny-tiny newborn baby of a jelly-fish and carries on like some shark just swam away with her torso. For one brief moment I wonder if it's the ghost of my journal, reincarnated after its watery death to claim vengeance by stabbing her with its thin metal spiral. The thought makes me smile on the inside, just a little bit.
Sarah Ockler (Twenty Boy Summer)
I belong to no one. On this night, I swear to you that I will rise above everything you’ve ever taught me. I will become a force that this world has never known. I will come into such power that none will dare hurt me again.
Marie Lu
Mapleshade unsheathed her scarlet, broken claws. “Leave me alone,” she rasped, forcing herself to lift her head and glare at her companion. “I don’t need anyone.
Erin Hunter (Mapleshade's Vengeance (Warriors Novellas))
Understand that this is how it works with people like me. Self-pity is the sun around which we orbit, the great gravitational force that rules those of us for whom Things Didn’t Quite Turn Out. If we’re lucky, purpose (vengeance, absolution, cookies, not in that order) can keep us from falling in, from burning up, but we’re fooling ourselves if we ever think we’re going to break free. But that’s why God created Xanax.
Elizabeth Little (Dear Daughter)
Remember, it’s not only the vengeance or violence from which I’m recoiling: the real problem is the portrait of a God whose un-Christlike naked will eclipses love and trumps grace—a coercive force incongruent with Christ’s cruciform revelation of his Father’s love.
Bradley Jersak (A More Christlike God: A More Beautiful Gospel)
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
For – as everyone knows – in libertinism bad taste is a potent force. ("A Woman's Vengeance")
Jules Barbey d'Aurevilly (Les Diaboliques)
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
Milan Kundera (The Unbearable Lightness of Being)
Pick a man, any man. That man there. See him. That man hatless. You know his opinion of the world. You can read it in his face, in his stance. Yet his complaint that a man’s life is no bargain masks the actual case with him. Which is that men will not do as he wishes them to. Have never done, never will do. That’s the way of things with him and his life is so balked about by difficulty and become so altered of its intended architecture that he is little more than a walking hovel hardly fit to house the human spirit at all. Can he say, such a man, that there is no malign thing set against him? That there is no power and no force and no cause? What manner of heretic could doubt agency and claimant alike? Can he believe that the wreckage of his existence is unentailed? No liens, no creditors? That gods of vengeance and of compassion alike lie sleeping in their crypt and whether our cries are for an accounting or for the destruction of the ledgers altogether they must evoke only the same silence and that it is this silence which will prevail?
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Dressing up forgiveness to look comfortable does nothing more than save face. Forgiveness is a one-sided gift to the abuser and a self-inflicted punishment for the victim. Standing up for oneself by forcing repayment of debt makes a person whole and sets them free. Payback fully satisfies Newton’s Third Law of Motion.
Geoffrey Neil (Prey for Us (Prey for Us, #1))
He was a machine, a monster conjured from the pits of Hell, cursed to walk the night in endless pursuit of human blood. Metallic and bitter, pulsating, hot and rich; blood was the life force of all humanity. The curse of the vampyre. For all eternity.
Nikki Landis (Dark Vengeance (NightWalkers #2))
Extremism stifles true progression in all fields of human advancement; it is a detriment to everything but war, tribalism and the personal power of Nietzschean entities, striving only for the narcissistic vindication of their ego and will. The enlightened mind knows that all is challengeable, ergo questions all and thus, learns and grows; progression. The weak and narrow mind makes its beliefs sacrosanct; fearful of challenge, their creed becomes unalterable, defended with violence. Political extremists, much like religious zealots, are the latter. They destroy what they cannot convert. They annihilate those they cannot control, or force to conform. They have found no peace in life, no love, and so promote war and division, as emotional cripples – inflicting their own pain and misery and malignant stupidity on the world. Their language binds people together, but only by stirring the darkest excesses of the soul; language of hate, and intolerance, fear and conspiracy, and the need for vengeance. In war-scarred Europe, these cripples direct mass-psychology, and would make the world in their own likeness; mutilated by violence and tribalism and hate.
Daniel S. Fletcher (Jackboot Britain)
The messages coming back flooded the comm buffers with rage and sorrow, threats of vengeance and offers of aid. Those last were the hardest. New colonies still trying to force their way into local ecosystems so exotic that their bodies could hardly recognize them as life at all, isolated, exhausted, sometimes at the edge of their resources. And what they wanted was to send back help. He listened to their voices, saw the distress in their eyes. He couldn't help, but love them a little bit. Under the best conditions, disasters and plagues did that. It wasn't universally true. There would always be hoarders and price gouging, people who closed their doors to refugees and left them freezing and starving. But the impulse to help was there too. To carry a burden together, even if it meant having less for yourself. Humanity had come as far as it had in a haze of war, sickness, violence, and genocide. History was drenched in blood. But it also had cooperation and kindness, generosity, intermarriage. The one didn’t come without the other.
James S.A. Corey (Babylon's Ashes (The Expanse, #6))
What I can do is the only limit of what I may do. Because we are gregarious we live in society, and society holds together by means of force, force of arms (that is the policeman) and force of public opinion. You have society on one hand and the individual on the other: each is an organism striving for self-preservation. It is might against might. I stand alone, bound to accept society and not unwilling, since in return for the taxes I pay it protects me, a weakling, against the tyranny of another stronger than I am; but I submit to its laws because I must; I do not acknowledge their justice; I do not know justice, I only know power. And when I have paid for the policeman who protects me and, if I live in a country where conscription is in force, served in the army which guards my house and land from the invader, I am quits with society: for the rest I counter its might with my wiliness. It makes laws for its self-preservation, and if I break them it imprisons or kills me: it has the might to do so and therefore the right. If I break the laws I will accept the vengeance of the state, but I will not regard it as punishment nor shall I feel myself convicted of wrong-doing. Society tempts me to its service by honours and riches and the good opinion of my fellows; but I am indifferent to their opinion, I despise honours and I can do very well without riches.
W. Somerset Maugham (Of Human Bondage)
Any act would be forgiven him, but the act itself would remain; what he would leave in the world would be the shame and hurt he forced upon others. This could not be.
David Kirk (Child of Vengeance (Musashi Miyamoto, #1))
If you were my wife,” he murmured in her ear, “I’d never let you sleep. I’d force you to sleep naked beside me so I could have my way with you any time I liked.
Renee Rose (The Hand of Vengeance: Alien Planet Warrior Romance)
The thing that makes men manly is that they force everyone to be witness to their vengeance. I want no part in this.
Billy-Ray Belcourt (A History of My Brief Body)
..if she were forced to choose between her soul and her survival, her soul and her peace of mind, her soul and her vengeance-she'd damn her useless soul.
M.V. Kasi (Soulless (The Revenge Games #1))
In all honesty I didn't even now if I had the power to carry through with my threat, but at that moment I felt as if I could. If I were a Jedi, I had defiantly turned to the dark side of the force, for in truth my thoughts and feeling dwelled on pain, wrath, and vengeance. but I didn't care.
Kelsey Hayes
All notions of probable innocence aside, he seemed more at ease again, though somewhat more alert than before. Rudolf looked at her, more serious now. “A lot of men who kill have got a reason for what they do. Some are forced into it or have a threat hanging over their heads, natural inclinations they can’t ignore or a festering hatred caused by someone or something.” Cassia wondered about hatred and that fire of anger that smouldered inside of her, wanting to see the Nemorans slaughtered for what they did to her sisters. She didn’t just want justice, she wanted vengeance. Yet, she felt that went beyond hatred into hurt and the desire to protect others from their violence.
Mara Amberly (Fire and Gold (Sisters of the North, #1))
There have been ample opportunities since 1945 to show that material superiority in war is not enough if the will to fight is lacking. In Algeria, Vietnam and Afghanistan the balance of economic and military strength lay overwhelmingly on the side of France, the United States, and the Soviet Union, but the will to win was slowly eroded. Troops became demoralised and brutalised. Even a political solution was abandoned. In all three cases the greater power withdrew. The Second World War was an altogether different conflict, but the will to win was every bit as important - indeed it was more so. The contest was popularly perceived to be about issues of life and death of whole communities rather than for their fighting forces alone. They were issues, wrote one American observer in 1939, 'worth dying for'. If, he continued, 'the will-to-destruction triumphs, our resolution to preserve civilisation must become more implacable...our courage must mount'. Words like 'will' and 'courage' are difficult for historians to use as instruments of cold analysis. They cannot be quantified; they are elusive of definition; they are products of a moral language that is regarded sceptically today, even tainted by its association with fascist rhetoric. German and Japanese leaders believed that the spiritual strength of their soldiers and workers in some indefinable way compensate for their technical inferiority. When asked after the war why Japan lost, one senior naval officer replied that the Japanese 'were short on spirit, the military spirit was weak...' and put this explanation ahead of any material cause. Within Germany, belief that spiritual strength or willpower was worth more than generous supplies of weapons was not confined to Hitler by any means, though it was certainly a central element in the way he looked at the world. The irony was that Hitler's ambition to impose his will on others did perhaps more than anything to ensure that his enemies' will to win burned brighter still. The Allies were united by nothing so much as a fundamental desire to smash Hitlerism and Japanese militarism and to use any weapon to achieve it. The primal drive for victory at all costs nourished Allied fighting power and assuaged the thirst for vengeance. They fought not only because the sum of their resources added up to victory, but because they wanted to win and were certain that their cause was just. The Allies won the Second World War because they turned their economic strength into effective fighting power, and turned the moral energies of their people into an effective will to win. The mobilisation of national resources in this broad sense never worked perfectly, but worked well enough to prevail. Materially rich, but divided, demoralised, and poorly led, the Allied coalition would have lost the war, however exaggerated Axis ambitions, however flawed their moral outlook. The war made exceptional demands on the Allied peoples. Half a century later the level of cruelty, destruction and sacrifice that it engendered is hard to comprehend, let alone recapture. Fifty years of security and prosperity have opened up a gulf between our own age and the age of crisis and violence that propelled the world into war. Though from today's perspective Allied victory might seem somehow inevitable, the conflict was poised on a knife-edge in the middle years of the war. This period must surely rank as the most significant turning point in the history of the modern age.
Richard Overy (Why the Allies Won)
If the secret core of potlatch is the reciprocity of exchange, why is this reciprocity not asserted directly, why does it assume the “mystified” form of two consecutive acts each of which is staged as a free voluntary display of generosity? Here we encounter the paradoxes of forced choice, of freedom to do what is necessary, at its most elementary: I have to do freely what I am expected to do. (If, upon receiving a gift, I immediately return it to the giver, this direct circulation would amount to an extremely aggressive gesture of humiliation, it would signal that I refused the other’s gifts — recall those embarrassing moments when elderly people forget and give us last year’s present once again … ) …the reciprocity of exchange is in itself thoroughly ambiguous; at its most fundamental, it is destructive of the social bond, it is the logic of revenge, tit for tat. To cover this aspect of exchange, to make it benevolent and pacific, one has to pretend that each person’s gift is free and stands on its own. This brings us to potlatch as the “pre-economy of the economy,” its zero-level, that is, exchange as the reciprocal relation of two non-productive expenditures. If the gift belongs to Master and exchange to the Servant, potlatch is the paradoxical exchange between Masters. Potlach is simultaneously the zero-level of civility, the paradoxical point at which restrained civility and obscene consumption overlap, the point at which it is polite to behave impolitely.
Slavoj Žižek (In Defense of Lost Causes)
As he returned to the bed, he could see Vallant eyeing him warily, but he ignored this, sat on the opposite end and braced the pad on his knee. You think after all that, I will leave? What sort of monster do you take me for? You think I could be that callous? No better than the piece of filth who used you, nor the soulless fiend who sold you? He ripped off the page and handed it over, but he began a second note even before Vallant had taken the first from his hand. Is this bastard still alive? I assume not, that Rodger had him strangled? He had to pause, forcing his grip on the pencil to lighten before he went on. I want his name, if he isn't already dispatched. I'm not without resources or influence. And I'm very difficult to prosecute.
Heidi Cullinan (A Private Gentleman)
The last time he’d been this close to her, he’d been on a job. Although she’d captured his attention and held it at that time, he hadn’t allowed himself to give much thought to his budding fascination with her then. He could now. Too bad bracing himself wasn’t enough. The full force of the impact on him up close and personal was— damn, he felt like he’d been shot in the gut at point-blank range.
Shara Azod (Vengeance)
If we aim deliberately at the impoverishment of Central Europe, vengeance, I dare predict, will not limp. Nothing can then delay for very long that final civil war between the forces of Reaction and the despairing convulsions of Revolution, before which the horrors of the late German war will fade into nothing, and which will destroy, whoever is victor, the civilization and the progress of our generation.
John Maynard Keynes (The Economic Consequences of the Peace)
In roughly that same time period, while General George Armstrong Custer achieved world fame in failure and catastrophe, Mackenzie would become obscure in victory. But it was Mackenzie, not Custer, who would teach the rest of the army how to fight Indians. As he moved his men across the broken, stream-crossed country, past immense herds of buffalo and prairie-dog towns that stretched to the horizon, Colonel Mackenzie did not have a clear idea of what he was doing, where precisely he was going, or how to fight Plains Indians in their homelands. Neither did he have the faintest idea that he would be the one largely responsible for defeating the last of the hostile Indians. He was new to this sort of Indian fighting, and would make many mistakes in the coming weeks. He would learn from them. For now, Mackenzie was the instrument of retribution. He had been dispatched to kill Comanches in their Great Plains fastness because, six years after the end of the Civil War, the western frontier was an open and bleeding wound, a smoking ruin littered with corpses and charred chimneys, a place where anarchy and torture killings had replaced the rule of law, where Indians and especially Comanches raided at will. Victorious in war, unchallenged by foreign foes in North America for the first time in its history, the Union now found itself unable to deal with the handful of remaining Indian tribes that had not been destroyed, assimilated, or forced to retreat meekly onto reservations where they quickly learned the meaning of abject subjugation and starvation. The hostiles were all residents of the Great Plains; all were mounted, well armed, and driven now by a mixture of vengeance and political desperation. They were Comanches, Kiowas, Arapahoes, Cheyennes, and Western Sioux. For Mackenzie on the southern plains, Comanches were the obvious target: No tribe in the history of the Spanish, French, Mexican, Texan, and American occupations of this land had ever caused so much havoc and death. None was even a close second.
S.C. Gwynne (Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches, the Most Powerful Indian Tribe in American History)
Our contemporary Rousseau has a relevant maxim. He argues that true vengeance consists not of killing the antagonist, but forcing him to kill you. I confess that my own spirit is not sufficiently lofty for me to share this view with the sublime sage of Geneva. Yet the idea is strange and novel, and for those who subscribe to it, there is ample room for subtle and rather heroic argumentation, of the kind so frequently sought by our modern thinkers, who love nothing better than recycling paradoxes into aphorisms and vice-versa.
Giacomo Casanova (The Duel (The Art of the Novella))
The fact that the crime and the punishment were related and bound up in the form of atrocity was not the result of some obscurely accepted law of retaliation. It was the effect, in the rites of punishment, of a certain mechanism of power: of a power that not only did not hesitate to exert itself directly on bodies, but was exalted and strengthened by its visible manifestations; of a power that asserted itself as an armed power whose functions of maintaining order were not entirely unconnected with the functions of war; of a power that presented rules and obligations as personal bonds, a breach of which constituted an offence and called for vengeance; of a power for which disobedience was an act of hostility, the first sign of rebellion, which is not in principle different from civil war; of a power that had to demonstrate not why it enforced its laws, but who were its enemies, and what unleashing of force threatened them; of a power which, in the absence of continual supervision, sought a renewal of its effect in the spectacle of its individual manifestations; of a power that was recharged in the ritual display of its reality as 'super-power'.
Michel Foucault (Discipline and Punish: The Birth of the Prison)
A number of wise men have warned us against the would-be benefits of vengeance. Mark Twain said, “Therein lies the defect of revenge: it’s all in the anticipation; the thing itself is a pain, not a pleasure; at least the pain is the biggest end of it.” Walter Weckler further observed that “revenge has no more quenching effect on emotions than salt water has on thirst.” And Albert Schweitzer noted that “Revenge . . . is like a rolling stone, which, when a man hath forced up a hill, will return upon him with a greater violence, and break those bones whose sinews gave it motion.
Dan Ariely (The Irrational Bundle: Predictably Irrational, The Upside of Irrationality, and The Honest Truth About Dishonesty)
Je fais le point. Je ne suis plus modeste. C'est toujours cela que les Rezeau conserveront en moi. Je suis une force de la nature. Je suis le choix de la révolte. Je suis celui qui vit de tout ce qui les empêche de vivre. Je suis la négation de leurs oui plaintifs distribués à toutes les idées reçues, je suis leur contradiction, le saboteur de leur patience renommée, un chasseur de chouettes, un charmeur de serpents, un futur abonné de l'Humanité. "Les Enfants! C'est l'heure." Je suis votre scandale, la vengeance du siècle jetée dans votre intimité. "Les Enfants!" Tais-toi Folcoche. J'arriverai volontairement en retard et tu ne diras rien.
Hervé Bazin (Vipère au poing)
The essence of the neo-classical argument is that competition for productive factors — land, labour and capital — forces entrepreneurs to pay an amount equal to the value that the marginal (last employed) unit of each factor creates. Given a particular technological state and relative factor supplies (scarcities), then competition ensures that each factor 'gets what it creates', that 'exploitation of a factor cannot occur.' It is then a short step to infer that the distributive shares of rent, wages, interest, etc., are socially just fair shares. The political implication is that there is no point in, or call for, class struggle, and that government intervention should be confined largely to ensuring that perfect competition prevails. In the lexicons of many Marxist writers, this qualifies as 'vulgar political economy' with a vengeance.
David Harvey (The Limits to Capital)
Small wonder, then, that an institution like the Library found space to take root. It was presented as a good cause, created in the hope of encouraging people to be more open with one another. Its creators were little more than boys: perky, smiling youngsters, well groomed and well dressed, without a trace of facial hair. They looked designed to win people's trust. And who wouldn't trust a cheerful, articulate young man who came calling at your door, inviting you to chat with him about this and that, about the meaning of life, about all the hunger and suffering in the world? It's true; it was whispered that dark forces acted behind them, national and international groups hungry for vengeance after certain recent defeats. But who could believe such things in front of polite young lads who always looked you in the eyes and shook your hand.
Giorgio De Maria (The Twenty Days of Turin)
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go. The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck. Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely. The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor. Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
certainly this heartache, perhaps somewhat calculated—so little do we care for the pain of others—by a woman desiring to make us miss her as acutely as possible, whether the woman only pretending to make her departure wishes merely to obtain more favorable conditions, or whether leaving for ever—for ever!—she wants to strike a blow, perhaps from vengeance, perhaps to continue to be loved, or perhaps to preserve the quality of the memory that she will leave, and violently break out of this network of tedium and indifference which she had felt being woven around her,—certainly we had promised each other that we would avoid such heartache, we had said that we would part on good terms. But it is in fact very rare to part on good terms, for if all were well we would not separate. And then again, the woman toward whom we affect the utmost indifference does none the less feel obscurely that, just as we have come to tire of her because of the force of habit, so we have become all the more attached to her, and she guesses that one of the essential requirements for parting on good terms is to warn her partner that she is going to leave. Yet she fears that warning him may prevent her. Every woman feels that, the greater is her power over a man, the more her only way of leaving him is just to take flight. She becomes a fugitive precisely because she was a queen, this is inevitable.
Marcel Proust (The Fugitive: In Search of Lost Time, Volume 6 (Penguin Classics Deluxe Edition))
From being a tiny, despised community, the Muslims were now a force with which the pagans of Arabia had to reckon—and they began to strike terror in the hearts of their enemies. Muhammad’s claim to be the last prophet of the One, True God appeared validated by a victory against enormous odds. With this victory, certain attitudes and assumptions were being planted in the minds of Muslims, which remain with many of them to this day. These include: Allah will grant victory to his people against foes that are superior in numbers or firepower, so long as they remain faithful to his commands. Victories entitle the Muslims to appropriate the possessions of the vanquished as booty. Bloody vengeance against one’s enemies belongs not solely to the Lord, but also to those who submit to him on earth. That is the meaning of the word Islam: submission. Prisoners taken in battle against the Muslims may be put to death at the discretion of Muslim leaders. Those who reject Islam are “the vilest of creatures” (Qur’an 98:6) and thus deserve no mercy. Anyone who insults or even opposes Muhammad or his people deserves a humiliating death—by beheading if possible. (This is in accordance with Allah’s command to “smite the necks” of the “unbelievers” (Qur’an 47:4)). Above all, the battle of Badr was the first practical example of what came to be known as the Islamic doctrine of jihad—a doctrine that holds the key to the understanding of both the Crusades and the conflicts of today.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
I speak only for myself. I know them only as they limit my activities. Round each of them too the world turns, and each one for himself is the centre of the universe. My right over them extends only as far as my power. What I can do is the only limit of what I may do. Because we are gregarious we live in society, and society holds together by means of force, force of arms (that is the policeman) and force of public opinion (that is Mrs. Grundy). You have society on one hand and the individual on the other: each is an organism striving for self-preservation. It is might against might. I stand alone, bound to accept society and not unwilling, since in return for the taxes I pay it protects me, a weakling, against the tyranny of another stronger than I am; but I submit to its laws because I must; I do not acknowledge their justice: I do not know justice, I only know power. And when I have paid for the policeman who protects me and, if I live in a country where conscription is in force, served in the army which guards my house and land from the invader, I am quits with society: for the rest I counter its might with my wiliness. It makes laws for its self-preservation, and if I break them it imprisons or kills me: it has the might to do so and therefore the right. If I break the laws I will accept the vengeance of the state, but I will not regard it as punishment nor shall I feel myself convicted of wrong-doing. Society tempts me to its service by honours and riches and the good opinion of my fellows; but I am indifferent to their good opinion, I despise honours and I can do very well without riches.
W. Somerset Maugham (Of Human Bondage)
An unusually clear statement of the secular view of evil and suffering is made by Richard Dawkins in his book "River out of Eden: A Darwinian View of Life"- He writes: “The total amount of suffering per year in the natural world is beyond all decent contemplation....In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won't find any rhyme or reason in it, nor any justice. The universe that we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but pitiless indifference.” This is a complete departure from every other cultural view of suffering. Each one sees evil as having some purpose as a punishment, or a test, or an opportunity. But in Dawkin's view, the reason people struggle so mightily in the face of suffering is because they will not accept that it never has any purpose. It is senseless, neither bad nor good- because categories such as good and evil are meaningless in the universe we live in. "We humans have purpose on the brain," he argues. "Show us almost any object or process and it is hard for us to resist the 'Why' question...It is an almost universal delusion...The old temptation comes back with a vengeance when tragedy strikes..."Why oh why, did the cancer/earthquake/hurricane have to strike my child?" But he argues that this agony happens because "we cannot admit that things might be neither good nor evil, neither cruel nor kind, but simply callous-indifferent to all suffering, lacking purpose....DNA neither knows nor cares. DNA just is. And we dance to its music.
Timothy J. Keller (Walking with God through Pain and Suffering)
Now I am alone. O, what a rogue and peasant slave am I! (520) Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, (530) That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, (540) And can say nothing; no, not for a king, Upon whose property and most dear life A damn'd defeat was made. Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs? who does me this? Ha! 'Swounds, I should take it: for it cannot be But I am pigeon-liver'd and lack gall (550) To make oppression bitter, or ere this I should have fatted all the region kites With this slave's offal: bloody, bawdy villain! Remorseless, treacherous, lecherous, kindless villain! O, vengeance! Why, what an ass am I! This is most brave, That I, the son of a dear father murder'd, Prompted to my revenge by heaven and hell, Must, like a whore, unpack my heart with words, And fall a-cursing, like a very drab, (560) A scullion! Fie upon't! foh! About, my brain! I have heard That guilty creatures sitting at a play Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. I'll have these players Play something like the murder of my father Before mine uncle: I'll observe his looks; (570) I'll tent him to the quick: if he but blench, I know my course. The spirit that I have seen May be the devil: and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me: I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
William Shakespeare (Hamlet)
Take care, ye philosophers and friends of knowledge, and beware of martyrdom! Of suffering "for the truth's sake"! even in your own defense! It spoils all the innocence and fine neutrality of your conscience; it makes you headstrong against objections and red rags; it stupefies, animalizes, and brutalizes, when in the struggle with danger, slander, suspicion, expulsion, and even worse consequences of enmity, ye have at last to play your last card as protectors of truth upon earth—as though "the Truth" were such an innocent and incompetent creature as to require protectors! and you of all people, ye knights of the sorrowful countenance, Messrs Loafers and Cobweb-spinners of the spirit! Finally, ye know sufficiently well that it cannot be of any consequence if YE just carry your point; ye know that hitherto no philosopher has carried his point, and that there might be a more laudable truthfulness in every little interrogative mark which you place after your special words and favourite doctrines (and occasionally after yourselves) than in all the solemn pantomime and trumping games before accusers and law-courts! Rather go out of the way! Flee into concealment! And have your masks and your ruses, that ye may be mistaken for what you are, or somewhat feared! And pray, don't forget the garden, the garden with golden trellis-work! And have people around you who are as a garden—or as music on the waters at eventide, when already the day becomes a memory. Choose the GOOD solitude, the free, wanton, lightsome solitude, which also gives you the right still to remain good in any sense whatsoever! How poisonous, how crafty, how bad, does every long war make one, which cannot be waged openly by means of force! How PERSONAL does a long fear make one, a long watching of enemies, of possible enemies! These pariahs of society, these long-pursued, badly-persecuted ones—also the compulsory recluses, the Spinozas or Giordano Brunos—always become in the end, even under the most intellectual masquerade, and perhaps without being themselves aware of it, refined vengeance-seekers and poison-Brewers (just lay bare the foundation of Spinoza's ethics and theology!), not to speak of the stupidity of moral indignation, which is the unfailing sign in a philosopher that the sense of philosophical humour has left him. The martyrdom of the philosopher, his "sacrifice for the sake of truth," forces into the light whatever of the agitator and actor lurks in him; and if one has hitherto contemplated him only with artistic curiosity, with regard to many a philosopher it is easy to understand the dangerous desire to see him also in his deterioration (deteriorated into a "martyr," into a stage-and-tribune-bawler). Only, that it is necessary with such a desire to be clear WHAT spectacle one will see in any case—merely a satyric play, merely an epilogue farce, merely the continued proof that the long, real tragedy IS AT AN END, supposing that every philosophy has been a long tragedy in its origin.
Friedrich Nietzsche (Beyond Good and Evil)
But that's fatalism." "The illusion which man has that his will is free is so deeply rooted that I am ready to accept it. I act as though I were a free agent. But when an action is performed it is clear that all the forces of the universe from all eternity conspired to cause it, and nothing I could do could have prevented it. It was inevitable. If it was good I can claim no merit; if it was bad I can accept no censure." "My brain reels," said Philip. "Have some whiskey," returned Cronshaw, passing over the bottle. "There's nothing like it for clearing the head. You must expect to be thick-witted if you insist upon drinking beer." Philip shook his head, and Cronshaw proceeded: "You're not a bad fellow, but you won't drink. Sobriety disturbs conversation. But when I speak of good and bad..." Philip saw he was taking up the thread of his discourse, "I speak conventionally. I attach no meaning to those words. I refuse to make a hierarchy of human actions and ascribe worthiness to some and ill-repute to others. The terms vice and virtue have no signification for me. I do not confer praise or blame: I accept. I am the measure of all things. I am the centre of the world." "But there are one or two other people in the world," objected Philip. "I speak only for myself. I know them only as they limit my activities. Round each of them too the world turns, and each one for himself is the centre of the universe. My right over them extends only as far as my power. What I can do is the only limit of what I may do. Because we are gregarious we live in society, and society holds together by means of force, force of arms (that is the policeman) and force of public opinion (that is Mrs. Grundy). You have society on one hand and the individual on the other: each is an organism striving for self-preservation. It is might against might. I stand alone, bound to accept society and not unwilling, since in return for the taxes I pay it protects me, a weakling, against the tyranny of another stronger than I am; but I submit to its laws because I must; I do not acknowledge their justice: I do not know justice, I only know power. And when I have paid for the policeman who protects me and, if I live in a country where conscription is in force, served in the army which guards my house and land from the invader, I am quits with society: for the rest I counter its might with my wiliness. It makes laws for its self-preservation, and if I break them it imprisons or kills me: it has the might to do so and therefore the right. If I break the laws I will accept the vengeance of the state, but I will not regard it as punishment nor shall I feel myself convicted of wrong-doing. Society tempts me to its service by honours and riches and the good opinion of my fellows; but I am indifferent to their good opinion, I despise honours and I can do very well without riches." "But if everyone thought like you things would go to pieces at once." "I have nothing to do with others, I am only concerned with myself. I take advantage of the fact that the majority of mankind are led by certain rewards to do things which directly or indirectly tend to my convenience." "It seems to me an awfully selfish way of looking at things," said Philip. "But are you under the impression that men ever do anything except for selfish reasons?" (324)
W. Somerset Maugham
THE WRATH TO COME. — MATTHEW 3:7 I t is pleasant to pass over a country after a storm has spent itself—to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Savior’s head, and if there be a few drops of sorrow falling, they distill from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest—to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it grows black, and to find the sun obscured, and the heavens angry and frowning! How terrible to await the dread advance of a hurricane, to wait in terrible apprehension till the wind rushes forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have fallen as yet, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. So far the water-floods are dammed up by mercy, but the floodgates will soon be opened: The thunderbolts of God are still in His storehouse, the tempest is coming, and how awful will that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, will you hide your head, or where will you run to? May the hand of mercy lead you now to Christ! He is freely set before you in the Gospel: His pierced side is the place of shelter. You know your need of Him; believe in Him, cast yourself upon Him, and then the fury shall be past forever.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
February 25 MORNING “The wrath to come.” — Matthew 3:7 IT is pleasant to pass over a country after a storm has spent itself; to smell the freshness of the herbs after the rain has passed away, and to note the drops while they glisten like purest diamonds in the sunlight. That is the position of a Christian. He is going through a land where the storm has spent itself upon His Saviour’s head, and if there be a few drops of sorrow falling, they distil from clouds of mercy, and Jesus cheers him by the assurance that they are not for his destruction. But how terrible it is to witness the approach of a tempest: to note the forewarnings of the storm; to mark the birds of heaven as they droop their wings; to see the cattle as they lay their heads low in terror; to discern the face of the sky as it groweth black, and look to the sun which shineth not, and the heavens which are angry and frowning! How terrible to await the dread advance of a hurricane — such as occurs, sometimes, in the tropics — to wait in terrible apprehension till the wind shall rush forth in fury, tearing up trees from their roots, forcing rocks from their pedestals, and hurling down all the dwelling-places of man! And yet, sinner, this is your present position. No hot drops have as yet fallen, but a shower of fire is coming. No terrible winds howl around you, but God’s tempest is gathering its dread artillery. As yet the water-floods are dammed up by mercy, but the flood-gates shall soon be opened: the thunderbolts of God are yet in His storehouse, but lo! the tempest hastens, and how awful shall that moment be when God, robed in vengeance, shall march forth in fury! Where, where, where, O sinner, wilt thou hide thy head, or whither wilt thou flee? O that the hand of mercy may now lead you to Christ! He is freely set before you in the gospel: His riven side is the rock of shelter. Thou knowest thy need of Him; believe in Him, cast thyself upon Him, and then the fury shall be overpast for ever.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
He got in her face then, anger pouring off him. He smelled so good, and his breath was warm as it blew against her face and neck. “You’re goddamn right this isn’t a game. Do you think for one fucking minute that, as I looked down on you dying in that pit, I thought it was fun? You nearly died, Gretchen. It is intolerable. I will not lose you!” He was yelling by the time he finished and he took her face in his hands, forcing her to meet his gaze. “You wormed your stubborn ass into my soul, and I’ll not fucking allow you to kill yourself for vengeance. You’ll stay here, where I can keep you safe, and we’ll plan, Gretchen. We’ll plan, and then we’ll act, but we will do it together. You will never put me through that again,” he said viciously.
Lea Griffith (Bullet to the Heart (No Mercy, #1))
You and I are very much alike, are we not? Neither of us can take vengeance against the people who harmed us most. And both of us were told not to be angry, when we had excellent reasons to be so, so we were forced to bottle it up until it exploded,
Zoe Chant (Warrior Wolf (Protection, Inc., #4))
8. When Noah had made these supplications, God, who loved the man for his righteousness, granted entire success to his prayers, and said, that it was not he who brought the destruction on a polluted world, but that they underwent that vengeance on account of their own wickedness; and that he had not brought men into the world if he had himself determined to destroy them, it being an instance of greater wisdom not to have granted them life at all, than, after it was granted, to procure their destruction; "But the injuries," said he, "they offered to my holiness and virtue, forced me to bring this punishment upon them.
Flavius Josephus (Complete Works of Josephus, Flavius. Incl: Wars of the Jews, Antiquities of the Jews, Against Apion, Autobiography, and more .)
At the same time as suggesting the language game we clearly do not have a change in the name of God as our only way to think in New Testament terms of an earth at peace. There is Jesus! It is very hard to attribute violence to the originator of the gospel, of the good news of God’s forgiveness and love, of divine healing and welcome. Despite the fact that people refer to his action in the temple in the last days of his life as an exceptional yet conclusive ‘proof’ of Jesus’ use of violence no serious bible scholar would look on these actions divorced from his whole ministry. And because of that we have to see them as a conscious and deliberate prophetic sign-action, taking control of the temple for a brief period to show how it stood in contrast to the direct relationship with God which he proclaimed, and to make the point with a definitive emphasis. The whip he plaits in John is used to drive the animals, probably with the sound of the crack alone. No one is attacked. No one gets hurt. And very soon the situation reverts to the status quo: the authorities take back control of the temple and decide on Jesus’ suffering and death in order to control him. Overall the event is to be seen as Jesus placing himself purposely and calculatedly in the cross-hairs for the sake of the truth, much rather than doing harm to anyone else. The consequences of his actions were indeed ‘the cross’, and supremely in the situation of crucifixion Jesus does not invoke retaliation on his enemies, or threaten those who reject redemption; rather he prays for their forgiveness. No, Jesus’ whole life-story makes him unmistakably a figure of transcendent nonviolence. The problem lies elsewhere, with the way the cross is interpreted within the framework of a violent God. It is unfathomably ironic that the icon of human non-retaliation, Jesus’ cross, gets turned in the tradition into a supreme piece of vengeance—God’s ‘just’ punishment of Jesus in our place. My book, Cross Purposes, is about the way this tradition got formed and it represents just one of a constant stream of writing, gathering force at the end of the last century and continuing into this, questioning how this could be the meaning of the central symbol of Christianity.2 I think the vigor of that question can only continue to grow, while the nonviolence of Jesus’ response must at the same time stand out in greater and greater relief, in its own right and for its own sake. And for that same reason the argument at hand, of ‘No-name’ for a nonviolent God, can only be strengthened when we highlight the nonviolence of Jesus against the traditional violent concept of ‘God’. Now
Anthony Bartlett (Virtually Christian: How Christ Changes Human Meaning and Makes Creation New)
Now if we turn to the Book of Revelation—which we saw as a cause of offense in its apparent celebration of a God of violence—we have to say in all honesty that it is in fact a nonviolent New Testament writing, and profoundly so. ‘The Lamb’ is the general symbolic name given to Jesus in the book, mentioned 29 times, an image of nonviolence and the book’s undisputed hero. The essence of the Lamb is not to use violence. When we first hear of it is ‘standing as if it had been slaughtered’ (5:6): it does not fight, it is slaughtered, and it continues exactly ‘as if it were something slaughtered (i.e. it does not lose this identity). Furthermore its followers do not fight, they also are killed. We learn that the Lamb holds the key to human history, opening its seals to reveal its purpose and meaning, including its intense inner violence. The Lamb is able to do this because it represents a completely different human / divine way of responding, other than that of violence. At the same time, precisely because of this revelation, all hell (literally) breaks out around the Lamb. The old world system—the Beast—does not remain indifferent to the introduction of a new way and the absolute challenge it makes, but reacts with continually redoubled violence. At the end of the book there is a final battle when the Beast and the kings of the earth with their armies are all slain by a figure called the Word of God, by the sword which comes from his mouth. But directly afterwards the new earth and the city of the Lamb welcome and heal these very kings and nations which have just been slain! The only figures not to be restored are the Beast and its prophet which represent the system of violence, the imperial order with its ideological apparatus of cult and worship. No doubt there is a powerful tonality of anger running through the book, against the oppression and murder that the Christian communities were then experiencing at the hands of the Roman Empire. And there is pretty clearly a sense of emotional release offered by the images of destruction and vengeance unleashed against the forces of oppression. But the final structure of the book is redemptive and life-giving, and that has to be admitted in any honest assessment. The duality then is not between a vengeful God and a gentle Jesus, or an initially gentle Jesus and then a violent one, but between an actual world and culture of violence and a core message of forgiveness and nonviolence. The early Christians were sorely oppressed by the former and seeking desperately to hang on to the latter. If they use language and symbolism derived from the former to restore hope in the substance of the latter then the tension is literary and poetic, rather than two moods or identities of God. The book of Revelation was intended to have a cathartic effect on emotion, in order that the Christians who read or heard it could arrive, in their minds and hearts, at the transformed perspective where they welcomed and blessed their enemies. In other words it was and is intended to be therapeutic.3 In contrast the split between Jesus and a God of punishment—which came to full growth in the Middle Ages—is ontological, and can only lead to a fundamental division in the Christian soul, with eternal love on the one hand, and eternal violence on the other. In other words, a spiritual schizophrenia. This
Anthony Bartlett (Virtually Christian: How Christ Changes Human Meaning and Makes Creation New)
Already the galaxy had been shaped by the birth of one, and henceforth would be reshaped by the death of the other. But had the change been felt and recognized elsewhere? Were his sworn enemies aware that the Force had shifted irrevocably? Would it be enough to rouse them from self-righteousness? He hoped not. For now the work of vengeance could begin in earnest.
James Luceno (Darth Plagueis (Star Wars))
The last time he’d been this close to her, he’d been on a job. Although she’d captured his attention and held it at that time, he hadn’t allowed himself to give much thought to his budding fascination with her then. He could now. Too bad bracing himself wasn’t enough. The full force of the impact on him up close and personal was— damn, he felt like he’d been shot in the gut at point-blank range. n.
Shara Azod (Vengeance)
No one will touch you.” Not ever. Even after death he would protect his woman with the sheer force of his motherfucking will. “Tell me what scares you and I will eliminate it, no matter what it is.” .
Shara Azod (Vengeance)
Justice and vengeance get all tangled together when the law is written by a tyrant and ultimately overturned by the forces of anger and resentment.
Robert J. Crane (Fated in Darkness (Sanctuary, #5.5))
Every word I speak is like a blade cutting me from within. It'd the arrow they shot into Baba's chest. It's being forced to rip out my heart and bury it all over again.
Tomi Adeyemi (Children of Virtue and Vengeance (Legacy of Orïsha, #2))
Imprecations and Incantations Psalm 58 is known as an “imprecatory” psalm because it calls down curses (imprecations) on the enemy. In the ancient Near East, such curses were enhanced or activated by magical rituals and spells, but this sort of practice would have been unacceptable in the Biblical system. Imprecatory psalms can be best understood against the background of the Retribution Principle (see the article “Retribution Principle”). Since God’s justice was seen as requiring punishment proportional to the seriousness of the sin, the psalmist is calling down the curses that would be appropriate if justice were to be maintained. These are curses of the same magnitude that God pronounces on his enemies (Isa 13:15–16). The forceful language of this passage contains aspects of an East Semitic curse formula that relies on the deity to carry out vengeance on the enemy nations. An example of this type of indirect curse is found in the vassal treaties of the Assyrian king Esarhaddon as he calls on a host of gods to do the treaty-breaker harm. It is also employed, with the addition of ritual acts of execration, in the Aramaic Sefire Treaty that describes bows being broken with the expected result that their enemies’ bows will likewise be broken. The psalmist indirectly curses by imprecation, calling on God to “laugh at them” (Ps 59:8) in their puny efforts to menace Israel. He does not employ magical incantations or execration rituals against them, but instead relies on God to render them impotent, breaking their power and their weapons of destruction (cf. Jer 49:35; 51:56; Eze 39:3). ◆
Anonymous (NIV, Cultural Backgrounds Study Bible: Bringing to Life the Ancient World of Scripture)
The difference between his family and those other witches was that they were aware of the dark things that they were capable of, and the kind of power that they had—but they still chose to be better, to make the difficult choice. There was no drive for vengeance against the entire world, and there was no wish to enslave others. That, to Trevor, was the real evil: the desire to force others to bend to your whims, to strip people of their free will, of their ability to make choices, and to make those choices for them, regardless of what it did to them.
Marcus James (Symphony for the Devil (The Blackmoore Legacy Book 2))
Grace is Christianity’s best gift to the world, a spiritual nova in our midst exerting a force stronger than vengeance, stronger than racism, stronger than hate.
Philip Yancey (What's So Amazing About Grace?)
La colère de ma mère est d'une autre nature. Les trahisons l'ont grandie. D'élan elle est devenue force. Elle a planté ses crocs si profond dans sa mémoire qu'elle est devenue caillou. La colère n'irrigue plus le corps, elle se concentre sur le cœur et sa fonction première: cogner pour respirer. Comme je voudrais avoir la même! Elle fabrique des vengeances en forme d'honneur. Pour Aliénor, la haine est une colère qui vieillit bien.
Clara Dupont-Monod (La Révolte)
But whence came the race of man? I will make a guess. A change of climate killed the great northern forests, Forcing the manlike apes down from their trees … They had to go down to the earth, where green still grew And small meats might be gleaned. But there the great flesh-eaters, Tiger and panther and the horrible fumbling bear and endless wolf-packs made life A dream of death. Therefore man has those dreams, And kills out of pure terror.
John Vaillant (The Tiger: A True Story of Vengeance and Survival (Vintage Departures))
Brujeria – Matando Güeros lyrics Killing White Boys Americans use us for wiping their asses They treat us like pig shit Have balls and be men A... Trip north Centuries pass and our race is fucked up American bastards, they give us dick and... Forced into poverty, We are... Your vengeance will be your dark destiny Killing white boys - Long live the race!!! Killing white boys - Like Pancho Villa!!! Killing white boys - Satan takes care of you Killing white boys - Killing white boys!!! Machete in hand and hot native blood Satanic force, looking for vengeance In the north we will take over Killing white boys - Long live the race!!! Killing white boys - Like Ricky Ramirez!!! Killing white boys - Satan takes care of you Killing white boys - Killing white boys!!!
Brujería [rock group]
True Cause. History is full of war, of death, of sacrifice…of unimaginable brutality. All in the name of the Cause. The mighty Cause. It is not the idea of fighting for a cause that saddens me so. It is the ease with which people devote themselves to it. Men have flocked into the streets, marched, argued, fought, killed…for causes they didn’t even understand. They do it because they follow along, to be part of the group…or because they don’t want to be left out. Because they are told to, or because they crave to be part of something. They follow the Cause for many reasons, with great passion and staggering ignorance. Disturbingly rare among them, are people who fight because they truly understand the reasons for their struggle. Most are simply followers, nipping at the heels of their leaders, like dogs begging for scraps. Throughout history, men have fought for uncounted reasons. For land, for money, for hegemony over their neighbors. They have fought for religion, to avenge insults, to impose belief systems…or to resist such being forced upon them. Wars have been waged to preserve or eliminate slavery, to escape the yoke of political masters…or to impose such rule upon others. Men have fought against those they branded inferiors…and struggled against those who called themselves their betters. The drum has beaten the call to war throughout history, rallying men and women to fight for the Cause…to accept the inevitable pain and suffering of war. To sacrifice sons and daughters to the slaughter. To see cities burn and millions die in confusion, agony, and despair. All for the Cause. Since the dawn of recorded history, the flags have waved and the crowds have cheered. The soldiers have marched…they have marched to fight for the Cause. What did most of them get back from those who called them to war? Famine, disease, shortages, despair. Burned cities and broken dreams. A flag-draped coffin in place of a live son or daughter. Words, endless, professionally-written platitudes, offered by the masters in justification of the slaughter. How often was the Cause truly just, worth the pain and death and horror of war? How many of those billions, who took to the streets for 5,000 years and cheered and sang and rallied for the Cause…how many of them really understood? What percentage took the time to consider the facts, the situation…to question what they were told and ultimately decide for themselves if the Cause was true and righteous? How many mindlessly believed the words of their masters, giving their all to a cause they didn’t even comprehend? A Cause that wasn’t worthy of their sacrifice? What if the Cause is false, corrupt…a fraud created simply to urge men to fight? What if it serves nothing more than the base purposes of the leaders, buying them power with the blood of the people? What does the reasonable man, the just man, do if he discovers the Cause is false? Is there any retribution, any action, any violence unjustified in punishing those responsible? Could any horror that the oppressed and manipulated victims visit upon their former masters be unjustified. Does righteous vengeance become the Cause.
Jay Allan
Nisong slammed her cudgel into another soldier, feeling ribs crack beneath the force of the blow. Was this what vengeance cost? Was this the price of bringing justice to her enemies? She’d paid in blood already.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
In China, the Communist Party can fabricate evidence, force confessions, and level whatever charges it chooses, untethered to the facts. And, of course, many people gullibly believe the Party’s charges because the system is so opaque.
Desmond Shum (Red Roulette: An Insider's Story of Wealth, Power, Corruption, and Vengeance in Today's China)
A more subtle misconception is that of a hypostasis of evil as indestructible reality, a kind of primal scene, a sort of substratum of accumulated death-drive. The radicality of evil is seen as that of a naturally inevitable force, associated always with violence, suffering and death. Hence Sloterdijk's hypothesis that 'the reality of reality is the eternal return of violence'. To which he opposes a 'pacifism that is in keeping with our most advanced theoretical intuitions, a deep-level pacifism, based on a radical analysis of the circularity of violence, deciphering the forces that determine its eternal return'. A radical analysis, then, to remedy the radical evil. But can a 'radical' analysis have a finality of whatever kind? Is it not itself part of the process of evil?
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact (Talking Images))
I DID NOT hate my mother. I feared her. I feared her destroying my life. I feared her lies would turn others against me. I feared the incessant and unending conflict I would be forced to engage in with someone who couldn’t see past her own reality. To put myself first caused her to suffer. I feared the pain I would cause. I feared that pain would metastasize into vengeance. I feared her in the way I did as a child because I was powerless then to protect myself. There are days I am still that child.
Ariel Leve (An Abbreviated Life: A Memoir)
In this sense, in precisely the same way as Canetti conceives vengeance, evil too is automatic. You cannot will it. That is an illusion and a misconception. The evil you can will, the evil you can do and which, most of the time, merges with violence, suffering and death, has nothing to do with this reversible form of evil. We might even say that those who deliberately practise evil certainly have no insight into it, since their act supposes the intentionality of a subject, whereas this reversibility of evil is the reversibility of a form. And it is, at bottom, the form itself that is intelligent, insightful: with evil it is not a question of an object to be understood; we are dealing with a form that understands us. In the 'intelligence of evil' we have to understand that it is evil that is intelligent, that it is it which thinks us - in the sense that it is implied automatically in every one of our acts. For it is not possible for any act whatever or any kind of talk not to have two sides to it; not to have a reverse side, and hence a dual existence. And this contrary to any finality or objective determination. This dual form is irreducible, indissociable from all existence. It is therefore pointless to wish to localize it and even more so to wish to denounce it. The denunciation of evil is still of the order of morality, of a moral evaluation. Now, evil is immoral, not in the way a crime is immoral, but in the way a form is. And the intelligence of evil itself is immoral - it does not aspire to any value judgement, it does not do evil, it speaks it. The idea of evil as a malign force, a maleficent agency, a deliberate perversion of the order of the world, is a deep-rooted superstition. It is echoed at the world level in the phantasmic projection of the Axis of Evil, and in the Manichaean struggle against that power. This is all part of the same imaginary. Hence the principle of the prevention, the forestalling, the prophylaxis, of evil; rather than morality or metaphysics, what we have today is an infection, a microbial epidemic, the corruption of a world whose predestined end is presumed to lie in good.
Jean Baudrillard (The Intelligence of Evil or the Lucidity Pact (Talking Images))
There exists a limit to the force even the most powerful may apply without destroying themselves. Judging this limit is the true artistry of government. Misuse of power is the fatal sin. The law cannot be a tool of vengeance, never a hostage, nor a fortification against the martyrs it has created. You cannot threaten any individual and escape the consequences. —MUAD’DIB ON LAW FROM THE STILGAR COMMENTARY
Frank Herbert (Dune Messiah (Dune Chronicles, #2))
Jesus' death on the Cross demonstrated something about the nature of God: that God is inclined to self-giving vengeance, mercy over punishment, restraint over rage, and love over all. The Cross does not, it is important to say, make victimhood glorious but convicts the world of unjust and violent victimization. In dying, Jesus did not succumb to death but undermined the forces that wield it, demonstrating by his resurrection that life is more powerful after all.
Rosalind C Hughes (Whom Shall I Fear?: Urgent Questions for Christians in an Age of Violence)
In China, the Communist Party can fabricate evidence, force confessions, and level whatever charges it chooses, untethered to the facts.
Desmond Shum (Red Roulette: An Insider's Story of Wealth, Power, Corruption, and Vengeance in Today's China)
Shame is a function of sight. When a citizen of streets walks through the ravine, unwatched, he can choose to take his propriety with him. He can police himself. He might choose to do this: to carry his shame with him, in the form of guilt. Then again, the permutations available to the mind in the ravine are infinite. The first bitter story ever told was precisely this one; the crime of the usurper. We pretend to have knowledge that is not rightfully ours. We make something, believing that we have mastered what we have merely stolen. Finally, what we make takes vengeance upon us, and we are forced to confront the truth, which is in fact no different from the original mystery: that we know very little. I have spent a long time wondering about permanence: whether the soul can sustain irreparable damage, and how this might limit the notion of free will. Whether the psychologists are correct or not—and I am sure they are mostly not—we do carry our families with us, until death; and if our families are broken we carry the breakage in our soul. Nothing religious is ever destroyed by logic; it is destroyed only by God's withdrawal. All the stories feeding into my life are fragmenting the integrity of my voice; I hear myself telling other people's stories as if they were my own, and I feel certain that there are people out there, people I hardly know, telling mine. I am a confluence of stolen narratives, and my own story has been stolen too and fed through a foreign mouth into foreign ears. There is no moments beauty in those whom we have loved for a long time. We do not admire them, the way we do some chance woman or man on the subway as a moment's appearance of perfection in the physique. We see them as a montage of every remembered moment, the present moment often more vivid and strong than those receding into the past, but a montage nevertheless. If we remember.
Douglas Cooper
There’s no need to imagine the planet as some malevolent force seeking vengeance. It’s a rock. This is just how life is supposed to be: terrible and brief and ending in—if you’re lucky—oblivion.
N.K. Jemisin (The Obelisk Gate)
He didn’t care if he would be a villain in Alastor’s eyes. He had made peace with the fact a long time ago that he cannot control the way someone narrates their side of the story. The world had forced him to grow up he never knew what being truly free and careless was. He was the grandchild of the witches they burnt, so he would make the world a purgatory so his soul could feel warm.
Gauri Sharma (Of Vengeance and Ashes)
He [The Northman] has but one view of man; man asserting himself, maintaining his honour, as he calls it. All that moves within a man must be twisted round until it becomes associated with honour, before he can grasp it; and all his passion is thrust back and held, until it finds its way out in that one direction. His friendship of man and love of woman never find expression for the sake of the feeling itself; they are only felt consciously as a heightening of the lover's self-esteem and consequently as an increase of responsibility. This simplicity of character shows in his poetry, which is at heart nothing but lays and tales of great avengers, because revenge is the supreme act that concentrates his inner life and forces it out in the light. His poems of vengeance are always intensely human, because revenge to him is not an empty repetition of a wrong done, but a spiritual self-assertion, a manifestation of strength and value; and thus the anguish of an affront or the triumph of victory is able to open up the sealed depths of his mind and suffuse his words with passion and tenderness. But the limitation which creates the beauty and strength of Teuton poetry is revealed in the fact that only those feelings and thoughts which make man an avenger and furthers the attainment of revenge, are expressed; all else is overshadowed. Woman finds a place in poetry only as a valkyrie or as inciting to strife; for the rest, she is included among the ordinary inventory of life. Friendship, the highest thing on earth among the Teutons, is only mentioned when friend joins hands with friend in the strife for honour and restitution.
Vilhelm Grønbechrønbech
He [The Northman] has but one view of man; man asserting himself, maintaining his honour, as he calls it. All that moves within a man must be twisted round until it becomes associated with honour, before he can grasp it; and all his passion is thrust back and held, until it finds its way out in that one direction. His friendship of man and love of woman never find expression for the sake of the feeling itself; they are only felt consciously as a heightening of the lover's self-esteem and consequently as an increase of responsibility. This simplicity of character shows in his poetry, which is at heart nothing but lays and tales of great avengers, because revenge is the supreme act that concentrates his inner life and forces it out in the light. His poems of vengeance are always intensely human, because revenge to him is not an empty repetition of a wrong done, but a spiritual self-assertion, a manifestation of strength and value; and thus the anguish of an affront or the triumph of victory is able to open up the sealed depths of his mind and suffuse his words with passion and tenderness. But the limitation which creates the beauty and strength of Teuton poetry is revealed in the fact that only those feelings and thoughts which make man an avenger and furthers the attainment of revenge, are expressed; all else is overshadowed. Woman finds a place in poetry only as a valkyrie or as inciting to strife; for the rest, she is included among the ordinary inventory of life. Friendship, the highest thing on earth among the Teutons, is only mentioned when friend joins hands with friend in the strife for honour and restitution.
Vilhelm Grønbech (The Culture of the Teutons: Volumes 1 and 2)
This begs an obscure metaphysical question: if the body journeys through the viscera of an animal—if its substance and essence become that animal—what happens to the soul? Hurricanes, avalanches, and volcanoes consume people, but such random acts of insensate violence are considered acts of God; they don’t pick their targets, nor do they metabolize them. It is rare that one is confronted, as these men were, with such overwhelming evidence of one’s own mutability in the face of a sentient natural force. In this way, tigers and their quasi-conscious kin occupy an uncharted middle ground somewhere between humans and natural catastrophes.
John Vaillant (The Tiger: A True Story of Vengeance and Survival (Vintage Departures))
Call it archaic, but I think confession is liberation. It is easy to think that in injustice only the oppressed have their freedom to gain. In truth, the liberation of the oppressor is also at stake. Whether it’s the privilege we’ve inherited or space we’ve stolen, what began as guilt will mutate into shame, which is much more sinister and decidedly heavier on the soul. It doesn’t just weigh on the heart; it slithers into the gap of every joint, making everything swollen and tender. We learn to walk differently in order to carry the shame, but then we become prone to manipulate things like nearness and connection just to relieve our own swelling. When wounders, finally becoming exhausted of their dominion, dismantle their delusion of heroism or victimhood and begin to tell the truth of their offense, a sacred rest becomes available to them. You are no longer fighting to suspend the delusion of self. You can just lie down and be in your own flawed skin. And as you rest, the conscience you were born with slowly begins to regenerate, and your mobility changes. You walk past the shattered porch light without your nose to the ground. You can look your father in the eyes. You realize there are other ways to move in the world. It’s not only relief, it’s freedom. Truth-telling is critical to repair. But confession alone—which tends to serve the confessor more than the oppressed—will never be enough. Reparations are required. To expect repair without some kind of remittance would be injustice doubled. What has been stolen must be returned. This is not vengeance, it’s restoration. Maybe you know the verse that says if someone slaps you on the right cheek, turn and bare your left cheek to them too. But before all that, Exodus says eye for eye, tooth for tooth, burn for burn. Payment, consequence. Any injustice demands something of us. But the only thing more healing than forcing someone to pay is when a person chooses to pay by their own conviction. I have always wondered why Christ had to die. If we needed saving, if wrath was to be had, couldn’t God just snap his fingers or send a great wind or blink and have everything wrong made right again? Why is it nothing but the blood? Nothing else? This will always be strange to me. But if it’s true, the law is cosmic and eternal. Maybe it’s written into everything, and even God themself is not too bold to undo the way things were meant to be. Maybe they needed to show us what the most tragic and noble reparation could look like, the sacrifice of life itself, so we might learn the courage to choose to make repairs when our moments come. But some will die in their cowardice.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
A true portrait of Lincoln as president must include our best—if necessarily imperfect and incomplete—effort to capture how he understood the concepts of God and Providence. For if we take him at his word—and we should, for few presidents chose his words with more care—the mature Lincoln viewed the history of the American people and nation as mysteriously but inexorably intertwined with the will and the wishes, the vengeance and the mercy, and the punishments and the rewards of a divine force beyond time and space.
Jon Meacham (And There Was Light: Abraham Lincoln and the American Struggle)
Mortarion was still the greater of them. He was still the stronger, the more steeped in preternatural gifts, but now all that he felt was doubt, rocked by the remorseless fury of one who had never been anything more than flighty, self-regarding and unreliable. All Mortarion could see just then was one who wished to kill him - who would do anything, sacrifice anything, fight himself beyond physical limits, destroy his own body, his own heart, his own soul, just for the satisfaction of the oaths he had made in the void. 'If you know what I did,' Mortarion cried out, fighting on now through that cold fog of indecision, 'then you know the truth of it, brother - I can no longer die.' It was as if a signal had been given. The Khan's bloodied head lifted, the remnants of his long hair hanging in matted clumps. 'Oh, I know that,' he murmured, with the most perfect contempt he had ever mustered. 'But I can.' Then he leapt. His broken legs still propelled him, his fractured arms still bore his blade, his blood-filled lungs and perforated heart still gave him just enough power, and he swept in close. If he had been in the prime of condition, the move might have been hard to counter, but he was already little more than a corpse held together by force of will, and so Silence interposed itself, catching the Khan under his armour-stripped shoulder and impaling him deep. But that didn't stop him. The parry had been seen, planned for, and so he just kept coming, dragging himself up the length of the blade until the scythe jutted out of his ruptured back and the White Tiger was in tight against Mortarion's neck. For an instant, their two faces were right up against one another - both cadaverous now, drained of blood, drained of life, existing only as masks onto pure vengeance. All their majesty was stripped away, scraped out across the utilitarian rockcrete, leaving just the desire, the violence, the brute mechanics of despite. It only took a split second. Mortarion's eyes went wide, realising that he couldn't wrench his brother away in time. The Khan's narrowed. 'And that makes the difference,' Jaghatai spat. He snapped his dao across, severing Mortarion's neck cleanly in an explosion of black bile, before collapsing down into the warp explosion that turned the landing stage, briefly, into the brightest object on the planet after the Emperor's tormented soul itself.
Chris Wraight (Warhawk (The Siege of Terra #6))
War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!
Javid Ahmad Tak (They Loved in 2075!)
War and ceasefire There was a war followed by a ceasefire, Land covered in ash, dead men and women, Beside the dead were unfulfilled dreams and many a desire, This is how it is now and this is how it was then, Because a country defeated in war, Enters into the state of passive spirit, To the victor, spirited men and women of the defeated country appear too few and too far, So, they rush to assume this is it, the end of it! To be followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, Behind which their broken spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and someone a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, Finally when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So, those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose and it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, It stings all, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps getting louder and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s innocence that actually was the cause of great fall!
Javid Ahmad Tak (They Loved in 2075!)
You can’t force other people to treat you the way you want to be treated (or the way you want the world to be treated), but you can change how you respond. How much power do you want to give them? Do you want to carry that around forever? I don’t mean letting people get away with douchebaggery, but I do mean not giving them the power of owning your headspace. Responding appropriately doesn’t mean responding with equal vengeance. Or seething and carrying all those intense, negative feelings for days. You aren’t punishing other people with your anger, not really. You’re mostly just punishing yourself.
Faith G. Harper (Coping Skills: Tools & Techniques for Every Stressful Situation)
There exists a limit to the force even the most powerful may apply without destroying themselves. Judging this limit is the true artistry of government. Misuse of power is the fatal sin. The law cannot be a tool of vengeance, never a hostage, nor a fortification against the martyrs it has created. You cannot threaten any individual and escape the consequences
Frank Herbert (The Great Dune Trilogy)
An anger that Ari had never known was crashing down around her, an anger not stemming from his nauseating statements or revolting countenance, but from the knowledge of what he had done, suddenly so tangible in his presence before her. Never had she allowed herself to consider his betrayal as something so real. Never had she stopped to think about what it truly meant to her. It had all been so distant, muddled in her seven-year-old brain. But now Zaid stood there with that self-assured expression plastered upon his pale face and the reality struck Ari with incredible force, burning and boiling up until she thought she might explode from the sheer heat of it.
Allyson S. Barkley (A Memory of Light (Until the Stars Are Dead, #1))
Grace is Christianity’s best gift to the world, a spiritual nova in our midst exerting a force stronger than vengeance, stronger than racism, stronger than hate. Sadly, to a world desperate for this grace the church sometimes presents one more form of ungrace.
Philip Yancey (What's So Amazing About Grace?)
What surprised him was the temerity of the wolves didn’t have his alpha spouting off a rant and promising to rain destruction. If one ignored Hayder, those present in the boardroom were calm, so calm Leo had yet to move from his spot on the couch where he read an actual paperback book— tree killer. The lack of any kind of vengeance-fueled emotion irritated Hayder even more. “Why aren’t you more perturbed?” Did no one understand the calamity? Arabella was gone! Fingers still texting, Arik peered up from his cell phone. “I am actually very upset, but since you’re already roaring, I figure I’ll save my voice for later when we accost the stupid dogs and give them payback for their effrontery.” Arik’s cold smile promised death. “I want to kill them,” Hayder growled. “Rip them apart. Stomp on them. Make them wish they were the load their mother swallowed.” “Dude, that was a visual no one needed. But I’ll forgive it because you’re upset. I’ll make sure to save you a few curs when we find them so you can work on your anger issues.” A thump on his back almost sent him staggering as Leo consoled him. “So kind of you,” was his sarcastic reply. “I know. All part of my calming personality.” Calming to Leo perhaps. Anyone else watching the big man crack his knuckles would have probably swallowed in fear and wet themselves, especially if they knew to expect a visit from the granite-hard fist. Leo liked to fight old school, bare knuckled and with the force of a freight train behind it. Sure glad he’s on our side.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
But you only have fifty men. That is no longer a large enough force for an uprising.” Barabbas smirked. “But it is enough for an assassination that is carefully orchestrated to cause an uprising.” “How so?” said Demas. “The Passover is arriving. Thousands of Jews will be filling the holy city with their devotion to Yahweh and their hatred for Rome. But so too will the Herods be there. If we can assassinate the high priest and Herod, we would bring enough chaos to turn the mob mad with vengeance.” Gestas said, “But how will you gain the support of the crowds if you Jews murder your own leaders, Herodian or not?” Eleazar answered, “We will nail it on the Romans somehow.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
He tore his mouth from her eager lips to whisper, “Juliet…ah, sweeting…” Only he had ever called her sweeting. “Morgan…” she whispered back. He froze. Jerking back from her, he stared uncomprehending into her eyes. Then his face drained of heat as suddenly as hot iron dunked in water. He dropped his hands from her. “What the devil am I doing? I must be mad…” Pivoting away, he leaned over to brace his fists on the table. His shoulders shook from the force of his sharp, heavy breaths. “Morgan?” She stepped forward to lay her hand on his back. He flinched at her touch. “Don’t ever call me that again. Call me Sebastian or Lord Templemore, but never Morgan. I’m not him!” He whirled to face her once more. His haunted eyes gleamed in the dimness, and his features were twisted into anger. “I think I’ve proved that sufficiently.” His denial struck a dagger to her heart, and she began to tremble. Surely, he didn’t mean to continue in his lies after what they’d just shared. How could he? “Please, Morgan, don’t-“ “I’m not Morgan!” He glanced away. “I’m not.” Only his shaky hand shoving his beautiful, thick hair from his face belied his seeming control. “And another thing: no woman ruined by a man waits two years to hunt him down when her family is spoiling for vengeance. She doesn’t hide the truth from them, and she doesn’t come in secret to accuse her supposed debaucher.” His gaze swung back to her as he dropped his voice. “She certainly doesn’t let him kiss her intimately. Your encounter with my brother wasn’t ‘wicked’ at all, was it? This was merely another of your little tests.” He did mean to deny it all! Of all the infernal, dastardly- “But now you should realize,” he went on, twisting the dagger, “that your attempts to paint me the villain are pointless. I’m not the man you seek. You’ll never prove I am.” If she’d had one of his horrible weapons in her hand right now, he’d be dead for certain. That he could stand here and kiss her with such passion, then deny that it meant anything, deny their entire past together, while she still tasted him on her lips… Very well, she could play that game. Lord knows she’d seen enough games played in society to manage one of her own. If that’s what it took to make him confess the truth. “You’re right. It was a test. But you passed.” Her sudden change of tactic made him eye her with suspicion. “I did?” “Certainly. First, by your reaction to my calling you Morgan. And second, because you kiss nothing like him.” “You mean because he didn’t kiss you intimately.” “No. Because he put more feeling into it. Like the rogue he was, Morgan kissed with great abandon.” She’d die before she admitted that his lordship had gone the same. If he could deceive her without remorse, he deserved this. “Of course, that’s to be expected of a reckless adventurer. His sort excel at inflaming women’s passions. Whereas you-“ She broke off, as if the rest were perfectly obvious. He gazed at her mulishly. “Whereas I what?” “You’re a gentleman, of course. You’re much too proper to kiss recklessly, and certainly you’d never attempt to inflame a woman’s passion.” “You can’t tell me that my brother kissed you with more passion, for I know otherwise. His kiss was-“ He broke off, realizing his error too late. “You’ve already said that his kisses were perfectly chaste.” Aha! Finally she’d pierced his infernal armor. She hadn’t told him there’d been only one kiss; he’d slipped up already. Let him believe she’d given up her suspicions-it would lull him into lowering his guard. She’d use his own arrogance against him, batter his pride at every opportunity with “perfectly innocent” comments about the past. She shrugged. “Chaste? Well, that’s a different matter entirely. His kiss may have been ‘chaste,’ as you put it, but it was still thrilling.” She could hardly suppress her smile at the lovely effect her words had on Lord Templemore. He looked positively offended.
Sabrina Jeffries (After the Abduction (Swanlea Spinsters, #3))
The passion for vengeance is a terrifyingly strong one, very easily and probably inevitably wrought up by such evidence [of atrocities], even at our distance. But however well aware I am of its strength, and that in its full immediate force and expression it is in some respects irrelevant to moral inquiry, I doubt that it is ever to be honored, or regarded as other than evil and in every direction fatally degrading and destructive; even when it is obeyed in hot blood or in a crisis of prevention; far worse when it is obeyed in cold blood and in the illusion of carrying out justice.
James Agee (Agee on Film, Vol. 1: Essays and Reviews)