Pivot Quotes

We've searched our database for all the quotes and captions related to Pivot. Here they are! All 100 of them:

I do not want to be the leader. I refuse to be the leader. I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I don’t mind working, holding my ground intellectually, artistically; but as a woman, oh, God, as a woman I want to be dominated. I don’t mind being told to stand on my own feet, not to cling, be all that I am capable of doing, but I am going to be pursued, fucked, possessed by the will of a male at his time, his bidding.
Anaïs Nin
He pivoted, gaze following me as I crossed to the shower and turned on the cold water, so it would drown out our conversation without steaming up the room. Great," he muttered."Now they're going to think we're showering together. Maybe we can just tell them we were washing off the crawl space dirt and trying to conserve water.
Kelley Armstrong (The Summoning (Darkest Powers, #1))
When I read, I feel emotion all on my own. Emotion no living person is making me feel.
Kasie West (Pivot Point (Pivot Point, #1))
I don't care when people think I'm an antisocial, controlling bookworm because that's what I am. It's when they interpret me wrong that I have a problem.
Kasie West (Pivot Point (Pivot Point, #1))
We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother’s birth canal and we howl. Then the world starts in on us.
Anthony Doerr (All the Light We Cannot See)
Because an illusion is an illusion. Reality always exists despite the facade.
Kasie West (Pivot Point (Pivot Point, #1))
Just promise me something. If this is a Search and you don't pick me, don't pick this path, for whatever reason, promise me you won't Erase me.
Kasie West (Pivot Point (Pivot Point, #1))
Persist, pivot, or concede. It’s up to us, our choice every time.
Matthew McConaughey (Greenlights)
My bookcase is all yours." I walked to the door. "I've just decided that those are my favorite five words in the world.
Kasie West (Pivot Point (Pivot Point, #1))
I was trying so hard to find the single pivotal moment that set my life on its path. The moment that answered the question, 'How did I get here?' But it's never just one moment. It's a series of them. And your life can branch out from each one in a thousand different ways. Maybe there's a version of your life for all the choices you make and all the choices you don't.
Nicola Yoon (Everything, Everything)
Hate. Huh. He'd never hated himself. If anything, he'd always liked himself a little too much. Once, a human female had even accused him of picturing his own face while he climaxed. He hadn't denied it, either, and next time he'd slept with her, he'd made sure to scream, "Strider" at the pivotal moment." --Strider, keeper of the demon of Defeat--
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Sometimes I feel like I'm slowly floating away. I'm constantly looking for something to grab on to so I don't lose myself.
Kasie West (Pivot Point (Pivot Point, #1))
Sometimes perfection reveals the lie, ..., not the truth.
Kasie West (Pivot Point (Pivot Point, #1))
You don’t grow up gradually. You grow up in short bursts at pivotal moments, by suddenly realizing how ignorant and immature you are.
Robert D. Kaplan (In Europe's Shadow: Two Cold Wars and a Thirty-Year Journey Through Romania and Beyond)
And the Bastard grant us... in our direst need, the smallest gifts: the nail of the horseshoe, the pin of the axle, the feather at the pivot point, the pebble at the mountain's peak, the kiss in despair, the one right word.
Lois McMaster Bujold (Paladin of Souls (World of the Five Gods, #2))
Let me show you,” he said in my ear. “Like this. Feel that? Relax. Now pivot your hips—it’s all in the hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Your eyelashes make mine want to commit suicide from shame.
Kasie West (Pivot Point (Pivot Point, #1))
He shrugs. "Doesn't help to waste my time thinking about would've-beens." Laila whispers, "He says to the girl with a mind full of them.
Kasie West (Pivot Point (Pivot Point, #1))
I want you to choose me, Addie,” he whispers. “I want this to be real.
Kasie West (Pivot Point (Pivot Point, #1))
Every moment in our lives seems trivial," Zahel said. "Most are forgotten while some, equally humble, become the points upon which history pivots.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
The thing he wished for most was a thing he had never wished for at all, not until he had discovered her. And it came true that night, and many nights after. A brief and shining span of happiness, it was the pivot point around which his whole life spun.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
All destruction eventually leads to construction, all death eventually leads to birth, all pain eventually leads to pleasure. In this life or the next, what goes down will come up. It’s a matter of how we see the challenge in front of us and how we engage with it. Persist, pivot, or concede. It’s up to us, our choice every time.
Matthew McConaughey (Greenlights)
Joy must be one of the pivots of our life. It is the token of a generous personality. Sometimes it is also a mantle that clothes a life of sacrifice and self-giving. A person who has this gift often reaches high summits. He or she is like sun in a community.
Mother Teresa (In the Heart of the World: Thoughts, Stories and Prayers)
You like to assign roles to the people in your life. And when they don't play their parts right, you have a hard time accepting that.
Kasie West (Pivot Point (Pivot Point, #1))
Tr...ooooo...luv...' Fezzik grabbed onto Inigo in panic and they both pivoted, staring at the man in black, who was silent again. '"True love," he said,' Inigo cried. 'You heard him - true love is what he wants to come back for. That's certainly worthwhile.' 'Sonny, don't you tell me what's worthwhile - true love is the best thing in the world, except for cough drops. Everybody knows that.
William Goldman (The Princess Bride)
I stepped back, pivoted on a heel, and swivelled my hip for a side kick. It probably seemed, to a casual observer, that I was warming up, taking a few well-aimed kicks at an inanimate object. But in my mind, THWACK, I was kicking, THWACK, a certain Master vampire, THWACK, in the face.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
Ben Adaephon Delat," Pearl said plaintively, "see the last who comes. You send me to my death." "I know," Quick Ben whispered. "Flee, then. I will hold them enough to ensure your escape no more." Quick Ben sank down past the roof. Before he passed from sight Pearl spoke again. "Ben Adaephon Delat, do you pity me?" "Yes" he replied softly, then pivoted and dropped down into darkness.
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
Do you ever feel like you do something or are something for so long that it defines you?
Kasie West (Pivot Point (Pivot Point, #1))
Pivoting does not mean changing your goal but rather changing your strategy to realize that goal.
Steve Pemberton (The Lighthouse Effect: How Ordinary People Can Have an Extraordinary Impact in the World)
He sighed. "Does it get tiring?" "What?" "Always thinking you're right." I smiled. "No, not really. It's other people not realizing I'm right that gets tiring.
Kasie West (Split Second (Pivot Point, #2))
Dad, she's beautiful. I remember where she was standing.
Kasie West (Split Second (Pivot Point, #2))
My mom always tells me that if I feel like punching someone, first I have to say something nice to them. Out loud. If I still feel like punching them, they probably deserve it.
Kasie West (Split Second (Pivot Point, #2))
Annie used to have a funny theory: we all have a Year Zero around which the calendars of our lives pivot. At some point you meet someone, and they become so important, so metamorphic, that ten, twenty, sixty-five years down the line you look back and realize that you could split your existence in two. Before they showed (BCE), and your Common Era. Your very own Gregorian calendar.
Ali Hazelwood (Love on the Brain)
It was pivotal in making you but you don't remember it. Or do you? Do we understand the events that make us who we are? Do we understand the factors that make us do the things we do?
Douglas Coupland (Shampoo Planet)
But, he continues, if you need something to hold on to until you feel grounded, I make a pretty good anchor.
Kasie West (Pivot Point (Pivot Point, #1))
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
The pivotal moments in your life are always made up of smaller pieces, things that seemed insignificant at time, but in fact brought you to where you needed to be.
Elizabeth Norris (Undone (Unraveling, #1.5))
One of the strongest motives that leads men to art and science is escape from everyday life with its painful crudity and hopeless dreariness. Such men make this cosmos and its construction the pivot of their emotional life, in order to find the peace and security which they cannot find in the narrow whirlpool of personal experience.
Walter Isaacson (Einstein: His Life and Universe)
One person can't change the future. Do you know how many people and things are involved in every major event that happens? Sure, you might be able to change some of the minor aspects of a day, but ultimately things that are going to happen, if you go along a certain path, do happen.
Kasie West (Pivot Point (Pivot Point, #1))
Once Addie let someone in, she was impossible to forget. There was something about her that crawled inside a person and built a nice comfy home there, her goodness expanding until it filled every limb.
Kasie West (Split Second (Pivot Point, #2))
There are some moments in life that are like pivots around which your existence turns—small intuitive flashes, when you know you have done something correct for a change, when you think you are on the right track. I watched a pale dawn streak the cliffs with Day-glo and realized this was one of them. It was a moment of pure, uncomplicated confidence—and lasted about ten seconds.
Robyn Davidson (Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback)
Aiden followed my gaze. “Leon, that one there counts half for me. So that’s six and a half.” Then he pivoted around, heading toward another daimon who had a Guard pinned on the floor. Leon shrugged. “That’s okay. I have ten, loser.
Jennifer L. Armentrout (Pure (Covenant, #2))
Our relationship feels different. Like someone has taken my favorite sweater and thrown it in the dryer and it doesn't fit right anymore. I want to pull and tug on it until it feels comfortable again.
Kasie West (Pivot Point (Pivot Point, #1))
Thanks for choosing me, Addison.
Kasie West (Split Second (Pivot Point, #2))
Thank you," he whispered against my hair. "How did that taste in your mouth?" He laughed. "Awful.
Kasie West (Split Second (Pivot Point, #2))
Yes," I told her. "I'm angry, so what?" ..... I went on, giving her an executive summary of my crappy life. .... "So of course I feel angry," I said angrily. "What do you expect? It was a stupid thing to ask." "Yes," she agreed. "It was a stupid thing to ask. I see that you're angry. I don't need to ask such a stupid thing to understand that." "So why did you ask?" Slowly she turned herself around, pivoting on her knees, until finally she was facing me, "I asked for you," she said. "For me?" So you could hear the answer.
Ruth Ozeki (A Tale for the Time Being)
Every lifetime contains pivot points—sometimes flukes of destiny, sometimes seemingly preordained—that shape and eventually cement one’s path.
Greer Hendricks (An Anonymous Girl)
I've tried subtle before. I'm not very good at it.
Kasie West (Pivot Point (Pivot Point, #1))
Why are you lying to me? I'm so tired of people lying to me. Do I not deserve the truth? Do I look like someone who can't handle it?
Kasie West (Split Second (Pivot Point, #2))
Because no one frustrates me quite as much as you do." Totally true. "Soon, the thought of your face will do it, but now, it seems I need your annoying presence as well.
Kasie West (Split Second (Pivot Point, #2))
If I were alone I would throw my arms out and spin in a circle. Instead I walk up the stairs, running my hand along books as I go.
Kasie West (Pivot Point (Pivot Point, #1))
Imagine the people you fear and dislike as pivotal characters in a fascinating and ultimately redemptive plot that will take years or even lifetimes for the Divine to elaborate.
Rob Brezsny
Reason excludes faith," Alessandro responded, watching the blood-red mite as it made a dash for the rim. "It's deliberately limited. It won't function with the materials of religion. You can come close to proving the existence of God by reason, but you can't do it absolutely. That's because you can't do anything absolutely by reason. That's because reason depends on postulates. Postulates defy proof and yet they are essential to reason. God is a postulate. I don't think God is interested in the verification of His existence, and, therefore, neither am I. Anyway, I have professional reasons to believe. Nature and art pivot faithfully around God. Even dogs know that.
Mark Helprin
He was a man of moods, yet he was her constant, something unchanging, infinitely reliable, the pivot of her life. There could never be anyone else. Without him she would not be more than half alive.
Winston Graham (Jeremy Poldark (Poldark, #3))
Battles are all about strategy, and strategy pivots on priorities. Since my priorities were Prince Jalan, Prince Jalan, and Prince Jalan, with “looking good” a distant fourth, I took the opportunity to resume running away. I find that the main thing about success is the ability to act in the moment. A hero attacks in the moment; a good coward runs in it. The rest of the world waits for the next moment and ends up as crow food.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
Thank you seems like too little...or maybe too much, since he couldn't possibly understand how much I needed to hear what he just said. How much I needed to know that even without my ability, I am someone worth knowing. That every little and ridiculous quality I exhibit makes me who I am.
Kasie West (Pivot Point (Pivot Point, #1))
I had seen a different side of her, the one where she didn't feel threatened by me, and I liked that side. That side was vulnerable and happy and kind.
Kasie West (Split Second (Pivot Point, #2))
Pivoting is not the end of the disruption process, but the beginning of the next leg of your journey.
Jay Samit (Disrupt You!: Master Personal Transformation, Seize Opportunity, and Thrive in the Era of Endless Innovation)
Good strategy works by focusing energy and resources on one, or a very few, pivotal objectives whose accomplishment will lead to a cascade of favorable outcomes.
Richard P. Rumelt (Good Strategy Bad Strategy: The Difference and Why It Matters)
In the strategy of my school, keep your body and mind straight and make your opponent go through contortions and twist about. The essence is to defeat him in the moment when, in his mind, he is pivoting and twisting. You should examine this well.
Miyamoto Musashi (The Complete Book of Five Rings)
Lives are made of strings of moments, and every once in a while, one of those moments is pivotal and defining. It changes everything, alters you so completely that when you look back, there's a clear before and after.
Elizabeth Norris Unraveling
Computers rely on the one and the zero to represent all things. This distinction between something and nothing—this pivotal separation between being and nonbeing—is quite fundamental and underlies many Creation myths.
Neal Stephenson (Snow Crash)
The problems we face today eventually turn into blessings in the rearview mirror of life. In time, yesterday’s red light leads us to a greenlight. All destruction eventually leads to construction, all death eventually leads to birth, all pain eventually leads to pleasure. In this life or the next, what goes down will come up. It’s a matter of how we see the challenge in front of us and how we engage with it. Persist, pivot, or concede. It’s up to us, our choice every time.
Matthew McConaughey (Greenlights)
It was hard when I knew I was about to be flooded with memories of a life I hadn't lived yet. Really, two lives I hadn't lived yet.
Kasie West (Pivot Point (Pivot Point, #1))
Look at me, making one of your dreams come true. You and your Norm truck driving around Normville." "You're practically a god.
Kasie West (Split Second (Pivot Point, #2))
You're not very good for my ego". "I think I'm perfect for your ego." I smile sweetly.
Kasie West (Pivot Point (Pivot Point, #1))
The chanting grew louder, deep male voice pumping. She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity. But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle. Bringing the very heavens close enough to touch. It was Zsadist. His eys closed, his head back, his mouth wide open, he sang. The scarred one, the soulless one, had the voice of an angel.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
I was a young black man, light-skinned enough so that four out of five people who met me, of whatever race, assumed I was white.... I was a homosexual who now knew he could function heterosexually. And I was a young writer whose early attempts had already gotten him a handful of prizes.... So, I thought, you are neither black nor white. You are neither male nor female. And you are that most ambiguous of citizens, the writer. There was something at once very satisfying and very sad, placing myself at this pivotal suspension. It seemed, in the park at dawn, a kind of revelation--a kind of center, formed of a play of ambiguities, from which I might move in any direction.
Samuel R. Delany (The Motion of Light in Water: Sex and Science Fiction Writing in the East Village)
It hurts, because we wanted a different outcome, but then we make it hurt even worse by creating a narrative around what happened. So, instead of creating that debilitating narrative, I think we're better served realizing that now, we have an opportunity to pivot - to take our life in a different direction.
Chris Hill
If you are unwilling or unable to pivot and adapt to the incessant, fluctuating tides of life, you will not enjoy being here. Sometimes, people try to play the cards that they wish they had, instead of playing the hand they’ve been dealt. The capacity to adjust and improvise is arguably the single most critical human ability.
Will Smith (Will)
He starts with the character's eyes and by the time he moves to her hair, a mess of blonde curls, I realize he's drawing me. "Superheroes. You can finally have those super powers you want.
Kasie West (Pivot Point (Pivot Point, #1))
A wrong was just righted. Take care of my best friend.
Kasie West (Split Second (Pivot Point, #2))
I thought I wanted these memories, but now I realize he hardly knows me.
Kasie West (Split Second (Pivot Point, #2))
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
Clive Barker (Imajica)
But maybe I’m supposed to include a little something about each of them. Like, Duke, this is Laila; she thinks you’re hot. Laila, this is Duke; he and his mirror share a close relationship.
Kasie West (Pivot Point (Pivot Point, #1))
I wonder if the heroes the bards sang of that evening knew before they triumphed what they would become. In those crucial moments when a fateful decision was made, did they feel the air brighten with the zing of destiny? Or did they blunder on, not realising the pivotal moment in which destiny swung and the fates were forged?
Jennifer Saint (Ariadne)
What happened to Jesus after he was crucified? A historical reconstruction It is an undeniable fact that the New Testament Gospels present the crucifixion and the resurrection as the pivot upon which Christianity is based. However, this notion is most surprising when we take into consideration that this postulation was never part of Jesus's teaching. Certainly the evangelists 'Mark' and 'Matthew' do hint at these strange happenings, but it is a noted fact amongst the majority of the biblical scholars that these sequences were added several centuries after the original Gospels were written, and this was done so that the political editors of these Gospels could adapt the writings according to their political and theological needs...
Anton Sammut (The Secret Gospel Of Jesus AD 0-78)
In its own way, the most harmful dragon we chase is the one that makes us think we can change things that are simply not ours to change. That someone decided not to fund your company, this isn’t up to you. But the decision to refine and improve your pitch? That is. That someone stole your idea or got to it first? No. To pivot, improve it, or fight for what’s yours? Yes.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
He pulls me toward him and when his lips touch mine, I try not to audibly sigh. I can’t help it though, and he chuckles again, against my mouth. In the back of my mind I still wonder if we’re right for each other, but the rest of my mind doesn’t seem to care.
Kasie West (Pivot Point (Pivot Point, #1))
I’m more of an eye coverer.
Kasie West (Pivot Point (Pivot Point, #1))
Imagine you are sitting down in a chair and on a screen before you you are shown a bloody, ripping film of yourself undergoing surgery. The surgery saved your life. It was pivotal in making you you. But you don't remember it. Or do you? Do we understand the events that make us who we are? Do we ever understand the factors that make us do the things we do? When we sleep at night - when we walk across a field and see a tree full of sleeping birds - when we tell small lies to our friends - when we make love - what acts of surgery are happening to our souls - what damage and healing and shock are we going through that we will never be able to fathom? What films are generated that we will never be shown?
Douglas Coupland (Shampoo Planet)
The fact that he might be as worried as I am eases my nerves. Its like there's a certain amount of stress appointed to every situation and I'm used to being responsible for holding it all by myself. Its nice to share it with someone
Kasie West (Pivot Point (Pivot Point, #1))
She pivoted on one foot, turning her sword. Fast. Her head snapped toward me. Dark eyes stared straight at me. I detected no fear. Instead it was a look of challenge. So not a mouse after all, but something more. This could be interesting. I'd let her dance in the dirt a bit more. She was fun to watch. She crouched with her hand out. What the hell was she doing... "Here, kitty, kitty, kitty." Oh my God, she was retarded and I was going to kill Jim.
Ilona Andrews
In the context of the English language, there were many more important words than “in.” There were fancy words, historic words, words that meant life or death. There were multi-syllabic tongue-twisters that required a sort out before speaking, and mission-critical pivotals that started wars or ended wars…and even poetic nonsensicals that were like a symphony as they left the lips. Generally speaking, “in” did not play with the big boys. In fact, it barely had much of a definition at all, and, in the course of its working life, was usually nothing but a bridge, a conduit for the heavy lifters in any given sentence. There was, however, one context in which that humble little two-letter, one-syllable jobbie was a BFD. Love. The difference between someone “loving” somebody versus being “in love” was a curb to the Grand Canyon. The head of a pin to the entire Midwest. An exhale to a hurricane.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
The black volhv pivoted to me. “I have questions.” “Can it wait?” “No. Your wedding is in two weeks. Have you prepared your guest list?” “Why do I need a list? I kind of figured that whoever wanted to show up would show up.” “You need a list so you know how many people you are feeding. Do you have a caterer?” “No.” “But you did order the cake?” “Umm…” “Florist?” “Florist?” “The person who delivers expensive flowers and sets them up in pretty arrangements everyone ignores?” “No.” Roman blinked. “I’m almost afraid to ask. Do you at least have the dress?” “Yes.” “Is it white?” “Yes.” He squinted at me. “Is it a wedding dress?” “It’s a white dress.” “Have you worn it before?” “Maybe.” Ascanio snickered.” “The ring, Kate?” Oh crap. Roman heaved a sigh. “What do you think this is, a party where you get to show up, say ‘I do,’ and go home?” “Yes?” That’s kind of how it went in my head.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
It was Dostoevsky, once again, who drew from the French Revolution and its seeming hatred of the Church the lesson that "revolution must necessarily begin with atheism." That is absolutely true. But the world had never before known a godlessness as organized, militarized, and tenaciously malevolent as that practiced by Marxism. Within the philosophical system of Marx and Lenin, and at the heart of their psychology, hatred of God is the principal driving force, more fundamental than all their political and economic pretensions. Militant atheism is not merely incidental or marginal to Communist policy; it is not a side effect, but the central pivot.
Aleksandr Solzhenitsyn
We're all dreaming,” Arctor said. If the last to know he's an addict is the addict, then maybe the last to know when a man means what he says is the man himself, he reflected. He wondered how much of the garbage that Donna had overheard he had seriously meant. He wondered how much of the insanity of the day--his insanity--had been real, or just induced as a contact lunacy, by the situation. Donna, always, was a pivot point of reality for him; for her this was the basic, natural question. He wished he could answer.
Philip K. Dick (A Scanner Darkly)
When I read, I feel emotion all on my own. Emotion no living person is making me feel. To me, it almost seems more real, because I know that those characters can’t influence me with any power. So I like to remind myself that I can feel without anyone manipulating me.… I know, it’s lame.
Kasie West (Pivot Point (Pivot Point, #1))
Your cruelties and mistakes may look damning to you, but that is not what I see. Every human conversation is more elegant and complex than the entire solar system that contains it. You have no idea how marvelous you are, but I am not only here to protect what you are now, I am here to protect what you will become. I can't tell you what that might be because I don't know. That unknown is a diamond in a universe of dirt. Uncertainty. Unpredictability. It is when you turn your emotions into art. It is BTS and the Sistine Chapel and Rumi's poetry and Ross Geller on the stairs yelling, 'Pivot.' Every creation great and small, they are our diamonds. And what you may be in two hundred years, we can guess with fair accuracy. What you are in two thousand . . . Oh, my friends . . . my best friends, you cannot know.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
When you break up with someone, and I’m not talking casual breakups here, it’s hard to take the sudden absence of such an important person in your life. It reminded me of when I’d stopped going to school and the weird uneasy feeling I’d gotten afterward, like I was forgetting to do something. My life until that point had pivoted around some form of education, and all of a sudden, it was gone. Homework, classes, running around, and then – bam – nothing but a life of work stretching out before you. No one prepares you for that feeling or even mentions it. You just suddenly have a gap and have to decide how to fill it. A break up is like that gap, only much, much more painful. One day the person you talked to constantly or did stuff with is just absent. Gone. Poof. And even though I’m not one of those people who has to be in a relationship all the time, I was feeling at a loss.
Lish McBride (Necromancing the Stone (Necromancer, #2))
I watched the water swirl away entirely before I twisted my head to look at him. His fingers were gentle, but firm where he’d fisted them in my hair. “You never failed them,” I rasped. “I did … horrible things to ensure that.” Those violet eyes near-glowed in the dim light. “So did I.” My sweat clung like blood—the blood of those two faeries— I pivoted, barely turning in time. His other hand stroked long, soothing lines down the curve of my back, as over and over I yielded my dinner. When the latest wave had ebbed, I breathed, “The flames?” “Autumn Court.” I couldn’t muster a response. At some point, I leaned against the coolness of the nearby bathtub and closed my eyes. When I awoke, sun streamed through the windows, and I was in my bed—tucked in tightly to the fresh, clean sheets.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
…Or he could choose life. At that pivotal moment, it occurred to him that with all his schooling in theology he had, perhaps, missed the entire point of his studies, the very crux of the gospel he had professed to believe. That the measure of a person’s heart, the barometer of good or evil, was nothing more than the extent of their willingness to choose life over death. That the path of God was, simply, the path of life, abundant and eternal. And this is where he failed, for to choose life is to choose sorrow as well as joy, pain as well as pleasure. When Hunter had buried Rachel, he buried along with her his heart, lest it might heal and feel and grow again. And in so doing he had chosen more than death, he had chosen damnation itself, for damnation is nothing more than to stop a thing in its eternal progression. In that first flight from West Chester he had run not only from the horror and pain of death but from life itself.
Richard Paul Evans (The Looking Glass (The Locket, #2))
Vishous came up onto the dais, his eyes down. He accepted the silver glove from Z and slipped it over the black leather he already wore on his hand. Then he scored himself with a quick flash of the black blade and stared at the skull as his blood dripped down into the basin, joining the others'. "My flesh," he whispered. He seemed to hesitate before turning to Butch. Then he pivoted and their eyes met. As candlelight flickered over V's hard face and got caught in his diamond irises, Butch felt his breath get tight: At that moment, his roommate looked as powerful as a god...and maybe even as beautiful. Vishous stepped in close and slid his hand from Butch's shoulder to the back of his neck. "Your flesh," V breathed. Then he paused, as if asking for something. Without thinking, Butch titled his chin up, aware that he was offering himself, aware the he...oh, fuck. He stopped his thoughts, completely weirded out by the vibe that had sprung up from God only knew where. In slow motion Vishous's dark head dropped down and there was a silken brush as his goatee moved against Butch's throat. With delicious precision, V's fangs pressed against the vein that ran up from Butch's heart, then slowly, inexorably, punched through skin. Their chests merged. Butch closed his eyes and absorbed the feel of it all, the warmth of their bodies so close, the way V's hair felt soft on his jaw, the slide of a powerful male arm as it slipped around his waist. On their own accord, Butch's hands left the pegs and came to rest on V's hips, squeezing that hard flesh, bringing them together from head to foot. A tremor went through one of them. Or maybe...shit, it was more likely they both shuddered.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the highest and most mendacious minute of 'world history' — yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die. One might invent such a fable and still not have illustrated sufficiently how wretched, how shadowy and flighty, how aimless and arbitrary, the human intellect appears in nature. There have been eternities when it did not exist; and when it is done for again, nothing will have happened. For this intellect has no further mission that would lead beyond human life. It is human, rather, and only its owner and producer gives it such importance, as if the world pivoted around it. But if we could communicate with the mosquito, then we would learn that he floats through the air with the same self-importance, feeling within itself the flying center of the world. There is nothing in nature so despicable or insignificant that it cannot immediately be blown up like a bag by a slight breath of this power of knowledge; and just as every porter wants an admirer, the proudest human being, the philosopher, thinks that he sees on the eyes of the universe telescopically focused from all sides on his actions and thoughts.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
Every good-to-great company had Level 5 leadership during the pivotal transition years. • “Level 5” refers to a five-level hierarchy of executive capabilities, with Level 5 at the top. Level 5 leaders embody a paradoxical mix of personal humility and professional will. They are ambitious, to be sure, but ambitious first and foremost for the company, not themselves. • Level 5 leaders set up their successors for even greater success in the next generation, whereas egocentric Level 4 leaders often set up their successors for failure. • Level 5 leaders display a compelling modesty, are self-effacing and understated. In contrast, two thirds of the comparison companies had leaders with gargantuan personal egos that contributed to the demise or continued mediocrity of the company. • Level 5 leaders are fanatically driven, infected with an incurable need to produce sustained results. They are resolved to do whatever it takes to make the company great, no matter how big or hard the decisions. • Level 5 leaders display a workmanlike diligence—more plow horse than show horse. • Level 5 leaders look out the window to attribute success to factors other than themselves. When things go poorly, however, they look in the mirror and blame themselves, taking full responsibility. The comparison CEOs often did just the opposite—they looked in the mirror to take credit for success, but out the window to assign blame for disappointing results.
James C. Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
In 1967, the second resolution to the cat problem was formulated by Nobel laureate Eugene Wigner, whose work was pivotal in laying the foundation of quantum mechanics and also building the atomic bomb. He said that only a conscious person can make an observation that collapses the wave function. But who is to say that this person exists? You cannot separate the observer from the observed, so maybe this person is also dead and alive. In other words, there has to be a new wave function that includes both the cat and the observer. To make sure that the observer is alive, you need a second observer to watch the first observer. This second observer is called “Wigner’s friend,” and is necessary to watch the first observer so that all waves collapse. But how do we know that the second observer is alive? The second observer has to be included in a still-larger wave function to make sure he is alive, but this can be continued indefinitely. Since you need an infinite number of “friends” to collapse the previous wave function to make sure they are alive, you need some form of “cosmic consciousness,” or God. Wigner concluded: “It was not possible to formulate the laws (of quantum theory) in a fully consistent way without reference to consciousness.” Toward the end of his life, he even became interested in the Vedanta philosophy of Hinduism. In this approach, God or some eternal consciousness watches over all of us, collapsing our wave functions so that we can say we are alive. This interpretation yields the same physical results as the Copenhagen interpretation, so this theory cannot be disproven. But the implication is that consciousness is the fundamental entity in the universe, more fundamental than atoms. The material world may come and go, but consciousness remains as the defining element, which means that consciousness, in some sense, creates reality. The very existence of the atoms we see around us is based on our ability to see and touch them.
Michio Kaku (The Future of the Mind: The Scientific Quest To Understand, Enhance and Empower the Mind)
an empathic and patient listener, coaxing each of us through the maze of our feelings, separating out our weapons from our wounds. He cautioned us when we got too lawyerly and posited careful questions intended to get us to think hard about why we felt the way we felt. Slowly, over hours of talking, the knot began to loosen. Each time Barack and I left his office, we felt a bit more connected. I began to see that there were ways I could be happier and that they didn’t necessarily need to come from Barack’s quitting politics in order to take some nine-to-six foundation job. (If anything, our counseling sessions had shown me that this was an unrealistic expectation.) I began to see how I’d been stoking the most negative parts of myself, caught up in the notion that everything was unfair and then assiduously, like a Harvard-trained lawyer, collecting evidence to feed that hypothesis. I now tried out a new hypothesis: It was possible that I was more in charge of my happiness than I was allowing myself to be. I was too busy resenting Barack for managing to fit workouts into his schedule, for example, to even begin figuring out how to exercise regularly myself. I spent so much energy stewing over whether or not he’d make it home for dinner that dinners, with or without him, were no longer fun. This was my pivot point, my moment of self-arrest. Like a climber about to slip off an icy peak, I drove my ax into the ground. That isn’t to say that Barack didn’t make his own adjustments—counseling helped him to see the gaps in how we communicated, and he worked to be better at it—but I made mine, and they helped me, which then helped us. For starters, I recommitted myself to being healthy. Barack and I belonged to the same gym, run by a jovial and motivating athletic trainer named Cornell McClellan. I’d worked out with Cornell for a couple of years, but having children had changed my regular routine. My fix for this came in the form of my ever-giving mother, who still worked full-time but volunteered to start coming over to our house at 4:45 in the morning several days a week so that I could run out to Cornell’s and join a girlfriend for a 5:00 a.m. workout and then be home by 6:30 to get the girls up and ready for their days. This new regimen changed everything: Calmness and strength, two things I feared I was losing, were now back. When it came to the home-for-dinner dilemma, I installed new boundaries, ones that worked better for me and the girls. We made our schedule and stuck to it. Dinner each night was at 6:30. Baths were at 7:00, followed by books, cuddling, and lights-out at 8:00 sharp. The routine was ironclad, which put the weight of responsibility on Barack to either make it on time or not. For me, this made so much more sense than holding off dinner or having the girls wait up sleepily for a hug. It went back to my wishes for them to grow up strong and centered and also unaccommodating to any form of old-school patriarchy: I didn’t want them ever to believe that life began when the man of the house arrived home. We didn’t wait for Dad. It was his job now to catch up with
Michelle Obama (Becoming)