Plug Walk Quotes

We've searched our database for all the quotes and captions related to Plug Walk. Here they are! All 54 of them:

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Haruki Murakami (Kafka on the Shore)
I guess I make things that need energy stronger. I'm like a walking battery." "You're the table everyone wants at Starbucks," Gansey mused as he began to walk again. Blue blinked. "What?" Over his shoulder, Gansey said, "Next to the wall plug.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones.
Haruki Murakami (Kafka on the Shore)
I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
The agony of the dead is with us, and we hear their screams and walk among their ghosts. We cannot avert our eyes or plug up our ears. We must bear witness and speak for those who cannot speak. We have only one chance to get it right.
Ken Liu (The Man Who Ended History: A Documentary)
With practice I will eventually realize my goal; in the meantime, come to Paris and you will find me, headphones plugged tight in my external audio meatus, walking the quays and whispering, 'Has anything else been inserted into your anus? Has anything else been inserted into your anus?
David Sedaris (Me Talk Pretty One Day)
You don't know, Cal, you have no idea. You've shut yourself up for so long in this fucking house with your tragic memories, you have no idea what's about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full,you'd be bursting. We would have loved that chance. We'd have given it everything we had.
Kristen Ashley (At Peace (The 'Burg, #2))
You’re the table everyone wants at Starbucks,” Gansey mused as he began to walk again. Blue blinked. “What?” Over his shoulder, Gansey said, “Next to the wall plug.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
In writing the short novel Fahrenheit 451 I thought I was describing a world that might evolve in four or five decades. But only a few weeks ago, in Beverly Hills one night, a husband and wife passed me, walking their dog. I stood staring after them, absolutely stunned. The woman held in one hand a small cigarette-package-sized radio, its antenna quivering. From this sprang tiny copper wires which ended in a dainty cone plugged into her right ear. There she was, oblivious to man and dog, listening to far winds and whispers and soap-opera cries, sleep-walking, helped up and down curbs by a husband who might just as well not have been there. This was not fiction.
Ray Bradbury
Readers who were born postmillennium might not understand the fuss, but trust me, this was a goddamned miracle. Nowadays, connectivity is just presumed. Smartphones, laptops, desktops, everything’s connected, always. Connected to what exactly? How? It doesn’t matter. You just tap the icon your older relatives call “the Internet button” and boom, you’ve got it: the news, pizza delivery, streaming music, and streaming video that we used to call TV and movies. Back then, however, we walked uphill both ways, to and from school, and plugged our modems directly into the wall, with manly twelve-year-old hands.
Edward Snowden (Permanent Record)
Just because we’re plugged in, doesn’t mean we feel seen and heard. In fact, hyper-communication can mean we spend more time on Facebook than we do face-to-face with the people we care about. I can’t tell you how many times I’ve walked into a restaurant and seen two parents on their cell phones while their kids are busy texting or playing video games. What’s the point of even sitting together?
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
Oh, I think my new slave is a wanton little slut. Aren’t you?” “No, I’m a good boy,” he moaned as he pushed his ass back on my hand. “I’m not a whore!” “You’re my whore,” I growled and fucked him with my fingers as I picked up the flogger someone had left on the table. I started spanking him hard with it. “Does my boy want to come?” “Yes,” he hissed and jumped when I slapped him with the toy again. “Please, master? I’ll do anything you want.” “You’ll do it whether I let you come or not!” I pulled my fingers free and walked over to the wall of toys. I grabbed a large butt plug and quickly pushed it into his ass. Then, before he could even get used to the size of it, I slapped the flogger against it. “Admit you’re a dirty slut.” “No! I’m a good boy,” Shely cried out again. “Please don’t breach my ass! I’ve never been with a man before.
Joyee Flynn
step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step.
Haruki Murakami (Kafka on the Shore)
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step.
Haruki Murakami (Kafka on the Shore)
Rather than answer, he just moans again. Low, agonized. Shit, he’s desperate for it. I guess I would be too if I’d walked around all day with a plug rubbing on my prostate. I smooth my hand down his strong back, then lean in and plant a kiss between his shoulder blades as I withdraw again. “I like you like this,” I murmur. “That sexy ass in the air. Having you at my mercy. Hearing you beg.
Sarina Bowen (Him (Him, #1))
The relief of virtual space, of being plugged in, of having control. Everywhere I went in New York, on the subway, in cafés, walking down the street, people were locked into their own network. The miracle of laptops and smartphones is that they divorce contact from the physical, allowing people to remain sealed into a private bubble while they are nominally in public and to interact with others while they are nominally alone.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
As a songwriter, I'm gathering clues and possibilities all the time, whether I see a piano that day or not. I've tried to explain to people how I collect these dispatches, because I think anybody can do what I'm talking about. Once I do plug in, I might get only one line and two bar phrases of the melody. I always have elements of songs around that may never ever get recorded. As far back as Little Earthquakes, I began to realize that I needed to have a library of notes, phrases, words, things that might prove useful at any given time. Within a few months' time I'll gather hundreds of those fragments. Half won't be used. And then the craft comes in, the part that is about painting a world. You want listeners to smell the lavender, to feel the point of those knitting needles in a handbag of the granny who happens to harbor a loyalty to Madame Defarge. You want the listener to know the wood's burning in the stove when they walk into the song with me. Music is about all of your senses, not just hearing.
Tori Amos
Yes,” she said. “I guess I make things that need energy stronger. I’m like a walking battery.” “You’re the table everyone wants at Starbucks,” Gansey mused as he began to walk again. Blue blinked. “What?” Over his shoulder, Gansey said, “Next to the wall plug.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
I climb onto his body, leaning down to tongue his nipple, and he moans. “What kind of situation?” I ask between licks. He lets out a shaky breath. “I thought it would be fun to wear a plug out to breakfast today. That way you could fuck me when we got home…” My eyes snap up to his. “Seriously?” He nods, his expression miserable. “But then you said, ‘Let’s just look at a couple of rugs.’ And that was, like, hours ago. Every time I walk across another store, this thing massages my prostate. If you don’t fuck me in the next five minutes I’m going to explode.
Sarina Bowen (Him (Him, #1))
While she worked on her clothes, he walked to the small closet at the back of his office. He kept extras there. Extra guns. Extra ammo. Bulletproof vest. The tiniest bit of C-4. And an extra kit complete with lube and a still-packaged anal plug. Just the basics. What every man needed to survive the apocalypse.
Lexi Blake (Love and Let Die (Masters and Mercenaries, #5))
Seventy percent of US companies now use open-plan offices and hot desking in the hope that these free-form physical structures will provoke free-form thinking. This architectural determinism isn’t entirely convincing—there’s plenty of evidence that people find open workspaces noisy, distracting, and impersonal. Walking through several such workspaces recently, I couldn’t help but notice how hard everyone was working to simulate privacy. Plugged into headphones, surrounded by stacks of books and temporary dividers, defensiveness was more evident than openness. Architecture alone won’t change mindsets and tearing down physical walls won’t demolish the mental silos that trap thinking.
Margaret Heffernan (Beyond Measure: The Big Impact of Small Changes (TED))
We walked side by side to the station. The sweater kept me comfortable in the night air. “Okay, I’ll keep plugging away,” she said. “Wasn’t much help, was I?” “No, actually, it took a load off me just to be able to talk.” We caught trains going in opposite directions from the same platform. “You’re really not lonely?” she asked one last time. And while I was searching for a good reply, her train came.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
Safe! All I wanted to do was keep them safe. How do you protect your brothers at eight-fucking-teen? How do you make enough money, get enough respect to do that? I wasn’t smart, Eve. I’m a big, dumb fucking bastard. I couldn’t even get a job as a bagger at the A&P. I wanted to make their lives worth living. That’s what they’d done for me—made my life worth living. They’re my family. I can’t…I just can’t.” Beckett pounded his chest. “They would’ve been better off without me,” he continued. “Blake would still be homeless, but Cole made his own damn way. But I wanted in. I wanted to belong. I was too fucking selfish to walk away. I should have walked away. But I didn’t and now—” Beckett choked on a deep, angry sob. “Now, they’re paying for it. All my stupid decisions. They’ll die tonight. They’ll both die, and I can’t stop it. I can’t plug it with money. I can’t bring them back from the dead, even if I act tough or kill more people.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
One must recently have lived on or close to a college campus to have a vivid intimation of what has happened. It is there that we see how a number of energetic social innovators, plugging their grand designs, succeeded over the years in capturing the liberal intellectual imagination. And since ideas rule the world, the ideologues, having won over the intellectual class, simply walked in and started to run things. Run just about everything. There never was an age of conformity quite like this one, or a camaraderie quite like the Liberals'.
William F. Buckley Jr.
Look up at the stars, and we are bombarded by light generated on the day the last victim at Pingfang died, the day the last train arrived at Auschwitz, the day the last Cherokee walked out of Georgia. And we know that the inhabitants of those distant worlds, if they are watching, will see those moments, in time, as they stream from here to there at the speed of light. It is not possible to capture all of those photons, to erase all of those images. They are our permanent record, the testimony of our existence, the story that we tell the future. Every moment, as we walk on this earth, we are watched and judged by the eyes of the universe. For far too long, historians, and all of us, have acted as exploiters of the dead. But the past is not dead. It is with us. Everywhere we walk, we are bombarded by fields of Bohm-Kirino particles that will let us see the past like looking through a window. The agony of the dead is with us, and we hear their screams and walk among their ghosts. We cannot avert our eyes or plug up our ears. We must bear witness and speak for those who cannot speak. We have only one chance to get it right.
Ken Liu (The Paper Menagerie and Other Stories)
It’s our bad luck to have teachers in this world, but since we’re stuck with them, the best we can do is hope to get a brand-new one instead of a mean old fart. New teachers don’t know the rules, so you can get away with things the old-timers would squash you for. That was my theory. So I was feeling pretty excited to start fifth grade, since I was getting a rookie teacher—a guy named Mr. Terupt. Right away, I put him to the test. If the bathroom pass is free, all you have to do is take it and go. This year, the bathrooms were right across the hall. It’s always been an easy way to get out of doing work. I can be really sneaky like that. I take the pass all the time and the teachers never notice. And like I said, Mr. Terupt was a rookie, so I knew he wasn’t going to catch me. Once you’re in the bathroom, it’s mess-around time. All the other teachers on our floor were women, so you didn’t have to worry about them barging in on you. Grab the bars to the stalls and swing. Try to touch your feet to the ceiling. Swing hard. If someone’s in the stall, it’s really funny to swing and kick his door in, especially if he’s a younger kid. If you scare him bad enough, he might pee on himself a little. That’s funny. Or if your buddy’s using the urinal, you can push him from behind and flush it at the same time. Then he might get a little wet. That’s pretty funny, too. Some kids like to plug the toilets with big wads of toilet paper, but I don’t suggest you try doing that. You can get in big trouble. My older brother told me his friend got caught and he had to scrub the toilets with a toothbrush. He said the principal made him brush his teeth with that toothbrush afterward, too. Mrs. Williams is pretty tough, but I don’t think she’d give out that kind of punishment. I don’t want to find out, either. When I came back into the classroom after my fourth or fifth trip, Mr. Terupt looked at me and said, “Boy, Peter, I’m gonna have to call you Mr. Peebody, or better yet, Peter the Pee-er. You do more peein’ than a dog walking by a mile of fire hydrants.
Rob Buyea (Because of Mr. Terupt (Mr. Terupt, #1))
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
Haruki Murakami (Kafka on the Shore)
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Haruki Murakami (Kafka on the Shore)
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.” We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night. That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said. As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery. “Why are you pulling in to a cemetery?” I asked him. “We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.” “Are you kidding me? Could this get any worse?” “Oh, quit it. You’re going to love it once I get this AC fired up.” Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle. “What was that?!” “I don’t know,” Chip said. I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news. We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
Joanna Gaines (The Magnolia Story)
The morning was already setting up to be hectic, and Jon thanked his lucky stars that Jessie was so good at his job and a constant spark-plug of activity. Oh god, you did not just think Jessie was a spark-plug? You really are getting old. Next thing you know you’ll being saying whipper-snappers and break a hip getting out of bed. He shook his head. I guess I had a good run. Jessie quickly re-entered the office. “Alright. Elisabeth has her caffeine fix and said she’ll be down to say goodbye in a few. So let’s get this bad boy going for the week. Travel plans are done for next month and meetings for the week are in you planner so I’m assuming they’ll be no more complaining about flying coach class this time?” Jessie gave a sly wink and kept organizing his desk. “Yes. And for that I thank you for that my color-coding, hyper computer organized planner. We have to make sure the next presentation for Chicago is ready in three weeks; the storyboards for the new campaign ideas have to be finished by Tuesday the 16th so we can get them shipped before I head out there.” “And let’s not forget our important morning ritual.” Jon looked at Jessie with a question about to form before the realization hit him. His expression changed from confused to stern. “No cat videos Jessie. I swear. Enough of the cat videos.” “C’mon. You know you love them and they brighten your dour moods. Look at this one.” Jessie turned his screen and Jon begrudgingly looked at the cute little puppy and kitten with captions over them. “How can you not love this?” Jessie smiled. “The cute little kitty tells the playful puppy not to do it and yet the puppy bonks the little kitty on the head with his little puppy paw. “Boop Boop.” And then the cat swipes at the puppy and it falls off the bed. You know this is internet gold.” Jon smiled. “Can we get back to work?” Jessie nodded and then walked up to Jon - without hesitating, he bonked him lightly on the head. “Boop.” He paused and added, “I think this puppy is onto something.” Jessie grinned ear to ear still. “I pledge, from now on if something makes me as happy as this bonking picture I’m just going to say Boop boop.” Jon stood stone-faced but a second later, could not stop his smile. “I am not amused.” Jon shook the smile away. “Now, if you’re done boop booping me, there is something else I want to talk with you about.” Jessie looked at Jon with a quizzical smile. “Not to blow my own horn but I have a new and brilliant thought my young apprentice.” Jessie opened his mouth to comment on the blowing horn, but Jon held up his hand and cut him off. “Stop it.” Jessie closed his mouth and swallowed the sexual innuendo-laced comment he had forming on the tip of his tongue.
Matthew Alan
MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.
Zach Neese (How to Worship a King: Prepare Your Heart. Prepare Your World. Prepare the Way)
It was that very same attitude that had caused the heaviness on her heart right now. The phone calls she had received came from people who had spent all year spending money on the things they wanted: new cars, TVs, clothes and going out to eat and now they had nothing left to give to someone else. "When did it happen?" she wondered, "-- this change in people's thinking." What happened to the times when even a small gift was greatly appreciated because you knew the person had sacrificed so much in order to buy or make it? What happened to the times when parents, spouses and children worked so hard in order to be able to give that special gift to someone they loved? When did it become acceptable to call on your expensive cell phone, from your favorite restaurant, to let others know that you can't buy them a gift this year because you can't afford it? Had she been mistaken all this time in her understanding of gift giving? With a droop in her shoulders she turns and walks toward the little tree. How could it have lost its sparkle in a matter of moments? Why do the presents under it suddenly look less gaily wrapped? With tears gently rolling down her cheeks, she stoops to turn off the tree's lights. As she reaches for the plug, her hand accidentally brushes her Bible laying on the table. She looks up through the blur, her eyes alight upon the passage on the open page. "For God so LOVED the world that he GAVE his one and only Son, that whoever believes in him shall not perish but have eternal life." A sweet peace starts warming her heart. She begins to smile and her tears are flowing even more freely now -- not from sadness, but from joy. The lights on the little tree become brighter and brighter, lighting up the whole room with it's sparkle. The gifts under it look more beautiful than those in the most expensive department stores for, in that moment, she realizes that she wasn't wrong to love, to sacrifice and to want to give gifts to the people she loves. Hadn't God Himself so loved us that He gave, with the greatest of sacrifices, the most wonderful gift, His Son. She was so glad that God hadn't spent His time in heaven selfishly using all His resources for Himself. She was thankful that He hadn't sent her a message saying, "Sorry, but I can't afford to give you a gift this year." In those few moments of heartbreak she had learned something more. She had learned what God must feel like to have the gift that He sacrificed so much to give be rejected and scorned. How hurtful to take away the blessing of giving from someone or to reject their gift. Yes, it seemed to be popular to say, "We can't afford to exchange gifts this year", but it didn't matter. She would continue to love, sacrifice and give, always following her heavenly Father's example.
Tawra Jean Kellam
Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this. (...) The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss. (...) Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet. Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue. Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.
Yukio Mishima
Meridith stepped down from the chair and scooted it a few feet. “Let me.” Jake took the string and looped it over the hooks one at a time. It took him two minutes to finish the porch. “Show-off,” she said. “Being tall has its benefits.” And being strong. Words of gratitude formed in her mind, but it took a moment to order them. “I never thanked you last night.” He scratched behind Piper’s ears. “No need.” He plugged the lights in the wall outlet, and they glowed dimly. “Hopefully there’s a wall switch inside.” “I mean it, Jake. I don’t know what I would’ve done.” Heat worked into her cheeks. She pulled a cornflower blue pail from the box and set it on one of the tables. “Your arms . . .” She looked down, noticing the bruises. Brownish-gray blotches, Sean’s fingerprints on her skin. She rubbed the spots, wishing she could wipe them away. Seeing them there, she could almost feel Sean’s grip on her, feel the helplessness welling up. “I should’ve beat the kid to a pulp.” Jake’s fists clenched. “He’s long gone. That’s all that matters.” “He should’ve been arrested.” “I don’t think he meant to—to attack me that way. We stumbled, and he fell on me.” “You’re wearing evidence that says otherwise.” He had a point. And the night before, sand grinding into her back, she’d been convinced she was in danger. “Don’t like the idea of you and the kids here alone.” “Aren’t you the one who thought the partitions were silly?” “Never said that.” “Didn’t have to.” She gave a wry smile. She was pretty good at reading people. Like just now, he was thinking she was right. “Maybe I did.” He leaned a shoulder on the shingled wall, looking every bit as cocky as he had that first day he’d turned up on her doorstep. It didn’t bother her just this minute. “I know I said I was done with the repairs, but what would you think of finishing the ones that aren’t too costly?” His gaze intensified. “Really?” Meridith collected a basket and began filling it with shells. “You mentioned the fireplace. I’d like to get it working again. We have tree branches hitting the house, a couple trees that a stiff wind would blow over—if you do that kind of work. Not to mention the other things on the list.” Jake walked to the railing, staring out to sea. When Piper joined him, Jake ruffled her fur. Maybe he didn’t want to stay now. Maybe having the kids underfoot all week had been a pain. Maybe he’d been offended at the way she’d confronted him about being alone with Noelle—a notion that now seemed ludicrous in light of the way he’d come to her rescue. “I mean, if you can’t, that’s all right. You probably have other work lined up.” It was only a couple months. They’d be safe that long, right? She saw Sean’s hardened face, heard the bitter slur of his words, and shuddered. “I’ll stay.” “Are you sure?” Her words rushed out. “Glad to.” She smiled. “All right then.” He straightened, winked, and she felt it down to her bones. “Back
Denise Hunter (Driftwood Lane (Nantucket, #4))
As she'd gotten stronger, and her new hair grew in, she'd started ranging farther from the room on top of the tower. Not into either city, at first, though she'd walked over to Oakland a couple of times, over the cantilever, and looked out at it. Things felt different over there, though she was never sure why. But where she felt best was on the suspension bridge, all wrapped in it, all the people hanging and hustling and doing what they did, and the way the whole thing grew a little, changed a little, every day. There wasn't anything like that, not that she knew of, not up in Oregon. At first she didn't even know that it made her feel good; it was just this weird thing, maybe the fever had left her a little crazy, but one day she'd decided she was just happy, a little happy, and she'd have to get used to it. But it turned out you could be sort of happy and restless at the same time, so she started keeping back a little of Skinner's junk-money to use to explore the city. And that was plenty to do, for a while. She found Haight Street and walked it all the way to the wall around Skywalker, with the Temple of Doom and everything sticking up in there, but she didn't try to go in. There was this long skinny park that led up to it, called the Panhandle, and that was still public. Way too public, she thought, with people, mostly old or anyway looking that way, stretched out side by side, wrapped in silvery plastic to keep the rays off, this crinkly stuff that glittered like those Elvis suits in a video they'd showed them sometimes, up in Beaverton. It kind of made her think of maggots, like if somebody rolled each one up in its own little piece of foil. They had a way of moving like that, just a little bit, and it creeped her out. The Haight sort of creeped her out, too, even though there were stretches that felt almost like you were on the bridge, nobody normal in sight and people doing things right out in public, like the cops were never going to come at all. But she wasn't ever scared, on the bridge, maybe because there were always people around she knew, people who lived there and knew Skinner. But she liked looking around the Haight because there were a lot of little shops, a lot of places that sold cheap food. She knew this bagel place where you could buy them a day old, and Skinner said they were better that way anyway. He said fresh bagels were the next thing to poison, like they'd plug you up or something. He had a lot of ideas like that. Most of the shops, she could actually go into, if she was quiet and smiled a little and kept her hands in her pockets.
William Gibson (Virtual Light (Bridge, #1))
Sometimes, You Just Need a Vibrator Coach Sommer introduced me to a Russian medical massage specialist who recommended I use the plug-in (not cordless) model of the Hitachi Magic Wand on its high setting. I’ve never experienced such heights of ecstasy. Thanks, Vladmir! Just kidding. In this case, it’s for relaxing hypertonic muscles (i.e., muscles that are tense even though they shouldn’t be). Just place the wand on your muscle belly (not insertion points) for 20 to 30 seconds, which is often all it takes at the proper hertz. Tension headaches or a stiff neck? It’s great for relaxing the occipitals at the base of the skull. Warning: Having Hitachi Magic Wands lying out around your house can go terribly wrong—or terribly right. Good luck explaining your “hypertonic muscles.” As one friend said to me, “I think my wife has that same problem. . . .”   Gymnast Strong Unusual and Effective Bodyweight Exercises In less than eight weeks of following Coach Sommer’s protocols, I saw unbelievable improvement in areas I’d largely given up on. Try a few of my favorite exercises, and you’ll quickly realize that gymnasts use muscles you didn’t even know you had. QL Walk—An Unusual Warmup
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Where have you been?” My brow furrowed as I walked around him, ignoring the way his intoxicating smell filled the room, and the way I was craving to turn around and move into his arms. I focused on plugging my phone in so it could charge, and continued to avoid his stare as I sat down. “What do you mean?” “I was getting ready to go for a run when you left this morning; that was hours ago.” I finally glanced up at him when I heard the underlying panic in his tone. “I’ve been here.” Jentry’s face fell into a mask of frustration. “No. I went running, showered, and have still been here for over an hour. When you left, I figured this was where you were coming. When I got here and you weren’t here, I tried calling you. It went straight to voice mail.” “My phone’s dead; it died on the way over here.” I wanted to ask why Jentry had taken it upon himself to know where I was at all hours of the day, but his tone and expression kept the comments from escaping. He wasn’t acting overprotective or bossy; he seemed genuinely worried and frustrated even though I was sitting right in front of him. “I didn’t know you would try to get a hold of me.” He took a steadying breath in and clenched one of his hands into a fist before letting it relax. “Jentry, what is wrong? I’m right here. I’ve been at the hospital this whole time. I do this almost every morning. I was in the parking lot reading on my car. I read and watch the sun rise.” “What’s wrong is that my brother is lying on that fucking bed in a coma. The last time I called someone I love and it went straight to voice mail, he’d gone for a drive and ended up here.” He blew out an exaggerated breath and scrubbed his hands over his face. When he spoke again, he sounded exhausted. “I just thought you would have been here. I couldn’t think of anywhere else you would have gone that early in the morning. When you weren’t here—when your phone . . .” “I’m sorry,” I whispered, and stood to walk over to him. I hadn’t even thought of doing it. I hadn’t thought of moving toward him, into his arms. I was just there suddenly with my head pressed against chest and his arms wrapped around me, in a place I fit perfectly. “I’m right here.” His chest moved with a silent laugh, and a weighted sigh left his lips. “I see that.
Molly McAdams (I See You)
Practical Advice for the Trail Electricity Many electrical devices in Italy use plugs with three round pins, requiring outlets such as the one pictured below.  The outlet will not take the usual two round-pin European plugs, but most rooms have at least one outlet that will, such as the outlet below.  Electricity in Italy is 220 Volts, 50 cycles.
Elinor LeBaron (Via Francigena: Practical Tips for Walking the “Italian Camino” (Practical Travel Tips))
We were both at my house, but she was still acting like she was fucking crazy. She wasn’t sleeping in the bed with me. When she walked around the house, she had on a fucking grandma house dress looking old as fuck. I think she was trying to do shit just so I could stay away from her. The funny thing was that it didn’t matter to me if she walked around in a football uniform, she would still make my dick hard.
Toy (Lil' Mama Fell In Love With the Plug 3)
For a few days, uncertain about what I should do next, I go for walks and watch television. The walking is good, but the television leaves me feeling hopeless and worthless. The vile psychopaths it wants me to enjoy cannot hold me in their spell. I can't bear to absorb those indelible images and pollute myself with hatred and violence. What doesn't depress me makes me feel like the cornered victim of a wealthy bore with their holiday movies, who sucks the vitality out of me. I pull the plug and take to my bed to read, cocooned again in poetry and wondering about a rebirth.
Marc Hamer (Seed to Dust: A Gardener's Story)
Good. Because after we fuck that pretty ass raw, you’re going to go back to the party full of our cum with a butt plug holding it in. You’ll get a drink, walk around, and wait for our next instructions. Then we’ll do it all over again until you beg us to stop.
Kali Noir (Only for Tonight (Dark Desires))
Not only did Americans tend to be skeptical of oil companies, but BP’s CEO, Tony Hayward, was a walking PR disaster—stating in the media that the spill involved a “relatively tiny” amount of oil in “a very big ocean”; arguing in another interview that no one wanted to see the hole plugged more than him because “I’d like my life back”; and generally living up to every stereotype of the arrogant, out-of-touch multinational executive.
Barack Obama (A Promised Land)
Moravec’s Paradox: it’s from the 1980s. Some computer scientist guy realized that, for computers, the hard stuff is easy and the easy stuff is hard. It’s trivial to teach a computer to win at chess. It’s insanely difficult to teach a computer basic common sense, or how to walk through unfamiliar environments, or have a normal conversation. The Spindle solved that: it’s a broadcast network of common sense and common processing skills for AI systems. It lets a robot walk around and interact with humans without needing, you know, a warehouse full of mainframes plugged into it at all times.
Malcolm Murdock (The Quantum Price: Ethan Price Book One)
Well, here’s the thing. When you have spent your entire life so far – childhood and adulthood – feeling as though you’re continually circling the plug hole of not coping, you end up wanting to make sense of it. It really isn’t so hard to understand. When you’ve made multiple attempts to pull yourself together, and to tamp down your own experience of the world, but it’s still painfully evident that you’re different from the people around you; when that difference, or the process of trying to ignore it, frequently makes you sick; when you realise it will probably shorten your life because you drink too much to cope, or your blood pressure runs high, or you wonder how many more times you can withstand the feeling of crashing out of the mainstream world and falling through the cracks; then you might just begin to think that it would be convenient to name the thing that’s made everything so bloody hard.
Katherine May (The Electricity of Every Living Thing: A Woman's Walk in the Wild to Find Her Way Home)
I know what things look like, superficially. After all, we saw Alexander Yakovlev – the ideology chief of the Communist Party Soviet Union – denouncing Lenin in 1991! The idea that communism was defeated, that Lenin was no longer an icon, was underscored by Soviet Russia’s leading Leninist! Ask yourself how this is possible. Why would a party and an empire intentionally pull the plug on itself? They had nuclear weapons. They had the KGB. They had the Red Army. And then, Boris Yeltsin stopped a coup by walking out and standing on a tank while his KGB bodyguard looked on passively. Do you really believe it was honestly done? J.R.Nyquist
J.R. Nyquist
There’s no reason we can’t turn the main system clock back twenty-four hours until we can figure out what’s going on here.” “I understand precisely to where you are traveling,” Abidi said. “CEPOCS will return all parameters to the pre-trigger state. You are a computer hero.” Fulton snorted. “I don’t know about hero, Decker,” Tarkleton said, “But if this works, you can call me Tark.” Swell. Two minutes later we watched Mississippi, Alabama, and Tennessee sequence back to life on the display. Tarkleton wiped his forehead with a sleeve. Abidi was jubilant. Fulton dumped a BC powder onto his tongue and swallowed it dry. Beeman was too wired to stand still; he kept walking around peering at readouts. I watched him circle the room. All states were back online and I could restore the CEPOCS code to its original state. Some P.R. damage control lay ahead, but I had friends in the media—along with a few vulnerable non-friends. I’d gotten off easy. Lurking in the rear chambers of my mind, however, was a nagging buzz: CEPOCS was Decker Digital’s flagship project, and until I could find the hole and plug it, the system was vulnerable. After three trips around the room Beeman eased into his chair and hunched over the keyboard, his shoulders drawn in tight. Why was he still so worked up? He looked back and I caught his eye. I started toward him. “Hey, Harold.
Jerry Hatchett (Seven Unholy Days)
With nowhere to be and all day to have them, conversations out on the trail took on a whole new meaning and depth. In this age of technology where everyone is plugged in, it’s all too apparent that people have never been more disconnected and out of tune, as well as touch with each other. While out on the trail, walking or sitting around campfires, I’d never had so many deep and meaningful conversations with people in my entire life.
Kyle Rohrig (Lost on the Appalachian Trail (Triple Crown Trilogy (AT, PCT, CDT) Book 1))
Technology, for instance, has become a kind of imposter for connection, making us believe we’re connected when we’re really not—at least not in the ways we need to be. In our technology-crazed world, we’ve confused being communicative with feeling connected. Just because we’re plugged in, doesn’t mean we feel seen and heard. In fact, hyper-communication can mean we spend more time on Facebook than we do face-to-face with the people we care about. I can’t tell you how many times I’ve walked into a restaurant and seen two parents on their cell phones while their kids are busy texting or playing video games. What’s the point of even sitting together? As
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
accomplishment. Whenever my dad walked by my room, he shook his head and grumbled. My mom was a little more sympathetic, but after a week of Alien Invaders, she pulled the plug
Maureen Straka (The New Kid: Surviving Middle School Is Tough!)
Our educational systems need to give young people the opportunity to plug into curriculums that encourage them to rise to their full potential, take risks, embrace failure, and challenge the established norms wherever and whenever they can. The leaders of tomorrow will be so much more effective if they are taught to retain and refine that childlike curiosity for the unknown, rather than having it ‘schooled’ out of them, as seems still to be the case today in so many schools and universities. Secondary education should be encouraged to place greater emphasis on developing emotional intelligence, critical thinking, and real-life problem-solving skills – algebra and calculus don’t cut it – all of which are key traits of successful entrepreneurs and indeed successful adults in any walk of life.
Richard Branson (The Virgin Way: How to Listen, Learn, Laugh and Lead)
The stress and suffering were unimaginable, and in the back of her mind, she recognized that however much she had assumed she’d sympathized with her patients’ families before, had known what they were going through, could put herself in their shoes…all that had been bullshit. Until you walked this path and tried to measure the sliding scale of Hell, you had no clue what it was like. The brain compulsively read into every small piece of data, the tipping between hope and loss constantly bottoming out on one side or another. And just when you thought you couldn’t do it for one more night? For one more hour? For a single second? You got up and you ate something you couldn’t taste and rubbed your gritty red eyes…and plugged right back into it. On
J.R. Ward (Dearest Ivie (Black Dagger Brotherhood, #15.5))
What’s wrong, Valerie? Are you sick?” “Yes, Ainsley. I’m sick.” I shuffled forward. “C’mon. I’ll get your SpaghettiO’s.” I had to close my eyes and turn away when I scooped the gelatinous pasta into a cereal bowl. I plugged my nose as I walked it over to the microwave. I poured a glass of milk, mostly by feel, and plunked it down in front of Ainsley at the bar. Then I pulled the bowl out of the microwave before it dinged and plopped that down too.
Alina Klein (Rape Girl)
Apparently, we’re walking around wearing butt plugs now. What the hell is happening to me?
Emily Rath (Pucking Wild (Jacksonville Rays, #2))