Pistol Attitude Quotes

Hammett wrote at first (and almost to the end) for people with a sharp, aggressive attitude to life. They were not afraid of the seamy side of things; they lived there. Violence did not dismay them; it was right down their street. Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish. He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes

The invitation came from Studio Morra in Naples: Come and perform whatever you want. It was early 1975. With the scandalized reactions of the Belgrade press fresh in my mind, I planned a piece in which the audience would provide the action. I would merely be the object, the receptacle. My plan was to go to the gallery and just stand there, in black trousers and a black T-shirt, behind a table containing seventy-two objects: A hammer. A saw. A feather. A fork. A bottle of perfume. A bowler hat. An ax. A rose. A bell. Scissors. Needles. A pen. Honey. A lamb bone. A carving knife. A mirror. A newspaper. A shawl. Pins. Lipstick. Sugar. A Polaroid camera. Various other things. And a pistol, and one bullet lying next to it. When a big crowd had gathered at eight P.M., they found these instructions on the table: There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility. Duration: 6 hours (8pm - 2am) Slowly at first and then quickly, things began to happen. It was very interesting: for the most part, the women in the gallery would tell the men what to do to me, rather than do it themselves (although later on, when someone stuck a pin into me, one woman wiped the tears from my eyes). For the most part, these were just normal members of the Italian art establishment and their wives. Ultimately I think the reason I wasn’t raped was that the wives were there. As evening turned into late night, a certain air of sexuality arose in the room. This came not from me but from the audience. We were in southern Italy, where the Catholic Church was so powerful, and there was this strong Madonna/whore dichotomy in attitudes toward women. After three hours, one man cut my shirt apart with the scissors and took it off. People manipulated me into various poses. If they turned my head down, I kept it down; if they turned it up, I kept it that way. I was a puppet—entirely passive. Bare-breasted, I stood there, and someone put the bowler hat on my head. With the lipstick, someone else wrote IO SONO LIBERO—“I am free”—on the mirror and stuck it in my hand. Someone else took the lipstick and wrote END across my forehead. A guy took Polaroids of me and stuck them in my hand, like playing cards. Things got more intense. A couple of people picked me up and carried me around. They put me on the table, spread my legs, stuck the knife in the table close to my crotch. Someone stuck pins into me. Someone else slowly poured a glass of water over my head. Someone cut my neck with the knife and sucked the blood. I still have the scar. There was one man—a very small man—who just stood very close to me, breathing heavily. This man scared me. Nobody else, nothing else, did. But he did. After a while, he put the bullet in the pistol and put the pistol in my right hand. He moved the pistol toward my neck and touched the trigger. There was a murmur in the crowd, and someone grabbed him. A scuffle broke out. Some of the audience obviously wanted to protect me; others wanted the performance to continue. This being southern Italy, voices were raised; tempers flared. The little man was hustled out of the gallery and the piece continued. In fact, the audience became more and more active, as if in a trance. And then, at two A.M., the gallerist came and told me the six hours were up. I stopped staring and looked directly at the audience. “The performance is over,” the gallerist said. “Thank you.” I looked like hell. I was half naked and bleeding; my hair was wet. And a strange thing happened: at this moment, the people who were still there suddenly became afraid of me. As I walked toward them, they ran out of the gallery.

You could just be yourself. That was a very important part of the Sex Pistols era. It wasn’t an antisex thing or a consciously premeditated attitude. We weren’t going to play the games according to the previous shitheads.

It ended with the extraordinary words, ‘The entire attitude of the Gestapo throughout this affair has proven that its sole concern was to brand me as the guilty party,’ and, ‘I therefore challenge you to a duel with pistols.

It came all of a sudden when it did, with a rush of feet and a roar, and then a shout from Alan, and a sound of blows and some one crying out as if hurt. I looked back over my shoulder, and saw Mr. Shuan in the doorway, crossing blades with Alan. “That’s him that killed the boy!” I cried. “Look to your window!” said Alan; and as I turned back to my place, I saw him pass his sword through the mate’s body. It was none too soon for me to look to my own part; for my head was scarce back at the window, before five men, carrying a spare yard for a battering-ram, ran past me and took post to drive the door in. I had never fired with a pistol in my life, and not often with a gun; far less against a fellow-creature. But it was now or never; and just as they swang the yard, I cried out: “Take that!” and shot into their midst. I must have hit one of them, for he sang out and gave back a step, and the rest stopped as if a little disconcerted. Before they had time to recover, I sent another ball over their heads; and at my third shot (which went as wide as the second) the whole party threw down the yard and ran for it. Then I looked round again into the deck-house. The whole place was full of the smoke of my own firing, just as my ears seemed to be burst with the noise of the shots. But there was Alan, standing as before; only now his sword was running blood to the hilt, and himself so swelled with triumph and fallen into so fine an attitude, that he looked to be invincible. Right before him on the floor was Mr. Shuan, on his hands and knees; the blood was pouring from his mouth, and he was sinking slowly lower, with a terrible, white face; and just as I looked, some of those from behind caught hold of him by the heels and dragged him bodily out of the round-house. I believe he died as they were doing it.