Planting Saplings Quotes

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Always in life an idea starts small, it is only a sapling idea, but the vines will come and they will try to choke your idea so it cannot grow, and it will die and you will never know you had a big idea, an idea so big it could have grown thirty meters through the dark canopy of leaves and touched the face of the sky. The vines are people who are afraid of originality, of new thinking. Most people you encounter will be vines; when you are a young plant they are very dangerous. Always listen to yourself, Peekay. It is better to be wrong than simply to follow convention. If you are wrong, no matter, you have learned something and you grow stronger. If you are right, you have taken another step toward a fulfilling life.
Bryce Courtenay (The Power of One (The Power of One, #1))
If you’re holding a sapling in your hand when the Messiah arrives, first plant the sapling and then go out and greet the Messiah.
Richard Powers (The Overstory)
The dream in your heart may be bigger than the environment in which you find yourself. Sometimes you have to get out of that environment to see that dream fulfilled. It’s like planting an oak sapling in a pot. Once it becomes rootbound, its growth is limited. It needs a great space to become a mighty oak. So do you.
Darren Hardy (The Compound Effect)
It is not hard to start a small garden, all you need is a sapling, a planting pot, a small bag of soil, and regular watering. There you go, you helped cooling the earth down by one plant.
Noora Ahmed Alsuwaidi
In India, the sapling was planted by the nation’s founders, who lived long enough (and worked hard enough) to nurture it to adulthood. Those who came afterwards could disturb and degrade the tree of democracy but, try as they might, could not uproot or destroy it.
Ramachandra Guha (India After Gandhi: The History of the World's Largest Democracy)
Can you plant a sapling and expect it to grow into a tree overnight? You have to water it, nurture it, give it sunlight, rain, and manure, and then slowly, it will grow.
Anand Neelakantan (Ajaya: Roll of the Dice (Epic of the Kaurava Clan #1))
In a room as big as loneliness my heart which is as big as love looks at the simple pretexts of its happiness at the beautiful decay of flowers in the vase at the sapling you planted in our garden and the song of canaries which sing to the size of a window. from “Another Birth (Tavalodi Digar in Farsi)
Forugh Farrokhzad (Sin: Selected Poems of Forugh Farrokhzad)
In a room as big as loneliness my heart which is as big as love looks at the simple pretexts of its happiness at the beautiful decay of flowers in the vase at the saplings you planted in our garden and the song of canaries which sing to the size of a window. Ah…this is my lot this is my lot my lot is a sky that is taken away at the drop of a curtain my lot is going down a flight of disused stairs to regain something amid putrefaction and nostalgia my lot is a sad promenade in the garden of memories and dying in the grief of a voice which tells me I love your hands.
Forugh Farrokhzad
So whoever planted that tree, they must have known that they were going to have to wait years-decades-before they could sit under it and enjoy its shade. Maybe they never got to. Maybe they planted it, hoping that their kids or their grandkids, or even complete strangers, generations away, would be able to sit under the boughs of that tree and that maybe someone would spare a moment of gratitude for the person who had the foresight to plant a little sapling in the first place.
Marissa Meyer (Archenemies (Renegades, #2))
prior to our encounter i was a peace lily planted in the desert under attack by the sun
Kelsey Webb (Sapling: The Beginner's Guide to the Art of Modern Poetry)
Lilies of the field did not threaten to uproot themselves if they didn't like where they were planted. On the slopes of the mountains, saplings struggled to grow in the shallowest puddles of soil that collected on bald rocks. Along the side of the valley's single road, chicory and yellow trefoil had learned to thrive in waste spaces, where passing cars blew exhaust against them all day long. Like Olivia, they had no say over where their seeds took hold: When they could not change their surroundings, they themselves had to change.
Lisa Van Allen (The Night Garden)
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
Henry David Thoreau (The Journal, 1837-1861)
He had heard especially promising things about Philadelphia--the lively capital of that young nation. It was said to be a city with a good-enough shipping port, central to the eastern coast of the country, filled with pragmatic Quakers, pharmacists, and hardworking farmers. It was rumored to be a place without haughty aristocrats (unlike Boston), and without pleasure-fearing puritans (unlike Connecticut), and without troublesome self-minted feudal princes (unlike Virginia). The city had been founded on the sound principles of religious tolerance, a free press, and good landscaping, by William Penn--a man who grew tree saplings in bathtubs, and who had imagined his metropolis as a great nursery of both plants and ideas. Everyone was welcome in Philadelphia, absolutely everyone--except, of course, the Jews. Hearing all this, Henry suspected Philadelphia to be a vast landscape of unrealized profits, and he aimed to turn the place to his advantage.
Elizabeth Gilbert (The Signature of All Things)
The city had been founded on the sound principles of religious tolerance, a free press, and good landscaping, by William Penn—a man who grew tree saplings in bathtubs, and who had imagined his metropolis as a great nursery of both plants and ideas.
Elizabeth Gilbert (The Signature of All Things)
Having intelligence without conscience is like owning a field that you never cultivate. Having intelligence without courage is like having saplings and not planting them. Having courage without humanity is like knowing how to harvest without sowing.
Sun Tzu (Art of War)
Wobbyks have a saying, 'Grow tall as a sapling, not tall as a weed. One is watered, the other cut down.' It means that you can set yourself greater than others, but only if you're a tree that gives shade. Not if you're a useless plant that must be cut down.
Katherine Applegate (The Only (Endling, #3))
Age, that brings a dwindling to most forms of life, is at its most majestic in the trees. I have seen living olives that were planted when Caesar was in Gaul. I remember, in Illinois woods, a burr oak which was bent over as a sapling a hundred years ago, to mark an Indian portage trail, and the thews in that flexed bough were still in the prime of life. Compared to that, the strongest human sinew is feeble and quick to decay. Yet structure in both cases is cellular; life in both is protoplasmic. A tree drinks water as I do, and breathes oxygen. There is the difference that it exhales more oxygen than it consumes, so that it sweetens the air where it grows. It lays the dust and tempers the wind. Even when it is felled, it but enters on a new kind of life. Sawn and seasoned and finished, it lays bare the hidden beauty of its heart, in figures and grains more lovely than the most premeditated design. It is stronger, now, than it was in the living tree, and may bear great strains and take many shapes.
Donald Culross Peattie (American Heartwood)
Nancy was very good at growing most things except for children. We never grew fast enough, or tall enough, or pretty enough, in her opinion. So she planted seeds of fear as well as doubt all around this house and throughout our childhoods, little saplings rising up through the floorboards, creeping in through the cracks, to remind us what a disappointing crop we were.
Alice Feeney (Daisy Darker)
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
I walked across the snowy plain of the Tiergarten - a smashed statue here, a newly planted sapling there; the Brandenburger Tor, with its red flag flapping against the blue winter sky; and on the horizon, the great ribs of a gutted railway station, like the skeleton of a whale. In the morning light it was all as raw and frank as the voice of history which tells you not to fool yourself; this can happen to any city, to anyone, to you.
Christopher Isherwood (Down There on a Visit)
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
Richard Powers (The Overstory)
I walked out this evening to the bottom of the garden and smoked a cigarette. Last week I planted an acer in the furthest bed from the house, in honour of our new baby. The sapling is as tall as me and, by all accounts, it can grow forty feet tall. So, in thirty year's time, if we're still here I can come back and see this tree in its maturity. But the thought depresses me: in thirty years' time I'll be in my mid-sixties and I realize that these forward projections that you make, so unreflectingly, in your life are beginning to run out. Suppose I'd said in forty years' time? That would be pushing it, Fifty? I'll probably be gone by then. Sixty? Dead and buried, for sure. Thank Christ I didn't plant an oak. Is that a good definition of of marking the ageing watershed? That moment when you realize-quite rationally, quite unemotionally-that the world in the not-so-distant future will not contain you: that the trees you planted will continue growing but you will not be there to see them.
William Boyd (Any Human Heart)
Scene I. A little dark Parlour in Boston: Guards standing at the door. Hazlerod, Crusty Crowbar, Simple Sapling, Hateall, and Hector Mushroom. Simple. I know not what to think of these sad times, The people arm'd,—and all resolv'd to die Ere they'll submit.—— Crusty Crowbar. I too am almost sick of the parade Of honours purchas'd at the price of peace. Simple. Fond as I am of greatness and her charms, Elate with prospects of my rising name, Push'd into place,—a place I ne'er expected, My bounding heart leapt in my feeble breast. And ecstasies entranc'd my slender brain.— But yet, ere this I hop'd more solid gains, As my low purse demands a quick supply.— Poor Sylvia weeps,—and urges my return To rural peace and humble happiness, As my ambition beggars all her babes. Crusty. When first I listed in the desp'rate cause, And blindly swore obedience to his will, So wise, so just, so good I thought Rapatio, That if salvation rested on his word I'd pin my faith, and risk my hopes thereon. Hazlerod. Any why not now?—What staggers thy belief? Crusty. Himself—his perfidy appears— It is too plain he has betray'd his country; And we're the wretched tools by him mark'd out To seal its ruins—tear up the ancient forms, And every vestige treacherously destroy, Nor leave a trait of freedom in the land. Nor did I think hard fate wou'd call me up From drudging o'er my acres, Treading the glade, and sweating at the plough, To dangle at the tables of the great; At bowls and cards to spend my frozen years; To sell my friends, my country, and my conscience; Profane the sacred sabbaths of my God; Scorn'd by the very men who want my aid To spread distress o'er this devoted people. Hazlerod. Pho—what misgivings—why these idle qualms, This shrinking backwards at the bugbear conscience; In early life I heard the phantom nam'd, And the grave sages prate of moral sense Presiding in the bosom of the just; Or planting thongs about the guilty heart. Bound by these shackles, long my lab'ring mind, Obscurely trod the lower walks of life, In hopes by honesty my bread to gain; But neither commerce, or my conjuring rods, Nor yet mechanics, or new fangled drills, Or all the iron-monger's curious arts, Gave me a competence of shining ore, Or gratify'd my itching palm for more; Till I dismiss'd the bold intruding guest, And banish'd conscience from my wounded breast. Crusty. Happy expedient!—Could I gain the art, Then balmy sleep might sooth my waking lids, And rest once more refresh my weary soul.
Mercy Otis Warren (The Group A Farce)
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
Becky Chambers (To Be Taught, If Fortunate)
But the creator of things,------1890 nature herself, was the first example of sowing seed and the start of grafting, for berries and acorns fell down from trees and, in due season, produced underneath a crowd of seedlings. Then from nature, too, they got the idea of setting young shoots into branches and planting new saplings in the ground through all their fields. After that, they kept trying various ways of tilling pleasant fields and saw that with tender care------1900 and gentle cultivation earth would tame wild fruits. Day by day, men forced the forests to move further up the mountains, yielding------[1370] lower parts to farming, so they could have meadows, lakes, streams, grain fields, and rich vineyards on hills and plains, and dark bands of olives could run between, marking the divisions, spreading over hillocks, plains, and valleys, just as you now see all land divided with various fine things—men make it shine------1910 by arranging sweet orchard trees in rows, and, with fertile shrubs planted all around, keep them fenced in.
Lucretius (On the Nature of Things)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
Well, Mr Markham, you that maintain that a boy should not be shielded from evil, but sent out to battle against it, alone and unassisted - not taught to avoid the snares of life, but boldly to rush into them, or over them, as he may - to seek danger rather than shun it, and feed his virtue by temptation - would you-' 'I beg your pardon, Mrs Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; and if you were to rear an oak sapling in a hot-house, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered form the shock of the tempest.' 'Granted; but would you use the same arguments with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be, either, that you think she is essentially so vicious, or so feeble-minded that she cannot withstand temptation - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin, is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, it is only further developed-' 'Heaven forbid that I should think so!' I interrupted her at last. 'Well then, it must be that you think they are both weak and prone to err, and the slightest error, the nearest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others.
Anne Brontë
saw nothing finer or more moving in Russia than Tolstoy’s grave. That illustrious place of pilgrimage lies out of the way, alone in the middle of the woods. A narrow footpath leads to the mound, nothing but a rectangle of soil raised above ground level, with no one guarding or keeping watch on it, only two huge trees casting their shade. Leo Tolstoy planted those trees himself, so his granddaughter told me beside his grave. When he and his brother Nikolai were boys, they had heard one of the village women say that a place where you planted trees would be a happy one. So they planted two saplings, partly as a kind of game. Only later did the old man remember that promise of happiness, and then he expressed a wish to be buried under the trees he had planted. And his wish was carried out. In its heart-rending simplicity, his grave is the most impressive place of burial in the world. Just a small rectangular mound in the woods with trees overhead, no cross, no tombstone, no inscription. The great man who suffered more than anyone from his own famous name and reputation lies buried there, nameless, like a vagabond who happened to be found nearby or an unknown soldier. No one is forbidden to visit his last resting place; the flimsy wooden fence around it is not kept locked. Nothing guards that restless man’s final rest but human respect for him. While curious sightseers usually throng around the magnificence of a tomb, the compelling simplicity of this place banishes any desire to gape. The wind rushes like the word of God over the nameless grave, and no other voice is heard. You could pass the place without knowing any more than that someone is buried here, a Russian lying in Russian earth. Napoleon’s tomb beneath the marble dome of Les Invalides, Goethe’s in the grand-ducal vault at Weimar, the tombs in Westminster Abbey are none of them as moving as this silent and movingly anonymous grave somewhere in the woods, with only the wind whispering around it, uttering no word or message of its own.
Stefan Zweig (The World of Yesterday: Memoirs of a European)
Step 3: Roof Outline Now you can do an outline of birch wood stairs on top of the pillars along the blue line in the picture. Step 4: Jungle Tree Plant four jungle tree saplings on the ground right in the middle of the pillars. Place one on each X in the picture. Instantly grow the jungle tree with bone meal.
Johan Lööf (Minecraft House Ideas & Awesome Structures (Resource Lists, Step-By-Step Blueprints, Descriptions & Pictures))
I was thinking the same thing. I . . . can't believe it. The mobs made this forest? A skeleton was holding a shovel. A zombie was holding a sapling. But . . . they're mobs! Not villagers! Not Earth kids! Not noobs, or warriors, or even iron golems, who often hold flowers the same way that zombie was holding that baby tree—so delicately, with the utmost care. That zombie probably didn't want to damage the Sapling's roots, which meant he probably had a respectable Farming score. Mobs!! With Farming scores?!?! Mobs that know how to farm?! How can they . . . how did they . . . they've been planting trees?! How?! How is that even possible?! What, they've got Farming classes over there in Mob City, do they?! I mean, I assumed this forest would be crawling with them, but to think that they actually created— Boom. Boom.
Cube Kid (Diary of a Wimpy Villager #7 (An Unofficial Minecraft book))
Imagine that you have a big juicy golden yellow mango. You’re just about to bite into it when a thought of its origin crosses your mind. Some wonderful farmer, many years ago planted a seed. Like rearing a tiny baby, the farmer tended to his mango saplings with love and care. He used the right kind of soil, a large quantity of water, the best of fertilizers and perfect sunlight. His joy knew no bounds as he watched the seed transform first into a tender green sapling and then into a tree. He protected it like his own baby. A few years later, the tree started flowering and bore small raw mangoes. With the passage of time, the mangoes turned ripe and golden. Then, with gentle wrinkled hands the farmer plucked the mangoes, laid them softly over the basket and carried them to town. From the village to the town, from the farmer to the shopkeeper, traversing through unknown destinations over thousands of miles the mango finally reached your super-store. The love and the labour of so many individuals along with total support from the eco-system have all come together to give birth to this lovely mango. You spotted it the next day, paid for it and now it rests in your hands. As you sink your teeth and bite the mango, you realize that you are lucky to taste the loveliest and juiciest of mangoes. Just like the mango, everything in life is a culmination of the efforts, love and contribution of many people. Can you ever put a price on the many elements which have gone into the divine creation of the mango? You have taken it so much for granted that you don’t realize how expensive it will be to produce even a single mango. And you got it so cheap. How much will you cherish when you bite a mango and know that its worth is hundreds of thousand rupees. And this is the same with everything that we buy or use. Next time when you get dressed, wear your watch, grab your mobile phone or travel by car, realize that their essential value is worth a million dollars. Not only will you be able to enjoy all those to the fullest, but also you will stop complaining about the high cost.
Suresh Padmanabhan (I Love Money)
deprive not yourselves thereof. Ye are the letters of the words, and the words of the Book. Ye are the saplings which the hand of Loving-kindness hath planted in the soil of mercy, and which the showers of bounty have made to flourish…. Now is the time for you to put forth your leaves, and yield your fruit. The fruits of the tree of man have ever been and are goodly deeds and a praiseworthy character.”5
Druzelle Cederquist (The Story of Bahaullah: Promised One of All Religions)
You have planted the new sapling under the shadow of your past. And then you complain that it's not growing. How will it grow without proper sunlight?
Shunya
Winning is not important. Participating and, more importantly, competing by giving your best is important. You toil hard to dig the ground to plant a sapling, to nurture it by watering it regularly, protecting it from harm’s way and then one day, it bears fruits. Some sweet, some of it sour. Results are like those fruits. The important thing is the ability to grow a tree with immense patience, unbridled hard work, and die-hard commitment.
Udayakumar D.S. (Life of a Sunset Kid)
Giants in Jeans Sonnet 64 Let us be oblivious to security and comfort, In our pursuit and practice of humanity. Let us be oblivious to personal happiness, In our endeavors into the impossibility. Let us throw all fear and anxiety overboard, For the dreams that’ll determine our destiny. Let us trample every foul desire for luxury, And treat the hard problem of inhumanity. Let us pay no heed to gain and pain, In our course of constructing a whole society. Let us not sit around praying for a messiah, And stand up ourselves to carry out that duty. Let others be oblivious to humanity if they want. Even if it's doomsday, sapling of service we'll plant.
Abhijit Naskar (Giants in Jeans: 100 Sonnets of United Earth)
If you want to practice theatre or any form of art, then go an sow a seed, plant a sapling, grow a tree. Then, go back after a decade and search for that life. If you don't find it, you will find a reason to practice art.
Niloy Roy
Independently of their market price in dollars and cents, the trees have other values: they are connected in many ways with the civilization of a country; they have their importance in an intellectual and in a moral sense. After the first rude stage of progress is past in a new country—when shelter and food have been provided—people begin to collect the conveniences and pleasures of a permanent home about their dwellings, and then the farmer generally sets out a few trees before his door. This is very desirable, but it is only the first step in the track; something more is needed; the preservation of fine trees, already standing, marks a farther progress, and this point we have not yet reached. It frequently happens that the same man who yesterday planted some half dozen branchless saplings before his door, will to-day cut down a noble elm, or oak, only a few rods from his house, an object which was in itself a hundred-fold more beautiful than any other in his possession. In very truth, a fine tree near a house is a much greater embellishment than the thickest coat of paint that could be put on its walls, or a whole row of wooden columns to adorn its front; nay, a large shady tree in a door-yard is much more desirable than the most expensive mahogany and velvet sofa in the parlor.
Kathryn Aalto (Writing Wild: Women Poets, Ramblers, and Mavericks Who Shape How We See the Natural World)
If you want to practice theatre or any form of art, then go and sow a seed, plant a sapling, grow a tree. Then, go back after a decade and search for that life. If you don't find it, you will find a reason to practice art.
Niloy Roy
The largest banyan tree in the United States is in Lahaina, Hawaii. It was planted in 1837 as an eight-foot sapling and is now sixty feet tall with sixteen major trunks and a canopy circumference of a quarter mile. One thousand people can stand in its shade.
Jessica Francis Kane (Rules for Visiting)
tragedy befell her when she died giving birth to her twins, Flint and Sapling. Heartbroken, Skywoman buried her beloved daughter in the earth. Her final gifts, our most revered plants, grew from her body. The strawberry arose from her heart. In Potawatomi, the strawberry is ode min, the heart berry. We recognize them as the leaders of the berries, the first to bear fruit.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Frank’s findings caught the eye of J.R.R. Tolkien, who had a well-known fondness for plants, and trees in particular. Mycorrhizal fungi soon found their way into The Lord of the Rings. “For you little gardener and lover of trees,” said the elf Galadriel to the hobbit Sam Gamgee, “I have only a small gift…In this box there is earth from my orchard…if you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.” When he finally returned home to find a devastated Shire: Sam Gamgee planted saplings in all the places where specially beautiful or beloved trees had been destroyed, and he put a grain of the precious dust from Galadriel in the soil at the root of each…All through the winter he remained as patient as he could, and tried to restrain himself from going round constantly to see if anything was happening. Spring surpassed his wildest hopes. His trees began to sprout and grow, as if time was in a hurry and wished to make one year do for twenty.
Merlin Sheldrake (Entangled Life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures)
The goshawk is a feral top predator; its eye has a glint of wildness. Isn't it awesome that when it's incensed by our intrusion over its territory, it thwacks us on the head? We see trees as crops, we plant tree saplings in clean rows, and we have chopped down magnificent old-growth stands, which grew exuberantly in asymmetrical groves. We are draining the last remaining wildness out of even the forests. The goshawk has every right to thwack us.
Priyanka Kumar (Conversations with Birds)
Nancy was very good at growing most things except for children. We never grew fast enough, or tall enough, or pretty enough, in her opinion. So she planted seeds of fear as well as doubt all around this house and throughout our childhoods, little saplings rising up through the floorboards, creeping in through the cracks, to remind us what a disappointing crop we were.
Alice Feeney, Daisy Darker
Amidst the urgency of our time, let the seeds of change take root. For in the quiet strength of a single tree, lies the profound capacity to heal our wounded planet. With each sapling we plant, we sow the promise of a brighter future, where harmony thrives, and nature's symphony dances once more. Embrace the urgent necessity to plant trees, for their verdant embrace is the breath of life we desperately seek.
R.A. Sterling (Reforesting Hope: Planting Trees to Heal the Earth)
Discipline is like a sapling. It grows with you. It isn’t something you are born with. It is a plant that requires continuous nurturing. Its only enemy is complacency. Once you get complacent, your discipline dies, and then you have to start all over again, watering it slowly from the start once again.
Aditya Bikram Singh (The Mental Inertia : A Look into How Our Brains Work Similar to the Laws of Physics)
If you want to practice theatre or any form of art, then go an sow a seed, plant a sapling, grow a tree. Then, go back after a decade and search for that life. If you don't find it, you will find a reason to practice art. If you find it, you have already lived the art.
Niloy Roy
Laila finds it strange to be back in Kabul. The city has changed. Every day now she sees people planting saplings, painting old houses, carrying bricks for new ones.
Khaled Hosseini (A Thousand Splendid Suns)
Golden Gold Vine Part One There was a miser who prized her, this golden gold vine. This sapling so gilded, her leaflings did shine. The moment he saw her, he let out a whisper of, “mine.” He’d found her in rubble, along a plain road. Unburied, he took her, in pocket he stowed. Back to his house, where he stared at her gleam. Hands curled to covet, want stitched to seam. What a chance this was, the chance for much more. So he planted her there, right outside his front door. Kept under secrets and hidden she lay. This old miser did find her, did steal her away. Brought to the yard, he planted her there. Fenced her all in to shelter her glare. Soon she grew tiny buds, glinting with gold. He plucked them by one, went to town to be sold. He paid off his debts, bought whatever he sought. But it wasn’t enough, whatever he got. For greed had been planted beside her thin roots. Want had leafed out, along with her shoots. Yet although he watered, soon she did wilt. Her golden did dull and worry he spilt. For his most prized possession looked right to be culled. She wasted away, while he fretted and mulled. It wasn't til so angry, he pulled out his hair. Brown clumps all fallen on the vine bare, that her color suddenly glistened, her vine did then surge. She grew ever much from his body he'd purged. Ecstatic, he knew, what he must do. So this miser clip-clipped, and gold flowers then bloomed. His hair he snip-snipped, gladly shedding his plume. For she would not grow without sacrifice. Only pieces of him would ever suffice. For her to keep growing, that was her price. This golden gold vine was the miser’s own vice. To be continued…
Raven Kennedy (Gild (The Plated Prisoner, #1))
Becoming a tree is a long journey, and so even the most experienced botanist cannot look at a twig on a sapling and accurately describe what kind of branch it might develop into over the next fifty years. Plant growth curves can be useful for guessing, but it is important to remember that they don’t show us the future, only the past.
Hope Jahren (Lab Girl)
Just as Patience read the people in Granite Point, searching for the troubled bits in their bodies or hearts, and Nettie collected the harvest and composed meals that sustained the very same parts, Sorrel wove her plants and flowers into a tapestry of her own, first in her imagination, then on paper using watercolors and ink to bring a garden to life. Then, when everything was ready, each bulb accounted for, each tender sapling and fragile seedling, Sorrel poured that knowledge, and her body and heart, into the fertile soil.
Ellen Herrick (The Forbidden Garden)
We tend to think of secondary relationships as "new" relationships, without giving thought to the fact that they might endure for years. It's common to hear variations on this theme: "But you can't expect a new partner to have the same rights as a spouse!" True, but relationships don't stay new forever. There was a time when your spouse of fifteen years was your new girlfriend or boyfriend, and a time could come when your relationship with your new partner will also be established. Sure, it's possible that you'll want the same kind of relationship in fifteen years that you wanted at six months, but it's unlikely. Yet couples often seem to hope to keep secondary relationships frozen at that six-month size and shape forever. It doesn't work that way. If you plant an acorn in a flowerpot and the sapling manages to survive, you'll just end up with a broken flowerpot.
Eve Rickert (More Than Two: A Practical Guide to Ethical Polyamory)
Survival of urban trees increases when saplings are embedded within the human social network. A tree planted by its human neighbors will live longer than one placed by an anonymous contractor. When a tree bears a tag naming it and listing its needs- water, mulch, loose soil, no litter- the probability of its survival jumps to nearly 100 percent. Psychological bonds to trees in cities are often fierce. In my experience of talking with people about trees, New Yorkers echo, in their own way, Amazonia Waorani. Relationships with trees are deep and personal. Outrage flares when the conversation turns to trees heedlessly damaged, whether a tree in a Manhattan street damaged by building construction or an Amazonian ceibo tree cut to make room for a road. These wounds are keenly felt by the people who live with the tree, people whose lives are wrapped into the tree’s own narrative. Trees, especially those who grow close to human homes, are portals to unselfed experience.
David George Haskell (The Songs of Trees: Stories from Nature's Great Connectors)
She was going to plant a Japanese maple tree on top. She had already procured it, a lovely sapling with pale bark and the most elegant limbs, long and even, fine but strong. It had been one of Edward's favorite trees; the leaves were red in spring, turning by autumn to a most beautiful bright copper color, just like Lily Millington's hair. No, not Lily Millington, she corrected herself, for that had never been her real name. "Albertine," Lucy whispered, thinking back to that mild Hampstead afternoon when she had seen the shock of red in the glass house at the bottom of the garden and Mother had instructed her to take two cups of tea "in the finest china." "Your name was Albertine Bell." Birdie, to those who loved her.
Kate Morton (The Clockmaker's Daughter)
Bacteria simply divide themselves in two when the time seems right, as can many single-celled eukaryotes. Many plants and animals have the ability to reproduce themselves on their own quite comfortably. Even among the species that do reproduce sexually, many can switch over to cloning. If you walk through a stand of hundreds of quaking aspen trees on a Colorado mountainside, you may be walking through a forest of clones, produced not by seeds but by the roots of a single tree that come back up out of the ground to form new saplings. Hermaphrodites, such as sea slugs and earthworms, are equipped with male and female sex organs and can fertilize themselves or mate with another. Some species of lizards are all mothers: in a process called parthenogenesis, they somehow trigger their unfertilized eggs to start developing. Compared with these other ways to reproduce, sex is slow and costly. A hundred parthenogenetic female lizards can produce far more offspring than fifty males and fifty females. In only fifty generations, a single cloning lizard could swamp the descendants of a million sexual ones.
Carl Zimmer (Parasite Rex: Inside the Bizarre World of Nature's Most Dangerous Creatures)
The effect of a single good deed could last for centuries, like planting a sapling of a long-living tree or writing a book that humans can benefit from generation after generation, or discovering a medicine, or inventing a useful invention. The power of good deeds could last forever; it is us who decide whether to leave a good impact during our lives or not.
Noora Ahmed Alsuwaidi
Plant a sapling even if it's doomsday.
Abhijit Naskar