Piranesi Quotes

The Beauty of the House is immeasurable; its Kindness infinite.

Perhaps even people you like and admire immensely can make you see the World in ways you would rather not.

May your Paths be safe, your Floors unbroken and may the House fill your eyes with Beauty.

The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end.

It does not matter that you do not understand the reason. You are the Beloved Child of the House. Be comforted. And I am comforted.

In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall.

My last thought before I fell asleep was: He is dead. My only friend. My only enemy.

Birds are not difficult to understand. Their behaviour tells me what they are thinking. Generally it runs along the lines of: Is this food? Is this? What about this? This might be food. I am almost certain that this is. Or occasionally: It is raining. I do not like it.

I realised that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery.

Perhaps that is what it is like being with other people. Perhaps even people you like and admire immensely can make you see the World in ways you would rather not. Perhaps that is what Raphael means.

In my mind are all the tides, their seasons, their ebbs and their flows.

This experience led me to form a hypothesis: perhaps the wisdom of birds resides, not in the individual, but in the flock, the congregation.

Not everything about the Wind was bad. Sometimes it blew through the little voids and crevices of the Statues and caused them to sing and whistle in surprising ways; I had never known the Statues to have voices before and it made me laugh for sheer delight.

The World feels Complete and Whole, and I, its Child, fit into it seamlessly. Nowhere is there any disjuncture where I ought to remember something but do not, where I ought to understand something but do not.

had a long drink of water. It was delicious and refreshing (it had been a cloud only hours before).

I felt a surge of anger and for a moment I thought I would not tell him what I knew. But then I thought that it was unkind to punish him for something he cannot help. It is not his fault that he does not see things the way I do.

It is my belief that the World (or, if you will, the House, since the two are for all practical purposes identical) wishes an Inhabitant for Itself to be a witness to its Beauty and the recipient of its Mercies. If I leave, then the House will have no Inhabitant and how will I bear the thought of it Empty?

but as a scientist and an explorer I have a duty to bear witness to the Splendours of the World.

Suddenly I saw in front of me the Statue of the Faun, the Statue that I love above all others. There was his calm, faintly smiling face; there was his forefinger gently pressed to his lips. [...] Hush! he told me. Be comforted!

Several times Waves passed over our heads, but they fell back the next instant. We were drenched, we were numbed, we were blinded, we were deafened; but always we were saved.

The World feels complete and whole, and I, its Child, fit into it seamlessly.

Once, men and women were able to turn themselves into eagles and fly immense distances. They communed with rivers and mountains and received wisdom from them. They felt the turning of the stars inside their own minds. My contemporaries did not understand this. They were all enamoured with the idea of progress and believed that whatever was new must be superior to what was old. As if merit was a function of chronology! But it seemed to me that the wisdom of the ancients could not have simply vanished. Nothing simply vanishes. It’s not actually possible.

I was in a house with many rooms. The sea sweeps through the house. Sometimes it swept over me, but always I was saved.

Our clothes were plastered to our bodies with wet. My hair - which is dark and curly - was as full of droplets as a Cloud. I rained every time I moved.

People call me a philosopher or a scientist or an anthropologist. I am none of those things. I am an anamnesiologist. I study what has been forgotten. I divine what has disappeared utterly. I work with absences, with silences, with curious gaps between things. I am really more of a magician than anything else.’ Laurence Arne-Sayles, interview in The Secret Garden, May 1976

There is a thing that I know but always forget: Winter is hard.

Abandoning the search for the Knowledge would free us to pursue a new sort of science. We could follow any path that the data suggested to us.

the idea that the Ancients had a different way of relating to the world, that they experienced it as something that interacted with them. When they observed the world, the world observed them back.

Of all the billions of people in this world Raphael is the one I know best and love most. I understand much better now – better than Piranesi ever could – the magnificent thing she did in coming to find me, the magnitude of her courage. I know that she returns to the labyrinth often. Sometimes we go together; sometimes she goes alone. The quiet and the solitude attract her strongly. In them she hopes to find what she needs. It worries me. ‘Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.

I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.

the Theory of Other Worlds. Simply put, it said that when knowledge or power went out of this world it did two things: first, it created another place; and second, it left a hole, a door between this world where it had once existed and the new place it had made.

The beauty of the House is immeasurable; its Kindness infinite

Once, men and women were able to turn themselves into eagles and fly immense distances. They communed with rivers and mountains and received wisdom from them. They felt the turning of the stars inside their own minds.

I can see it is in the nature of men to prefer one thing to another, to find one thing more meaningful than another.

Do you trust the House? I ask Myself. Yes, I answer Myself. And if the House has made you forget, then it has done so for good reason. But I do not understand the reason. It does not matter that you do not understand the reason. You are the Beloved Child of the House. Be comforted. And I am comforted.

Perhaps that is what it is like with other people. Perhaps even people you like and admire immensely can make you see the World in ways you would rather not. Perhaps that is what Raphael means.

The enormity of this task sometimes makes me feel a little dizzy, but as a scientist and an explorer I have a duty to bear witness to the Splendours of the World.

Raphael looked around at the sombre grey Waters lapping the Walls and the dripping Statues. She didn't say anything. 'It's usually a lot drier than this,' I said quickly in case she was thinking that my Home was inhospitable and damp.

And You. Who are You? Who is it that I am writing for? Are You a traveller who has cheated Tides and crossed Broken Floors and Derelict Stairs to reach these Halls? Or are You perhaps someone who inhabits my own Halls long after I am dead?

This realisation – the realisation of the Insignificance of the Knowledge – came to me in the form of a Revelation. What I mean by this is that I knew it to be true before I understood why or what steps had led me there.

In all these places I have stood in Doorways and looked ahead.

Safe in his embrace, I wept for my lost Sanity.

Today it stopped raining. The World became light of Heart again.

Perhaps that is what it is like being with other people. Perhaps even people you like and admire immensely can make you see the World in ways you would rather not...

Two memories. Two bright minds which remember past events differently. It is an awkward situation. There exists no third person to say which of us is correct.

They were all enamoured with the idea of progress and believed that whatever was new must be superior to what was old. As if merit was a function of chronology!

He has a most charming smile when he remembers to use it.

I am an anamnesiologist. I study what has been forgotten.

Is it disrespectful to the House to love some Statues more than others? I sometimes ask Myself this question. It is my belief that the House itself loves and blesses equally everything that it has created. Should I try to do the same? Yet, at the same time, I can see that it is in the nature of men to prefer one thing to another, to find one thing more meaningful than another.

When she was a teenager D’Agostino told a friend that she wanted to go to university to study Death, Stars and Mathematics. Inexplicably the University of Manchester didn’t offer such a course, so she settled for Mathematics.

They have Matthew Rose Sorensen back – or so they believe. A man with his face and voice and gestures moves about the world, and that is enough for them.

And so I have to ask Myself: whose memory is at fault? Mine or his? Might he in fact be remembering conversations that never happened?

Timey-Wimey: Steven Moffat, Blink and J. W. Dunne’s theories of Time’,

I must not become so absorbed in my scientific work that I forget to fish and end up with nothing to eat.

The way the ancient perceived the world was the way the world truly was. This gave them extraordinary influence and power. Reality was not only capable of taking part in a dialogue - intellegible and articulate - it was also persuadable.

Why did you think he described the other world—the one he said he went to most often—as a labyrinth?’ Ketterley shrugged. ‘A vision of cosmic grandeur, I suppose. A symbol of the mingled glory and horror of existence. No one gets out alive.

I took his poor, broken head into my lap and cradled it. 'Your good looks are gone,' I told him. 'But you mustn't worry about it. This unsightly condition is only temporary. Don't be sad. Don't fear. I will place you somewhere where the fish and the birds can strip away all this broken flesh. It will soon be gone. Then you will be a handsome skull and handsome bones. I will put you in good order and you can rest in the Sunlight and the Starlight. The Statues will look down on you with Blessing. I am sorry that I was angry with you. Forgive me.

I no longer feel quite so alarmed when a nonsensical word in my Journal gives rise to a mental image that I cannot account for. Do not be anxious, I tell Myself. It is the House. It is the House enlarging your understanding.

And so I have to ask myself: whose memory is at fault? Mine or his? [...] Two memories. Two bright minds which remember past events differently,

In my agitation I leapt up and walked rapidly up and down the Hall. Oh, fuck! Fuck! Fuck! Fuck! Fuck! I muttered to Myself. Fuck! Fuck! Fuck! Fuck! After a minute or two of walking uselessly to and fro, I spoke to Myself sternly, telling Myself that it was no good bewailing the Past; what was needed now was to plan for the Future.

In accordance with the first system I have named two years 2011 and 2012. This strikes me as deeply pedestrian. Also I cannot remember what happened two thousand years ago which made me think that year a good starting point. According to the second system I have given the years names like ‘The Year I named the Constellations’ and ‘The Year I counted and named the Dead’. I like this much more. It gives each year a character of its own. This is the system I shall use going forward.

write down what I observe in my notebooks. I do this for two reasons. The first is that Writing inculcates habits of precision and carefulness. The second is to preserve whatever knowledge I possess for you, the Sixteenth Person.

I am not home. I am here.

Since the World began it is certain that there have existed fifteen people.

I paused and examined Myself for signs of imminent madness or tendencies to self-destruction. Finding none, I read further.

I will concentrate on lending you the strength of my Spirit,’ I said. ‘Fine. Good. You do that.

I am an anamnesiologist. I study what has been forgotten. I divine what has disappeared utterly. I work with absences, with silences, with curious gaps between things.

I rained every time I moved.

This is where I lost Myself. I lost Myself in long, sick fantasies of revenge.

If I leave, then the House will have no Inhabitant and how will I bear the thought of it Empty?

all I get the sense that she is alone, perhaps by choice or perhaps because no one else was courageous enough to follow her into the darkness.

But I haven’t got his mind and I haven’t got his memories. I don’t mean that he’s not here. He is here.’ I touched my breast. ‘But I think he’s asleep. He’s fine. You mustn’t worry about him.

Late in the afternoon we returned to the First Vestibule. Just before we parted Raphael said, ‘I love the quiet here. No people!’ She said the last part as if it were the greatest advantage of all. ‘Don’t you like the people in your own Halls?’ I asked, puzzled. ‘I like them,’ she said, with no very great enthusiasm. ‘Mostly I like them. Some of them. I don’t always get them. They don’t always get me.

I lined a fishing net with heavy-gauge plastic. Inside I placed what I thought was the right amount of nesting material for two such enormous birds. It approximated to three days’ fuel. This was no insignificant amount and I knew that I might be colder because I had given it away. But what is a few days of feeling cold compared to a new albatross in the World?..

Do you trust the House? I ask Myself. Yes, I answer Myself. And if the House has made you forget, then it has done so for good reason. But I do not understand the reason. It does not matter that you do not understand the reason. You are the Beloved Child of the House. Be comforted. And I am comforted.

As well as my regular meetings with the Other and the quiet, consolatory presence of the Dead, there are the birds. Birds are not difficult to understand. Their behaviour tells me what they are thinking. Generally it runs along the lines of: Is this food? Is this? What about this? This might be food. I am almost certain that this is. Or occasionally: It is raining. I do not like it.

2. If you are one of my own Dead (and if your Spirit passes through this Vestibule and reads this paper) then I hope you already know that I visit your Niche or Plinth regularly to talk with you and bring you offerings of food and drink. 3. If you are dead – but not one of my own Dead – then please know that I travel far and wide in the World. If ever I find your remains I will bring you offerings of food and drink. If it seems to me that no one living is caring for you then I will gather up your bones and bring them to my own Halls. I will put you in good order and lay you with my own Dead. Then you will not be alone.

I remembered how Raphael had wondered which of the People of the Alcove had been murdered and how the simple fact of her posing the question had made the whole World seem a darker, sadder Place. Perhaps that is what it is like being with other people. Perhaps even people you like and admire immensely can make you see the World in ways you would rather not. Perhaps that is what Raphael means.

As I walked, I was thinking about the Great and Secret Knowledge, which the Other says will grant us strange new powers. And I realised something. I realised that I no longer believed in it. Or perhaps that is not quite accurate. I thought it was possible that the Knowledge existed. Equally I thought that it was possible it did not. Either way it no longer mattered to me. I did not intend to waste my time looking for it any more. This realisation – the realisation of the Insignificance of the Knowledge – came to me in the form of a Revelation. What I mean by this is that I knew it to be true before I understood why or what steps had led me there. When I tried to retrace those steps my mind kept returning to the image of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight, to its Beauty, to its deep sense of Calm, to the reverent looks on the Faces of the Statues as they turned (or seemed to turn) towards the Moon. I realised that the search for the Knowledge has encouraged us to think of the House as if it were a sort of riddle to be unravelled, a text to be interpreted, and that if ever we discover the Knowledge, then it will be as if the Value has been wrested from the House and all that remains will be mere scenery. The sight of the One-Hundred-and-Ninety-Second Western Hall in the Moonlight made me see how ridiculous that is. The House is valuable because it is the House. It is enough in and of Itself. It is not the means to an end. This thought led on to another. I realised that the Other’s description of the powers that the Knowledge will grant has always made me uneasy. For example: he says that we will have the power to control lesser minds. Well, to begin with there are no lesser minds; there are only him and me and we both have keen and lively intellects. But, supposing for a moment that a lesser mind existed, why would I want to control it?

Once, when I had not eaten for two days, I determined to go to the Drowned Halls to find some food. I ascended to the Upper Halls. This in itself was not easy for someone in my enfeebled condition. The Staircases, though they vary in size, are mostly built on the same noble scale as the rest of the House and each Step is almost twice the height that is comfortable for me. (It is as though God had originally built the House intending to people it with Giants before inexplicably changing His Mind.)

I have to consider the needs of the Biscuit-Box Man – and the Folded-Up Child – and the People of the Alcove. They only have me to take care of them. They are in unfamiliar surroundings and may feel disconcerted. I have to return them to their appointed places.

I thought that I was going to die; or else that I would be swept away to Unknown Halls, far from the rush and thrum of Familiar Tides. I clung on.

I need to produce great ideas, and I believe that if I were commissioned to design a new universe, I would be mad enough to undertake it.

In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass. Last night I dreamt that I was standing in the fifth northern hall facing the statue of the gorilla. The gorilla dismounted from his plinth and came towards me with his slow knuckle-walk. He was grey-white in the moonlight; and I flung my arms around his massive neck and told him how happy I was to be home. When I awoke I thought: I am not home. I am here.

The fantastic in literature doesn't exist as a challenge to what is probable, but only there where it can be increased to a challenge of reason itself: the fantastic in literature consists, when all has been said, essentially in showing the world as opaque, as inaccessible to reason on principle. This happens when Piranesi in his imagined prisons depicts a world peopled by other beings than those for which it was created. ("On the Fantastic in Literature")

Show me the labyrinth.' 'Gladly. What would you like to see?' 'I don't know', she said. 'Whatever you want to show me. Whatever's most beautiful.' Of course, what I really wanted to show her was everything, but that was impossible.

This search that you and I are embarked on, it’s a truly great project. Momentous. One of the most important in humanity’s history. The knowledge we seek isn’t something new. It’s old. Really old. Once upon a time people possessed it and they used it to do great things, miraculous things. They should have held on to it. They should have respected it. But they didn’t. They abandoned it for the sake of something they called progress. And it’s up to us to get it back.

Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.

I took his poor, broken head into my lap and cradled it. ‘Your good looks are gone,’ I told him. ‘But you mustn’t worry about it. This unsightly condition is only temporary. Don’t be sad. Don’t fear. I will place you somewhere where the fish and the birds can strip away all this broken flesh. It will soon be gone. Then you will be a handsome skull and handsome bones.

it occurs to me to wonder why it is that the House gives a greater variety of objects to the Other than to me, providing him with sleeping bags, shoes, plastic bowls, cheese sandwiches, notebooks, slices of Christmas cake etc., etc., whereas me it mostly gives fish. I think perhaps it is because the Other is not as skilled in taking care of himself as I am. He does not know how to fish. He never (as far as I know) gathers seaweed, dries it and stores it to make fires or a tasty snack; he does not cure fish skins and make leather out of them (which is useful for many things). If the House did not provide all these things for him, it is quite possible that he would die. Or else (which is more likely) I would have to devote a great deal of my time to caring for him.

have begun a Catalogue in which I intend to record the Position, Size and Subject of each Statue, and any other points of interest. So far I have completed the First and Second South-Western Halls and am engaged on the Third. The enormity of this task sometimes makes me feel a little dizzy, but as a scientist and an explorer I have a duty to bear witness to the Splendours of the World.

According to the second system I have given the years names like ‘The Year I named the Constellations’ and ‘The Year I counted and named the Dead’. I like this much more. It gives each year a character of its own. This is the system I shall use going forward.

The knowledge we seek isn’t something new. It’s old. Really old. Once upon a time people possessed it and they used it to do great things, miraculous things. They should have held on to it. They should have respected it. But they didn’t. They abandoned it for the sake of something they called progress. And it’s up to us to get it back. We’re not doing this for ourselves; we’re doing it for humanity.

This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.

A wave of sadness and helplessness washed over me. I wanted to say that the People of the Alcove had not been murdered by Arne-Sayles (though I have no evidence to support that assertion and the probability is that at least one of them was). Mostly I wanted Raphael to come away from them so that I could stop thinking of them the way she thought of them – as murdered – and go back to thinking of them the way I always had before – as good, and noble, and peaceful.

Matthew Rose Sorensen’s mother and father and sisters and friends all ask me where I have been. I tell them what I told Jamie Askill: that I was in a house with many rooms; that the sea sweeps through the house; and that sometimes it swept over me, but always I was saved. Matthew Rose Sorensen’s mother and father and sisters and friends tell each other that this is a description of a mental breakdown seen from the inside; an explanation they find reasonable, perhaps even reassuring. They have Matthew Rose Sorensen back – or so they believe. A man with his face and voice and gestures moves about the world, and that is enough for them. I no longer look like Piranesi. There are no coral beads or fishbones in my hair. My hair is clean and cut and styled. I am clean-shaven. I wear the clothes that were brought to me out of the storage in which Matthew Rose Sorensen’s sisters had placed them. Rose Sorensen had a great number of clothes, all meticulously cared for. He had more than a dozen suits (which I find surprising considering that his income was not large). This love of clothes was something he shared with Piranesi. Piranesi frequently wrote about Dr Ketterley’s clothes in his journal and lamented the contrast with his own ragged garments. This, I suppose, is where I differ from both of them – from Matthew Rose Sorensen and Piranesi; I find I do not care greatly about clothes.

After she had gone, I thought about what she had said. I cannot imagine not wanting to be with people. (Though it is true that Dr. Ketterley was sometimes annoying.) I remembered how Raphael had wondered which of the People of the Alcove had been murdered and the simple fact of her posing the question had made the whole World seem a darker, sadder place. Perhaps that is what it is like being with other people. Perhaps even people you like and admire immensely can make you see the World in ways you would rather not. Perhaps that is what Raphael means.

It occurs to me that there are many other ideas that I understand perfectly, even though no such things exist in the World. For example I know that a garden is a place where one can refresh oneself with the sight of plants and trees. But a garden is not a thing that exists in the World nor is there any Statue representing that particular idea. (Indeed I cannot quite imagine what a Statue of a garden would look like.) Instead, scattered about the House are Statues in which People or Gods or Beasts are surrounded by Roses or Strands of Ivy, or shelter under the Canopies of Trees. In the Ninth Vestibule there is the Statue of a Gardener digging and in the Nineteenth South-Eastern Hall there is a Statue of a different Gardener pruning a Rose Bush. It is from these things that I deduce the idea of a garden. I do not believe this happens by accident. This is how the House places new ideas gently and naturally in the Minds of Men. This is how the House increases my understanding.

I leave entry for the first day of the tenth month in the year the albatross came to the south-western halls This morning I fetched the small cardboard box with the word AQUARIUM and the picture of an octopus on it. It is the box that originally contained the shoes Dr Ketterley gave me. When Dr Ketterley told me to hide Myself from 16, I took the ornaments out of my hair and placed them in the box. But now, wanting to look my best when I enter the New World, I spent two or three hours putting them back in, all the pretty things that I have found or made: seashells, coral beads, pearls, tiny pebbles and interesting fishbones. When Raphael arrived, she seemed rather astonished at my pleasant appearance. I took my messenger bag with all my Journals and my favourite pens and we walked towards the two Minotaurs in the South-Eastern Corner. The shadows between them shimmered slightly. The shadows suggested the shape of a corridor or alleyway with dim walls and, at the end of it, lights, flashes of moving colour that my eye could not interpret. I took one last look at the Eternal House. I shivered. Raphael took my hand. Then, together, we walked into the corridor.

I once wrote in my Journal: It is my belief that the World (or, if you will, the House, since the two are for all practical purposes identical) wishes an Inhabitant for Itself to be a witness to its Beauty and the recipient of its Mercies. If I leave, then the House will have no Inhabitant and how will I bear the thought of it Empty? Yet the simple fact is that if I remain in these Halls I will be alone. In one sense I suppose I will be no more alone than before. Raphael has promised to visit me, just as the Other visited me before. And Raphael really is my friend – whereas the Other’s feelings towards me were mixed, to say the least. Whenever the Other left me he went back to his own World, but I did not know that at the time; I thought that he was simply in another Part of the House. Believing that there was someone else here made me less lonely. Now, when Raphael returns to the Other World, I will know that I am alone. And so for this reason I have decided to go with Raphael. I have returned all of the Dead to their allotted places. Today I walked through the Halls as I have done a thousand times before. I visited all my most beloved Statues and as I gazed on each one, I thought: Perhaps this will be the last time I look on your Face. Goodbye! Goodbye!