Plain Background For Quotes

beyond the tilled plain, beyond the toy roofs, there would be a low suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peach tinge pervading the upper edge of a two-dimensional, dove-grey cloud fusing with the distant amorous mist. there might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and claude lorrain clouds inscribed remotely into misty azure with only their cumulus part conscpicuous against the neutral swoon of the background. or again, it might be a stern el greco horizon, pregnant with inky rain, and a passing glimpse of some mummy-necked farmer, and all around alternating strips of quick-silverish water and harsh green corn, the whole arrangement opening like a fan, somewhere in kansas.

And is there any reason, we ask as we shut the book, why the perspective that a plain earthenware pot exacts should not satisfy us as completely, once we grasp it, as man himself in all his sublimity standing against a background of broken mountains and tumbling oceans with stars flaming in the sky?

the perception of meaning, as I see it, more specifically boils down to becoming aware of a possibility against the background of reality or, to express it in plain words, to becoming aware of what can be done about a given situation.

There are storms that are frankly theatrical, all sheet lightning and metallic thunder rolls. There are storms that are tropical and sultry, and incline to hot winds and fireballs. But this was a storm of the Circle Sea plains, and its main ambition was to hit the ground with as much rain as possible. It was the kind of storm that suggests that the whole sky has swallowed a diuretic. The thunder and lightning hung around in the background, supplying a sort of chorus, but the rain was the star of the show. It tap-danced across the land.

Knowing that people of different classes, backgrounds, races, religions, disabilities, genders and sexual orientations have always been a part of history allows us to find ourselves in the past. It also serves to level the playing field going forward. It wasn't just rich and powerful men who built the modern world. Women have always been a part of it, as has the full range of human diversity, but we are only now beginning to see what has been hidden in plain sight.

The plain truth is that you’d have an easier time standing in the middle of the Mississippi River and requesting that it flow backward than to expect people of different races and backgrounds to stop loving each other, stop marrying each other, stop starting families, stop enjoying the dreams that love inspires. Love is unstoppable. It is our greatest weapon, a natural force, created by God. I

You should look at certain walls stained with damp, or at stones of uneven colour. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and then again you will see there battles and strange figures in violent action, expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.

It is plain then that the wicked man cannot be in the position of a friend even towards himself, because he has in himself nothing which can excite the sentiment of Friendship. If then to be thus is exceedingly wretched it is a man's duty to flee from wickedness with all his might and to strive to be good, because thus may he be friends with himself and may come to be a friend to another.

What business, said Priscilla's look more plainly than any words, what business had people to walk into other people's cottages in such a manner? She stood quite still, and scrutinized Mrs. Morrison with the questioning expression she used to find so effective in Kunitz days when confronted by a person inclined to forget which, exactly, was his proper place. But Mrs. Morrison knew nothing of Kunitz, and the look lost half its potency without its impressive background. Besides, the lady was not one to notice things so slight as looks; to keep her in her proper place you would have needed sledge-hammers.

the sudden awareness of a"figure" on a "ground," whereas the perception of meaning, as I see it, more specifically boils down to becoming aware of a possibility against the background of reality or, to express it in plain words, to becoming aware of what can be done about a given situation.

People see what they want to see. They’re busy trying to figure out who Bandersnitch is, but what they don’t expect is someone who looks like me, so no one sees me, even when I’m right in front of them. I’m hiding in plain sight. I stay in the background mostly. It’s a damnable thing, but it works. You were surprised at who I was, remember. I wasn’t as you imagined me.

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

Mental health discussions should not hog the spotlight when celebrities are involved. Everything should not just be about the Chester Bennington’s and the Robin Williams’s of the world. Yes, they were truly remarkable people in their own right, but if we focus on helping the Average Joe or Plain Jane, we might unlock their ingenuity. Don’t overlook the ‘little man,’ everyone has something important to contribute to society, regardless of their socio-demographic background.

The invisible world of thought and conduct had been the frequent subject of his musings; but the other, tangible world was close to him too, spreading like a rich populous plain between himself and the distant heights of speculation. The old doubts, the old dissatisfactions, hung on the edge of consciousness; but he was too profoundly Italian not to linger awhile in that atmosphere of careless acquiescence that is so pleasant a medium for the unhampered enjoyment of life. Some day,

Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peace tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the natural swoon of the background

Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peace tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaces trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the natural swoon of the background.

You should look at certain walls stained with damp, or at stones of uneven colour. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and then again you will see there battles and strange figures in violent action, expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.

He looked behind him at the unadorned outer walls of the Septizodium. He stood in an alley, one of the many unmarked and unmemorable gaps between buildings in Rome. The door through which he had stumbled wasn’t a real door, but a clever panel of stone. Any other time, he would never have noticed it against the mottled background of the surrounding stone, but it hung open now, and a column of black smoke spiraled up from it. There were other spires of smoke rising over the rooftop; clearly, there were other exits from the Septizodium. They might not have been plain to those who were sequestered inside, but smoke had a talent for finding a way out.

I hate this complete obsession with class, especially at this place, you can hardly say 'hello' to anyone before they are getting all prolier-than-thou and telling you about how their dad's a one eyed chimney-sweep with rickets, and how they've still got an outside loo, and have never been on a plane or whatever, all that dubious crap, most of which is usually lies anyway, and I'm thinking why are you telling me this? Am I meant to feel guilty? D'you think it's my fault or something, or are you just feeling pleased with yourself for escaping your pre-determined social role or some self congratulatory bullshit? I mean, what does it matter anyway? People are people, if you ask me, and they rise or fall by their own talents and merits, and their own labours, and blaming the fact they've got a settee rather than a sofa, or eat tea rather tan dinner, that's just an excuse, it's just whining self-pity and shoddy thinking.... I don;t make judgements about other people because of their background and I expect people to treat me with the same courtesy... It's my parent's moeny and its not as if they got it from nicking people's dole or running sweatshops in Johannesburg or something. They worked fucking hard for what they've got. It's a privilege and they treat it as such and they do their best to give something back. But if you ask me, theres no snob like an inverted snob... Im just so fucking bored of people trying to pass plain old envy off as some sort of virtue.

A smell hit me- sharp, garlicky, vinegary. Pulling out all four flaps revealed a casserole dish, the clear glass lid resting atop plain white rice. The condensation on the lid indicated this had been made very recently. Valimma, my grandmother, stepped onto the driveway behind me. "That is Simeona's food, moleh. She just called to say her son dropped it off on the driveway." Valimma spoke her English slowly but surely, with a lilt that was the result of years socializing with neighbors from a variety of backgrounds. "Simeona can't come to Thursday Club today but still wanted to send her delicious shrimp adobo." "This is just rice, Valimma." I pointed at the casserole dish. "Check under. The tasty mix, the bountiful flavor, must be below." Sure enough, under the rice container was another, shallower dish housing large shrimps coated in dark brown sauce. Yup, sharp, garlicky, vinegary.

Compare, for example, seventeenth century writers with those of the eighteenth. What a difference in tone and gait! The former, under a veneer of servility, have the most noble and proud stance… They do not pretend to reign. They merely stand at their place, recognize the place of a superior power beyond, give themselves completely to their writing task, dismiss the temptation of advertising and demonstrate their professional dedication. On the other hand, look at the Voltaire, Diderot and the like: they open well the era of intellectuals, writing stooges as they are, courtiers of princes they flatter and despise at the same time—something they are forced to do as they want to usurp their power… Their courtier nature reveals in everything they do… The whole eighteenth century, both spiritual and plain on a scoundrel background, is libertine, and already pornographic: such is the start of literary mercantilism; people of letters make money out of their writings, pretend to financial independence, and they write garbage to flatter the opinion of their public.

The Cistercian monks built simple and harmonious buildings out of the local limestone, with plain colours and few ornaments. The plans involved regular repetitions: the doors, windows and roof vaults wouldn’t vary much, so that the eye would easily find points of reference. Everything felt solid and enduring. Our natural human frailty was to contrast with the immemorial tone of the masonry. The monks were particularly keen on cloisters: covered walkways opening onto a quiet central square around which one could take de-stressing walks even on a rainy afternoon. The abbey at Cîteaux was just one of thousands built with similar intentions over a period of hundreds of years. It’s not an accident that architecture that sets out to create a contemplative and serene atmosphere can easily get labelled ‘monastic’, though in truth there’s nothing inherently religious or Christian about the pursuit of calm. The longing for serenity is a continuing, widespread human need, although the overtly religious background to abbeys and monasteries has an unfortunate association: making calm places erroneously seem as if they were inherently connected to a belief in Jesus. We need to rediscover the search for calm as a fundamental ambition of all architecture, not least for the buildings of our own harried times.

In the mid-twentieth century, the subfield of cosmology—not to be confused with cosmetology—didn’t have much data. And where data are sparse, competing ideas abound that are clever and wishful. The existence of the CMB was predicted by the Russian-born American physicist George Gamow and colleagues during the 1940s. The foundation of these ideas came from the 1927 work of the Belgian physicist and priest Georges Lemaître, who is generally recognized as the “father” of big bang cosmology. But it was American physicists Ralph Alpher and Robert Herman who, in 1948, first estimated what the temperature of the cosmic background ought to be. They based their calculations on three pillars: 1) Einstein’s 1916 general theory of relativity; 2) Edwin Hubble’s 1929 discovery that the universe is expanding; and 3) atomic physics developed in laboratories before and during the Manhattan Project that built the atomic bombs of World War II. Herman and Alpher calculated and proposed a temperature of 5 degrees Kelvin for the universe. Well, that’s just plain wrong. The precisely measured temperature of these microwaves is 2.725 degrees, sometimes written as simply 2.7 degrees, and if you’re numerically lazy, nobody will fault you for rounding the temperature of the universe to 3 degrees. Let’s pause for a moment. Herman and Alpher used atomic physics freshly gleaned in a lab, and applied it to hypothesized conditions in the early universe. From this, they extrapolated billions of years forward, calculating what temperature the universe should be today. That their prediction even remotely approximated the right answer is a stunning triumph of human insight.

I met Jesse for the first time when I was twelve, and I thought he was a bit of a dork. He had long, skinny legs and twiggy arms. His hair was a blond mess, and he spent all his time playing football with Hunter, and mostly ignoring me and Georgia. When I saw him on Saturday morning, in my living room, hair ruffled from him falling asleep on the sofa, my mouth felt like it was filled with sawdust, and I could barely choke out a ‘hello.’ He’d got kind of … gorgeous over the years. He’d grown into his gangly arms and legs, and developed muscles, and the kind of chiselled jaw you think only exists in romance novels, not in the real world. Right away, his looks put him way out of my league, but when you threw in the fact he was on his way to being a football legend in America, he was obviously a guy who wouldn’t look twice at plain old Isabelle Mills. He tried really hard to make conversation with me, I guess because he felt sorry for me. I appreciated his efforts, and I think I may have even flirted with him a little over lunch before reminding myself I definitely wasn’t going to get his attention. Boys were Georgia’s area of expertise. She already had a boyfriend, Elliott, but that didn’t stop the other guys at college from checking her out. She was just so confident, whereas I preferred to sit in the background.

Actually,” he said, “that brings me to the subject of this meeting, your future.” “It’s secure as long as there’s crime in the streets.” “There’s crime in the boardrooms, too, Henry. My firm is interested in hiring an associate with a criminal law background. I’ve circulated your name. People are impressed.” “Why would your firm dirty its hands in criminal practice?” Gold put his coffee cup down and said, “Corporations consist of people, some of whom are remarkably venal. Others still are just plain stupid. Anyway, they’ve come to us often enough needing a criminal defense lawyer to make it worth our while to hire one. We’d start you as a third-year associate, at sixty thousand a year.” I answered quickly, “Well, thanks for thinking of me, but I’m not interested.” Gold said, “Look, if it’s the money, I know you deserve more, but that’s just starting pay.” “You know it’s not the money, Aaron,” I said, reflecting that the sum he named was almost double my present wage. He sighed and said, “Henry, don’t tell me it’s the principle.” I said nothing. “You’re wasting yourself in the public defender’s office. You knock yourself out for some little creep and what you get in return is a shoebox of an office and less money than a first-year associate at my firm makes.” “So I should exchange it for a bigger office and more money and the opportunity to defend some rising young executive who gets busted for drunk driving?” “Why not? Aren’t the rich entitled to as decent a defense as the poor?” “You never hear much public outcry over the quality of legal representation of the rich.

I once played an Indian, and for background I did a lot of reading about Indians. One thing that really struck me was that when some of the Plains Indians had a battle, they would take their lances and they would plant them somewhere in the ground on the battlefield. It was their way of declaring that they would be there fighting all day, whatever comers there were. Likewise, I believe that one thing really good directors have in common is that they place themselves in the field, on the ground, where the play is taking place. Then in thousands of different ways, depending upon their personalities and their skills and their talents and the way they communicate, they defend that territory all day long. Actors will test whether what they’re trying is on real ground or not, so a person who’s going to be there all day long is crucial. That’s where the actor gets his or her permission to do the necessary work and take the necessary chances.

Because Rakkim knew the seduction of hiding in plain sight. The singular pleasure of blending into the background, of setting the table in the house of the enemy and watching him eat dinner.

Charlotte stood, her gaze instantly connecting with Rothbury's. A zing of awareness tingled down her spine. Dripping with sensuality, the earl stood with his back to the wall, his stance, as always, exuding a lazy confidence. The damp spring air in the crowded room caused his dark-blond locks to curl slightly where wisps had escaped the velvet queue secured behind his neck. He wore no costume, no mask, which of course wasn't required, therefore catching the eye of every warm-blooded female within a two-hundred-foot radius. It wasn't an exaggeration. The sighs of feminine appreciation surrounded Charlotte. Though she found it slightly ridiculous, she could not find it in herself to blame them. He was simply that fetching. His expertly cut dark gray coat hugged his broad shoulders, and his stark white cravat, frothy with elegant folds, emphasized his chiseled chin, gold with faint bristles. And his mouth- oh, that glorious mouth- both haughty and wicked, curving with his ever-present sagacious grin. Lord, what it must feel like to have those lips touch one's own. Charlotte gave an appreciative sigh, drinking up the sight of him. For a masquerade, his plain evening clothes on any other man would have lent him to fade into the background. But not Rothbury. Dear heavens, no. It only added to his sinful, blush-inducing appeal.

wouldn’t be surprised if he was in one of the technical or medical professions, like an engineer or medical doctor. Many serial murderers that display this type of complex thinking come from those backgrounds.

To put it plainly, our stories should not be of Muslims who happen to live in America: they should be of Americans who happen to come from Muslim backgrounds.

The Plains Indians decorated their moccasins with not less than three different colors of quills. Their favorites were yellow, red, green and purple. Beaded moccasins had a larger range of colors, the average being four or five, and the preference was white, red, green, yellow and blue. The background color, almost exclusively, was white, although the Assiniboin tribe used blue for the background color.

The plain truth is that you’d have an easier time standing in the middle of the Mississippi River and requesting that it flow backward than to expect people of different races and backgrounds to stop loving each other, stop marrying each other, stop starting families, stop enjoying the dreams that love inspires. Love is unstoppable. It is our greatest weapon, a natural force, created by God.

Don't judge his situation by your own half bushel, Granny Etta's words haunted her and were as plain as if she were sitting right beside her on the beach. She remembered the day she'd asked Etta what she meant by that adage. "It means that you don't have all the facts and probably never will so you can't use your own knowledge, family, or background to judge another person. You've got a half bushel of sense but it's not to be used to compare someone else's situation. Do you understand?" Etta had asked her that day. "I

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

A book, cover open, the first page is magic, light filtering through a forest of leaves, each gray stroke subtle perfection blended beautifully, something moves, stirring in my depths, water flows from the second page, pouring out around me until I’m swimming, tossed back and forth from rock to rock, along the monotone rivers bumpy edges, page three is stark white, its emptiness echoes inside me, reverberations making their way up to silence what’s bouncing around in my head, fingers follow fingers, turning and turning and turning, till I near the end of the line, at last admitting the journey is over, yet another path is open, hidden in plain sight, pages releasing their hold on one another to reveal the treasure, and lead me to what I had no idea I was seeking, bodies folded into one under silken skin lips and hands, and my heartbeat hammering in my chest, fire burning in my cheeks, along with something more, something new, terrifying and strong, with one final turn a name burns itself into my brain, letters forever engraved, who would have thought, someone already knows what bounces round my head, in sudden hast, the flock returns to its pasture, grazing on gossip and sugary smothered breakfast, as I quietly fade into the background, a wolf desperate to be a sheep, my discovery hides out of sight, waiting to serve as a catalyst, there’s more than one of us here.

Only love can bring full freedom, all else brings half freedom. What is half freedom you ask? When in the name of freedom you imprison yourself to one side or sect, everything outside that sect seems evil. For example, fundamentalists choose the side of blind faith, and every act of reason seems like blasphemy - just like cold, sharp-tongue intellectuals choose the side of rationality even at the expense of humanity, and everything illogical seems outdated - or wait, I got a better one - so-called social activists often get so attached to their self-imposed identity of victimhood, that every person with a political, corporate, legal or bureaucratic background seems to appear as devil incarnate. This, my friend, is what I call "half freedom", which by the way, is far worse than the lack of freedom. And even though it manifests as an act of willful choice, when you get down to it, it's just plain old rigidity. And if we want to build a truly just, inclusive and progressive society, this hypocritical half-freedom won't do - what's needed is whole freedom - a kind of freedom that liberates the mind of all superstition as well as ignorant suspiciousness. It's time we realize, yelling about justice without using common sense is just as useless as keeping quiet. What this means is that, we gotta come together regardless of our background - the teacher, the scientist, the student, the copper, the politician, the civil servant, the entrepreneur, the economist, the janitor, the construction worker - every single person from every single walk of life must come forward surpassing all suspicious conspiracy, and contribute the best of their capacity in the making of a real civilized world.

I was silent, sensitive to my boyfriend’s tone.  Having so much that you could burn sounded good to me, but maybe it’s because I’m from a poor background, so know what it’s like to scrimp and save, to not have enough sometimes.  But I guess as someone who’s never had that experience, Jonah was different.  He looked at wealth as just plain old money, and not something that you had to save, careful with every dollar.

Dartmouth College professor Paul Whalen and his colleagues once demonstrated this by flashing just the wide, white sclera of fearful facial expressions on a plain black background to brain imaging study participants for a mere seventeen milliseconds – far too quickly to be consciously detected. They found that the amygdala still burst into a furious volley of activity – much more than when only the sclera of neutral expressions were presented. This remarkable degree of sensitivity shows that others’ fear is unusually important information to the amygdala. But why?

If I had lived in your time - Alice tells me - I would not have married, much as I loved my husband and my children. I would have pursued a career, become a doctor, travelled the world, broken down barriers and taken up women's causes. Too big an ambition? - she asks with a smile. Women were so repressed and frustrated in their hopes, and most lived in their husbands' shadow, though I did not. Mother was against me [Victoria is listening in the background], she did not understand me and was appalled at my plain speaking and directness of certain aspects of life she found difficult to discuss so openly, which I did not. We were so different. I upset her many times later in life and as I grew stronger in my convictions, I resented more and more her control on my life and distanced myself from her. It was not easy at first, but as her dislike of my actions and the things I did and said grew with her, she loosened her grip on me and let me go.

There is no positive case for homosexual practice in the Bible and no historical background that will allow us to set aside what has been the plain reading of Scripture for twenty centuries. The only way to think the Bible is talking about every other kind of homosexuality except the kind we want to affirm is to be less than honest with the texts or less than honest with ourselves.

Scholar Karen Randolph Joines adds more to the Egyptian origin of this motif, by explaining that the usage of serpent images to defend against snakes was also an exclusively Egyptian notion without evidence in Canaan or Mesopotamia.[32] And Moses came out of Egypt. But the important element of these snakes being flying serpents or even dragons with mythical background is reaffirmed in highly respected lexicons such as the Brown, Driver, Briggs Hebrew Lexicon.[33] The final clause in Isaiah 30:7 likening Egypt’s punishment to the sea dragon Rahab lying dead in the desert is a further mythical serpentine connection.[34] But the Bible and Egypt are not the only places where we read of flying serpents in the desert. Hans Wildberger points out Assyrian king Esarhaddon’s description of flying serpents in his tenth campaign to Egypt in the seventh century B.C.   “A distance of 4 double-hours I marched over a territory… (there were) two-headed serpents [whose attack] (spelled) death—but I trampled (upon them) and marched on. A distance of 4 double-hours in a journey of 2 days (there were) green [animals] [Tr.: Borger: “serpents”] whose wings were batting.”[35]   The Greek historian Herodotus wrote of “sacred” winged serpents and their connection to Egypt in his Histories:   There is a place in Arabia not far from the town of Buto where I went to learn about the winged serpents. When I arrived there, I saw innumerable bones and backbones of serpents... This place… adjoins the plain of Egypt. Winged serpents are said to fly from Arabia at the beginning of spring, making for Egypt... The serpents are like water-snakes. Their wings are not feathered but very like the wings of a bat. I have now said enough concerning creatures that are sacred.[36]   The notion of flying serpents as mythical versus real creatures appearing in the Bible is certainly debated among scholars, but this debate gives certain warrant to the imaginative usage of winged flying serpents appearing in Chronicles of the Nephilim.[37]

Head of a Young Woman This portrait was completed by 1667 and is now housed in the Metropolitan Museum of Art, New York. Because of its almost identical size and its proximity in tone and composition, it is often considered to be either a variant or counterpart to the famous Girl with a Pearl Earring. The subjects of both paintings wear pearl earrings, have scarves draped over their shoulders, and are shown in front of a plain black background. In addition, it is likely that the creation of both works involved the use of a camera obscura.

Octopuses can change what they look like in less than 30 milliseconds by expanding tiny pigment sacs in the skin, chromatophores. They can go from dark to pale, plain to patterned, rough to smooth, and a clumped shape to an elongated form. They change their appearance mostly to hide from predators, camouflaging to match the colors and the patterns of their background.