Plaques With Family Quotes

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Mr. Buckley, let me explain it this way. And I'll do so very carefully and slowly so that even you will understand it. If I was the sheriff, I would not have arrested him. If I was on the grand jury, I would not have indicted him. If I was the judge, I would not try him. If I was the D.A., I would not prosecute him. If I was on the trial jury, I would vote to give him a key to the city, a plaque to hang on his wall, and I would send him home to his family. And, Mr. Buckley, if my daughter is ever raped, I hope I have the guts to do what he did.
John Grisham (A Time to Kill (Jake Brigance, #1))
Although I was an imaginative child, prone to nightmares, I had persuaded my parents to take me to Madame Tussauds waxworks in London, when I was six, because I had wanted to visit the Chamber of Horrors, expecting the movie-monster Chambers of Horrors I'd read about in my comics. I had wanted to thrill to waxworks of Dracula and Frankenstein's Monster and the Wolf-man. Instead I was walked through a seemingly endless sequence of dioramas of unremarkable, glum-looking men and women who had murdered people - usually lodgers and members of their own families - and who were then murdered in turn: by handing, by the electric chair, in gas chambers. Most of them were depicted with their victims in awkward social situations - seated about a dinner table, perhaps, as their poisoned family members expired. The plaques that explained who they were also told me that the majority of them had murdered their families and sold the bodies to anatomy. It was then that the word anatomy garnered its own edge of horror for me. I did not know what anatomy was. I knew only that anatomy made people kill their children.
Neil Gaiman (The Ocean at the End of the Lane)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Preserved Children This recipe was on a plaque hanging in a friend’s kitchen. You will need: one half dozen small children one large field one sunny day 2-3 small dogs Mix the children and the dogs together. Dot them over the large field and stir in the sunny day. Sprinkle the field with flowers. Spread with a clear blue sky. Bake in the sun until brown.
Kathleen Valentine (Fry Bacon. Add Onions: The Valentine Family & Friends Cookbook)
Which brings me to one more thing about the Sheridan FCI [prison]. After you make it through the metal detector, you re stamped on the flesh above your right thumb with ink visible only in the black light of the prison checkpoints. Then you wait in a holding area like a farm animal before the next set of computer-locked double doors, and in this space, there are two things: a plaque celebrating the FCI Employee of the Month, and a full-length mirror with the message This is the image you will present today. Redressing, I always wondered whether this prop with its quasi motivational message was intended for us, the visitors of felons, or for would-be employees of the month. Perhaps both.
Jill Christman (Darkroom: A Family Exposure)
We visit the Launch Control building, where on one wall of the seventies-style lobby are hung the mission patches of every human spaceflight that has ever been launched from here, 149 to date. Beneath each mission patch is a small plaque showing the launch and landing dates. Two of them—Challenger’s STS-51L and Columbia’s STS-107—are missing landing dates, because both of these missions ended in disasters that destroyed the orbiters and killed their crews. The blank spaces on the wall where those landing dates should have been are discolored from the touch of people’s hands. This would be unremarkable if this place were a tourist attraction, or regularly open to the public. But with the rare exception of Family Days, this building is open only to people who work here. In other words, it’s launch controllers, managers, and engineers who have been touching these empty spaces with their hands, on their way to and from doing their jobs. After
Margaret Lazarus Dean (Leaving Orbit: Notes from the Last Days of American Spaceflight)
We saw displays of medals, plaques, and monuments—rewards for those who’d spied and reported on their families. Even their files were preserved, row after row of floor-to-ceiling shelves filled with personal information on the citizens of the German Democratic Republic. I touched some of the files, aware that each contained the private secrets of real people whose lives may have been ruined by this invasion of their privacy, or simply by knowing it was a parent or child or sibling who’d betrayed them. It was chilling to imagine living in such a state.
James R. Clapper (Facts and Fears: Hard Truths from a Life in Intelligence)
Ambulances Closed like confessionals, they thread Loud noons of cities, giving back None of the glances they absorb. Light glossy grey, arms on a plaque, They come to rest at any kerb: All streets in time are visited. Then children strewn on steps or road, Or women coming from the shops Past smells of different dinners, see A wild white face that overtops Red stretcher-blankets momently As it is carried in and stowed, And sense the solving emptiness That lies just under all we do, And for a second get it whole, So permanent and blank and true. The fastened doors recede. Poor soul, They whisper at their own distress; For borne away in deadened air May go the sudden shut of loss Round something nearly at an end, And what cohered in it across The years, the unique random blend Of families and fashions, there At last begin to loosen. Far From the exchange of love to lie Unreachable inside a room The trafic parts to let go by Brings closer what is left to come, And dulls to distance all we are.
Philip Larkin
And it is not enough that Zionists control America. They have to reshape it to suitthemselves. Virtually every recent case that involves the removal of Christian symbols from society is brought and/or prosecuted by a Jew, usually with a Jewish judge presiding. For the sake of the feelings of 2.5 percent, all the rest of us must yield our cultural heritage. Removing “under God” from the Pledge of Allegiance. Taking down plaques of the Ten Commandments. Removing crosses from public venues. Taking Christ out of Christmas, first, then Christmas out of the year-end holidays altogether. Hate laws are singularly Jewish inventions being foisted upon an unsuspecting public, so as to preemptively remove the possibility of criticism of themselves. Often written by the ADL, the organization that lobbies for their adoption, state by state, the laws are designed to stifle dissent and free speech. Even now, the ADL seeks to broaden their sweep to include Holocaust Revisionism, as has occurred in Canada and most of Europe, where people sit in jail for publicly stating true facts about the so-called Holocaust that Jews simply do not want publicized. Now, anti-Semitism is being added to the proscriptions of hate laws in America. It has been forgotten that the first thing the communists did after seizing power in Russia was to make anti-Semitism punishable by death. Before they were done, the Russian Jews ended up killing over 20 million white Christians, don’t forget. American borders are kept wide open to a flood of illegal immigrants, purposely, apparently to dilute the population, thereby making us more easily controlled. Yet, there is a furious struggle to jail those who criticize Jews. Contrast this policy imposed upon America with the extremely closed society of Israel, which is reserved solely for Jews. And consider the money that Israel has cost us, facilitated by their Jewish brethren. It is nothing short of breathtaking. Economist Dr. Thomas R. Stauf-fer estimates the cost of our Middle Eastern policies at over $2.5 trillion, more than the cost of the Vietnam War. Two and a half trillion dollars. Boggles the mind, doesn’t it? Let’s see now, America has a population of 290 million and about 80 million households, so that amounts to $31,250 from your family to Israel.And that doesn’t include some other items which easily could double that figure, says Dr. Stauffer. That brings us to the $64,000 question, which is approximately double the $31,250 figure just cited: Is Israel worth it to you? Or could your family have put that $62,500 taken from it to better use? What is particularly ironic is how much of that money came back from Israel for the purpose of buying off America’s elected representatives.
Edgar J. Steele
In Vietnam today there is a My Lai Museum. Hersh visited it in early 2015 for The New Yorker and noted the names and ages of the victims listed on a marble plaque. The count of the dead is no longer in dispute: a total of 504 people from 247 families; 24 families lost everyone—three generations, no survivors. Included in the 504 were 60 elderly men, and 282 women (17 of whom were pregnant). A total of 173 children were killed; 53 were infants.
Bob Woodward (The Last of the President's Men)
It wasn’t until the music came to a complete halt, and out on the dance floor a couple of the waitresses came carrying a black plaque with Amir written on it and right behind a massive bottle of champagne. Everyone around the table was dancing and completely oblivious to the extravaganza taking place in front of them. One of the waiters popped the bottle open and started to pour glasses for everyone. Tara took one but she felt a little guilty. The black plaque with Amir’s name eerily reminded her of the same black plaque they carry at funerals in Iran. It reminded her of her grandfather’s passing. They carry the card to ensure all family members see you in the chaos that is the cemetery. And here, she thought to herself, how different can one world be for two groups? One group frolic around, draped in luxury to celebrate life and the other, wail in black, to mourn death.
Soroosh Shahrivar (Tajrish)
quarter that has followed his death, his birthdate has been commemorated as January 11, 1815—as in the joyous celebratory dinner staged each year in Kingston, Ontario, for example, and in the inscriptions on all the plaques and statues that honour him. But this particular day may be a mistake. The January 11 date is taken from the entry for his birth made by his father, Hugh Macdonald, in his memorandum book. The entry recorded in the General Register Office in Edinburgh, though, is January 10.*1 Similarly, precision about where specifically Macdonald was born, while a matter of lesser consequence, is as difficult to determine. The delivery may have taken place at 29 Ingram Street in Glasgow or, not far away, at 18 Brunswick Street, both on the south side of the Clyde River, because the family moved between these locations around the time of his birth. To pick at a last unknowable nit, Macdonald’s father recorded the moment of birth as 4:15, without specifying afternoon or early morning.
Richard Gwyn (John A: The Man Who Made Us)
For years, we knew the double-storey at the bottom of Albermarle Street as the Gandhi House. In the decade before the Great War, we'd been told, Gandhi lived here with his family. Now the house has lost its claim on history 9but not its plaque from the National Monuments Council). An enterprising researcher, with nothing to gain by his unmasking except the truth, has shown that Gandhi did not live here after all, but up the road at No. 11. One of Gandhi's descendants, who visited the house as a child, has provided confirmation. The people at No. 11 should have that plaque moved to their wall. Both the Gandhi Houses, the true and the false, are double-storeys set on a promontory between two thoroughfares, but the attitudes of the streets could not differ more. Hillier and Albermarle Streets approach the impostor rather Kindly, cupping it in leafy palms, whereas Albermarle and Johannes grip the genuine article like an egg in a nutcracker. No. 11 has a handsome corrugated-iron roof and a wide, shady balcony. I recall an orante wrought-iron finial, the ECG of a Victorian heartbeat, dancing along the roof ridge, but it must have been removed by the renovators. I cannot remember ever seeing a person on the balcony, perfectly suited though it is to reading the paper or chatting over sundowners, but for a few years there were shop-window mannequins leaning on the parapet. Perhaps they were scarecrows for thieves? At night, with the lighted windows behind them, they always deceived the eye. Something in the atmosphere, a bit of lace around the neck, a reddish tinge of the light from the doorway, made them look like whores. Apparently, the Mahatma used to take his rest on the balcony on summer nights. It is easy to picture him there with sleep in his eyes, buffing his little round glasses on the hem of a bed sheet.
Ivan Vladislavić (Portrait with Keys: The City of Johannesburg Unlocked)
In my study, next to my desk, is a locked bookcase that contains a collection of volumes I value more than any of the hundreds of other books that fill a multitude of shelves in our home. Of these precious publications, the most prized and well-guarded is a slim first edition of 104 pages, simply titled Jungle Stories by Jim Corbett. The cover is of plain brown paper, with no illustrations or colouring. This thin little book was privately printed by Corbett, for family and friends, at the London Press in Nainital in 1935. Only a hundred copies were produced, of which very few remain. My copy came to me through my parents. They were given it by friends, who had once been Corbett’s neighbours in Nainital. By the time I received it, the book had been covered with a protective sleeve of clear plastic. The title page is signed by Jim Corbett, in a neat, fastidious hand. Several years after Jungle Stories was published, Lord Linlithgow, Viceroy of India from 1936-43, requested a copy. He had met Corbett, who assisted in organizing viceregal shoots in the terai and was already regarded as a legendary shikari and raconteur. After reading the book, Linlithgow recommended that it be published by the Oxford University Press in Bombay. Jungle Stories is, essentially, the first draft of Man-eaters of Kumaon. Several of the chapters are identical, including stories of ‘The Pipal Pani Tiger’ and ‘The Chowgarh Tigers’, as well as an angling interlude, ‘The Fish of My Dreams.’ Corbett expanded this book into its present form by adding six more tales, including an account of the first man-eater he killed in 1907, near Champawat. This tigress was responsible for the deaths of 436 victims and her destruction helped cement Corbett’s reputation as a hunter. In recognition of his success, Sir J. P. Hewett, Lieutenant Governor of the United Provinces, presented him with a .275 Rigby-Mauser rifle. An engraved citation on a silver plaque was fixed to the stock. Corbett later bequeathed this weapon to the Oxford University Press, who sent it to their head offices in England. Eventually, the gun was confiscated by the police in Oxford because the publishers didn’t have a licence. For a number of years, John Rigby & Co., gunsmiths, displayed the rifle at their showroom in London, along with a copy of Jungle Stories. In February 2016, Corbett’s rifle was purchased at auction by an American hunter for $250,000. Following this, the rifle was brought to India for a week and briefly displayed at Corbett Tiger Reserve, as part of a promotional event. The editor at OUP, who shepherded Man-eaters of Kumaon to publication, was R. E. ‘Hawk’ Hawkins, himself a legend, who contributed greatly to India’s canon of nature writing. In his introduction to a collection of Corbett’s stories, Hawkins describes how this book came into his hands:
Jim Corbett (Man-eaters of Kumaon)