Cowboy Spur Quotes

We've searched our database for all the quotes and captions related to Cowboy Spur. Here they are! All 39 of them:

I plan to use my hands, my mouth, and my cock to fuck that basic vanilla sex right outta you.
Lorelei James (Saddled and Spurred (Blacktop Cowboys, #2))
Bran grabbed her sleeve, forcing her to look at him. "What in the hell is goin' on with you?" "What is wrong with me? What is wrong with your goats? They're evil! And they're laughing at me! Look at their smug little goat faces! Go on. Look at them!
Lorelei James (Saddled and Spurred (Blacktop Cowboys, #2))
Because as proud as I am of you, I need to do something that makes me proud of myself" (Harper)
Lorelei James (Saddled and Spurred (Blacktop Cowboys, #2))
You call me Red again, Mister, and you won't need one. What you'll need is a pine box and a preacher to read about you lyin' down green pastures.
Carolyn Brown (Red's Hot Cowboy (Spikes & Spurs, #2))
Never miss a good chance to shut up.
Texas Bix Bender (Don't Squat With Yer Spurs On!: A Cowboy's Guide to Life)
Dude, he's got that mean, squinty Clint Eastwood stare that's scary as shit.[Bailey]
Lorelei James (Saddled and Spurred (Blacktop Cowboys, #2))
After eating an entire bull, a mountain lion felt so good that he started roaring. He kept it up until a hunter came along and shot him. The moral: when you're full of bull, keep your mouth shut.
Texas Bix Bender (Don't Squat With Yer Spurs On!: A Cowboy's Guide to Life)
Remain independent of any source of income that will deprive you of your personal liberties.
Texas Bix Bender (Don't Squat With Yer Spurs On!: A Cowboy's Guide to Life)
Whoa, cowboy! I don't have phone sex on the first phone call.
Carolyn Brown (Red's Hot Cowboy (Spikes & Spurs, #2))
What Jack remembered and craved in a way he could neither help nor understand was the time that distant summer on Brokeback when Ennis had come up behind him and pulled him close, the silent embrace satisfying some shared and sexless hunger. They had stood that way for a long time in front of the fire, its burning tossing ruddy chunks of light, the shadow of their bodies a single column against the rock. The minutes ticked by from the round watch in Ennis's pocket, from the sticks in the fire settling into coals. Stars bit through the wavy heat layers above the fire. Ennis's breath came slow and quiet, he hummed, rocked a little in the sparklight and Jack leaned against the steady heartbeat, the vibrations of the humming like faint electricity and, standing, he fell into sleep that was not sleep but something else drowsy and tranced until Ennis, dredging up a rusty but still useable phrase from the childhood time before his mother died, said, "Time to hit the hay, cowboy. I got a go. Come on, you're sleepin on your feet like a horse," and gave Jack a shake, a push, and went off in the darkness. Jack heard his spurs tremble as he mounted, the words "see you tomorrow," and the horse's shuddering snort, grind of hoof on stone. Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see nor feel that it was Jack he held. And maybe, he thought, they'd never get much farther that that. Let be, let be.
Annie Proulx (Brokeback Mountain)
Anything you want, Bran. You know I won't say no. I never have.
Lorelei James (Saddled and Spurred (Blacktop Cowboys, #2))
Timing has a lot to do with the outcome of a raindance.
Texas Bix Bender (Don't Squat With Yer Spurs On!: A Cowboy's Guide to Life)
Summertime, it gets hotter than Lucifer’s tail feathers,
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
He flipped through channels until he found reruns of NCIS. "Understanding murder is simple compared to understanding a woman, Leroy Jethro Gibbs. You been married a bunch of times. What advice would you give me?" He talked to the character on the television. Gibbs said, "Grab your gear.
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
His saddle, hanging by a stirrup from a peg in the big long log barn, was a good twenty years old; his spurs were of good plain steel—no fancy silver inlays, not such spurs as crowded the dreams of others; he wore plain shoes instead of boots, scorned the trimmings and trappings of the cowboy, although in his younger days he was as good a rider as any of them, a better roper than George. With all his money and family, he was just folks, dressed like any hired hand in overalls and blue chambray shirt;
Thomas Savage (The Power of the Dog)
Back at the oak the men lounged in the shade and finished up their meal. Watching Clayt down at the creek, Nestor threw out a quiet question for anyone who would listen. “How come Clayt don’t wear no spurs?” “Don’t need ’em,” Lou said. “You seen him ride. He can purty much control a horse with just his knees and neck-reinin’.” Nestor lay back and propped on both elbows. Lifting a leg, he turned one boot in profile and spun the rowel with the toe of his other boot. “Hell, I like the way it sounds when I walk.” Lou stood and brushed off his trousers. “He don’t need that neither.
Mark Warren (Indigo Heaven)
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
God bless the corners of this house, and be the lintel blest, and bless the hearth and bless the board and bless each place of rest, and bless each door that opens wide to stranger as to kin. And bless each crystal window pane that lets the starlight in, and bless the rooftree overhead and every sturdy wall. The peace of man, the peace of God, the peace of love on all. Amen.
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
Wait, Abigail.” Dylan wiped his tool on his rag. “You like country music?” She could see where this was headed. “Not really. More of a classical music gal myself.” “Give me a chance to win you over. We have a great local band, the Silver Spurs, and they’re playing at the Chuckwagon Saturday.” “Marla’s brother’s band. Tina from Mocha Moose told me about them.” “You’re getting around.” Not in the way he hoped. “I like meeting people.” She knew it was the wrong thing to say as soon as she said it. “Then come with me Saturday. Everyone from town’ll be there, and it’ll give you a chance to hang out with the home crowd.” He winked. “Thanks, but I don’t think so. Have fun, though.” She turned toward the house. “I won’t give up, you know,” he called, teasing. “I’m getting that impression.
Denise Hunter (A Cowboy's Touch (Big Sky Romance #1))
I’m not going to give you the typical ‘Other Fish in the Sea’ speech, sis, but make sure the next one isn’t too easy to reel in, ‘cause we both know the easier the fight the less healthy the fish.
Jules Dixon (Spurs (Cherry County Cowboys, #1))
There's a lot more to ridin' a horse than just sittin' in the saddle and lettin' yer feet hang down.
Texas Bix Bender (Don't Squat With Yer Spurs On!: A Cowboy's Guide to Life)
Saddle horses lined the hitching-rails as far as Brite could see. Canvas-covered wagons, chuck-wagons, buckboards, vehicles of all Western types, stood outside the saddle horses. And up one side and down the other a procession ambled in the dust. On the wide sidewalk a throng of booted, belted, spurred men wended their way up or down. The saloons roared. Black-sombreroed, pale-faced, tight-lipped men stood beside the wide portals of the gaming-dens. Beautiful wrecks of womanhood, girls with havoc in their faces and the look of birds of prey in their eyes, waited in bare-armed splendor to be accosted. Laughter without mirth ran down the walk. The stores were full. Cowboys in twos and threes and sixes trooped by, young, lithe, keen of eye, bold of aspect, gay and reckless. Hundreds of cowboys passed Brite in that long block from the hotel to the intersecting street. And every boy gave him a pang. These were the toll of the trail and of Dodge. It might have been the march of empire, the tragedy of progress, but it was heinous to Brite. He would never send another boy to his death.
Zane Grey (The Trail Driver: A Western Story)
Was this all there was to life? Joys and sorrows reduced to a box full of gray ashes.
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
Living isn’t for wimps no matter what age you are,
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
Her face looked like the bottom of a dried up creek bed after a drought,
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
When he smiled his teeth looked like a picket fence that a tornado had wrecked.
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
The only thing that held it together the previous summer was baling wire, cheap used parts, and cussin’ that would fry the hair out of a frog’s nostrils.
Carolyn Brown (Love Drunk Cowboy (Spikes & Spurs, #1))
Sage was right behind her and when she passed by Creed's chair he reached out and touched her arm. She stopped and looked down at him quizzically. "You sure look pretty this morning," he said.
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
Spanish is the lovin’ tongue, Soft as music, light as spray. ’Twas a girl I learnt it from, Livin’ down Sonora way. I don’t look much like a lover, Yet I say her love words over, Often when I’m all alone— “Mi amor, mi corazon.” Nights when she knew where I’d ride, She would listen for my spurs, Throw the big door open wide, Raise them laughin’ eyes of hers. And my heart would nigh stop beatin' When I heard her tender greeting, Whispered soft for me alone— “Mi amor! mi corazon!” Moonlight in the patio, Old señora noddin’ near, Me and Juana talkin’ low So the Madre couldn’t hear— How those hours would go a-flyin’! And too soon I’d hear her sighin’ In her little sorry tone— “Adios, mi corazon!” But one time I had to fly For a foolish gamblin’ fight, And we said a swift goodbye In that black, unlucky night. When I’d loosed her arms from clingin’ With her words the hoofs kep’ ringin’ As I galloped north alone— “Adios, mi corazon!” Never seen her since that night. I kaint cross the Line, you know. She was Mex and I was white; Like as not, it’s better so. Yet I’ve always sort of missed her Since that last, wild night I kissed her, Left her heart and lost my own— “Adios, mi corazon!
Charles Badger Clark (Sun and Saddle Leather)
for the rest of the night. Other than to refuel with holiday leftovers. “Would you still love me if I told you I didn’t know what tasted better, Christmas leftovers or you?” Jana cocked her eyebrow with a sexy smile on her face. Damn, she was beautiful. “No but I will be mad unless you do some very thorough research and come up with a satisfying answer…” I grinned. This Christmas was unlike any of the others Jana and I had spent together. This time we had two little boys, a bigger family and we’d faced our biggest threat yet and come out on top. “If it’s for the sake of research, consider me in babe.” And I spent the rest of the night doing science. Between the gorgeous legs of my beautiful wife. I was pretty sure in that moment, life for the Reckless Bastard’s couldn’t get any better. Merry friggin’ Christmas to us! * * * * If you think the Reckless Bastards are spicy bad boys, they’re nothing compared to the steam in my next series Reckless MC Opey, TX Chapter where Gunnar and Maisie move to Texas! There’s also a sneak peek on the next page.   Don’t wait — grab your copy today!  Copyright © 2019 KB Winters and BookBoyfriends Publishing Inc Published By: BookBoyfriends Publishing Inc Chapter One Gunnar “We’re gonna be cowboys!” Maisie had been singing that song since we got on the interstate and left Nevada and the only family we’d had in the world behind. For good. Cross was my oldest friend, and I’d miss him the most, even though I knew we’d never lose touch. I’d miss Jag too, even Golden Boy and Max. The prospects were cool, but I had no attachment to them. Though I gave him a lot of shit, I knew I’d even miss Stitch. A little. It didn’t matter that the last year had been filled with more shit than gold, or that I was leaving Vegas in the dust, we were all closer for the hell we’d been through. But still, I was leaving. Maisie and I’d been on the road for a couple of days. Traveling with a small child took a long damn time. Between bathroom breaks and snack times we’d be lucky to make it to Opey by the end of the month. Lucky for me, Maisie had her mind set on us becoming cowboys, complete with ten gallon hats, spurs and chaps, so she hadn’t shed one tear, yet. It wasn’t something I’d been hoping for but I was waiting patiently for reality to sink in and the uncontrollable sobs that had a way of breaking a grown man’s heart. “You’re not a boy,” I told her and smiled through the rear view mirror. “Hard to be a cowboy if you’re not even a boy.” Maisie grinned, a full row of bright white baby teeth shining back at me right along with sapphire blue eyes and hair so black it looked to be painted on with ink. “I’m gonna be a cowgirl then! A cowgirl!” She went on and on for what felt like forever, in only the way that a four year old could, about all the cool cowgirl stuff she’d have. “Boots and a pony too!” “A pony? You can’t even tie your shoes or clean up your toys and you want a pony?” She nodded in that exaggerated way little kids did. “I’ll learn,” she said with the certainty of a know it all teenager, a thought that terrified the hell out of me. “You’ll help me, Gunny!” Her words brought a smile to my face even though I hated that fucking nickname she’d picked up from a woman I refused to think about ever again. I’d help Maisie because that’s what family did. Hell, she was the reason I’d uprooted my entire fucking life and headed to the great unknown wilds of Texas. To give Maisie a normal life or as close to normal as I was capable of giving her. “I’ll always help you, Squirt.” “I know. Love you Gunny!” “Love you too, Cowgirl.” I winked in the mirror and her face lit up with happiness. It was the pure joy on her face, putting a bloom in her cheeks that convinced me this was the right thing to do. I didn’t want to move to Texas, and I didn’t want to live on a goddamn ranch, but that was my future. The property was already bought and paid for with my name
K.B. Winters (Mayhem Madness (Reckless Bastards MC #1-7))
Bread is like a living thing, you must handle it with love, roll and shape it with firm hands so it will become what you want, but most importantly, you must keep guard against the many calamities that can ruin it.
J.R. Biery (Tangled Spurs: Sequel to The Milch Bride (Cowboy Romance Series Book 2))
recognized
Carolyn Brown (Just a Cowboy and His Baby (Spikes & Spurs, #6))
Where are you?" "In the barn wrapped up in a quilt with an old pregnant cow that won't get on the ball and deliver her calf. Jack was wrong when he thought she'd calve tonight. Every song that played all day on the radio reminded me of you, Red. I miss you so bad.
Carolyn Brown (Red's Hot Cowboy (Spikes & Spurs, #2))
Bossy as hell, ain’t you?” “I prefer to think of it as highly acute organizational skills.” “That’s just fancy talk for bossy,” he argued. “Words are words.
Carolyn Brown (Just a Cowboy and His Baby (Spikes & Spurs, #6))
whooped
Carolyn Brown (Red's Hot Cowboy (Spikes & Spurs, #2))
tired as she was, the idea of stirrups
Carolyn Brown (Cowboy Seeks Bride (Spikes & Spurs, #7))
Pirate’s Cove. The decor was saddles and spurs and branding irons. The sign remained a lasting testimony that pirates don’t sell drinks in north Florida, and cowboys don’t sell enough for a new sign. Swinging
Tim Dorsey (Nuclear Jellyfish (Serge Storms, #11))
I kissed Polly good night as we stood at her front door Now she's quite a proper lady, so I didn't ask for anything more But I was feeling oh so groovy that I went down to the movie And I sat down and guess just what I saw? I saw Polly in a porny Down at the dirty flicks I saw Polly in a porny I didn't know she knew them tricks What I seen nearly struck me blind I never knew she was theatrically inclined I saw Polly in a porny with a pony and it nearly blowed my mind Was she gallopin'? (no no no) Oh was she trottin'? (no no no) Oh was she riding across the country with some tall dark handsome person Oh was she wearin' her cowboy hat? Well, not exactly that But at least I recall she had her spurs on I love ol' Polly in a porny I keep on going back In the very last row I'm singin' low with my coat bouncin' in my lap I spend each dime I can afford I swear she's gonna win an Academy Award I saw Polly in a porny with a pony and the pony seemed a little bored
Shel Silverstein