“
He who has let go of hatred
who treats all beings with kindness
and compassion, who is always serene,
unmoved by pain or pleasure,
free of the "I" and "mine,"
self-controlled, firm and patient,
his whole mind focused on me ---
that is the man I love best.
”
”
Anonymous (The Bhagavad Gita)
“
I ought not to have listened to her,' he confided to me one day. 'One never ought to listen to the flowers. One should simply look at them and breathe their fragrance. Mine perfumed all my planet. But I did not know how to take pleasure in all her grace.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
All the fires of hell could burn for a thousand years and it wouldn't equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine," Merripen said to Win.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
He is more myself than I am. Whatever our souls are made of, his and mine are the same. If all else perished and he remained, I should still continue to be, and if all else remained, and we were annihilated, the universe would turn to a mighty stranger. He’s always, always in my mind; not as a pleasure to myself, but as my own being.
”
”
Emily Brontë
“
Pleased to meet you." Sage said, offering his hand. "The pleasure is all mine," Rayna Purred. "Unless ofcourse, it's all Clea's which is even better."
Sage smiled and might have even blushed a bit, which was highly entertaining.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Could she learn to like this guy?
"“It's nice to meet you." Kylie plastered a warm expression on her face. But she worried he could tell it was a sham.
"The pleasure is all mine," he said.
Kylie just smiled. He was completely right about that.
”
”
C.C. Hunter (Whispers at Moonrise (Shadow Falls, #4))
“
Perhaps this is the strongest pleasure known to me. It is the rapture I get when in writing I seem to be discovering what belongs to what; making a scene come right; making a character come together. From this I reach what I might call a philosophy; at any rate it is a constant idea of mine; that behind the cotton wool is hidden a pattern; that we—I mean all human beings—are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words; we are the music; we are the thing itself.
”
”
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
“
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
”
”
Sarah Williams (Twilight Hours: A Legacy of Verse)
“
I want you, Hank. I'm much more of an animal than you think. I wanted you from the first moment I saw you - and the only thing I'm ashamed of is that I did not know it. I did not know why, for two years, the brightest moments I found were the ones in your office, where I could lift my head to look up at you. I did not know the nature of what I felt in your presence, nor the reason. I know it now. That is all I want, Hank. I want you in my bed - and you are free of me for all the rest of your time. There's nothing you'll have to pretend - don't think of me, don't feel; don't care - I do not want your mind, your will, your being or your soul, so long as it's to me you will come for that lowest one of your desires. I am an animal who wants nothing but the sensation of pleasure which you despise - but I want it from you. You'd give up amy height of virtue for it , while I - I haven't any to give up. There's none I seek or wish to reach. I am so low that I would exchange the greatest sight of beauty in the world for the sight of your figure in the cab of a railroad engine. Amd seeing it, I would not be able to see it indifferently. You don't have to fear that you're now dependent on me. It's I who will depend on any whim of yours. You'll have me anytime you wish, anywhere, on any terms. Did you call it the obscenity of my talent? It's such that it gives you a safer hold on me than on any other property you own. You may dispose of me as you please - I'm not afraid to admit it - I have nothing to protect from you and nothing to reserve. You think that this is a threat to your achievement, but it is not to mine. I will sit at my desk, and work, and when the things around me get hard to bear, I will think that for my reward I will be in your bed that night. Did you call it depravity? I am much more depraved than you are: you hold it as your guilt, and I - as my pride. I'm more proud of it than anything I've done, more proud than of building the Line. If I'm asked to name my proudest attainment, I will say: I have slept with Hank Rearden. I had earned it.
”
”
Ayn Rand
“
….he grabs my wrists and pins my arms up above my head, locking them in one hand. "Are you mine?" he asks gruffly, as his hand returns between my thighs and briefly enters me. I gasp. Undone. Delirious. "I'm yours." His expression is tense, ravenous, so hot as he scrapes his finger deep into my channel. "Do you want me inside you?" My need clogs my windpipe as pleasure shoots down my legs. "I want you everywhere. All over me. Inside me.
”
”
Katy Evans (Real (Real, #1))
“
All these are readers, and their gestures, their craft, the pleasure, the responsibility and the power they derive from reading, are common with mine. I am not alone.
”
”
Alberto Manguel (A History of Reading)
“
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.
Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.
That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.
Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb
Iron Dragon's Daughter
gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?
Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.
The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
”
”
China Miéville
“
His mouth twisted into a perceptive, sexy smile.
"Hmm."
"Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal."
His smile tipped higher. "Primal."
"You're impossible."
"Me Jev, you Nora."
"Stop it." But I nearly smiled in spite of myself.
"Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure.
"It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought.
"Naked. I know the drill," Jev said, something unreadable passing over his eyes.
Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?"
"Does it feel that way to you?"
"I don't know you well enough to say either way." I tried to keep my voice level, neutral even.
"Then we'll have to change that."
Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?"
"No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
The Good-Morrow
I wonder by my troth, what thou, and I
Did, till we lov'd? Were we not wean'd till then?
But suck'd on countrey pleasures, childishly?
Or snorted we in the seaven sleepers den?
T'was so; But this, all pleasures fancies bee.
If ever any beauty I did see,
Which I desir'd, and got, 'twas but a dreame of thee.
And now good morrow to our waking soules,
Which watch not one another out of feare;
For love, all love of other sights controules,
And makes one little roome, an every where.
Let sea-discoverers to new worlds have gone,
Let Maps to other, worlds on worlds have showne,
Let us possesse one world; each hath one, and is one.
My face in thine eye, thine in mine appeares,
And true plaine hearts doe in the faces rest,
Where can we finde two better hemispheares
Without sharpe North, without declining West?
What ever dyes, was not mixed equally;
If our two loves be one, or, thou and I
Love so alike, that none doe slacken, none can die.
”
”
John Donne (The Complete English Poems)
“
It's nice to meet you." Kylie plastered a warm expression on her face. But she worried he could tell it was a sham.
"The pleasure is all mine," he said.
Kylie just smiled. He was completely right about that.
”
”
C.C. Hunter
“
Take all away. I am content to know
Such love is mine-for life is all too brief
To grieve for pleasures bringing only grief;
Give me but You; it is enough just so.
”
”
Ruth Bell Graham (Sitting by My Laughing Fire)
“
Hello," I said stiffly.
His smile split into a full grin."So nice to see you again."
"Always a pleasure." My lie sounded robotic, but hopefully it was better than sounding afraid.
"No,no," he said. "The pleasure's all mine."
"If you say so,"I said.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Cultivating whatever gave pleasure to my senses was always the chief business of my life; I have never found any occupation more important. Feeling that I was born for the sex opposite mine, I have always loved it and done all that I could to make myself loved by it. I have also been extravagantly fond of good food and irresistibly drawn by anything which could excite curiosity.
”
”
Giacomo Casanova (History of My Life, Vols. I & II)
“
There is no good talking to him," said a Dragon-fly, who was sitting on the top of a large brown bulrush; "no good at all, for he has gone away."
"Well, that is his loss, not mine," answered the Rocket. "I am not going to stop talking to him merely because he pays no attention. I like hearing myself talk. It is one of my greatest pleasures. I often have long conversations all by myself, and I am so clever that sometimes I don't understand a single word of what I am saying."
"Then you should definitely lecture on Philosophy," said the Dragon-fly.
”
”
Oscar Wilde (The Happy Prince)
“
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
I don't see the use of reading the same thing over and over again,' said Phillip. 'That's only a laborious form of idleness.'
But are you under the impression that you have so great a mind that you can understand the most profound writer at a first reading?'
I don't want to understand him, I'm not a critic. I'm not interested in him for his sake but for mine.'
Why do you read then?'
Partly for pleasure, because it's a habit and I'm just as uncomfortable if I don't read as if I don't smoke, and partly to know myself. When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me; I've got out of the book all that's any use to me and I can't get anythning more if I read it a dozen times. ...
”
”
W. Somerset Maugham (Of Human Bondage)
“
Passing stranger! You do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my back, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman
“
Sometimes I wonder if [my parents] want me to do well for me, or if they want me to do well for them. If all my accomplishments are for their pleasure, rather than mine.
”
”
Tashie Bhuiyan (Counting Down with You)
“
Beautiful Hannah. If you were mine, I'd lay you on silk sheets and wrap you up in ropes of pearls, and feed you honey from a silver spoon. Of course, you wouldn't be able to make all your high-minded judgments if you were a fallen woman...but you wouldn't care. Because I would pleasure you, Hannah, every night, all night, until you forgot your own name. Until you were willing to do things that would shock you in the light of day. I would debauch you from your head down to your innocent little toes-"
"Oh, I despise you...
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
“
Count this as a mere taste, sweetheart, of all the pleasure I can give you. Marry me and let me show you more. Be mine, and I'll take you on a journey the likes of which you've ever only imagined. ~~ Adam to Mallory
”
”
Tracy Anne Warren (Wicked Delights of a Bridal Bed (The Byrons of Braebourne, #4))
“
October Fullness”
Little by little, and also in great leaps,
life happened to me,
and how insignificant this business is.
These veins carried
my blood, which I scarcely ever saw,
I breathed the air of so many places
without keeping a sample of any.
In the end, everyone is aware of this:
nobody keeps any of what he has,
and life is only a borrowing of bones.
The best thing was learning not to have too much
either of sorrow or of joy,
to hope for the chance of a last drop,
to ask more from honey and from twilight.
Perhaps it was my punishment.
Perhaps I was condemned to be happy.
Let it be known that nobody
crossed my path without sharing my being.
I plunged up to the neck
into adversities that were not mine,
into all the sufferings of others.
It wasn’t a question of applause or profit.
Much less. It was not being able
to live or breathe in this shadow,
the shadow of others like towers,
like bitter trees that bury you,
like cobblestones on the knees.
Our own wounds heal with weeping,
our own wounds heal with singing,
but in our own doorway lie bleeding
widows, Indians, poor men, fishermen.
The miner’s child doesn’t know his father
amidst all that suffering.
So be it, but my business
was
the fullness of the spirit:
a cry of pleasure choking you,
a sigh from an uprooted plant,
the sum of all action.
It pleased me to grow with the morning,
to bathe in the sun, in the great joy
of sun, salt, sea-light and wave,
and in that unwinding of the foam
my heart began to move,
growing in that essential spasm,
and dying away as it seeped into the sand.
”
”
Pablo Neruda (The Essential Neruda: Selected Poems)
“
One never ought to listen to the flowers. One should simply look at them and breathe their fragrance. Mine perfumed all my planet. But I did not know how to take pleasure in all her grace. This tale of claws, which disturbed me so much, should only have filled my heart with tenderness and pity.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
I am the slave of the Master of Prophets
And my fealty to him has no beginning.
I am a slave of his slave, and of his slave’s slave,
And so forth endlessly,
For I do not cease to approach the door
Of his good pleasure among the beginners.
I proclaim among people the teaching of his high attributes,
And sing his praises among the poets.
Perhaps he shall tell me: “You are a noted friend
Of mine, a truly excellent beautifier of my tribute.”
Yes, I would sacrifice my soul for the dust of his sanctuary.
His favor should be that he accept my sacrifice.
He has triumphed who ascribes himself to him!
- Not that he needs such following,
For he is not in need of creation at all,
While they all need him without exception.
He belongs to Allah alone, Whose purified servant he is,
As his attributes and names have made manifest;
And every single favor in creation comes from Allah
To him, and from him to everything else.
”
”
يوسف النبهاني
“
Maybe I'm missing something, but I don't rightly see how somebody who claims to have had -What'd you say? One partner?-can be welled trained."
He had a point. Her brain clicked away. "I was referring to the instructional videotapes my agency has all its new employees watch."
"They train you by watching videos?" His eyes narrowed reminding her of a hunter looking down a gun sight,"Now, ain't that interesting."
She felt a little surge of pleasure as her child lost another few points on the Iowa Test of Basic Skills. Even a computer couldn't have picked a more perfect match.
”
”
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
“
If your temper is aroused and you tell 'em a thing or two, you will have a fine time unloading your feelings. But what about the other fellow? Will he share your pleasure? Will your belligerent tones, your hostile attitude, make it easy for him to agree with you? "If you come at me with your fists doubled," said Wood row Wilson, "I think I can promise you that mine will double as fast as yours; but if you come to me and say, 'Let us sit down and take counsel together, and, if we differ from one another, understand why it is that we differ from one another, just what the points at issue are,' we will presently find that we are not so far apart after all, that the points on which we differ are few and the points on which we agree are many, and that if we only have the patience and the candor and the desire to get together, we will get together.
”
”
Dale Carnegie (How to Win Friends and Influence People (With easy click Table of Contents))
“
All i knew was that i couldn't get Echo Emerson out of my mind. No doubt, i wanted her. I couldn't rid my mind of images of her body writhing in pleasure against mine. That siren voice whispering my name. But she appealed to me in more than physical way. I loved her smile, the light in her eyes when she laughed, and damn if she couldn't keep up with me.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
The bond between us was like fire- it burned and consumed, almost painful in its intensity. Almost unbearable in its pleasure. We clung to each other, mouths pressed against skin, body against body. All I could feel was Stark. All I could hear was the pounding of our hearts beating in time together. I couldn't tell where I ended and he began. I couldn't tell which pleasure was mine, and which was his. Afterward while I lay in his arms, our legs twined together, our bodies slick with sweat, I sent a silent prayer to my Goddess: Nyx, thank you for giving Stark to me. Thank you for letting him love me.
”
”
P.C. Cast
“
He worships my skin, and makes soft noises that speak louder than most of the words he’s ever said. Like this, he’s mine. Completely. It’s so clear in the way he watches me. As if he’s looking for every new milestone of pleasure while he convinces all of my nerve endings to dance for him.
”
”
Leisa Rayven (Bad Romeo (Starcrossed, #1))
“
And even beyond the flaws, there are just some simple differences between Felipe and me that we will both have to accept. He will never—I promise you—attend a yoga class with me, no matter how many times I may try to convince him that he would absolutely love it. (He would absolutely not love it.) We will never meditate together on a weekend spiritual retreat. I will never get him to cut back on all the red meat, or to do some sort of faddish fasting cleanse with me, just for the fun of it. I will never get him to smooth out his temperament, which burns at sometimes exhausting extremes. He will never take up hobbies with me, I am certain of this. We will not stroll through the farmer’s market hand in hand or go on a hike together specifically to identify wildflowers. And although he is happy to sit and listen to me talk all day long about why I love Henry James, he will never read the collected works of Henry James by my side—so this most exquisite pleasure of mine must remain a private one.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
I bet Josh doesn’t kiss you like that, Lauren,” he said, his voice as strained as her own. He pulled a ragged breath, his eyes half-lidded, his pupils dilated. “Tell me he does and I’ll walk away right now, but I’ll know if you’re lying. I always did. I don’t want to compete for you, babe, but I will. I will show you what this Josh can’t give you, I will reawaken the pleasure I gave you all those years ago until you can’t think of anyone else but me. Until you forget all about Josh and let me make you mine again.
”
”
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
“
My spirits were excited, and with pleasure and ease I talked to him during supper, and for a long time after. There was no harassing restraint, no repressing of glee and vivacity with him; for with him I was at perfect ease, because I knew I suited him; all I said or did seemed either to console or revive him. Delightful consciousness! It brought to life and light my whole nature: in his presence I thoroughly lived; and he lived in mine.
”
”
Charlotte Brontë (Jane Eyre)
“
You are my everything. My indescribable pain and my everlasting pleasure. My passion and my fear. My angel. My joy. My little psycho.” “Rien…” “You are mine, all mine, every last bit of you, no matter when you decide to leave.
”
”
Aubrey Dark (Mine (Dark Romance, #2))
“
This cock is mine Jack. All mine and I will do what I want with it. What you need to understand is that your orgasms belong to me. They are my gift to you and I will give or withhold them for my pleasure. (Ella - Lost and Found)
”
”
Megan Fields (Lost and Found (Discovery, #1))
“
He stepped backward and nodded while giving me that smirk. ‘ Ahh, Ms. Summers the pleasure has been all mine.’
I couldn’t help but smile. ‘ Oh, Mr. Clark, by the way, it’s Mrs., not Ms.’
Putting two fingers to his lips, he winked and turned. ‘ I know,’ he called behind him, and then he was gone.
”
”
K.M. Golland (Temptation (Temptation, #1))
“
Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.”
“In what capacity? Lover, or husband?”
Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question.
“But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think.
“We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her.
“But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors.
“Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
”
”
Madeline Miller (The Song of Achilles)
“
I come not, Ambrosia for any of the purposes thou hast named," replied Marcela, "but to defend myself and to prove how unreasonable are all those who blame me for their sorrow and for Chrysostom's death; and therefore I ask all of you that are here to give me your attention, for will not take much time or many words to bring the truth home to persons of sense. Heaven has made me, so you say, beautiful, and so much so that in spite of yourselves my beauty leads you to love me; and for the love you show me you say, and even urge, that I am bound to love you. By that natural understanding which God has given me I know that everything beautiful attracts love, but I cannot see how, by reason of being loved, that which is loved for its beauty is bound to love that which loves it; besides, it may happen that the lover of that which is beautiful may be ugly, and ugliness being detestable, it is very absurd to say, "I love thee because thou art beautiful, thou must love me though I be ugly." But supposing the beauty equal on both sides, it does not follow that the inclinations must be therefore alike, for it is not every beauty that excites love, some but pleasing the eye without winning the affection; and if every sort of beauty excited love and won the heart, the will would wander vaguely to and fro unable to make choice of any; for as there is an infinity of beautiful objects there must be an infinity of inclinations, and true love, I have heard it said, is indivisible, and must be voluntary and not compelled. If this be so, as I believe it to be, why do you desire me to bend my will by force, for no other reason but that you say you love me? Nay—tell me—had Heaven made me ugly, as it has made me beautiful, could I with justice complain of you for not loving me? Moreover, you must remember that the beauty I possess was no choice of mine, for, be it what it may, Heaven of its bounty gave it me without my asking or choosing it; and as the viper, though it kills with it, does not deserve to be blamed for the poison it carries, as it is a gift of nature, neither do I deserve reproach for being beautiful; for beauty in a modest woman is like fire at a distance or a sharp sword; the one does not burn, the other does not cut, those who do not come too near. Honour and virtue are the ornaments of the mind, without which the body, though it be so, has no right to pass for beautiful; but if modesty is one of the virtues that specially lend a grace and charm to mind and body, why should she who is loved for her beauty part with it to gratify one who for his pleasure alone strives with all his might and energy to rob her of it?
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
What is 'camp'? A much misunderstood word, everyone has their own feel for it. Here is mine:
Camp is not in rugby football.
Camp is not in the Old Testament.
Camp is not in St. Paul.
Camp is not in Latin lessons, though it might be in Greek.
Camp loves colour.
Camp loves light.
Camp takes pleasure in the surface of things.
Camp loves paint as much as it loves paintings.
Camp prefers style to the stylish.
Camp is pale.
Camp is unhealthy.
Camp is not English, damn it.
But …
Camp is not kitsch.
Camp is not drag.
Camp is not nearly so superficial as it would have you believe.
Camp casts out all fear.
Camp is strong.
Camp is healthy.
And, let’s face it …
Camp is queer.
”
”
Stephen Fry (Moab Is My Washpot (Memoir, #1))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
For me alone Don Quixote was born and I for him. His was the power of action, mine of writing. Only we two are at one, despite that fictitious and Tordillescan scribe who has dared, and may dare again, to pen the deeds of my valorous knight with his coarse and ill-trimmed ostrich feather. This is no weight for his shoulders, no task for his frozen intellect; and should you chance to make his acquaintance, you may tell him to leave Don Quixote's weary and mouldering bones to rest in the grave, nor seek, against all the canons of death, to carry him off to Old Castile, or to bring him out of the tomb, where he most certainly lies, stretched at full length and powerless to make a third journey, or to embark on any new expedition. For the two on which he rode out are enough to make a mockery of all the countless forays undertaken by all the countless knights errant, such has been the delight and approval they have won from all to whose notice they have come, both here and abroad. Thus you will comply with your Christian profession by offering good counsel to one who wishes you ill, and I shall be proud and satisfied to have been the first author to enjoy the pleasure of witnessing the full effect of his own writing. For my sole object has been to arouse men's contempt for all fabulous and absurd stories of knight errantry, whose credit this tale of my genuine Don Quixote has already shaken, and which will, without a doubt, soon tumble to the ground. Farewell.
”
”
Miguel de Cervantes Saavedra (Don Quixote)
“
Dear Jim."
The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart.
Presently she took up the paper again and went on reading:
"I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things.
"And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful!
"About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire?
"It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent.
"That is all. Good-bye, my dear"
Then am I
A happy fly,
If I live
Or if I die
”
”
Ethel Lilian Voynich
“
I know the impossibility of the hickey, whose urge is not ultimately to mark or to be marked, but to possess and be possessed. I cannot render anything precisely in words, as I cannot crush my lover's body inside of mine. All I can do is leave a mark--the notation of my effort, a symbol for the thing. That is the endless pleasure and frustration of the writer and the lover: to reach and reach and never become.
”
”
Melissa Febos (Abandon Me: Memoirs)
“
Whose bells, the poor man's only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book.
”
”
Samuel Taylor Coleridge (Frost at Midnight)
“
And I know I am solid and sound,
To me the converging objects of the universe perpetually
flow,
All are written to me, and I must get what the writing
means.
And I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter’s
compass,
I know I shall not pass like a child’s carlacueg cut
with a burnt
stick at night.
I know I am august,
I do not trouble my spirit to vindicate itself or be
understood,
I see that the elementary laws never apologize,
I reckon I behave no prouder than the level I plant
my house by
after all.
I exist as I am, that is enough,
If no other in the world be aware I sit content,
And if each and all be aware I sit content.
One world is aware, and by far the largest to me,
and that is myself,
And whether I come to my own today or in ten
thousand or ten
million years,
I can cheerfully take it now, or with equal cheerfulness
I can wait.
My foothold is tenoned and mortised in granite,
I laugh at what you call dissolution,
And I know the amplitude of time.
I am the poet of the body,
And I am the poet of the soul.
The pleasures of heaven are with me, and the pains
of hell are
with me,
The first I graft and increase upon myself.... the latter
I
translate into a new tongue.
”
”
Walt Whitman (Leaves of Grass)
“
I believe in our life together. I believe in it the way I believe in everything that brought us together: in the most profound depths of your darkness and of mine. I revealed everything about myself to you. Now that it gives you pleasure to laugh at it, to soil it––this leaves me as far away from anger as it is possible to be. Scatter, spoil, destroy, throw to the dogs all that you want: you will never affect me again. I will never be where you think you find me, where you think you’ve finally caught me in a chokehold that makes you come. As for me I am beyond words, I have seen too much, known too much, experienced too much for appearance to take on form. You can do anything you want, I will not be hurt." (in a letter to Georges Bataille)
”
”
Laure
“
What did I know about love? All I knew was that I couldn’t get Echo Emerson out of my mind. No doubt, I wanted her. I couldn’t rid my mind of images of her body writhing in pleasure against mine. That siren voice whispering my name. But she appealed to me in more than a physical way. I loved her smile, the light in her eyes when she laughed, and damn if she couldn’t keep up with me.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I’ve never awaited a kiss more in my whole life.
“It won’t hurt, I promise.” He husks throatily, lowering his head, blocking out the sun so all I see are twin blues and my own lust mirrored back in them.
I’m right. It’s a kiss like no other I’ve had before.
He doesn’t plunder, not at first.
His lips edge across mine—first the top, then the bottom, coaxing me to open. He presses lightly, teasing me almost into whimpering. Of course I want more, I’m out of my flipping mind wanting the kiss, so I drag at his shirt, as if to tell him to get on with it already and that’s when his mouth opens, and my brain switches off.
His mouth lays waste to mine in a not-so-surprising and yet all arousing eating kiss that feels as though he’s wolfing me down from the inside with each measured flick of his tongue. His taste floods through me, not a corner of my body is left out of the pleasure soaking out of Theo and into me.
He kisses like I’ve always wanted to be kissed by a man.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
Give me a chance, Gracie. I’m not a monster. I’m not going to hurt you. All I want to do is to make you scream with pleasure. To know each and every inch of your body. I will make you forget the pain you’ve been through and create beautiful memories for you with me.” - Luke Bryce, Be Mine
”
”
Isobelle Cate
“
For the author as for God, standing outwith his creation, all times are one; all times are now. In mine own country, we accept as due and right – as very meet, right, and our bounden duty – the downs and their orchids and butterflies, the woods and coppices, ash, beech, oak, and field maple, rowan, wild cherry, holly, and hazel, bluebells in their season and willow, alder, and poplar in the wetter ground. We accept as proper and unremarkable the badger and the squirrel, the roe deer and the rabbit, the fox and the pheasant, as the companions of our walks and days. We remark with pleasure, yet take as granted, the hedgerow and the garden, the riot of snowdrops, primroses, and cowslips, the bright flash of kingfishers, the dart of swallows and the peaceful homeliness of house martins, the soft nocturnal glimmer of glow worm and the silent nocturnal swoop of owl.
”
”
G.M.W. Wemyss
“
My ears pricked at a sound from the bathroom, a familiar moan, and I shot up from the bed, racing to the door. Throwing it open, I froze at the sight of Gianna in the shower, with her hand between her legs. Oh, fuck no. Stalking over, I shoved the door open, snatched her wrist away, and used it to drag her up against my body. Bringing her fingers to my mouth, I licked them clean, eliciting another moan. Satisfied that I’d gotten all of her essence, I gripped both of her wrists and anchored them behind her back. “No one makes you come but me,” I snarled. “Not even you. Those sounds, your moans and screams of pleasure, they belong to me, Gianna. They are mine and I will not share them.” I stared at her with a hardened gaze, making sure my warning was clear. “If you need a release, you will come to me, or you will wait. Do you understand?
”
”
Fiona Davenport (Devotion (Mafia Ties, #3))
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me, 5
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman (Leaves of Grass)
“
I dreamt of Curran snarling “Fix her!” And Doolittle saying that he wasn’t a god and there was only so much he could do. I dreamt of Julie crying by my bed, of Jim sitting near, of Andrea telling me some frustratingly complicated story . . . The noises blended in my head until finally I could stand it no longer. “Would all of you just be quiet? Please.”
I blinked and saw Curran’s face.
“Hey,” he said.
“Hey.” I smiled. There he was, alive. I was alive. “I was telling the people in my head to shut up.”
“They have medication for that.”
“I probably can’t afford it.”
He caressed my cheek.
“You came for me,” I whispered.
“Always,” he told me.
“You’re a damn idiot. Trying to throw your life away?”
“Just staying sharp. Keeping you safe keeps me in shape.”
He leaned in and kissed me softly on the lips. I reached for him and he hugged me to him and held on for a long moment. I closed my eyes, smiling at the simple pleasure of his skin on mine.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
As for me, said the little marquise, I am too used to being a girl, and I want to remain one all my life. How could I bring myself to wear a man's hat?
And I, said the marquis, have used a sword more than once without disgracing myself. I'll tell you about my adventures some day. Let's continue as we are, then. Beautiful marquise, enjoy all the pleasures of your sex, and I shall enjoy all the pleasures of mine.
”
”
François-Timoléon de Choisy
“
There is no good talking to him,” said a Dragon-fly, who was sitting on the top of a large brown bulrush; “no good at all, for he has gone away.” “Well, that is his loss, not mine,” answered the Rocket. “I am not going to stop talking to him merely because he pays no attention. I like hearing myself talk. It is one of my greatest pleasures. I often have long conversations all by myself, and I am so clever that sometimes I don’t understand a single word of what I am saying.” “Then you should certainly lecture on Philosophy,” said the Dragon-fly; and he spread a pair of lovely gauze wings and soared away into the sky.
”
”
Oscar Wilde (The Happy Prince and Other Tales)
“
Holy Sonnets: Thou hast made me, and shall thy work decay?"
Thou hast made me, and shall thy work decay?
Repair me now, for now mine end doth haste,
I run to death, and death meets me as fast,
And all my pleasures are like yesterday;
I dare not move my dim eyes any way,
Despair behind, and death before doth cast
Such terror, and my feebled flesh doth waste
By sin in it, which it towards hell doth weigh.
Only thou art above, and when towards thee
By thy leave I can look, I rise again;
But our old subtle foe so tempteth me,
That not one hour I can myself sustain;
Thy grace may wing me to prevent his art,
And thou like adamant draw mine iron heart.
”
”
John Donne
“
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
”
”
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
“
I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better.
This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
”
”
Charles Darwin (Autobiography Life and Letters of Charles Darwin, Descent of Man A Naturalist's Voyage Round the World Coral Reefs Voyage of the Beagle Origin of Species Expression of Emotion in Man and Animals)
“
His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed.
His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
Kiss you now? he asked.
I couldn't speak; a wilted noe was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.”
― Becca Fitzpatrick, Finale
”
”
Becca Fitzpatrick
“
According to Flinders, all religious and spiritual traditions and specifically meditative practices—because they were built by men and for men—promote the following: self-silencing; self-naughting (destruction of the ego); resisting desire; and enclosure (turning inward, sealing off from the world). As a feminist, naming these four requirements of transcendence troubled her. “I realized that however ancient and universal these disciplines may be, they are not gender neutral at all. Formulated for the most part within monastic contexts, they cancel the basic freedoms—to say what one wants, go where one likes, enjoy whatever pleasures one can afford, and most of all, to be somebody—that have normally defined male privilege” (emphasis mine).
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
I want to hold you close, to cherish and protect you, to draw you in until we are so close that I am lost within you, I want to take you to bed to watch the way your skin tightens benneth my fingers the way your body awakens under my touch. I want to trail kisses over you until you are lost in so much pleasure that way you don't know where you end and I begin.I want to tie you up and f__k you until there is no doubt that you are mine. I want to dress you up and take you out and show you off this beautiful, vibrant, brilliant woman. Everything I have built, all my companies, all my billions, they have no value compared to you. So no Nikki I will not take chances with your safety. I will not fight. I will not be defied. You do not want to move in with me thats fine. I will move in with you!
”
”
J. Kenner (Complete Me (Stark Trilogy, #3))
“
He told me it was for men of desperate fortunes on one hand, or of aspiring, superior fortune on the other, who when abroad upon adventures, to rise by enterprize, and make themselves famous in undertakings of a nature out of the common road; that these things were all either too far above me, or to far below me; that mine was the middle state, or what might be called the upper station of low life, which he had found by long experience was the best state in the world, the most suited to human happiness, not exposed to the miseries of hardships, the labour and sufferings of the mechanick part of mankind, and not embarrassed with the pride, luxury, ambition, and envy of the upper part of mankind. He told me I might judge of the happiness of this state by this one thing, viz. that this was the state of life which all other people envied, that kings had frequently lamented the miserable consequences of being born to great things, and wished they had been placed in the middle of the two extremes, between the mean and the great; that the wise man gave his testimony to this as the just standard of true felicity, when he prayed to have neither poverty or riches.
He bid me observe it, and I should always find, that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and was not exposed to so many vicissitudes as the higher or lower part of mankind; nay, they were so subjected to so many distempers and uneasiness, either of body or mind, as those were who, by vicious living, luxury, and extravagancies on one hand, and by hard labour, want of necessaries, and mean or insufficient diet on the other hand, bring distempers upon themselves by the natural consequences of their way of living; that the middle station of life was calculated for all kinds of vertues and all kinds of enjoyments; that peace and plenty were the hand-maids of a middle fortune; that temperance, moderation, quietness, health, society, all agreeable diversion, and all desirable pleasures, were the blessing attending the middle station of life; that this way men went silently and smoothly thro’ the world, and comfortably out of it, not embarrassed with the labour of their hands or of the head, not sold to the life of slavery for daily bread, or harrast with perplexed circumstances, which rob the soul of peace and the body of rest; not enraged with the passion of envy, or secret burning lust of ambition for great things; but in easy circumstances sliding gently thro’ the world, and sensibly tasting the sweets of living without the bitter, feeling that they are happy and learning by every day’s experience to know it more sensibly.
”
”
Daniel Defoe (Robinson Crusoe)
“
BOWLS OF FOOD
Moon and evening star do their
slow tambourine dance to praise
this universe. The purpose of
every gathering is discovered:
to recognize beauty and love
what’s beautiful. “Once it was
like that, now it’s like this,”
the saying goes around town, and
serious consequences too. Men
and women turn their faces to the
wall in grief. They lose appetite.
Then they start eating the fire of
pleasure, as camels chew pungent
grass for the sake of their souls.
Winter blocks the road. Flowers
are taken prisoner underground.
Then green justice tenders a spear.
Go outside to the orchard. These
visitors came a long way, past all
the houses of the zodiac, learning
Something new at each stop. And
they’re here for such a short time,
sitting at these tables set on the
prow of the wind. Bowls of food
are brought out as answers, but
still no one knows the answer.
Food for the soul stays secret.
Body food gets put out in the open
like us. Those who work at a bakery
don’t know the taste of bread like
the hungry beggars do. Because the
beloved wants to know, unseen things
become manifest. Hiding is the
hidden purpose of creation: bury
your seed and wait. After you die,
All the thoughts you had will throng
around like children. The heart
is the secret inside the secret.
Call the secret language, and never
be sure what you conceal. It’s
unsure people who get the blessing.
Climbing cypress, opening rose,
Nightingale song, fruit, these are
inside the chill November wind.
They are its secret. We climb and
fall so often. Plants have an inner
Being, and separate ways of talking
and feeling. An ear of corn bends
in thought. Tulip, so embarrassed.
Pink rose deciding to open a
competing store. A bunch of grapes
sits with its feet stuck out.
Narcissus gossiping about iris.
Willow, what do you learn from running
water? Humility. Red apple, what has
the Friend taught you? To be sour.
Peach tree, why so low? To let you
reach. Look at the poplar, tall but
without fruit or flower. Yes, if
I had those, I’d be self-absorbed
like you. I gave up self to watch
the enlightened ones. Pomegranate
questions quince, Why so pale? For
the pearl you hid inside me. How did
you discover my secret? Your laugh.
The core of the seen and unseen
universes smiles, but remember,
smiles come best from those who weep.
Lightning, then the rain-laughter.
Dark earth receives that clear and
grows a trunk. Melon and cucumber
come dragging along on pilgrimage.
You have to be to be blessed!
Pumpkin begins climbing a rope!
Where did he learn that? Grass,
thorns, a hundred thousand ants and
snakes, everything is looking for
food. Don’t you hear the noise?
Every herb cures some illness.
Camels delight to eat thorns. We
prefer the inside of a walnut, not
the shell. The inside of an egg,
the outside of a date. What about
your inside and outside? The same
way a branch draws water up many
feet, God is pulling your soul
along. Wind carries pollen from
blossom to ground. Wings and
Arabian stallions gallop toward
the warmth of spring. They visit;
they sing and tell what they think
they know: so-and-so will travel
to such-and-such. The hoopoe
carries a letter to Solomon. The
wise stork says lek-lek. Please
translate. It’s time to go to
the high plain, to leave the winter
house. Be your own watchman as
birds are. Let the remembering
beads encircle you. I make promises
to myself and break them. Words are
coins: the vein of ore and the
mine shaft, what they speak of. Now
consider the sun. It’s neither
oriental nor occidental. Only the
soul knows what love is. This
moment in time and space is an
eggshell with an embryo crumpled
inside, soaked in belief-yolk,
under the wing of grace, until it
breaks free of mind to become the
song of an actual bird, and God.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
”
”
Callie Vincent (Monster (Sold to the Don, #1))
“
Both the community of property and the community of families, as I am saying, tend to make them more truly guardians; they will not tear the city in pieces by differing about 'mine' and 'not mine;' each man dragging any acquisition which he has made into a separate house of his own, where he has a separate wife and children and private pleasures and pains; but all will be affected as far as may be by the same pleasures and pains because they are all of one opinion about what is near and dear to them, and therefore they all tend towards a common end. Certainly, he replied. And as they have nothing but their persons which they can call their own, suits and complaints will have no existence among them; they will be delivered from all those quarrels of which money or children or relations are the occasion. Of course they will. Neither
”
”
Plato (The Republic)
“
Every man has his tastes," Sebastian said sensibly. "I doubt yours are all that shocking."
"What your generation considered shocking is probably different from mine."
There was a short, offended silence. When Sebastian replied, his voice was as dry as tinder. "Ancient and decrepit fossil that I am, I believe the ruins of my senile brain can somehow manage to grasp what you're trying to convey. You've indulged in wanton carnal excess for so long that you're disillusioned. The trifles that excite other men leave you indifferent. No virgin's pallid charms could ever hope to compete with the subversive talents of your mistress."
Gabriel glanced up in surprise.
His father looked sardonic. "I assure you, my lad, sexual debauchery was invented long before your generation. The libertines of my grandfather's time committed acts that would make a satyr blush. Men of our lineage are born craving more pleasure than is good for us. Obviously I was no saint before I married, and God knows I never expected to find fulfillment in the arms of one woman for a lifetime. But I have. Which means there's no reason you can't."
"If you say so."
"I do say so.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
”
”
Armistead Maupin (More Tales of the City (Tales of the City, #2))
“
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her.
A kind of purging, he thought.
She was still gasping when he spun her around and closed his mouth greedily over her breast.
She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her.
His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure.
The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths.
“I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.”
His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
”
”
J.D. Robb (Loyalty in Death (In Death, #9))
“
Why then I do but dream on sovereignty,
Like one that stands upon a promontory
And spies a far-off shore where he would tread,
Wishing his foot were equal with his eye,
And chides the sea that sunders him from thence,
Saying, he'll lade it dry to have his way:
So do I wish the crown, being so far off,
And so I chide the means that keeps me from it,
And so, I say, I'll cut the causes off,
Flattering me with impossibilities,
My eye's too quick, my hear o'erweens too much,
Unless my hand and strength could equal them.
Well, say there is no kingdom then for Richard;
What other pleasure can the world afford?
I'll make my heaven in a lady's lap,
And deck my body in gay ornaments,
And witch sweet ladies with my words and looks.
O miserable thought! and more unlikely
Than to accomplish twenty golden crowns!
Why, love forswore me in my mother's womb;
And for I should not deal in her soft laws,
She did corrupt frail nature with some bribe,
To shrink mine arm up like a wither'd shrub,
To make an envious mountain on my back,
Where sits deformity to mock my body;
To shape my legs of an unequal size,
To disproportion me in every part,
Like to a chaos, or an unlick'd bear-whelp
That carries no impression like the dam.
And am I then a man to be belov'd?
O monstrous fault, to harbor such a thought!
Then since this earth affords no joy to me
But to command, to check, to o'erbear such
As are of better person than myself,
I'll make my heaven to dream upon the crown,
And whiles I live, t' account this world but hell,
Until my misshap'd trunk that bears this head
Be round impaled with a glorious crown.
And yet I know not how to get the crown,
For many lives stand between me and home;
And I - like one lost in a thorny wood,
That rents the thorns, and is rent with the thorns,
Seeking a way, and straying from the way,
Not knowing how to find the open air,
But toiling desperately to find it out -
Torment myself to catch the English crown;
And from that torment I will free myself,
Or hew my way out with a bloody axe.
Why, I can smile, and murther whiles I smile,
And cry "Content" to that which grieves my heart,
And wet my cheeks with artificial tears,
And frame my face to all occasions.
I'll drown more sailors than the mermaid shall,
I'll slay more gazers than the basilisk,
I'll play the orator as well as Nestor,
Deceive more slily than Ulysses could,
And like a Simon, take another Troy.
I can add colors to the chameleon,
Change shapes with Proteus for advantages,
And set the murtherous Machevil to school.
Can I do this, and cannot get a crown?
Tut, were it farther off, I'll pluck it down.
”
”
William Shakespeare (King Henry VI, Part 3)
“
You are mine for all eternity, Savannah, until we grow weary of this existence and choose to go together to the next." Reluctantly, he freed his body from hers,bent hif head to remove the thin triail of red marring her skin. Gregori settled her into him so that his head rested beside her breast.
Her arms crept around his damp hair, cradling him to her, the sleep of their people calling to her. He shifted her slight body so that he could drape one leg over her thighs possessively, so that his hands could shape the length of her body at will,know it was imprinted there in the soil beside his.
The chamber door slid noiselessly shut to seal them inside at his thought. The safeguards were many and all of them deadly.Anyone disturbing their rest would be in mortal peril.Gregori stroked her long hair, contended. At peace. "You are so small, ma petite, to bring such pleasure to a man." The warmth of his breath teased her nipple, and his tongue followed in a slow,leisurely caress. "I have made love to you each time I have taken you into my arms. There can be no other for either of us,Savannah."
She stirred with drowsy contentment, the slight movement bringing her breast against his mouth. Her hands stroked his hair gently. "I am not the one who worries, lifemate.I know there is no other."
His tongue made another lazy, contented curl around her creamy skin. "One who has gone centuries in utter darkness takes a long time to believe he will not lose the light.Go to sleep, Savannah, safe in my arms.Let the soil heal both of us and bring us peace, as Julian knew it would."
She was silent for a moment, but his mouth feeding at her breast was causing little aftershocks, rushes of liquid heat. "I will if you behave.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
CLEA!" she screamed, and threw herself into my arms. It wasn't exactly inconspicuous, but I didn't care. I hugged her fiercely in return. She pulled away and saw Sage, and her eyes went completely round.
"Is this the trouble you're in?" she asked, looking him up and down. "I so approve."
"Rayna, this is Sage. Sage, Rayna."
"Pleased to meet you," Sage said, offering his hand.
"The pleasure is all mine," Rayna purred. "Unless, of course, it's all Clea's, which is even better."
Sage smiled and might have even blushed a bit, which was highly entertaining.
Before leading us to the car, Rayna insisted I take her heavy winter coat. It was thirty-four degrees outside, and I was still wearing my little black sundress. Of course, Rayna herself was wearing a lacy push-up camisole. She took Sage's arm "to keep her steady on the ice," though I think her main goal was to see if his arm was as muscular as it looked. By the openmouthed gape she shot me after her first squeeze, it was.
"They'd make a cute couple," Ben said, nodding to Sage and Rayna. "Don't you think?"
I settled for a noncommittal "Hmm."
In the car, I slipped into the front seat beside Rayna. With only her eyes, she asked me if Sage was mine. With a scrunch of my nose and a shrug, I explained it was complicated. She nodded-she understood-then gave an eye roll that clearly said I was insane if I did anything but jump at the chance to be with him. The whole conversation took about a second.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Arrive before your Husband. Not that I can
See quite what good arriving first will do;
But still arrive before him. When he's taken
His place upon the couch and you go too
To sit beside him, on your best behavior
Stealthily touch my foot, and look at me,
Watching my nods, my eyes, my face's language;
Catch and return my signals secretly.
I'll send a wordless message with my eyebrows;
You'll read my fingers' words, words traced in wine.
When you recall our games of love together,
Your finger on rosy cheeks must trace a line.
If in your silent thoughts you wish to chide me,
Let your hand hold the lobe of your soft ear;
When, darling, what I do or say gives pleasure,
Keep turning to an fro the ring you wear.
When you wish well-earned curses on your husband,
Lay your hand on the table, as in prayer.
If he pours you wine, watch out, tell him to drink it;
Ask for what you want from the waiter there.
I shall take next the glass you hand the waiter
And I'll drink from the place you took your sips;
If he should offer anything he's tasted,
Refuse whatever food has touch his lips.
Don't let him plant his arms upon your shoulders,
Don't let him rest your gentle head on his hard chest,
Don't let your dress, your breasts, admit his fingers,
And--most of all--no kisses to be pressed!
You kiss--and I'll reveal myself your lover;
I'll say 'they're mine'; my legal claim I'll stake.
All this, of course I'll see, But what's well hidden
under your dress--blind terror makes me quake.
”
”
Ovid (The Love Poems)
“
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away. “You scared me the moment I saw you, and I think it’s because I knew, I just knew, I was going to fall in love you. I didn’t know our worlds were already intertwined, but my heart somehow knew it belonged to you from the start. I didn’t believe a pain so deep existed while we were apart, but I also didn’t believe a love like ours existed. You’ve shown me it does. You’ve shown me good when there was bad. You’ve given me pleasure above all of my pain. You’ve given me life when I thought I was dead.
”
”
Gail McHugh (Pulse (Collide, #2))
“
PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body mine only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard, breast, hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.
”
”
Walt Whitman (Leaves of Grass)
“
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles. “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs. “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed. “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me. “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place. I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured. Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach. The scent of my sex. “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
”
”
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
“
The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day—terrified of letting him slip and tumble—I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following:
What man has bent o'er his son's sleep, to brood
How that face shall watch his when cold it lies?
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?
The title (Sonnet XXIX of Dante Gabriel Rossetti)—'Inclusiveness'—may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my thanks when he said, again with utter composure: 'While you are in Chile do you plan a call on General Pinochet?' I replied with what I hoped was equivalent aplomb that I had no such intention. 'A pity,' came the response. 'He is a true gentleman. He was recently kind enough to award me a literary prize.' It wasn't the ideal note on which to bid Borges farewell, but it was an excellent illustration of something else I was becoming used to noticing—that in contrast or corollary to what Colin MacCabe had said to me in Lisbon, sometimes it was also the right people who took the wrong line.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
In the name of the best within you, do not sacrifice this world to those who are its worst. In the name of the values that keep you alive, do not let your vision of man be distorted by the ugly, the cowardly, the mindless in those who have never achieved his title. Do not lose your knowledge that man’s proper estate is an upright posture, an intransigent mind and a step that travels unlimited roads. Do not let your fire go out, spark by irreplaceable spark, in the hopeless swamps of the approximate, the not-quite, the not-yet, the not-at-all. Do not let the hero in your soul perish, in lonely frustration for the life you deserved, but have never been able to reach. Check your road and the nature of your battle. The world you desired can be won, it exists, it is real, it is possible, it’s yours. “But to win it requires your total dedication and a total break with the world of your past, with the doctrine that man is a sacrificial animal who exists for the pleasure of others. Fight for the value of your person. Fight for the virtue of your pride. Fight for the essence of that which is man: for his sovereign rational mind. Fight with the radiant certainty and the absolute rectitude of knowing that yours is the Morality of Life and that yours is the battle for any achievement, any value, any grandeur, any goodness, any joy that has ever existed on this earth. “You will win when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “I swear—by my life and my love of it—that I will never live for the sake of another man, nor ask another man to live for mine.
”
”
Ayn Rand (Atlas Shrugged)
“
Never in my life had I even contemplated making love on a motorcycle, but there was no way Gareth would let me fall. I understood this on a primal level. He would keep me from harm, protect me... No matter how much I distracted and pleasured him.
He pulled gently at the sensitive tip of my breast with his lips, soothing and teasing all at once. I reached behind to brace myself on the handlebars, my back arching toward him, offering myself as I watched his mouth on my skin, his tongue circling my nipple. He moved his other hand lower, pushing the bottom of my dress up. Moving his fingers up the soft skin of my inner thigh, he rubbed and teased me through the thin fabric of my thong underwear.
"I need you," I gasped. "Now."
He ripped my thong like it'd been made of tissue paper, and slid his fingers deep inside of me. His growl made me shiver with desire as he discovered just how ready I was for him. I gripped the handlebars tighter and leaned back a little, breaking the kiss as I stared into his eyes. Gareth took hold of my hips and pulled me closer, guiding me onto him. Every rock hard inch slid into me so slowly, my entire body shuddered with pleasure.
He reached forward, taking my hands from the grips and putting them around his neck. Nose to nose, his dark eyes locked on mine as he thrust deeper inside of me. "You're mine. I'm yours."
I wasn't sure what was happening, but my wolf came alive in my soul and I whispered, "I claim my mate.
”
”
Lisa Kessler (Blood Moon (Moon, #3))
“
Little brother, do not treat me as if I am already dead, or dying. If you see me that way, then I would rather truly be dead. You steal the now of my life away, when you constantly fear that tomorrow will bring my death. Your fears clutch cold at me and snatch all my pleasure in the day's warmth from me.
As he had not in a long time, the wolf suddenly dropped all the barriers between us. I suddenly perceived what I had been hiding from myself. The recent reticence between us was not entirely Nighteyes' doing. Half of it was mine, my retreat from him for fear that his death would be unbearably painful for me. I was the one who had set him at a distance; I was the one who had been hoarding my thoughts from him. Yet enough of my feelings had reached past that wall that he was wounded by them. I had been on the verge of abandoning him. My slow pulling away from him had been my resignation to his mortality. Truly, since the day I had pulled him back from death, I had not seen him as fully alive."
p. 246 Fitz and Nighteyes
”
”
Robin Hobb (Fool's Errand (Tawny Man, #1))
“
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.”
“I don’t believe in reincarnation,” she muttered.
There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.”
Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?”
He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.”
Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?”
“No. They want to stay near the hive. Their main concern is to protect the queen from predators.”
“She has nothing to fear from me!”
Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.”
Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks.
“Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.”
She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness.
After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure.
“There you are,” came a low murmur.
Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest.
Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…”
“You weren’t breathing well. I thought it best to loosen your corset.”
“I’ve never fainted before,” she said groggily, struggling to sit up.
“You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Every day the material world mistreats me. My sensibility is like a flame in the wind. I walk down the street and I see in the faces of the passers-by, not their real expressions, but the expressions they would wear if they knew about my life and how I am, if the ridiculous, timid abnormality of my soul were made transparent in my gestures and in my face. In the eyes that avoid mine I suspect a mockery I find only natural, aimed at the inelegant exception I represent in a world that takes pleasure in things and in activity and, in the depths of these passing physiognomies, I imagine and interpose an awareness of the timid nature of my life that sparks off guffaws of laughter. After thinking this, I try in vain to convince myself that I alone am the source of this idea of other people's mockery and mild opprobrium. But once objectified in others, I can no longer reclaim the image of myself as a figure of fun. I feel myself grow suddenly vague and hesitant in a hothouse rife with ridicule and animosity. From the depths of their soul, everyone points a finger at me. Everyone who passes stones me with merry insolence. I walk amongst enemy ghosts that my sick imagination has conjured up and planted inside real people. Everything jabs and jeers at me. And sometimes, in the middle of the road - unobserved, after all - I stop and hesitate, seeking a sudden new dimension, a door onto the interior of space, onto the other side of space, where without delay I might flee my awareness of other people, my too objective intuition of the reality of other people's living souls.
”
”
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
“
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start."
My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me."
His smile was sin and promise. "You like that, honey?"
"Yes."
He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?"
"There is..." My breath caught. He pushed in, long strong fingers filling me.
"Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it.
I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good."
He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me."
The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out.
With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips.
I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me.
I couldn't take it. It was too much. I came again, writhing against his mouth.
"That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth."
Oh, hell.
I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
”
”
Kristen Callihan (Make It Sweet)
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
Stop,” Jesse said.
I stared up at him, almost panting with fear.
“Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?”
“How can you say it? It nearly happened on the roof today. You can’t know-“
“I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.”
I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin.
“The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.”
With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm.
“Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added.
It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world.
But he looked up suddenly.
“They’re searching for you,” he said, releasing me at once, moving away.
They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy.
“Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?”
“Yes?”
There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Leaving my empty goblet, I slide from the soft pile at his order. I can already feel the desire bursting from between my thighs as I fall to all fours and begin my crawl to where he has seated himself.
“We will begin as before—you will be spanked over my knee—but this time there will be little pleasure in it for you, my captive. I intend to hurt you—to mark that pretty little behind—and make you unable to sit properly for some time.”
I am back by his feet as he concludes and warily, I raise my eyes as he finishes the sentence. I know I am not hiding the terror in my face and yet still I am compelled to carry on—submitting myself to him in this way for our mutual need. He catches my hair in his left hand and pulls it into a rough ponytail, again drawing my head back.
“When my hand is aching from tanning your backside, I will bind you to the bedpost and continue to thrash you with my strap. Do you understand?”
He eyes me wildly and for a moment I am too afraid to even respond. I have to swallow hard again to find my voice.
“Please, my Lofðungr,” I say shakily. “I do not know if I can bear such a punishment?”
He never takes his eyes from me as he answers. “You can and you will, my sweeting,” he says. “You will submit to me in this way as a sign of your true desire to be mine.”
I close my eyes at his words, understanding for the first time his real intention. He means not just to punish me, but to mark and possess me in some meaningful way. To make me his again in the way that our coupling had done before. As I open my eyes again and see him standing over me, there are tears but also a new acceptance.
I nod my head as best I can whilst he is still holding my hair in his fist. “I will bear it,” I say, my voice breaking.
He leans in toward me, his face just an inch from mine, those blue pools burning into me. “You will bear it,” he replies, his hot breath against my face, “and I will love you for it.
”
”
Felicity Brandon (The Viking's Conquest)
“
Now where's this artist?" His eyes darted around the room, landed on Gennie and clung. She thought she saw surprise, quickly veiled, then amusement as quickly suppressed, tug at the corners of his mouth.
"Daniel MacGregor," Grant said with wry formality. "Genvieve Grandeau."
A flicker of recognition ran across Daniel's face before he rose to his rather amazing height and held out his hand. "Welcome."
Gennie's hand was clasped, then enveloped. She had simultaneous impressions of strength, compassion, and stubbornness.
"You have a magnificent home, Mr. MacGregor," she said, studying him candidly. "It suits you."
He gave a great bellow of a laugh that might have shook the windows. "Aye.And three if your paintings hang in the west wing." His eyes slid briefly to Grant's before they came back to hers. "You carry your age well, lass."
She gave him a puzzled look as Grant choked over his Scotch. "Thank you."
"Get the artist a drink," he ordered, then gestured for her to sit in the chair next to his. "Now, tell me why you're wasting your time with a Campbell."
"Gennie happens to be a cousin of mine," Justin said mildly as he sat on the sofa beside his son. "On the aristocratic French side."
"A cousin." Daniel's eys sharpened, then an expression that could only be described as cunning pleasure spread over his face. "Aye,we like to keep things in the family. Grandeau-a good strong name.You've the look of a queen, with a bit of sorceress thrown in."
"That was meant as a compliment," Serena told her as she handed Gennie a vermouth in crystal.
"So I've been told." Gennie sent Grant an easy look over the rim of her glass. "One of my ancestors had an-encounter with a gypsy resulting in twins."
"Gennie has a pirate in her family tree as well," Justin put in.
Daniel nooded in approval. "Strong blood. The Campbells need all the help they can get."
"Watch it,MacGregor," Shelby warned as Grant gave him a brief, fulminating look.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
All these thoughts flashed through Amelia’s mind in one searing mass. But as she stiffened and waited for the ax to fall, Rohan came to her in two long strides. And before Amelia could move, or think, or even breathe, he had jerked her full length against him, and pulled her head to his.
Rohan kissed her with an indecent frankness that sent her reeling. His arms were firm around her, keeping her steady while his mouth caught hers at just the right angle.
Her hands moved in tentative objection, her palms encountering the tough muscles of his chest, the catch of his shirt buttons. He was the only solid thing in a kaleidoscopic world. She stopped pushing as her body absorbed the arousing details of him, the hard masculine contours, the fresh outdoors scent, the sensuous probing of his mouth. She had relived his kiss a thousand times in her dreams. She just hadn’t realized it until now.
Graceful fingers cupped around her neck and jaw, turning her face upward. The tips of his fingers found the fine skin behind her ears, where it met the silken edge of her hairline. And all the while he continued to fill her with concentrated fire, until the inside of her mouth prickled sweetly and her legs shook beneath her. He used his tongue delicately, exploring without haste, entering her repeatedly while she clung to him in bewildered pleasure.
His mouth lifted, his breath a hot caress against her lips. He turned his head as he spoke to whoever had entered the room. “I beg your pardon, my lord. We wanted a moment of privacy.”
Amelia turned crimson as she followed his gaze to the doorway, where Lord Westcliff stood with an unfathomable expression.
An electric moment passed while Westcliff appeared to marshal his thoughts. His gaze moved to Amelia’s face, then back to Rohan’s. A smile flickered in his dark eyes. “I intend to return in approximately a half hour. It would probably be best if my study were vacated by then.” Giving a courteous nod, he took his leave.
As soon as the door closed behind him, Amelia dropped her forehead to Rohan’s shoulder with a groan. She would have pulled away, but she didn’t trust her knees to hold.
“Why did you do that?”
He didn’t look at all repentant. “I had to come up with a reason for both of us to be in here. It seemed the best option.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Isaiah lazily yet deliberately tilts his head as he stares into my eyes. My entire body hums and a fuzzy sensation fills my head, making it hard to focus. My mouth opens then closes. And as he slowly bends down, my tongue quickly licks my dry lips.
I hope I’m doing this right. I want to do this right.
Isaiah slips his hand from my chin to cradle my head. His fingers tunnel through my hair, making the back of my neck tingle with anticipation as the pad of his thumb whispers gently against my cheek. His lips hover right next to mine and his warm breath heats my face.
The blood pounds so wildly in my veins that he has to sense the vibration. There’s a magnetic pull taking over the small distance between our lips. An energy I can’t resist. My head inclines opposite his and the moment I close my eyes, his mouth brushes mine.
Soft. Warm. Gentle. His lips move slowly, exerting pressure. And I feel like I can’t breathe, yet like I’m flying. The pressure ends, but his mouth stays near mine. His hand grips my waist and my spine gives at the shockingly right pleasure of his touch.
Isaiah senses my weakness and his hand snakes its way around my waist, his strong arm holds me up. And he explores again. A little pressure on my lower lip. A little pressure on the top. And then I remember that I’m supposed to kiss him back.
Nerves send small shock waves through my chest, and my hand trembles as I raise it to his shoulders. I press both my lips into his lower one right as my fingers caress the side of his neck. Isaiah shivers. In a good way, I think.
I open my mouth to ask when his lips move fast against mine, sucking in my lower one, causing warmth and excitement to explode in my body, the aftermath of that divine encounter melting every piece of me.
I moan, and Isaiah’s arm tightens, bringing my body closer to his. My lips maneuver against his in response. A yes to his pulling me closer. A yes to his lips taking in mine. A yes to the fact that he allows me to perform the same succulent kiss on him.
I can’t help it. I permit the tip of my tongue to barely brush his lower lip. Isaiah curls my hair into his fist and I love how my touch affects him, affects me. Wrapping my other arm around his neck, I lose all sense of independence with his sweet taste.
I like this. I like this a lot.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
The curve of her bare breast filled my palm, and we both made a noise of pleasure. I tweaked the hard bead of her nipple, loving the way her lids fluttered as her lips parted. She arched into the touch, her head tilting to the side. I kissed my way along her neck, pinching that sweet nipple, tugging it.
Oh, but she liked that, whimpering and wiggling, lifting those sweet tits up higher in encouragement. I dipped down and dragged my tongue along one beaded tip. The sound she made was so dirty, hot, and greedy my dick pulsed. Holding that succulent breast plumped in the palm of my hand, I licked, sucked, and kissed it the way I'd been dying to.
"Lucian..."
She needed more, her hips grinding on my thigh with uncoordinated motions. My free hand moved to her ass---that spectacular ass----and gripped it.
I hauled her up close, my mouth finding hers. "Ride me, honey."
I worked her on my thigh, holding her ass as she rocked the slick heat of her sex up and down its length. Emma's breasts tickled my chest with every upward thrust, her lips feathering over mine. Our breath mingled, and I stole a kiss, messy and frantic. My cock throbbed for release, fucking ached for it. But watching her lids flutter, the way her gorgeous face strained with pleasure, made it worth the torture.
"I'm going to come if you..."----she gasped, nibbled my lower lip----"keep doing that."
"Good," I grunted, flexing my thigh, bouncing her. Oh, she loved that. "Come all over me, honey. Let me see you move."
Her head fell to my shoulder, her lips nuzzling my neck. She rocked and ground on my thigh, getting it hot and wet. But her clever hand slid down and found my needy dick once more. I made a noise that sounded a lot like pain, but it was unadulterated pleasure that had me pushing up into the clasp of her hand.
"Not without you," she said, jacking my length. Our mouths met, and the kiss became a wild thing. I kissed her until I couldn't breathe, then kissed her again. And she moved on me, her hand stroking and pulling.
Heat swarmed my skin, licked up my cock. My abs clenched as I groaned, curling myself around her with a shudder of pure lust. "I'm close."
"Are you?"
"Yeah."
Panting now, we worked with each other, harder, faster. The air steamed, and she trembled. "Now, Lucian. Now."
"Fuck."
"Oh!" Her deep moan, the way she clenched all around me as her orgasm shuddered through her slim frame, set me off. I released with a shout, pulsing so hard my head went light.
”
”
Kristen Callihan (Make It Sweet)
“
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure.
But there she was.
His mate.
She was nothing like Jesminda.
Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him.
Elain had been... thrown at him.
He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her.
'Do you mind if I held myself to the other?'
He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication.
Rhysand was many things, but he certainly had good taste.
The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness.
He didn't want to admit he liked it. Didn't want to admit he found the city beautiful.
That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be.
An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one.
'There's a plate of biscuits. Would you like one?'
He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return.
But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window.
He had not seen her entire face since that day in Hybern.
Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock.
Looking at her now...
She was pale, yes. The vacancy still glazing her features.
But he couldn't breathe as she faced him fully.
She was the most beautiful female he'd ever seen.
Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once.
But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
I pulled at the knot again and heard threads begin to pop.
“Allow me, Miss Jones,” said Armand, right at my back.
There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too.
I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth.
Jesse’s music began to reverberate somewhat more sharply than before.
“There,” Armand said, soft near my ear. “Nearly got it.”
“Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?”
Her tone said I’d better.
“Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine.
How blasted long could it take to unravel a knot?
“Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.”
“There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball.
“Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short.
“A moment, Miss Jones. We require your presence.”
I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place.
“You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.”
“Oh,” I said. “How marvelous.”
I’d rather have a tooth pulled out.
“Indeed. Lord Armand came himself to deliver the invitation.”
“Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.”
“Um…”
“I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe.
“This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.”
He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile.
“Isn’t it, my lord?”
“I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?”
“No, indeed,” interjected Mrs. Westcliffe.
“So I suppose you’ll have to come along to the tea instead, Chloe.”
“Very well. If you insist.”
He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.”
“Most kind,” she said again, and actually blushed.
Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station.
“We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.”
I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment.
I did not get a bow.
Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth.
That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was.
That had been on purpose. I was sure of it.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
I have brought the heather-mixture suit, as the climatic conditions are congenial. To-morrow, if not prevented, I will endeavour to add the brown lounge with the faint green twill.'
'It can't go on - this sort of thing - Jeeves.'
'We must hope for the best, sir.'
'Can't you think of anything to do?'
'I have been giving the matter considerable thought, sir, but so far without success. I am placing three silk shirts - the dove-coloured, the light blue, and the mauve - in the first long drawer, sir.'
'You don't mean to say you can't think of anything, Jeeves?'
'For the moment, sir, no. You will find a dozen handkerchiefs and the tan socks in the upper drawer on the left.' He strapped the suit-case and put it on a chair. 'A curious lady, Miss Rockmetteller, sir.'
'You understate it, Jeeves.'
He gazed meditatively out of the window.
'In many ways, sir, Miss Rockmetteller reminds me of an aunt of mine who resides in the south-east portion of London. Their temperaments are much alike. My aunt has the same taste for the pleasures of the great city. It is a passion with her to ride in taxi-cabs, sir. Whenever the family take their eyes off her she escapes from the house and spends the day riding about in cabs. On several occasions she has broken into the children's savings bank to secure the means to enable her to gratify this desire.'
'I love to have these little chats with you about your female relatives, Jeeves,' I said coldly, for I felt that the man had let me down, and I was fed up with him. 'But I don't see what all this has got to do with my trouble.'
'I beg your pardon, sir. I am leaving a small assortment of our neckties on the mantelpiece, sir for you to select according to your preference. I should recommend the blue with the red domino pattern, sir.
”
”
P.G. Wodehouse
“
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin.
She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp.
"Don't," she said weakly.
His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?"
Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened?
"No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate."
Gabriel looked blank for a moment. "Oh, that. That was a compliment."
Pandora scowled. "It would only be a compliment if I had a beard and a peg leg."
Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming."
"Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong."
"No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?"
"Even when I plunder and pillage like a Viking?" she asked darkly.
"Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling."
"You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe.
Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'"
Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))