Pleasant Good Night Quotes

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That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
As the uneasiness and reluctance to face it cut him off more and more from all real happiness, and as habit renders the pleasures the vanity and excitement and flippancy at once less pleasant and harder to forgo...you will find that anything or nothing is sufficient to attract his wandering attention. You no longer need a good book, which he really likes, to keep him from his prayers or his work or his sleep; a column of advertisements in yesterday's paper will do. You can make him waste his time not only in conversation he enjoys with people whom he likes, but also in conversations with those he cares nothing about, on subjects that bore him. You can make him do nothing at all for long periods. You can keep him up late at night, not roistering, but staring at a dead fire in a cold room. All the healthy and outgoing activities which we want him to avoid can be inhibited and nothing given in return, so that at last he may say...'I now see that I spent most my life doing in doing neither what I ought nor what I liked.
C.S. Lewis (The Screwtape Letters)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
although she went home that night feeling happier than she had ever been in her short life, she did not confuse the golf course party with a good party, and she did not tell herself she had a pleasant time. it had been, she felt, a dumb event preceded by excellent invitations. what frankie did that was unusual was to imagine herself in control. the drinks, the clothes, the instructions, the food (there had been none), the location, everything. she asked herself: if i were in charge, how could i have done it better?
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
The tincture of night began to diffuse the soup of the afternoon. Lord Vetinari considered the sentence, and found it good. He liked 'tincture' particularly. Tincture. Tincture. It was a distinguished word, and pleasantly countered by the flatness of 'soup'. Yes. In which may well be found the croutons of teatime.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness. So, I suppose, this obstinacy and perversity were pleasanter to them than any advantage... The fact is, gentlemen, it seems there must really exist something that is dearer to almost every man than his greatest advantages, or (not to be illogical) there is a most advantageous advantage (the very one omitted of which we spoke just now) which is more important and more advantageous than all other advantages, for the sake of which a man if necessary is ready to act in opposition to all laws; that is, in opposition to reason, honour, peace, prosperity -- in fact, in opposition to all those excellent and useful things if only he can attain that fundamental, most advantageous advantage which is dearer to him than all. "Yes, but it's advantage all the same," you will retort. But excuse me, I'll make the point clear, and it is not a case of playing upon words. What matters is, that this advantage is remarkable from the very fact that it breaks down all our classifications, and continually shatters every system constructed by lovers of mankind for the benefit of mankind. In fact, it upsets everything... One's own free unfettered choice, one's own caprice, however wild it may be, one's own fancy worked up at times to frenzy -- is that very "most advantageous advantage" which we have overlooked, which comes under no classification and against which all systems and theories are continually being shattered to atoms. And how do these wiseacres know that man wants a normal, a virtuous choice? What has made them conceive that man must want a rationally advantageous choice? What man wants is simply independent choice, whatever that independence may cost and wherever it may lead. And choice, of course, the devil only knows what choice. Of course, this very stupid thing, this caprice of ours, may be in reality, gentlemen, more advantageous for us than anything else on earth, especially in certain cases… for in any circumstances it preserves for us what is most precious and most important -- that is, our personality, our individuality. Some, you see, maintain that this really is the most precious thing for mankind; choice can, of course, if it chooses, be in agreement with reason… It is profitable and sometimes even praiseworthy. But very often, and even most often, choice is utterly and stubbornly opposed to reason ... and ... and ... do you know that that, too, is profitable, sometimes even praiseworthy? I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! …And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know? You will scream at me (that is, if you condescend to do so) that no one is touching my free will, that all they are concerned with is that my will should of itself, of its own free will, coincide with my own normal interests, with the laws of nature and arithmetic. Good heavens, gentlemen, what sort of free will is left when we come to tabulation and arithmetic, when it will all be a case of twice two make four? Twice two makes four without my will. As if free will meant that!
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Perhaps I should have been a Negro. I suspect I would have been a rather large and terrifying one, continually pressing my ample thigh against the withered thighs of old white ladies in public conveyances a great deal and eliciting more than one shriek of panic. Then, too, if I were a Negro, I would not be pressured by my mother to find a good job, for no good jobs would be available. My mother herself, a worn old Negress, would be too broken by years of underpaid labor as a domestic to go out bowling at night. She and I could live most pleasantly in some moldy shack in the slums in a state of ambitionless peace, realizing contentedly that we were unwanted, that striving was meaningless.
John Kennedy Toole (A Confederacy of Dunces)
Hate Poem I hate you truly. Truly I do. Everything about me hates everything about you. The flick of my wrist hates you. The way I hold my pencil hates you. The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you. Each corpuscle singing in its capillary hates you. Look out! Fore! I hate you. The blue-green jewel of sock lint I’m digging from under by third toenail, left foot, hates you. The history of this keychain hates you. My sigh in the background as you explain relational databases hates you. The goldfish of my genius hates you. My aorta hates you. Also my ancestors. A closed window is both a closed window and an obvious symbol of how I hate you. My voice curt as a hairshirt: hate. My hesitation when you invite me for a drive: hate. My pleasant “good morning”: hate. You know how when I’m sleepy I nuzzle my head under your arm? Hate. The whites of my target-eyes articulate hate. My wit practices it. My breasts relaxing in their holster from morning to night hate you. Layers of hate, a parfait. Hours after our latest row, brandishing the sharp glee of hate, I dissect you cell by cell, so that I might hate each one individually and at leisure. My lungs, duplicitous twins, expand with the utter validity of my hate, which can never have enough of you, Breathlessly, like two idealists in a broken submarine.
Julie Sheehan
Charlie Brown: I think lunchtime is about the worst time of day for me. Always having to sit here alone. Of course, sometimes, mornings aren't so pleasant either. Waking up and wondering if anyone would really miss me if I never got out of bed. Then there's the night, too. Lying there and thinking about all the stupid things I've done during the day. And all those hours in between when I do all those stupid things. Well, lunchtime is among the worst times of the day for me. Well, I guess I'd better see what I've got. Peanut butter. Some psychiatrists say that people who eat peanut butter sandwiches are lonely...I guess they're right. And when you're really lonely, the peanut butter sticks to the roof of your mouth. There's that cute little red-headed girl eating her lunch over there. I wonder what she would do if I went over and asked her if I could sit and have lunch with her?...She'd probably laugh right in my face...it's hard on a face when it gets laughed in. There's an empty place next to her on the bench. There's no reason why I couldn't just go over and sit there. I could do that right now. All I have to do is stand up...I'm standing up!...I'm sitting down. I'm a coward. I'm so much of a coward, she wouldn't even think of looking at me. She hardly ever does look at me. In fact, I can't remember her ever looking at me. Why shouldn't she look at me? Is there any reason in the world why she shouldn't look at me? Is she so great, and I'm so small, that she can't spare one little moment?...SHE'S LOOKING AT ME!! SHE'S LOOKING AT ME!! (he puts his lunchbag over his head.) ...Lunchtime is among the worst times of the day for me. If that little red-headed girl is looking at me with this stupid bag over my head she must think I'm the biggest fool alive. But, if she isn't looking at me, then maybe I could take it off quickly and she'd never notice it. On the other hand...I can't tell if she's looking, until I take it off! Then again, if I never take it off I'll never have to know if she was looking or not. On the other hand...it's very hard to breathe in here. (he removes his sack) Whew! She's not looking at me! I wonder why she never looks at me? Oh well, another lunch hour over with...only 2,863 to go.
Clark Gesner (You're a Good Man, Charlie Brown - Vocal Score)
The traffic warden looked up. "This your car?" "It is," said Skulduggery. The traffic warden nodded. "Very nice, very nice. But you can't park here, day or night." "I wasn't aware of that." "There's a sign right over there." "I didn't think it applied to me." "Why wouldn't it have applied to you?" Skulduggery tilted his head. "Because I'm special." "Don't care how special you think you are, you're parked in a no parking area and as such you're---" "We're here on official police business." The traffic warden narrowed his eyes. "You're Garda? I'm going to need to see some identification." "We're undercover," said Skulduggery. "This is a very important undercover operation which you are endangering just by talking to us." He opened his jacket. "Look, I have a gun. I am Detective Inspector Me. This is my partner, Detective Her." The traffic warden frowned. "Her?" "Me," said Stephanie. "Him?" "Not me," said Skulduggery. "Her." "Me," said Stephanie. "You?" said the traffic warden. "Yes," said Stephanie. "I"m sorry, who are you?" Stephanie looked at him. "I'm Her, he's Me. Got it? Good. You better get out of here before you blow our cover. They've got snipers.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
I had gone to no place where the roads were frozen and hard as iron, where it was clear cold and dry and the snow was dry and powdery and hare-tracks in the snow and the peasants took off their hats and called you Lord and there was good hunting. I had gone to no such place but to the smoke of cafés and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring. Suddenly to care very much and to sleep to wake with it sometimes morning and all that had been there gone and everything sharp and hard and clear and sometimes a dispute about the cost. Sometimes still pleasant and fond and warm and breakfast and lunch. Sometimes all niceness gone and glad to get out on the street but always another day starting and then another night. I tried to tell about the night and the difference between the night and the day and how the night was better unless the day was very clean and cold and I could not tell it; as I cannot tell it now
Ernest Hemingway (A Farewell to Arms)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
Why, there's the air, the sky, the morning, the evening, moonlight, my friends, women, the beautiful architecture of Paris to study, three big books to write and all sorts of other things. Anaxagoras used to say that he was in the world in order to admire the sun. And then I have the good fortune to be able to spend my days from morning to night in the company of a man of genius - myself - and it's very pleasant.
Victor Hugo (The Hunchback of Notre-Dame)
Michael's bed gave me a good night's sleep and a pleasant little cough of settling when I laid on it. I felt like it was familiar already.
Vee Hoffman
As for my personal opinion, to love only prosperity is even somehow unseemly. Whether it's a good thing or a bad thing, smashing something is occasionally very pleasant too.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
This was the first thing I ever said, "All right, I'm gonna try to do the very best I can." Instead of doing this, "All right, I'll work at like three-quarters speed, and then I can always figure that if I just hadn't been a fuckup, the book coulda been really good." You know that defense system? You write the paper the night before, so if it doesn't get a great grade, you know that it could've been better. And this worked--I worked as hard as I could on this. And in a weird way, you might think that would make me more nervous about whether people would like it. But there was this weird--you know like when you work out really well, there's this kind of tiredness that's real pleasant, and it's sort of placid.
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
The feeling of a full stomach with completely satiated taste buds, a nice atmosphere and good company under a night sky is one of the most pleasant things that one can experience.
Preeti Shenoy (Life is What You Make It: A Story of Love, Hope and How Determination Can Overcome Even Destiny)
I raised my cup to Kellin. ‘Long days and pleasant nights.’ I drank. It was sweet and good. ‘What an interesting toast. I’ve never heard it before.’ ‘I learned it from my father.’ This was true. I thought not much else I might say in this richly appointed room would be the truth, but that was. He’d read it in some book or other, but I didn’t intend to say that.
Stephen King (Fairy Tale)
A well-chosen tie could make me almost merry; a good book, an excursion in a motor car or an hour with a woman left me fully satisfied. It particularly pleased me to ensure that this way of life, like a faultlessly correct suit of English tailoring, did not make me conspicuous in any way. I believe I was considered pleasant company, I was popular and welcome in society, and most who knew me called me a happy man.
Stefan Zweig (The Collected Stories of Stefan Zweig)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
The capacity of the brain to forsee the future has much to do with the fear of death. For when the body is worn out and the brain is tired, the whole organism welcomes death. But it is difficult to understand how death can be welcome when you are young and strong, so that you come to regard it as a dread and terrible event. For the brain, in its immaterial way, looks into the future and conceives it a good to go on and on and on forever—not realizing that its own material would at last find the process intolerably tiresome. Not taking this into account, the brain fails to see that, being itself material and subject to change, its desires will change, and a time will come when death will be good. On a bright morning, after a good night’s rest, you do not want to go to sleep. But after a hard day’s work the sensation of dropping into unconsciousness is extraordinarily pleasant.
Alan W. Watts (The Wisdom of Insecurity: A Message for an Age of Anxiety)
Thereforeonyourjourneybesuretotakegoldencupsfull of the sweet drink oflife, red wine, and give it to dead matter, so that it can win life back The dead matter will change into black serpents. Do not be frightened, the serpents will immediately put out the sun of your days, and a night with wonderful will-o'-the-wisps will come over YOU. 140 Take pains to waken the dead. Dig deep mines and throw in sacrificial gifts, so that they reach the dead. Reflect in good heart upon evil, this is the way to the ascent. But before the ascent, everything is night and Hell. . What do you think of the essence of Hell? Hell is when the depths come to you with all that you no longer are or are not yet capable of Hell is when you can no longer attain what you could attain. Hell is when you must thinlc and feel and do everything that you know you do not want. Hell is when you know that your havingtoisalsoawantingto,andthatyouyourselfareresponsible for it. Hell is when you know that everything serious that you have planned with yourself is also laughable, that everything fine is also brutal, that everything good is also bad, that everything high is also low, and that everything pleasant is also shameful. But the deepest Hell is when you realize that Hell is also no Hell, but a cheerful Heaven, not a Heaven in itself, but in this respect a Heaven, and in that respect a Hell. That is the ambiguity of the God: he is born from a dark ambiguity and rises to a bright ambiguity. Unequivocalness is simplicityandleadstodeath.141Butambiguityisthewayoflife.142 If the left foot does not move, then the right one does, and you move. The God wills this.143 You say: the Christian God is unequivocal, he is 10ve.l44 But what is more ambiguous than love? Love is the way of life, but your love is only on the way oflife ifyou have a left and a right. Nothing is easier than to play at ambiguity and nothing is more difficult than living ambiguity. He who plays is a child; his God is old and dies. He who lives is awakened; his God is young and goes on. He who plays hides from the inner death. He who lives feels the going onward and immortality. So leave the play to the players. Let fall what wants to fall; if you stop it, it will sweep you away. There is a true love that does not concern itself with neighbors.
C.G. Jung
Let us reflect in another way, and we shall see that there is great reason to hope that death is a good; for one of two things—either death is a state of nothingness and utter unconsciousness, or, as men say, there is a change and migration of the soul from this world to another. Now if you suppose that there is no consciousness, but a sleep like the sleep of him who is undisturbed even by dreams, death will be an unspeakable gain. For if a person were to select the night in which his sleep was undisturbed even by dreams, and were to compare with this the other days and nights of his life, and then were to tell us how many days and nights he had passed in the course of his life better and more pleasantly than this one, I think that any man, I will not say a private man, but even the great king will not find many such days or nights, when compared with the others. Now if death be of such a nature, I say that to die is gain; for eternity is then only a single night. But if death is the journey to another place, and there, as men say, all the dead abide, what good, O my friends and judges, can be greater than this? If indeed when the pilgrim arrives in the world below, he is delivered from the professors of justice in this world, and finds the true judges who are said to give judgment there, Minos and Rhadamanthus and Aeacus and Triptolemus, and other sons of God who were righteous in their own life, that pilgrimage will be worth making. What would not a man give if he might converse with Orpheus and Musaeus and Hesiod and Homer? Nay, if this be true, let me die again and again.
Socrates (Apology, Crito And Phaedo Of Socrates.)
About six in the evening I came out of the moorland to a white ribbon of road which wound up the narrow vale of a lowland stream. As I followed it, fields gave place to bent, the glen became a plateau, and presently I had reached a kind of pass where a solitary house smoked in the twilight. The road swung over a bridge, and leaning on the parapet was a young man. He was smoking a long clay pipe and studying the water with spectacled eyes. In his left hand was a small book with a finger marking the place. Slowly he repeated— As when a Gryphon through the wilderness With winged step, o'er hill and moory dale Pursues the Arimaspian. He jumped round as my step rung on the keystone, and I saw a pleasant sunburnt boyish face. 'Good evening to you,' he said gravely. 'It's a fine night for the road.' The smell of peat smoke and of some savoury roast floated to me from the house.
John Buchan (The Thirty Nine Steps)
not much chance, completely cut loose from purpose, he was a young man riding a bus through North Carolina on the way to somewhere and it began to snow and the bus stopped at a little cafe in the hills and the passengers entered. he sat at the counter with the others, he ordered and the food arrived. the meal was particularly good and the coffee. the waitress was unlike the women he had known. she was unaffected, there was a natural humor which came from her. the fry cook said crazy things. the dishwasher. in back, laughed, a good clean pleasant laugh. the young man watched the snow through the windows. he wanted to stay in that cafe forever. the curious feeling swam through him that everything was beautiful there, that it would always stay beautiful there. then the bus driver told the passengers that it was time to board. the young man thought, I'll just sit here, I'll just stay here. but then he rose and followed the others into the bus. he found his seat and looked at the cafe through the bus window. then the bus moved off, down a curve, downward, out of the hills. the young man looked straight forward. he heard the other passengers speaking of other things, or they were reading or attempting to sleep. they had not noticed the magic. the young man put his head to one side, closed his eyes, pretended to sleep. there was nothing else to do - just to listen to the sound of the engine, the sound of the tires in the snow." - Charles Bukowski, "Nirvana
Charles Bukowski (The Last Night of the Earth Poems)
Father, I thank Thee for the night, And for the pleasant morning light, For rest, and food, and loving care, And all that makes the world so fair. Help me to do the things I should, To be to others kind and good, In all I do, in work and play, To grow more loving every day. Amen. —REBECCA J. WESTON (1835
David P. Gushee (Yours Is the Day, Lord, Yours Is the Night: A Morning and Evening Prayer Book)
She asked him to come in, if only for a minute, as it would seem so odd otherwise, and as if she had been out alone in the dark. He gave way, and followed her in. Immediately that the door was opened he found, in addition to her parents, several neighbours sitting round. They all spoke in a congratulatory manner, and took him seriously as Arabella's intended partner. They did not belong to his set or circle, and he felt out of place and embarrassed. He had not meant this: a mere afternoon of pleasant walking with Arabella, that was all he had meant. He did not stay longer than to speak to her stepmother, a simple, quiet woman without features or character; and bidding them all good night plunged with a sense of relief into the track over the down. But that sense was only temporary: Arabella reasserted her sway in his soul. He walked as if he felt himself to be another man from the Jude of yesterday. What were his books to him? what were his intentions, hitherto adhered to so strictly, as to not wasting a single minute of time day by day? 'Wasting!' It depended on your point of view to define that: he was just living for the first time: not wasting life. It was better to love a woman than to be a graduate, or a parson; ay, or a pope!
Thomas Hardy (Jude the Obscure)
Daniel saw in a way he’d never seen anything before: his mind was a homunculus squatting in the middle of his skull, peering out through good but imperfect telescopes and listening horns, gathering observations that had been distorted along the way, as a lens put chromatic aberrations into all the light that passed through it. A man who peered out at the world through a telescope would assume that the aberration was real, that the stars actually looked like that—what false assumptions, then, had natural philosophers been making about the evidence of their senses, until last night? Sitting in the gaudy radiance of those windows hearing the organ play and the choir sing, his mind pleasantly intoxicated from exhaustion, Daniel experienced a faint echo of what it must be like, all the time, to be Isaac Newton: a permanent ongoing epiphany, an endless immersion in lurid radiance, a drowning in light, a ringing of cosmic harmonies in the ears.
Neal Stephenson (The Baroque Cycle: Quicksilver, The Confusion, and The System of the World)
This is Lilly Heaven saying good night, and to all a very good night. Good night everybody. Here's wishing you pleasant dreams. Sleep tight. From all of us to all of you, a warm good night. And now we must, I'm afraid, say "good night." Good night, ladies and gentlemen, and good night. Thanks a lot and God bless you. This is Lilly signing off and wishing all of you out there from all of us in here the very best possible good night. I can only hope that you enjoyed watching us as much as we enjoyed being here. Good night. Pleasant dreams. Sleep tight. It's been wonderful being with you, and I hope you'll invite us into your living room again tomorrow night. From the actors and myself, from the staff here, I want to wish you all the best possible night and day before we meet again. It's been wonderful being with you. It's been truly grand. I only wish we could go on but I'm afraid our time is up, and so this is your Lily saying good night to you. Pleasant dreams. Good night all. Good night to you all. Good night to all of you. Good night. Good night. Good night. Good night. Good night. Good night. Good night. Good night. To all of you out there from all of us here good night. And pleasant dreams till we meet again. Good night to you all. Good night. Good night. Good night. Good night.
Jean-Claude van Itallie (War and Four Other Plays - Acting Edition)
Say it." His teasing tone took on a rougher undercurrent. "Say the words. Say you're mine." Alarms clanged in her heart. She knew he needed to feel strong and powerful right now, but truly. There was possessive, and then there was...medieval. "It's so belittling, Bram. I wish you wouldn't say that." "You just wish you didn't like it so much." He added a second finger to the first. "Mine. Mine. Mine." He thrust his fingers deeper with each repetition. Her intimate muscles clenched around them, and she gasped with pleasant shock. "See?" he gloated. Drat it. For a man, he was right entirely too often. It did feel so good. But ever since her illness and those horrid treatments, she'd set a great deal of comfort in the idea that her body was hers. No one else's. "Say it," he whispered, nuzzling her ear. His thumb circled her pearl. "Susanna fair. I want to hear you say you're mine." She framed his face in her hands and looked him in the eye. "I'll say this. I claim sole possession of my body, my heart, and my soul. And tonight, I choose to share them all with you." His fingers slid from her body, leaving her feeling hollow inside. "God. That's..." "Disappointing? Intimidating? Too much, too soon?" He shook his head, moving in for a kiss. "I was going to say, it's even better." His tongue traced her bottom lip. "So much better." -Bram & Susanna
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
A driving snow-storm in the night and still raging; five or six inches deep on a level at 7 A.M. All birds are turned into snowbirds. Trees and houses have put on the aspect of winter. The traveller’s carriage wheels, the farmer’s wagon, are converted into white disks of snow through which the spokes hardly appear. But it is good now to stay in the house and read and write. We do not now go wandering all abroad and dissipated, but the imprisoning storm condenses our thoughts. I can hear the clock tick as not in pleasant weather. My life is enriched. I love to hear the wind howl. I have a fancy for sitting with my book or paper in some mean and apparently unfavorable place, in the kitchen, for instance, where the work is going on, rather a little cold than comfortable.
Henry David Thoreau (The Journal, 1837-1861)
Sweet Crescent Moon, up in the sky, Won’t you sing your song to Earth as she passes by? Your sweetest silver melody, a rhythm and a rhyme, A lullaby of pleasant dreams as you make your climb. Send the forests off to bed, the mountains tuck in tight, Rock the ocean gently, and the deserts kiss good night. Sweet Crescent Moon, up in the sky, You sing your song so sweetly after sunshine passes by.
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
The sun had set, and it was twilight, the sky was growing dark, bringing to view the twinkling stars; there was no breeze, but it was pleasantly and restfully cool. The good folk still sat at their doorsteps, talking as before on the same inexhaustible subjects, but a little subdued with the approach of night. The boys were still playing cricket, but they were mostly at the other end of the street, and their shouts were muffled before they reached Liza’s ears.
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
Galen slides into his desk, unsettled by the way the sturdy blond boy talking to Emma casually rests his arm on the back of her seat. "Good morning," Galen says, leaning over to wrap his arms around her, nearly pulling her from the chair. He even rests his cheek against hers for good measure. "Good morning...er, Mark, isn't it?" he says, careful to keep his voice pleasant. Still, he glances meaningfully at the masculine arm still lining the back of Emma's seat, almost touching her. To his credit-and safety-Mark eases the offending limb back to his own desk, offering Emma a lazy smile full of strikingly white teeth. "You and Forza, huh? Did you clear that with his groupies?" She laughs and gently pries Galen's arms off her. Out of the corner of his eye, he sees the eruption of pink spreading like spilled paint over her face. She's not used to dating him yet. Until about ten minutes ago, he wasn't used to it either. Now though, with the way Mark eyes her like a tasty shellfish, playing the role of Emma's boyfriend feels all too natural. The bell rings, saving Emma from a reply and saving Mark thousands of dollars in hospital bills. Emma shoots Galen a withering look, which he deflects with that he hopes is an enchanting grin. He measures his success by the way her blush deepens but stops short when he notices the dark circles under her eyes. She didn't sleep last night. Not that he thought she would. She'd been quiet on the flight home from Destin two nights ago. He didn't pressure her to talk about it with him, mostly because he didn't know what to say once the conversation got started. So many times, he's started to assure her that he doesn't see her as an abomination, but it seems wrong to say it out loud. Like he's willfully disagreeing with the law. But how could those delicious-looking lips and those huge violet eyes be considered an abomination? What's even crazier is that not only does he not consider her an abomination, the fact that she could be a Half-Breed ignited a hope in him he's got no right to feel: Grom would never mate with a half human. At least, Galen doesn't think he would. He glances at Emma, whose silky eyelids don't even flutter in her state of light sleep. When he clears his throat, she startles. "Thank you," she mouths to him as she picks her pencil back up, using the eraser to trace the lines in her textbook as she reads. He acknowledges with a nod. He doesn't want to leave her like this, anxious and tense and out of place in her own beautiful skin.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Let us reflect in another way, and we shall see that there is great reason to hope that death is a good; for one of two things—either death is a state of nothingness and utter unconsciousness, or, as men say, there is a change and migration of the soul from this world to another. Now if you suppose that there is no consciousness, but a sleep like the sleep of him who is undisturbed even by dreams, death will be an unspeakable gain. For if a person were to select the night in which his sleep was undisturbed even by dreams, and were to compare with this the other days and nights of his life, and then were to tell us how many days and nights he had passed in the course of his life better and more pleasantly than this one, I think that any man, I will not say a private man, but even the great king will not find many such days or nights, when compared with the others. Now if death be of such a nature, I say that to die is gain; for eternity is then only a single night. But if death is the journey to another place, and there, as men say, all the dead abide, what good, O my friends and judges, can be greater than this?
Plato (Apology)
There are many ways of attaining the various levels of human bliss. But one of the highest states of mental, spiritual and physical happiness is readily reached by way of a good meal, pleasant company, and easy seats by a good log fire. (Preferably there should be a vague impression of cold weather in the night outside your cosy room) The cares of the world are lost . There is a magical presence . You feel love for all humanity. Every remark made by your friend is a precious pearl of wisdom, and everything you say , encouraged by the warm smiles of your companion, is the essence of all your years of struggle and experience. You can suddenly recall incidents of the past, vivid-ly, and they take on a meaning which they never had before.
John Wyatt (Shining Levels: The Story of a Man Who Went Back to Nature)
After Wilmington, the daily drinking stopped. He’d go a week, sometimes two, without anything stronger than diet soda. He’d wake up without a hangover, which was good. He’d wake up thirsty and miserable—wanting—which wasn’t. Then there would come a night. Or a weekend. Sometimes it was a Budweiser ad on TV that set him off—fresh-faced young people with nary a beergut among them, having cold ones after a vigorous volleyball game. Sometimes it was seeing a couple of nice-looking women having after-work drinks outside some pleasant little café, the kind of place with a French name and lots of hanging plants. The drinks were almost always the kind that came with little umbrellas. Sometimes it was a song on the radio. Once it was Styx, singing “Mr. Roboto.” When he was dry, he was completely dry. When he drank, he got drunk. If he
Stephen King (Doctor Sleep (The Shining, #2))
Don't you think Rycca would like to hear about Hadding, the warrior Odin rescued from his enemies? Indeed, so would I for as I recall, the last time I asked about him, you told the story in great haste without the scantiest details." There was a gleam in her eyes that Rycca had come to understand meant she was up to something, but she had no idea what might lurk behind so seemingly innocent a suggestion. Dragon grinned and looked at his brother, who leaned back in his chair and laughed. When Rycca appeared puzzled, Cymbra said, "I confess, when I noticed how attentive you are to Dragon's stories I was reminded of myself. At Wolf's and my wedding feast, I persuaded Dragon to tell a great many tales. He was the soul of patience." "He was?" Wolf interjected. "I was the one with the patience. My dear brother knew perfectly well I was sitting there contemplating various possibilities for doing away with him and he enjoyed every moment of it." "Now how could I have known that, brother?" Dragon challenged. "Just because the wine goblet you were holding was twisted into a very odd shape?" "It was that or your neck, brother," Wolf replied pleasantly. He looked at Rycca reassuringly. "Don't worry, if I hadn't already forgiven him, that sword he gave me would force me to." "It is a magnificent blade," Dragon agreed. "They both are. Every smithy in Christendom is trying to work out what the Moors are doing but..." "It's got something to do with the temperature of the steel," Wolf said. "And with the folding. They fold more than we do, possibly hundreds of times." "Hundreds,really? Then the temperature has to be very high or they couldn't pound that thin. I wonder how much carbon they're adding-" Cymbra sighed. To Rycca, she said, "We might as well retire.They can talk about this for hours." Wolf heard her and laughed. He draped an arm over her chair, pulling her closer. Into her ear, he said something that made the redoubtable Cymbra blush. She cleared her throat. "Oh, well, in that case, you might as well retire, too." Standing up quickly, she took her husband's rugged hand in her much smaller and fairer one. "Good night, Rycca, good night, Dragon. Sleep well." This last was said over her shoulder as she tugged Wolf from the hall. Her obvious intent startled Rycca, who even now could not think herself as being so bold, but it made both the Hakonson brothers laugh. "As you may gather," Dragon said in the aftermath of the couple's departure, "my brother and his wife are happily wed.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Upon the deck, image to the roughest man on board of something that is graceful, beautiful, and harmless—something that it is good and pleasant to have there, and that should make the voyage prosperous—is Florence. It is night, and she and Walter sit alone, watching the solemn path of light upon the sea between them and the moon. At length she cannot see it plainly, for the tears that fill her eyes; and then she lays her head down on his breast, and puts her arms around his neck, saying, ‘Oh Walter, dearest love, I am so happy!’ Her husband holds her to his heart, and they are very quiet, and the stately ship goes on serenely. ‘As I hear the sea,’ says Florence, ‘and sit watching it, it brings so many days into my mind. It makes me think so much—’ ‘Of Paul, my love. I know it does.’ Of Paul and Walter. And the voices in the waves are always whispering to Florence, in their ceaseless murmuring, of love—of love, eternal and illimitable, not bounded by the confines of this world, or by the end of time, but ranging still, beyond the sea, beyond the sky, to the invisible country far away!
Charles Dickens (Dombey and Son)
Psalm 16 Michtam of David. 1 ¶ Preserve me, O God: for in thee I have put my trust. 2 I said unto the LORD, Thou art my goodness: I have no goodness apart from thee; 3 to the saints that are in the earth and to the excellent: all my delight is towards them. 4 The sorrows of those that hasten after another god shall be multiplied; their drink offerings of blood I will not offer, nor take up their names into my lips. 5 The LORD is the portion of my inheritance and of my cup; thou dost maintain my lot. 6 The lines are fallen unto me in pleasant places; yea, I have a beautiful inheritance. 7 I will bless the LORD, who gives me counsel: my kidneys also instruct me in the night seasons. 8 ¶ I have set the LORD always before me: because when he is at my right hand, I shall not be moved. 9 Therefore my heart is glad, and my glory rejoices: my flesh also shall rest secure. 10 For thou wilt not leave my soul in Sheol; neither wilt thou suffer thy Merciful One to see corruption. 11 Thou wilt show me the path of life: in thy presence is fullness of joy; in thy right hand there are pleasures for evermore.
Russell M. Stendal (The Holy Scriptures, Jubilee Bible 2000)
I instantly saw something I admired no end. So while he was weighing my envelope, I remarked with enthusiasm: "I certainly wish I had your head of hair." He looked up, half-startled, his face beaming with smiles. "Well, it isn't as good as it used to be," he said modestly. I assured him that although it might have lost some of its pristine glory, nevertheless it was still magnificent. He was immensely pleased. We carried on a pleasant little conversation and the last thing he said to me was: "Many people have admired my hair." I'll bet that person went out to lunch that day walking on air. I'll bet he went home that night and told his wife about it. I'll bet he looked in the mirror and said: "It is a beautiful head of hair." I told this story once in public and a man asked me afterwards: "'What did you want to get out of him?" What was I trying to get out of him!!! What was I trying to get out of him!!! If we are so contemptibly selfish that we can't radiate a little happiness and pass on a bit of honest appreciation without trying to get something out of the other person in return - if our souls are no bigger than sour crab apples, we shall meet with the failure we so richly deserve.
Dale Carnegie (How to Win Friends & Influence People)
I wish you’d stop acting as if-as if everything is normal!” “What would you have me do?” he replied, getting up and walking over to the tray of liquor. He poured some Scotch into two glasses and handed one to Jordan. “If you’re waiting for me to rant and weep, you’re wasting your time.” “No, at the moment I’m glad you’re not given to the masculine version of hysterics. I have news, as I said, and though you aren’t going to find it pleasant from a personal viewpoint, it’s the best possible news from the standpoint of your trial next week. Ian,” he said uneasily, “our investigators-yours, I mean-have finally picked up Elizabeth’s trail.” Ian’s voice was cool, his expression unmoved. “Where is she?” “We don’t know yet, but we do know she was seen traveling in company of a man on the Bernam Road two nights after she disappeared. They put up at the inn about fifteen miles north of Lister. They”-he hesitated and expelled his breath in a rush-“they were traveling as man and wife, Ian.” Other than the merest tightening of Ian’s hand upon the glass of Scotch, there was no visible reaction to this staggering news, or to all its heartbreaking and unsavory implications. “There’s more news, and it’s as good-I mean as valuable-to us.” Ian tossed down the contents of his glass and said with icy finality, “I can’t see how any news could be better. She has now proven that I didn’t kill her, and at the same time she’s given me irrefutable grounds for divorce.
Judith McNaught (Almost Heaven (Sequels, #3))
Meanwhile, God seeks to raise them higher, to draw them out of this miserable manner of loving to a higher state of the love of God, to deliver them from the low usage of the senses and meditation whereby they seek after God, as I said before,4 in ways so miserable and so unworthy of Him. He seeks to place them in the way of the spirit wherein they may the more abundantly, and more free from imperfections, commune with God now that they have been for some time tried in the way of goodness, persevering in meditation and prayer, and because of the sweetness they found therein have withdrawn their affections from the things of this world, and gained a certain spiritual strength in God, whereby they in some measure curb their love of the creature, and are able, for the love of God, to carry a slight burden of dryness, without going back to that more pleasant time when their spiritual exercises abounded in delights, and when the sun of the divine graces shone, as they think, more clearly upon them. God is now changing that light into darkness, and sealing up the door of the fountain of the sweet spiritual waters, which they tasted in God as often and as long as they wished. For when they were weak and tender, this door was then not shut, as it is written, “Behold, I have given before thee an opened door, which no man can shut; because thou hast a little strength, and hast kept My word, and hast not denied My name.”5 4. God thus leaves them in darkness so great
Juan de la Cruz (Dark Night of the Soul)
She submitted to walk slowly on, with downcast eyes. He put her hand to his lips, and she quietly drew it away. ‘Will you walk beside me, Mr Wrayburn, and not touch me?’ For, his arm was already stealing round her waist. She stopped again, and gave him an earnest supplicating look. ‘Well, Lizzie, well!’ said he, in an easy way though ill at ease with himself ‘don’t be unhappy, don’t be reproachful.’ ‘I cannot help being unhappy, but I do not mean to be reproachful. Mr Wrayburn, I implore you to go away from this neighbourhood, to-morrow morning.’ ‘Lizzie, Lizzie, Lizzie!’ he remonstrated. ‘As well be reproachful as wholly unreasonable. I can’t go away.’ ‘Why not?’ ‘Faith!’ said Eugene in his airily candid manner. ‘Because you won’t let me. Mind! I don’t mean to be reproachful either. I don’t complain that you design to keep me here. But you do it, you do it.’ ‘Will you walk beside me, and not touch me;’ for, his arm was coming about her again; ‘while I speak to you very seriously, Mr Wrayburn?’ ‘I will do anything within the limits of possibility, for you, Lizzie,’ he answered with pleasant gaiety as he folded his arms. ‘See here! Napoleon Buonaparte at St Helena.’ ‘When you spoke to me as I came from the Mill the night before last,’ said Lizzie, fixing her eyes upon him with the look of supplication which troubled his better nature, ‘you told me that you were much surprised to see me, and that you were on a solitary fishing excursion. Was it true?’ ‘It was not,’ replied Eugene composedly, ‘in the least true. I came here, because I had information that I should find you here.’ ‘Can you imagine why I left London, Mr Wrayburn?’ ‘I am afraid, Lizzie,’ he openly answered, ‘that you left London to get rid of me. It is not flattering to my self-love, but I am afraid you did.’ ‘I did.’ ‘How could you be so cruel?’ ‘O Mr Wrayburn,’ she answered, suddenly breaking into tears, ‘is the cruelty on my side! O Mr Wrayburn, Mr Wrayburn, is there no cruelty in your being here to-night!’ ‘In the name of all that’s good—and that is not conjuring you in my own name, for Heaven knows I am not good’—said Eugene, ‘don’t be distressed!’ ‘What else can I be, when I know the distance and the difference between us? What else can I be, when to tell me why you came here, is to put me to shame!’ said Lizzie, covering her face. He looked at her with a real sentiment of remorseful tenderness and pity. It was not strong enough to impell him to sacrifice himself and spare her, but it was a strong emotion. ‘Lizzie! I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don’t be hard in your construction of me. You don’t know what my state of mind towards you is. You don’t know how you haunt me and bewilder me. You don’t know how the cursed carelessness that is over-officious in helping me at every other turning of my life, won’t help me here. You have struck it dead, I think, and I sometimes almost wish you had struck me dead along with it.
Charles Dickens (Our Mutual Friend)
Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.
Melissa Jensen (The Fine Art of Truth or Dare)
Years ago, when I used to wander of an evening from the fireside to the pleasant land of fairy-tales, I met a doughty knight and true. Many dangers had he overcome, in many lands had been; and all men knew him for a brave and well-tried knight, and one that knew not fear; except, maybe, upon such seasons when even a brave man might feel afraid and yet not be ashamed. Now, as this knight one day was pricking wearily along a toilsome road, his heart misgave him and was sore within him because of the trouble of the way. Rocks, dark and of a monstrous size, hung high above his head, and like enough it seemed unto the knight that they should fall and he lie low beneath them. Chasms there were on either side, and darksome caves wherein fierce robbers lived, and dragons, very terrible, whose jaws dripped blood. And upon the road there hung a darkness as of night. So it came over that good knight that he would no more press forward, but seek another road, less grievously beset with difficulty unto his gentle steed. But when in haste he turned and looked behind, much marveled our brave knight, for lo! of all the way that he had ridden there was naught for eye to see; but at his horse’s heels there yawned a mighty gulf, whereof no man might ever spy the bottom, so deep was that same gulf. Then when Sir Ghelent saw that of going back there was none, he prayed to good Saint Cuthbert, and setting spurs into his steed rode forward bravely and most joyously. And naught harmed him. There is no returning on the road of life. The frail bridge of time on which we tread sinks back into eternity at every step we take. The past is gone from us forever. It is gathered in and garnered.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow (Illustrated Edition))
How can I tell of the rest of creation, with all its beauty and utility, which the divine goodness has given to man to please his eye and serve his purposes, condemned though he is, and hurled into these labors and miseries?  Shall I speak of the manifold and various loveliness of sky, and earth, and sea; of the plentiful supply and wonderful qualities of the light; of sun, moon, and stars; of the shade of trees; of the colors and perfume of flowers; of the multitude of birds, all differing in plumage and in song; of the variety of animals, of which the smallest in size are often the most wonderful,--the works of ants and bees astonishing us more than the huge bodies of whales?  Shall I speak of the sea, which itself is so grand a spectacle, when it arrays itself as it were in vestures of various colors, now running through every shade of green, and again becoming purple or blue?  Is it not delightful to look at it in storm, and experience the soothing complacency which it inspires, by suggesting that we ourselves are not tossed and shipwrecked?  [1664]What shall I say of the numberless kinds of food to alleviate hunger, and the variety of seasonings to stimulate appetite which are scattered everywhere by nature, and for which we are not indebted to the art of cookery?  How many natural appliances are there for preserving and restoring health!  How grateful is the alternation of day and night!  how pleasant the breezes that cool the air!  how abundant the supply of clothing furnished us by trees and animals!  Who can enumerate all the blessings we enjoy?  If I were to attempt to detail and unfold only these few which I have indicated in the mass, such an enumeration would fill a volume.  And all these are but the solace of the wretched and condemned, not the rewards of the blessed.  What then shall these rewards be, if such be the blessings of a condemned state?
Augustine of Hippo (St. Augustine of Hippo: The City of God)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The
Jen Turano (Playing the Part (A Class of Their Own, #3))
While humans have been bred over millennia to chase the pleasant, run from the unpleasant, and zone out in the face of neutral stimuli, meditation, as we’ve discussed, provides an alternative: the ability to engage with it all fully. This skill allows you, however briefly, to step off the treadmill of getting and doing. Many of us assume that we will finally be happy and complete when all of our wishes are fulfilled—when we hit the lottery, master the Stanky Leg, or get more likes on our Instagram posts. It’s the primordial lie we are constantly telling and retelling ourselves. But this is to confuse happiness with excitement. All of which inexorably leads to another question: what is happiness, anyway? For years I asked tons of smart people about this and never got a truly satisfying answer. Then one night over dinner, I put the question to my friend Dr. Mark Epstein, a psychiatrist, author, and meditator. He said, “More of the good stuff and less of the bad.” Initially, I was unmoved. Over time, though, I began to see the wisdom of this modest assertion.
Jeff Warren (Meditation for Fidgety Skeptics: A 10% Happier How-To Book)
As we sleep later, Ali holds on to me, spooning me from behind and I have to admit it feels damn good. I need the contact of the warm skin and the solidity of his body. Most all-nighters are hard work and the sex can be relentless. With Ali, it feels like I am staying with a boyfriend. I sense his hot breath on my shoulder and his faint snores are soothing. I’m a light sleeper. It makes it easier to turn tricks at night, but tonight I let myself be held and enjoy the closeness. I manage to sleep for a few hours with some pleasant dreams for once. It hasn’t seemed like work. I’ve felt valued and cared for, which is a brand-new experience for me. The next day, I should have left early but I give him a lazy early morning blow job instead, before getting dressed to leave. Because Ali has shown me respect, I want to provide the best service to him.
A. Zukowski (Liam for Hire (London Stories, #2))
This was true mountain country, now, and true wilderness. Valley meadows, leafy trees halfway up the slopes, then evergreens gradually taking over at the higher altitudes... their road wound its way up and down through tree-tunnels that only intermittently allowed them to see the sky. It would have been a lovely journey under other circumstances. The weather remained fair, and remarkably pleasant, even if the night was going to be cold. She had only read about the wilderness, never experienced it for herself, and she found herself liking it a lot. Or- parts of it, anyway. The way it was never entirely silent, but simply 'quiet'- birdsong and insect noises, the rustle of leaves, the distant sound of water. She had never before realized how noisy people were. And the forest was so beautiful. She wasn't at all used to deep forest; it was like being inside a living cathedral, with beams of light penetrating the tree-canopy and illuminating unexpected treasures, a moss-covered rock, a small cluster of flowers, a spray of ferns. These woods were 'old', too, the trees had trunks so big it would take three people to put their arms around them, and there was a scent to the place that somehow conveyed that centuries of leaves had fallen here and become earth.
Mercedes Lackey (One Good Knight (Five Hundred Kingdoms, #2))
Ronan sighed. " You have no gift for the art of conversation, Moria. All right. I take it Ashyn is well, Please tell her ..." He struggled long enough for words that Moria sighed with impatience. "I'll tell her you send your undying love and cannot wait to see her gentle face again." From the look on Ronan's face, you'd think she'd suggested telling Ashyn he wished her a slow and tortured death. "Fine," she said. "I'll tell her you asked after her and that it would be pleasant to speak with her, once she is permitted to do so." "Yes, thank you. I have great regard for your sister, but she is a Seeker, and I have good reason for not ..." Moria peered at him. "Not what?" "I ... have great regard for your sister." "Yes, yes, you said that. I didn't come to play matchmaker.
Kelley Armstrong (Empire of Night (Age of Legends, #2))
Hillary had been humiliated in the Michigan primary the night before, a loss that not only robbed her of a prime opportunity to put Bernie Sanders down for good but also exposed several of her weaknesses. How could she have been left so vulnerable? She knew — or at least she thought she did. The blame belonged to her campaign team, she believed….. The back end was left to Bill, who lashed out with abandon. “We got an ass-chewing,” one of the participants recalled months later. Hillary came back on the line to close the lecture. It was hard to tell what was worse — getting hollered at by Bill or getting scolded by the stern and self-righteous Hillary. Neither was pleasant. You heard him, she admonished. “Get it straight.” -Shattered
Jonathan Allen
If the time comes you need to talk about it, you can share anything you need to with me. I won’t judge you--not for anything.” Loretta stiffened. “What could you judge me for?” She pulled away. Rachel averted her face. “Oh, Aunt Rachel, not you, too? Is it a crime to live through something like this and emerge unharmed? I did starve myself. I chose death, just like any self-respecting woman would. But then he promised to bring me home, and I started eating again. He hadn’t harmed me, and I figured--” Loretta broke off. It was clear as rain Aunt Rachel didn’t believe her. “Merciful heaven, would you rather I was dead?” Amy groaned and tossed her head. Lowering her voice, Rachel replied, “No, I wouldn’t rather you were dead!” She lifted trembling hands to her face. “Lord, no. I--oh, Loretta Jane, no. I love you. I just can’t understand. You come home looking fit as a fiddle, claiming they didn’t touch you? I saw you kiss him with my own eyes. And Tom said you shared the Comanche’s bed, that it appeared you were receiving good treatment. I can only wonder what you had to do to survive so you could be here tonight. It’s amazing what we women can live through--the things we’re willing to put up with just to get by. Look at me. Stuck here in this unforgiving land with a man I despise. Do you think having him touch me is pleasant? But I let him and pretend I like it. Without him, where would the three of us be?” Loretta couldn’t answer. For an instant it was like being mute again, her throat felt so tight. She could understand Uncle Henry’s not believing her. He was one tier short of a full cord, anyway, and a body expected him to be an imbecile. But Aunt Rachel? That hurt--a bone-deep hurt that would be a long time in easing. Even if eloquence had been hers, Loretta would have offered no defense. She knew the truth, and that would have to be enough. Aunt Rachel stood up and wiped her palms on her shift. “I’m here if you need an ear. You can count on me.” With that, she left the loft. Loretta wrapped her arms around her knees and gazed out the window at the moonlit yard, remembering another night, a lifetime ago, when Hunter had sat astride his black stallion there, his arm lifted to her in a salute, his fisted hand holding her stolen bloomers. How could it be that a Comanche understood the song her heart sang and her own aunt did not?
Catherine Anderson (Comanche Moon (Comanche, #1))
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Then, too, if I were a Negro, I would not be pressured by my mother to find a good job, for no good jobs would be available. My mother herself, a worn old Negress, would be too broken by years of underpaid labor as a domestic to go out bowling at night. She and I could live most pleasantly in some moldy shack in the slums in a state of ambitionless peace, realizing contentedly that we were unwanted, that striving was meaningless.
John Kennedy Toole (A Confederacy of Dunces)
Listen close—my previous life was good. My mind has many pleasant memories: Camping on the Wensome’s chalk river shores, Running in green fields, picking spring flowers, Exploring the sand dunes and pine forests, A picnic on the mud flats, carefree days At home with my family in the village, Watching the terns, sedge warblers and swallows, Lessons in cooking and animal care, Untamed rivers and lakes, games with my friends, Sandy beaches, marshes, fens, and reed beds, The barn owl who liked to sing every night, Stirring conversations with my husband, Mundane chores alongside both my daughters, Magical countryside, large gray stone blocks, Tall flint walls in a nearby Roman town, Spongy saltmarsh, woodlands, and butterflies. It was all a gift, all blessed—and now I feel an unexpected clarity.
Ruth Ann Oskolkoff (The Bones of the Poor)
The first step in Sleeping Out Alone is to select just the right spot on which to spend the night. If it is too close to the house you will draw such taunts as, "Albert is spending the night on the back stoop." On the other hand, the sleeping spot should not be so far from the house that the distance cannot be covered in less than two seconds starting from a prone position. An imaginary straight line extends from the sleeping spot to the back door of the house. The line should be clear of all obstacles: hoses, lawn chairs, tall blades of grass. If one has a dog, he should be tied or locked up well before night in order to prevent his slipping in under cover of darkness and surreptitiously depositing a new obstacle on the escape route. Dogs have been known to fall asleep directly on the beeline, as it is sometimes called. Once while traveling at a high rate of speed, I collided with my old dog, Strange, under just such circumstances. The result was multiple bites on the legs, neck, head, and hindquarters, but after a good deal of rest and medication he managed to pull through.
Patrick McManus ("A Fine and Pleasant Misery", "They Shoot Canoes Don't They?", "Never Sniff a Gift Fish", & "The Grasshopper Trap" (Cautionary Tales of Outdoor Life by Patrick McMannus))
Let us reflect in another way, and we shall see that there is great reason to hope that death is a good; for one of two things—either death is a state of nothingness and utter unconsciousness, or, as men say, there is a change and migration of the soul from this world to another. Now if you suppose that there is no consciousness, but a sleep like the sleep of him who is undisturbed even by dreams, death will be an unspeakable gain. For if a person were to select the night in which his sleep was undisturbed even by dreams, and were to compare with this the other days and nights of his life, and then were to tell us how many days and nights he had passed in the course of his life better and more pleasantly than this one, I think that any man, I will not say a private man, but even the great king will not find many such days or nights, when compared with the others. Now if death be of such a nature, I say that to die is gain; for eternity is then only a single night. But if death is the journey to another place, and there, as men say, all the dead abide, what good, O my friends and judges, can be greater than this? If indeed when the pilgrim arrives in the world below, he is delivered from the professors of justice in this world, and finds the true judges who are said to give judgment there, Minos and Rhadamanthus and Aeacus and Triptolemus, and other sons of God who were righteous in their own life, that pilgrimage will be worth making. What would not a man give if he might converse with Orpheus and Musaeus and Hesiod and Homer? Nay, if this be true, let me die again and again.
Socretes
listening to the sound of a bell Bells are used in many cultures around the world to help people come together, to create harmony within oneself and harmony with others. In many Asian countries, every family has at least one small bell in their home. You can use any kind of bell that makes a sound you enjoy. Use the sound of that bell as a reminder to breathe, to quiet your mind, to come home to your body, and to take care of yourself. In Buddhism, the sound of the bell is considered to be the voice of the Buddha. Stop talking. Stop thinking. Come back to your breathing. Listen with all your being. This way of listening allows peace and joy to penetrate every cell of your body. You listen not only with your ears, not only with your intellect; you invite all the cells in your body to join in listening to the bell. A bell doesn’t take up much space. You could surely find room on a table or a shelf somewhere, no matter where you live, even if you share a small room. Before you invite the bell to come home with you, you must make sure that the sound of the bell is good. The bell doesn’t need to be big, but the sound should be pleasant. Prepare yourself each time to listen and to receive the sound of the bell. Instead of “striking” the bell, “invite” the bell to sound. Look at the bell as a friend, an enlightened being that helps you wake up and come home to yourself. If you wish, you can set the bell on a small cushion—just like any other bodhisattva doing sitting meditation. As you listen to the bell, practice breathing in and releasing all the tension that’s built up, releasing the habit of your body, and especially your mind, to run. Although you may be sitting down, very often you are still running within. The bell is a welcome opportunity for you to go back to yourself, enjoy your in-breath and out-breath in such a way that you can release the tension and come to a full stop. The bell, and your response to it, helps stop the runaway train of thoughts and emotions racing through you all throughout the day and night. In the morning, before you go to work or before the children go to school, everyone can sit down together and enjoy breathing for three sounds of the bell. That way you begin your day with peace and joy. It’s nice to sit there, to breathe, either on your own or with your family, and look at a meaningful object in your home or a tree outside your window and smile. This can become a regular practice, a reliable refuge right there in your house or apartment. It doesn’t take a long time, and it’s richly rewarding. It is a very beautiful practice, the practice of peace, presence, and harmony in the home. breathing room Dedicate a room or a portion of a room for meditation.
Thich Nhat Hanh (Silence: The Power of Quiet in a World Full of Noise)
Psalms 16 1 Preserve me, O God: for in thee do I put my trust. 2 O my soul, thou hast said unto the LORD, Thou art my Lord: my goodness extendeth not to thee; 3 But to the saints that are in the earth, and to the excellent, in whom is all my delight. 4 Their sorrows shall be multiplied that hasten after another god: their drink offerings of blood will I not offer, nor take up their names into my lips. 5 The LORD is the portion of mine inheritance and of my cup: thou maintainest my lot. 6 The lines are fallen unto me in pleasant places; yea, I have a goodly heritage. 7 I will bless the LORD, who hath given me counsel: my reins also instruct me in the night seasons. 8 I have set the LORD always before me: because he is at my right hand, I shall not be moved. 9 Therefore my heart is glad, and my glory rejoiceth: my flesh also shall rest in hope. 10 For thou wilt not leave my soul in hell; neither wilt thou suffer thine Holy One to see corruption. 11 Thou wilt shew me the path of life: in thy presence is fulness of joy; at thy right hand there are pleasures forevermore.
Simon Abram (The Psalms)
I cannot allow you to burn the candle at both ends, Emmaline,” St. Just scolded. “Either we find you some assistance in the kitchen, or we get you some more rest. You look exhausted, and Douglas agrees, so it’s a bona fide fact. I’m going to take Winnie out with me tomorrow morning, and you’re going to sleep in.” “Sleep in,” Emmie said, the way some women might have said “a dozen new bonnets” or “chocolate” or “twenty thousand a year.” “It isn’t a baking day tomorrow,” the earl went on. “Winnie has acquainted me with every detail of her schedule, and baking isn’t on for tomorrow. So you will rest?” “I will sleep in,” Emmie said as they reached her room and pushed her door open. He preceded her into the darkened chamber and lit several candles while she watched. “You will go directly to bed,” he admonished. “No languishing in the arms of Mr. Darcy or whatever it is you read to soothe you into slumber.” She listened to him lecturing as she drifted around the room in slow, random motion. “Emmie?” He set the candles down and frowned at her. “What is amiss?” “Nothing.” But her voice quavered just the least little bit as she sat on her bed. “I’m just tired. My thanks for a pleasant evening.” He went to the bed and paused, frowning down at her mightily. He let out a gusty exhalation, then drew her to feet and wrapped his arms around her. “We will both be relieved when your damned menses have arrived.” For an instant, she was stiff and resisting against him, but then she drew in a shuddery breath, nodded silently, and laid her cheek on his chest. He held her, stroking her hair with one hand, keeping her anchored to him with the other, and the warmth and solid strength of him left her feeling more tired but in some fashion relieved, as well. Winnie would thrive in his care. Thrive in ways Emmie could never have afforded. “There is no crime, Emmie, in seeking a little comfort betimes. Being grown up doesn’t mean we can’t need the occasional embrace or hand to hold.” She nodded again and let her arms steal around his waist. Slowly, she gave in to what he offered, letting him support more and more of her weight. His hand drifted from her hair to her back, and when he swept his palm over her shoulder blades in a slow, circular caress, she sighed and rubbed her cheek against him. She could have stood there all night, so peaceful and right did it feel to be in his arms. His scent was enveloping her, his body warming hers. “Thank you,” she said, mustering a smile when he stepped back. “And good night, good knight.” He must have comprehended her play on words, because he returned her smile, kissed her forehead and her cheek, and withdrew. She
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Good morning, Miss Farnum.” He bowed, finding himself tempted to return the smile. Well, a good night’s sleep was sure to improve a man’s spirits. “I trust you slept well?” “I did not.” She shook her head, her smile still in place. “It’s a baking day, and in summer one likes to get that done as early as possible. As late as I ran yesterday, I decided to simply get to work when I got home last night. I am almost done with my day’s work.” “You slept not at all? My apologies. Had I known how limited your time was last evening, I would not have detained you.” “You would, too,” she contradicted him pleasantly. “But you are here now, so you can give me your opinion. I am of the mind that you excel at rendering opinions.” The earl felt the corners of his mouth twitching. “I will make allowances for such a remark because you are overly tired and a mere female.” “You noticed. I’m impressed. Have a seat.” She gestured to a wrought iron table painted white, surrounded with padded wicker chairs, while the earl admitted to himself that, indeed, he had noticed, and was continuing to notice.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
THE CHARM OF THE STONES CONSECRATED TO DIANA To find a stone with a hole in it is a special sign of the favour of Diana, He who does so shall take it in his hand and repeat the following, having observed the ceremony as enjoined: — Scongiurazione della pietra bucata. Una pietra bucata U ho trovato; Ne ringrazio il destin, E k) spirito che su questa via Mi ha portata, Che passa essere il mio bene, E la mia buona fortuna! Mi alzo la mattina al alba, E a passegio me ne vo Nelle valli, monti e campi, La fortuna cercarvo Della ruta e la verbena, Quello so porta fortuna Me lo tengo in senno chiuso £ saperlo nessuno no le deve, £ cosi cio che commendo, " La verbena far ben per me ! Benedica quella strege! Quella fata che mi segna!" Diana fu quella Che mi venne la notte in sogno E mi disse : " Se tu voir tener Le cattive persone da te lontano, Devi tenere sempre ruta con te, Sempre ruta con te e verbena!" Diana, tu che siei la regina Del cielo e della terra e dell* inferno, E siei la prottetrice degli infelici, Dei ladri, degli assassini, e anche Di donne di mali afifari se hai conosciuto, Che non sia stato V indole cattivo Delle persone, tu Diana, Diana li hai fatti tutti felici! Una altra volta ti scongiuro Che tu non abbia ne pace ne bene, Tu possa essere sempre in mezzo alle pene^ Fino che la grazia che io ti chiedo Non mi farai! THE CHARM OF THE STONES Invocation to the Holy-Stone} I have found A holy-stone upon the ground. O Fate! I thank thee for the happy find, Also the spirit who upon this road Hath given it to me; And may it prove to be for my true good And my good fortune I I rise in the morning by the earliest dawn, And I go forth to walk through (pleasant) vales. All in the mountains or the meadows fair, Seeking for luck while onward still I roam, Seeking for rue and vervain scented sweet, Because they bring good fortune unto all. I keep them safely guarded in my bosom, That none may know it—'tis a secret thing. And sacred too, and thus I speak the spell: " O vervain ! ever be a benefit, And may thy blessing be upon the witch Or on the fairy who did give thee to me ! " It was Diana who did come to me, All in the night in a dream, and said to me: " If thou would'st keep all evil folk afar, Then ever keep the vervain and the rue Safely beside thee I" I hole ii . But such a slone is IS really a claim to the ARADIA Great Diana I thou Who art the queen of heaven and of earth, And of the inferna! lands—yea, thou who art Protectress of all men unfortunate, Of thieves and murderers, and c Who lead an evil life, and yet hast known That their nature was not evil, thou, Diana, Hast still conferred on them some joy in life.' Or I may truly at another time So conjure thee that thou shalt have no peace Or happiness, for thou shalt ever be In suffering until thou grantest that Which 1 require in strictest faith from thee! [Here
Charles Godfrey Leland (Aradia, Gospel of the Witches)
The bartender set down a bowl along with a napkin and utensils, then stood there awaiting her. He held the chair for her. Close up, she saw how big a guy he was—over six feet and broad-shouldered. “Miserable weather for your first night in Virgin River,” he said pleasantly. “Miss Melinda Monroe, this is Jack Sheridan. Jack, Miss Monroe.” Mel felt the urge to correct them—tell them it was Mrs. But she didn’t because she didn’t want to explain that there was no longer a Mr. Monroe, a Dr. Monroe in fact. So she said, “Pleased to meet you. Thank you,” she added, accepting the stew. “This is a beautiful place, when the weather cooperates,” he said. “I’m sure it is,” she muttered, not looking at him. “You should give it a day or two,” he suggested. She dipped her spoon into the stew and gave it a taste. He hovered near the table for a moment. Then she looked up at him and said in some surprise, “This is delicious.” “Squirrel,” he said. She choked. “Just kidding,” he said, grinning at her. “Beef. Corn fed.” “Forgive me if my sense of humor is a bit off,” she replied irritably. “It’s been a long and rather arduous day.” “Has it now?” he said. “Good thing I got the cork out of the Remy, then.
Robyn Carr (Virgin River (Virgin River #1))
His gaze locked with mine and a slow grin appeared on his face. He didn’t look like he had last night. More like he did every day at school. Worn jeans. A black henley instead of a T-shirt and beat-up sneakers, but goodness, I couldn’t think. Okay. Not true. I could think, but I was thinking things I really had no concept of. I was thinking about those full, slightly curved lips and how they must feel in places...other than my forehead or cheek. I was thinking about his hands and how strong they were and the oddly pleasant calluses on his palms. I was thinking about...about a lot of things—things that now didn’t feel so wrong since he was actually single. Noticing my near-prone position, Ainsley looked over her shoulder. “Oh, my good God almighty,” she murmured. “That’s him?” “Yes,” I whispered. That was so him.
Jennifer L. Armentrout (The Problem with Forever)
Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear; Perhaps 'twill cost a sigh, a tear; Then steal away, give little warning, Choose thine own time; Say not Good night, but in some brighter clime Bid me Good morning.
Adam Luke Gowans (The Hundred Best English Poems)
mouth rendered decorative by a shade of lipstick which was new to Ione. For the rest, a plain dark skirt and jumper. As the talk about the tea-table went on, Ione began to adjust herself. There was no fault to be found in Jacqueline Delauny’s manner. She was pleasant, with just the right amount to say for herself, and she really appeared to exercise a tactful influence upon Margot Trent. If it had not been for Allegra, sitting there like her own ghost with no more to say than an occasional yes or no to a question too direct to be ignored, Ione would have found it all agreeable enough. As it was, she possessed her soul in patience against the moment when they would be alone. Allegra could hardly avoid taking her to her room or going up with her when she went to bed. She did not realise until afterwards that she had used the word avoid — not in fact until she was herself alone in her bedroom after the last good-night had been said.
Patricia Wentworth (Ladies' Bane (The Miss Silver Mysteries Book 22))
I had a good time that night, too," Michael said, "but I kept thinking, This is forever. This is forever. You will have this good time again and again, a million times over, until it will be like a play in which you and Laura and a few fugitive lives sit around an imaginary fire and talk and sing songs and love each other and sometimes throw imaginary brands at the eyes blinking beyond the circle of imaginary firelight. And then I thought - and this is where I sounded just like a real philosopher - And even when you admit that you know every line in the play and every song that will be sung, even when you know that this evening spent with friends is pleasant and joyful because you remember it as pleasant and joyful and wouldn't change it for the world, even when you know that anything you feel for these good friends has no more reality than a dream faithfully remembered every night for a thousand years - even then it goes on. Even then it has just begun.
Peter S. Beagle (A Fine and Private Place)
The Mask,” Rhys murmured, “the Harp, and the Crown.” Nesta had a feeling none of them were good. Feyre frowned at her mate. “They’re different from the objects of power in the Hewn City? What can they do?” Nesta had tried her best to forget that night she and Amren had gone to test her so-called gift against the hoard within those unhallowed catacombs. The objects had been half-imprisoned in the stone itself: knives and necklaces and orbs and books, all shimmering with power. None of it pleasant. For the Dread Trove to be worse than what she’d witnessed … “The Mask can raise the dead,” Amren answered for Rhys. “It is a death mask, molded from the face of a long-forgotten king. Wear it and you may summon the dead to you, command them to march at your will. The Harp can open any door, physical or otherwise. Some say between worlds. And the Crown …” Amren shook her head. “The Crown can influence anyone, even piercing through the mightiest of mental shields. Its only flaw is that it requires close physical proximity to initially sink its claws into a victim’s mind. But wear the Crown, and you could make your enemies do your bidding. Could make a parent slaughter their child, aware of the horror but unable to stop themselves.” “And these things were lost?” Nesta demanded. Rhys threw her a frown. “Those who possessed them grew careless. They were lost in ancient wars, or to treachery, or simply because they were misplaced and forgotten.” “What does it have to do with the Cauldron?” Nesta pushed. “Like calls to like,” Feyre murmured, looking to Amren, who nodded. “Because the Trove was Made by the Cauldron, so might the Trove find its Maker.” She angled her head. “Briallyn was Made, though. Can’t she track the Cauldron herself?” Amren drummed her fingers on the arm of her chair. “The Cauldron aged Briallyn to punish her.” A glance at Nesta. “Or punish you, I suppose.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
the middle-aged woman following him. Catherine backed off with a pleasant “Good night, Mr. Mayes.” She received no reply. — Andy and Catherine found each other in the crazed lights of the crime scene a minute later. Andy wore an expression of frustration. “I didn’t get a thing out of her.” Catherine smiled, satisfied. “I struck out, too, but I
Mark Greaney (Back Blast (Gray Man, #5))
If I'm going to do this, I want to do it well. And I want people to acknowledge that. "It's all just a distraction," says the voice one night. It catches me off guard. I'd almost forgotten the voice. Is it speaking the truth? Is this all just a distraction? A pleasant diversion before the gruesome finale, what they call in opera the "Grand Guignol"? Just a distraction. But a good one.
Barry Lyga (Bang)
One gusty cold night Johnny was walking home from Fergie’s house. At the start of the walk he was in a pretty good mood, because he had beaten Fergie in three straight games of chess. But as he walked on, he found that he was getting jittery. It was so windy that a few dead branches came clattering down near Johnny, and sometimes a very strong gust would knock over a garbage can in an alley. The endless moaning in the trees was not very pleasant either. By the time he got to the end of Fillmore Street, Johnny was jumping at every sound that he heard. He glanced ahead and saw the windows glowing in his grandparents’ house, and—as always —this sight made him feel good. He started walking faster, but he came to a sudden halt when he heard a scraping noise off to his right. Something was moving toward him.
John Bellairs (The Revenge of the Wizard's Ghost (Johnny Dixon, #4))
ANNA LÆTITIA BARBAULD. 3. Life. Animula, vagula, blandula. Life! I know not what thou art, But know that thou and I must part; And when, or how, or where we met, I own to me's a secret yet. But this I know, when thou art fled, Where'er they lay these limbs, this head, No clod so valueless shall be, As all that then remains of me. O whither, whither dost thou fly, Where bend unseen thy trackless course, And in this strange divorce, Ah tell where I must seek this compound I? To the vast ocean of empyreal flame, From whence thy essence came, Dost thou thy flight pursue, when freed From matter's base encumbering weed? Or dost thou, hid from sight, Wait, like some spell-bound knight, Through blank oblivious years the appointed hour, To break thy trance and reassume thy power? Yet canst thou without thought or feeling be? O say what art thou, when no more thou'rt thee? Life! we've been long together, Through pleasant and through cloudy weather; 'Tis hard to part when friends are dear; Perhaps 'twill cost a sigh, a tear; Then steal away, give little warning, Choose thine own time; Say not Good night, but in some brighter clime Bid me Good morning. 1825 Edition.
Adam Luke Gowans (The Hundred Best English Poems)
Postman points out that, “we are urged by newscasters to ‘join them tomorrow.’ What for? One would think that several minutes of murder and mayhem would suffice as material for a month of sleepless nights. We accept the newscaster’s invitation because we know that the ‘news’ is not to be taken seriously, that it is all in fun, so to say. Everything about a news show tells us this — the good looks and amiability of the cast, their pleasant banter, the exciting music that opens and closes the show, the vivid film footage, the attractive commercials — all these and more suggest that what we have just seen is no cause for weeping.”66
Mark Dice (The True Story of Fake News: How Mainstream Media Manipulates Millions)