Height Of Stupidity Quotes

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Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
I looked at Thalia. "You're afraid of heights." Now that we were safely down the mountain, her eyes had their usual angry look. "Don't be stupid." That explains why you freaked out on Apollo's bus. Why you didn't want to talk about it." She took a deep breath. Then she brushed the pine needles out of her hair. "If you tell anyone, I swear—" No, no," I said. "That's cool. It's just… the daughter of Zeus, the Lord of the Sky, afraid of heights?
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
To believe in God or in a guiding force because someone tells you to is the height of stupidity. We are given senses to receive our information within. With our own eyes we see, and with our own skin we feel. With our intelligence, it is intended that we understand. But each person must puzzle it out for himself or herself.
Sophy Burnham
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Tis sometimes the height of wisdom to feign stupidity.
Marcus Porcius Cato
I suppose hobbits need some description nowadays, since they have become rare and shy of the Big People, as they call us. They are (or were) a little people, about half our height, and smaller than the bearded Dwarves. Hobbits have no beards. There is little or no magic about them, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along, making a noise like elephants which they can hear a mile off. They are inclined to be fat in the stomach; they dress in bright colours (chiefly green and yellow); wear no...
J.R.R. Tolkien (The Hobbit)
Do you know what would be the height of stupidity?” “What?” “To not take every opportunity to do the thing that makes your soul the happiest, especially when someone’s willing to pay you for it.
Meghan March (Savage Prince (Savage Trilogy, #1))
She is very important to me. And it would be the height of stupidity to harm her by word or deed, because I will eviscerate anyone who dares to do so.
Suzanne Wright (Burn (Dark in You, #1))
Risking your own life in order to entertain others is the height of stupidity.
Mokokoma Mokhonoana
What makes you an adult? he said & I said it's mainly a height requirement & the willingness to keep quiet when people say stupid things. —Adult Club
Brian Andreas (Theories of Everything)
In fact, I couldn't help thinking that despite their height, adults were just plain unbelievably stupid: men were blowing up other men; soldiers were shooting at children; men were ignoring women they loved; the women who loved them pretended they didn't; and when I read the newspapers to Pir Hederi everyone they talked about seemed to be far more interested in rules and arguments and taking sides than the actual business of living.
Andrea Busfield (Born Under a Million Shadows)
My whole point,” I said, “is that what they teach here, what they believe, if you don’t trust it, if you doubt it at all, then you’re told that you’re going to hell, that not only everyone you know is ashamed of you, but that Jesus himself has given up on your soul. And if you’re like Mark, and you do believe all of this, you really do—you have faith in Jesus and this stupid Promise system, and even still, even with those things, you still can’t make yourself good enough, because what you’re trying to change isn’t changeable, it’s like your height or the shape of your ears, whatever, then it’s like this place does make things happen to you, or at least it’s supposed to convince you that you’re always gonna be a dirty sinner and that it’s completely your fault because you’re not trying hard enough to change yourself. It convinced Mark.
Emily M. Danforth (The Miseducation of Cameron Post)
Cînd mă gîndesc la faptul că mizeria este strîns legată de existenţa omenească, nu mai pot adera la nici o teorie şi la nici o doctrină de reformă socială. Toate îmi par egal de stupide şi de inutile. Chiar şi tăcerea îmi pare un urlet. Animalele, care trăiesc fiecare din silinţa lor, nu cunosc mizeria, fiindcă nu cunosc ierarhia şi dependenţa unora de alţii. Fenomenul mizeriei apare numai la om, fiindcă numai el a putut să-şi creeze din semen un supus. Nici un animal nu-şi bate joc de altul, asemănător pînă la identitate cu el. Numai omul este capabil de atît autodispreţ. Toată caritatea din lume nu face decît să evidenţieze şi mai mult mizeria, arătînd-o mai îngrozitoare şi mai ininteligibilă decît în părăsirea absolută. Ca şi în faţa ruinelor, în mizerie te doare vidul de umanitate, regretul că oamenii nu schimbă esenţial ceea ce este în putinţa lor de a schimba. De altă parte, acest sentiment se combină cu unul al imanenţei şi eternităţii mizeriei, al caracterului ei ineluctabil şi fatal, acolo unde există viaţă omenească. Deşi ştii că oamenii ar putea înlătura mizeria, îţi dai totuşi seama de veşnicia ei, dînd astfel naştere la un sentiment neobişnuit de nelinişte amară, la o stare sufletească paradoxală şi tulbure, în care omul apare în toată inconsistenţa şi mizeria lui. Căci mizeria obiectivă din viaţa socială nu este decît un reflex palid al infinitei lui mizerii lăuntrice. Nu admit o revoltă relativă în faţa nedreptăţilor, ci numai o revoltă eternă, fiindcă eternă este mizeria în umanitate.
Emil M. Cioran (On the Heights of Despair)
Well, as Hannah Arendt famously said, there can be a banal aspect to evil. In other words, it doesn't present always. I mean, often what you're meeting is a very mediocre person. But nonetheless, you can get a sort of frisson of wickedness from them. And the best combination of those, I think, I describe him in the book, is/was General Jorge Rafael Videla of Argentina, who I met in the late 1970s when the death squad war was at its height, and his fellow citizens were disappearing off the street all the time. And he was, in some ways, extremely banal. I describe him as looking like a human toothbrush. He was a sort of starch, lean officer with a silly mustache, and a very stupid look to him, but a very fanatical glint as well. And, if I'd tell you why he's now under house arrest in Argentina, you might get a sense of the horror I felt as I was asking him questions about all this. He's in prison in Argentina for selling the children of the rape victims among the private prisoners, who he kept in a personal jail. And I don't know if I've ever met anyone who's done anything as sort of condensedly horrible as that.
Christopher Hitchens
To believe in God or in a guiding force because someone tells you to is the height of stupidity. We are given senses to receive our information with. With our own eyes we see, and with our skin we feel. With our intelligence, it is intended that we understand. But each person must puzzle it out for himself or herself. SOPHY BURNHAM
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
The height of stupidity is most clearly demonstrated by the individual who ridicules something he knows nothing about.
Albert Einstein
It’s like being trapped on the moors,” she says quietly. “If it makes you feel any better, then yes. Just pretend I’m Heathcliff.” “Like you’ve even read Wuthering Heights.” “Hey,” I tell her, gesturing to my muscles. “Just because I look like this doesn’t mean I’m stupid.
Karina Halle (The Wild Heir (Royal Romance, #2))
Just let the words fly from your lips and your pen. Give them rhythm and depth and height and silliness. Give them filth and form and noble stupidity. Words are free and all words, light and frothy, firm and sculpted as they may be, bear the history of their passage from lip to lip over thousands of years. How they feel to us now tells us whole stories of our ancestors.
Stephen Fry
Falling was such an elastic word. It was basically horrible. People got hurt and died, falling. There was force and pain and fear, if the height was great enough. Even sometimes when it wasn’t. The terror of not finding something solid underfoot was just as real for half a second as it was for twenty. Yet fall was the word most often coupled with love, falling in and falling out of. How was that even possible? They couldn’t be the same. One fall ushered in delirious, stupid happiness; the other fall expelled those euphoric emotions with blood and tears and scars. Bliss and agony. Fall and fall. It wasn’t the same. There should be a better word.
Abigail Johnson (If I Fix You)
It is the height of stupidity to believe that in the course of your short life, your few decades of consciousness, you can somehow rewire the configurations of your brain through technology and wishful thinking, overcoming the effect of six million years of development. To go against the grain might bring temporary distraction, but time will mercilessly expose your weakness and impatience.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
Getting older, Mawyndulë, is like climbing a mountain. The higher you go, the greater the view. From time to time, you look back. At such heights, you can see paths behind you: the trails you took and the ones you foolishly disregarded; the blind alleys you fortunately missed, purely out of chance rather than by some greater wisdom on your part. You also spot others following you, people making the same stupid decisions. From your elevated position, you witness their bad choices, the ones they can’t see because they aren’t standing where you are. You could shout down, attempt to warn them, but they rarely listen. They are too blinded by the indisputable fact that the path you followed got you where you are, to the place they want to be.
Michael J. Sullivan (Age of War (The Legends of the First Empire, #3))
When we’re recovering from a spiritual fumble, we must realize everyone does stupid stuff. No one is exempt. An occasional misstep doesn’t brand us as stupid—it makes us real. God loves us regardless of our mishaps. After a fumble, do as any good football player would. Fight to recover what you lost, get back into the game, and let the Creator turn your loss into a gain. With Him, in spite of our fumbles we can rise to great heights.
Jake Byrne (First and Goal: What Football Taught Me About Never Giving Up)
Listen carefully. Listen and you'll hear everything you need to know. a nightmare is a different case entirely, it's a box of black shadows and vicious red stars, something to keep carefully closed, lest the ground below be broken in two now it's a time like any other, long minutes, tedious seconds, nothing more than flat time moving forward, like it or not it is impossible to stop some things, rainfall, for instance, and love at first sight, and the slow and steady path of sorrow the cruel and desperate variety that always accompanies yearning for someone you're bound to lose when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. there are the same apple trees and the same songbirds, and over our heads, the very same sky that shine like heaven, so far above us qw can never hope to reach such heights sometimes those who love you best are the ones who leave you behind hearts were made for being broken. there's really no way around it if you want to be a human being. ...consider what people are capable of going through in this world and how much courage it's possible to have when someone kisses you with everything they feel, you don't stop thinking about it for a very long time. you didn't think you were going to get married and live happily ever after did you? you're not that stupid... a book of hope that has never been finished, a list of dreams left undone.
Alice Hoffman (Blue Diary)
Really, Miss Catherine, how can I know?' I replied. 'To be sure, considering the exhibition you performed in his presence this afternoon, I might say it would be wise to refuse him: since he asked you after that, he must either be hopelessly stupid or a venturesome fool.
Emily Brontë (Wuthering Heights)
he must either be hopelessly stupid or a venturesome fool.
Emily Brontë (Wuthering Heights)
He didn't take any sort of action but boldly specialized in simply living his life. That was either a gentlemanly manner maintained by formidable self-control or the height of idiocy.
Tomihiko Morimi (The Tatami Galaxy (Tatami Series, #1))
I left her, as merry as she could be, dividing her food between the little dog and Skulker, whose nose she pinched as he ate; and kindling a spark of spirit in the vacant blue eyes of the Lintons—a dim reflection from her own enchanting face. I saw they were full of stupid admiration; she is so immeasurably superior to them—to everybody on earth, is she not, Nelly?
Emily Brontë
I didn't have a choice." "Are you saying...What are you saying?" Is he...could he be talking about me? He runs a hand through his hair. I've never seen him this emotional before. He's always so controlled, so sure of himself. "I'm saying you're what I want, Emma. I'm saying I'm in love with you." He steps forward and lifts his hand to my cheek, blazing a line of fire with his fingertips as they trace down to my mouth. "How do you think it would make me feel to see you with Grom?" he whispers. "Like someone ripped my heart out and put it through Rachel's meat grinder, that's how. Probably worse. It would probably kill me. Emma, please don't cry." I throw my hands in the air. "Don't cry? Are you serious? Why did you come here, Galen? Did you think it would make me feel better to know that you do love me, but that it still won't work out? That I still have to mate with Grom for the greater good? Don't you tell me not to cry, Galen! I...c...c...can't h...h...help-" The waterworks soak me. Galen looks at me, hands by his side, helpless as a trapped crab. I'm bordering on hyperventilation, and pretty soon I'll start hiccupping. This is too much. His expression is so severe, it looks like he's in physical pain. "Emma," he breathes. "Emma, does this mean you feel the same way? Do you care for me at all?" I laugh, but it sounds sharper than I intended, because of a hiccup. "What does it matter how I feel, Galen? I think we pretty much covered why. No need to rehash things, right?" "It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to lift me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is, Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk." "Right," I say, but I'm shaking my head. He laughs. "I didn't come all the way to Atlantic City to make you cry." "I'm not crying." I lean into him again. He doesn't refuse my lips, but he doesn't do them justice either, planting a measly little kiss on them before stepping back.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
See? There you go again being stupid," said Terrana, drawing herself to her full height. "I'm not a Migos immigrant. I'm a Fijian immigrant — big difference." "Fijian? What's that? Some kind of chocolate?
Sulin Young (Ice Phoenix)
Girls find it rather fun to tease my about my height and the joy I find in the games boys play. Please. I could find a lot of things to say about their stupid makeup and perfect hair! But don’t get me wrong. Every girl is a true girl on the inside, so I don’t mind the frilly clothes and the constant nagging of combes in my hair all the time. I just think that if boys can wear slacks and do so many things, why can’t girls?
Halina
If only I could cry. I am beyond that. The light, the light, lending itself to empty downtown Saturday, but still the stupid insensate cars flush by oblivious to their stupidity, my silent plea. It isn't Mexico. It's not Paris. It's a painting by Hopper come to life. I am trapped inside a dead thing. Language is impossible here, even in English. Who has the arrogance to say: I'm mad, this is my crazy view of things, help me. I'm trapped in a silent world, a tableau of forty years ago. The walls are different, the tables, the heights of the veiling and the chairs. I loom above this letter. The view past the rows of cakes in the plate glass window is unfamiliar. I am a ghost. There is nothing now between me and death. Death is the unfamiliarity of everything, the strangeness of the once familiar. The same spatial configurations only the light is hollow, sick. I think I lack the energy to hit expensive discos which I don't know where they are to be rejected tonight. I look passable. My energy's low. I love to dance but despair is not a good muse. This Mexico, babe. Men who don't love you but act wildly as if they do initially. Self-involved, narcissistic men... The men drink and philosophize about pain. The women live it solo and culturelessly. No one cries, except easily, sentimentally. The devil, therefore God, exists. Oaxaca was a pushover compared to this. Pain had boundaries there. Spare us big cities, oh lord!
Maryse Holder (Give Sorrow Words: Maryse Holder's Letters From Mexico)
He walked the way John Wayne walks, striding out to clean up the universe, and he believed all that shit: a wicked, stupid, infantile motherfucker. Like his heroes, he was kind of pinheaded, heavy gutted, big assed, and his eyes were as blank as George Washington's eyes. But I was beginning to learn something about the blankness of those eyes. What I was learning was beginning to frighten me to death. If you look steadily into that unblinking blue, into that pinpoint at the center of the eye, you discover a bottomless cruelty, a viciousness cold and icy. In that eye, you do not exist: if you are lucky. If that eye, from its height, has been forced to notice you, if you do exist in the unbelievably frozen winter which lives behind that eye, you are marked, marked, marked, like a man in a black overcoat, crawling, fleeing, across the snow.
James Baldwin (If Beale Street Could Talk)
One of the most intriguing ideas in the developmental sciences over the past decades is the phenomenon of the “J-shaped curve.”19 While observing children learning to master new skills in dozens of domains (math, writing, the arts), psychologists noticed a surprising pattern: as a learner struggles to master difficult new challenges, there is often an initial decline in skill. Errors are made on tasks that previously seemed easy, and the learner feels more “stupid” than ever before. This is the dip that forms the middle part of the “J.” But it turns out that the “stupid mistakes,” in retrospect, were nothing more than growth errors. Once the learner gets past the dip, performance rises rapidly to new heights.
William Damon (The Path to Purpose: Helping Our Children Find Their Calling in Life)
I'm so sorry, Ry!” I gushed. “Are you okay?” “He's fine,” Branna stated, waving him off. “He already has a damaged brain, nothin' else will increase his stupidity by much.” Ryder straightened up to his full height and hissed at his woman, “Bite me.” Branna snapped her teeth at him making Bronagh and Aideen laugh. “I'm fine, Keela, thanks for your concern,” he said, glaring in Branna's direction.
L.A. Casey (Keela (Slater Brothers, #2.5))
Tell me, have you done much circus work in your life?' [asked Mulder]. Nutt drew himself up to his full height. 'And what makes you think I've ever even gone to a circus, let alone been a slave in one?' he demanded... Finally Mulder managed to say, 'I didn't mean any offense.' 'Offended? Why should I be offended?' Nutt demanded. 'It's human nature to make quick judgements of people based only on their looks. Why, I have done the same thing to you.' 'Have you?' said Mulder. 'And what have you concluded?' 'I have taken in your all-American face, your unsmiling expression, your boring necktie. I have decided you work for the government,' Nutt said. 'You are- an FBI agent.' 'Am I really?' Mulder said. 'I hope you get my point,' Nutt said. 'I want to show how stupid it would be to look at you as a type, rather than as an individual.' 'But I am an FBI agent,' Mulder said, showing Nutt his badge. There was a loud silence. Then Nutt said, 'Sign the book please.
Les Martin (Humbug (The X-Files: Middle Grade, #5))
Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.
Louise Glück (Ararat)
The mother of our particular hobbit—what is a hobbit? I suppose hobbits need some description nowadays, since they have become rare and shy of the Big People, as they call us. They are (or were) a little people, about half our height, and smaller than the bearded Dwarves. Hobbits have no beards. There is little or no magic about them, except the ordinary everyday sort which helps them to disappear quietly and quickly when large stupid folk like you and me come blundering along, making a noise like elephants which they can hear a mile off.
J.R.R. Tolkien (The Hobbit: Or There and Back Again)
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Now,” Samite continued, “after Essel has just spent time warning you about generalities and how they often don’t apply, I’m going to use some. Because some generalities are true often enough that we have to worry about them. So here’s one: men will physically fight for status. Women, generally, are more clever. The why of it doesn’t matter: learned, innate, cultural, who cares? You see the chest-bumping, the name-calling, performing for their fellows, what they’re really doing is getting the juices flowing. That interval isn’t always long, but it’s long enough for men to trigger the battle juice. That’s the terror or excitation that leads people to fight or run. It can be useful in small doses or debilitating in large ones. Any of you have brothers, or boys you’ve fought with?” Six of the ten raised their hands. “Have you ever had a fight with them—verbal or physical—and then they leave and come back a little later, and they’re completely done fighting and you’re just fully getting into it? They look like they’ve been ambushed, because they’ve come completely off the mountain already, and you’ve just gotten to the top?” “Think of it like lovemaking,” Essel said. She was a bawdy one. “Breathe in a man’s ear and tell him to take his trousers off, and he’s ready to go before you draw your next breath. A woman’s body takes longer.” Some of the girls giggled nervously. “Men can switch on very, very fast. They also switch off from that battle readiness very, very fast. Sure, they’ll be left trembling, sometimes puking from it, but it’s on and then it’s off. Women don’t do that. We peak slower. Now, maybe there are exceptions, maybe. But as fighters, we tend to think that everyone reacts the way we do, because our own experience is all we have. In this case, it’s not true for us. Men will be ready to fight, then finished, within heartbeats. This is good and bad. “A man, deeply surprised, will have only his first instinctive response be as controlled and crisp as it is when he trains. Then that torrent of emotion is on him. We spend thousands of hours training that first instinctive response, and further, we train to control the torrent of emotion so that it raises us to a heightened level of awareness without making us stupid.” “So the positive, for us Archers: surprise me, and my first reaction will be the same as my male counterpart’s. I can still, of course, get terrified, or locked into a loop of indecision. But if I’m not, my second, third, and tenth moves will also be controlled. My hands will not shake. I will be able to make precision movements that a man cannot. But I won’t have the heightened strength or sensations until perhaps a minute later—often too late. “Where a man needs to train to control that rush, we need to train to make it closer. If we have to climb a mountain more slowly to get to the same height to get all the positives, we need to start climbing sooner. That is, when I go into a situation that I know may be hazardous, I need to prepare myself. I need to start climbing. The men may joke to break the tension. Let them. I don’t join in. Maybe they think I’m humorless because I don’t. Fine. That’s a trade I’m willing to make.” Teia and the rest of the girls walked away from training that day somewhat dazed, definitely overwhelmed. What Teia realized was that the women were deeply appealing because they were honest and powerful. And those two things were wed inextricably together. They said, I am the best in the world at what I do, and I cannot do everything. Those two statements, held together, gave them the security to face any challenge. If her own strengths couldn’t surmount an obstacle, her team’s strengths could—and she was unembarrassed about asking for help where she needed it because she knew that what she brought to the team would be equally valuable in some other situation.
Brent Weeks (The Blinding Knife (Lightbringer, #2))
I happened to have in my trunk a Bergotte that is very likely unfamiliar to you, I have brought it for you, in the hope that it may help you feel better at a time you find distressful.” I thanked M. de Charlus with all the effusion at my command and told him that my fear had been that Saint-Loup’s words about my disquiet at nightfall might have made him think me more of a fool than I was. “Not at all,” he replied in a gentler voice. “You may well be devoid of personal worth, but in that case you’re like nearly everyone else! However, at least for a time you have youth, and youth is always irresistible. Moreover, young man, it is the height of stupidity to think there is something ridiculous or reprehensible in feelings one does not share. I love the night and you say you dread it. I love the scent of roses, yet I have a friend in whom it sets off a fever. Do you suppose that, for me, that makes him a lesser man than I am? I strive to understand everything and do not allow myself to condemn anything. However! Do not feel too sorry for yourself. Not that I would ever maintain that such dejection as yours is not hard to bear—I know how much one can suffer for things others could never understand. But at least you have your grandmother to whom to entrust your affection. You can see her all the time. And it is a permissible mode of affection, I mean a requited love. There are so many other modes of affection of which one cannot say the same!
Marcel Proust (In the Shadow of Young Girls in Flower)
[T]he most injurious result of Kant's occasionally obscure language is, that it acted as exemplar vitiis imitabile; indeed, it was misconstrued as a pernicious authorisation. The public was compelled to see that what is obscure is not always without significance; consequently, what was without significance took refuge behind obscure language. Fichte was the first to seize this new privilege and use it vigorously; Schelling at least equalled him; and a host of hungry scribblers, without talent and without honesty, soon outbade them both. But the height of audacity, in serving up sheer nonsense, in stringing together senseless and extravagant mazes of words, such as had previously only been heard in madhouses, was finally reached in Hegel, and became the instrument of the most ponderous general mystification that has ever taken place, with a result which will appear fabulous to posterity, and will remain as a lasting monument of German stupidity.
Arthur Schopenhauer
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!
Kiersten White (Endlessly (Paranormalcy, #3))
It probably would have shocked my fans to find out how self-conscious I was at the height of my idol-dom. On August 1, 1987, I forced myself to create a self-confidence project, hoping to increase my self-esteem, by listing my positive traits as I saw them. I am a healthy person. I am very sensitive to others’ problems. I am an honest person, I am a good actor, I am an affectionate person, and I like to be open to suggestions and ready for a change if needed. I was embarrassed by how I looked—you already know about my zits. My paranoia grew when I discovered “Cameron” literally means “crooked nose.” I went straight to the mirror, examined my nose from every angle and realized with horror that my nose didn’t go straight down between my eyes—it went diagonally. All I could think about was my stupid crooked nose. I fretted over how ugly I was and wondered why anyone would want to be around someone so gross. Trying to be helpful, Dad said, “You’re on the cover of 14 magazines this month. Obviously somebody doesn’t think you’re ugly.
Kirk Cameron (Still Growing: An Autobiography)
But my grandmother, in all weathers, even when the rain was coming down in torrents and Françoise had rushed the precious wicker armchairs indoors so that they should not have soaked, was to be seen pacing the desert rain-lashed garden, pushing back her disordered grey locks so that her forehead might be freer to absorb the health-giving draughts of wind and rain. She would say, "At last one can breathe!" and would trot up and down the sodden paths—too straight and symmetrical for her liking, owing to the want of any feeling for nature in the new gardener, whom my father had been asking all morning if the weather were going to improve—her keen, jerky little step regulated by the various effects wrought upon her soul by the intoxication of the storm, the power of hygiene, the stupidity of my upbringing and the symmetry of gardens, rather than by any anxiety (for that was quite unknown to her) to save her plum-coloured skirt from the mudstains which it would gradually disappear to a height that was the constant bane and despair of her maid.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
On the first day of sophomore English, he blew in like a cool breeze, welcomed them, and then printed something on the board that Pete Saubers never forgot: ‘What do you make of this, ladies and gentlemen?’ he asked. ‘What on earth can it mean?’ The class was silent. ‘I’ll tell you, then. It happens to be the most common criticism made by young ladies and gentlemen such as yourselves, doomed to a course where we begin with excerpts from Beowulf and end with Raymond Carver. Among teachers, such survey courses are sometimes called GTTG: Gallop Through the Glories.’ He screeched cheerfully, also waggling his hands at shoulder height in a yowza-yowza gesture. Most of the kids laughed along, Pete among them. ‘Class verdict on Jonathan Swift’s “A Modest Proposal”? This is stupid! “Young Goodman Brown,” by Nathaniel Hawthorne? This is stupid! “Mending Wall,” by Robert Frost? This is moderately stupid! The required excerpt from Moby-Dick? This is extremely stupid!’ More laughter. None of them had read Moby-Dick, but they all knew it was hard and boring. Stupid, in other words.
Stephen King (Finders Keepers (Bill Hodges Trilogy, #2))
What tempts you, Pippa?" "I-" She hesitated. "I care a great deal for meringue." He laughed, the sound bigger and bolder than she expected. "It's true." "No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage. She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it." A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue." Her brow furrowed. "Therefore, I am not tempted by it?" "No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In." She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?" "Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment." The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste." Oh, my. Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her. Why was he so calm and cool and utterly in control? Why was he not riddled with similar... feelings? He was a very frustrating man. She sighed. "That must be a tremendous meringue." A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
We were both quiet for a bit. With my last brilliant idea a failure, the reality that maybe we could never fix this hung like a chain around my neck, cutting off the air. I’d fought so hard to get—really get—Lend. From escaping the Center to stopping Vivian to overcoming my own stupid issues, I’d been fighting for this relationship since the day I first saw water eyes. I couldn’t have come this far just to lose him physically forever. It wasn’t fair. And I was sick and tired of things not being fair. “So, where’s my present?” I wiped under my eyes. “Oh, right. You have your laptop in there?” “Yeah.” Smiling, I grabbed my laptop off the coffee table and emailed him the link, then waited. “Ooh, I’ve got mail.” After a few seconds I heard the video playing, and Lend laughed. “How long did this take you?” “I had a lot of time on my hands while you were in finals.” I leaned my head against the wall as I heard the soundtrack to the clips. I’d gone through all four seasons of Easton Heights and found every single time any of the characters said “I love you,” then (with copious amounts of help from Arianna) pieced them all together back to back, with one of Lend’s favorite songs as the soundtrack. “I love you!” “I love you. “I LOVE YOU, idiot!” “You are so—I hate you! I love you!” “Shut up and tell me you love me.” “Te amo!” Ah, yes, the quest arc of the Spanish hottie. That was a good season. Given the number of relationships that show cycled through, the video lasted several minutes. When it ended, I heard Lend’s laptop closing. “Well?” I asked. “I love you,” he answered. “I love you, too.” I put my palm against the wall, fingers splayed out.
Kiersten White (Endlessly (Paranormalcy, #3))
Siddhartha said: "Yesterday, I told you I knew how to think, to wait, and to fast, but you thought this was of no use. But it is useful for many things, Kamala, you'll see. You'll see that the stupid Samanas are learning and able to do many pretty things in the forest, which the likes of you aren't capable of. The day before yesterday, I was still a shaggy beggar, as soon as yesterday I have kissed Kamala, and soon I'll be a merchant and have money and all those things you insist upon." "Well yes," she admitted. "But where would you be without me? What would you be, if Kamala wasn't helping you?" "Dear Kamala," said Siddhartha and straightened up to his full height, "when I came to you into your grove, I did the first step. It was my resolution to learn love from this most beautiful woman. From that moment on when I had made this resolution, I also knew that I would carry it out. I knew that you would help me, at your first glance at the entrance of the grove I already knew it." "But what if I hadn't been willing?" "You were willing. Look, Kamala: When you throw a rock into the water, it will speed on the fastest course to the bottom of the water. This is how it is when Siddhartha has a goal, a resolution. Siddhartha does nothing, he waits, he thinks, he fasts, but he passes through the things of the world like a rock through water, without doing anything, without stirring; he is drawn, he lets himself fall. His goal attracts him, because he doesn't let anything enter his soul which might oppose the goal. This is what Siddhartha has learned among the Samanas. This is what fools call magic and of which they think it would be effected by means of the daemons. Nothing is effected by daemons, there are no daemons. Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.
Hermann Hesse (Siddhartha)
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
Neil Peart (Ghost Rider: Travels on the Healing Road)
It is foolish to be in thrall to fame and fortune, engaged in painful striving all your life with never a moment of peace and tranquillity. Great wealth will drive you to neglect your own well-being in pursuit of it. It is asking for harm and tempting trouble. Though you leave behind at your death a mountain of gold high enough to prop up the North Star itself, it will only cause problems for those who come after you. Nor is there any point in all those pleasures that delight the eyes of fools. Big carriages, fat horses, glittering gold and jewels – any man of sensibility would view such things as gross stupidity. Toss your gold away in the mountains; hurl your jewels into the deep. Only a complete fool is led astray by avarice. Everyone would like to leave their name unburied for posterity – but the high-born and exalted are not necessarily fine people, surely. A dull, stupid person can be born into a good house, attain high status thanks to opportunity and live in the height of luxury, while many wonderfully wise and saintly men choose to remain in lowly positions, and end their days without ever having met with good fortune. A fierce craving for high status and position is next in folly to the lust for fortune. We long to leave a name for our exceptional wisdom and sensibility – but when you really think about it, desire for a good reputation is merely revelling in the praise of others. Neither those who praise us nor those who denigrate will remain in the world for long, and others who hear their opinions will be gone in short order as well. Just who should we feel ashamed before, then? Whose is the recognition we should crave? Fame in fact attracts abuse and slander. No, there is nothing to be gained from leaving a lasting name. The lust for fame is the third folly. Let me now say a few words, however, to those who dedicate themselves to the search for knowledge and the desire for understanding. Knowledge leads to deception; talent and ability only serve to increase earthly desires. Knowledge acquired by listening to others or through study is not true knowledge. So what then should we call knowledge? Right and wrong are simply part of a single continuum. What should we call good? One who is truly wise has no knowledge or virtue, nor honour nor fame. Who then will know of him, and speak of him to others? This is not because he hides his virtue and pretends foolishness – he is beyond all distinctions such as wise and foolish, gain and loss. I have been speaking of what it is to cling to one’s delusions and seek after fame and fortune. All things of this phenomenal world are mere illusion. They are worth neither discussing nor desiring.
Yoshida Kenkō (A Cup of Sake Beneath the Cherry Trees)
Lily fought like a lynx caught in a steel trap. She scratched and bit and kicked with a force that took Connell by surprise. Her teeth sank into the sensitive flesh of his palm and forced him to let go. “Calm down, Lily. It’s just me, Connell.” The beginning of her scream died away, and she spun on him, her eyes flashing with fury. “Why did you sneak up on me like that?” “I didn’t mean to.” He brought his smarting hand to his mouth and sucked at the blood she’d drawn. “When you didn’t hear me approach, I thought I might startle you. And I didn’t want you to scream—a sure way to get every shanty boy in the camp to come running.” The tempest in her eyes turned into a low gale. He glanced at the teeth marks she’d left in his hand. “You sure know how to greet a fellow.” “And you sure know how to scare a girl half to death.” “Why exactly were you so scared?” “Because I thought you were someone else.” “And what if I had been someone else?” She paused, her pretty lips stalled around the shape of her next word. “Any number of the rough men from this camp could have followed you out here.” He’d seen the way the men were looking at her, how they hadn’t been able to take their eyes off her from the moment she’d arrived. “What would you have done then?” When she’d run off into the woods after the stupid cat, he’d had to yell at several of the men to stop them from chasing after her. “I would have screamed.” She pulled herself up to her full height, which he estimated to be five feet six inches. “Since apparently I’d get lots of attention that way.” “I’m serious,” he started. But then at the glimpse of the twinkle in her eyes, his ready lecture stalled. He stuck his aching hand into his pocket and pressed his wound against the scratchy wool. “I appreciate your concern,” she offered with the hint of a smile. “But I’m a much stronger woman than you realize.” She’d be no match for any of his strong shanty boys. “You were reckless to wander off by yourself.” He tried to soften his accusation, but he wanted her to realize the constant danger she was in simply by being an attractive woman in a place populated by lusty men. “I strongly suggest you refrain from doing so again—especially if you hope to avoid any further run-ins.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
My soul mate doesn’t notice my complete shock as he continues on. “Okay, what I’m ‘bout to say is gonna sound really stupid comin’ from me, especially given our history with the Gancanagh, but I need y’all to hear me out—” Reed holds up his hand, palm out. “We need to parley with Brennus because he has a Faerie weapon that will annihilate Evie’s inescapable’s soul. Without that weapon, we can’t kill Emil.” Russell’s clone blinks— his image straightens up to a taller height. “That’s freaky, Reed. You’re freaking me out.
Amy A. Bartol
I tugged at his arm when my house came into view, shushing him loudly. “My mother’s in there,” I hissed. “Isn’t she asleep?” I hit him on the arm with a breathy giggle. “She is!” “Then let’s go!” “Go where?” “To your home. I want to see it.” I took his hand and dug my heels into the ground to keep him from moving forward. “No. Saadi, no!” “Just show me quick and then I’ll leave. I promise.” His blue eyes glistened with curiosity, robbing me of both the desire and strength to resist, and I relented. He followed me onto the property and we crept along the side of the house until we came to the sturdy oak that had twice enabled me to escape. “That’s my bedroom window,” I whispered, pointing straight up, and he redirected my finger. “I sleep there.” Saadi wasn’t surprised by this revelation. I went over to the tree, needing a boost from him to get into it. Given his height, he had no difficulty pulling up behind me, which proved to be a good idea. I would surely have lost my balance swinging my leg through the window had he not steadied me. “We made it.” He chortled, pulling himself inside. “I believe that’s cause for celebration.” He handed me his flask, and I poured wine into my mouth, feeling some of it dribble down my chin. I fell upon the bed, holding the drink out to him, and he drained it, landing beside me when he tipped his head too far back. “Do you want to know something, Shaselle?” “If you want me to know something.” I giggled. He was very funny. He took a breath, then proclaimed, “Lady Shaselle of Hytanica, I am in love with you.” I burst into laughter, pulling my legs up to ease my aching stomach muscles. He rolled onto his side to look at me, propping his head up with his hand. “I’m serious,” he insisted, grinning foolishly at me. “You’re drunk.” “True, but even drunks can be in love.” “But that’s just stupid!” “Being in love with you is stupid?” “Well, yes!
Cayla Kluver (Sacrifice (Legacy, #3))
The race across the mountain continued, but the mountains still glowed when it was their time to glow. They still cried when it was time for rain. And they still told you stories, if you only knew how to listen to them. But I was no longer one of those who knew how to listen … who knew how to laugh and cry with them … I was an athlete … I was an alpinist. I spoke of walls and overhangs. I ran and trained and counted my ascents. I fell prey to the folly of categorization, adding up points, comparing myself to others and making myself poorer and poorer. I was turning into a shallow and stupid craftsman. All I saw were numbers, summit heights, sizes of walls, estimations of difficulty. I only saw Roman and Arabic numerals, commas and plus and minus signs. My hands and legs were strong and unstoppable but my head became empty and my heart no longer beat faster because it was being overwhelmed by beauty – only because of physical effort. My path was rapidly turning downhill while the curve of my success continued to rise. One climb became indistinguishable from another. I functioned like a well-oiled machine that will continue to run on empty if no one stops it. And thus the wheels of my machine kept turning without purpose, faster and faster, until my children reminded me that the birds in the forest were still singing.” Excerpt From: Bernadette McDonald. “Alpine Warriors.
Nejc Zaplotnik, Pot
Ned Sherrin Ned Sherrin is a satirist, novelist, anthologist, film producer, and celebrated theater director who has been at the heart of British broadcasting and the arts for more than fifty years. I had met Diana, Princess of Wales--perhaps “I had been presented to” is more accurate--in lineups after charity shows that I had been compering and at which she was the royal guest of honor. There were the usual polite exchanges. On royal visits backstage, Princess Alexandra was the most relaxed, on occasion wickedly suggesting that she caught a glimpse of romantic chemistry between two performers and setting off giggles. Princess Margaret was the most artistically acute, the Queen the most conscientious; although she did once sweep past me to get to Bill Haley, of whom she was a fan. Prince Edward could, at one time, be persuaded to do an irreverent impression of his older brother, Prince Charles. Princess Diana seemed to enjoy herself, but she was still new to the job and did not linger down the line. Around this time, a friend of mine opened a restaurant in London. From one conversation, I gathered that although it was packed in the evenings, business was slow at lunchtime. Soon afterward, I got a very “cloak-and-dagger” phone call from him. He spoke in hushed tones, muttering something like “Lunch next Wednesday, small party, royal person, hush-hush.” From this, I inferred that he wanted me and, I had no doubt, other friends to bring a small party to dress the restaurant, to which he was bringing the “royal person” in a bid to up its fashionable appeal during the day. When Wednesday dawned, the luncheon clashed with a couple of meetings, and although feeling disloyal, I did not see how I was going to be able to round up three or four people--even for a free lunch. Guiltily, I rang his office and apologized profusely to his secretary for not being able to make it. The next morning, he telephoned, puzzled and aggrieved. “There were only going to be the four of us,” he said. “Princess Diana had been looking forward to meeting you properly. She was very disappointed that you couldn’t make it.” I felt suitably stupid--but, as luck had it, a few weeks later I found myself sitting next to her at a charity dinner at the Garrick Club. I explained the whole disastrous misunderstanding, and we had a very jolly time laughing at the coincidence that she was dining at this exclusive club before her husband, who had just been elected a member with some publicity. Prince Charles was in the hospital at the time recuperating from a polo injury. Although hindsight tells us that the marriage was already in difficulties, that was not generally known, so in answer to my inquiries, she replied sympathetically that he was recovering well. We talked a lot about the theater and her faux pas some years before when she had been to Noel Coward’s Hay Fever and confessed to the star, Penelope Keith, that it was the first Coward play that she had seen. “The first,” said Penelope, shocked. “Well,” Diana said to me, “I was only eighteen!” Our meeting was at the height of the AIDS crisis, and as we were both working a lot for AIDS charities, we had many notes to compare and friends to mourn. The evening ended with a dance--but being no Travolta myself, I doubt that my partnering was the high point for her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I might need an escort to the loo. I’m a little drunk.” It broke through his sadness, changing his mood yet again. “You think?” he asked, smiling. “Well, I don’t exactly have your height and girth. And I’m a small drinker—couple of beers or wines or fruity things. Truth is, I’m worried about standing up….” He laughed at her. “No one held you down and poured it down your neck.” “It’s awful reading letters you’ve written. All the bad sentences, terrible spelling, stupid remarks… I bet when you go to hell, they just read every letter you ever wrote out loud.” He
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Frikkie said, “Van der Merwe had a flagpole lying on the ground. He propped it in its hole, got a ladder and a tape measure and tried to climb up to measure it, but the flagpole fell down. Twice again he propped it up and tried to climb it. Finally a Kaffir said, ‘Baas, why don’t you measure it when it’s on the ground?’ and Van der Merwe said, ‘Stupid Kaffir, I want to know its height, not its width.’ ” Jopie said,
James A. Michener (The Covenant)
as because I perceived that the fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public,
Book House (100 Books You Must Read Before You Die - volume 1 [newly updated] [Pride and Prejudice; Jane Eyre; Wuthering Heights; Tarzan of the Apes; The Count of ... (The Greatest Writers of All Time))
Pride, anger, hatred, covetousness, sloth, stupidity are mentally rejected with the rhythmic breathing out. A man may be killed by suggestion, he may kill himself by auto-suggestion. Discussion is hardly possible with Oriental mystics. When once they have answered: "I have seen this n my meditation", little hope is left to the inquirer of obtaining further explanations. The various phenomena which the vulgar consider as miracles, are produced by an energy arising in the magician himself and depend on his knowledge of the true inner essence of things. Tibetans are a strong and sturdy people; the cold, sleeping on the ground in the open, solitude and many other things from which the average Westerners would shrink, do not frighten them in the least. Whatever those unacquainted with it may think, solitude and utter loneliness are far from being devoid of charm. But, most likely, only those who have lived through it themselves can understand the irresistible attraction that hermit life exerts on many Orientals. On mani padme hum. The simplest interpretation is: In the lotus ( which is the world ), exists the precious jewel of Buddha's teaching. Another explanation takes the lotus as the mind. In the depth of it, by introspective meditation, one is able to find the jewel of knowledge, truth, reality, liberation, nirvana, these various terms being different denominations of the same thing. Nirvana, the supreme salvation, is not separated from samsara, the phenomenal world, but the mystic finds the first in the heart of the second, just as the jewel may be found in the lotus. Nirvana, the jewel, exists when enlightenment exists. Samsara, the lotus, exists when delusion exists, which veils nirvana, just as the many petals of the lotus conceal the jewel, nestling among them. Hum! at the end of the formula, is a mystic expression of wrath used in coercing fierce deities and subduing demons. Hum! is a kind of mystic war cry; uttering it, is challenging the enemy. Tibetans affirm that through mastery over breath one may conquer all passion and anger as well as carnal desires, acquire serenity, prepare the mind for meditation and awake spiritual energy. Breath, in its turn, influences bodily and mental activity. Consequently, two methods have been devised: the most easy one which quiets the mind by controlling the breath and the more difficult way which consists in regulating the breath by controlling the mind. Liberty is the motto on the heights of the Land of Snows, but strangely enough, the disciple starts on that road of utter freedom by the strictest obedience to his spiritual guide. However, the required submission is confined to the spiritual and psychic exercises and the way of living prescribed by the master. No dogmas are ever imposed. The disciple may believe, deny or doubt anything according to his own feelings. People who habitually practice methodical contemplation often experience, when sitting down for their appointed time of meditation, the sensation of putting down a load or taking off a heavy garment and entering a silent, delightfully calm, region. It is the impression of deliverance and serenity which Tibetan mystics call niampar jagpa, to make equal, to level - meaning calming down all causes of agitation that roll their waves through the mind. A flag moves. What is that which moves? Is it the flag or the wind? The answer is that neither the flag nor the wind moves. it is the mind that moves. The fact is that Orientals, excepting vulgar charlatans, do not make a show of their mystic, philosophic or psychic knowledge. Gods, demons, the whole universe, are but a mirage which exists in the mind, springs from it and sinks into it.
Alexandra David-Néel (Magic and Mystery in Tibet)
Shallow. Harmless. A little bit stupid. Crazy in love with you. Needs access to every part of the house. Let’s see . . . Who am I? Well, Roman’s trophy wife, of course. I am pretty, elegant, and extremely snobbish. I love wearing expensive clothes, just the best labels. I’m not really into dresses unless the occasion requires it. I much more prefer designer jeans, paired with silky blouses. The heels are a must.” She pauses, opens her eyes, and turns toward me. “Are heels a must, do you think?” She scrunches her tiny nose. “Of course they are. Damn it. I hate wearing heels.” She closes her eyes again and continues. “The heels are a must, and I have dozens of them. Roman loves when I wear them, he says they make my butt look amazing. I’m also very self-conscious about my height, and wearing heels all the time makes me forget how short I am. My favorite pastime is shopping, and I buy a ton of clothes. My husband has to allocate one driver specifically for me and my shopping sprees.” Another pause and she turns toward me again. “Roman, I’ll need funds to support her addiction with clothes. She is an impulse buyer.” “You’ll get anything you need,” I laugh. She’s completely nuts. “My husband is crazy about me, and he allows me to do whatever I want with the house, like rearrange furniture, so the vibe of the house works better with the earth vibrations. The house feels terribly cold, so I buy a bunch of indoor plants and spread them everywhere. I also tour every single room because I want to make sure the unobstructed energy flows, so I rearrange paintings and mirrors. I also hate the dining room table, it’s so overstated, and I decide to swap it with a sleek glass one I found in an interior design magazine.” Another pause. “This woman is expensive, Roman. I hope you know what you’re getting yourself into.” “I’ll manage.” “Your funeral.” She shrugs and continues. “My husband doesn’t like it when he’s interrupted, but of course, that doesn’t apply to me. I often come into his office just to check up on him and exchange a few kisses. It annoys his men so much. They wonder what he sees in me and why he allows me so much freedom, and then decide he’s thinking with his dick. I’m always around, and they hate it.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
Go away! All of you! Just get the hell away from me!” I turned on my heel, the sodden folds of my nightgown clinging to my legs like wet spider webs. “Regina! Don’t be an idiot!” Konner growled, his boots and cane raggedly thumping behind me. I walked faster, lengthening my stride no matter how much my thighs screamed in protest, until a hand latched on my shoulder. “No! You don’t get to say anything!” Using my finger like a sword, I jabbed my finger in the center of his chest. Freya’s jaws snapping closed with a loud pop, barely missing my fingertip by seconds as her long neck stretched out towards my hand. “You could have avoided all this by seeing it! You have that magic, if you wouldn’t be so stupid and use it!” The seeping rain slowed, turning into a fine shower of mist straight from the heavens above, and it dripped off the tightly carved lines of his face pulled sharp with tension. He was silent, still as stone, with nothing but the slight heave of his shoulders even proof that he was alive. His eyes dropped from my face, the uneven shadow of blonde hair hiding them from my sight. Part of his neck bobbed with the effort of a heavy swallow, like he had something stuck, and the tentative flicker of something else across face made me take a step back. A flash of anger, chilled by fear, a few tiny cracks started to appear in his stoic mask. Ones that I’m not sure why, but they made a strange ache start to stab deep in my heart. “Do you love him?” So soft that it was nearly lost in the rolling thunder, I would have missed it if I hadn’t seen his lips move. “Yes. No! I don’t know!” I shook my head in disbelief. I didn’t love Ivo, not like that. But I couldn’t lose him either. “He’s my friend! My best friend! Why does it matter?” “I see. It matters more than you know.” Konner drawled slowly, the thick muscles of his shoulders rolling in a shrug that sent rivers of rainwater coursing down his chest. Mixing with the streaks of bloody red and ash grey in a ghoulish highlight to his muscles, the water slowly pooled in the ruined fabric of his shirt, further pulling it down his shoulders. He led out a heavy sigh, then suddenly straightened to the full length of his imposing height. Shoulders back and spine stiff. Then he straightened, drawing himself up to his full imposing height, and clasped his right arm across his chest. With his clenched fist resting right over his heart, he slowly lowered himself down to one knee at my feet, bowing his head over until it nearly touched my thighs. “Then I’ll get him back for you. I swear it on my life!
Clair Gardenwell (Foxgloves Are For Deception (Stand With Me #1))
To believe in God or in a guiding force because someone tells you to is the height of stupidity. We are given senses to receive our information with. With our own eyes we see, and with our skin we feel. With our intelligence, it is intended that we understand. But each person must puzzle it out for himself or herself.
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
Physically, I’m five foot nine, though at a recent doctor’s visit, I was told I’m closer to five foot seven. It’s pretty shocking when you spend your whole life thinking you’re one height and then find out you’re another. I still consider myself to be five nine. That doctor and his stupid science measuring stuff were full of shit. I was born weighing six pounds, twelve ounces, on September 17, 1982, in Pekin, Illinois, though I’ve gained a significant amount of weight since then. I currently weigh in around 175 pounds. With my semishort height and my weight, I’m a little dumpy. One friend described me as being a sad little cannonball. I feel that’s accurate.
Dan Marshall (Home Is Burning)
You took advantage." She sounded as if she loathed him. Even on the first night, she'd never spoken to him with such rancor. "Sidonie, please..." All gifts of eloquence had abandoned him. Rolling out of the bed, hoping some physical distance would soothe her, he reached for her. She flinched away as though avoiding a blow. "I'm so stupid," she said in a broken voice, then set a great crack in his heart when she wiped her eyes with shaking hands. Sod it to hell and back. She was crying. He felt like the lowest worm ever to crawl upon this foul earth. "You're not," he said, even as his belly cramped with sick shame and misery. In an attempt to ease her grief, he dared to touch her arm. That was a mistake, too. She recoiled and scrambled from the bed. Panting as if she'd run a mile, she stood in the center of the room. She looked young and afraid and heartbreakingly vulnerable. Not at all like the siren who had measured the heights of pleasure only seconds before. The mirrors reflected a woman with eyes huge and dark as bruises. A woman who stood proudly even as her mouth twisted in humiliation.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
I’m trying. But I failed. I’m failing.” I almost feel like laughing. “How long do you think you spent in that hallucination, Tris?” “I don’t know. A half hour?” “Three minutes,” I say. “You got out three times faster than any of the other initiates. Whatever you are, you’re not a failure.” You might be Divergent, I think. But she didn’t do anything to change the simulation, so maybe she’s not. Maybe she’s just that brave. I smile at her. “Tomorrow you’ll be better at this. You’ll see.” “Tomorrow?” She’s calmer now. I touch her back, right beneath her shoulders. “What was your first hallucination?” she asks me. “It wasn’t a ‘what’ so much as a ‘who.’” As I’m saying it, I think I should have just told her the first obstacle in my fear landscape, fear of heights, though it’s not exactly what she’s asking about. When I’m around her I can’t control what I say the way I do around other people. I say vague things because that’s as close as I can get to stopping myself from saying anything, my mind addled by the feeling of her body through her shirt. “It’s not important.” “And are you over that fear now?” “Not yet.” We’re at the dormitory door. The walk has never gone by so quickly. I put my hands in my pockets so I don’t do anything stupid with them again. “I may never be.” “So they don’t go away?” “Sometimes they do. And sometimes new fears replace them. But becoming fearless isn’t the point. That’s impossible. It’s learning how to control your fear, and how to be free from it, that’s the point.” She nods. I don’t know what she came here for, but if I had to guess, it would be that she chose Dauntless for its freedom. Abnegation would have stifled the spark in her until it died out. Dauntless, for all its faults, has kindled the spark into a flame.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
See if you can figure out why they call me Four.” The door closes behind us, and the room is black. She moves closer to me and says, “What’s your real name?” “See if you can figure that out, too.” The simulation begins. The room opens up to a wide blue sky, and we are on the roof of the building, surrounded by the city, sparkling in the sun. It’s beautiful for just a moment before the wind starts, fierce and powerful, and I put my arm around her because I know she’s steadier than I am, in this place. I’m having trouble breathing, which is normal for me, here. I find the rush of air suffocating, and the height makes me want to curl into a ball and hide. “We have to jump off, right?” she says, and I remember that I can’t curl into a ball and hide; I have to face this now. I nod. “On three, okay?” I nod again. All I have to do is follow her, that’s all I have to do. She counts to three and drags me behind her as she runs, like she’s a sailboat and I’m an anchor, pulling us both down. We fall and I struggle against the sensation with every inch of me, terror shrieking in every nerve, and then I’m on the ground, clutching my chest. She helps me to my feet. I feel stupid, remembering how she scaled that Ferris wheel with no hesitation. “What’s next?” I want to tell her it’s not a game; my fears aren’t thrilling rides she gets to go on. But she probably doesn’t mean it that way.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
This time the war was really over. We were alive. God had saved us. My injuries themselves were a blessing. I spent months in a hospital bed, but I had kept my strength and my faith. I hadn't experienced the bitterness of falling uselessly into the hands of my enemies. I remained, a witness to my soldiers' deeds. I could defend them from the lies of adversarie~ insensible to heroism. I could tell of their epic on the Donets and the Don, in the Caucasus and at Cherkassy, in Estonia, at Stargard, on the Oder. One day the sacred names of our dead would be repeated with pride. Our people, hearing these tales of glory, would feel their blood quicken. And they would know their sons. Certainly we had been beaten. We had been dispersed and pursued to the four corners of the world. But we could look to the future with heads held high. History weighs the merit of men. Above worldly baseness, we had offered our youth against total immolation. We had fought for Europe, its faith, its civilization. We had reached the very height of sincerity and sacrifice. Sooner or later Europe and the world would have to recognize the justice of our cause and the purity of our gift. For hate dies, dies suffocated by its own stupidity and mediocrity, but grandeur is eternal. And we lived in grandeur.
Leon Degrelle (Campaign in Russia: The Waffen SS on the Eastern Front)
The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!
Delmore Schwartz
But again, there are no individuals more pitiable and despicable than the ignorant and illiterate. The height of ignorance is to be shameless. When such people, through their own ignorance, have fallen into poverty and are hard pressed by hunger and cold, they recklessly hate the rich around them instead of blaming their own stupidity.
Yukichi Fukuzawa
But the height of audacity in serving up pure nonsense, in stringing together senseless and extravagant mazes of words, such as had previously been known only in madhouses, was finally reached in Hegel, and became the instrument of the most bare-faced general mystification that has ever taken place, with a result which will appear fabulous to posterity, and will remain as a monument to German stupidity.
Will Durant (The Story of Philosophy)
Bran tells me that you wish to find the nexus not for science, but so you may put your faerie lover back on his throne. It is the height of stupidity to involve yourself in their politics. You will thank me one day." I stared at her in dumbfounded agitation. This was not how it was supposed to go. I had imagined Eichorn and de Grey full of gratitude for our assistance and eager to help in our search for the nexus. Not condescending, dismissive, and--- well, bloody rude. To my surprise, it was Rose who came to my defense. "Our reasons for seeking the nexus are beside the point. A promise was made, and we have the means to see it is kept." "Do you?" De Grey cast a cool look in Wendell's direction where he lay by the fire, little more than a lumpy collection of blankets and a tuft of gold hair. "This faerie king, as Bran has termed him, does not seem to be made of strong stuff." "He pulled you both out of Faerie, you ingrate," I snapped. "Not to mention out of time. If you do not help us, I will see to it that he throws you into a realm far more unpleasant than the one you have left behind, with a populace decidedly less well mannered than the fauns." A little silence followed this.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
It is the height of stupidity to believe that in the course of your short life, your few decades of consciousness, you can somehow rewire the configurations of your brain through technology and wishful thinking, overcoming the effect of six million years of development.
Robert Greene (The Daily Laws: 366 Meditations from the author of the bestselling The 48 Laws of Power)
The human that depended on focused attention for its survival now becomes the distracted scanning animal, unable to think in depth, yet unable to depend on instincts. It is the height of stupidity to believe that in the course of your short life, your few decades of consciousness, you can somehow rewire the configurations of your brain through technology and wishful thinking, overcoming the effect of six million years of development.
Robert Greene (The Daily Laws: 366 Meditations on Power, Seduction, Mastery, Strategy, and Human Nature)